měi guó zuòzhělièbiǎo
fēi William Marrài lún · Edgar Alan Poeài shēng Ralph Waldo Emerson
huì màn Walt Whitman gēngshēng Emily Dickinson fēn · lán Stephan Crane
shǐ wén Wallace Stevens luó Robert Frost 'ěr · sāng bǎo Carl Sandberg
wēi lián William Carlos Williamspáng Ezra Pound 'ěr Hilda Doolittle
ào dēng Wystan Hugh Auden míng E. E. Cummings · lāi 'ēn Hart Crane
luó · dèng kěn Robert Duncanchá 'ěr · ào 'ěr sēn Charles Olsonā mén A. R. Ammons
jīn bǎo Allen Ginsbergyuē hàn · ā shénbǎi John Ashberyzhān · tài James Tate
lán dūn · xiū Langston Hughes wēn W. S. Merwinluó · lāi Robert Bly
xiào Elizabeth Bishopluó · luò wēi 'ěr Robert Lowell Sylvia Plath
yuē hàn · bèi màn John Berrymanān · sài dùn Anne Sexton nuò W. D. Snodgrass
lán · ào Frank O'Hara luò L.D. Brodskyài · luò wēi 'ěr Amy Lowell
āi · shèng wén sēn · lěi Edna St. Vincent Millay · tái 'ěr Sara Teasdale Edgar Lee Masters
wēi lián · William Staffordài 'ān · Adrienne Rich wèi · nèi tuō David Ignatow
jīn nèi 'ěr Galway Kinnell · 'ěr Sidney Lanierhuò huá · nài luò Howard Nemerov
· ào Mary Oliverā · mài 阿奇波德麦 Kerry Xujié shī xuǎn Robinson Jeffers
· Louise Glückkǎi · lāi Kate Lightshī jiā zhāng Arthur Sze
yáng Li Young Lee 'ā nuò L. S. Stavrianosā Art
fèi xiáng Kris Phillips huì xīn eVonnejié luó · wèi · sài lín Jerome David Salinger
· ào Barack Hussein Obamazhū lín · qiáo sài 'ěr sēn Josselson, R.zhān · tài 詹姆斯泰伯
wēi lián · ēn dào 'ěr Frederick William Engdahl · pèi 'ēn Mark - Payne - 'ěr Raj - Patel
luó · 'ěr màn Robert H. Lieberman
měi guó xiàn dài měi guó  (1941niánèryuè4rì)

xiàn shí bǎi tài Realistic Fictionbēng kuì

yuèdòuluó · 'ěr màn Robert H. Liebermanzài小说之家dezuòpǐn!!!
  luó · huò huá · 'ěr màn shì wèi yòu wén xué tiān de měi guó wén xué jiā suǒ 'ěr · bèi lóunuò màn · méi · yuē hàn · è dài děng zhù míng zuò jiā xiāng dāng shǔ nián qīng de dài zuò jiā liǎo 'ěr màn 1941 nián 2 yuè 4 chū shēng zài niǔ yuē shì qīn shì wèi shī。 1965 nián wèi míng jiào · luó sēn de dǎo jiào shī jié hūn
     duō shù zuò jiā láiluó · 'ěr màn de tóng zhī chù zài suǒ xué de zhuān shì gōng 'ér shì wén 。 1962 nián lín gōng xué yuàn bìng xué shì xué wèi; 1965 nián huò zhū sài zhōu kāng nài 'ěr xué xué shuò shì xué wèi; 1965 nián zhì 1966 nián yòu zài ruì diǎn 'ěr xué yán jiū shēng yuàn xué niánzài zhuān mén cóng shì xiě zuò zhī qián de 15 nián jiāncéng zài duō suǒ xué rèn jiào, 1965 nián zhì 1966 nián zài ruì diǎn xué jiān céng rèn shù xué jiào shòu zhí; 1966 nián zhì 1967 nián yòu zài měi guó luó zhōu bèi xiū 'ēn màn xué yuàn rèn shù xué jiào shòu; 1967 nián yìng pìn xiāng gǎng guó xué xiàorèn shù xué zhù rèn; 1968 nián huí dào měi guózài zhōu de hàn dùn xué yuàn rèn jiào shòu; 1968 nián zhì 1969 nián、 1969 nián zhì 1972 nián fēn bié rèn niǔ yuē zhōu xué yuàn de jiào shòu shù xué jiào shòu; 1975 nián zhì 1979 nián rèn niǔ yuē zhōu kāng nài 'ěr xué gōng chéng xué jiào shòu; 1979 nián hòu zài rèn jiàozhuān xīn cóng shì xiě zuò
     dào 80 nián dài chū 'ěr màn wán chéng liǎo cháng piān xiǎo shuōbìng zài lèi zhì shàng biǎo wén zhāng duǎn piān xiǎo shuō bǎi piānzhè xiǎo shuō shìchóngjiàn tiān táng》, 1974 nián;《 bēng kuì》, 1979 nián;《 bǎo bèi》, 1981 nián;《 xiōng men》, 1982 nián
     jìn guǎn 'ěr màn yòu duō nián de jiào xué jīng yàn fēng hòu de zhī shídàn bìng xiǎng xiě huàn xiǎo shuō shuō zuì guān xīn de shì rénshì men de gǎn qíng men de shēng huó zhèng yīn wéi zhè xiē cái shì de chuàng zuò zhù
     'ěr màn chéng rèn shì wén chū shēnbìng chēng kāi shǐ xiě zuò shíjìn wén máng”, biàn zài liàng zuò pǐn chū bǎn zhī hòu rèn wéi zhǐ néng suàn shàng shì bàn wén máng”, dàn shì duì chuàng zuò de qíng shǐ zhōng jiǎnzài qiū měi guó xiān bào píng lùn jiā kǎi tán xiě zuò de chū zhōng shí shuō:“ kāi shǐ xiě zuò de zhēn zhèng yuán yīn shì zài shū guǎn zhǎo dào hǎo shū gèng yuàn jīng diǎn zuò jiā xiāng 。” hái zài chǎng zuò guò xià biǎo shù:“ wàng yòu rén xiě de dōng qián shì yào de guǒ shì wèile lāo qián de xīng shì zhì jīn réng lǎo péng yǒu gǎo de gōng chéng xué。”
     biǎo de cháng piān xiǎo shuō shìchóngjiàn tiān táng》, shuō de shì 'ā nuò · wéi de ruì diǎn liǎng 'ér de shì wéi jiā zhù zài niǔ yuē běi fēng jǐng xiù de wéi shān shàng kāi shāng rán lái dào suàn zài shān jiǎo xià jiàn xíng shāng chéngā nuò wèile hàn wèi de jiā yuán kāi shāng zhǎn kāi liǎo yīcháng liè de dǒu zhēng。《 niǔ yuē shí bào · shū jiè shàode píng lùn jiā dīng · wén chēng zhè xiǎo shuō shìxíng wéi bēi ”, yīn wéi 'ěr màn yòng yōu de xíng shì jiǎng shù liǎo bèi jué jìng de jiā tíng de shì wén xiě dàozuò zhěyòng shuāng ruì de yǎn jīng kàn tòu máo dùnyòng yōu bàn suí jué wàng shì jiàn de shǐ zhōng。”
    《 bǎo bèishì 'ěr màn de sān cháng piān xiǎo shuōzhè shì shí fēn de shì wèi ruò duō bìng de lǎo chǔnǚ shū guǎn guǎn yuánshēng xià jīn 'ér láng yòu fēi tóng bān de hǎo sǎng yīn 'ěr màn tōng guò dǎn de xiǎng xiàng chuàng zuò chū tōng guò fán zhí shēng chǎn xià dài de shì shì de guài dàn xìng chāo chū liǎo bān de yǎn huò xiōng shā lèi shìzài wén tán shàng què shí liǎo lán
    《 bēng kuìshì biǎo de 'èr cháng piān xiǎo shuō shì hēi yōu shì dexíng wéi bēi ”。


  Robert H. Lieberman is a novelist, film director, and a long-time member of the Physics faculty at Cornell University. Initially he came to Cornell to study to be a veterinarian, but ended up becoming an electrical engineer and doing research in neurophysiology. He has also been professor of mathematics, engineering and the physical sciences and was recently awarded the John M. and Emily B. Clark Award for Distinguished Teaching at Cornell University.
  Robert H. Lieberman has been awarded a series of Fulbright Lectureships. The first in 1989 was to lecture at the Academy of Performing Arts and Film in Bratislava. In 2002 he was a resident lecturer with the Mowel Film Fund in Manila. As a Senior Specialist with the Fulbright Program he will be traveling this coming year to Burma to work with young film directors in that country.
  Most of his novels, though fast paced and entertaining, contain serious underlying social themes. Many of Lieberman’s novels appear to be set in Ithaca, where he continues to live on a 135-acre (0.55 km2) farm. His films, too, often use Ithaca, either for setting or detail or theme. The feature comedy Green Lights, which he wrote and directed, is the story of a small town swept up into a frenzy by a location scout who is taken for a big film producer. His film Last Stop Kew Gardens is a personal exploration in which he returns to the “small town” within the city of New York, where he was raised, the child of refugees from Hitler’s Vienna. In Faces in a Famine Lieberman goes to Ethiopia during the height of the famine and provides a novelist’s eye view of the people who descended on the scene, the relief workers, the press and the “disaster groupies.”
  Lieberman has two grown sons, Zorba Lieberman and Boris Lieberman.
  [edit]Fiction
  
  The Last Boy
  Perfect People
  Baby
  Goobersville Breakdown
  Paradise Rezoned
  [edit]Filmography
  
  Last Stop Kew Gardens
  Green Lights
  Faces in a Famine
  Boyce Ball
    

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