guó zuòzhělièbiǎo
luò 杜洛 doswéi yōng Francois Villon · bèi lāi Joachim du Bellay
gāo nǎi Pierre Corneillewéi duō · guǒ Victor Hugoxià 'ěr · lāi 'ěr Charles Baudelaire
fāng · měi Stephane Mallarmewèi 'ěr lún Paul-Marie Veriaineluò léi 'ā méng Comte de Lautréamont
lán Arthur Rimbaud 'ěr méng Remy de Gourmontbǎo 'ěr - ràng · lāi Paul-Jean Toulet
lǎng · Francis Jammes 'ěr Léon-Paul Fargue luò dài 'ěr Paul Claudel
bǎo 'ěr · léi Paul Valeryxià 'ěr · pèi Charles Peguy pèi wéi 'āi 'ěr Jules Supervielle
luò dōng André Bretonài Paul Eluardā nài 'ěr Guillaume Apollinaire
· lāi wéi 'ěr Jacques Prévertā gòng Louis Aragonbǎo 'ěr · 'ěr Paul Fort
hēng · xiū Henri Michauxāi léi José Maria de Herediaā 'ěr tuō Antonin Artaud
wéi Pierre Reverdybài Saint-John Perse duō Sully Prudhomme
nèi · xià 'ěr René Char fán · 'ěr Yvan Goll kǎi Alain Bosquet
Yves Bonnefoy nèi · sài Rene Groussetā lán · pèi léi fěi Alain Peyrefitte
xiē 'ěr · wèi - wēi 'ěr Michelle David - Willbái jìn Joachim Bouvet lín · nài Katrina resistant
ruò · léi shí José Frèches xiē 'ěr - shī nài Michelle - Schneider · Nicolas Sarkozy
ā · níng Anaïs Ninràng · duō · bào Jean-Dominique Bauby xiē 'ěr - ān tuō · Michel-Antoine Burnier
xiē 'ěr · kǒng Michel Contatāi lāi · Hélène Grimaud · Tarita Teriipaia
ràng · fěi To Philip · zhā 'ěr 尼玛扎玛尔 luò wéi shì Clovis I
luò tài 'ěr shì Clothaire Ier 'ěr sān shì Childeric III píng Pepin III
chá Charlemagne shì Louis the Piouschá 'èr shì Charles II (le Chauve)
'èr shì Louis II sān shì Louis III luò màn 'èr shì Carloman II
xià 'ěr · pèi Charles Peguy
guó èr zhàn shí de guó  (1873niányuányuè7rì1914niánjiǔyuè5rì)

shīcíshī xuǎn anthology》   
pèi shī xuǎn

yuèdòuxià 'ěr · pèi Charles Peguyzài诗海dezuòpǐn!!!
夏尔·佩吉
  shī zuò yòu 'èr zhǒng xíng de shén mén》( 1912)、《 shén shèng de lǎo shí rén de shén 》( 1912)、《 xià 》( 1913) děng


Charles Péguy (January 7, 1873-September 5, 1914) was a noted French poet, essayist and editor. His two main inspirations were socialism and nationalism, but by 1908 at the latest, he had become a devout but non-practicing Roman Catholic From then on, Catholicism had a major influence on his works.

Péguy was born in Orléans to a father who died as a result of injuries suffered as a soldier during the Franco-Prussian war and a mother who supported him by working as a chair-stuffer. In 1894, benefitting from republican school reform, he was received in the École Normale Supérieure, and attended notably the lectures of Henri Bergson and Romain Rolland, whom he befriended. He formally left the École Normale, without graduating, in 1897, even though he carried on attending at some lectures in 1898. Under the influence of Lucien Herr (librarian of the École Normale), he became an ardent Dreyfusard.

From his earliest years, he was attracted by socialism. From 1900 to his death in 1914, he was the main contributor and the editor of the literary magazine Les Cahiers de la Quinzaine, which first supported the Socialist Party-leader Jean Jaurès, but ultimately withdrew support after Péguy began viewing Jaurès a traitor to the nation and to socialism. In the Cahiers, Péguy published not only his own essays and poetry, but also works by important contemporary authors such as Romain Rolland.

His free verse poem, "Portico of the Mystery of the Second Virtue", has gone through more than 60 editions in France. It was a favorite book of Charles de Gaulle.

He died in battle, shot in the forehead, in Villeroy, Seine-et-Marne during World War I, on the day before the beginning of the Battle of the Marne.


Influence
Benito Mussolini referred to Péguy as a "source" for Fascism. But, according to sources such as the The Virginia Quarterly, Péguy would have likely been horrified by this appropriation.

In 1983 Geoffrey Hill published a long poem with the title The Mystery of the Charity of Charles Péguy.


Famous quotations
"The sinner is at the very heart of Christianity. Nobody is so competent as the sinner in matters of Christianity. Nobody, except the saint."

"It will never be known what acts of cowardice have been committed for fear of not looking sufficiently progressive." (Notre Patrie, 1905).

"Tyranny is always better organised than freedom".

"Homer is new and fresh this morning, and nothing, perhaps, is so old and tired as today's newspaper."

"Surrender is essentially an operation by means of which we set out explaining instead of acting."

"He who does not bellow the truth when he knows the truth makes himself the accomplice of liars and forgers."

"A word is not the same with one writer as with another. One tears it from his guts. The other pulls it out of his overcoat pocket."

"How maddening, says God, it will be when there are no longer any Frenchmen;

There will be things that I do that no one will be left to understand." (Le Mystère des saints Innocents)


Works
Jeanne d' Arc (1897)
Notre Patrie (1905)
Situations (1907–1908)
Notre Jeunesse (1909) - Defense of Alfred Dreyfus.
Clio, dialogue de l'histoire et de l'âme païenne (1909–1912)
Le Mystère de la charité de Jeanne d'Arc (1910)
Victor-Marie, comte Hugo (1911)
L'Argent (1912)
Le Porche du mystère de la deuxième vertu (1912)
(translated into English as The Portal of the Mystery of Hope)

Le Mystère des saints Innocents (1912)
La Tapisserie de sainte Geneviève et de Jeanne d'Arc (1913)
La Tapisserie de Notre-Dame (1913)
Ève (1913)
Note sur M. Bergson (1914)
Cahiers

Notes
^ "In France the classic type of the fervent but non-practising Catholic was probably best represented by Charles Péguy" (von Kuehnelt-Leddihn, p.194)
    

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