南北朝 List of Authors
Xie LingyunXie TiaoBao ZhaoXie Huilian
He XunXie XieYu XinLiu Kai
Shen YaoBao LinghuiKong ZhiguiJiang Yan
Fan YunYin KengZhi JiangLiu Jingshu
Tan DaoluanGuo JichanLiu QianzhiPei Songzhi
Wang ShaozhiLiu DaohuiFan YeXiao Zixian
Wei ShouCui HongCang RongxuXiao Ziyun
He FachengYang XuanzhiZong LinShi Huijiao
DharmaTan MomiduoShi SengyouYe She
Jiang LiangyesheChu ChengTao HongjingGu Saixie
Xie HeYi MingBao JianShan Qianzhi
Wu JunDeng DemingLiu ChengzhiDong Yangmoyi
Zheng JizhiFu ZhaoYan YunYuan Shu
Gao ChengWang LinFa ChangHuiguang
LenamotiTanlinDharmapala
Xie He
南北朝  南齐梁(479 AD502 AD)

brushwork《古画品录》

Read works of Xie He at 百家争鸣
  China Southern Qi and painters, painting theorists. Deeds can not test. Good for genre painting, figure painting. With the "Chinese painting", as our most ancient paintings of the. Evaluation of the 3rd century to the 4th century an important painter. Chinese painting on the proposed "Six", as later artists, critics, connoisseurs who followed the principles.
  "Chinese painting" The purpose of art is first proposed: "Ming try, the heave, Thousand Years solitude, Phi learn a lesson plan." This is to point out: the education received by the real description of the effect. The emergence of this theoretical understanding is a sign of progress.
  His painting of the "Six" are: 1, vivid, two, the bones pen, three, should things pictographs, 4, with the type of Colors, 5, operating locations, six, Tradition of writing (or as "pass-mode shift write "). "Vivid Spirit" is the purpose of performance, that figure should show an object's mental state and personality traits for the purpose. Gu Kai remarks on painting, and since the people Wei appreciation for comments by the same people who emphasized the spiritual qualities of vivid performance. These remarks are Sheikh to promote "Lively" basis. "Bone pen" as the main means of expression is the "ink" effect, such as lines of movement sense of rhythm and decoration and so on. Visible from the ancient art of the ancient painters and critics focus on this point. "Pictograph should matter, with the type of Colors, operating location" is the basis of painting style of art: shape, color, composition. "Tradition of writing" The Art of learning methods: copy, is also a method of reproduction. On the copy, there are many different techniques of ancient, is an artist that must be familiar with. Thus, "Six" is the ancient practice after drawing to improve the theory. On the "Six", there is some confusion over the past view. Or intentional to be a mystery, for example: five methods to learn, and the spirit can only be innate. Vivid negative or with the need for the rest of dharmas, the flow formalism of the cover. Or the "Six Laws" as a creative practice of the techniques used to prove the ancient realist techniques have reached a very high level. Whatever the views of confusion, there are stand-historical perspective to be clarified.
  Sheikh's "Six of" important, is that he made the focus of the work order. Although the "Six Laws" right between the scientific logic of the relationship is not Wanquanmingque up, however, Le painting arts development as they reflect a certain stage of Shang comprehensive understanding and awareness of both Ci Kending the shape of the Bi Yaoxing Genjuduixiang also put forward understanding the intrinsic nature of the importance of the object, but also pointed out that the performance of the object is a means of pen and ink. "Chinese painting" most of the text is out of fashion Sheikh comment Cao and his contemporary works by 27 artists. His comments, the artist divided into six goods, namely the six grades. This aspect is also the judge who was on the methods used. Comments to the spirit of human temperament, demeanor as a standard. Therefore, this ranking method, respectively, and the "Lively" concept, people are and then comment on the atmosphere between the two. In addition to other paintings, there was "Poetry", "Qi Pin" are all comment characters were borrowed ranking methods. Sheikh, "Chinese painting" in the comments for the artist is also important to retain a valuable historical materials. Yao Chen Dynasty, after he had most of the "renewal of paintings," Tang Lee is really "the paintings," Yan Helen Monk's "recorded after the painting", which started the earliest history of Chinese painting, writing, to the Tang Dynasty by Zhang Yan Yuan together into "ancient paintings in mind."
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