宋代 周邦彦 Zhou Bangyan  宋代   (1056~1121)
Su Muzhe
Man ting fang Summertime Lishui Wuxiangshanzuo
Jie Yuhua the fifteenth of the first moon (which is Lantern Festival in China)
Emperor and the assassin
Six ugly Rose Hsieh made the remarks
Thanks Xingyue slow
Separated Pu Lian Close
Guan River that
Flowers guilty
recall formerly-visited place
Watson Cup
Sai Ping Lok
The west point on the horizon where the sun _set_s River
Shui Dragons
Southern Poems
Guan River that
鹤冲天。溧水长寿乡作
Yu Louchun
Butterfly in Love
Night Palace
Su Muzhe
Point Jiangshouju lip
Huan Xisha
Point Jiangshouju lip
Multiple poems at a time
ancient style poetry

Junior Tour Huang Zhong secondly
少年游(黄钟·第二)

   Zhou Bangyan

Chaoyun misty scattered light wire.
Spring pavilion short position.
Weeping willow flower song, Nine Street mud weight, the door Yan Fei late.
Now Lai Yat Ming Kanaya, Spring in the peach branches.
Unlike that time, the bridge red rain, Youhen they know.
  This is the first word to write two stories that, in the middle only, "and now Lai Yat Ming Kanaya" sentence "now" to link the word, so that both before and after the state of the two stories ─ that is in stark contrast to the first and then review stories, resulting in endless charm.
  Loading written note at first glance seems to be a matter of immediate, but in reality is completely recall the past, recalling past love stories. "Chaoyun misty scattered light silk, light spring pavilion attitude." This is when the activity of the environment: a small upstairs in a narrow, misty Chaoyun, lightly drizzle, although in the spring, but is not rich and gaudy scenery of spring, they meet in such an environment. "Weeping willow flower song, Nine Street mud weight, the door Yan Fei late." Three said low rain cloud density, rain harder and harder, the rain to play a haggard syphilis, and even swallows have since pulled a wet hair, fly very difficult. This is seen outside the scene. "Sobbing" and "sings" so infected with subjective feelings of objects, landscape colors, "late" is a subjective vision. Seen such a scene outside of the door to meet the hero, played a contrast effect. But this time, the story has not yet finished. Elements of the story have to wait until the last three films were shown only say, that is: two cases in such awkward meeting, but also for some reason, had separated. "Small building red rain, Youhen they know." "Small building" should receive the "pavilion", it is meeting the two premises, "Rain" Cyclic Loading of the "weeping", "ti", "weight" " late ", pointing to the time, they are directed at the rain, mud phase leave the streets marching, and highlighted, as bitter and not, in their eyes, the door only endured, such as syphilis cry, Flying swallow also was so hard to fly. This is the first story.
  Showings by "Today" that the current word transfer, which is the second story, said they were now officially living together: Jinwucangjiao. But this story to account only ten words: "Li Yat Ming, Kanaya, peach branches in Spring." This ten words, both the front say that the story of that sunny, peach vivid colors, they in such a beautiful environment living together; the same time, these ten words, but also doubles as a comparison purposes, by the sight before association, and for some comparison. "No time like" This is more the result of that hand, as was present with the kind of carefree tension, bitter, vindictive and not to each other more meaningful Acacia scene.
  To clarify the relationship between the two stories before and after, to understand the tortuous process, for the mood created by Ci, but also can have specific feelings. Pen poem is the economy, but made, but Nairen picture thinking. As if the characters in the landscape: a Ruoli under Liangpie beard, even if a fisherman; in the art of imagination on the untrained, can not see why they are. This is Zhou Bangyan success of artistic creation. (Wu Shichang)

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Edited by: 白水
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