| First Name： | 徐嗣兴 | ||
| Township： | 江苏省南京市北明瓦廊 | ||
Read works of Lu Ling at 小说之家 | |||
Lu Ling on January 23, 1923 was born in Nanjing, Jiangsu Province, north Ming Wa Gallery, and later long-term residents in the city Hongmiao fourth. Ling under five, that is, into the primary subsidiary of Nanjing Lotus Bridge senior kindergarten classes. Six months later, switch to primary school, began to like it. In 1935, Jiangsu Provincial Jiangning into the school, and often read progressive tendencies of the "literary" magazine and the works of Russian writer Turgenev.
The winter of 1937, Sichuan, Lu Ling with the family. Ministry of Economic Affairs Institute of Mining and Metallurgy stepfather accountant, he studied at the National Sichuan schools. Early 1939, he was seeking employment, entered the Guomindang Youth Corps propaganda team. May the following year, met Hu Feng, the "July" schools to encourage and cultivate the literary predecessors, his artistic creativity if the Jialing River has rapids, surging, blew.
In 1940, Lu Ling introduced by the stepfather, to the Ministry of Economic Affairs set up the Nationalist government in Chongqing Institute of Mining and Metallurgy Beibei District Accounting Office as a clerk, to do some accounting, form-filling chores. Every night, dim the lights in his book under the desk illness, writing an article and a reflection of the tragic life of the miners and the spontaneous struggle of the novel. These novels in the "July" and other publications published, when people left a deep impression on you, and some review articles and literary history of his misrepresentation of "the students came, when the miners," the young writer.
1942, Lu Ling entered a period of creative climax. April, he wrote the famous novella "hunger S. E. Guo" for the Hu Feng incorporated into the "new Cong in July." "Hunger S. E. Guo" come out, so that Lu Ling became a prolific and talented young writers and well-known literary world. He began to rewrite the novel of modern literature in one of the longest, "Children of the Moneybags."
The spring of 1947 and return to the fuel management at the Ministry of Economic Affairs Office of the clerk of Nanjing. After the victory of the war, Lu Ling theme of the creation of rural areas and farmers interested in increasing concentration clearly. He contributed in this area a long, two medium-length and ten industries were short. Lu Ling Drama officially embarked on the road, began in 1947. In Feng, Shi Yu, Lu Xi et al's suggestion, in his April 1947 to July, to write a tragedy in four acts, "Skylark." April 1949, Nanjing liberation. Art Department of Nanjing Military Commission he was the head of creation. July 1949, Lu Ling participate in the first paper on behalf of the Council, as the "Cultural Association" members.
The early fifties, Lu Ling has two or three years writing the script is based. Early 1950, he moved to Beijing, he served as Youth Theatre (Liao as President) deputy director of creation. Early 1952, and transferred to the Chinese Dramatists Association, script writing room for creative workers. Seated, said Lu Ling is a very early stage of the liberation of active, passionate and rich adventurous young playwright. July 1953, after the Korean armistice, Lu Ling returned. September, the second generation of the text held in Beijing, Lu Ling was elected director of CWA. From May 1954 onwards, several major newspapers and national papers criticized Ling several novels describing life in the volunteers, the tone gradually upgrade. November 10, dissatisfied with some of his critics of "political conclusions and the political decision to replace the discussion of creation," write three thousand words in the counter-criticism article "Why the criticism? . " This article in the "Art News" on the side containing just finished, in June 1955, he was as "Feng anti-Party group" by the raid and the arrest of key elements, sound marketing literature from more than twenty years, and suffering schizophrenia. After the Third Plenary Session of the Party, "Hu Feng Group Security" vindicated. Ling a new life, a drama co-member Writers Association members. A lush more than ten years, more than twenty years of art withered tree, re-anti-green Tucui, in the new era under bright sunshine.
Lu Ling works
"Fortress out after" War of the story is written, the Front strongholds in southern retreat, the military governor scared stricken, not a front collapse. Young Shen Sambo is very timid in the beginning of the war, but when in contact with the enemy but will stimulate the fighting, killing two Japanese cavalry, and shot and killed a suspected traitor Jin Zhuren, but in the end he has been with the implementation of the discipline Heaven innocent people. This work has not yet reached the required nature and intensity of fruit, but it is a bit impetuous in the description of the disorder, has begun to reveal turbulent environment Luling good at figures depict the inner world of fluctuating artistic talent.
The story made the acquaintance of the Hu Feng Ling. Hu Feng and Lu Ling has met his memories of the scene. "About to meet later, just a little bit surprised: still a little less than two-year-old youth, very shy standing in front of me." "He is young, simple, very sensitive to life, to deeply understand the life of the people Therefore, it is very lively talk. This is a rare talent with the youth literature, if read more books, receive a good education, is to become a great writer. "
"Hunger S. E. Guo," this novel depicts a beautiful and powerful women in S. E. Guo's tragic fate. S. E. Guo encounter bandits flee from famine was a result of the aging host opium addict wife, put her cigarette stall in the mining area, her desire for happiness, madly in love with the fierce, ruthless machine worker Zhang Shan. Zhang Shan is a surly bum on the filth of the society voted to vicious contempt and hatred of serious cold, and he is also a sinister love with S. E. Guo, alleging that can not "be a woman wrapped around the belt on", but also prevent stiff, timid workers Wei Haiqing farmers to encroach on her style. He S. E. Guo said: "People of my man is not a top of the simple things, I was inside the bad, the childhood bad play, and now can not be changed for the better, after the fear of course, can not." Resulting in S. E. Guo in the dark opium addict home a desperate call out: "Which one to rescue a woman like me ah!" mining the upper society as a fallen woman her last when she was against trafficking, asked master their own fate, together with her husband rogue persecuted to death. Zhang Shan is flown, Wei Haiqing battles with gangsters, and in the pubs and the New Year dragon race meeting, the vent with a heart full of humiliation and sorrow.
This is a full psychological character of the work force, which is being affected by a physical hunger and spiritual hunger, suffering, but always stubborn and desperate woman in pursuit of the value of life, underlie a type of workers and homeless a farmer-based workers, in their personality clash, almost do not know the so-called original projection sparingly strong spark of life. Strength of character in the collision, the writers broke into the character of subjective spiritual struggle between passion and completed both a character and a soul, but also social and destiny, the strong suffocating tragedy, which complained of the "man burned to death, rape death, killed, sold, "the savage society.
Intent on the creation story, Lu Ling have had such a description: "I tried to 'romantic' to seek, is the end of the original people of strong, positive end of the liberation of personality. But maybe I confused the powerful, covering the ancient the end of the fundamental side, as in Lu Xun's works are appearing. "Hu Feng appreciate this novel, he said:" Here in Lu Ling-jun, the new literature which has existed for some of the original characters have been different face, but real life has already allocate seats to the new literature requires some other people, and finally debut with a desire to live to age pace, Lu Ling-jun for the new territory opened up the subject of literature. "
Shao Quanlin critics, for a two-year-old writer to write such a powerful work and surprised, and he praised the novel that: "Realism in art is not just for objective description and analysis of the phenomenon, or the mere scientific methods to analyze and direct the development of social reality, but must be people from the community (as the sum of social relations of people) the contradiction between the end of the heart and soul of the struggle during the middle, to discover and expose the contradictions and the specific social relations, and from this specific social environment to confirm the existence of real people, and because of this, all these characters must be integrated in the writer's own feelings and thoughts and feelings in the end, to give them to real life, then I think that Lu Ling This "hunger S. E. Guo", can be said to achieve such a state, can be said that the new realism in the Chinese literature has released a bright luster. When I first read a few chapters later, very surprised. Lu Ling's name In the middle is still relatively new to the reader. I know, he is a twenty-something, do not even have finished high school youth, but this book is so strong it actually is filled with vitality! a human soul voice, this voice seems to be deep and weak, but it has called out more than a century old tradition of the end of the Chinese people suffering under the pain, anguish and the original resistance, but also implies a new awareness of the initial process.
Starting from the foot in the literary world, Lu Ling started off writing "Children of the Moneybags." After writing to the frontiers. But the manuscript is lost in the war. Ling was not discouraged, but to rewrite the amazing perseverance. July 1945, when the re-written the novel "Children of the Moneybags" will be published, Feng very solemnly announced: "Time will tell," Children of the Moneybags "is the publication of a major new literary history events. "
Write on the part of Jiang Jie, Suzhou wealthy family, the collapse of the three. The feudal family out of the rebellious children of Jiang Shaozu, Jiang Chunzu, and came from a large family of Lawyers in the long-daughter-gold pigment marks, sinister and ruthless way looted the wealth of the Chiang family, and Jiang Jiaxing side of First Instance, live lustful side of life. Jiang Jie stakes even three, crazy Chiang Wei-Zu. The lower half of the novel, writing wizard released from the family, sons and daughters to write Chiang everything is uncertain during the war path and the spiritual path of life. Main Description Jiang Chunzu escape Siege Nanjing, drifting along the Yangtze River to Chongqing and Sichuan experienced in rural areas around the wall, bloody history of fighting spirit. He like Jiang Shaozu, but he goes beyond Jiang Shaozu, when Jiang Shaozu pursuit of power, when the senator, in the old poetry, and Neo soul serene version of the search, when he declared that youth is magnificent, and depression to the outbreak of the revolution and the Arts always do not agree on the Common and stiff dirty dogma, but an attempt to "find a heart within its own magnificent way." His nearly two decades after the May Fourth Movement, revisit the history of the May Fourth era proposition, stressing that "we Chinese may now, individual liberation need it, but crushed, and crushed to death! Until now, no one at the end of the awakening of China At least I can not find. "in Wuhan to Chongqing drama team, he has in this depressed personality, and the small group of leftist dogmatism to temper the debate. Backcountry of the novel in Sichuan, he once again this aloof personality, to the number of legal challenges in rural areas of the cold and ignorance. Jiang Chunzu always in the "independence war majority" and "crushed worm will turn" the embarrassing situation of being passionate and ultimately died.
"End of life of big bucket," I write a character history. Romania is a big bucket run-down fall from the homeless children. His highest ideal is to become a real man. Bullying others, a man standing on the street. But this society there are rules of a bully. Children again and again to make the run down the sludge in the social and spiritual sludge roll. He stole a pair of scissors poor neighbors, the other rushed to trace, he was trembling not dignified to admit, after the dead trees in front wielded scissors, large playing bachelor's power and prestige. He was playing stealing, fled into the hills, but in the quiet New Year's Eve on the streets and stoned him to ask for money to the Dongnei beggars. This is a bow to the strong, also the weak cross-playing, by the darkness, but it is dark fallen manufacturing Ah Q, a country dirty hopeless dregs of society. Finally, he was tied to when the rich young men, killed in the rubble field stone. Novel in mind, thanks to Oakland's verse quoted: "He is a despicable slave, whipping for him, please you whip him!" The story is pretty typical demonstration of Chinese farmers "spiritual trauma of slavery."
"Bing-all end road" is manifested in the mind of a peasant struggle. All were small farmers WANG Bing Zhang Shaoting for the rich man's son's substitute uncle a soldier, his disease was abandoned in the city for five years distant workers, and finally returned to the home field of straw sandals, but it has a mud hut collapsed house, weeds plug door, Zhang Shaoting the misappropriation of his land. Also after the death of his daughter, his wife call the shots left Germany to marry Jane to change the tenant Wu Rengui honest. Bing-full wrath of the beast as a package, look for Zhang Shaoting accounts, but see Zhang Shaoting has become a lonely, sick old man, in the end was not shot to stretch his throat briefly. He recovered a number of fields to Zhang Shaoting fees, to the pub, got drunk, and then go to Wu Rengui Chuaizhuo knife. But he left Germany to see Jane and Wu Rengui holding cattle back dearly, he was in despair, the woman is already an alternative life. He indulged in gambling den taverns to wild laughter, license to mock his own secret pain, he drunk, hit the old man blow, causing the old man died of a stroke, he handed to the Mayor for five million burden, was detained three days was released. Field can not be based on the sandals he heard the Wu family left Germany in the happy call Jane pig sound, do not want to disturb their peaceful life, decided to leave their homes, re-embarked on a wandering journey.
Bing-all in the loss such as land, family, wife, the basis of the traditional way of life after the disaster in the accumulation of heavy licked under the spirit of his bloody wound. After a painful spiritual struggle, finally broke the spirit of the difficulty of the tight encirclement of slavery. Lu Ling to high-intensity psychological autopsy art, the Bing-all in the allies and enemies of their own, struggling alone, Bentu the mood along the grief, despair, destruction, revenge, remorse, shaking high-frequency curve, and finally opened the buckle a farmer's more broad minded, looking to take "the world always have my way," thus leaving the reunion quiet neighbors, not "simply to keep moving forward", but negative with incomplete pain to open up new life forms.
Art Style
Lu Ling described by the characters in relief with a strong sense of rough lines, stiff and lack of realistic figures of tiny, sensitive and very touching. The suffering of everyone in existence was shown in the "Laocoon" type of pain, despair and madness.
Lu Ling's works are mostly tragic, but the work has revealed a positive force, even in the darkest situations, and prances with a passion and heroic conquest. Most of his real life hero of the losers, but life is desperate to face the reality, they are all for the "ideal" and the war fighter, they "may be a burden to others appears to be in the result of the failure, but battle is victory. "This" Sisyphus "type of resistance in them the spirit manifested in various forms to express the attitude of despair against Lu Ling.
Lu Ling to all poetry, prose fiction techniques embedded in the sentence syntax elements are the edge of Western uncontrolled expansion. Lu Ling some lengthy and cumbersome language, we are here to see the heavy mood of writing. Lu Ling is not the kind of novels written by the attitude of floating things. Lu Ling's language there is a sense of anxiety and caught up in feeling. In Lu Ling's novels, the struggle of individual life to stay out in the action not only in the depths of the soul while also bloody murder and devour. Whole work as a huge stage, full of passion during a tense and conflict. Hidden in every moment of the conflict. Emotional conflict and the crisis further by the burst, it all happened in a very short period of time, the characters act ups and downs, emotional ups and downs, resulting in character relationships and scenes of extreme tension. Lu Ling especially good at describing the moment of character psychology and psychological changes in an instant, the pursuit of psychological changes in people's range, speed and strength. For example, in "burning wasteland", the first openly declared to the landlord Guozai Long Meterial wide revenge, but before long, he actually became Shun Wu wide accomplice. Once he came to the temple, very pious wanted to become a monk, but suddenly a monk to malicious mockery. This psychological turning point was the great Ling written with great accuracy.
Describing the style of Li Jian Ling: "I feel that he, Mr. Lu Ling existence of a dash, the Yangtze river, swirling with white horses, can also with sand ... ... He had an humble effort, but without prejudice to punch Zhuo Sometimes these two forces into one, forming a tall, imposing, linger in our hearts. "
Evaluation
The rise in the twentieth century, writers in the forties, Lu Ling is a very prominent one. Critics praised this Ling Tang Shi: "Lu Ling is undoubtedly the most talented, imaginative heart full of the most rich and warm flame like novelists. Although his enthusiasm around like a jet with , and concise enough. but also because it jerky and immature, he has become even more limitless future. "
Lu Ling is "the July School" the most representative writer. He was good at the performance of the contradictions and complexity of character-rich inner world, to austere realism and broad brush strokes to show the Chinese picture of the social history of life, reflecting the war years of suffering of the people living in the lower and spontaneous spirit of revolt, with a strong subjective tone and Guanghan, tragic art style.
Feng said: "They say that Lu Ling's literary and artistic creation, subject to the influence of my literary theory, literary theory you not know me, is there are many places of literary and artistic creation by the Ling it, is from his creation in the formation of some of my theoretical point of view. "in the end is Ling Hu Feng's theory inspired the creation of, or inspired the creation of Lu Ling Hu Feng's theory? Difficult to answer this question, but we can say that Lu Ling's Fiction and Hu Feng's "subjective fighting spirit" and the "spirit of slavery trauma" theory is a close interactive relationship.
Translated by Google