ài 'ěr lán gōng yuán  (1854niánshíyuè16rì～1900niánshíyīyuè30rì)

 tóng huà fairy tales： 《kuài lè wáng zǐ The Happy Prince and Other Tales》 chāo xiàn shí xiǎo shuō surrealism： 《dào lín · gé léi de huà xiàng The Picture of Dorian Gray》 xī fāng xì jù occident drama： 《shàonǎi nǎi de shàn zǐ Lady Windermere's Fan》 《wú zú qīng zhòng de nǚ rén A Woman of No Importance》 《lǐ xiǎng zhàng fū An Ideal Husband》 《rèn zhēn de zhòng yào xìng The Importance of Being Earnest》 yuèdòuào sī kǎ · wáng 'ěr dé Oscar Wildezài小说之家dezuòpǐn!!! yuèdòuào sī kǎ · wáng 'ěr dé Oscar Wildezài影视与戏剧dezuòpǐn!!!

　　wáng 'ěr dé shēng yú dū bólín de yī gè jiā shì zhuó yuè de jiā tíng， shì jiā zhōng de cì zǐ， quán míng wéi： ào sī kǎ · fēn gé · ōu fó léi tài · wēi 'ěr sī · wáng 'ěr dé（ OscarFingalO ’ FlahertieWillsWilde）。 tā de fù qīn wēi lián mǔ · wáng 'ěr dé jué shì shì yī gè wài kē yī shēng， tā de mǔ qīn shì yī wèi shī rén yǔ zuò jiā。 wáng 'ěr dé shì yī gè yōu xiù de xué shēng， tā huò dé liǎo dū bǎi lín shèng sān yī xué yuàn（ TrinityCollege） de jiǎng xué jīn， 1874 nián， tā jìn rù niú jīn dà xué mài gé dé lín xué yuàn（ MagdalenCollege） xué xí。 zài niú jīn， wáng 'ěr dé shòu dào liǎo wò 'ěr tè · pèi tè jí yuē hàn · lā sī jīn de shěn měi yǐng xiǎng， bìng jiē chù liǎo xīn hēi gé 'ěr pài zhé xué、 dá 'ěr wén jìn huà lùn hé lā fěi 'ěr qián pài de zuò pǐn， zhè wéi tā zhī hòu chéng wéi wéi měi zhù yì xiān fēng zuò jiā què lì liǎo fāng xiàng。 dāng shí， suī rán nián qīng de wáng 'ěr dé hái méi yòu huò dé yī gè wén xué jiǎng xiàng， dàn fú zhuāng rě yǎn、 tán tù jī zhì、 tè lì dú xíng de tā zài shè huì shàng yǐ jīng xiǎo yòu míng qì， yī xiē zá zhì shèn zhì kān dēng zhe fěng cì tā de wén zhāng。
　　
　　1882 nián， wáng 'ěr dé zài měi guó zuò liǎo yī gè jīng cǎi de xún huí jiǎng zuò， liǎng nián hòu tā yǔ ConstanceLloyd chéng hūn ， liǎng míng 'ér zǐ Cyril yǔ Vyvyan yì fēn bié zài 1885 nián yǔ 1886 nián chū shēng。 1887 nián wáng 'ěr dé chéng wéi yī jiā fù nǚ zá zhì de zhí xíng zǒng biān ji， nà shàng miàn fā biǎo zhe tā de yī xiē xiǎo shuō、 píng lùn hèshī。 wáng 'ěr dé de zuò pǐn yǐ qí cí zǎo huá měi、 lì yì xīn yíng hé guān diǎn xiān míng wén míng， tā de dì yī běn xiǎo shuō dào lín · gé léi de huà xiàng fā biǎo yú 1891 nián， zhī hòu tā yòu fā biǎo liǎo sǎnwén《 shè huì zhù yì xià rén de líng hún》， zhè liǎng bù zuò pǐn dū shí fēn chéng gōng， dàn zhēn zhèng wéi wáng 'ěr dé yíng dé míng yù de shì tā de xì jù zuò pǐn。 kě yǐ shuō tā de měi yī bù xì jù zuò pǐn dū shòu zhe rè liè de huān yíng， yòu yī gè shí qī， lún dūn de wǔ tái shàng jìng tóng shí shàng yǎn zhe tā de sān bù zuò pǐn。
　　
　　 wéi duō lì yà nǚ wáng shí dài de yīng guó shàng liú shè huì shì kuài fǔ xiǔ， xīn jiù fēng shàng de chōng tū jī liè， wáng 'ěr dé de zì yóu zuò fēng hé dà dǎn de zuò fēng hěn kuài shǐ tā chéng wéi liǎo zhè chǎng chōng tū de xī shēng pǐn。 1895 nián， kūn sī bài ruì hóu jué（ MarquessofQueensberry） yīn 'ér zǐ 'ā 'ěr fú ruì dé · dào gé lā sī（ LordAlfred'Bosie'Douglas） yǔ wáng 'ěr dé jiāo wǎng 'ér lìng dào fù zǐ bù hé， bìng gōng rán chì zé wáng 'ěr dé shì yī gè "sodomite"。 duì cǐ， fèn nù de 'ā 'ěr fú ruì dé jiào wáng 'ěr dé lì kè shàng sù gào hóu jué bài huài tā de míng yù， kě xī wáng 'ěr dé bù dàn shàng sù shī bài， gèng bèi fǎn gào céng “ commitactsofgrossindecency ”。 gēn jù dāng shí yīng guó kē kè de xíng shì fǎ， wáng 'ěr dé bèi pàn yòu zuì， zài ruì dīng hé běn dùn wéi 'ěr jiān yù fú liǎo liǎng nián kǔ yì。 zhè liǎng nián， wáng 'ěr dé tíng zhǐ liǎo xì jù chuàng zuò， ér gòu sī liǎo shī zuò《 ruì dīng jiān yù zhī gē》 hé chàn huǐ lù《 shēn yuān shū jiǎn》， zài zhè liǎng bù zuò pǐn zhōng yǐ hěn nán xún dé wéi měi zhù yì de yǐng xiǎng。 zài wáng 'ěr dé fú xíng qī jiān， Constance yǔ liǎng gè hái zǐ gǎi xìng wéi Holland jiān yí jū yì dà lì， ér tā dà duō shù de péng yǒu zé duì tā bì zhī wéi kǒng bù jí， dāng zhōng zhǐ yòu liáo liáo shù rén rú xì jù zuò jiā xiāo bó nà réng tǐng shēn wéi hù tā。
　　
　　1897 nián huò shì hòu， wáng 'ěr dé lì kè dòng shēn qián wǎng bā lí， duì yú yīng guó tā shī wàng tòu dǐng， bù zài yòu sī háo liú liàn。 qí hòu tā wèile liǎng míng hái zǐ céng cháng shì yǔ Constance fù hé， dàn 'ā 'ěr fú ruì dé yì tóng shí biǎo shì xiǎng yǔ wáng 'ěr dé zhòng guī rú hǎo， zuì hòu wáng 'ěr dé fàng qì liǎng míng hái zǐ 'ér xuǎn zé liǎo 'ā 'ěr fú ruì dé。 wáng 'ěr dé zài yǐ jiǎ míng jū zhù fǎ guó qī jiān wán chéng bìng chū bǎn liǎo《 ruì dīng jiān yù zhī gē》， zhī hòu yǔ 'ā 'ěr fú ruì dé tóng yóu yì dà lì， dàn jǐ gè yuè hòu， liǎng rén zài cì fēn shǒu。 1900 nián wáng 'ěr dé zhōng yú zài hǎo yǒu Robert'Robbie'Ross bāng zhù xià gǎi xìn tiān zhù jiào， zài tóng nián 11 yuè 30 rì yīn bìng yú bā lí de yà 'ěr shā sī lǚ guǎn（ Hoteld’ Alsace） qù shì， xiǎng nián 46 suì， sǐ shí zhǐ yòu Robbie yǔ lìng yī péng yǒu péi bàn。

　　Oscar Fingal O'Flahertie Wills Wilde (16 October 1854 – 30 November 1900) was an Irish writer, poet, and prominent aesthete. His parents were successful Dublin intellectuals, and from an early age he was tutored at home, where he showed his intelligence, becoming fluent in French and German. He attended boarding school for six years, then matriculated to university at seventeen years of age. Reading Greats, Wilde proved himself to be an outstanding classicist, first at Trinity College, Dublin, then at Magdalen College, Oxford. After university, Wilde moved around trying his hand at various literary activities: he published a book of poems and toured America lecturing extensively on aestheticism. He then returned to London, where he worked prolifically as a journalist for four years. Known for his biting wit, flamboyant dress, and glittering conversation, Wilde was one of the most well-known personalities of his day. He next produced a series of dialogues and essays that developed his ideas about the supremacy of art. However, it was his only novel, The Picture of Dorian Gray – still widely read – that brought him more lasting recognition. He became one of the most successful playwrights of the late Victorian era in London with a series of social satires which continue to be performed, especially his masterpiece The Importance of Being Earnest.
　　
　　At the height of his fame and success, Wilde suffered a dramatic downfall in a sensational series of trials. He sued his lover's father for libel, though the case was dropped at trial. After two subsequent trials, Wilde was imprisoned for two years' hard labour, having been convicted of "gross indecency" with other men. In prison he wrote De Profundis, a dark counterpoint to his earlier philosophy of pleasure. Upon his release he left immediately for France, never to return to Ireland or Britain. There he wrote his last work, The Ballad of Reading Gaol, a long, terse poem commemorating the harsh rhythms of prison life. He died destitute in Paris at the age of forty-six.