汉代 佚名 Yi Ming  汉代  
have one's thoughts
Heavens
Climb up mountains Mining millet Wuhu
Trekking Integro Row
Dense Riverside grass
Dense Ling on cypress
Today fine party
Northwest have tower
She Jiang pick hibiscus
Bright moon bright noctilucence
Gradually Orphan bamboo
In the yard Bits and pieces tree
Enter Introduction Main drive
remote Altair
East city High and long
Drive The East Gate
Out of sight, out of mind.
Birth Resent hundred
Cold cloud twilight years
First month of winter Chilliness extremely
customer come over
Bright moon what The shining
Multiple poems at a time
ancient style poetry

Out of sight, out of mind.
去者日以疏

   Yi Ming

To those on the sparse, the date of the living relatives.
Guo straight out the door, the whole mound and grave.
Tomb plow the fields, destroying pine for the pay.
Topol more Mening, the rustling worry kill!
Think also the hometown of Lu, want to go because no other road.
  This is the "Nineteen," the Fourteenth first. Subjects range from the art style seems to state and even the language, and some approximate the thirteenth song "drive on the Gate", is obviously made for wandering. Way out of the suburbs, to see fair tomb, realizing the world the difficulties ahead, life is like send, deadline in the life and death issues, expressing their anger to express the world disorder and can not get pregnant the sad return that sense of pain.
  "Nineteen," although not out of the hands of an author, but these poems are nothing but great turmoil rooted in the history of the Eastern Han Dynasty the soil, and a common sense of urgency. Because life is falling into disillusionment and decadence of the valley of the authors of sentimental, distraction depressed, you need dark satire and criticism, this miserable fog pervades the outer universe; and more importantly, they need within their own universe Reflection: If life is like send, then that is how the values ​​of life? Since it is changing ups and downs, the world state of impermanence, crises, good and bad fortune overnight, then the final destination in life is how to turn?
  While the "nineteen" of the speculative philosopher is not necessarily rich, but his best world of worry, encourage them to indulge in meditation, and Taoist vast imagination since the cellar, and Qin, "Ming Li," the concept of long-term birth, multiple; side guide them to consider the life and death issues, and finally scrambling to explore areas of life and the Austrian World Road Elegy two-phase mixing difficult. This is the "go to those at the sparse" ideological characteristics of a poem, but also at the lower middle class intellectuals in the portrayal of mental state.
  Of course, the same is to explore, the same sad song, the way there are still different. As the "nineteen" of the work of each one different mind_set_, and thus the performance of a self-reflection that the construction of the core ideas are quite different: some pains Feelings have Mianmiao win; some stretch absorbed, rather than known to twists and turns; some may use a layer of deep layer of the layout of the ring _set_s tight; some gesture made to sway, calendar upside down, the face of it, as if their own free and clear but hidden in the deep hierarchy the internal context. And "to those on the sparse" the first to mind_set_ to say, the more their differences keep rising trend. See, at the beginning of the "go to those at the sparse, to those at the pro-", started to write high-level overview of the life, to have enveloped the whole poem, and another eighteen different. Another eighteen, mostly with more than metaphor, the image of the natural features of the surface reveals, and gradually into the social meaning of landscape dig deep fat. The art of dealing with the aesthetic attitude, become a fine tradition of Chinese poetry, which the ancients said, had poetry "Xing", the "poetry that with God all reason" (Li Wa, "Ching A POETICS"). There to management. But then again, poetry is not confined to the Department effective than Xing. Even straight to the point, as long as handled well, but also something that has not become a masterpiece. Straight to the point, you can use narrative techniques, such as "a step back to driving them words, long involved in a long road", from "Long Road involved" and transferred to look around the vast, expand send the despair of life, such as touch; also can be shrouded with enough text, rich image as a prelude to the philosophical aphorism that we should talk "to those on the sparse" in the first two sentences.
  "To those on the sparse, to those on the pro." Mutually intricate these two, both from the fruit and therefore also complement each other. World, like all things Inner Challenge; life, like EMI passing, already short extreme, not to mention is in that a "bones exposed in the wild, thousands of miles without the cock" (Cao Cao "Artemisia in the Bank") of the disaster numerous times it ! Who died long years, from the vague impression that inevitably become empty, disillusioned. Down a new generation, I realize I do not know them, you can access through again and again, it will deepen the impression. Go go, come here. Today's "go", there had been past the "to"; and today "to" do not have to Japan of the "go"? This is not only, and Wang, "Orchid Pavilion" in call "the past as modern, as the past still today are" similar, in addition, it is stated that: the Eastern Han Dynasty as well as Wei Chin Bookmen, their mental space is indeed broad. Of life they love to explore, to think of fate. By the time this poem seems logical order, should be the first to write out of Guo, and saw the tombs everywhere, spontaneously sad sad, Mengqi the pain of life and death, man days Liao profiles of thought, and then open a pen, play things metabolism, the years the philosophy of impermanence. However, impartial way of writing, but Menghui the force of a thunderbolt of the pen, Zhayi beginning to write such a vast gray, across the ancient and modern, implies a feeling of earthly joys and sorrows of the two infinite. From the technique that is based on the virtual with reality to virtual reality Han; from the mind_set_ of that, it is the beginning of the poem has been Zongmu by the macro, point to the mobility of personnel metabolism, which for this "to" one "Go" for insight into the nature of contemplation and reflection endoscopic. Images of the so evident at the beginning of the rise, is no accident. Description of the Church in the head numerous graves were excited when the enlightenment of life straight hair have their anxious nature. Immediate prospect of a hundred is really shocking. It is because of this development and anxious from the front of Gordon's grim picture of life, and thus linked to the long-term memory storage in buried in the decision of the poet like, so that at the beginning of the umbrella for a broad exception, with plenty of momentum abnormal thinking Xuan Zhu did not reach base. This is Ran Tang Dynasty monk said: "Thinking of the initial issuance of the poet, taking the high environment, the body will give a high." ("Shi Shi"), you see, out of the door after Guo, its findings are thinking, almost no one and not with a "to" one "to" life on a death. Bury the dead, "tomb" is obviously the final destination in life, yet the dead are still no guarantee. Their tomb was flat into farmland, the graveside in Pine was destroyed and turned into Wo pay. Life, along with their graves, and the time and all passed away, and the new field, but with the years and every year. The face of this sad phenomenon in the face of it a "time", but despite their "product Luanli World" ("Poetics"), the earth Bing Ge, Shengmin trampled when the poet on the front A "to" one "to" fish dragons changes, not help cause a deeper understanding of, and also the more even the Choucan. Since "to persons" disaster step by step approach, how can he not thought the metabolism of ancient and modern? Now see and hear the winds are blowing white Young, he can not feel how white Young of "sad" to self-injury life experience? Always described Mening, not all focus on its "Ringing" sound it? To this end, the poet could not help immersion to the aesthetic beauty of a tragic and deeply felt state of mind among the fat accumulation, and finally sent out vast Baigan exclaimed: White Young more Mening, the rustling worry kill! Tomb tomb after a lot of things, but only comes down to "white Young"; but to write white Young, only highlighted the "rustling." Jing Ke has "winds blow Xi Yi Shuihan" sentence. Now, to borrow here, but only a sad Feng Zhisheng, has become a symbol of "underground Chen dead" and crying like a white voice of Yang tree. Dead out of the world, is "loved ones at the Shu", yet their grief Yin clear in the ears, is it not "to those at the pro-" What? A "sparse" one "pro", showing a typical scene in the tomb metabolic comparison among the more focused of the rustling sound as the white Yang. This result, given how the poet's appeal, which goes without saying. Qing Zhu Yun says: "that this point has to sign off"; but he immediately but said: "The last two of a swap, give birth to endless twists and turns." ("Nineteen") do have to reason.
  He was only appointed to Fantasy in the emptiness, to convert discard the universe in the misty Wild by being difficult. In the meantime, he only make unlimited long-term continuity of life, day to return home to the pillow lingering dream, so that passengers in the new age, one day come to their own force.

【Collections】古诗十九首
Created by: 戴玨
Add a comment