xī là  (1911nián～1996nián)

 shīcí： 《shī xuǎn anthology》    yuèdòuào dí sài wū sī · āi lǐ dì sī Odysseas Elytiszài诗海dezuòpǐn!!!

　　xī là shī rén。 shēng yú kè lǐ tè dǎo de yī lā kè lì wēng zhèn， 1914 nián qiān jū yǎ diǎn。 1930 nián zài yǎ diǎn dà xué yán xí fǎ lǜ， hòu dào bā lí gōng dú wén xué。 dì 'èr cì shì jiè dà zhàn bào fā hòu， yǐ zhōng wèi jūn guān de shēn fèn kāi fù 'ā 'ěr bā ní yà， zhàn hòu yóu lì 'ōu zhōu gè guó。 1948 nián dān rèn《 yǎ diǎn rì bào》 shū píng zhuān lán zuò jiā； céng dài biǎo xī là chū xí zài rì nèi wǎ jǔ xíng de dì 'èr jiè xiàn dài huà jiā shì jiè dà huì。 1967 nián yí jū bā lí。
　　　　 āi lǐ dì sī de chuàng zuò fā dòng yú chāo xiàn shí zhù yì yùn dòng bō jí xī là zhī shí， 18 suì shí， tā 'ǒu 'ěr dú dào 'ài lǚ yǎ de yī běn shī jí， fā xiàn zhè zhǒng chāo xiàn shí zhù yì de xīn shī wán quán shì yìng yōu jiǔ、 fēng fù de xī là wén xué chuán tǒng， cóng cǐ yǔ zhī jié xià liǎo bù jiě zhī yuán。 1935 nián 'āi lǐ dì sī zài gé xīn pài zhù bàn de《 xīn wén xué》 zá zhì shàng fā biǎo liǎo tā de chǔnǚ zuò， zì cǐ biàn yī fā 'ér bù kě shōu， jǐ nián hòu biàn bèi gōng rèn wéi qīng nián shī rén zhōng de jiǎo jiǎo zhě。 194O nián tā dì yī běn shī jí《 fāng xiàng》 de chū bǎn， diàn dìng liǎo zuò zhě zài shī tán shàng de dì wèi， tóng shí jié shù liǎo yǐ sài fěi lǐ sī de《 zhuǎn zhé diǎn》 wéi kāi duān de “ 3O nián dài ”， kāi qǐ liǎo xī là wén xué yī gè xīn de lì shǐ jiē duàn。
　　　　 jì《 fāng xiàng》 zhī hòu， āi lǐ dì sī xiān hòu chū bǎn liǎo shī jí《 chū shēng de tài yáng》（ 1943）、《 yīng xióng wǎn gē》（ 1945）、《 lǐ suǒ dāng rán》（ 1959）、《 duì tiān qī tàn》（ 1960） děng。 qí zhōng zǔ shī《 lǐ suǒ dāng rán》 bèi rèn wéi shì tā hòu qī de dài biǎo zuò。 qí tā shī zuò hái yòu《 ài qíng de liú chéng》（ 197O）、《 guāng míng shù hé dì shí sì gè měi rén》（ 1971）、《 huā yā yǔ》（ 1972）、《 tóng bāo》（ 1974）、《 qí yǔ tōng xìn shǒu cè》（ 1977） děng。
　　　　 āi lǐ dì sī de shī dà duō yǐ xī là wéi bèi jǐng， jiāng chù lì zài wèi lán sè hǎi miàn shàng de jiāo yán fēng wù rén gé huà， tā gē sòng chuàng zào， zàn měi shēng mìng。 zài yì shù shàng， tā de shī yì jìng qīng xīn、 qí tè， yǔ yán chún jié、 jīng liàn。 jì bù fá xī fāng xiàn dài yì shù de sè cǎi， yòu róng hé liǎo“ xī là chuán tǒng de yuán sù”， tā men tóng shī rén suǒ zhuī qiú de yùn cáng zài zhè gè měi lì dǎo guó zhōng de shén yùn qiú dé liǎo yī zhì。
　　　　 1979 nián， yīn“ tā de shī yǐ xī là wéi bèi jǐng， yòng gǎn jué de lì liàng hé lǐ zhì de mǐn ruì miáo xiě xiàn dài rén wéi zì yóu hé chuàng xīn 'ér fèn dǒu”， āi lǐ dì sī huò dé nuò bèi 'ěr wén xué jiǎng。

　　Odysseas Elytis (Greek: Οδυσσέας Ελύτης) (November 2, 1911—March 18, 1996) is a legendary Greek poet,regarded as one of the most important representatives of romantic modernism in Greece and the world. In 1979 the Nobel Prize in Literature was bestowed on him.
　　
　　Biography
　　Descendant of the Alepoudhelis, an old industrial family from Lesbos, he was born in Heraklion (Candia) on the island of Crete, 2 November 1911. His family was later relocated to Athens permanently, where the poet completed his high school studies and later attended courses as an auditor at the Law School at Athens University. In 1935, Elytis published his first poem in the journal New Letters (Νέα Γράμματα) at the prompting of such friends as George Seferis. His entry with a distinctively earthy and original form assisted to inaugurate a new era in Greek poetry and its subsequent reform after the Second World War.Elytis chose exile in Paris for a greater part Greece's military dictatorship in 1967-1971.He fled to Paris in the late sixties and was romantically linked to the lyricist and musicologist who subsequently left an indelible historical mark on Greece's radio history with her original and popular children's broadcast "Here Lilliput" Mariannina Kriezi. Elytis was vehemently private and purposely solitary in pursuing his ideal of poetic truth and the poetic experience.
　　
　　
　　The war
　　In 1937 he served his military requirements. Being selected as an army cadet, he joined the National Military School in Corfu. During the war he was appointed Second Lieutenant, placed initially at the 1st Army Corps Headquarters to later be transferred at the 24th Regiment, on the first-line of the battlefields. Elytis was sporadically publishing poetry and essays after his initial foray into the literary world.
　　
　　He was a member of the Association of Greek Art Critics, AICA-Hellas, International Association of Art Critics.[1]
　　
　　
　　Programme director for ERT
　　He has twice been Programme Director of the Greek National Radio Foundation (1945-46 and 1953-54), Member of the Greek National Theatre's Administrative Council, President of the Administrative Council of the Greek Radio and Television as well as Member of the Consultative Committee of the Greek National Tourist's Organisation on the Athens Festival. In 1960 he was awarded the First State Poetry Prize, in 1965 the Order of the Phoenix and in 1975 he was awarded the Doctor Honoris Causa in the Faculty of Philosophy at the Thessaloniki University and received the Honorary Citizenship of the Town of Mytilene.
　　
　　
　　Travels
　　During the years 1948-1952 and 1969-1972 he settled in Paris. There, he audited philology and literature seminars at the Sorbonne and was well received by the pioneers of the world's avant-garde (Reverdy, Breton, Tzara, Ungaretti, Matisse, Picasso, Chagall, Giacometti) as Tériade's most respected friend. Teriade was simultaneously in Paris publishing works with all the renowned artists and philosophers (Kostas Axelos, Jean Paul Sartre,Francoise Gilot, Rene Daumal...) of the time. Elytis and Teriade had formed a strong friendship that solidified in 1939 with the publication of Elytis first book of poetry entitled "Orientations". Both Elytis and Teriade hailed from Lesbos and had a mutual love of the Greek painter Theophilos. Starting from Paris he travelled and subsequently visited Switzerland, England, Italy and Spain. In 1948 he was the representative of Greece at the International Meetings of Geneva, in 1949 at the Founding Congress of the International Art Critics Union in Paris and in 1962 at the Incontro Romano della Cultura in Rome.
　　
　　In 1961, upon an invitation of the State Department, he traveled through the U.S.A.; and —upon similar invitations— through the Soviet Union in 1963 and Bulgaria in 1965.
　　
　　
　　Death
　　Odysseas Elytis had been completing plans to travel overseas when he died in Athens on the 18th of March,1996,at the age of 84. He was survived by his niece Myrsene and his older brother Evangelos, who was bestowed the writ of condolence from the mayor of Athens on behalf of the nation at the funeral at the First National Cemetery.
　　
　　
　　The Poetry of Elytis
　　Elytis' poetry has marked, through an active presence of over forty years, a broad spectrum of subject matter and stylistic touch with an emphasis on the expression of that which is rarified and passionate. He did derive certain elements from Ancient Greece and Byzantium but devoted himself exclusively to today's Hellenism, of which he attempted —in a certain way based on psychical and sentimental aspects— to reconstruct a modernist mythology for the institutions. His main endeavour was to rid people's conscience from unjustifiable remorses and to complement natural elements through ethical powers, to achieve the highest possible transparency in expression and finally, to succeed in approaching the mystery of light, the metaphysics of the sun of which he was a "worshiper" -idolater by his own definition. A parallel manner concerning technique resulted in introducing the inner architecture, which is evident in a great many poems of his; mainly in the phenomenal landmark work Worthy It Is (Το Άξιον Εστί). This work due to its setting to music by Mikis Theodorakis as an oratorio, is a revered anthem whose verse is sung by all Greeks for all injustice, resistance and for its sheer beauty and musicality of form. Elytis' theoretical and philosophical ideas have been expressed in a series of essays under the title The Open Papers (Ανοιχτά Χαρτιά). Besides creating poetry he applied himself to translating poetry and theatre as well as creating a series of collage pictures. Translations of his poetry have been published as autonomous books, in anthologies or in periodicals in eleven languages.
　　
　　
　　Works
　　
　　Poetry
　　Orientations (Προσανατολισμοί, 1939)
　　Sun The First Together With Variations on A Sunbeam (Ηλιος ο πρώτος, παραλλαγές πάνω σε μιαν αχτίδα, 1943)
　　An Heroic And Funeral Chant For The Lieutenant Lost In Albania (Άσμα ηρωικό και πένθιμο για τον χαμένο ανθυπολοχαγό της Αλβανίας, 1946)
　　To Axion Esti—It Is Worthy (Το Άξιον Εστί, 1959)
　　Six Plus One Remorses For The Sky (Έξη και μια τύψεις για τον ουρανό, 1960)
　　The Light Tree And The Fourteenth Beauty (Το φωτόδεντρο και η δέκατη τέταρτη ομορφιά, 1972)
　　The Sovereign Sun (Ο ήλιος ο ηλιάτορας, 1971)
　　The Trills Of Love (Τα Ρω του Έρωτα, 1973)
　　The Monogram (Το Μονόγραμμα, 1972)
　　Step-Poems (Τα Ετεροθαλή, 1974)
　　Signalbook (Σηματολόγιον, 1977)
　　Maria Nefeli (Μαρία Νεφέλη, 1978)
　　Three Poems under a Flag of Convenience (Τρία ποιήματα με σημαία ευκαιρίας 1982)
　　Diary of an Invisible April (Ημερολόγιο ενός αθέατου Απριλίου, 1984)
　　Krinagoras (Κριναγόρας, 1987)
　　The Little Mariner (Ο Μικρός Ναυτίλος, 1988)
　　The Elegies of Oxopetra (Τα Ελεγεία της Οξώπετρας, 1991)
　　West of Sadness (Δυτικά της λύπης, 1995)
　　
　　Prose, essays
　　The True Face and Lyrical Bravery of Andreas Kalvos (Η Αληθινή φυσιογνωμία και η λυρική τόλμη του Ανδρέα Κάλβου, 1942)
　　2x7 e (collection of small essays) (2χ7 ε (συλλογή μικρών δοκιμίων))
　　(Offering) My Cards To Sight (Ανοιχτά χαρτιά (συλλογή κειμένων), 1973)
　　The Painter Theophilos (Ο ζωγράφος Θεόφιλος, 1973)
　　The Magic Of Papadiamantis (Η μαγεία του Παπαδιαμάντη, 1975)
　　Reference to Andreas Empeirikos (Αναφορά στον Ανδρέα Εμπειρίκο, 1977)
　　The Public ones and the Private ones (Τα Δημόσια και τα Ιδιωτικά, 1990)
　　Private Way (Ιδιωτική Οδός, 1990)
　　«Εν λευκώ» (συλλογή κειμένων), (1992)
　　The Garden with the Illusions (Ο κήπος με τις αυταπάτες, 1995)
　　
　　Translations
　　Second Writing (Δεύτερη γραφή, 1976)
　　Sappho (Σαπφώ)
　　The Apocalypse (by John) (Η αποκάλυψη, 1985)
　　
　　Reference works
　　Mario Vitti: Odysseus Elytis. Literature 1935-1971 (Icaros 1977)
　　Tasos Lignadis: Elytis' Axion Esti (1972)
　　Lili Zografos: Elytis - The Sun Drinker (1972); as well as the special issue of the American magazine Books Abroad dedicated to the work of Elytis (Autumn 1975. Norman, Oklahoma, U.S.A.)
　　Odysseas Elytis: Anthologies of Light. Ed. I. Ivask (1981)
　　A. Decavalles: Maria Nefeli and the Changeful Sameness of Elytis' Variations on a theme (1982)
　　E. Keeley: Elytis and the Greek Tradition (1983)
　　Ph. Sherrard: Odysseus Elytis and the Discovery of Greece, in Journal of Modern Greek Studies, 1(2), 1983
　　K. Malkoff: Eliot and Elytis: Poet of Time, Poet of Space, in Comparative Literature, 36(3), 1984
　　A. Decavalles: Odysseus Elytis in the 1980s, in World Literature Today, 62(l), 1988
　　
　　Translations of Elytis' work
　　Poesie. Procedute dal Canto eroico e funebre per il sottotenente caduto in Albania. Trad. Mario Vitti (Roma. Il Presente. 1952)
　　21 Poesie. Trad. Vicenzo Rotolo (Palermo. Istituto Siciliano di Studi Bizantini e Neoellenici. 1968)
　　Poèmes. Trad. Robert Levesque (1945)
　　Six plus un remords pourle ciel. Trad. F. B. Mache (Fata Morgana. Montpellier 1977)
　　Korper des Sommers. Übers. Barbara Schlörb (St. Gallen 1960)
　　Sieben nächtliche Siebenzeiler. Übers. Günter Dietz (Darmstadt 1966)
　　To Axion Esti - Gepriesen sei. Übers. Güinter Dietz (Hamburg 1969)
　　The Axion Esti. Trans. Edmund Keeley and G. Savidis (Pittsburgh, U.S.A. 1974)
　　The Sovereign Sun. Trans. Kimon Friar (Philadelphia, U.S.A. 1974)
　　Selected poems. Ed. E. Keeley and Ph. Sherrard (1981)
　　
　　References
　　^ Association of Greek Art Critics, International Association of Art Critics. AICA-HELLAS History.