Read works of Mohammed 赫迪贾瓦希 in at 诗海 | |||
His publications include "Djauhiri poetry" in two volumes (1928), "feeling and emotion between the poem" (1929), "Djauhiri Complete Works" in two volumes (1969), "ah, insomnia" (1972 ) and so on.
Mid-19th century, the dawn of the Arab renaissance in society. Iraq is located in the edge of the Arab world, long-term by the Turkish Ottoman Empire, the feudal autocratic rule, to domestic religious and tribal influences, the country's recovery, slow in countries such as Egypt and Lebanon. Iraqi intellectuals earliest Turkish and Turkish translation of books from the understanding of Western civilization; to expand cultural exchanges with foreign countries and social progress, to promote the revival of Iraq's literature. As a reflection of the historical process in Iraq, Realism has always been dominant. At the same time, the imperialists and domestic reactionary forces of the rule has hindered the development of literature, many writers forced silence or retreat.
Poetry is loved by the Iraqi people the traditional literary form. Iraqi poetry to the 19th century poetry and religious poetry mainly Chung, the famous poet Mohammed Saeed Hussein has Bubi (? ~ 1916), Haider Hou Lee (1831 ~ 1887), Sheikh Salihatai Mimi. At the same time, there are few poets such as 阿卜杜厄尼 Jamila (1780 ~ 1863) break the shackles of tradition, the ancient heroes to write memories of the glorious achievements, against Ottoman despotism, called revolutionary work. Early 20th century, the emergence of distinguished poets, such as the Jie Mile Sui Deji Jae Harvey (1863 ~ 1936), 阿卜杜穆哈 Xinkaqimi (1870 ~ 1935), Maielufu * Lusa Fei (1875 ~ 1945) and Mohamed Rida homes Bibi (1888 ~ 1965) and so on. They care about the fate of the unhealthy tendencies and expressed demands of the people. They also made innovations in poetry a useful attempt. Jae Harvey advocates abandoning rhyme, first create blank verse. Lusa Fei favor a multi-verse. They represent popular poetry revival in Iraq nearly half a century. Mohammed Jimmy 赫迪贾瓦希 years (1903 ~) is the other Harvey after slaughtering most famous poet. He inherited and developed the creative renaissance poetry and the progress of the Egyptian poet Shao art features, reflecting the process of Iraq's anti-imperialist struggle.
Writing fiction since the early 20th century. Early fiction Ataaimin of "how to progress in Iraq" to dream in the form of memories of Iraq's past prosperity, to inspire people to change their backward social aspirations.苏莱曼费迪's "Awakening Story" (1919), inspired by awareness of the importance of education. 1928 Maihamude Ahmed Said (1901 ~ 1937) novel "Celal Khaled", was published to promote the prosperity of novels. Ahmed Saeed early tendency to romanticism, after the Soviet Literature in favor of "People's Literature", his work is considered "middle-class aspirations and ideas of a true portrayal of the situation." He is the founder of the Iraqi realistic novel.
Iraq is a religious drama first play, was only established in 1927 staged the first professional secular drama troupe. In the early days the main historical drama by the playwright, leaves Haiyakafu and France against Le sui Daly co-wrote the 6-screen historical drama "attack 克阿穆里耶", after the successful staging. Playwright 苏莱曼萨伊 Eritrea Islamic and Iraqi history, from material selection, similar to European classical drama, rational, to lecture in the drama. After the Drama to the social issues in order to describe the subject of the emancipation of women the most.迈哈穆德奈 Diem "Iraqi girl" (1925), Muhammad Sasha Bandar's "fertile black Dai" (1928 or 1929), is the first social drama. 30's White City of play Salim wrote mostly prostitutes, gambling, alcoholism and other social problems.纳迪姆艾特 Rankine's "Arab revolution" against the Iraqi people, the performance of the reactionary rule of the Ottoman liberation struggle. After World War II drama in Iraq becomes more obvious tendency of nationalism. Khalid Shewa Fu's drama "wall" (1956) to the end of the country because of the Jews betray 巴比伦迦勒 fall into the hands of the Persian history material, by the ancient metaphor for the modern. At the same time, Yusuf Arnie's play is the performance of a broad social context. He's the author of 60 塔哈萨利姆 (1930 ~) tends to the performance of Iraqi lives and struggles of working people, from revealing the exploiters and the exploited class antagonism, reflecting dissatisfaction with real life people and change lives urgent desire.
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