Hirokazu Kore-eda

是枝裕和（日语：是枝 裕和／これえだ ひろかず ^{Kore-eda Hirokazu} ，1962年6月6日－），日本电影导演、编剧和电影制片人。是枝于1962年出生于东京都练马区， 高中就读于东京都立武藏高中。大学则毕业于早稻田大学第一文学部文艺系。

在成为电影导演之前，在1987年是枝裕和首先是加入了电视人联合会，开始拍摄纪录片。1995年是枝裕和执导了他的首部电影《幻之光》，入围威尼斯金狮奖，由此开启了剧情片创作之途。2018年凭借《小偷家族》首次摘得金棕榈奖，同时也获奥斯卡最佳外语片奖和金球奖最佳外语片奖提名，是枝裕和成为戛纳影展自1955年首次设立金棕榈奖以来，继黑泽明、今村昌平后，第三位获得该奖项的日本导演。

执导作品

执导风格

以慈悲的视角描述凡夫俗子的喜怒哀乐与成长蜕变，对人物的境遇充满人文关怀与尊重理解。 讲述故事的语言温馨细腻，令人动容。

参考资料

脚注

出典

文献

• HIROKAZU KOREEDA｜是枝裕和｜Film Director. PUBLIC-IMAGE.ORG. 2009-09-25 [2018-06-10]. （原始内容存档于2012-03-08）.

• 映画『空気人形』是枝裕和監督インタビュー. CINRA.NET. 2009-09-18 [2018-06-10].

• 『映画の未来へ』黒沢清×是枝裕和. CINRA.NET. 2009-12-30 [2018-06-10].

• 『映画の未来へ』黒沢清×是枝裕和×西島秀俊×寺島進. CINRA.NET. 2010-01-01 [2018-06-10].

• ぼくはなぜ物語を書くのか。-是枝裕和監督に訊く『海街diary』とその周辺-. ほぼ日刊イトイ新闻. 2015-07-24 [2018-06-10].

Hirokazu Kore-eda (是枝 裕和, Koreeda Hirokazu, born 6 June 1962) is a Japanese film director, producer, screenwriter, and editor. He began his career in television and has since directed more than a dozen feature films, including Nobody Knows (2004), Still Walking (2008), and After the Storm (2016). He won the Jury Prize at the 2013 Cannes Film Festival for Like Father, Like Son and won the Palme d'Or at the 2018 Cannes Film Festival for Shoplifters.

Career

Before embarking on a career as a film director, Kore-eda worked as an assistant director on documentaries for television. He eventually transitioned into directing, and directed his first television documentary, Lessons from a Calf, in 1991. He directed several other documentary films thereafter.

In 1995, at the Venice Film Festival, his first fiction feature film Maborosi won a Golden Osella Award for Best Cinematography. At the 1999 Buenos Aires International Festival of Independent Cinema, he won awards for Best Film and Best Screenplay for his film After Life.

In 2005, he won the Blue Ribbon Awards for Best Film and Best Director for his film Nobody Knows. His 2008 film, Still Walking, also earned accolades, including Best Director at the 2009 Asian Film Awards.

His 2013 film, Like Father, Like Son, premiered and was nominated for the Palme d'Or at the 2013 Cannes Film Festival. It eventually did not win, but it won the Jury Prize, as well as a commendation from the Ecumenical Jury. In October 2013, the film won the Rogers People’s Choice Award at the 2013 Vancouver International Film Festival.

Kore-eda's 2015 film, Our Little Sister, was selected to compete for the Palme d'Or at the 2015 Cannes Film Festival, though it did not win. His 2016 film, After the Storm, debuted to critical acclaim at the 2016 Cannes Film Festival in the Un Certain Regard category. For his work on the film, he won the award for Best Director at the Yokohama Film Festival. Kore-eda won Best Film and Best Director Japan Academy Prizes for his film The Third Murder (2017), which also screened in the main competition of the 74th Venice International Film Festival.

In 2018, his film, titled Shoplifters, about a young girl that is welcomed in by a family of shoplifters, premiered at the Cannes Film Festival, where it won the Palme d'Or. It was also nominated for the Academy Award for Best Foreign Language Film.

In 2018, he won the Donostia Award for his lifetime achievement at San Sebastián International Film Festival.

In 2020, it was announced that he will direct Baby, Box, Broker. The film will be set in South Korea, featuring a predominantly South Korean cast and crew. 

Style and influences

According to the Harvard Film Archive, Kore-eda's works "reflect the contemplative style and pacing of such luminaries as Hou Hsiao-hsien and Tsai Ming-liang".

Kore-eda is most often compared to Yasujirō Ozu, although the director has said he feels influenced by Ken Loach and Japanese director Mikio Naruse.

In a 2009 interview, Kore-eda revealed that Still Walking is based on his own family.

Accolades

• 1995: Vancouver International Film Festival – Dragons and Tigers Award (Maborosi)
• 1998: San Sebastian Film Festival – FIPRESCI Prize (After Life)
• 1998: Three Continents Festival – Golden Montgolfiere (After Life)
• 1999: Buenos Aires International Festival of Independent Cinema – Best Film and Best Screenplay (After Life)
• 2004: Flanders International Film Festival Ghent – Grand Prix (Nobody Knows)
• 2005: Blue Ribbon Awards – Best Film and Best Director (Nobody Knows)
• 2008: Mar del Plata International Film Festival – Best Film (Still Walking)
• 2009: Asian Film Awards – Best Director (Still Walking)
• 2009: Blue Ribbon Awards – Best Director (Still Walking)
• 2011: San Sebastian Film Festival – Best Screenplay (I Wish)
• 2012: Asia-Pacific Film Festival – Best Director (I Wish)
• 2013: Cannes Film Festival – Jury Prize (Like Father, Like Son)
• 2013: Asia-Pacific Film Festival – Best Film and Best Director (Like Father, Like Son)
• 2013: São Paulo International Film Festival – Audience Award Best Foreign Film (Like Father, Like Son)
• 2013: Vancouver International Film Festival – Audience Award International Films (Like Father, Like Son)
• 2013: Yokohama Film Festival – Best Screenplay (Like Father, Like Son)
• 2015: San Sebastian Film Festival – Audience Award Best Film (Our Little Sister)
• 2015: Yokohama Film Festival – Best Director (Our Little Sister)
• 2016: Japan Academy Prize – Best Film and Best Director (Our Little Sister)
• 2016: Films from the South – Best Film (After the Storm)
• 2018: Japan Academy Prize – Best Film, Best Director, Best Screenplay, and Best Editing (The Third Murder)
• 2018: Cannes Film Festival – Palme d'Or (Shoplifters)
• 2018: Los Angeles Film Critics Association – Best Foreign Film (Shoplifters)
• 2018: San Sebastián International Film Festival – Donostia Award
• 2018: Asia Pacific Screen Awards – Best Film (Shoplifters)
• 2018: Denver Film Festival – Best Film (Shoplifters)
• 2018: Filmfest München – Best International Film (Shoplifters)
• 2018: Films from the South – Audience Award (Shoplifters)
• 2018: Vancouver International Film Festival – Most Popular International Feature (Shoplifters)
• 2019: Asian Film Awards – Best Film (Shoplifters)
• 2019: Japan Academy Prize – Best Film, Best Director, and Best Screenplay (Shoplifters)
• 2019: César Award – Best Foreign Film (Shoplifters)
• 2019: Guldbagge Awards – Best Foreign Film (Shoplifters)

Filmography

Film

Hirokazu Kore-eda at the 2009 Toronto International Film Festival

Television

• Nonfix (1991)
• Without Memory (1996)
• Kaidan Horror Classics (2010)
• Going My Home (2012)
• Ishibumi (2015)
• Kasumi Arimura's Filming Break (episode 1, 2020)

Frequent collaborators

Kore-eda often casts the same actors in his narrative films, in particular Kirin Kiki and Susumu Terajima, both of whom have appeared in six of Kore-eda's films. Other performers who have collaborated with Kore-eda on multiple films include Hiroshi Abe, Arata, Tadanobu Asano, Lily Franky, Isao Hashizume, Ryo Kase, and Yui Natsukawa.

Personal life

It is said Kore-eda has married and has a daughter (born in 2007).

References

Further reading

• Ellis, Jonathan. "After Life" (Review). Film Quarterly, Vol. 57, Issue no. 1, pp. 32–37. ISSN 0015-1386.
• "This is your life: Tony Rayns interviews After Life's director Koreeda Hirokazu". Sight & Sound. March 1999.
• Martonova, Andronika (2016). "Boys don't cry: the image of the children as a social problem in Hirokazu Koreeda’s films". Central Asian Journal of Art Studies, pр. 55–64.