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閱讀安妮·賴斯 Anne Rice在小说之家的作品!!! | |||
安妮·赖斯賴斯的作品以生動描寫恐怖情節而著稱，小說的主題多為歷史背景下人的離群索居及對自我的追求，小說中的人物總是現實社會或非現實社會中孤立的群體。如吸血鬼係列中的吸血鬼，《萬聖節》中的混血兒，都是一些與社會格格不入的個體。吸血鬼貌似人類，也渴望與人類為伍，但衹能遊離於人類之外；《萬聖節》中的混血兒則無論多麽富有，無論接受過何等的教育，都無法進入白人社會。賴斯的筆下就是這樣一些苦苦追求自我、追求美好，卻始終被社會排斥在外，永遠遊蕩的孤魂野鬼。
從1976年以《夜訪吸血鬼》一書在文壇崛起，迄今長達十二部的《吸血鬼紀事》（The Vampire Chronicles）將她筆下的吸血鬼社群刻縷得曼妙鮮利，聲色奪人之餘更充斥著欲力奔流的異質生命能量；此外，還以《梅菲爾女巫生涯三部麯》（Lives of the Mayfair Witches），《木乃伊三部麯》（The Mummy）等書切入超自然視界的不朽情讎，雕琢出各色非人主角顛倒眾生的異色魅力。作者的最新作品是以古典音樂為背景的感官創作《小提琴》（Violin），以及扣人心弦的不朽者復活之作《吸血鬼阿曼德》（The Vampire Armand）。
賴斯在1941年生於美國紐奧良一個篤信天主教的家庭裏，是四個姊妹裏的老二。
她對寫作一嚮有濃厚興趣，但直到六歲大的女兒因為急性白血球過多癥去世後，她纔開始成為一個專職的作傢，並且寫出一係列以吸血鬼為主題的恐怖小說。聲譽鵠起，短短幾年間，就躍升為著名的暢銷作傢。在當前競爭激烈的美國文壇中，她已經儼然成為「吸血鬼大師」了。
她的第一部作品就是《夜訪吸血鬼》，裏面的靈魂人物包括了一個在五、六歲大時變成吸血鬼的小女孩，不論歲月如何流逝，小女孩永遠不會長大。這與她早逝的女兒間有何相關，難免引起讀者帶著同情的聯想。
當然，安妮-賴斯並不衹想在書中為女兒尋找失去的生命而已。她在這本《夜訪吸血鬼》中，不僅帶領讀者探訪了吸血鬼一嚮神祕幽暗的世界，更對生命的本質作深入的思考與探索。古今中外，多少凡夫俗子期盼長生不老；因為不可得，永生更是令人深深嚮往。但是，如果真的能夠得到永遠的生命，與日月同壽，看盡滄海桑田、人事變遷，孤獨地走過人間歲月，那又會是什麽樣的感受與心境？
一般的吸血鬼小說可謂千篇一律，電影、電視亦然。角色平面膚淺，情節幾乎都在一個固定的模式下發展，讀者看習慣了，似乎也不以為意。但安妮-賴斯的吸血鬼小說，卻似乎為我們打開了一扇窗，讓我們可以一窺吸血鬼的生活與內心，這實在讓恐怖小說的愛好者大感振奮 -- -- 不僅是對她作品的創意，也對她探討的深度。她不衹是為吸血鬼的故事打開了一扇窗，更為恐怖小說開啓了一片新天地。
《夜訪吸血鬼》這本書讓安妮-賴斯一炮而紅，然而，與其說這是一本恐怖小說，不如說它是一本以吸血鬼為主題的文學作品。雖然它情節的麯折新奇，人物的鮮活生動，使它具有通俗小說應有的市場吸引力。但安妮-賴斯優美細膩的文字，加上對生命本質的探討，卻使得這本書具有豐富的文學性格，不是一般尖叫連連血腥陣陣的恐怖小說所可以比擬的。
在安妮-賴斯的筆下，吸血鬼所能得到的最大肉體歡愉來自殺人，因此對吸血鬼而言，男、女、老、少，皆是皮相；在吸血鬼之間，性別的差異顯然不具意義，吸血鬼之間的愛，在極大程度上是屬於精神層次的，超越性別、年齡等一切人類的思考模式與價值觀。當然，和其他吸血鬼故事一樣，本書中的吸血鬼也殺人，而且不斷地殺人。但是以往讀者多從人類的觀點來看待這件事，現在在這本書中，讀者可以換個角度，藉着這一場扣人心弦的專訪，試著從吸血鬼的角度來看事情 -- -- 包括生命的存續與殞滅。
安妮-賴斯是個多産作傢，已寫有30多部小說，除了吸血鬼係列之外，還有《鞭打者》，《魔法時刻》，《萬聖節》，，《嚮天哭泣》等。《夜訪吸血鬼》是吸血鬼係列中的第一部，因小說前所未有地展現了一個吸血鬼世界，吸引了衆多的讀者，原文的銷售量已達200多萬册。雖然評論界對之褒貶不一，然其影響之廣泛，令人醒目。
Early years
Rice spent most of her early life in New Orleans, Louisiana, which forms the background against which most of her stories take place. She was the second daughter in a Catholic Irish-American family; Rice's sister, the late Alice Borchardt, also became a noted genre author. About her unusual given name, Rice said: "My birth name is Howard Allen because apparently my mother thought it was a good idea to name me Howard. My father's name was Howard, she wanted to name me after Howard, and she thought it was a very interesting thing to do."
Rice became "Anne" on her first day of school, when a nun asked her what her name was. She told the nun "Anne," considering it a pretty name. Her mother, who was with her, let it go without correcting her, knowing how self-conscious her daughter was of her real name. From that day on, everyone she knew addressed her as "Anne."
Rice graduated from Richardson High School, in 1959, to attend Texas Woman's University in Denton, Texas and later North Texas State College. After a year’s stay in San Francisco, during which she worked as an insurance claims examiner, Anne returned to Denton, Texas to marry Stan Rice, her childhood sweetheart. Stan became an instructor at San Francisco State shortly after receiving his M.A. there, and Anne lived and worked in the San Francisco Bay Area from 1962 to 1988, experiencing the birth of the Hippie Revolution first hand as they lived in the soon to be fabled Haight-Ashbury district. Both attended and graduated from San Francisco State University.
Anne's daughter Michele was born on September 21, 1966 and died of leukemia on August 5, 1972. She returned to the Catholic Church in 1998 after several years of describing herself as an atheist. She announced she would now use her life and talent of writing to glorify her belief in God, but has not expressly renounced her earlier works. Her son Christopher Rice was born in Berkeley, California in 1978 and is a best selling author.
On January 30, 2004, having already put the largest of her three homes up for sale, Rice announced her plans to leave New Orleans. She cited living alone since the death of her husband as the reason. "Simplifying my life, not owning so much, that's the chief goal", said Rice. "I'll no longer be a citizen of New Orleans in the true sense." Rice had left New Orleans prior to the events of Hurricane Katrina in August 2005, and none of her former New Orleans properties were flooded. She remains a vocal advocate for the city and related relief projects.
After leaving New Orleans Rice settled in Rancho Mirage, California, allowing her to be closer to her son, who lives in Los Angeles.
Writing career
In 1958, when Rice was 16, her father moved the family to north Texas, taking up residence in Richardson. Her mother had died three years before of alcoholism. Rice met her future husband while they were both students at Richardson High School. She began college at Texas Woman's University in Denton but relocated with Stan to San Francisco where Anne attended San Francisco State University and obtained a B.A. in Political Science. "I'm a totally conservative person," she later told the New York Times (November 7, 1988). "In the middle of Haight-Ashbury in the 1960s, I was typing away while everybody was dropping acid and smoking grass. I was known as my own square." She would not return to New Orleans until 1989. She completed her first book, Interview with the Vampire, in 1973 and published it in 1976. This book would be the first in Rice's popular Vampire Chronicles series, which now includes over a dozen novels, including 1985's The Vampire Lestat and 1988's The Queen of the Damned. Along with several non-series works, Rice has written three novels in the Lives of the Mayfair Witches sequence. Additionally, Rice wrote three erotic novels under the pseudonym "A. N. Roquelaure."
In October 2004, Rice announced in a Newsweek article that she would henceforth "write only for the Lord." Her subsequent book, Christ the Lord: Out of Egypt, she calls the beginning of a series chronicling the life of Jesus. The second volume, Christ the Lord: The Road to Cana, was published in March 2008.
Return to Roman Catholicism
In 2005, Newsweek reported, "[Rice] came close to death last year, when she had surgery for an intestinal blockage, and also back in 1998, when she went into a sudden diabetic coma; that same year she returned to the Roman Catholic Church, which she'd left at 18." . Her return has not come with a full embrace of the Church's stances on social issues; Rice remains a supporter of equality for gay men and lesbians (including marriage rights), as well as abortion rights and birth control. Rice has written extensively on the matter:
In the Author's Note from Christ the Lord: Out of Egypt, Rice states:
I had experienced an old fashioned, strict Roman Catholic childhood in the 1940s and 1950s… we attended daily Mass and communion in an enormous and magnificently decorated church … Stained glass windows, the Latin Mass, the detailed answers to complex questions on good and evil—these things were imprinted on my soul forever… I left this church at age 18... I wanted to know what was happening, why so many seemingly good people didn’t believe in any organized religion yet cared passionately about their behavior and value of their lives… I broke with the church violently and totally... I wrote many novels that without my being aware of it reflected my quest for meaning in a world without God.
In her memoir Called Out of Darkness, Rice also states:
In the moment of surrender, I let go of all the theological or social questions which had kept me from [God] for countless years. I simply let them go. There was the sense, profound and wordless, that if He knew everything I did not have to know everything, and that, in seeking to know everything, I’d been, all of my life, missing the entire point. No social paradox, no historic disaster, no hideous record of injustice or misery should keep me from Him. No question of Scriptural integrity, no torment over the fate of this or that atheist or gay friend, no worry for those condemned and ostracized by my church or any other church should stand between me and Him. The reason? It was magnificently simple: He knew how or why everything happened; He knew the disposition of every single soul. He wasn’t going to let anything happen by accident! Nobody was going to go to Hell by mistake.
Personal quotes
Excerpts from Anne's Profession of Faith
In 1998 I returned to the Catholic Church… I realized that the greatest thing I could do to show my complete love for Him was to consecrate my work to Him—to use any talent I had acquired as a writer, as a storyteller, as a novelist—for Him and for Him alone... Thence began my journey into intense Biblical study, intense historical research, and intense effort to write novels about the Jesus of Scripture, the Jesus of Faith, in His own vibrant First Century World...
Excerpts from Essay On Earlier Works
My vampire novels and other novels I’ve written... are attempting to be transformative stories… All these novels involve a strong moral compass. Evil is never glorified in these books; on the contrary, the continuing battle against evil is the subject of the work. The search for the good is the subject of the work… Interview with the Vampire... is about the near despair of an alienated being who searches the world for some hope that his existence can have meaning. His vampire nature is clearly a metaphor for human consciousness or moral awareness. The major theme of the novel is the misery of this character because he cannot find redemption and does not have the strength to end the evil of which he knows himself to be a part. This book reflects for me a protest against the post World War II nihilism to which I was exposed in college from 1960 through 1972. It is an expression of grief for a lost religious heritage that seemed at that time beyond recovery... One thing which unites [my books] is the theme of the moral and spiritual quest. A second theme, key to most of them, is the quest of the outcast for a context of meaning, whether that outcast is an 18th century castrato opera singer, or a young boy of mixed blood coming of age in ante-bellum New Orleans, or a person forced into a monstrous predatory existence like the young vampire, Lestat… In 1976, I felt that the vampire was the perfect metaphor for the outcast in all of us, the alienated one in all of us, the one who feels lost in a world seemingly without God. In 1976, I felt I existed in such a world, and I was searching for God. I never dreamed that the word, vampire, would prevent people from examining this book as a metaphysical work. I thought the use of the word was a powerful device... The entire body of my earlier work reflects a movement towards Jesus Christ. In 2002, I consecrated my work to Jesus Christ. This did not involve a denunciation of works that reflected the journey. It was rather a statement that from then on I would write directly for Jesus Christ. I would write works about salvation, as opposed to alienation.
Amazon.com Reviews
On amazon.com Rice has written reviews on some of her favorite artists, recordings, books and films. Her reviews cover artists such as violinists Hilary Hahn and Leila Josefowicz, books from scholars such as Prof. Ellis Rivkin, the Bishop of Durham and N.T. Wright, films such as The Nun's Story starring Audrey Hepburn and The Bourne Supremacy starring Matt Damon. For Kenneth Branagh's Hamlet, Rice wrote:
"This is one of the greatest productions of Shakespeare I've ever seen... [Branagh] delivers Shakespeare's glorious lines in a way that makes them clear, and brings them to life with incalculable power... This is one of those feasts for the eyes and ears like Amadeus or Immortal Beloved, or the Red Shoes."
Adaptations
Film
In 1994, Neil Jordan directed a relatively faithful motion picture adaptation of Interview with the Vampire, from Rice's own screenplay. The movie starred Tom Cruise as Lestat, Brad Pitt as the guilt-ridden Louis and was a breakout role for young Kirsten Dunst as the deceitful child vampire Claudia.
A second film adaptation, The Queen of the Damned, was released in 2002. Starring Stuart Townsend as the vampire Lestat and singer Aaliyah as Akasha, Queen of the Vampires, the movie combined incidents from the second and third books in the series: The Vampire Lestat and The Queen of the Damned. Produced on a budget of $35 million, the film only recouped $30 million at the domestic(US) box office.
A 1994 film titled Exit to Eden, based loosely on the book Rice published as Anne Rampling, starred Rosie O'Donnell and Dan Aykroyd. The work transformed from a love story into a police comedy, possibly due to the explicit S&M themes of the book. The film was a box office flop.
A film version of Christ the Lord: Out of Egypt was planned but later cancelled.
Television
In 1997 she wrote a television pilot entitled Rag and Bone starring Dean Cain and Robert Patrick, which featured many of the common themes of her work.
The Feast of All Saints was made into a miniseries in 2001 by director Peter Medak.
Plans to adapt Rice's Lives of the Mayfair Witches trilogy into a twelve-hour miniseries to be aired on NBC were dropped after a change of studio head and subsequent loss of interest in the project.
Theatre
In 1997, a ballet adaptation of Interview with the Vampire, premiered in Prague.
On April 25, 2006, the musical Lestat, based on Rice's Vampire Chronicles books, opened at the Palace Theatre on Broadway after having its world premiere in San Francisco, California in December 2005. With music by Elton John and lyrics by Bernie Taupin, it was the inaugural production of the newly established Warner Brothers Theatre Ventures.
Despite Rice's own overwhelming approval and praise, the show received mostly poor reviews by critics and disappointing attendance. Lestat closed a month later on May 28, 2006, after just 33 previews and 39 regular performances.
Comics
Anne Rice's books have been adapted over the years into comics. Below is a list of known adaptations and issue runs; along with publisher and year.
* Anne Rice's The Mummy or Ramses the Damned #1-12 by Millennium Comics (1990)
* Anne Rice's Interview with the vampire #1-12 by Innovation Comics (1992)
* Anne Rice's Queen of the Damned #1-6 by Innovation Comics (1991)
* Anne Rice's The Tale of the Body Thief #1-12 by Sicilian Dragon (1999)
* Anne Rice's The Vampire Companion #1-3 by Innovation Comics (1991)
* Anne Rice's Vampire Lestat #1-14 by Innovation Comics (1990)
* Anne Rice's The Witching Hour #1-5 by Millennium Publishing (1992)
Fan fiction
Rice has an adamant stance against fan fiction based on her work, releasing a statement on April 7, 2000, that prohibited all such efforts. This caused the removal of thousands of "fanfics" from the FanFiction.Net website.
Music
Cradle of Filth briefly includes Lestat in the song "Libertina Grimm" as "Count Lestat".
Guitarist Steve Vai states in liner notes for his album The Elusive Light and Sound volume 1, that his song "Loveblood" was inspired by the film and the fact that he wished he was an actor so he could play the role.
Alternative rock band Concrete Blonde's song "Bloodletting (the Vampire Song)", the title track from the Bloodletting CD, is based on Rice's The Vampire Lestat.
Sting released a song on the album The Dream of the Blue Turtles entitled "Moon Over Bourbon Street", after reading Interview with the Vampire.
The Australian pop band Savage Garden found their name in The Vampire Lestat, in which Lestat describes the world as "the savage garden."
The metalcore band Atreyu declares in the song "The Crimson," "I'm an Anne Rice novel come to life."
Punk/goth band The Damned recorded a song called "The Dog" about the child vampire Claudia from Interview with the Vampire on their 1982 album Strawberries.
The Italian band Theatres des Vampires is named after a location featured in several books of The Vampire Chronicles. Their 1999 album is called The Vampire Chronicles.
Post-hardcore band Aiden wrote and recorded a song entitled "The Last Sunrise"—a lot of the lyrics of said song relate directly to the first book of The Vampire Chronicles, Interview with the Vampire.
Malice Mizer, a Japanese rock band based heavily on French culture, uses the phrase "Drink from me and live forever" in their song "Transylvania." "Drink from me and live forever" is a phrase from the first book Interview With the Vampire.
Mexican band Santa Sabina dedicates a song to Rice's vampire character Louis: "Una canción para Louis."
Psytrance project Talamasca was named after the secret society in both the Vampire chronicles and the Mayfair Witches series. This is a solo project by the French musician Cedric Dassulle, which also calls himself DJ Lestat.
Japanese visual kei metal band Versailles first album, Noble, is subtitled "Vampires Chronicle." Furthermore, the sixth song is entitled "After Cloudia", insinuating a relationship with Claudia from the series. The lead singer, Kamijo has stated he models himself after Rice's character, Lestat de Lioncourt.
Italian gothic rock group Last Minute's first album, Burning Theater, was conceived as an unofficial soundtrack for Interview with the Vampire, including the title track and two others, all focusing heavily on the death of Claudia.