Read works of Sikong Tu at 诗海 |
[Late evolution of the late poems]
Finally it should be mentioned is the famous home Sikongtu Poetry (837-908). His holy word table, the river (now Shanxi Yongji
West), who, Northern Sung Painting decade (869) chin-shih, the official Zhizhi Gao, in the book Scheeren, after the hermit in the mountain section. His poetry is not
Very well, in general, similar with Zheng Gu, absorbed Wang, Wei Ying Wu and Yao Jia some of the features in the language
Handicraft delicate flavor than some fresh and clean, as he himself boasted, "the village green trees with dark yellow flowers into the wheat thin"
"Chess sound flower hospital closed, the high altar stone banner film," etc. (See "and Lee students of poetry and literature"), but in poetic theory, he has provided
Some far-reaching views.
Comments of the core of poetic ideas, found in several of his letters. In "with Lee students of poetry and literature" in his talk
First of all to be good at poetry, "identified in the taste," poetry "taste" for the use of metaphor, not just acid, acid, salt is salty, while the
To achieve an "acid addition salt" and "mellow", or that a "Taste." In the same paper, he
Using a similar argument:
Not float near, far and endless, but you can rhyme words outside the ear caused.
In the "book and a very Pu" in the Comments said:
Dai Rong Yun: Poets of the scenes, such as the Lam Tin on warm, Liangyu students smoke, and can not be expected to have placed before us fast. As outside
Elephant, King outside the King, not at easy to talk about Zai!
The so-called "Taste", "Yun outside to a" so-called "image out of images, scene outside the King", are merely different,
Means about the same, that is to be emphasized that the performance of poetry, not from the linguistic meaning can be understood on the level of emotional or
Image, but beyond a certain level of linguistic meaning can feel but can not study interrogate the charm. This is generally implied that
There are different dim, it prevailed in the Tang have deep ties of Chan, with a certain mystery. From
Attention to the particularity of poetic language, emphasizing the role of poetry is to inspire it not for the description and illustrate that point,
Comments of poetics have important implications on the future generations. Song Yan Yu "Changlangshihua" and Qing Wang Shizhen's "charm
Said, "are influenced by him.
Comments of the poetic name listed in the book there is the famous "24 Poems."
Some researchers have proposed the book near real time for Ming of Wei Tuo, the question remains to be further studies, we here
Temporary doubt. "24 Poems" also known as "Poetry", which the poetic style into forceful, dilute, fiber Calendula, calm,
Ko Ko, elegant, sanctity, Jin Jian, beautiful, natural, subtle and bold, spiritual, meticulous, sparse field, clear odd, winding,
Reality, Grief, described, super Yi, elegant, broad-minded, mobile 24 items, all in all to 12 products under four word poem
Explanation, such as "subtle":
Words to be romantic. Language does not involve hard, has no cause for concern. Is Zhenzai, with ups and downs. If Lu full wine, flowers
Autumn when the back. Our long space dust, Hu Hu Hai ret. Superficial, deep and everything, million to take a collection.
This second sentence, there are specific instructions, but also tortuous analogy, some abstract and mystery, because the style is, after all
Not easy to direct description and specific interpretation.
"24 Poems" also attach great importance to the Implication of poetry, in addition to the cited "Words to be romantic" and other such
"Beyond the Surface, obtaining the Ring" ("Magnificent"), "the bandit case of deep, that is, the more rare" ("diluted"), "from the
Shape was similar, perhaps that man was "(" describe ")," If travel to the Pro has been in non-"(" super-Yi "), such as paper, are
Consistent with the former cited the Comments of Poetry. Strengths of this book is good at using language to describe this image is not easy to say poetry, to
People with emotional experiences. But in fact the book is not just talk about poetry and the realm of style, while often creative approach to art
State, and even appreciate the psychological attitude of the poet's life, mixed with talk about the lack of systematic theory, not much attention to logic
Series.
(History of Chinese Literature, Pei Luo Yu, youth sweep school)
Translated by Google