| Andrei Arsenyevich Tarkovsky | |
| 安德烈·阿爾謝尼耶維奇·塔爾科夫斯基 | |
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閱讀安德烈·塔可夫斯基 Andrei Tarkovsky在百家争鸣的作品!!! | |
在其最後一部電影《犧牲》拍竣後的一九八六年十二月二十九日，塔可夫斯基病逝於巴黎的癌癥病院。他被安葬在一個法國小鎮的俄國移民墓地。
安德烈·阿爾謝尼耶維奇·塔爾科夫斯基（Андре́й Арсе́ньевич Тарко́вский，1932年4月4日－1986年12月29日）是俄國電影導演、歌劇導演、作傢和演員，是蘇聯繼愛森斯坦後最著名的電影大師。他被認為是電影史當中一個最重要和最有影響的電影製作人。1986年因肺癌逝世於法國，得年55歲。
電影
塔氏的電影特色包括主題圍繞基督教人文精神及形而上哲學，極端長鏡頭以及令人難以忘懷的美麗影像。許多意象一再出現，如破碎的物質文明、憂愁而寡言的角色與不停滴落的雨。
電影作品
| 年份 | 片名 | 英文片名 | 原文片名 | 國傢 | 長度 | 註記 |
|---|---|---|---|---|---|---|
| 1956 | 殺手 | The Killers | Убийцы | 前蘇聯 | 19分鐘 | 學生作品 |
| 1959 | 今日不離別 | There Will be No Leave Today | Сегодня увольнения не будет | 前蘇聯 | 46分鐘 | 學生作品 |
| 1961 | 壓路機與小提琴 | The Steamroller and the Violin | Каток и скрипка | 前蘇聯 | 46分鐘 | 畢業作品 |
| 1962 | 伊凡的少年時代 | Ivan's Childhood | Иваново детство | 前蘇聯 | 95分鐘 | 1962年威尼斯電影節最佳電影金獅奬。故事背景設於二次世界大戰蘇德戰場，是塔氏較傳統的電影作品。 |
| 1966 | 安德烈·盧布列夫 | Andrei Rublev | Андрей Рублёв | 前蘇聯 | 205分鐘 | 以中世紀俄國著名畫傢安德烈·盧布列夫為題材的史詩電影。 |
| 1972 | 索拉裏斯星 | Solaris | Солярис | 前蘇聯 | 165分鐘 | 改編自史坦尼斯勞·萊姆的經典科幻小說。該片榮獲戛納影展評審團大奬及人道精神費比西奬。 |
| 1975 | 鏡子 | Mirror | Зеркало | 前蘇聯 | 108分鐘 | 塔氏自傳體電影。 |
| 1979 | 潛行者 | Stalker | Сталкер | 前蘇聯 | 164分鐘。 | 改編斯特魯格斯基兄弟的小說《路邊野餐》（Roadside Picnic）。 |
| 1982 | 雕刻時光 | Voyage in Time | Tempo di Viaggio | 意大利 | 63分鐘 | 紀錄片 |
| 1983 | 鄉愁 | Nostalghia | Nostalghia | 意大利 | 125分鐘 | 1983年戛納影展最佳導演 |
| 1986 | 犧牲 | The Sacrifice | Offret | 瑞典 | 149分鐘 | 1986年戛納影展評審團大奬 |
圖片
參考
"Martyrlog", 1984 ,imdb
塔氏著作
- Sculpting In Time, translated by Kitty Hunter-Blair (1987)
- Time Within Time: The Diaries 1970-1986, translated by Kitty Hunter-Blair (1993)
- Collected Screenplays, translated by William Powell and Natasha Synessios (1999)
- Johnson, Vidat and Petrie, Graham, The Films of Andrei Tarkovsky: A Visual Fugue, Indiana University Press, Bloomington & Indianapolis, 1994
書籍
- Andrei Tarkovsky: Interviews (Conversations With Filmmakers Series), edited by John Gianvito, University Press of Mississippi, 2006, ISBN 1-57806-220-9
- The Films of Andrei Tarkovsky: A Visual Fugue, by Vida T. Johnston and Graham Petrie, 1994, ISBN 0-253-20887-4
- Andrei Tarkovsky, by Sean Martin, Pocket Essentials, 2006, ISBN 1-904048-49-8
- Andrei Rublev, by Robert Bird, British Film Institute, 2005, ISBN 1-84457-038-X
- Through the Mirror: Reflections on the Films of Andrei Tarkovsky, Cambridge Scholars Press, 2006, ISBN 1-904303-11-0
- Andrei Tarkovsky: A Photographic Chronicle of the Making of The Sacrifice, by Layla Alexander-Garrett, Cygnnet, 2012, ISBN 978-0-9570416-0-8
Andrei Arsenyevich Tarkovsky (Russian: Андрей Арсеньевич Тарковский, IPA: [ɐnˈdrʲej ɐrˈsʲenʲjɪvʲɪtɕ tɐrˈkofskʲɪj]; 4 April 1932 – 29 December 1986) was a Russian filmmaker, theatre director, writer, and film theorist. He is widely considered one of the greatest and most influential directors in the history of Russian and world cinema. His films explored spiritual and metaphysical themes, and are noted for their slow pacing and long takes, dreamlike visual imagery, and preoccupation with nature and memory.
Tarkovsky studied film at Moscow's State Institute of Cinematography under filmmaker Mikhail Romm, and subsequently directed his first five feature films in the Soviet Union: Ivan's Childhood (1962), Andrei Rublev (1966), Solaris (1972), Mirror (1975), and Stalker (1979). After years of creative conflict with state film authorities, Tarkovsky left the country in 1979 and made his final two films abroad; Nostalghia (1983) and The Sacrifice (1986) were produced in Italy and Sweden respectively. In 1986, he also published a book about cinema and art entitled Sculpting in Time. He died of cancer later that year.
Tarkovsky was the recipient of several awards at the Cannes Film Festival throughout his career (including the FIPRESCI prize, the Prize of the Ecumenical Jury, and the Grand Prix Spécial du Jury) and winner of the Golden Lion award at the Venice Film Festival for his debut film Ivan's Childhood. In 1990, he was posthumously awarded the Soviet Union's prestigious Lenin Prize. Three of his films—Andrei Rublev, Mirror, and Stalker—featured in Sight & Sound's 2012 poll of the 100 greatest films of all time.