| Andrei Arsenyevich Tarkovsky | |
| ān dé liè · ā 'ěr xiè ní yé wéi qí · tǎ 'ěr kē fū sī jī | |
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yuèdòuān dé liè · tǎ kě fū sī jī Andrei Tarkovskyzài百家争鸣dezuòpǐn!!! | |
在其最后一部电影《牺牲》拍竣后的一九八六年十二月二十九日，塔可夫斯基病逝于巴黎的癌症病院。他被安葬在一个法国小镇的俄国移民墓地。
安德烈·阿尔谢尼耶维奇·塔尔科夫斯基（Андре́й Арсе́ньевич Тарко́вский，1932年4月4日－1986年12月29日）是俄国电影导演、歌剧导演、作家和演员，是苏联继爱森斯坦后最著名的电影大师。他被认为是电影史当中一个最重要和最有影响的电影制作人。1986年因肺癌逝世于法国，得年55岁。
电影
塔氏的电影特色包括主题围绕基督教人文精神及形而上哲学，极端长镜头以及令人难以忘怀的美丽影像。许多意象一再出现，如破碎的物质文明、忧愁而寡言的角色与不停滴落的雨。
电影作品
| 年份 | 片名 | 英文片名 | 原文片名 | 国家 | 长度 | 注记 |
|---|---|---|---|---|---|---|
| 1956 | 杀手 | The Killers | Убийцы | 前苏联 | 19分钟 | 学生作品 |
| 1959 | 今日不离别 | There Will be No Leave Today | Сегодня увольнения не будет | 前苏联 | 46分钟 | 学生作品 |
| 1961 | 压路机与小提琴 | The Steamroller and the Violin | Каток и скрипка | 前苏联 | 46分钟 | 毕业作品 |
| 1962 | 伊凡的少年时代 | Ivan's Childhood | Иваново детство | 前苏联 | 95分钟 | 获1962年威尼斯电影节最佳电影金狮奖。故事背景设于二次世界大战苏德战场，是塔氏较传统的电影作品。 |
| 1966 | 安德烈·卢布列夫 | Andrei Rublev | Андрей Рублёв | 前苏联 | 205分钟 | 以中世纪俄国著名画家安德烈·卢布列夫为题材的史诗电影。 |
| 1972 | 索拉里斯星 | Solaris | Солярис | 前苏联 | 165分钟 | 改编自史坦尼斯劳·莱姆的经典科幻小说。该片荣获戛纳影展评审团大奖及人道精神费比西奖。 |
| 1975 | 镜子 | Mirror | Зеркало | 前苏联 | 108分钟 | 塔氏自传体电影。 |
| 1979 | 潜行者 | Stalker | Сталкер | 前苏联 | 164分钟。 | 改编斯特鲁格斯基兄弟的小说《路边野餐》（Roadside Picnic）。 |
| 1982 | 雕刻时光 | Voyage in Time | Tempo di Viaggio | 意大利 | 63分钟 | 纪录片 |
| 1983 | 乡愁 | Nostalghia | Nostalghia | 意大利 | 125分钟 | 1983年戛纳影展最佳导演 |
| 1986 | 牺牲 | The Sacrifice | Offret | 瑞典 | 149分钟 | 1986年戛纳影展评审团大奖 |
图片
参考
"Martyrlog", 1984 ,imdb
塔氏著作
- Sculpting In Time, translated by Kitty Hunter-Blair (1987)
- Time Within Time: The Diaries 1970-1986, translated by Kitty Hunter-Blair (1993)
- Collected Screenplays, translated by William Powell and Natasha Synessios (1999)
- Johnson, Vidat and Petrie, Graham, The Films of Andrei Tarkovsky: A Visual Fugue, Indiana University Press, Bloomington & Indianapolis, 1994
书籍
- Andrei Tarkovsky: Interviews (Conversations With Filmmakers Series), edited by John Gianvito, University Press of Mississippi, 2006, ISBN 1-57806-220-9
- The Films of Andrei Tarkovsky: A Visual Fugue, by Vida T. Johnston and Graham Petrie, 1994, ISBN 0-253-20887-4
- Andrei Tarkovsky, by Sean Martin, Pocket Essentials, 2006, ISBN 1-904048-49-8
- Andrei Rublev, by Robert Bird, British Film Institute, 2005, ISBN 1-84457-038-X
- Through the Mirror: Reflections on the Films of Andrei Tarkovsky, Cambridge Scholars Press, 2006, ISBN 1-904303-11-0
- Andrei Tarkovsky: A Photographic Chronicle of the Making of The Sacrifice, by Layla Alexander-Garrett, Cygnnet, 2012, ISBN 978-0-9570416-0-8
Andrei Arsenyevich Tarkovsky (Russian: Андрей Арсеньевич Тарковский, IPA: [ɐnˈdrʲej ɐrˈsʲenʲjɪvʲɪtɕ tɐrˈkofskʲɪj]; 4 April 1932 – 29 December 1986) was a Russian filmmaker, theatre director, writer, and film theorist. He is widely considered one of the greatest and most influential directors in the history of Russian and world cinema. His films explored spiritual and metaphysical themes, and are noted for their slow pacing and long takes, dreamlike visual imagery, and preoccupation with nature and memory.
Tarkovsky studied film at Moscow's State Institute of Cinematography under filmmaker Mikhail Romm, and subsequently directed his first five feature films in the Soviet Union: Ivan's Childhood (1962), Andrei Rublev (1966), Solaris (1972), Mirror (1975), and Stalker (1979). After years of creative conflict with state film authorities, Tarkovsky left the country in 1979 and made his final two films abroad; Nostalghia (1983) and The Sacrifice (1986) were produced in Italy and Sweden respectively. In 1986, he also published a book about cinema and art entitled Sculpting in Time. He died of cancer later that year.
Tarkovsky was the recipient of several awards at the Cannes Film Festival throughout his career (including the FIPRESCI prize, the Prize of the Ecumenical Jury, and the Grand Prix Spécial du Jury) and winner of the Golden Lion award at the Venice Film Festival for his debut film Ivan's Childhood. In 1990, he was posthumously awarded the Soviet Union's prestigious Lenin Prize. Three of his films—Andrei Rublev, Mirror, and Stalker—featured in Sight & Sound's 2012 poll of the 100 greatest films of all time.