yuèdòuān nī · sài kè sī dùn Anne Sextonzài诗海dezuòpǐn!!! | |||||
塞克斯顿tā yī dù yóu yú jīng shén yā yì 'ér qǐ tú zì shā， hòu zūn yī zhǔ kāi shǐ xiě shī。 tā jìn rù shī gē zhè yī lǐng yù jiào wǎn， dà gài shì zài tā 28 shí cái kāi shǐ guǎng fàn jiē chù shī gē。 zài bō shì dùn de xiě zuò bān lǐ， tā rèn shí liǎo xī 'ěr wéi yà · pǔ lā sī， tā men dū shī cóng RobertLowell（ luó wéi 'ěr）， tā men de zuò pǐn yě duō xiě gè rén de jīng lì、 gè rén de hūn yīn wèn tí、 gè rén yǔ fù mǔ de guān xì yǐ jí jīng shén jí bìng dài lái de kùn rǎo。 zài pǔ lā sī zì shā hòu， sài kè sī dùn céng xiě xià shī gē dào niàn tā， ér bù jiǔ， tā yě bēn fù hé tā xiāng tóng de dào lù。 liǎng gè rén bù jǐn zài jīng shén shàng zhī chí zhe bǐ cǐ， lián líng hún dū shèn tòu dào duì fāng de shēng huó lǐ。
jìn guǎn wǒ zhǐ yuè dú liǎo liǎng sān shǒu tā de shī， hái wú fǎ jīng què dì shuō chū tā de hǎo。 dàn wǒ kě yǐ qiáng liè gǎn shòu dào tā shī gē zhōng qiáng liè 'ér chún cuì de měi。 rì cháng shēng huó de qíng gǎn jīng yàn zhōng， yòu bù kě sī yì de yì xiàng zài tiào dòng， zhǐ yào nǐ yuè dú tā， nǐ yī dìng néng gòu tīng dào tā dú tè de shēng yīn。
Personal life
Sexton was born in Newton, Massachusetts, and spent most of her life near Boston, Massachusetts. In 1945, Sexton began attending a boarding school, Rogers Hall, in Lowell, Massachusetts. For a time as a young woman, she modeled at Boston's Hart Agency. Although she was already engaged to someone else, in August 1948 she eloped with Alfred Muller Sexton, known as "Kayo." The couple drove from Massachusetts to North Carolina, where the legal marrying age was 18. Before their divorce in the early 1970s, she had two children with Kayo: Linda Gray Sexton, later a novelist and memoirist, and Joyce Sexton. Controversy was stirred with the posthumous public release of tapes recorded during Sexton's psychotherapy (and thus subject to doctor-patient confidentiality), in which Sexton revealed incestuous contact with her daughter.
Illness and subsequent career
Sexton spoke candidly about her battle with bipolar disorder, which she fought for most of her life. Her first manic episode took place in 1954. After a second breakdown in 1955, she met Dr. Martin Orne, who was to become her longtime therapist, at Glenside Hospital. Sexton believed she was not valuable except in her ability to please men and told Orne in her first interview that her only talent might be for prostitution. He later told her that his evaluation showed that she had a creative side and encouraged her to take up poetry. Though she was very nervous about it and needed a friend to make the phone call and accompany her to the first workshop, she enrolled in her first poetry workshop with John Holmes as the instructor. Writing poetry became part of her therapy and her livelihood.
After the workshop, Sexton experienced remarkably quick success with her poetry, with her poems accepted by The New Yorker, Harper's Magazine, and the Saturday Review.
Sexton's poetic life was further encouraged by her mentor, W.D. Snodgrass, whom she met at the Antioch Writer's Conference in 1957. His poem, "Heart's Needle", about his separation from his three year old daughter, encouraged her to write "The Double Image," a poem significant in expressing the multi-generational relationships existing between mother and daughter. "Heart's Needle" was particularly inspirational to Sexton because at the time she first read it her own young daughter was living with her mother-in-law. Sexton began writing letters to Snodgrass and they soon became friends.
While working with Holmes, Sexton encountered Maxine Kumin, with whom she became good friends throughout the rest of her life. Kumin and Sexton rigorously critiqued each other's work, and wrote four children's books together.
With Sylvia Plath, she attended a poetry workshop taught by Robert Lowell in 1957. Plath and Sexton remained friends. This relationship is alluded to in the poem "Sylvia's Death" written after Plath's suicide. Later, Sexton herself taught workshops at Boston University, Oberlin College, and Colgate University.
In the late 1960s and early 1970s, the manic elements of Sexton's illness began to affect her career. She still wrote and published work and gave readings of her poetry. She also collaborated with some musicians, forming the group Anne Sexton and Her Kind, who were working to put some of her writing to music.
Content and themes of work
Sexton is the modern model of the confessional poet. She was inspired by the publication of Snodgrass' Heart's Needle. Her work encompasses issues specific to women such as menstruation and abortion, and more broadly masturbation and adultery, before such subjects were commonly addressed in poetic discourse.
The title for her eighth collection of poetry and one of her last writings, The Awful Rowing Toward God, came from her meeting with a Roman Catholic priest who, although unwilling to administer the last rites, did tell her: "God is in your typewriter," which gave the poet the desire and willpower to continue living and writing for some more time. Her last writings expressed her strange hunger for death: The Death Notebooks and The Awful Rowing Toward God.
Death
On October 4, 1974 Sexton had lunch with Maxine Kumin to review her most recent book, The Awful Rowing Toward God. Upon returning home, she locked herself in her garage, started the engine of her car and committed suicide by carbon monoxide poisoning.
In an interview over a year before her death she explained she had written the first drafts of The Awful Rowing Toward God in twenty days with "two days out for despair and three days out in a mental hospital." She went on to say that she would not allow the poems to be published before her death.
She is buried at Forest Hills Cemetery & Crematory in Jamaica Plain, Boston, Massachusetts.
Award
Audience magazine's annual poetry prize (1959)
Poetry magazine's Levinson Prize (1962)
National Book Award nomination for All My Pretty Ones (1963)
American Academy of Arts and Letters' traveling fellowship (1963)
Ford Foundation grant (1963)
Shelley Memorial Prize for Live or Die (1967)
Pulitzer Prize in poetry for Live or Die (1967)
Guggenheim Foundation grant (1969)
Tufts University's Doctor of Letters (1970)
Crashaw Chair in Literature from Colgate University (1972)
Bibliography
To Bedlam and Part Way Back (1960)
All My Pretty Ones (1962)
Live or Die (1966) - Winner of the Pulitzer prize in 1967
Love Poems (1969)
Mercy Street, a 2-act play performed at the American Place Theatre (1969)
Transformations (1971) ISBN 0-618-08343-X
The Book of Miguel Flores' Dad (1972) ISBN 0-395-14014-5
The Death Notebooks (1974)
The Awful Rowing Toward God (1975; posthumous)
45 Mercy Street (1976; posthumous)
Words for Dr. Y. (1978; posthumous)
Children's Book
all co-written with Maxine Kumin
1963 Eggs of Things (illustrated by Leonard Shortall)
1964 More Eggs of Things (illustrated by Leonard Shortall)
1974 Joey and the Birthday Present (illustrated by Evaline Ness)
1975 The Wizard's Tears (illustrated by Evaline Ness)
Reference
^ Psychiatrist Criticized Over Release Of Poet's Psychotherapy Tapes By Ken Hausman
^ Anne Sexton: A Biography by Diane Wood Middlebrook
^ Anne Sexton
Further reading
Diane Wood Middlebrook Anne Sexton: A Biography, 1992, ISBN 0-679-74182-8
Linda Gray Sexton Searching for Mercy Street: My Journey Back to My Mother 1994.
Philip McGowan Anne Sexton & Middle Generation Poetry: The Geography of Grief
Paula M Salvio Anne Sexton: teacher of weird abundance, ISBN 0-791-47097-0
Jo Gill Anne Sexton's Confessional Poetics
Miscellaneou
Conrad Susa composed an opera called Transformations, based on Sexton's collection of poems by the same name.
British musician Peter Gabriel wrote a song, "Mercy Street", dedicated to Sexton in 1986. Richard Shindell included a cover of the song on his 2007 album South of Delia. Happy Rhodes has also covered the song in live performances.
Dave Matthews has said that the song "Grey Street", from the album Busted Stuff (2002), is inspired by Sexton.
During a 2007 concert in Boston, Morrissey stated that he felt privileged to "trod the same streets as Anne Sexton. She died for you, you know. And for me."