现代中国
(
1956 AD)
Literature, in 1956, Zhejiang Quzhou people. Chinese Opera Institute is currently Distinguished Professor, Research Institute, Ministry of Education, Zhongshan University based liberal arts focus on Intangible Cultural Heritage Research Center, part-time researchers, the Ministry of Education Teaching Higher Art Steering Committee members, part-time "information on the NPC stage of reproduction Art "consultants. Mainly engaged in drama theory, Chinese Modern and Contemporary Drama and Aesthetics. March 1979 was admitted to Zhejiang Normal University, the university began to focus and engage in literary theory; 1984, was admitted to the Department of Chinese Literature, Hangzhou University, master degree, he studied under Cailiang Ji, associate professor, graduated in 1987 received a master's degree; year test into the Department of Chinese Literature, Shandong University (Aesthetics) PhD students, where he studied under Professor Zhou Laixiang, Ph.D. 1991. August 1990 to work, Zhejiang Institute of Art, May 1996, Hangzhou University, Department of Chinese tune. Transferred in October 1997 China Art Research Institute, the Institute has in the opera and the "Art of" Editorial work. August 2004 transferred to the Chinese Opera Institute. Ten years doing research, study and play across the two areas aesthetics, the main research in recent years of Chinese drama.
2, "drama aesthetics", Wen-chun, Taiwan Press 95 published in July;
5, "─ ─ a kind of sentimental aesthetics aesthetics of human nature", Northeast Normal University Press 97 published in May.
8, "Art of Chinese Opera", Shanxi People's Publishing House, published in August 2000.
11, "Introduction to Twentieth Century Drama" (TECHNOLOGY), China Social Sciences Press, published in December 2004.
14, "Peking Opera School Frontier" (TECHNOLOGY), arts and culture Press, published in November 2007.
Chinese Opera Institute Professor, Graduate School of Chinese Academy of Arts part-time professor Fu would like to book "the old game of Past and Present" by the People's Literature Publishing House. Fu would like to say that he hoped that these articles can be reawakened interest in traditional theater, especially to attract academics, intellectual fellow who went into the theater more. This book is like Fu's "A New drama" series of articles collected and, after two groups of these writings have been published in the "-read book" magazines, including the 1998 to 1999 was the "per play notes," and from 2006 to 2007 book, "said the old game new."