近代中國 人物列錶
蘇曼殊 Su Manshu(近代中國)王國維 Wang Guowei(近代中國)許南英 Xu Naying(近代中國)
魯迅 Lu Xun(近代中國)謝玉岑 Xie Yucen(近代中國)聞一多 Wen Yiduo(近代中國)
冼星海 Xian Xinghai
近代中國  (1905年六月13日1945年十月30日)
姓:
名: 星海
網筆號: 黃訓; 孔宇
籍貫: 廣東番禺欖核
出生地: 澳門

冼星海(1905年6月13日-1945年10月30日),曾用名黃訓孔宇,祖籍廣東番禺欖核,出生於澳門,中國作麯傢鋼琴傢,其作品中《黃河大合唱》最廣為人知。曾任教於魯迅藝術學院
1945年10月30日,著名音樂傢冼星海在莫斯科病逝,年40歲(1905年生)。冼星海,廣東番禺人。他繼聶耳之後,以廣泛的題材和體裁,表現中國人民的解放鬥爭,對全國抗日軍民起了巨大鼓舞作用。其作品《黃河》大合唱,歌麯《遊擊軍歌》、《在太行山上》等至今仍為人們喜愛。
《人民日報》1983年2月8日發表冼星海女兒冼妮娜寫的文章《父親回來了》。文中說:
1月25日上午,我和大傢肅立在首都機場的大廳裏,迎接剛剛從蘇聯接回來的父親冼星海的大理石骨灰盒,看到呂驥伯伯將一面鮮紅的中國共産黨黨旗覆蓋在它的上面,看着父親那幅充滿無限深情的遺像,我止不住淚水滾滾而下。
我要對着九天之上我父親的英靈大聲呼喚:親愛的爸爸!女兒日夜思念着您,祖國和人民懷念着您啊!我們盼啊!想啊!等了整整37年,今天,您終於回來了,回到了您終生為之奮鬥,為它謳歌,為它獻身的中華民族的懷抱,您終於了卻了使您一直不能瞑目的夙願,可以永久地躺在這美麗的偉大祖國母親的土地上安睡了。
我是父親唯一的女兒。父親和我分別時,我衹有9個月,對他我是沒有任何記憶了。聽媽媽告訴我1945年10月,我6歲那年,在延安棗園裏一個聯歡會上,毛主席曾抱着我說:“妮娜,你爸爸就要回國了,再過不久,你就可以見到你的爸爸了!”我那幼小的心靈是多麽急切地期望着立刻能見到親愛而又陌生的爸爸,期望着我也能像所有的孩子一樣,讓我爸爸抱抱我,親親我啊!
萬萬沒有想到,沒過多久,傳來父親病故的消息。這個突如其來的噩耗,使“魯藝”哭聲動地,使整個延安沉浸在哀痛之中。黨和人民為父親舉行了隆重的追悼儀式,毛主席親筆為他題詞——“嚮為人民的音樂傢冼星海同志緻哀!”……那時候對於這一切我都還無法理解。我衹知道,我從此,永遠、永遠失去了我的最最親愛的爸爸!
祖國解放了,我也長大了。從音樂課上,團隊活動裏,從收音機裏,從舞臺上,從那一次又一次為父親舉行的紀念音樂會上,我聽熟了,背會了父親創作的許多歌麯,我常常是流着熱淚去聆聽那部震撼人心的《黃河大合唱》。我漸漸地懂得了,理解了,我的父親是這樣一位偉大的民族的歌手,人民是這樣熱愛他、懷念他。
後來,我又讀過了父親的許多遺著,從他遺留的信件中,從他的戰友、學生的回憶中,也從媽媽長年不斷的思念的敘述中,我更多地懂得了父親。他是個貧苦漁民的兒子,從小酷愛音樂,他幾乎是在死亡綫上掙紮着奮鬥、求學,他曾以優異的成績畢業於法國巴黎音樂學院,等待他的是一條用鮮花和金錢鋪成的大道。但他卻義無返顧,不遠萬裏,回到了自己貧苦的多難的祖國,滿腔熱血,投入了黨領導下的抗日民族解放戰爭。他緊緊站立在勞苦大衆之中,用他卓越的創作,去鼓舞人民戰鬥,周副主席贈給他的題詞,說他是“為抗戰發出怒吼,為大衆譜出呼聲!”受黨的派遣,他遠離祖國和親人到了蘇聯,在嚴酷的戰爭環境裏,離別的愁苦,多種病痛的折磨,都不曾使他放下那支不知疲倦的筆,直到他生命的最後一息!
父親是一位有着坦蕩的胸懷,赤誠的心地,深沉而熾烈感情的人。許多熟悉他的長輩都告訴我,父親對學生是熱忱的誨人不倦的師長,對同志是最誠懇、忠誠的朋友,對大衆是最謙遜、尊敬的學生!而他對自己的親人,對他的母親、妻子和女兒的愛又是多麽的執着和熱烈啊!我從父親遺留的信件中看到,他是那樣惦念延安的一切,囑咐媽媽要贍養我的奶奶——一位慈愛的孤苦的勞動婦女;父親幾乎在每一封信裏,都鼓勵媽媽要多多學習馬列主義,追求進步,為兒童創作。每一封信都格外思念他的小妮娜。他記得我要過1周歲生日了,在那樣艱苦的條件下,他省吃儉用地從西安捎給我玩具和食品,他囑咐媽媽要多給我喝開水,曬太陽,註意營養,要媽媽多讓我接近音樂、美術和戲劇。他對女兒的愛是那樣深切、細緻。他在信中說:“聽說妮娜長大一倍了,使我聽了多麽高興,替我吻吻她吧!媽媽愛護她,小孩子是我們將來的主人……”爸爸在信中還說:“我不時想念你和妮娜,也有時感到少許寂寞。”但是“在這大時代裏,我們要把自己所能的貢獻給民族,一切貢獻給黨,不要時常挂懷着自己的幸福,因為我們的幸福是以解放民族,解放人類為目的。”爸爸,我親愛的爸爸,您是一位多麽慈愛、多麽無私而又偉大的父親啊!
在那十年動亂的歲月裏,我父親的作品也曾遭到林彪、江青一夥的篡改和壓製,甚至連《黃河大合唱》也不許唱了。在廣大革命群衆憤怒的呼聲裏,在革命同志熱忱的支持、幫助下,1975年9月,我的媽媽代表我嚮黨中央揭露了“四人幫”文化專製主義的罪惡,請求在父親逝世30周年的日子裏,為人民音樂傢聶耳、冼星海舉行紀念音樂會,並正式嚮黨中央提出把父親的骨灰移回祖國的希望。我們的請求,受到了黨中央支持。1975年10月,聶耳、冼星海那戰鬥的歌聲重又響徹了中國大地。敬愛的鄧副總理,當時正面臨橫遭圍剿的風雨之中,卻還親自指示要在適當的時候,爭取移回留在蘇聯的冼星海的骨灰。
今天,我們的願望終於實現了,感謝黨中央,感謝蘇聯人民,感謝一切熱愛冼星海,在最危難的時候幫助過我的父親的朋友們,感謝為他治病的蘇聯醫務工作者。
冼星海是屬於祖國的,是屬於中華民族的。現在我國已成立了聶耳、星海學會,研究他們對中國無産階級音樂發展所做的貢獻。過去,由於歷史的原因,我沒有能實踐父親生前的願望,從事音樂工作,但我有責任,有義務,為收集、整理、保存、研究星海的全部遺作貢獻我的一份力量。我要永遠以父親為榜樣,“為黨工作”。
我親愛的父親,您的女兒再一次嚮九天之上您的英靈呼喚:您是祖國的兒子,是中華民族的兒子,您的音樂將永遠和祖國前進步伐一起跳蕩!


Xian Xinghai or Sinn Sing Hoi (Chinese冼星海pinyinXiǎn XīnghǎiWade–GilesHsien Hsing-hai; 13 June 1905 – 30 October 1945) was one of the earliest generation of Chinese composers influenced by western classical music and has influenced generations of Chinese musicians. Xian composed in all the major musical forms (two symphonies, a violin concerto, four large scale choral works, nearly 300 songs and an opera), and is best known for the Yellow River Cantata upon which the Yellow River Concerto for piano and orchestra is based.

Early life and education

Xian was born in Portuguese Macau in 1905, to Tanka parents whose ancestors were from PanyuGuangdong. He moved frequently in his early life with his mother as his father had died before Xian was born. Xian moved with his mother to Singapore when he was six years old, he was enrolled in Yangzheng Primary School  for his primary education. It was while at Yangzheng Primary School that he took his first step into his musical career. His teacher, Ou Jianfu, first noticed Xian Xinghai's musical talent, and he was enrolled into the school's military band. Xian received training in both musical instruments as well as musical theory.[clarification needed] He was later brought to Guangzhou for further education by his then school principal, Lin Yaoxiang, along with 19 other students. Xian started learning the clarinet in 1918 at the YMCA charity school attached to the Lingnan University in Guangzhou (Canton).

In 1924 he studied in Saint Andrew's School of Singapore. In 1926 he joined the National Music Institute at Peking University to study music and in 1928 he entered National Shanghai Conservatory of Music to study violin and piano. The same year he published his well-known essay The Universal Music. In 1929 he went to Paris (where he met Ma Sicong who introduced him to many artists there) and in 1934 became the first Chinese student to be admitted to the Paris Conservatory to study senior composition with Paul Dukas; prior to this, he had studied with Vincent D'Indy. During this period he composed WindSong of a WandererViolin Sonata in D Minor, and other works.

Career

Xian returned to China in 1935 to the Japanese occupation of the northeastern part of the country (known then as Manchuria). Using his music as a weapon to protest the occupation, he took part in patriotic activities. During the Sino-Japanese War (1937-1945), he wrote vocal works that encouraged the people to fight the Japanese invaders, including Saving the NationNon-Resistance the Only FearSong of GuerrillasThe Roads Are Opened by UsThe Vast SiberiaChildren of the MotherlandGo to the Homefront of the Enemy, and On the Taihang Mountains, among others. He worked for film studios before going to the Communist headquarters in Yan'an, where he became dean of the Music Department at Lu Xun Institute of Arts in 1938. It is at this time that he composed the famous Yellow River Cantata and the Production Cantata.

Tomb of Xian Xinghai

In 1940, Xian used the assumed name Huang Xun. In 1940 Xian went to the Soviet Union to compose the score of the documentary film Yan'an and the Eighth Route Army. Before departure Mao Zedong invited him to dinner. In 1941 the German invasion of the Soviet Union disrupted his work and he attempted to return to China by way of Xinjiang but the local anti-communist warlord, Sheng Shicai, blocked the way and he got stranded in AlmatyKazakhstan. It was here that he composed the symphonies Liberation of the Nation and Sacred War, and the suites Red All Over the River and Chinese Rhapsody for winds and strings.

During Xian's career, he has composed over 300 works and published 35 papers, including Nie Er-the Creator of New Chinese Music.

Works

Personal life

Xian developed pulmonary tuberculosis due to overwork and malnutrition. After the war, Xian return to Moscow for medical treatment but died of pulmonary disease on October 30, 1945 at the age of 40.

Legacy

Xian's influence in Chinese music won him the title People's Composer.

During the Cultural Revolution (1966–1976), when all the Western and some Chinese art was forbidden, the pianist Yin Chengzong arranged the Yellow River Cantata into a concerto for piano and orchestra, by the name of Yellow River Piano Concerto (1969).

After China opened its doors to the world in late 1970s, Yin planned the performance of the piano concerto. There was a debate whether some politically incorrect anthems like "The East Is Red", which Yin interpolated into the concerto, should be removed. It was decided that the work itself was a cultural legacy of the time when it was created, the melodies reminding listeners of that period and creating a unique sense of history. Hence, the work remained intact as it was originally arranged.

Beginning in the 1970s, the Yellow River Concerto has been heard in the West, often performed by Yin Chengzong himself, and in 1988 the Italian pianist Riccardo Caramella became the first Western pianist who performed it in China with a Chinese orchestra, the Beijing Radio Symphony Orchestra.

In 2009, the epic film The Star and The Sea was created by directors Qiankuan Li and Guiyun Xiao. The film is about the hard childhood and suffering of Xian in that period of his life and the efforts of his mother to help him developing his musical talents. In 2011, the film won the Huabiao Film AAwardfor Outstanding Children's Film.

In May 2019, a movie titled The Composer directed by Xierzhati Yahefu was released. The movie relate Xian's life story from 1941, when he was in Moskow, to his death in 1945.

Memorials

Xinghai Concert Hall
Statue of Xian Xinghai

See also

References

  1. Jump up to:a b 何乃強 (2013-09-01). 冼星海在新加坡十年 1911-1921:歷史補遺 謬誤糾正 (in Chinese). Lingzi Media.
  2. ^ Smith, Nicholas (20 September 2003). "Conductor's Notes: Xian Xinghai Yellow River Cantana"Beijing International Festival Chorus program 20 September 2003. Beijing International Festival Chorus. Retrieved 27 August 2010.
  3. Jump up to:a b c "Xian Xinghai". baroqueorchestra.org. Retrieved March 17,2019.
  4. ^ 武芳莉. "冼星海:坎坷而壯麗的音樂人生--青春勵志--中國青年網"qclz.youth.cn. Retrieved 2018-03-26.
  5. ^ "畢星星:音樂大師冼星海的疍民身份_評論頻道_鳳凰網"news.ifeng.com. Retrieved 2018-03-26.
  6. Jump up to:a b c d e f "Xian Xinghai: Short-Lived but Not Forgotten"ChinaCulture.org. Ministry of Culture, P.R. China. 2003. Archived from the original on 21 September 2009. Retrieved 27 August2010.
  7. Jump up to:a b c d Appiah (ed), Kwame Anthony; Henry Louis Gates, Jr. (1997). The Dictionary of Global Culture. New York, NY: Alfred A. Knopf. pp. 703ISBN 0-394-58581-X.
  8. Jump up to:a b "Bronze statue of Xian Xinghai"AsiaRooms.com. AsiaRooms.com. Retrieved 27 August 2010.
  9. ^ "Xian Xinghai". icm.gov.mo. Retrieved March 17, 2019.
  10. ^ "Lang Lang: Dragon Songs". allmusic.com. Retrieved March 17,2019.
  11. ^ "The Star and the Sea". chinesemov.com. Retrieved March 17,2019.
  12. ^ "The Star and the Sea (2009)"IMDb. Retrieved March 17,2019.
  13. ^ 人民公園:廣州第一公園 [People's Park: the first park in Guangzhou] (in Chinese). Guangzhou Daily. 2008-02-17. Retrieved 2014-04-24.

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