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冼星海 Xian Xinghai
近代中国  (1905年6月13日1945年10月30日)
姓:
名: 星海
网笔号: 黄训; 孔宇
籍贯: 广东番禺榄核
出生地: 澳门

冼星海(1905年6月13日-1945年10月30日),曾用名黄训孔宇,祖籍广东番禺榄核,出生于澳门,中国作曲家钢琴家,其作品中《黄河大合唱》最广为人知。曾任教于鲁迅艺术学院
1945年10月30日,著名音乐家冼星海在莫斯科病逝,年40岁(1905年生)。冼星海,广东番禺人。他继聂耳之后,以广泛的题材和体裁,表现中国人民的解放斗争,对全国抗日军民起了巨大鼓舞作用。其作品《黄河》大合唱,歌曲《游击军歌》、《在太行山上》等至今仍为人们喜爱。
《人民日报》1983年2月8日发表冼星海女儿冼妮娜写的文章《父亲回来了》。文中说:
1月25日上午,我和大家肃立在首都机场的大厅里,迎接刚刚从苏联接回来的父亲冼星海的大理石骨灰盒,看到吕骥伯伯将一面鲜红的中国共产党党旗覆盖在它的上面,看着父亲那幅充满无限深情的遗像,我止不住泪水滚滚而下。
我要对着九天之上我父亲的英灵大声呼唤:亲爱的爸爸!女儿日夜思念着您,祖国和人民怀念着您啊!我们盼啊!想啊!等了整整37年,今天,您终于回来了,回到了您终生为之奋斗,为它讴歌,为它献身的中华民族的怀抱,您终于了却了使您一直不能瞑目的夙愿,可以永久地躺在这美丽的伟大祖国母亲的土地上安睡了。
我是父亲唯一的女儿。父亲和我分别时,我只有9个月,对他我是没有任何记忆了。听妈妈告诉我1945年10月,我6岁那年,在延安枣园里一个联欢会上,毛主席曾抱着我说:“妮娜,你爸爸就要回国了,再过不久,你就可以见到你的爸爸了!”我那幼小的心灵是多么急切地期望着立刻能见到亲爱而又陌生的爸爸,期望着我也能像所有的孩子一样,让我爸爸抱抱我,亲亲我啊!
万万没有想到,没过多久,传来父亲病故的消息。这个突如其来的噩耗,使“鲁艺”哭声动地,使整个延安沉浸在哀痛之中。党和人民为父亲举行了隆重的追悼仪式,毛主席亲笔为他题词——“向为人民的音乐家冼星海同志致哀!”……那时候对于这一切我都还无法理解。我只知道,我从此,永远、永远失去了我的最最亲爱的爸爸!
祖国解放了,我也长大了。从音乐课上,团队活动里,从收音机里,从舞台上,从那一次又一次为父亲举行的纪念音乐会上,我听熟了,背会了父亲创作的许多歌曲,我常常是流着热泪去聆听那部震撼人心的《黄河大合唱》。我渐渐地懂得了,理解了,我的父亲是这样一位伟大的民族的歌手,人民是这样热爱他、怀念他。
后来,我又读过了父亲的许多遗著,从他遗留的信件中,从他的战友、学生的回忆中,也从妈妈长年不断的思念的叙述中,我更多地懂得了父亲。他是个贫苦渔民的儿子,从小酷爱音乐,他几乎是在死亡线上挣扎着奋斗、求学,他曾以优异的成绩毕业于法国巴黎音乐学院,等待他的是一条用鲜花和金钱铺成的大道。但他却义无返顾,不远万里,回到了自己贫苦的多难的祖国,满腔热血,投入了党领导下的抗日民族解放战争。他紧紧站立在劳苦大众之中,用他卓越的创作,去鼓舞人民战斗,周副主席赠给他的题词,说他是“为抗战发出怒吼,为大众谱出呼声!”受党的派遣,他远离祖国和亲人到了苏联,在严酷的战争环境里,离别的愁苦,多种病痛的折磨,都不曾使他放下那支不知疲倦的笔,直到他生命的最后一息!
父亲是一位有着坦荡的胸怀,赤诚的心地,深沉而炽烈感情的人。许多熟悉他的长辈都告诉我,父亲对学生是热忱的诲人不倦的师长,对同志是最诚恳、忠诚的朋友,对大众是最谦逊、尊敬的学生!而他对自己的亲人,对他的母亲、妻子和女儿的爱又是多么的执着和热烈啊!我从父亲遗留的信件中看到,他是那样惦念延安的一切,嘱咐妈妈要赡养我的奶奶——一位慈爱的孤苦的劳动妇女;父亲几乎在每一封信里,都鼓励妈妈要多多学习马列主义,追求进步,为儿童创作。每一封信都格外思念他的小妮娜。他记得我要过1周岁生日了,在那样艰苦的条件下,他省吃俭用地从西安捎给我玩具和食品,他嘱咐妈妈要多给我喝开水,晒太阳,注意营养,要妈妈多让我接近音乐、美术和戏剧。他对女儿的爱是那样深切、细致。他在信中说:“听说妮娜长大一倍了,使我听了多么高兴,替我吻吻她吧!妈妈爱护她,小孩子是我们将来的主人……”爸爸在信中还说:“我不时想念你和妮娜,也有时感到少许寂寞。”但是“在这大时代里,我们要把自己所能的贡献给民族,一切贡献给党,不要时常挂怀着自己的幸福,因为我们的幸福是以解放民族,解放人类为目的。”爸爸,我亲爱的爸爸,您是一位多么慈爱、多么无私而又伟大的父亲啊!
在那十年动乱的岁月里,我父亲的作品也曾遭到林彪、江青一伙的篡改和压制,甚至连《黄河大合唱》也不许唱了。在广大革命群众愤怒的呼声里,在革命同志热忱的支持、帮助下,1975年9月,我的妈妈代表我向党中央揭露了“四人帮”文化专制主义的罪恶,请求在父亲逝世30周年的日子里,为人民音乐家聂耳、冼星海举行纪念音乐会,并正式向党中央提出把父亲的骨灰移回祖国的希望。我们的请求,受到了党中央支持。1975年10月,聂耳、冼星海那战斗的歌声重又响彻了中国大地。敬爱的邓副总理,当时正面临横遭围剿的风雨之中,却还亲自指示要在适当的时候,争取移回留在苏联的冼星海的骨灰。
今天,我们的愿望终于实现了,感谢党中央,感谢苏联人民,感谢一切热爱冼星海,在最危难的时候帮助过我的父亲的朋友们,感谢为他治病的苏联医务工作者。
冼星海是属于祖国的,是属于中华民族的。现在我国已成立了聂耳、星海学会,研究他们对中国无产阶级音乐发展所做的贡献。过去,由于历史的原因,我没有能实践父亲生前的愿望,从事音乐工作,但我有责任,有义务,为收集、整理、保存、研究星海的全部遗作贡献我的一份力量。我要永远以父亲为榜样,“为党工作”。
我亲爱的父亲,您的女儿再一次向九天之上您的英灵呼唤:您是祖国的儿子,是中华民族的儿子,您的音乐将永远和祖国前进步伐一起跳荡!


Xian Xinghai or Sinn Sing Hoi (Chinese冼星海pinyinXiǎn XīnghǎiWade–GilesHsien Hsing-hai; 13 June 1905 – 30 October 1945) was one of the earliest generation of Chinese composers influenced by western classical music and has influenced generations of Chinese musicians. Xian composed in all the major musical forms (two symphonies, a violin concerto, four large scale choral works, nearly 300 songs and an opera), and is best known for the Yellow River Cantata upon which the Yellow River Concerto for piano and orchestra is based.

Early life and education

Xian was born in Portuguese Macau in 1905, to Tanka parents whose ancestors were from PanyuGuangdong. He moved frequently in his early life with his mother as his father had died before Xian was born. Xian moved with his mother to Singapore when he was six years old, he was enrolled in Yangzheng Primary School  for his primary education. It was while at Yangzheng Primary School that he took his first step into his musical career. His teacher, Ou Jianfu, first noticed Xian Xinghai's musical talent, and he was enrolled into the school's military band. Xian received training in both musical instruments as well as musical theory.[clarification needed] He was later brought to Guangzhou for further education by his then school principal, Lin Yaoxiang, along with 19 other students. Xian started learning the clarinet in 1918 at the YMCA charity school attached to the Lingnan University in Guangzhou (Canton).

In 1924 he studied in Saint Andrew's School of Singapore. In 1926 he joined the National Music Institute at Peking University to study music and in 1928 he entered National Shanghai Conservatory of Music to study violin and piano. The same year he published his well-known essay The Universal Music. In 1929 he went to Paris (where he met Ma Sicong who introduced him to many artists there) and in 1934 became the first Chinese student to be admitted to the Paris Conservatory to study senior composition with Paul Dukas; prior to this, he had studied with Vincent D'Indy. During this period he composed WindSong of a WandererViolin Sonata in D Minor, and other works.

Career

Xian returned to China in 1935 to the Japanese occupation of the northeastern part of the country (known then as Manchuria). Using his music as a weapon to protest the occupation, he took part in patriotic activities. During the Sino-Japanese War (1937-1945), he wrote vocal works that encouraged the people to fight the Japanese invaders, including Saving the NationNon-Resistance the Only FearSong of GuerrillasThe Roads Are Opened by UsThe Vast SiberiaChildren of the MotherlandGo to the Homefront of the Enemy, and On the Taihang Mountains, among others. He worked for film studios before going to the Communist headquarters in Yan'an, where he became dean of the Music Department at Lu Xun Institute of Arts in 1938. It is at this time that he composed the famous Yellow River Cantata and the Production Cantata.

Tomb of Xian Xinghai

In 1940, Xian used the assumed name Huang Xun. In 1940 Xian went to the Soviet Union to compose the score of the documentary film Yan'an and the Eighth Route Army. Before departure Mao Zedong invited him to dinner. In 1941 the German invasion of the Soviet Union disrupted his work and he attempted to return to China by way of Xinjiang but the local anti-communist warlord, Sheng Shicai, blocked the way and he got stranded in AlmatyKazakhstan. It was here that he composed the symphonies Liberation of the Nation and Sacred War, and the suites Red All Over the River and Chinese Rhapsody for winds and strings.

During Xian's career, he has composed over 300 works and published 35 papers, including Nie Er-the Creator of New Chinese Music.

Works

Personal life

Xian developed pulmonary tuberculosis due to overwork and malnutrition. After the war, Xian return to Moscow for medical treatment but died of pulmonary disease on October 30, 1945 at the age of 40.

Legacy

Xian's influence in Chinese music won him the title People's Composer.

During the Cultural Revolution (1966–1976), when all the Western and some Chinese art was forbidden, the pianist Yin Chengzong arranged the Yellow River Cantata into a concerto for piano and orchestra, by the name of Yellow River Piano Concerto (1969).

After China opened its doors to the world in late 1970s, Yin planned the performance of the piano concerto. There was a debate whether some politically incorrect anthems like "The East Is Red", which Yin interpolated into the concerto, should be removed. It was decided that the work itself was a cultural legacy of the time when it was created, the melodies reminding listeners of that period and creating a unique sense of history. Hence, the work remained intact as it was originally arranged.

Beginning in the 1970s, the Yellow River Concerto has been heard in the West, often performed by Yin Chengzong himself, and in 1988 the Italian pianist Riccardo Caramella became the first Western pianist who performed it in China with a Chinese orchestra, the Beijing Radio Symphony Orchestra.

In 2009, the epic film The Star and The Sea was created by directors Qiankuan Li and Guiyun Xiao. The film is about the hard childhood and suffering of Xian in that period of his life and the efforts of his mother to help him developing his musical talents. In 2011, the film won the Huabiao Film AAwardfor Outstanding Children's Film.

In May 2019, a movie titled The Composer directed by Xierzhati Yahefu was released. The movie relate Xian's life story from 1941, when he was in Moskow, to his death in 1945.

Memorials

Xinghai Concert Hall
Statue of Xian Xinghai

See also

References

  1. Jump up to:a b 何乃强 (2013-09-01). 冼星海在新加坡十年 1911-1921:历史补遗 谬误纠正 (in Chinese). Lingzi Media.
  2. ^ Smith, Nicholas (20 September 2003). "Conductor's Notes: Xian Xinghai Yellow River Cantana"Beijing International Festival Chorus program 20 September 2003. Beijing International Festival Chorus. Retrieved 27 August 2010.
  3. Jump up to:a b c "Xian Xinghai". baroqueorchestra.org. Retrieved March 17,2019.
  4. ^ 武芳莉. "冼星海:坎坷而壮丽的音乐人生--青春励志--中国青年网"qclz.youth.cn. Retrieved 2018-03-26.
  5. ^ "毕星星:音乐大师冼星海的疍民身份_评论频道_凤凰网"news.ifeng.com. Retrieved 2018-03-26.
  6. Jump up to:a b c d e f "Xian Xinghai: Short-Lived but Not Forgotten"ChinaCulture.org. Ministry of Culture, P.R. China. 2003. Archived from the original on 21 September 2009. Retrieved 27 August2010.
  7. Jump up to:a b c d Appiah (ed), Kwame Anthony; Henry Louis Gates, Jr. (1997). The Dictionary of Global Culture. New York, NY: Alfred A. Knopf. pp. 703ISBN 0-394-58581-X.
  8. Jump up to:a b "Bronze statue of Xian Xinghai"AsiaRooms.com. AsiaRooms.com. Retrieved 27 August 2010.
  9. ^ "Xian Xinghai". icm.gov.mo. Retrieved March 17, 2019.
  10. ^ "Lang Lang: Dragon Songs". allmusic.com. Retrieved March 17,2019.
  11. ^ "The Star and the Sea". chinesemov.com. Retrieved March 17,2019.
  12. ^ "The Star and the Sea (2009)"IMDb. Retrieved March 17,2019.
  13. ^ 人民公园:广州第一公园 [People's Park: the first park in Guangzhou] (in Chinese). Guangzhou Daily. 2008-02-17. Retrieved 2014-04-24.

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