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jūn xiáng Ji Junxiang(yuán dài)zhèng tíng Zheng Tingyu(yuán dài)zhāng guó bīn Zhang Guobin(yuán dài)
yuè chuān Yue Bachuan(yuán dài)yáng Yang Zi(yuán dài) hàn chén Wu Hanchen(yuán dài)
wáng chéng Wang Bacheng(yuán dài) wén wèi Li Wenwei(yuán dài) zhí Li Zhifu(yuán dài)
chāng líng Wu Changling(yuán dài)wáng zhòng wén Wang Zhongwen(yuán dài) shòu qīng Li Shouqing(yuán dài)
huáng gōng wàng Huang Gongwang
yuán dài  (1269niánjiǔyuè12rì1354niánshíyīyuè10rì)
xìng:
míng: jiān
zì: jiǔ
wǎngbǐhào: chī ; fēng ; chī dào rén ; fēng dào rén
chūshēngdì: píng jiāng cháng shú

shīcí《【 zhōng zuì zhōng tiān · sōng lóu wán shàn   

yuèdòuhuáng gōng wàng Huang Gongwangzài诗海dezuòpǐn!!!
黄公望
   jiǔhào chīyòu hào fēngshì píng jiāng cháng shújīn shǔ jiāng shěng), běn shì míng jiān yòu guò yǒng jiā huáng shìsuì chūnjīn zhè jiāng yáng xiàn)。 tiān gāoyìng shén tóng zhì yuán zhōng zhè lián fǎng shǐ yǎn wéi shū shì yán yòu zhōng yóu jīng shīwéi shǐ tái chá yuàn yuàn quán háo xià chūsuì shì sōng jiāngwǎng lái qián táng zhōngwǎn shāo quán ér guī chūngōng shīyòu chī dào rén 》。 yóu shàn huàzōng dǒng yuán rányùn luò chū rén biǎo chéng jiāwéi yuán huà jiā zhī zhù yòuxiě shān shuǐ jué》。 yòu tōng yīn cháng duǎn luò chéng


Huang Gongwang (1269–1354), birth name Lu Jian (Chinese陸堅pinyinLù Jiān), was Chinese painter, poet, and writer during the late Song dynasty in ChangshuJiangsu. He was the oldest of the "Four Masters of the Yuan dynasty".

At the age of 10, the Song fell to the Mongol founders of the Yuan Dynasty and he, like many other Chinese scholars of the time, found his path to officialdom and a good career severely limited. "He was first an unranked ling-shih at a Surveillance Office in the Chiang-che Branch Secretariat (Province), probably engaged in some sort of land tax supervision. Later he served as a secretary in the metropolitan Censorate where he was unfortunately involved in the slander case of a minister, Chang Lu. He seems to have spent quite some time in jail before retreating into Taoism [as did many others of the age--another was the famous painter Ni Zan], completely disillusioned." He spent his last years in the Fu-ch'un mountains near Hangzhou devoting himself to Taoism, where around 1350 he completed one of his most famous, and arguably greatest, works, Dwelling in the Fuchun Mountains.

In art he rejected the landscape conventions of his era's Academy, but is now regarded as one of the great literati painters. Art historian James Cahill identified Huang Gongwang as the artist who "most decisively altered the course of landscape painting, creating models that would have a profound effect on landscapists of later centuries." One of Huang Gongwang's strongest influences was his technique of using very dry brush strokes together with light ink washes (when colour is applied to a specific area using a soft-haired brush with wide strokes that blend them together into a unified wash) to build up his landscape paintings. He also wrote a treatise on landscape painting, Secrets of Landscape Painting (寫山水訣Xiě Shānshuǐ Jué).

As was typical for Chinese scholar-officials of his era, he also wrote poetry and had some talent for music.

References

  1. ^ Sherman E. Lee and Wai-Kam Ho. Chinese Art Under the Mongols: The Yuan Dynasty (1279-1368). The Cleveland Museum of Art, 1968, p. 80.
  2. ^ James Cahill, "The Yuan Dynasty" in Three Thousand Years of Chinese Painting, ed. by Yang Xin, Richard M. Barnhart, et. al. Yale University Press, 1997, p. 167.
  • Masterpieces of Chinese Art (pages 87–90), by Rhonda and Jeffrey Cooper, Todtri Productions, 1997. ISBN 1-57717-060-1
  • James Cahill, "The Yuan Dynasty" in Three Thousand Years of Chinese Painting, ed. by Yang Xin, Richard M. Barnhart, et al. Yale University Press, 1997.
  • Sherman E. Lee and Wai-Kam Ho. Chinese Art Under the Mongols: The Yuan Dynasty (1279-1368). The Cleveland Museum of Art, 1968.

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