měi guó zuòzhělièbiǎo
yuē · hǎi Joseph Heller
měi guó xiàn dài měi guó  (1923niánwǔyuè1rì1999niánshíèryuè12rì)

fěng qiǎn acrimony denounce 'èr shí 'èr tiáo jūn guī Catch-22》

yuèdòuyuē · hǎi Joseph Hellerzài小说之家dezuòpǐn!!!
约瑟夫·海勒
  yuē · hǎi chū shēng: 1923 nián 5 yuè 1
  
   chū shēng niǔ yuē lín
  
   xīng zuòjīn niú zuò
  
   měi guó zhù míng xiǎo shuō jiā hēi yōu dài biǎo zuò jiā yuē hǎi ( JosephHeller)
  
   1999 nián 12 yuè 12 zài niǔ yuē dōng hàn dūn de jiā yóu xīn zàng bìng xìng shì shìxiǎng nián 76 suì
  
   de shì shì gěi měi guó nǎi zhì shì jiè wén tán liú xià liǎo tián de kòngquē
  
   yuē · hǎi - rén jiǎn jiè
  
   hǎi 1923 nián 5 yuè 1 chū shēng niǔ yuē lín de dǎo shì 'é guó yóu tài mín。 5 suì shí qīn shì qīn zhǐ hǎo móu shēng jiān nán píng jiā rèn wéihǎi diǎn de wán shì gōngjiē tóu shì de zhì yōu jiù shì tóng nián zài lín de dǎo de huǒ shēng huó zhōng xíng chéng de。 1941 nián hǎi hǎn lín kěn gāo zhōng , 1942 nián 10 yuè cān jiā měi guó kōng jūn 12 jūn tuánzhù fáng jiābìng zuò wéi tóu dàn shǒu zhí xíng hōng zhà rèn gòng 60 。 1945 nián hǎi zuò wéi kōng jūn shàng wèi tuì tóng nián 9 yuè 3 xuě hǎi 'ěr jié hūnbìng 'àn měi guó bīng jiù nán luó lāi xué jiǔ zhuǎn niǔ yuē xué, 1948 nián huò yīng xué shì xué wèi。 1949 nián yòu lún xué huò shuò shì xué wèibìng zuò wéi 1949 1950 nián de lāi xué zhě niú jīn xué fǎng xué hòu céng xiān hòu zài bīn zhōu xué xué niǔ yuē shì xué rèn jiàodāng xuǎn wéi měi guó shù wén xué yuàn chéng yuánzài de jiāo wǎng juàn zhōngguò cóng shèn zhě shì 'ào zuǒ féng
  
   yuē · hǎi - rén jīng
   hǎi ( 1923 měi guó hēi yōu pài dài biǎo zuò jiāchū shēng niǔ yuē shì lín yóu tài mín jiā tíng 'èr shì jiè zhàn jiān céng rèn kōng jūn zhōng wèizhàn hòu jìn xué xué , 1948 nián niǔ yuē xué。 1949 nián zài lún xué huò wén xué shuò shì xué wèi hòu dào lài yán jiū jīn yīng guó niú jīn xué shēn zào nián。 1950 dào 1952 nián zài bīn zhōu xué děng xiào rèn jiào hòu kāi xué xiàodàoshí dàizhǎn wàngděng zhì biān ji rèn zhí。 1961 niáncháng piān xiǎo shuō 'èr shí 'èr tiáo jūn guīwèn shì chéng míngdāng nián fàng zhí zhuān mén cóng shì xiě zuò
  
   yuē · hǎi - zhù yào zuò pǐn
  《 'èr shí 'èr tiáo jūn guī》, hǎi hái biǎo guò cháng piān xiǎo shuō liǎng :《 chū liǎo máo bìng》( 1974) xiàng gāo 'ěr yàng hǎo》( 1979)。 qián zhě tōng guò duì měi guó zhōng chǎn jiē jīng rén yuán cháng shēng huó de miáo xiěfǎn yìng liǎo men mènfǎng huáng de jīng shén shì jièhòu zhě yòng huī xié cháo fěng de tōng guò shì shè guān chǎng de yóu tài zhī shí fènzǐ de shēng huó jīng miáo huì liǎo yòu guān měi guó zhèng zhìshè huì shēng huó de fěng huàhǎi céng xiě guò běn men hōng zhà liǎo niǔ hēi wénděngdàn yǐng xiǎng
  
   zuò pǐn hǎi de xiǎo shuō cái xiàn shí shēng huótōng guò shù de jìng fàng jìngfǎn yìng liǎo měi guó shè huì shēng huó de ruò gān miàn yòu dìng de rèn shí jià zhí shěn měi jià zhídāng rán de zuò pǐn dài yòu hēi yōu pài wén xué de xiē tōng bìng duì shè huì xiàn shí liú chū nài de xīn qíng děng
  
   hǎi shēng gēng chuò。 1994 nián wán chéngjié shù shí fēn hòuyòu rén wèn shì fǒu zhǔn bèi huí dàoshēng mìng xiě zuò zhǐ guǒ zhēn zài 1998 nián tuī chū liǎo cháng piān huí yōu yōu suì yuè》, zhēn shí miáo shù liǎo shēng cóng shì wén xué chuàng zuò de xīn suān chéng
  
   yuē hǎi wèi duō chǎn zuò jiābèi wéihēi yōu de xīngzhù yào zuò pǐn yòu 'èr shí 'èr tiáo jūn guī》( 1961)、《 bìng fēi xiào huà》( 1986)、《 yōu yōu suì yuè》( 1998) liǎng běn men hōng zhà niǔ hēi wén》( 1967) lāi wén jié de shěn pàn》( 1974), bìng xiǎo shuō 'èr shí 'èr tiáo jūn guīwén míng xià jiǎn chēngjūn guī》)。 hǎi de yōu fěng huāng dàn yán kuā zhāng zhēn shínào zhèng jīng tiáohé lái yīn lěng dewán shì gōng de yōu lái cháo xiào qiēbiǎo duì xiàn shí shì jiè de mǎn kàng shǐ rén zài zhèn chàn zhōng suǒzài zhōng bēi 'āiyīn zuò pǐn biǎo hōng dòng shè huìyóu zài měi guó qīng nián xué shēng zhōng yǐn liǎo qiáng liè fǎn xiǎngjīn tiān,“ 'èr shí 'èr tiáo jūn guī chéng wéi měi guó rén de kǒu tóu chányòng biǎo zhǒng bǎi tuō de kùn jìng huò yuè de zhàng 'ài。 1961 nián biǎo chāo xiàn shí zhù fǎn zhàn shí yàn xiǎo shuō 22 tiáo jūn guī chéng míng hòu biǎohōng zhà niǔ hēi wén》( 1968)、《 lāi wén jié de shěn pàn》( 1973)、《 chū liǎo máo bìng》( 1974)、《 xiàng 'ěr yàng hǎo》( 1979)、《 shàng zhī dào》( 1984)、《 shì wán xiào》( 1986)、《 miáo xiě zhè 》( 1988)、《 zuì hòu shí guāng》( 1994) 1998 nián chū bǎn de huí shí shícóng dǎo dào zhè 》。 wài hái chuàng zuò gǎi biān běndiàn yǐng diàn shì duǎn piān shìyòu píng lùn jiā rèn wéi wǎn jìn biǎo de duǎn piān shì kān chēng gāi wén lèi de shàng chéng zhī zuòjìn guǎn zuò pǐn shù liàng xiāng duì xiū dàn hǎi bèi gōng rèn wéi 20 shì zuì zhòng yào de jīng diǎn zuò jiā zhī 。《 22 tiáo jūn guībèi wéi 60 nián dài lái xiǎng zuì shèng de xiǎo shuōbèi chéng shí zhǒng wén xíng liàng gāo 1000 wàn zài zhě zhōng de shēng wàng yuǎn zài bèi lóuluó è dài nuò màn méi zhī shàng
  
  
   yuē · hǎi -《 'èr shí 'èr tiáo jūn guī
  
  
   'èr shí 'èr tiáo jūn guījūn guī huāng dàn de xíng shìduō jiǎo duō céng zhǎn shì liǎo chōng mǎn tān lán wěi piànzhuān héngcán rěnyín luàn fēng kuáng de xiàn shí shēng huózhù rén gōng yóu suǒ lín bèi shì shì de fǎn cháng zhé chéng liǎo huái kuáng zhī lùn zhě zhù zhě zài shén shèng de gǎn 'ēn jié shàng jìng zhī biǎn shàng :“ kǎo dào yòu chōng fēn de huì quán bàn shìzài kàn kàn shì qíng nòng zhè yàng luàn zāo de chēng zhí zhēn gòu jiào rén chī jīng liǎo。” yóu suǒ lín fèn fèn píng shìyào zài shì jiè dào lái shí yòng shǒu zhuā zhù shàng de yóu tuī duànyóu suǒ lín hài de shì shàng dǎo shì tiáojūn guīcháng cháng shǐ máo sǒng ránhuáng huáng zhōng shì de yīn yǐngxiàng shí bān xuán guà zài rén men de tóu dǐng shàngsuí shí làxiàwēi xié zhe rén de shēng mìngmiàn duì rán de rén men wǎng wǎng rán jìngzài qiáng de rán miàn qiánrén men jìn guǎn zuò chū de dàn bēi tàn kuì rán 'ér yóu suǒ lín gǎn zhī kàng héng de bìng fēi shì lái rán de wēi ér shì rén lèi de zuì niè tóng yàng líng jià rèn rén zhī shàng rén jiù fànduì jūn guīde xìng zhìxiǎo shuō yòu zhè yàng duàn miáo shù
   zhè tiáo jūn guī guī dìngmiàn lín zhēn zhèng de zài méi jié de wēi xiǎn shíduì shēn 'ān quán biǎo shì guān zhùnǎi shì tóu nǎo xìng huó dòng de jiēguǒào 'ěr fēng liǎo yǔn tíng zhǐ fēi xíngzhǐ yào chū qǐng qiú jiù xíng shì chū qǐng qiú jiù zài shì fēng jiù zài zhí xíng rèn cháng ruò 'ào 'ěr zài zhí xíng rèn zhǔn shì fēng liǎo guǒ zài jiù méi yòu fēng shì rán méi yòu fēng jiù zhí xíng fēi xíng rèn cháng ruò zhí xíng fēi xíng rèn zhǔn shì fēng liǎo zài fēi xíng shì guǒ xiǎng zài me jiù méi yòu fēng jiù fēi
  
   zài hǎi de shì jiè 'èr shí 'èr tiáo jūn guī shì shén de dài míng xiàng zhēng liǎo zhǒng yòu chāo rán denéng cāo zòng rén lèi mìng yùn de shén liàngzhè yòu xiàn dài guān liáo de liàng bāo hán liǎo mǒu xiē shén hǎi suǒ gǎn dào de zhuō de liàngduì hǎi lái shuōměi guó zhèng zhǐ shì qióng bīng duì wài jìn xíng qīn lüè kuò zhāng de jūn shì guān liáo tuánzhè yàng de tuán lùn duì guó nèi bǎi xìng hái shì duì hǎi wài shì bīng shí xíng yán de kòng zhìshuí bǎi tuō liǎo tóng bān jūn guī de yuē shù jiàn 'èr shí 'èr tiáo jūn guī suǒ zào chéng de jìng míng xiǎn dài yòu chāo yàn deyǒng héng de cǎifǒu cóng zhuān yòu míng jìn měi guó rén de cháng yán
  
   miàn duì 'èr zhàn hòu měi guó shè huì de zhǒng zhǒng biàn huàhǎi jué rán shì jiè jīng biàn yàngchōng mǎn liǎo huāng miù chǒu 'èjiù xiàng liǎo fēng shìdeháo xìng yánguò zhǒng chōng mǎn xìng de xiàn shí zhù chuàng zuò fāng nán biǎo xiàn dāng jīn shì jiè de huāng miù jǐng rèn wéiyào xiǎng fǎn yìng huāng miùchǒu 'èbiàn huàn rèn zhī de zhōu wéi shì jiè shǐ yòng zhǒng zhī xiāng shì yìng de huāng miùhuì de cǎi yòng yán shì de kuā zhāng xiě de 'èr xiǎo shuōchū liǎo máo bìng》( 1974) jiù shì zhè yàng zhǒng xiě chuàng zuò dexiǎo shuō tōng guò zhōng chǎn jiē jiā tíng de cháng shēng huó xiāng guān zhǎn shì 60 nián dài màn měi guó shè huì de jīng shén bēng kuì xìn yǎng wēi zhù rén gōng bào luò què zhōng zhuì zhuì 'ān suǒ shì cóngwéi kǒng zāinàn jiàng línzuò pǐn jiǎn zhí xiàng jìng zhé zài xiàn liǎo guāng guài de xiàn dài měi guó shè huìzhù rén gōng bào luò zài jiā gōng móu zhíbiǎo miàn shàng guò zhe zhǒng de shēng huódàn zài de nèi xīn shēn chù zǒng jué shénme fāngchū liǎo máo bìng”, zhěng yōu xīn chōng chōng,“ liǎo shén jīng guò mǐn zhèng。” yòu zhǒng míng miào de kǒng gǎn hài guān zhe de fáng ménhài tàn wàng bìng rénhài cān jiā zàng zài gōng shàng jiù lián tóng shì jǐn zhè yàng de jiā rén wài zhōng qíng luòbiàn xiē 'ér mèn mèn shèn zhì wàng liǎ shuāng shuāng chū zǒuhuò zhě diào wéi de 'ér gēn shuō huàchū duì 'ér de guān huái bèi chē zhuàng shāng de 'ér lǒu zài huái zuì hòu 'ér yīn zhì 'ér de huái bàohǎi zào zhè yàng rén shì yòu yòng de xiǎng xiě chū“ 20 nián hòu de yóu suǒ lín xíng xiàng,” zhǐ zài shuō míng zài zhàn zhēng zhōng shí shí chǔyú shòu guān liáo jūn shì zhì suǒ qián zhì de xiǎo rén zài zhàn hòu píng nián dài réng rán yào shòu tóng zhǒng zhì de 'ér 'ān níng
  
   yòu kuài de kào yǎng huóhái yòu liǎng de hái zhào yòu kuài huó de xià rén yuán wèiwǒ gōng zuò men réndōu yòu de wèn yòu kuài huó de jiā shǔ yòu de shì jiāo zhì xiē nǎo kǎo zhèng zhì wèn xià zhǒng bào luàn wèn wèn bào shàonián xíng yín wèn dào chù shì duò luò de rénzǒu shàng xié de rén men néng shí de hái zhù de jiē shàng jiù yòu fàn zuì xíng wéi de nán hái cái 9 suì…… de 'ér mǎn zuǐ huàzhěng měi guó zhèng de chǔn zuì nièměi guó wén míng de shuāi luò zài zhè liǎng lián de jiān bǎng shàng。(《 chū liǎo máo bìng》) hǎo shè huìdēng hóng jiǔ bèi hòu yuán lái yǐn cáng zhe měi guó wén míng de zhòng wēi zhè shǐ měi guó zhōng chǎn jiē diū shī liǎo 'ān quán gǎn men gǎn dào miàn duì de shì jiě de huāng dàn shì jièshòu zhǒng shén nán de xié 'è shì bǎi zuò nòng 'ér jiě tuō
  
   ěr hòu hǎi yòu chuàng zuò liǎo zuò pǐndàn wèi néng xiàngjūn guī me hōng dònghòu lái hěn cháng duàn shí jiān hǎi méi yòu dòng yào mén guò kǎo wèihéjūn guīzhī hòu de zuò pǐn shàng xiǎng liǎojūn guībèi shòu huān yíng de qíng jǐngzhēn shì bǎi gǎn jiāo zhōng míng bái liǎo deguò cuò”, jué zài xiě shàng yòu xiē zǒu huǒ zài rén xíng xiàng de zào fāng miàn tài tuō xiàn shíjīng guò jìn 5 nián de jīng xīn cèhuàhǎi 1994 nián biǎo liǎo de juàn zuòjié shù shí fēn》( ClosingTime)。 zhè shì jié gòu zhěn rén guài wén kuā zhāng de xiǎo shuōhǎi shǒu shí xiàn liǎo chuàng zuò shàng de huí guī zài miàn duì xiàn shíjǐn jǐn wéi rào de shēng huó jīng zhǎn kāi shì qíng jiéhǎi zài cóngshèng jīnghuò diǎn zhōng xún zhǎo rén de míng 'ér shì jìn liàng xiě zhōng de rén huò shì duō shǎo dài diǎn zìzhuàn xìng de miáo xiěshēng dòng huà liǎo lāi 'ěr nuò wēi lāi 'ēn xīn huò jīn děng rén de xíng xiàngzuò pǐn tǎn shuài miáo xiě liǎo men de shēng men deshì jièshì bìng chán shēnzāo shòu 'ái bāo měng liè jìn gōng de shì jièzhàn zhēng de wēn chù màn yánqīn shí rén men jiàn kāng de gēn zuò zhě běn rén de xiǎo shuō de chū zhōng shì xiǎng xiě zhàn zhēng dezhèng shū zhōng xiě dào:“ men zhè dài rén tán lùn zhàn zhēng shì zhǐ yuè zhàn 'ér shì zhǐ bàn duō shì qián shēng de chǎng jīhū xíjuǎn zhěng qiú de zāinàn。” zhǐ shì hòu lái fēng gǎi liǎohǎi xiě chéng liǎo yǐn zhàn zhēng de shìzài zhè men yòu yàn hǎi de hēi yōu zhǒng tòng huān xiǎng tiān kāi de shì shí píng jìng xiāngchèn de fǎn yìngcán rěn róu qíng bìng liè zài de yào qiú tóng rèn shí dào de jué wàng bǎo chí dìng de néng chǒujué de lěng duì dài wàidàotuì bào xíng。” hǎi céng jīng qīn kǒu shuō guò,“ jìn liàng zài měi zhuāng shì shàng jìn xíng kuā zhāngzhú jiàn chāo yuè zhēn shí qíng kuàngtōng guò qián huàzhè zhǒng fēi zhēn shí huì biàn rén zhēn shí dezhèng cháng de xíng wéi gèng lìng rén xìn 。”
  
   yuē · hǎi - zuò pǐn duì
  
  
   yuē · hǎi 1961 niánhǎi gēn de jūn yàn xiě chū liǎo bèi wéihēi yōu diàn zuò de 'èr shí 'èr tiáo jūn guī》。
  1982 niánhǎi bèi zhǒng lái de zhèng dǎo zài bìng shàng zhēngzhá liǎo niánhuī jiàn kāng hòuhǎi tóng jiéfà 35 nián de hūn liǎo bāng zhù kāng de shìwǎn nián de hǎi zhí méi yòu shì shì qián gāng wán chéng liǎo zuì hòu xiǎo shuō wèi shù jiā de lǎo nián huà xiàng》。
  《 'èr shí 'èr tiáo jūn guīmiáo xiě liǎo 'èr shì jiè zhàn zhōng zhù zhā zài zhōng hǎi mǒu hǎi dǎo de měi guó kōng jūn fēi xíng duì suǒ shēng de liè shì jiànzhù rén gōng yóu suǒ lín shàng wèi chū qiú shēng běn néng wàng wán chéng fēi xíng rèn hòu huí jiādàn shì bèi zhǎngguān rén jiě shì de 'èr shí 'èr tiáo jūn guī què shì fēi cháng shī wàngxiǎo shuō zhōng de 'èr shí 'èr tiáo jūn guīběn shēn jiù shì xiāng máo dùn de bèi lùnxīn fěng liǎo měi jūn fāng de guān liáo mèigāi shū chū bǎn hòu yǐn liǎo wén xué jiè de zhèn dòng hòu shù shí nián jīng jiǔ shuāibèi wéi dāng dài měi guó wén xué de jīng diǎn zhī zuòchéng wéi 'ōu měi xué wén xué shēng de shūxiǎo shuō zài xiě shàng bìng liǎo xiàn shí zhù xiǎo shuō de chuán tǒngméi yòu shǒu wěi xiāng jiē de qíng jié jié gòuméi yòu zhì wēi de huán jìng miáo xiě rén zàodàn tòu guò zhè piàn xuān nào fēng kuáng luàn de fēn wéicóng shén de lěng jùnyōu màn huà shì de cháo fěng zhōng rèn shí dào yán de zhù zài měi guó de xiàn shí shì jiè dào chù dōuyòu 'èr shí 'èr tiáo jūn guī”, dào chù cún zài zhe ràng rén xiào jiē fēi de zhuān héng cán bào zhuō nòng rénzhé rén shǐ rén bǎi tuō de huāng miù。“ 'èr shí 'èr tiáo jūn guīchéng wéi táo de 'è luó ji guī de dài míng zǒu liǎo rén men de jiāo yán
   hēi yōu shì zhǒng yòng xíng shì lái biǎo bēi nèi róng de wén xué xíng shì。“ hēi zhǐ 'ér yòu huá de guān xiàn shí;“ yōu zhǐ yòu yóu zhì de xìng duì zhè zhǒng xiàn shí suǒ cǎi de cháo fěng tài 。“ hēi yōu shì zhǒng tòng huān xiàohuāng miù de shì shí píng jìng xiāngchèn de fǎn yìngcán rěn róu qíng bìng liè zài de chēnghēi ”、“ jué wàng de ”。
  
   yuē · hǎi - hēi yōu
   hēi yōu shì 20 shì 60 nián dài de měi guó xīng de xiǎo shuō liú pàizài 'èr shì jiè zhàn hòu de fāng wén tán shàng zhàn yòu zhòng yào de wèi
  
   zǎo zài 1939 nián guó chāo xiàn shí zhù zuò jiā dōng jiù biǎo liǎo míng wéihēi yōu wén xuǎnde zuò pǐn de dàn zài dāng shí zhè míng chēng hái méi yòu dào guǎng fàn de zhòng shì。 1965 niánměi guó zuò jiā màn biān ji liǎo běn duǎn piān xiǎo shuō shōu shí 'èr wèi zuò jiā de zuò pǐn mínghēi de yōu 》, gāi pài míng chēng yóu liú chuán kāi lái meshénme shìhēi yōu měi guó zuò jiā céng liǎo tōng jiě shì liǎo zhè zhǒng yōu de xìng zhìmǒu bèi pàn jiǎo nòng de rénzài lín shàng jiǎo jià qiánzhǐ zhe jiǎo xíng jià zuò qīng sōng xún wèn shū chàng shǒu:“ kěn dìng zhè wán jiēshí ?” shì yǐn hōng xiàoyīn hēi yōu yòu bèi chēng wéijiǎo xíng jià xià de yōu ”, wéi nán lín tóu de yōu ”。 wài hái bèi chēng wéibìng tài yōu ”、“ hēi ”、“ jué wàng děng。“ hēi hán yòu jué wàngtòng kǒng cán gào de 。“ hēi yōu chuán tǒng zhèng cháng de yōu bié hěn chuán tǒng yōu de xiǎng chǔ shì guān zhù derén men xiāng xìn shàn zuì zhōng néng zhàn shèng 'èyǐn qīng sōnghuān kuàimíng lǎng de xiàohēi yōu de xiǎng chǔ què shì bēi guān zhù de rán miàn duì de shì wángshì huāng dàn zhǐ néng tòng 'ér xiàohuà tòng wéi xiàozhǐ néng wéi rán tòng kāi wán xiào de fāng shì biǎo xiàn bēi de nèi háncóng 'ér niàng jiù liǎo yīn de xiào
  
   hēi yōu shēn shòu cún zài zhù zhé xué de yǐng xiǎng de zhù yào nèi róng zài biǎo xiàn shì jiè de huāng miùsuǒ tóng de shì hēi yōu zuò jiā gèng jiā xiāo bēi guān men fǒu dìng rén xuǎn xíng dòng de néng xìngmiàn duì huāng dànwéi zuò de shì jǐn jǐn shì wán shì gōng chū nài de xiào biàn zàn shí shū huǎn xià tòng kān de xīn qíngzhèng yīn wèitā men yōu de rén shēng tài cǎn dàn de xiàn shí kāi liǎo suǒ gǎi wǎng huāng dàn wén xué zuò jiā de jīng 'ěkùn huòfèn mèn de xīn tàiér shì huāng dàn dàngzuò zhǒng de cún zàirán hòu jìn xíng cóng róng miáo huìzài jué jìng zhōng bǎo chí xīn píng héng
  
   hēi yōu yòuhuāng dàn xiǎo shuōzhī chēng shì cǎi yòng huāng dàn de xíng shì biǎo xiàn huāng dàn de nèi róngzuò jiā pāo liǎo chuán tǒng xiǎo shuō de shì yuán bān guī cǎi yòng kuā zhāngbèi lùnfǎn fěng de shǒu zhì xìng lěng de shù jìn xíng chuàng zuòchǎng jǐng chāo chángqíng jié sǎnluàn guài dànrén huá xiào yán ruì zhì jiān xiě bēichéng jiù fěi rán
  
   hēi yōu dài biǎo xìng de zuò jiā zuò pǐn yòuhǎi de 'èr shí 'èr tiáo jūn guī》( 1961)、《 chū liǎo máo bìng》( 1974)、《 xiàng gāo 'ěr yàng hǎo》( 1979), 'ěr féng demāo de yáo lán》( 1963)、《 hào chǎng》( 1969)、《 dǐng de zǎo cān》( 1973), tuō pǐn qīn de《 V》( 1963)、《 wàn yòu yǐn zhī hóng》( 1973), yuē hàn deyān cǎo jīng rén》( 1960)、《 yáng tóng jiǎ 'ěr 》( 1966), táng sài 'ěr debái xuě gōng zhù》( 1967)、《 wáng 》( 1975)。 wài guó zuò jiā wéi 'áng bèi rèn wéi shì hēi de yōu xiǎo shuō jiā de duǎn piān xiǎo shuōhuí yùn yòng yōu de diào miáo xiě zhù rén gōng de tiào lóu shā shì qīng shēng de rén qīng yíng xiàng zhǐ niǎo 'ér fēi sǒng yún duān de shà dǐng céng,“ kōng zài 'ěr pàn huān chàng”。 zuò jiā huāng dàn yán cháng liǎo de zhuì lóu shí jiānchā liǎo shí liú shì de huí jūn měi zāi yōu zāipiāo piāo xiānměi xià jiàng céng jiù jìn qíng xīn shǎng chuāng nèi huò gōng kāihuò yǐn demiào yán de qíng jǐng hái miào líng měi gòng yǐn měi jiǔ huí wán liǎo shēngdàn wàng liǎo wángzuì hòu zhuì luò jiē tóushuāi chéng liǎo " hóng de měi "。 zuò zhě tiáokǎn de tài rén wáng zhōng zhǎo dào yōu shì xiě bēi de diǎn xíng
  
   yuē · hǎi - zuò pǐn
   féng demāo de yáo lánshì hēi yōu de dài biǎo zuò zhī bèi jǐng shì gòu de dǎo guóshān luò lún zuǒ”。 guó de tǒng zhì zhě shì zōng jiào lǐng xiù nóng zhèng zhì lǐng xiùbào jūn mài kǎi men liǎng rén biǎo miàn shàng shì liǎng shí shàng xiāng yònggēn běn mùdì shì yào shè huì tuī de kǒng zhī zhōngshū zhōng dào chù dōuyòu xiāng máo dùnwéi fǎn xué de yōu nóng tián xiě biǎo shízài huó dòng lán tián xiě de shìhuó zhe”, ér zàizhù yào zhí xià miàn tián xiě de què shì wáng”。 zài shū zhōng de rén 'ěr zài huí de qīn wèi wéi rén lèi zào de xué jiā shízhè yàng xiě dào:“ qīn zài gōng zuò de shí hòu tōng xiāo shuì men wéi néng zuò de shì jiù shì néng zhǎo dào huó rén zhì liáo xià shì zǒu guò zhāng chuáng yòu zhāng chuáng men nián dào dedōu shì rén shì qīn xiào lái liǎodāng yòng diàn tǒng shàng shàng xià xià zhào zhe wài miàn duī de xiē rén shí yuè xiào tíng。” zhè jiù shì zuò zhě suǒ shuō dezuì de xiào shēng shì jiàn zhù zài zuì de shī wàng zuì de kǒng zhī shàngde zuì hǎo de zhù jiǎoxiǎo shuō hái biǎo chū zuò zhě duì xué jìn de fǒu dìng de tài zuì wěi de míngjiǔ hào bīngquè chéng wéi huǐ miè rén lèi de huò shǒu
  
  《 hào chǎngshì fǎn zhàn xiǎo shuōzhù rén gōng néng gòu shí jiān suì dòngfēi xíng guò jiāng lái zhī jiān cān jiā liǎo zhàn zhēngbèi hòu guān zhōng yíng liǎo zhǒng zhǒng bào xíng fǎn duì méng jūn duì guó píng mín de kuáng hōng luàn zhàbìng jiè zài lìng píng xīng qiú de yóu fǎn chèn chū xuè ròu héng fēi de qiú de chǒu 'è kǒng
  
   pǐn qīn de xiǎo shuō《 V》 zhōng yòu liǎng chǎng jǐng shì miàn shàng dehǎi yuán jiǔ ”, zhè chōng chì zhe zuì shēng mèng de hǎi yuán fàng làng xíng hái de lìng chǎng jǐng shì 'āng zàng de xià shuǐ dào wèi shī huái zhe qián chéng de xīn qíng zuàn dào zhè gěi lǎo shǔ dào zhōng nián rén chuān guò xià shuǐ dàoxún zhǎo qīn de shēng huó dào miàn jiǔ běn shì rén lèi zhèng cháng de huó dòng chǎng suǒdàn rén men què zài miàn gān zhe zāofēi zhèng cháng de gòu dāngrén néng zuàn dào xià shuǐ dào shēng huódàn rén men què zài xià xún zhǎo shàng xún zhǎo xún zhǎo zhèng cháng de shēng huózuò zhě yùn yòng biāo zhǔn de jié gòu shàng de fǎn fěng shǒu lái jué huāng dàn zhī zhōng de yōu
  《 wàn yòu yǐn zhī hóngshì pǐn qīn de lìng zuò shì hóng lái miáo zhuàng dǎo dàn dòng yùn xíng de guǐ jūn yòng V-2 dǎo dàn lún dūn yóu luò de diǎn zǒng shì tóng měi jūn qíng bào guān shēng xìng xíng wéi de fāng xiāng wěn hòu gāi jūn guān bèi pài wǎng guó diào chá dǎo dàn de xiàn zhù chí zhì zào dǎo dàn de guó jūn guān shì xìng biàn tài zhě qíng zhù jìn liǎo dǎo dànqíng xué zào chéng liǎo rén lèi de huǐ mièliǎng zhě wèi zhe wángpǐn qīn duì xué shì chí fǒu dìng tài
   yuē hǎi ( 1923), hēi yōu xiǎo shuō de zhòng yào dài biǎo rén de zuò pǐn suī duōdàn yǐng xiǎng 。 1923 nián 5 yuè 1 yuē hǎi shēng niǔ yuē shì mín měi guó de yóu tài rén 5 suì shí qīn shìjiā tíng xiàn pín kùnzhōng xué méi jiù dāng liǎo yóuchāi 'èr shì jiè zhàn bào hòu 19 suì jiù yìng zhēng měi guó kōng jūndāng tóu dàn shǒuzhí xíng guò yuē 60 fēi xíng rèn zhè duàn jīng wèitā hòu de chuàng zuò xià liǎo zhā shí de chǔèr zhàn jié shù hòuyuē hǎi de xué xué huò cóng shì jiào xué yán jiū。 1952 shè bào jiè shí jiān cóng shì wén xué chuàng zuò
  
  1961 niányuē hǎi de chǔnǚ zuò 'èr shí 'èr tiáo jūn guīwèn shìhōng dòng wén táncóng 'ér diàn dìng liǎo zài fāng dāng dài wén tán shàng de zhòng yào wèi。 1974 nián dài biǎo liǎo 'èr zuòchū liǎo máo bìng》, xiǎo shuō tōng guò mǒu gōng gāo zhí yuán luò de shì jiǎofǎn yìng liǎo měi guó shè huì bié shì zhōng chǎn jiē duàn de jīng shén wēi ,“ chū liǎo máo bìngjiù shì duì zhè zhǒng wēi de gāo gài kuò luò shēng huó guān yùn hēng tōng zǒng shì yōu xīn chōng chōng hài shàng hài xià tǎo yàn tǎo yàn 'ér měi tiān hài de guài shì shēng,“ rán 'ér méi yòu guài shì běn shēn jiù shì jiàn jīng rén de guài shì”。 zhōu wéi de rén gēn yàng kuài”, rén rén wēi kǒng huāng luò míng zhī zhè shì jiè kěn dìng shìchū liǎo máo bìng”, què gǎo qīng wèishénmechū liǎo máo bìng”,“ máo bìng”“ zài zhǐ shèng xià tòng de nài de xiào cháo”。 1979 niányuē hǎi chū bǎn liǎo sān cháng piān xiǎo shuōxiàng gāo 'ěr yàng hǎo》。 tōng guò wèi měi guó yóu tài xué jiào shòu xíng de jīng shén shì jiè de zhǎn shìshēn shì liǎo měi guó guān liáo zhèng zhì de bàishì yòng hēi yōu fēng xiě chéng de 'èr zhàn hòu měi guó zuì yōu xiù de zhèng zhì fěng xiǎo shuō zhī
  
  《 'èr shí 'èr tiáo jūn guīshì hēi yōu de jīng diǎn zhī zuòfǎn yìng de shì 'èr zhàn jiānzhù shǒu zài zhōng hǎi nuò zhā dǎo”( biàn wéi zuò jiā gòushàng de měi guó kōng jūn duì de shēng huóxiǎo shuō gòng yòu shí 'èr zhāngméi yòu tǒng wán zhěng de qíng jiéměi zhāng zhù yào jiǎng shù rén de shìzài yóu guàn chuān quán shū de rén yóu suǒ lín de jīng zhè xiē xiǎo xiǎo de shì chuàn lián láizuò jiā bìng fēi yào jiù shì lùn shìér shì wéi zhǎn shì xiàn dài rén huāng dàn de shēng cún zhuàng tài
  
   hǎi shì hēi yōu wén xué de dài biǎo rén zuò pǐn zài hēi yōu wén xué zhōng yǐng xiǎng zuì chéng wéi zhè liú pài de zhī zhù de zuò pǐn cái xiàn shí shēng huózhù jué shè huì zhòng zhù jiē shì xiàn dài shè huì zhōng shǐ rén shòu dào tuī cán zhé de liàng yòu dìng de xiàng zhēng de chuàng zuò fāng wǎng wǎng shì cóng chāo xiàn shí 'ér shì cóng xiě shí de jiǎo chū jīng cháng kuā zhāng de shǒu shēng huó màn huà huàbiǎo xiàn liǎo zhǒng xiě shí xìng zhì de zhēn shí wán quán tóng de zhēn shí
  
   'èr shí 'èr tiáo jūn guīzhè fǎn zhàn xiǎo shuō yáng míng shì jiè de yuē hǎi jiǔ wèi yòu xīn zuò chū shìdàn zuì jìn de běn huí xiàn zài guò 》( NOWANDTHEN) de chū bǎn yòu yǐn zhě zhù dào liǎo 75 suì de nián língrèn zuò jiādōu yòu xiě huí de wàng qián zài diàn shì jié shàng kàn dào mǎn tóu báifàyán shuō huǎn màn zài shì 'èr shí 'èr tiáo jūn guīsuǒ gěi men de bīng xíng xiàng liǎo。《 xiàn zài guò shū míng de cóng kāng dǎo dào jīnjiù dào chū liǎo de zào jiù zài kāng dǎo jìn de qióng rén zhù zhái chéngzhǎngzài yòu nián shíkāng dǎo yóu chǎng xiàng bèi shì wéi qióng rén yuán suǒ xíng róng de tóng nián shí dàikāng dǎo gǒubàng qiú hǎi tānzhōng xià jiē jǐng děng děng huì gòu shǎo niǔ yuē rén de huái jiù huí hǎi de shēng de wén miáo shù liǎo de xué xiàogōng zuò jié hūnwén tán chéng míng jiē duàn de shēng huózuì dòng rén de duàn shì miáo xiě de qīn 5 suì shí shì shì yóu qīn liǎng qīn de qián suǒ shēng de xiōng mèi gòng tóng yǎng zhǎngdàhǎo chǒng huài de yǎng 'ér”。 hǎi de 3 zhòng yào zhù zuò shì 'èr shí 'èr tiáo jūn guī》、《 chū liǎo shì》( SOMETHINGHAPPENED)、《 jiā zhēn jīn》( GOODASGOLD)。 1981 nián shí huàn liǎo zhǒng shén jīng zhèngquán shēn tān huànzài yuàn chuáng hǎo yuèquán hòucéng yǒu rén zuò zhù shù huàn bìng de jīng
  
   de míng zuò 'èr shí 'èr tiáo jūn guī 1961 nián chū bǎnzhì jīn lián zài bǎnzài guó jūn yòu běnchū bǎn jiè de chàng xiāo liàng shèng jīngxiāng hǎi chēng zhàn zhēng jié shù tuì hòu zài jiā guǎng gào gōng gōng zuò 1953 nián shí shì méng gòng xiě liǎo 8 niánxiǎo shuō yuán lái míng shí tiáo jūn guī》, zhāng 1955 nián zài wén xué zhì biǎogǎo fèi 25 yuán tóng biǎo de hái yòu jié kǎi 'ā dezài shàngde zhāng。 1957 nián shíxiǎo shuō wán chéng bànyóu méng shū shū 1500 yuán de zhī gǎo fèi gòu zài 1961 nián chū bǎn shíshì shàng qià yòu běn míng jiào shí hàode xiǎo shuōwèile miǎn shū míng de chōng chū bǎn shāng qǐng hǎi gǎi míng wéi 'èr shí 'èr tiáo jūn guī》。 jīn ,“ CATCH22” zhè míng chéng wéi měi guó rén tōng cháng huì huà de huìxíng róng liǎng miàn wéi nánjìn tuì néng de gān chǔjìng
  
  
   yuē · hǎi - rén píng jià
   hǎi yáng yáng shuō:“ hěn wéi qìng xìng yào huò chéng gōng dào wài biǎo kàn lái jiào shí nián nián qīngshèn zhì jiào qīng nián rén gēngnián qīng de jiàn kāng cuòwèi kǒu jiā de xiāo huà guān cuò réng mǎn tóu yòu ér yòu gòu de shōu zhī chí de shū shì shēng huóshèn zhì yòu shèng mǎn de chéng rén…… 'ài de réng gǎn dào rén duì de yǐn réng zài xiǎng shòu duō mìqiè de yǒu ér gāng wán chéng zhè běn shū。” 70 duō suì de lǎo tóu néng zhè yàng míng mǎn wèitā qìng xìng měi guó zhù míng xiǎo shuō jiā、“ hēi yōu dài biǎo zuò jiā yuē hǎi ( JosephHeller), 1999 nián 12 yuè 12 zài niǔ yuē dōng hàn dūn de jiā yóu xīn zàng bìng xìng shì shìxiǎng nián 76 suì de shì shì gěi měi guó nǎi zhì shì jiè wén tán liú xià liǎo tián de kòngquē
  
  《 22 tiáo jūn guīchǎn shēng hǎi cān jiā 'èr zhàn de qīn shēn jīng fǎn zhàn xiǎo shuō léi de xiàn zhàn shì》) de tóng zhī chù zài duì zhè zhǒng wén lèi běn shēn de chāo yuè jǐn jǐn shì duì zhàn zhēng jūn shì guān liáo zhì de pànér qiě shì duì shēng huó běn shēn 'è huà de huāng dàn xìng de pàn。“ 22 tiáo jūn guī xiàn zài jīng shì yīng yán zhōng de cháng yòng ànměi guó xīn shì jiè diǎnde jiě shìgāi de shì guī huò shí jiàn shàng de bèi lùn guǎn zuò shénme huì chéng wéi tiáo kuǎn de shēng pǐn”。 zhè dìng yòu shēn yuǎn de shēng cún nèi hán zhǐ rén lèi kùn jìng shì de huí de míng zhuàng deyīn dāng xiǎo shuō zhù rén gōng yóu suǒ lín jiǎ zhuāng jīng shén shī cháng táo fēi xíng rèn shí bèi gào zhī yào qiú tíng fēi zhè zhǒng běn shēn jiù zhèng míng shì qīng xǐng zhèng cháng deyīn de yào qiú bèi jué wèi píng jiā suǒ shuō,“ 22 tiáo jūn guīde huāng dàn xìng shì rén de shì shàng de xiǎo shuō zuì zhōng jiǎ dìngfēi xìng de cóng xìng de pàn zhī jiān cún zài zhe jiě jué de chōng xìng de pàn shì wéi néng gòu zhèng shí shēn zhēn shí de xíng jìngtóng shí yòu chéng rènzài dǎo qiē de suǒ bāo de zhǒng huāng dàn xìng zhōngzhè zhǒng pàn shì zhù dìng shī bài de。《 22 tiáo jūn guīzài chuàng zuò shàng shēn shòu sài děng wén xué chuàng xīn shī de yǐng xiǎngzài jié gòu shàng fǎn chuán tǒng de cháng guīshì jiàn de tuō jiéshí jiān de líng suì huàduì huà shù de luó ji xìng shì shùn de nèi zài xìng 'àn shí de biān nián shùn ), shì zǒng de 'èr bèi fǎn gōng rèn de chāo xiàn shí zhù hēi yōu fǎng shǐ shī de zhēng zhèng míng gāi xiǎo shuō zài lèi bié shàng shǔ běn shì zhōng lái shèng chǎn de shí yàn xiǎo shuōhǎi jìn liǎo zhè zhǒng xiǎo shuō de zhǎnduì dāng shí hòu de hòu xiàn dài zhù xiǎo shuō shēng liǎo xiāng dāng de yǐng xiǎng
  
   bān rèn wéihǎi shǐ zhōng guān zhù de zhù shì wángzhè zài 22 tiáo jūn guīzhōng jīng xiǎn jiàn qíng jié jiù zài yóu suǒ lín zài shēng zhī jiān de xuǎn rán 'érhǎi zhù zuò zhōng de guān huáizài 1975 nián de fǎng tán zhōng tán dào duì xìng fēi xìng de xiāng jìn xìng xiàn shí de dìng wèiwèn shí shàngzhè zhǒng guān huái shì hǎi quán zuò pǐn de zhù yào zhēng xiàn zài duì yán de huá yùn yòng shàng yán de máo dùn xìng bèi miù jiē shì liǎo zhè zhǒng yán suǒ miáo xiě de shì jièzhè shì jiè shàng de qiēdōu biǎo xiàng xiāng wéi bèihuāng miù de cuò zhì fēi xìng de hùn luàn shì de zhǔn shǐ yòng zhè zhǒng yán de mùdì zài xiàng dìng de xiàn shí guān chū tiǎo zhànhǎi suǒ miáo xiě de shì duò luò de shì jiè xiǎn zhù zhēng jiù shì biàn liú xíng de quán làn yòngzài zhè shì jiè shàng yán dàn chéng wéi duò luò de gōng ér qiě běn shēn duò luò liǎo cóng fēi dào de quán zhī liǎoyīn zhēn jiǎduì cuòxiàn shí fēi xiàn shí cóng fēn biànhǎi de zuò pǐn běn rén yàng zài kùn huò de miè shì fèn de zūn yán zhī jiān bīngzài zhè shàng de zuò pǐn jiù shì duì zhěng wéi huà shì de kòng dehēi yōu suǒ biǎo de jiù shì zàiyòu zhì de hùn luànzhì huà de fēng kuángzhī xià de zhǒng huāng dàn de jué wàng
  
   zhě duì hǎi hòu zuò pǐn huǐ cān bàn。《 chū liǎo máo bìngbèi gōng rèn wèitā de 'èr jiā zuòérzuì hòu shí guāng bèi shì zuò 22 tiáo jūn guīde de zuì hòu xiǎo shuō wèi lǎo rén shù jiā de xiào xiàngyuán jìhuà míng nián qiū tiān wèn shì guǒ zhè wèilǎo rénhái wèi shì cháng de huàhǎi shì yóu tài hòu yòu yóu tài rén suí mǐn jié de yōu gǎndàn bìng xìn fèng mín de zōng jiào chēng shì měi guó yóu tài rénér cóng wèi xiě guò zhēn zhèng de yóu tài mín de jīng de wéi shè yóu tài rén de zuò pǐnxiàng 'ěr yàng hǎomiáo xiě de shì zhù zài dǎo de dōng 'ōu yóu tài rénér guó yóu tài rén háo guānhǎi miáo xiě wángdàn wáng jīng liǎo 60 de kǎo yàn。 1981 nián dāng cháng 35 nián zhī jiǔ de hūn yīn liè shí liǎo zhǒng jiào lán héng 'ěr( Guillain- Barre) de zōng zhèngluò quán shēn tān huàngēbei néng tái shèn zhì lián fàn shí nán xià yāndàn shì,“ méi yòu xiǎng dào ”, ér qiě bān huī liǎo jiàn kāngjìn guǎn shì kāng chū zhuī zhú xìngduì háo yǐn huì juéjiàng shèn zhì duì hái mendōu xiǎo xīn jǐn fángdàn zhèng shì de lín chū lái de shēn cái gāo céng yòu guò jiàn zhuàng de dàn shāo yòu xiē guài de liǎn páng guān dǐng de tóu báifà shuāng xiǎo 'ér jǐng qiě shēn 'āo de yǎn jīngshǐ yuè gǎn dào bèi hòu suì yuè de fēng shuāng huān gǎn zào jiù liǎo bìng wéi bǎo chí shēng wàng de xiǎo shuōdàn cóng wèi shuō guò shì měi guó zuì wěi de zuò jiā”。
  
   hǎi de jué shì zài dìng de tiān de gǎn shòu jiù shì què shí dào de qiē


  Joseph Heller (May 1, 1923 – December 12, 1999) was an American satirical novelist, short story writer and playwright. He wrote the influential novel Catch-22 about American servicemen during World War II. The title of this work entered the English lexicon to refer to absurd, no-win choices, particularly in situations in which the desired outcome of the choice is an impossibility, and regardless of choice, the same negative outcome is a certainty. Heller is widely regarded as one of the best post-World War II satirists. Although he is remembered primarily for Catch-22, his other works center on the lives of various members of the middle class and remain exemplars of modern satire.
  
  Early years
  Joseph Heller was born in Coney Island in Brooklyn, New York, the son of poor Jewish parents from Russia. Even as a child, he loved to write; as a teenager, he wrote a story about the Russian invasion of Finland and sent it to New York Daily News, which rejected it. After graduating from Abraham Lincoln High School in 1941, Heller spent the next year working as a blacksmith's apprentice, a messenger boy, and a filing clerk. In 1942, at age 19, he joined the U.S. Army Air Corps. Two years later he was sent to Italy, where he flew 60 combat missions as a B-25 bombardier. His Unit was the 488th Bomb Squadron, 340th Bomb Group, 12th Air Force. Heller later remembered the war as "fun in the beginning... You got the feeling that there was something glorious about it." On his return home he "felt like a hero... People think it quite remarkable that I was in combat in an airplane and I flew sixty missions even though I tell them that the missions were largely milk runs."{"Milk Runs" were combat missions, but mostly uneventful due to a lack of intense opposition from enemy anti-aircraft artillery or fighters.}
  
  After the war, Heller studied English at the University of Southern California and NYU on the G.I. Bill. In 1949, he received his M.A. in English from Columbia University. Following his graduation, he spent a year as a Fulbright scholar at St. Catherine's College in Oxford University. After returning home, he taught composition at Penn State University for two years. He then briefly worked for Time, Inc., before taking a job as a copywriter at a small advertising agency, where he worked alongside future novelist Mary Higgins Clark. At home, Heller would write. He was first published in 1948, when The Atlantic ran one of his short stories. That first story nearly won the "Atlantic First."
  
   Career
  While sitting at home one morning in 1953, Heller thought of a book, "It was love at first sight. The first time he saw the chaplain, Someone fell madly in love with him." Within the next day, he began to envision the story that could result from this beginning, and invented the characters and the plot, as well as the tone and form that the story would eventually take. Within a week, he had finished the first chapter and sent it to his agent. He did not do any more writing for the next year, as he planned the rest of the story. The initial chapter was published in 1955 as "Catch-18", in Issue 7 of New World Writing.
  
  Although he originally did not intend the story to be longer than a novelette, Heller was able to add enough substance to the plot that he felt it could become his first novel. When he was one-third done with the work, his agent, Candida Donadio, began submitting the novel to several publishers. Heller was not particularly attached to the work, and decided that he would not finish it if publishers were not interested. The work was never rejected, and was soon purchased by Simon and Schuster, who gave him US $750 and promised him an additional $750 when the full manuscript was delivered. Heller missed his deadline by four to five years, but, after eight years of thought, delivered the novel to his publisher.
  
  The finished novel describes the wartime experiences of Army Air Corps Captain John Yossarian. Yossarian devises multiple strategies to avoid combat missions, but the military bureaucracy is always able to find a way to make him stay. As Heller observed, "Everyone in my book accuses everyone else of being crazy. Frankly, I think the whole society is nuts -- and the question is: What does a sane man do in an insane society?" Heller has also commented that "peace on earth would mean the end of civilization as we know it" -- perhaps further food for thought when reading Catch-22, in which the concept and circumstances of war are so overwhelming and fundamental.
  
  Just before publication, the novel's title was changed to Catch-22 to avoid confusion with Leon Uris's new novel, Mila 18. The novel was published in hardback in 1961 to mixed reviews, with the Chicago Sun-Times calling it "the best American novel in years", while other critics derided it as "disorganized, unreadable, and crass". It sold only 30,000 copies in the United States hardback in its first year of publication. (Reaction was very different in Great Britain, where, within one week of its publication, the novel reached number one on the bestseller lists.) Once it was released in paperback in October 1962, however, Catch-22 caught the imaginations of many baby-boomers, who identified with the novel's anti-war sentiments. The book went on to sell 10 million copies in the United States. The novel's title became a buzzword for a dilemma with no easy way out. Now considered a classic, the book was listed at number 7 on Modern Library's list of the top 100 novels of the century. The United States Air Force Academy uses the novel to "help prospective officers recognize the dehumanizing aspects of bureaucracy."[dead link]
  
  The movie rights to the novel were purchased in 1962, and, combined with his royalties, made Heller a millionaire. The film, which was directed by Mike Nichols and starred Alan Arkin, Jon Voight and Orson Welles, was not released until 1970.
  
   Other works
  Shortly after Catch-22 was published, Heller thought of an idea for his next novel, which would become Something Happened. He did not act on this idea for two years, however. During that time period he focused on scripts, completing the final screenplay for the movie adaptation of Helen Gurley Brown's Sex and the Single Girl, as well as a television comedy script that eventually aired as part of "McHale's Navy". He also completed a play in only six weeks, but spent a great deal of time working with the producers as it was brought to the stage.
  
  In 1969, Heller wrote a play called We Bombed in New Haven. The play delivered an anti-war message while discussing the Vietnam War. It was originally produced by the Repertory Company of the Yale Drama School, with Stacey Keach in the starring role. After a slight revision, it was published by Alfred Knopf and then debuted on Broadway, starring Jason Robards.
  
  Heller's follow-up novel, Something Happened was finally published in 1974. Critics were enthusiastic about the book, and both its hardcover and paperback editions reached number one on the "New York Times" bestseller list. Heller wrote an additional four novels, each of which took him several years to complete. One of his later novels, Closing Time, revisited many of the characters who had been featured in Catch-22 as they adjusted to post-war New York. All of the novels sold respectably well, but could not duplicate the success of his debut. Told by an interviewer that he had never produced anything else as good as Catch-22, Heller famously responded, "Who has?"
  
   Work process
  Heller did not begin work on a story until he had envisioned both a first and last line. The first sentence usually appeared to him "independent of any conscious preparation". In most cases, the sentence did not inspire a second sentence. At times, he would be able to write several pages before giving up on that hook. Usually, within an hour or so of receiving his inspiration, Heller would have mapped out a basic plot and characters for the story. When he was ready to begin writing, he would focus on one paragraph at a time, until he had three or four handwritten pages, which he would then spend several hours reworking.
  
  Heller maintained that he did not "have a philosophy of life, or a need to organize its progression. My books are not constructed to 'say anything.'" Only when he was almost one-third finished with the novel would he gain a clear vision of what it should be about. At that point, with the idea solidified, he would rewrite all that he had finished and then continue to the end of the story. The finished version of the novel would often not begin or end with the sentences he had originally envisioned, although he usually tried to include the original opening sentence somewhere in the text.
  
   Later Teaching Career
  In the 1970s Heller taught creative writing at the City College of New York.
  
   Illness
  On Sunday, December 13, 1981, Heller was diagnosed with Guillain-Barré syndrome, a debilitating syndrome that was to leave him temporarily paralyzed. He was admitted to the Intensive Care Unit of Mount Sinai Medical Hospital the same day (Heller 1986, pp. 23–34), and remained there, bedridden, until his condition had improved enough to permit his transfer to the Rusk Institute of Rehabilitation Medicine, which occurred on January 26, 1982 (Heller 1986, pp. 170–174). His illness and recovery are recounted at great length in the autobiographical No Laughing Matter (Heller 1986), which contains alternating chapters by Heller and his good friend Speed Vogel. The book reveals the assistance and companionship Heller received during this period from a number of his prominent friends—Mel Brooks, Mario Puzo, Dustin Hoffman and George Mandel among them.
  
  Heller eventually made a substantial recovery. In 1984, while in the process of divorcing his wife of 35 years, he met Valerie Humphries, the nurse who had helped him to recover, and later married her.
  
   Later years
  Heller returned to St. Catherine's as a visiting Fellow, for a term, in 1991 and was appointed an Honorary Fellow of the college. In 1998, he released a memoir, Now and Then: From Coney Island to Here, in which he relived his childhood as the son of a deliveryman and offered some details about the inspirations for Catch-22.
  
  He died of a heart attack at his home in East Hampton, on Long Island, in December 1999, shortly after the completion of his final novel, Portrait of an Artist, as an Old Man.[citation needed] On hearing of Heller's death, his friend Kurt Vonnegut said, "Oh, God, how terrible. This is a calamity for American letters."
  
   Catch-22 Controversies
  In April 1998, Lewis Pollock wrote to The Sunday Times for clarification as to "the amazing similarity of characters, personality traits, eccentricities, physical descriptions, personnel injuries and incidents" in Catch-22 and a novel published in England in 1951. The book that spawned the request was written by Louis Falstein and titled The Sky is a Lonely Place in Britain and Face of a Hero in the United States. Falstein's novel was available two years before Heller wrote the first chapter of Catch-22 (1953) while he was a student at Oxford. The Times stated: "Both have central characters who are using their wits to escape the aerial carnage; both are haunted by an omnipresent injured airman, invisible inside a white body cast". Stating he had never read Falstein's novel, or heard of him, Heller said: "My book came out in 1961[;] I find it funny that nobody else has noticed any similarities, including Falstein himself, who died just last year" (The Washington Post, April 27, 1998).
  
   Works
   Short stories
  Catch As Catch Can: The Collected Stories and Other Writings (2003)
   Autobiographies
  No Laughing Matter (1986)
  Now And Then (1998)
   Novels
  Catch-22 (1961)
  Something Happened (1974)
  Good as Gold (1979)
  God Knows (1984)
  Picture This (1988)
  Closing Time (1994)
  Portrait of an Artist, as an Old Man (2000)
   Plays
  We Bombed in New Haven (1967)
  Catch 22 (1973)
  Clevinger's Trial (1973)
   Screenplays
  Sex and the Single Girl (1964)
  Casino Royale (1967) (uncredited)
  Dirty Dingus Magee (1970)
    

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