| 江奈生·斯威夫特 | |||
| 出生地： | 爱尔兰都柏林 | ||
阅读乔纳森·斯威夫特 Jonathan Swift在小说之家的作品!!! | |||
乔纳森·斯威夫特1688年，斯威夫特前往英国，做了穆尔庄园主人威廉·邓波尔爵士的私人秘书，直到1699年邓波尔去世。在他担任秘书期间，阅读了大量古典文学名著。
1699年，斯威夫特回到爱尔兰，在都柏林附近的一个教区担任牧师，但为教会中的事务常去伦敦，后来卷入了伦敦的辉格党与托利党之争，受到托利党首领的器重，担任过该党《考察报》主编。 1714年托利党失势，他回到爱尔兰，任都柏林圣帕特里克教堂主持牧师，同时着手研究爱尔兰现状，积极支持并投入争取爱尔兰独立自由的斗争，但一个个美好的梦想最后都破灭了。
晚年的斯威夫特内心十分孤独，只限于和屈指可数的几个朋友交往。他将自己积蓄的三分之一用于各种慈善事业，用另三分之一的收入为弱智者盖了一所圣帕特里克医院。然而，斯威夫特本人也被疾病折磨得不成样子，许多人甚至认为他已完全疯了。1745年 10月19日，斯威夫特辞世，终年78岁，葬于圣帕特里克大教堂。
斯威夫特的文学才能很早就显露出来，他写过一些诗和文章，但真正使他扬名的是讽刺散文《一只澡盆的故事》(1704)，在这篇故事中他讽刺和抨击了英国各教派的虚伪和无耻。此后他又写了《布商的信》(1724—1725，抨击英国政府对爱尔兰的货币政策)、《一个小小的建议》(1729，讽刺英国对爱尔兰人民利益的压榨和情感的欺侮)等等。但是，斯威夫特的代表作是《在世界几个边远国家的旅行》，即通常所说的《格列佛游记》(GuHiver”s Trav—ek)，这部书完成于1726年。斯威夫特一生写的大量作品几乎都是不署名出版的，只有《格列佛游记》例外，他出版此书得到的稿酬是200英镑。
斯威夫特（Jonathan Swift,1667～1745）出生于爱尔兰都柏林的一个贫苦家庭，靠叔父抚养长大。1686、1692和1701年分别获得都柏林三一学院学士学位、牛津大学硕士学位和三一学院神学博士学位。此间曾任邓波尔爵士私人秘书、英国国教会教士以及乡村牧师等。1710年到1714年为托利党内阁大臣主编《考察报》，托利党人失势后，他回到爱尔兰，在都柏林作圣帕特尼克大教堂的副主教。斯威夫特以大量政论和讽刺诗等抨击地主豪绅和英国殖民主义政策，受到读者热烈欢迎。而他的讽刺小说则影响更为深广，所以高尔基称他为世界“伟大文学创造者之一”。
乔纳森·斯威夫特乔纳森·斯威夫特（1667--1746年》是英国的讽刺作家。一次，他出外旅游，途经一家客店歇脚。认出他来的女主人一心想取悦这位名人。便上前热情地询问他晚饭想吃点什么：“想来点果肉馅饼吗？或者醋栗馅饼？或是李子馅饼、葡萄馅饼、樱桃馅饼、……”“除了叫喳喳的喜鹊肉馅饼外，什么都行，太太。”斯威夫特打断了她的话。
He is remembered for works such as Gulliver's Travels, A Modest Proposal, A Journal to Stella, Drapier's Letters, The Battle of the Books, An Argument Against Abolishing Christianity, and A Tale of a Tub. Swift is probably the foremost prose satirist in the English language, and is less well known for his poetry. Swift originally published all of his works under pseudonyms—such as Lemuel Gulliver, Isaac Bickerstaff, M.B. Drapier—or anonymously. He is also known for being a master of two styles of satire: the Horatian and Juvenalian styles.
Youth
Jonathan Swift was born at No. 7, Hoey's Court, Dublin, and was the second child and only son of Jonathan Swift (a second cousin of John Dryden) and wife Abigail Erick (or Herrick), paternal grandson of Thomas Swift and wife Elizabeth Dryden, daughter of Nicholas Dryden (brother of Sir Erasmus Dryden, 1st Baronet Dryden) and wife Mary Emyley. His father was Irish born and his mother was born in England. Swift arrived seven months after his father's untimely death. Most of the facts of Swift's early life are obscure, confused and sometimes contradictory. It is widely believed that his mother returned to England when Jonathan was still very young, then leaving him to be raised by his father's family. His uncle Godwin took primary responsibility for the young Jonathan, sending him with one of his cousins to Kilkenny College (also attended by the philosopher George Berkeley).
In 1682 he attended Dublin University (Trinity College, Dublin), receiving his B.A. in 1686. Swift was studying for his Master's degree when political troubles in Ireland surrounding the Glorious Revolution forced him to leave for England in 1688, where his mother helped him get a position as secretary and personal assistant of Sir William Temple at Moor Park, Farnham. Temple was an English diplomat who, having arranged the Triple Alliance of 1668, retired from public service to his country estate to tend his gardens and write his memoirs. Growing into confidence with his employer, Swift "was often trusted with matters of great importance." Within three years of their acquaintance, Temple had introduced his secretary to William III, and sent him to London to urge the King to consent to a bill for triennial Parliaments.
When Swift took up his residence at Moor Park, he met Esther Johnson, then 8 years old, the fatherless daughter of one of the household servants. Swift acted as her tutor and mentor, giving her the nickname "Stella" and the two maintained a close, but ambiguous relationship for the rest of Esther's life.
Swift left Temple in 1690 for Ireland because of his health, but returned to Moor Park the following year. The illness, fits of vertigo or giddiness—now known to be Ménière's disease—would continue to plague Swift throughout his life. During this second stay with Temple, Swift received his M.A. from Hertford College, Oxford in 1692. Then, apparently despairing of gaining a better position through Temple's patronage, Swift left Moor Park to become an ordained priest in the Established Church of Ireland and in 1694 he was appointed to the prebend of Kilroot in the Diocese of Connor, with his parish located at Kilroot, near Carrickfergus in County Antrim.
Swift appears to have been miserable in his new position, being isolated in a small, remote community far from the centres of power and influence. While at Kilroot, however, Swift may well have become romantically involved with Jane Waring. A letter from him survives, offering to remain if she would marry him and promising to leave and never return to Ireland if she refused. She presumably refused, because Swift left his post and returned to England and Temple's service at Moor Park in 1696, and he remained there until Temple's death. There he was employed in helping to prepare Temple's memoirs and correspondence for publication. During this time Swift wrote The Battle of the Books, a satire responding to critics of Temple's Essay upon Ancient and Modern Learning (1690). Battle was however not published until 1704.
On January 27, 1699 Temple died. Swift stayed on briefly in England to complete the editing of Temple's memoirs, and perhaps in the hope that recognition of his work might earn him a suitable position in England. However, Swift's work made enemies of some of Temple's family and friends who objected to indiscretions included in the memoirs. His next move was to approach King William directly, based on his imagined connection through Temple and a belief that he had been promised a position. This failed so miserably that he accepted the lesser post of secretary and chaplain to the Earl of Berkeley, one of the Lords Justices of Ireland. However, when he reached Ireland he found that the secretaryship had already been given to another. But he soon obtained the living of Laracor, Agher, and Rathbeggan, and the prebend of Dunlavin in St. Patrick's Cathedral, Dublin.
At Laracor, a mile or two from Trim, County Meath, and twenty miles (32 km) from Dublin, Swift ministered to a congregation of about fifteen people, and had abundant leisure for cultivating his garden, making a canal (after the Dutch fashion of Moor Park), planting willows, and rebuilding the vicarage. As chaplain to Lord Berkeley, he spent much of his time in Dublin and traveled to London frequently over the next ten years. In 1701, Swift published, anonymously, a political pamphlet, A Discourse on the Contests and Dissentions in Athens and Rome.
Writer
In February 1702, Swift received his Doctor of Divinity degree from Trinity College, Dublin. That spring he traveled to England and returned to Ireland in October, accompanied by Esther Johnson—now twenty years old—and his friend Rebecca Dingley, another member of William Temple's household. There is a great mystery and controversy over Swift's relationship with Esther Johnson nicknamed "Stella". Many hold that they were secretly married in 1716.
During his visits to England in these years Swift published A Tale of a Tub and The Battle of the Books (1704) and began to gain a reputation as a writer. This led to close, lifelong friendships with Alexander Pope, John Gay, and John Arbuthnot, forming the core of the Martinus Scriblerus Club (founded in 1713).
Swift became increasingly active politically in these years. From 1707 to 1709 and again in 1710, Swift was in London, unsuccessfully urging upon the Whig administration of Lord Godolphin the claims of the Irish clergy to the First-Fruits and Twentieths ("Queen Anne's Bounty"), which brought in about £2500 a year, already granted to their brethren in England. He found the opposition Tory leadership more sympathetic to his cause and Swift was recruited to support their cause as editor of the Examiner when they came to power in 1710. In 1711, Swift published the political pamphlet "The Conduct of the Allies," attacking the Whig government for its inability to end the prolonged war with France. The incoming Tory government conducted secret (and illegal) negotiations with France, resulting in the Treaty of Utrecht (1713) ending the War of the Spanish Succession.
Swift was part of the inner circle of the Tory government, and often acted as mediator between Henry St. John (Viscount Bolingbroke) the secretary of state for foreign affairs (1710–15) and Robert Harley (Earl of Oxford) lord treasurer and prime minister (1711–1714). Swift recorded his experiences and thoughts during this difficult time in a long series of letters to Esther Johnson, later collected and published as The Journal to Stella. The animosity between the two Tory leaders eventually led to the dismissal of Harley in 1714. With the death of Queen Anne and ascension of George I that year, the Whigs returned to power and the Tory leaders were tried for treason for conducting secret negotiations with France.
Also during these years in London, Swift became acquainted with the Vanhomrigh family and became involved with one of the daughters, Esther, yet another fatherless young woman and an ambiguous relationship to confuse Swift's biographers. Swift furnished Esther with the nickname "Vanessa" and she features as one of the main characters in his poem Cadenus and Vanessa. The poem and their correspondence suggests that Esther was infatuated with Swift, that he may have reciprocated her affections, only to regret it and then try to break it off. Esther followed Swift to Ireland in 1714, where there appears to have been a confrontation, possibly involving Esther Johnson. Esther Vanhomrigh died in 1723 at the age of 35. Another lady with whom he had a close but less intense relationship, was Anne Long, a toast of the Kit-Cat Club.
Maturity
Bust in St. Patrick's Cathedral
Before the fall of the Tory government, Swift hoped that his services would be rewarded with a church appointment in England. However, Queen Anne appeared to have taken a dislike to Swift and thwarted these efforts. The best position his friends could secure for him was the Deanery of St. Patrick's, Dublin. With the return of the Whigs, Swift's best move was to leave England and he returned to Ireland in disappointment, a virtual exile, to live "like a rat in a hole".
Once in Ireland, however, Swift began to turn his pamphleteering skills in support of Irish causes, producing some of his most memorable works: Proposal for Universal Use of Irish Manufacture (1720), Drapier's Letters (1724), and A Modest Proposal (1729), earning him the status of an Irish patriot.
Also during these years, he began writing his masterpiece, Travels into Several Remote Nations of the World, in Four Parts, by Lemuel Gulliver, first a surgeon, and then a captain of several ships, better known as Gulliver's Travels. Much of the material reflects his political experiences of the preceding decade. For instance, the episode in which the giant Gulliver puts out the Lilliputian palace fire by urinating on it can be seen as a metaphor for the Tories' illegal peace treaty; having done a good thing in an unfortunate manner. In 1726 he paid a long-deferred visit to London, taking with him the manuscript of Gulliver's Travels. During his visit he stayed with his old friends, Alexander Pope, John Arbuthnot, and John Gay, who helped him arrange for the anonymous publication of his book. First published in November 1726, it was an immediate hit, with a total of three printings that year and another in early 1727. French, German, and Dutch translations appeared in 1727 and pirated copies were printed in Ireland.
Swift returned to England one more time in 1727 and stayed with Alexander Pope once again. The visit was cut short when he received word that Esther Johnson was dying and Swift rushed back home to be with her. On 28 January 1728, Esther Johnson died, though he prayed at her bedside, even composing prayers for her comfort. Swift could not bear to be present at the end, but on the night of her death he began to write his The Death of Mrs. Johnson. He was too ill to attend the funeral at St. Patrick's. Many years later, a lock of hair, assumed to be Esther Johnson's, was found in his desk, wrapped in a paper bearing the words, "Only a woman's hair."
Swift's death mask
Death became a frequent feature in Swift's life from this point. In 1731 he wrote Verses on the Death of Dr. Swift, his own obituary published in 1739. In 1732, his good friend and collaborator John Gay died. In 1735, John Arbuthnot, another friend from his days in London, died. In 1738 Swift began to show signs of illness and in 1742 he appears to have suffered a stroke, losing the ability to speak and realizing his worst fears of becoming mentally disabled. ("I shall be like that tree," he once said, "I shall die at the top.") To protect him from unscrupulous hangers on, who had begun to prey on the great man, his closest companions had him declared of "unsound mind and memory." However, it was long believed by many that Swift was really insane at this point. In his book Literature and Western Man, author J.B. Priestley even cites the final chapters of Gulliver's Travels as proof of Swift's approaching "insanity".
In part VIII of his series, The Story of Civilization, Will Durant describes the final years of Swift's life as such:
"Definite symptoms of madness appeared in 1738. In 1741 guardians were appointed to take care of his affairs and watch lest in his outbursts of violence he should do himself harm. In 1742 he suffered great pain from the inflammation of his left eye, which swelled to the size of an egg; five attendants had to restrain him from tearing out his eye. He went a whole year without uttering a word."
In 1744, Alexander Pope died. Then, on October 19, 1745, Swift died. After being laid out in public view for the people of Dublin to pay their last respects, he was buried in his own cathedral by Esther Johnson's side, in accordance with his wishes. The bulk of his fortune (twelve thousand pounds) was left to found a hospital for the mentally ill, originally known as St. Patrick’s Hospital for Imbeciles, which opened in 1757, and which still exists as a psychiatric hospital.
Epitaph
Epitaph in St. Patrick's Cathedral, Dublin near his burial site.
Text extracted from the introduction to The Journal to Stella by George A. Aitken and from other sources)
Jonathan Swift wrote his own epitaph:
Hic depositum est Corpus
IONATHAN SWIFT S.T.D.
Hujus Ecclesiæ Cathedralis
Decani,
Ubi sæva Indignatio
Ulterius
Cor lacerare nequit,
Abi Viator
Et imitare, si poteris,
Strenuum pro virili
Libertatis Vindicatorem.
Obiit 19º Die Mensis Octobris
A.D. 1745 Anno Ætatis 78º.
The literal translation of which is: "Here is laid the Body of Jonathan Swift, Doctor of Sacred Theology, Dean of this Cathedral Church, where fierce Indignation can no longer injure the Heart. Go forth, Voyager, and copy, if you can, this vigorous (to the best of his ability) Champion of Liberty. He died on the 19th Day of the Month of October, A.D. 1745, in the 78th Year of his Age."
William Butler Yeats poetically translated it from the Latin as:
Swift has sailed into his rest.
Savage indignation there
cannot lacerate his breast.
Imitate him if you dare,
world-besotted traveller.
He served human liberty.
Works
Search Wikisource Wikisource has original works written by or about: Jonathan Swift
Swift was a prolific writer, notable for his satires. The most recent collection of his prose works (Herbert Davis, ed. Basil Blackwell, 1965-) comprises fourteen volumes. A recent edition of his complete poetry (Pat Rodges, ed. Penguin, 1983) is 953 pages long. One edition of his correspondence (David Woolley, ed. P. Lang, 1999) fills three volumes.
Major prose works
Jonathan Swift at the Deanery of St. Patrick's, illus. from 1905 Temple Scott edition of Works
The title page to Swift's 1735 Works, depicting the author in the Dean's chair, receiving the thanks of Ireland. The Horatian motto reads, Exegi Monumentum Ære perennius, "I have completed a monument more lasting than brass." The 'brass' is a pun, for Wood's half-pence (alloyed with brass) is scattered at his feet. Cherubim award Swift a poet's laurel.
Swift's first major prose play, A Tale of a Tub, demonstrates many of the themes and stylistic techniques he would employ in his later work. It is at once wildly playful and funny while being pointed and harshly critical of its targets. In its main thread, the Tale recounts the exploits of three sons, representing the main threads of Christianity, who receive a bequest from their father of a coat each, with the added instructions to make no alterations whatsoever. However, the sons soon find that their coats have fallen out of current fashion, and begin to look for loopholes in their father's will that will let them make the needed alterations. As each finds his own means of getting around their father's admonition, they struggle with each other for power and dominance. Inserted into this story, in alternating chapters, Swift includes a series of whimsical "digressions" on various subjects.
In 1690, Sir William Temple, Swift's patron, published An Essay upon Ancient and Modern Learning a defense of classical writing (see Quarrel of the Ancients and the Moderns) holding up the Epistles of Phalaris as an example. William Wotton responded to Temple with Reflections upon Ancient and Modern Learning (1694) showing that the Epistles were a later forgery. A response by the supporters of the Ancients was then made by Charles Boyle (later the 4th Earl of Orrery and father of Swift's first biographer). A further retort on the Modern side came from Richard Bentley, one of the pre-eminent scholars of the day, in his essay Dissertation upon the Epistles of Phalaris (1699). However, the final words on the topic belong to Swift in his Battle of the Books (1697, published 1704) in which he makes a humorous defense on behalf of Temple and the cause of the Ancients.
In 1708, a cobbler named John Partridge published a popular almanac of astrological predictions. Because Partridge falsely determined the deaths of several church officials, Swift attacked Partridge in Predictions For The Ensuing Year by Isaac Bickerstaff, a parody predicting that Partridge would die on March 29. Swift followed up with a pamphlet issued on March 30 claiming that Partridge had in fact died, which was widely believed despite Partridge's statements to the contrary.
Drapier's Letters (1724) was a series of pamphlets against the monopoly granted by the English government to William Wood to provide the Irish with copper coinage. It was widely believed that Wood would need to flood Ireland with debased coinage in order make a profit. In these "letters" Swift posed as a shop-keeper—a draper—in order to criticize the plan. Swift's writing was so effective in undermining opinion in the project that a reward was offered by the government to anyone disclosing the true identity of the author. Though hardly a secret (on returning to Dublin after one of his trips to England, Swift was greeted with a banner, "Welcome Home, Drapier") no one turned Swift in. The government eventually resorted to hiring none other than Sir Isaac Newton to certify the soundness of Wood's coinage to counter Swift's accusations. In "Verses on the Death of Dr. Swift" (1739) Swift recalled this as one of his best achievements.
Gulliver's Travels, which Swift wrote a large portion of in Woodbrook House, County Laois was first published in 1726, and is regarded as his masterpiece. As with his other writings, the Travels was published under a pseudonym, the fictional Lemuel Gulliver, a ship's surgeon and later a sea captain. Some of the correspondence between printer Benj. Motte and Gulliver's also-fictional cousin negotiating the book's publication has survived. Though it has often been mistakenly thought of and published in bowdlerized form as a children's book, it is a great and sophisticated satire of human nature based on Swift's experience of his times. Gulliver's Travels is an anatomy of human nature, a sardonic looking-glass, often criticized for its apparent misanthropy. It asks its readers to refute it, to deny that it has not adequately characterized human nature and society. Each of the four books—recounting four voyages to mostly-fictional exotic lands—has a different theme, but all are attempts to deflate human pride. Critics hail the work as a satiric reflection on the failings of Enlightenment modernism.
In 1729, he published A Modest Proposal for Preventing the Children of Poor People in Ireland Being a Burden to Their Parents or Country, and for Making Them Beneficial to the Public, a satire in which the narrator, with intentionally grotesque logic, recommends that Ireland's poor escape their poverty by selling their children as food to the rich: ”I have been assured by a very knowing American of my acquaintance in London, that a young healthy child well nursed is at a year old a most delicious, nourishing, and wholesome food...” Following the satirical form, he introduces the reforms he is actually suggesting by deriding them:
Therefore let no man talk to me of other expedients...taxing our absentees...using [nothing] except what is of our own growth and manufacture...rejecting...foreign luxury...introducing a vein of parsimony, prudence and temperance...learning to love our country...quitting our animosities and factions...teaching landlords to have at least one degree of mercy towards their tenants....Therefore I repeat, let no man talk to me of these and the like expedients, 'till he hath at least some glympse of hope, that there will ever be some hearty and sincere attempt to put them into practice.
According to other sources, Richard Steele uses the personae of Isaac Bickerstaff and was the one who wrote about the "death" of John Partridge and published it in The Spectator, not Jonathan Swift.