寺山修司（1935年12月10日－1983年5月4日）是一位日本的劇作傢、歌人、詩人、作傢、電影導演、賽馬評論傢，他在各種領域中皆有活躍的表現。

生平

寺山修司於1935年（昭和10年）12月10日出生於日本青森縣弘前市紺屋町，但是在戶籍上所記載的生日卻是1936年1月10日，根據寺山表示是因為“當時父親為了工作而忙碌，而母親生産後需要修養”纔延遲了登記戶籍的時間。在寺山六歲時，全家搬遷到八戶市，但不久之後，隨着父親的出徵作戰，寺山和母親再度搬遷到青森市，進入青森市瑪莉亞幼稚園（マリア幼稚園）就讀。

寺山所居住的青森市在1945年的青森空襲中被嚴重破壞，而他和母親居住的房子也幾乎完全被燒毀，於是暫時投靠母親住在六戶村（現：三澤市）的哥哥。之後在1948年，寺山進入古間木中學就讀，但數個月後隨即轉學到青森市立野脅中學。三年後（1951年），寺山進入青森縣立青森高等學校中就讀，在學校他加入了文學社團。高中畢業後，寺山考上早稻田大學教育學部的國語國文學科（日語）。這段期間寺山開始創作和歌，並在18歲那年獲得第二屆“短歌研究”新人奬。但一年後，寺山便休學了。離開大學十幾年後，寺山在1967年組成了演劇實驗室“天井棧敷”，以劇作傢、詩人、和歌創作傢、演出傢等身份活躍；寺山修司在藝術上表現手法，等同於西班牙達利、畢加索的抽象主義、美國普普藝術安迪華荷，在當時保守的亞洲藝術界開啓前衛創作先端，也率先導航了日本視覺係藝術形成。

1983年，寺山在居住地（東京都杉並區永福）的河北綜合醫院中因肝硬化逝世，享年48歲。寺山過世之後，當初天井棧敷的核心劇團成員另外成立了演劇實驗室“萬有引力”，現在仍然活動中。而在青森縣的三澤市也設立了寺山修司紀念館。

作品

和歌集

• 天空的書（空には本，1958年）
• 血與麥（血と麥，1962年）
• 死者田園祭（田園に死す，1965年）
• 餐桌上的荒野（テーブルの上の荒野，1971年，收錄於《寺山修司全歌集》）

句集

• 寺山修司青春歌集

小說

• 啊，荒野（あゝ、荒野，1966年）

電影劇本

• みな殺しの歌より　拳銃よさらば（1960年）
• 幹掉的湖（幹いた湖，1960年）
• 我的戀愛旅途（わが戀の旅路，1961年）
• 像夕陽一般通紅的我的臉（夕陽に赤い俺の顔，1961年）
• 用眼淚，作成獅子的縱發（涙を、獅子のたて髪に，1962年）
• 初戀地獄篇（初戀・地獄篇，1968年）
• 無賴漢（無賴漢，1970年）
• 三壘（サード，1978年）
• 怪盜ジゴマ　音樂篇（1988年）

執導電影

長片

• 拋掉書本上街去（書を捨てよ町へ出よう，1971年）
• 死者田園祭（田園に死す，1974年）
• 拳擊者（ボクサー，1977年）
• 上海異人娼館(1978年)
• 草迷宮（1979年、1983年）
• 再見，箱舟（さらば箱舟，1984年）

短片

• 貓學（キャットロジー）
• 檻囚
• 番茄醬皇帝（トマトケチャップ皇帝）
• 猜拳戰爭（ジャンケン戰爭）
• Rora（ローラ）
• 蝶服記
• 給青少年的電影入門（青少年のための映畫入門）
• 迷宮譚
• 皰瘡譚
• 審判
• 父
• 橡皮擦（消しゴム）
• MARUDORORU之歌（マルドロールの歌）
• 一寸法師を記述する試み
• 二頭女―影の映畫
• 書見機

外部鏈接

• 三澤市 寺山修司記念館
• TERAYAMA WORLD

Shūji Terayama (寺山 修司, Terayama Shūji, December 10, 1935 – May 4, 1983) was an Japanese avant-garde poet, dramatist, writer, film director, and photographer. His works range from radio drama, experimental television, underground (Angura) theatre, countercultural essays, to Japanese New Wave and "expanded" cinema.

Many critics view him as one of the most productive and provocative creative artists to come out of Japan. He has been cited as an influence on various Japanese filmmakers from the 1970s onward.

Life

Terayama was born December 10, 1935, in Hirosaki, Aomori, the only son of Hachiro and Hatsu Terayama. His father died at the end of the Pacific War in Indonesia in September 1945. When Terayama was nine, his mother moved to Kyūshū to work at an American military base, while he himself went to live with relatives in the city of Misawa, also in Aomori. Terayama lived through the Aomori air raids that killed more than 30,000 people.

Terayama entered Aomori High School in 1951 and, in 1954, he enrolled in Waseda University's Faculty of Education to study Japanese language and literature. However, he soon dropped out because he fell ill with nephrotic syndrome. He received his education through working in bars in Shinjuku. By 18, he was the second winner of the Tanka Studies Award.^{[citation needed]}

He married Tenjō Sajiki co-founder Kyōko Kujō (九條今日子) on April 2, 1963. Kujō later began an extramarital affair with fellow co-founder Yutaka Higashi. She and Terayama formally divorced in December 1970, although they continued to work together until Terayama's death on May 4, 1983 from cirrhosis of the liver. Kujō died on April 30, 2014.

Career

His oeuvre includes a number of essays claiming that more can be learned about life through boxing and horse racing than by attending school and studying hard. Accordingly, he was one of the central figures of the "runaway" movement in Japan in the late 1960s, as depicted in his book, play, and film Throw Away Your Books, Rally in the Streets! (書を捨てよ、町へ出よう).

In 1967, Terayama formed the Tenjō Sajiki theater troupe, whose name comes from the Japanese translation of the 1945 Marcel Carné film Les Enfants du Paradis and literally translates to "ceiling gallery" (with a meaning similar to the English term "peanut gallery"). The troupe was dedicated to the avant-garde and staged a number of controversial plays tackling social issues from an iconoclastic perspective in unconventional venues, such the streets of Tokyo or private homes. Some major plays include "Bluebeard" (青ひげ), "Yes" (イエス), and "The Crime of Fatso Oyama" (大山デブコの犯罪). Also involved with the theater were artists Aquirax Uno and Tadanori Yokoo, who designed many of the advertisement posters for the group. Musically, he worked closely with experimental composer J.A. Seazer and folk musician Kan Mikami. Playwright Rio Kishida was also part of the company. She viewed Terayama as a mentor, and together they collaborated on Shintokumaru (Poison Boy), The Audience Seats, and Lemmings.

Terayama experimented with 'city plays', a fantastical satire of civic life.

Shuji Terayama's grave (Takao Cemetery zone A front row, 高尾霊園A區) Google maps view

Also in 1967, Terayama started an experimental cinema and gallery called 'Universal Gravitation,' which is still in existence at Misawa as a resource center. The Terayama Shūji Memorial Hall, which has a large collection of his plays, novels, poetry, photography and a great number of his personal effects and relics from his theatre productions, can also be found in Misawa.

In 1976, he was a member of the jury at the 26th Berlin International Film Festival.

Legacy

Terayama published almost 200 literary works^{[citation needed]} and over 20 short and full-length films.

In 1997, the Shuji Terayama Museum was opened in Misawa, Aomori, with personal items donated by his mother, Hatsu. The museum was designed by visual artist Kiyoshi Awazu, who had previously collaborated with Terayama. As of 2015, the museum's director is poet Eimei Sasaki, who had previously starred in Throw Away Your Books, Rally in the Streets (1968).

Asahi Shimbun named an award after Terayama with the inauguration of their Asahi Performing Arts Awards in 2001. "The Terayama Shūji Prize is meant to recognize artistic innovation by individuals or organizations who have demonstrated artistic innovation". However, the awards were suspended in 2008.

In March 2012, Tate Modern in London hosted a tribute to Terayama that was attended by Kyōko Kujō and Terayama's assistant director, Henrikku Morisaki.

Works

His film oeuvre is well known for its experimentalism and includes:

Plays

• La Marie-Vision / Kegawa no Marie (1967)
• Throw Away Your Books, Rally in the Streets / Sho o Suteyo, Machi e Deyō (1968)
• The Crime of Dr. Gali-gari / Gali-gari Hakase no Hanzai (1969)
• The Man-powered Plane (1970)
• Jashumon (1971)
• Run, Melos / Hashire Melos (1972)
• The Opium War / Ahen Senso (1972)
• Note to a Blind Man / Mojin Shokan (1973)
• Knock (1975)
• Journal of the Plague Year / Ekibyo Ryuko-ki (1975)
• The Ship of Fools / Aho-bune (1976)
• The Miraculous Mandarin / Chugoku no Fushigina Yakunin (1977)
• Directions to Servants / Nuhikun (1978)
• Lemmings to the End of the World / Lemmings - Sekai no Hate Made Tsurettete (1979)

Short fiction

Collected in: The Crimson Thread of Abandon

Essays

When I Was a Wolf (Boku ga ookami datta koro)

Screenplays

• Mothers / Haha-tachi (1967), directed by Toshio Matsumoto
• The Scandalous Adventures of Buraikan (1970), directed by Masahiro Shinoda
• Third Base (1978), directed by Yōichi Higashi

Short films

• Catology (1960) (lost)
• The Cage / Ori (1964)
• Emperor Tomato Ketchup / Tomato Kechappu Kōtei (1971, short version)
• The War of Jan-Ken Pon / Janken Sensō (1971)
• Rolla (1974)
• Chōfuku-ki (1974)
• Cinema Guide for Young People / Seishōnen no Tame no Eiga Nyūmon (1974)
• The Labyrinth Tale / Meikyū-tan (1975)
• Hōsō-tan (1975)
• Der Prozess / Shimpan (1975)
• Les Chants de Maldoror / Marudororu no Uta (1977)
• The Eraser / Keshigomu (1977)
• Shadow Film – A Woman with Two Heads / Nitō-onna – Kage no Eiga (1977)
• The Reading Machine / Shokenki (1977)
• An Attempt to Describe the Measure of A Man / Issunbōshi o Kijutsusuru Kokoromi (1977)

Feature-length films

• Emperor Tomato Ketchup / Tomato Kechappu Kōtei (1971, long version)
• Throw Away Your Books, Rally in the Streets / Sho o Suteyo, Machi e Deyō (1971)
• Death in the Country / Den'en ni Shisu (a.k.a.: "Pastoral Hide and Seek") (1974)
• Boxer / Bokusā (1977)
• Fruits of Passion / Shanhai Ijin Shōkan (1981)
• Grass Labyrinth / Kusa-meikyū (1983)
• Video Letter (1983, with Shuntarō Tanikawa)
• Farewell to the Ark / Saraba hakobune (1984)

Photography

• Photothèque imaginaire de Shuji Terayama - Les Gens de la famille Chien-Dieu (1975)

See also

• Bombing of Aomori in World War II

Notes

Further reading

• Sorgenfrei, Carol Fisher. Unspeakable Acts: The Avant-garde Theatre of Terayama Shuji And Postwar Japan, University of Hawaii Press (2005).
• Ridgely, Steven C.. "Japanese Counterculture: The Antiestablishment Art of Terayama Shuji", Univ of Minnesota Press (2011).
• Courdy, Keiko. "Antonin Artaud's influence on Terayama Shuji" in Japanese theater and the International Stage, Brill, Leiden, Netherlands (2000).