元代 List of Authors
Zhou QingchuanZhang ZhuBai PiaoZhang Kejiu
Wei JuanFang HuiJin LvxiangLiu Yu
Xianyu ShuShao HengzhenNi ZanWu Xiyi
Zhang YuQiao JiMa ZhiYuanLiu Bingzhong
Zhou DeqingSima JiugaoXu ShimingWang Yun
Zhao MengfuMo MingshiWang MianYuan Huai
Feng ZizhenTao ZongyiShi ShanzhuGuo Yu
Sa DoulaLiu YinGuan HanqingDi Junhou
Fan KangGao WenxiuJin RenjieGong Tianting
Kong WenqingWang ShifuMeng HanqingShang Zhongxian
Dan JunbaoZhang YanghaoLiu ZhiZhang Kejiu
Guan YundanLu ZhiZheng GuangzuGao Ming
Ji JunxiangZheng TingyuZhang GuobinYue Bachuan
Yang ZiWu HanchenWang BachengLi Wenwei
Li ZhifuWu ChanglingWang ZhongwenLi Shouqing
Huang Gongwang
元代  (September 12, 1269 ADNovember 10, 1354 AD)
Last Name:
First Name:
Name and Alias: 子久
Web/Pen/Nick Name: 大痴; 一峰; 大痴道人; 一峰道人
Birth Place: 平江常熟

Poetry《【中吕】醉中天·李嵩髑髅纨扇》   

Read works of Huang Gongwang at 诗海
黄公望

Huang Gongwang (1269–1354), birth name Lu Jian (Chinese陸堅pinyinLù Jiān), was Chinese painter, poet, and writer during the late Song dynasty in ChangshuJiangsu. He was the oldest of the "Four Masters of the Yuan dynasty".

At the age of 10, the Song fell to the Mongol founders of the Yuan Dynasty and he, like many other Chinese scholars of the time, found his path to officialdom and a good career severely limited. "He was first an unranked ling-shih at a Surveillance Office in the Chiang-che Branch Secretariat (Province), probably engaged in some sort of land tax supervision. Later he served as a secretary in the metropolitan Censorate where he was unfortunately involved in the slander case of a minister, Chang Lu. He seems to have spent quite some time in jail before retreating into Taoism [as did many others of the age--another was the famous painter Ni Zan], completely disillusioned." He spent his last years in the Fu-ch'un mountains near Hangzhou devoting himself to Taoism, where around 1350 he completed one of his most famous, and arguably greatest, works, Dwelling in the Fuchun Mountains.

In art he rejected the landscape conventions of his era's Academy, but is now regarded as one of the great literati painters. Art historian James Cahill identified Huang Gongwang as the artist who "most decisively altered the course of landscape painting, creating models that would have a profound effect on landscapists of later centuries." One of Huang Gongwang's strongest influences was his technique of using very dry brush strokes together with light ink washes (when colour is applied to a specific area using a soft-haired brush with wide strokes that blend them together into a unified wash) to build up his landscape paintings. He also wrote a treatise on landscape painting, Secrets of Landscape Painting (寫山水訣Xiě Shānshuǐ Jué).

As was typical for Chinese scholar-officials of his era, he also wrote poetry and had some talent for music.

References

  1. ^ Sherman E. Lee and Wai-Kam Ho. Chinese Art Under the Mongols: The Yuan Dynasty (1279-1368). The Cleveland Museum of Art, 1968, p. 80.
  2. ^ James Cahill, "The Yuan Dynasty" in Three Thousand Years of Chinese Painting, ed. by Yang Xin, Richard M. Barnhart, et. al. Yale University Press, 1997, p. 167.
  • Masterpieces of Chinese Art (pages 87–90), by Rhonda and Jeffrey Cooper, Todtri Productions, 1997. ISBN 1-57717-060-1
  • James Cahill, "The Yuan Dynasty" in Three Thousand Years of Chinese Painting, ed. by Yang Xin, Richard M. Barnhart, et al. Yale University Press, 1997.
  • Sherman E. Lee and Wai-Kam Ho. Chinese Art Under the Mongols: The Yuan Dynasty (1279-1368). The Cleveland Museum of Art, 1968.

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