英國 人物列錶
司各特 Sir Walter Scott
英國 漢諾威王朝  (1771年八月15日1832年九月21日)
Sir Walter Scott, 1st Baronet
沃爾特·司各特
沃爾特·司各特爵士

詩詞《青春的驕傲 prime hubris》   

閱讀司各特 Sir Walter Scott在诗海的作品!!!
Sir Walter Scott, 1st Baronet
英國19世紀著名歷史小說傢和詩人。

英國作傢。1771年8月15日生於愛丁堡一古老傢 族,1832年9月21日卒於阿伯茨福德。曾在愛丁堡大學攻讀法律,1792年成為律師,後任塞爾扣剋郡副郡長和愛丁堡高等民事法庭庭長。他終生辛勤筆耕,寫作了大量詩歌、小說、歷史、評論等。晚年因經營出版業不善而破産,為還債日夜寫作,終因積勞成疾而去世。

1802~1803年,司各特搜集出版了三捲本《蘇格蘭邊境歌謠集》,得到好評。1805年後,陸續出版了《最後一個行吟詩人之歌》、《瑪密恩》和《湖上夫人》等8部長詩。他的長詩受哥特派前浪漫主義影響,大都以歷史或民間傳說為題材,表現古代蘇格蘭和英格蘭君王和貴族們的騎士冒險事跡。作品富於浪漫主義情調,表達了對蘇格蘭風光的熱愛和對古代騎士理想的嚮往。

1814年,司各特開始創作歷史小說,匿名出版了《威弗萊》。它以18世紀蘇格蘭詹姆斯黨人起義為題材,歌頌高地人民的英勇,也哀悼蘇格蘭氏族社會必然衰亡的命運。主人公威弗萊既懷着正統思想,又同情起義者,在兩個陣營之間徘徊不定。這個人物類型在司各特的歷史小說裏一再出現,被匈牙利批評傢盧卡契稱為“中間道路”的主人公。司各特一生共寫了27部歷史小說,其中有較大一部分以蘇格蘭歷史為題材,主要有:《修墓老人》,描寫17世紀蘇格蘭清教徒反抗英國當局的殘酷鎮壓而英勇起義的故事,曾受到馬剋思的高度贊揚;《紅酋羅伯》,描寫被人稱作“蘇格蘭的羅賓漢”的部落英雄“紅酋羅伯”殺富濟貧和對抗官府的動人事跡;《中洛辛郡的心髒》的背景也是愛丁堡市民反對英國統治者的一次歷史暴亂,但着重創造了具有高尚品質的普通蘇格蘭姑娘珍妮·迪恩斯令人難忘的形象,被認為是司各特最優秀的作品。司各特還寫了不少以英格蘭和歐洲歷史為題材的歷史小說,主要有:《艾凡赫》通過主人公艾凡赫的歷險,表現了英國獅心王理查時期復雜的民族矛盾和社會矛盾。故事麯折,人物形象有鮮明個性,是作者最為膾炙人口的小說;《城堡風雲》通過法王路易十一的衛士昆廷·達沃德的經歷,描寫了法國反對封建割據、建立中央集權的鬥爭。司各特是英國歷史小說的創始人,他的小說創造了許多栩栩如生的歷史人物和普通勞動者的形象,充滿浪漫激情,引人入勝,同時又真實地反映歷史發展的總趨勢。司各特的歷史小說對19世紀歐美的許多作傢都産生過重要的影響。

沃爾特·司各特爵士,第一代準男爵 FRSESir Walter Scott, 1st Baronet,1771年8月15日-1832年9月21日),18世紀末蘇格蘭著名歷史小說傢及詩人。

生平

司各特度過童年的斯梅洛姆塔及其附近地區

司各特出生在愛丁堡牛門附近一個小巷裏,是傢中老九,但他的兄弟中有六人沒有活到成年。父親沃爾特·司各特是一名律師,母親是哈裏伯頓(Haliburton)傢族成員。和哈裏伯頓傢族的詹姆斯·伯頓(James Burton,地産商)及其子德西默斯·伯頓一樣,司各特後來也加入了剋拉倫斯俱樂部(Clarence Club,1826年創建的一個紳士俱樂部

18個月時患小兒麻痹癥而有腿萎縮。為了養病他在1773年被父母送到蘇格蘭邊境靠近斯梅洛姆塔的祖父的農場生活。在這裏,他的姑姑詹妮教會了他讀寫,給他講了許多童話故事,這些故事在他後來的文學創中常有出現。1775年1月,司各特回到愛丁堡,同年夏和詹妮一起前往巴斯泡溫泉。1776年鼕回到斯梅洛姆塔,同年夏又前往普雷斯頓潘斯療養。

喬治廣場故居

1778年司各特返回愛丁堡,住在喬治廣場的新傢裏。次年10月,他進入愛丁堡皇傢高中讀書,這時他的身體已經有了顯著的好轉,可以自己走路了。畢業之後,前往姑姑定居的凱爾索,在凱爾索高中讀書,結識了詹姆斯·巴蘭坦和約翰·巴蘭坦,後者在未來將成為他重要的商業夥伴,負責出版司各特的作品。

1783年11月,他在12歲時進愛丁堡大學。他十分欣賞德國的“狂飆文學”,翻譯過德國著名民謠《萊諾爾》。1802年司各特出版《蘇格蘭邊區歌兩集》。1805年他第一部有分量的作品《最後一個吟遊詩人之歌》問世。此後他投資印刷行業。1808年出版詩歌《瑪米恩》,以後他創作了《湖邊夫人》、《特裏亞明的婚禮》、《島嶼的領主》等一係列詩歌。他最後一部長詩是《無畏的哈羅爾德》。

司各特的詩充滿浪漫的冒險故事,深受讀者歡迎。但當時拜倫的詩才遮蔽了司各特的才華,司各特轉嚮小說創作,從而首創英國歷史小說,為英國文學提供了30多部歷史小說巨著。最早的一部歷史小說《威佛利》1813年出版,其取材於蘇格蘭。司各特關於英格蘭歷史小說有膾炙人口的《撒剋遜英雄傳》(或譯為“艾凡赫”、“劫後英雄傳”)等,關於歐洲史的小說有《昆丁·達威爾特》及《十字軍英雄記》等。司各特的小說情節浪漫復雜,語言流暢生動。後世許多優秀作傢都曾深受他的影響。

1826年,他投資的印刷廠倒閉,司各特以英雄氣概承擔了11萬4000英鎊的全部債務。他拼命地寫作,還清了債務。過分緊張的工作使他的身體垮了下來。司各特之死使英國舉國悲傷。

參考文獻

  1. 跳轉至:1.0 1.1 Edinburgh University Library. Homes of Sir Walter Scott. Edinburgh University Library. 22 October 2004 [9 July 2013]. (原始內容存檔於2011-05-27).
  2. ^ Family Background[2011-04-09]. (原始內容存檔於2011-05-13).
  3. ^ Who were the Burtons. The Burtons' St Leonards Society. [18 September 2017].
  4. ^ Beattie, William. Life and Letters of Thomas Campbell, In Three Volumes, Volume II. Edward Moxon, Dover Street, London. 1849: 55.
  5. ^ The Athenaeum, Volume 3, Issues 115–165. J. Lection, London. 1830: 170.
  6. ^ Cone, T E. Was Sir Walter Scott's Lameness Caused by Poliomyelitis?. Pediatrics. 1973, 51 (1): 33.
  7. ^ Robertson, Fiona. Disfigurement and Disability: Walter Scott’s Bodies. Otranto.co.uk. [9 May 2014]. (原始內容存檔於2014-05-12).
  8. 跳轉至:8.0 8.1 Sandyknowe and Early Childhood[2011-04-09]. (原始內容存檔於2011-05-13).
  9. ^ No 1 Nos 2 and 3 (Farrell's Hotel) Nos 4 to 8 (consec) (Pratt's Hotel). Images of England. English Heritage. [29 July 2009]. (原始內容存檔於2012-05-31).
  10. ^ School and University. Walterscott.lib.ed.ac.uk. 24 October 2003 [29 November 2009]. (原始內容存檔於2010-02-18).
 


Sir Walter Scott, 1st Baronet (15 August 1771 – 21 September 1832) was a prolific Scottish historical novelist and poet popular throughout Europe during his time.

In some ways Scott was the first English-language author to have a truly international career in his lifetime, with many contemporary readers all over Europe, Australia, and North America. His novels and poetry are still read, and many of his works remain classics of both English-language literature and of Scottish literature. Famous titles include Ivanhoe, Rob Roy, The Lady of The Lake, Waverley and The Heart of Midlothian.

Born in College Wynd in the Old Town of Edinburgh in 1771, the son of a solicitor, the young Walter Scott survived a childhood bout of polio in 1773 that would leave him lame. To cure his lameness he was sent in that year to live in the rural Borders region at his grandparents' farm at Sandyknowe, adjacent to the ruin of Smailholm Tower, the earlier family home. Here he was taught to read by his aunt Jenny, and learned from her the speech patterns and many of the tales and legends which characterized much of his work. In January 1775 he returned to Edinburgh, and that summer went with his aunt Jenny to take spa treatment at Bath in England. In the winter of 1776 he went back to Sandyknowe, with another attempt at a water cure being made at Prestonpans during the following summer,

In 1778 Scott returned to Edinburgh for private education to prepare him for school, and in October 1779 he began at the Royal High School of Edinburgh. He was now well able to walk and explore the city as well as the surrounding countryside. His reading included chivalric romances, poems, history and travel books. He was given private tuition by James Mitchell in arithmetic and writing, and learned from him the history of the Kirk with emphasis on the Covenanters. After finishing school he was sent to stay for six months with his aunt Jenny in Kelso, attending the local Grammar School where he met James Ballantyne who later became his business partner and printed his books.


Robert BurnsScott began studying classics at the University of Edinburgh in November 1783, at the age of only twelve, so he was a year or so younger than most of his fellow students. In March 1786 he began an apprenticeship in his father's office, to become a Writer to the Signet. While at the university Scott had become a friend of Adam Ferguson, the son of Professor Adam Ferguson who hosted literary salons. Scott met the blind poet Thomas Blacklock who lent him books as well as introducing him to James Macpherson's Ossian cycle of poems. During the winter of 1786–87 the fifteen year old Scott saw Robert Burns at one of these salons, for what was to be their only meeting. When Burns noticed a print illustrating the poem "The Justice of the Peace" and asked who had written the poem, only Scott could tell him it was by John Langhorne, and was thanked by Burns. When it was decided that he would become a lawyer he returned to the university to study law, first taking classes in Moral Philosophy and Universal History in 1789–90.

After completing his studies in law, he became a lawyer in Edinburgh. As a lawyer's clerk he made his first visit to the Scottish Highlands directing an eviction. He was admitted to the Faculty of Advocates in 1792. He had an unsuccessful love suit with Williamina Belsches of Fettercairn, who married Sir William Forbes, 6th Baronet.


Literary career launched

Scott's childhood at Sandyknowes, close to Smailholm Tower, introduced him to tales of the Scottish Borders.At the age of 25 he began dabbling in writing, translating works from German, his first publication being rhymed versions of ballads by Bürger in 1796. He then published a three-volume set of collected Scottish ballads, The Minstrelsy of the Scottish Border. This was the first sign of his interest in Scottish history from a literary standpoint.

Scott then became an ardent volunteer in the yeomanry and on one of his "raids" he met at Gilsland Spa Margaret Charlotte Charpentier (or Charpenter), daughter of Jean Charpentier of Lyon in France whom he married in 1797. They had five children. In 1799 he was appointed Sheriff-Deputy of the County of Selkirk, based in the Royal Burgh of Selkirk.

In his earlier married days, Scott had a decent living from his earnings at the law, his salary as Sheriff-Deputy, his wife's income, some revenue from his writing, and his share of his father's rather meagre estate.

After Scott had founded a printing press, his poetry, beginning with The Lay of the Last Minstrel in 1805, brought him fame. He published a number of other poems over the next ten years, including the popular The Lady of the Lake, printed in 1810 and set in the Trossachs. Portions of the German translation of this work were later set to music by Franz Schubert. One of these songs, Ellens dritter Gesang, is popularly labelled as "Schubert's Ave Maria".

Another work from this period, Marmion, produced some of his most quoted (and most often mis-attributed) lines. Canto VI. Stanza 17 reads:

Yet Clare's sharp questions must I shun,
Must separate Constance from the nun
Oh! what a tangled web we weave
When first we practice to deceive!
A Palmer too! No wonder why
I felt rebuked beneath his eye;
In 1809 his sympathies led him to become a co-founder of the Quarterly Review, a review journal to which he made several anonymous contributions.


Novels

Walter ScottWhen the press became embroiled in pecuniary difficulties, Scott set out, in 1814, to write a cash-cow. The result was Waverley, a novel which did not name its author. It was a tale of the "Forty-Five" Jacobite rising in the Kingdom of Great Britain with its English protagonist Edward Waverley, by his Tory upbringing sympathetic to Jacobitism, becoming enmeshed in events but eventually choosing Hanoverian respectability. The novel met with considerable success. There followed a succession of novels over the next five years, each with a Scottish historical setting. Mindful of his reputation as a poet, he maintained the anonymous habit he had begun with Waverley, always publishing the novels under the name Author of Waverley or attributed as "Tales of..." with no author. Even when it was clear that there would be no harm in coming out into the open he maintained the façade, apparently out of a sense of fun. During this time the nickname The Wizard of the North was popularly applied to the mysterious best-selling writer. His identity as the author of the novels was widely rumoured, and in 1815 Scott was given the honour of dining with George, Prince Regent, who wanted to meet "the author of Waverley".

In 1819 he broke away from writing about Scotland with Ivanhoe, a historical romance set in 12th-century England. It too was a runaway success and, as he did with his first novel, he wrote several books along the same lines. Among other things, the book is noteworthy for having a very sympathetic Jewish major character, Rebecca, considered by many critics to be the book's real heroine - relevant to the fact that the book was published at a time when the struggle for the Emancipation of the Jews in England was gathering momentum.

As his fame grew during this phase of his career, he was granted the title of baronet, becoming Sir Walter Scott. At this time he organized the visit of King George IV to Scotland, and when the King visited Edinburgh in 1822 the spectacular pageantry Scott had concocted to portray George as a rather tubby reincarnation of Bonnie Prince Charlie made tartans and kilts fashionable and turned them into symbols of Scottish national identity.

Scott included little in the way of punctuation in his drafts which he left to the printers to supply.


Financial woes
Beginning in 1825 he went into dire financial straits again, as his company nearly collapsed. That he was the author of his novels became general knowledge at this time as well. Rather than declare bankruptcy he placed his home, Abbotsford House, and income into a trust belonging to his creditors, and proceeded to write his way out of debt. He kept up his prodigious output of fiction (as well as producing a biography of Napoléon Bonaparte) until 1831. By then his health was failing, and he died at Abbotsford in 1832. Though not in the clear by then, his novels continued to sell, and he made good his debts from beyond the grave. He was buried in Dryburgh Abbey where nearby, fittingly, a large statue can be found of William Wallace—one of Scotland's most romantic historical figures.


His home, Abbotsford House

Displays of armour at Abbotsford HouseWhen Sir Walter Scott was a boy he sometimes travelled with his father from Selkirk to Melrose, in the Border Country where some of his novels are set. At a certain spot the old gentleman would stop the carriage and take his son to a stone on the site of the battle of Melrose (1526). Not far away was a little farm called Cartleyhole, and this he eventually purchased. In due course the farmhouse developed into a wonderful home that has been likened to a fairy palace. Through windows enriched with the insignia of heraldry the sun shone on suits of armour, trophies of the chase, fine furniture, and still finer pictures. Panelling of oak and cedar and carved ceilings relieved by coats of arms in their correct colour added to the beauty of the house. More land was purchased, until Scott owned nearly 1,000 acres (4 km²), and it is estimated that the building cost him over £25,000. A neighbouring Roman road with a ford used in olden days by the abbots of Melrose suggested the name of Abbotsford.

The last of his direct descendants to inhabit Abbotsford House was his great-great-great granddaughter Dame Jean Maxwell-Scott (8 June 1923 - 7 July 2004). She inherited it from her elder sister Patricia in 1998. Patricia and Jean turned the house into one of Scotland's premier tourist attractions, after they had to rely on paying visitors to afford the upkeep of the house. It had electricity installed only in 1962. Dame Jean was at one time a lady-in-waiting to Princess Alice, Duchess of Gloucester; patron of the Dandie Dinmont Club, for a breed of dog named after one of Sir Walter Scott's characters; and a horse trainer, one of whose horses, Sir Wattie, ridden by Ian Stark, won two silver medals at the 1988 Summer Olympics in Seoul, South Korea.


Critical assessment

The Scott Monument, Edinburgh
Alternative ViewAmong the early critics of Scott was Mark Twain, who blamed Scott's "romanticization of battle" for what he saw as the South's decision to fight the American Civil War. Twain's ridiculing of chivalry in A Connecticut Yankee in King Arthur's Court is considered as specifically targeting Scott's books. Twain also targeted Scott in The Adventures of Huckleberry Finn where he names a sinking boat the Walter Scott. Three crooks drown on this wreck.


Sir Walter Scott's statue at his memorial in EdinburghFrom being one of the most popular novelists of the 19th century, Scott suffered from a disastrous decline in popularity after the First World War. The tone was set early on in E.M. Forster's classic "Aspects of the Novel" (1927), where Scott was savaged as being a clumsy writer who wrote slapdash, badly plotted novels. Scott also suffered from the rising star of Jane Austen. Considered merely an entertaining "woman's novelist" in the 19th century, in the 20th Austen began to be seen as perhaps the major English novelist of the first few decades of the 19th century. As Austen's star rose, Scott's sank, although, ironically, he had been one of the few male writers of his time to recognize Austen's genius.

Scott's ponderousness and prolixity were fundamentally out of step with Modernist sensibilities. Nevertheless, Scott was responsible for two major trends that carry on to this day. First, he essentially invented the modern historical novel; an enormous number of imitators (and imitators of imitators) would appear in the 19th century. It is a measure of Scott's influence that Edinburgh's central railway station, opened in 1854 for the North British Railway, is called Waverley Station. Second, his Scottish novels followed on from James Macpherson's Ossian cycle in rehabilitating the public perception of Highland culture after years in the shadows following southern distrust of hill bandits and the Jacobite rebellions. As enthusiastic chairman of the Celtic Society of Edinburgh he contributed to the reinvention of Scottish culture. It is worth noting, however, that Scott was a Lowland Scot, and that his re-creations of the Highlands were more than a little fanciful. His organisation of the visit of King George IV to Scotland in 1822 was a pivotal event, leading Edinburgh tailors to invent many "clan tartans" out of whole cloth, so to speak. After being essentially unstudied for many decades, a small revival of interest in Scott's work began in the 1970s and 1980s. Ironically, postmodern tastes (which favoured discontinuous narratives, and the introduction of the 'first person' into works of fiction) were more favourable to Scott's work than Modernist tastes. Despite all the flaws, Scott is now seen as an important innovator, and a key figure in the development of Scottish and world literature.

Scott was also responsible, through a series of pseudonymous letters published in the Edinburgh Weekly News in 1826, for retaining the right of Scottish banks to issue their own banknotes, which is reflected to this day by his continued appearance on the front of all notes issued by the Bank of Scotland.

Many of his works were illustrated by his friend, William Allan.

In addition to Landseer, fine portraits of him were painted by fellow-Scots Sir Henry Raeburn and James Eckford Lauder.

Sir Walter Scott is commemorated in Makars' Court, outside The Writers' Museum, Lawnmarket, Edinburgh.

_Select_ions for Makars' Court are made by The Writers' Museum; The Saltire Society; The Scottish Poetry Library.


Works
Wikisource has original works written by or about:
Walter Scott
The Waverley Novels
Waverley (1814)
Guy Mannering (1815)
The Antiquary (1816)
Rob Roy (1818)
Ivanhoe (1819)
Kenilworth (1821)
The Pirate (1822)
The Fortunes of Nigel (1822)
Peveril of the Peak (1822)
Quentin Durward (1823)
St. Ronan's Well (1824)
Redgauntlet (1824)
Tales of the Crusaders, consisting of The Betrothed and The Talisman (1825)
Woodstock (1826)
Chronicles of the Canongate, 2nd series, The Fair Maid of Perth (1828)
Anne of Geierstein (1829)

Tales of My Landlord
1st series The Black Dwarf and Old Mortality (1816)
2nd series, The Heart of Midlothian (1818)
3rd series, The Bride of Lammermoor and A Legend of Montrose (1819)
4th series, Count Robert of Paris and Castle Dangerous (1832)

Tales from Benedictine Sources
The Abbot (1820)
The Monastery (1820)

Short stories
Chronicles of the Canongate, 1st series (1827). Collection of three short stories:
The Highland Widow, The Two Drovers and The Surgeon's Daughter.

The Keepsake Stories (1828). Collection of three short stories:
My Aunt Margaret's Mirror, The Tapestried Chamber and Death Of The Laird's Jock.


Poems
William and Helen, Two Ballads from the German (translator) (1796)
The Minstrelsy of the Scottish Border (1802-1803)
The Lay of the Last Minstrel (1805)
Ballads and Lyrical Pieces (1806)
Marmion (1808)
The Lady of the Lake (1810)
The Vision of Don Roderick (1811)
The Bridal of Triermain (1813)
Rokeby (1813)
The Field of Waterloo (1815)
The Lord of the Isles (1815)
Harold the Dauntless (1817)
Young Lochinvar
Bonnie Dundee (1830)

Other

Sir Walter Scott's study at AbbotsfordIntroductory Essay to The Border Antiquities of England and Scotland (1814-1817)
The Chase (translator) (1796)
Goetz of Berlichingen (translator) (1799)
Paul's Letters to his Kinsfolk (1816)
Provincial Antiquities of Scotland (1819-1826)
Lives of the Novelists (1821-1824)
Essays on Chivalry, Romance, and Drama Supplement to the 1815–24 edition of the Encyclopædia Britannica
Halidon Hill (1822)
The Letters of Malachi Malagrowther (1826)
The Life of Napoleon Buonaparte (1827)
Religious Discourses (1828)
Tales of a Grandfather, 1st series (1828)
History of Scotland, 2 vols. (1829-1830)
Tales of a Grandfather, 2nd series (1829)
The Doom of Devorgoil (1830)
Essays on Ballad Poetry (1830)
Tales of a Grandfather, 3rd series (1830)
Letters on Demonology and Witchcraft (1831)
The Bishop of Tyre

Quote
Wikiquote has a collection of quotations related to:
Walter ScottBreathes there the man, with soul so dead,
Who never to himself hath said,
This is my own, my native land!
from The Lay of the Last Minstrel by Walter Scott


Further reading
Bautz, Annika. Reception of Jane Austen and Walter Scott: A Comparative Longitudinal Study. Continuum, 2007. ISBN-10 082649546X, ISBN-13 978-0826495464
Brown, David. Walter Scott and the Historical Imagination. Routledge, 1979. ISBN 0710003013
    

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