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He Yuru
现代中国  (1952 AD)
Township: 河北石家庄

Realistic Fiction《一个叫李文娟的人》

Read works of He Yuru at 小说之家
  He Yuru, female, born in 1952 in Shijiazhuang, Hebei. Langfang Teachers in 1986, graduated from Chinese Department, July 1986 began, she served as "Hebei Literature", "Great Wall" fiction editor, associate editor, created in 1997 transferred to Provincial Writers Association study rooms, special creation. 1976 published works, the novel has been published nearly 300 million words. Bai Yupian short, medium-length 40 films, including short stories, "pastoral romance", "upstairs downstairs", "butcher of the day", "red couch" novella "Green", "for whom the sun rose out of "" Susu "and won provincial awards, books and many articles were selected for inclusion in the novel.
  1986 graduated from the Chinese Department, Langfang Teachers. Former "Hebei Literature", "Great Wall" magazine fiction editor. Writers Association of Hebei Province, members of the innovation room creation. 1976 published works. Joined the Chinese Writers Association in 1991.
  He Yuru - major works and awards
  He Yuru works
  Published novels "girls like to watch movies," "town orphan", "production team of Love", short stories, "their memory", published nearly one hundred short stories, novella 40 films.
  Novella "Green", short story, "pastoral romance," "downstairs, upstairs," were the revitalization of Hebei Arts Award, nominated the second Lu Xun the Chinese Writers Association.
  1999 short story "to the masses" into the "latest work of Chinese contemporary literature list," novella "The sun rose out of whom", "Susu", respectively, and 2001 into 2000, "Chinese fiction list."
  He Yuru - Synopsis
  He Yuru works
  "Winter and Fascination"
  Sanding Lee made little silence, with no subtlety, but not the sophisticated, eloquent in advocating strong and healthy he was neither physically nor the age of eloquence, it is always beaten by the family and their feisty sister ridicule, and somehow being involved in village disputes and factional fighting in personnel. However, outside of the brutal and absurd, and do not really interfere with his real job, he unknowingly work with the art of life to resist the politicization and vulgarization.
  Winter is a symbol of life, embarrassment, fascinated with Chiang widow is a symbol of life to indulge in sensual, Li Sanding learned carpentry village in the tofu, and he indulged in his own world, and that is what the art from the secular symbol of life beyond.
  He Yuru works
  "Girls like to watch movies"
  He Yuru - writing experience
  He Yuru
  I wrote "Winter and intoxication"
  Write "Winter and intoxication," I spent about a year's time, the impression was invested in the writing process, and very hard, put the characters in the novel is the life and characters in which the input, and this period of hardship for the people life to find the most appropriate expression of the novel.
  I remember writing in the immediate flash of most words are: intoxication, loneliness, embarrassment, funny, the twelfth lunar month, Chinese New Year, winter, etc., these words are spiritual, there is material, has a warm, there is cold, there is external time, the environment, but also the inner mind, heart and soul, they arose, I was almost excited, I had a hunch, because of their presence, may become a rich novel, full of tension. With these words, and of course I am familiar with numerous characters and scenes of life, I was living witnesses of that period, it is both absurd and everyday, both noisy and quiet, both trapped in another rebellious youth Nan Yi , it makes me uneasy but moved today. Perhaps not surprising that part of life, because it's more than I had witnessed one surprising should be, today I bring it to do write a novel material; surprising that also should be, what can I use to deal with these materials ? I feel a bit like a seed that period of life, has been buried in the ground until after thirty years with germination, flowering opportunities. The flowers open up, of course, is no longer the original seed, and it is not the same and seeds, and other flowers are not the same as, or have any reason to allow the reader to like it?
  He Yuru works
  Lee Sanding return home life, from the beginning to see a feminist. He did not specifically target, but by the family every day, "what next" and pressed. Three custom-made father wanted a primary school teacher Li, Li Sanding instinctively opposed, he would rather see a feminist, preferring to do pork, preferring to pull soil cushion sand, preferring the militia when on duty, preferring to escape to the outside of the aunt to Barry. Of course, these He also does not like, but in this one and another was forced to action, and also completed his growth. In the feminist field, he was fascinated with a save off the defensive skills of primary school students under the Jin Daliang; in the kitchen, he was thrilled because of the pork on to do to win the appreciation of the mother; in the pull-pad in the sand soil, He and Jiang widow felt I won the double intoxication of cooking and ... ... Finally, he was forced to go to the aunt's house, and finally with the "wood" meet, completely put myself into it. In this one, he not only forced to do things, also forced to roll into the vortex of political struggle, a taste of winter among people in general strict cold. Fortunately, the winter there is a twelfth lunar month, Chinese New Year of the twelfth lunar month and the Spring Festival is the foundation for thousands of years, with this background, serious cold in the hope that people have a general, draw a warm, meet fascinated, fascinated by even the moment also how much can soothe the hardships of life. So I was very concerned about the foundation of daily life thousands of years, and it is both the end of life, but also the end of this novel, without it, everything else will become a river without water, without the root of the wood.
  He Yuru - Evaluation of the Characters
  Left He Yuru, Tie Ning, Zhang Liqin
  Courage and survival beyond the sidewalks
  "Winter and intoxication" was He Yuru carefully crafted piece of art. It is realistic, but is decent; it is plain, and yet endless aftertaste; it is clear, but is indistinct muddy complex. He Yuru Although people always framed in the dining Lazard level, but its significance but is not limited to this level, but did it "difficult to write like the King as in the present, with different opinions on the implication" , making it not only as young Lee Sanding spiritual growth history, but also a symbol of the survival course. Winter is a symbol of life, embarrassment, fascinated with Chiang widow is a symbol of life to indulge in sensual, Li Sanding learned carpentry village in the tofu, and he indulged in his own world, that is what the art from the secular symbol of life beyond. Artistic life is the survival of aesthetic, which is the highest state of life. Since then, Lee Sanding "is not the spring, when Lee Sanding, his thin body, like a long a lot of effort, his little head, like a lot more ideas, which makes him go in front of others, seems in no hurry not impatient, neither haughty nor humble, much more calmly. "Even the rice Tuen solid indicator of the university to his son meters Xiaogang, Li Sanding still ignore," just smile, but also to his world of myself gone. "
  Thus, "Winter and intoxication" is a product of He Yuru enlightenment, but also He Yuru conversion of traditional Taoist culture results. In this novel, we can see that He Yuru end for a more restrained, more the pursuit of artistic realm of the soul of life trajectory. Demure He Yuru, little things He Yuru, heart raging waves of traditional culture, from the old butcher to Li Sanding wheat happy world, He Yuru in small business organizations in a broad range of full depth and degree of the art world.
  He Yuru - People of
  He Yuru works
  He Yuru is the "little things of the gods." Of course, small is not necessarily written gods of small things, very often, it is to write a small event, for example, women to private life can be written in the historic Battle of the Sexes; but He Yuru where the small end is small, She will not cut a grain of rice with the children saw her scalpel and microscope with a compact.
  He Yuru a unique path leading to true, her way is the simplest, most simple way, that is really straight to the thing itself, in a precise sense of the scale under the guidance of the pen she would not let her overflow of things In addition, that is, if you want to find value and meaning, you do not have to the horizon, you have just watching, then you will find little things into a god, a god, it has been to us day after day questions of life, we have actually not heard.
Translated by Google

    

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