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"Poetic Mirror General remarks" a nature fresh style, that the "real factor" is the poet could achieve "the best on a ride." "Real factor" in the original the "Shi Conduct" chapter, which means by nature honest and sincere without decoration. He also cited "Book of Songs", "Muru Qing style," the poem against the practice of deliberately crafted. Whether that idea, conception, or diction, syntax, if contrary to nature, it will go to the opposite.
"Poetic Mirror," a book is the most frequently used the two concepts of love and rhyme. That "true love" and "Yun Long," both the "enough to do by Poetry," and repeatedly stressed the importance of rhyme for poetry, the rhyme as a poetic art of the most basic features, is where the life of poetry. His music metaphor to illustrate rhyme is to do as Zheng Qing, Yin Yu rain, leisurely stream. This requires the time to express feelings, not a crash it demonstrated; at the time described features, without too much characterization; short, words have to do to make the observation to make readers satirical chant aftertaste of infection. He specifically discussed the rhyme and the relationship between other factors. His "popular rhyme," and the causes were analyzed in depth, the history of poetry is not only a summary of the experience, but also for poetry was bad tendency to point out errors of all kinds, such as "Guer change" and so is Mo Liu is concerned for the Seven Poets, "let the good to do" and so is the case for Tu Long, "a clever and had chop" and so is the case for the Jingling School. Meanwhile, his theory of the strengths of the factions also have lessons. He inherited the Seven Poets enshrined in the Han, Wei, Tang's view, this is really absorbed the ideas of natural Gong'an School, in the Jingling School is seeking pure and integration of its approach to Smart. It is critical theory of inheritance based on the previous set up his own Yi-chung's poetics Sentiment on later, "charm" of the establishment, has a direct impact.
On the "image" of the discourse. He repeatedly stressed that Italy and the like to be harmonious, not dried up; images to clear the depth of disclosure can not obscure light; to virtual circle, can not really dull chisel; be original, not Daoxi simulation. His in-depth analysis of the difference between love and Italy, opposed to the meaning of poetry, that the performance left the elephant in the poem's meaning, it is an important reason for failure of many works. This is for the Song Dynasty, Narrative Poems, to discuss the disadvantages caused by the poetry terms. He pointed out that "poetry does not wait for Italy", "meaning not wait to find", advocated that a natural, spontaneous creative attitude made against the wishes of the abstract expression in the poem, thoughts, ideas, and art as opposed to some deliberately pursuit.
"Poetic Mirror" is a development perspective to comment on the ancient poetry. He pointed out that poetry is closely related with the times, and the poet's own talent and a more direct correlation. He praised the Han, Wei, Tang, belittle, the late Tang Dynasty, respect for the light of ancient legal body, similar views and Seven. But he sent plagiarism Seven simulated defects were as large as criticism. Not only to denounce Seven Poets Mo Liu, and the seven sub itself and the theory of defects, gave to criticism. He was on the "Poets used to open the door side" criticism, with the later Wang Fu, "Li Kadoba whoever Douding" discourse has echoed demonstrate their well established Ming Dynasty Poets sectarian, so serious drawbacks to poetry strong dissatisfaction. (ZHAO Yong-Ji)
Translated by Google