阅读luó bó tè · lì bó 'ěr màn Robert H. Lieberman在小说之家的作品!!! | |||
bǐ qǐ duō shù zuò jiā lái， luó bó tè · lì bó 'ěr màn de bù tóng zhī chù zài yú tā suǒ xué de zhuān yè shì gōng kē 'ér bù shì wén kē。 1962 nián tā bì yè yú bù lǔ kè lín gōng xué yuàn bìng qǔ dé lǐ xué shì xué wèi； 1965 nián huò mǎ sà zhū sài zhōu kāng nài 'ěr dà xué lǐ xué shuò shì xué wèi； 1965 nián zhì 1966 nián yòu zài ruì diǎn sī dé gē 'ěr mó dà xué yán jiū shēng yuàn xué xí yī nián。 zài zhuān mén cóng shì xiě zuò zhī qián de 15 nián jiān， céng zài duō suǒ dà xué rèn jiào， 1965 nián zhì 1966 nián zài ruì diǎn xué xí qī jiān céng rèn shù xué jiào shòu zhí； 1966 nián zhì 1967 nián yòu zài měi guó fó luó lǐ dá zhōu bèi xiū 'ēn yī kù kè màn xué yuàn rèn shù xué jiào shòu； 1967 nián yìng pìn yú xiāng gǎng guó jì xué xiào， rèn shù xué xì zhù rèn； 1968 nián huí dào měi guó， zài fú jí ní yà zhōu de hàn pǔ dùn xué yuàn rèn wù lǐ jiào shòu； 1968 nián zhì 1969 nián、 1969 nián zhì 1972 nián fēn bié rèn niǔ yuē zhōu yǐ sà kǎ xué yuàn de wù lǐ jiào shòu hé shù xué jiào shòu； 1975 nián zhì 1979 nián rèn niǔ yuē zhōu kāng nài 'ěr dà xué gōng chéng xué jiào shòu； 1979 nián hòu bù zài rèn jiào， zhuān xīn cóng shì xiě zuò。
dào 80 nián dài chū， lì bó 'ěr màn wán chéng liǎo sì bù cháng piān xiǎo shuō， bìng zài gè lèi zá zhì shàng fā biǎo wén zhāng jí duǎn piān xiǎo shuō bǎi yú piān。 zhè sì bù xiǎo shuō shì《 chóngjiàn tiān táng》， 1974 nián；《 bēng kuì》， 1979 nián；《 bǎo bèi》， 1981 nián；《 dì xiōng men》， 1982 nián。
jìn guǎn lì bó 'ěr màn jù yòu duō nián de lǐ kē jiào xué jīng yàn hé fēng hòu de kē jì zhī shí， dàn tā bìng bù xiǎng xiě kē huàn xiǎo shuō。 tā shuō， “ wǒ zuì guān xīn de shì rén， shì tā men de gǎn qíng hé tā men de shēng huó， yě xǔ zhèng yīn wéi rú cǐ zhè xiē cái shì wǒ de chuàng zuò zhù tí。 ”
lì bó 'ěr màn chéng rèn zì jǐ bù shì wén kē chū shēn， bìng chēng zì jǐ kāi shǐ xiě zuò shí“ jìn yú wén máng”， jí biàn zài dà liàng zuò pǐn chū bǎn zhī hòu tā rèn wéi zì jǐ yě zhǐ néng suàn dé shàng shì gè“ bàn wén máng”， dàn shì zì jǐ duì yú chuàng zuò de rè qíng shǐ zhōng bù jiǎn。 zài yǔ xī lā qiū cí měi guó xiān qū bào píng lùn jiā kǎi sī tán qǐ xiě zuò de chū zhōng shí tā shuō：“ kāi shǐ xiě zuò de zhēn zhèng yuán yīn …… shì wǒ zài tú shū guǎn zhǎo bù dào hǎo shū kě dú， wǒ gèng yuàn yì yǔ jīng diǎn zuò jiā xiāng bǐ。” tā hái zài qí tā chǎng hé zuò guò rú xià biǎo shù：“ wǒ xī wàng yòu rén dú wǒ xiě de dōng xī。 qián shì cì yào de。 rú guǒ shì wèile lāo qián， nà wǒ de xīng qù pà shì zhì jīn réng yǔ lǎo péng yǒu yī qǐ gǎo wǒ de gōng chéng xué。”
tā fā biǎo de dì yī bù cháng piān xiǎo shuō shì《 chóngjiàn tiān táng》， shuō de shì 'ā nuò dé · mǎ kè wéi cí hé tā de ruì diǎn yì qī zǐ jí liǎng gè 'ér zǐ de gù shì。 mǎ kè wéi cí yī jiā zhù zài niǔ yuē běi bù fēng jǐng xiù lì de mǎ kè wéi cí shān shàng。 yī gè tǔ dì kāi fā shāng tū rán lái dào cǐ dì， dǎ suàn zài shān jiǎo xià jiàn yī gè dà xíng shāng chéng。 ā nuò dé wèile hàn wèi zì jǐ de jiā yuán yǔ tǔ dì kāi fā shāng zhǎn kāi liǎo yīcháng jī liè de dǒu zhēng。《 niǔ yuē shí bào · tú shū jiè shào》 de píng lùn jiā mǎ dīng · lì wén chēng zhè bù xiǎo shuō shì“ xíng wéi bēi xǐ jù”， yīn wéi lì bó 'ěr màn yòng yōu mò de xíng shì jiǎng shù liǎo yī gè bèi bī rù jué jìng de jiā tíng de gù shì。 lì wén xiě dào： zuò zhě“ yòng yī shuāng ruì lì de yǎn jīng kàn tòu máo dùn， yòng yōu mò bàn suí jué wàng shì jiàn de shǐ zhōng。”
《 bǎo bèi》 shì lì bó 'ěr màn de dì sān bù cháng piān xiǎo shuō。 zhè shì yī bù shí fēn lí qí de gù shì。 yī wèi tǐ ruò duō bìng de lǎo chǔnǚ， tú shū guǎn guǎn lǐ yuán， shēng xià yī gè jīn fā 'ér láng， tā yòu yī fù fēi tóng yī bān de hǎo sǎng yīn。 lì bó 'ěr màn tōng guò dà dǎn de xiǎng xiàng chuàng zuò chū yī gè tōng guò gū cí fán zhí shēng chǎn xià yī dài de lí qí gù shì， gù shì de guài dàn xìng chāo chū liǎo yī bān de mó yǎn huò xiōng shā lèi gù shì， zài wén tán shàng què shí jī qǐ liǎo bō lán。
《 bēng kuì》 shì tā fā biǎo de dì 'èr bù cháng piān xiǎo shuō， yě shì yī bù hēi sè yōu mò shì de“ xíng wéi bēi xǐ jù”。
Robert H. Lieberman has been awarded a series of Fulbright Lectureships. The first in 1989 was to lecture at the Academy of Performing Arts and Film in Bratislava. In 2002 he was a resident lecturer with the Mowel Film Fund in Manila. As a Senior Specialist with the Fulbright Program he will be traveling this coming year to Burma to work with young film directors in that country.
Most of his novels, though fast paced and entertaining, contain serious underlying social themes. Many of Lieberman’s novels appear to be set in Ithaca, where he continues to live on a 135-acre (0.55 km2) farm. His films, too, often use Ithaca, either for setting or detail or theme. The feature comedy Green Lights, which he wrote and directed, is the story of a small town swept up into a frenzy by a location scout who is taken for a big film producer. His film Last Stop Kew Gardens is a personal exploration in which he returns to the “small town” within the city of New York, where he was raised, the child of refugees from Hitler’s Vienna. In Faces in a Famine Lieberman goes to Ethiopia during the height of the famine and provides a novelist’s eye view of the people who descended on the scene, the relief workers, the press and the “disaster groupies.”
Lieberman has two grown sons, Zorba Lieberman and Boris Lieberman.
[edit]Fiction
The Last Boy
Perfect People
Baby
Goobersville Breakdown
Paradise Rezoned
[edit]Filmography
Last Stop Kew Gardens
Green Lights
Faces in a Famine
Boyce Ball