藝術家 人物列錶
藤子·F·不二雄 Fujiko F Fujio小野洋子 Ono Yōko東山魁夷 Kaii Higashiyama
森山大道 Moriyama Daido
森山大道 Moriyama Daido
藝術家  (1938年十月10日)
Daidō Moriyama
出生地： 大阪府池田市


森山大道（Moriyama Daido）（1938年10月10日－），大阪府池田市出生，日本攝影師；以強烈風格的黑白城市街頭攝影聞名。

簡歷

森山大道1958年曾任自由身平面設計師，因受美國攝影師威廉·剋萊因 (William Klein)作品《紐約》啓發而投身攝影。1959年跟隨岩宮武二任助手學習攝影，1961年轉到東京發展，原欲參加攝影師組成的團體VIVO，但VIVO剛巧解散，森山轉而擔任攝影師細江英公的助理。1966年，於東京澀𠔌與中平卓馬共同開設事務所。1968年參與攝影團體《Provoke》(挑釁)第2號，同年出版攝影集《日本劇場寫真帖》。

森山大道的作品曾於世界多個國傢展出。1999年，美國舊金山現代藝術博物館舉辦森山大道巡回回顧展《Stray Dog》(野犬)，顯示森山大道的攝影風格受到美國藝術界肯定。《Stray Dog》其後於紐約大都會美術館及日本協會畫廊巡回舉行；2002年則於紐約及倫敦舉行展覽。2003年，法國卡地亞基金會為森山大道於巴黎舉辦大型回顧展。2008年，日本東京都攝影美術館舉辦《夏威夷》回顧展。其他曾舉辦展覽城市包括科隆、蘇黎世、阿姆斯特丹、米蘭、奧斯陸等。2012年10月於香港舉辦《反射與折射——森山大道寫真展》。

風格

森山大道的攝影風格獨特，擅長於以特別角度，粗糙、模糊、高反差及粗微粒的黑白照片，加上黑房後期製作技巧，表達強烈的效果。其作品主要以輕便相機Ricoh GR21拍攝。曾於其自傳作品《犬的記憶》中自稱流浪狗，自我形容為“像一條狗，在路上像排泄似地在街頭各處拍攝照片”。

資料來源

  1. ^ 森山大道：把攝影從生命扣除，我就是糟老頭！ 互聯網檔案館的存檔，存檔日期2012-08-25. 數位時代，2008年5月1日
  2. ^ 森山大道 頁面存檔備份，存於互聯網檔案館 shenchaoliang.com
  3. ^ 跳轉至：3.0 3.1 街拍聞名國際 一條黑白森山大道 頁面存檔備份，存於互聯網檔案館 星島日報，2012年8月21日

外部鏈接


Daidō Moriyama (森山 大道, Moriyama Daidō, born October 10, 1938) is a Japanese photographer.

He received the Infinity Award for Lifetime Achievement from the International Center of Photography in New York in 2004 and the Hasselblad Award in 2019.

Life and work

Born in Ikeda, Osaka, Moriyama studied photography under Takeji Iwamiya (based in Osaka), before moving to Tokyo in 1961 to work as an assistant to the photographer Eikoh Hosoe for three years. He produced a collection of photographs, Nippon gekijō shashinchō, which showed the darker sides of urban life and the less-seen parts of cities. In them, he attempted to show how life in certain areas was being left behind the other industrialized parts. His subsequent work revolves around the themes of urban mystery, memory, and exploration of the photographic medium.

Moriyama's style is synonymous with that of Provoke magazine, which he was involved with in 1969, namely 'are, bure, bokeh', translated as 'grainy / rough, blurry, and out-of-focus'. Known mostly for his work in black and white, his images often use high contrast and tilted horizons to convey the fragmentary nature of modern life. Moriyama often presents his work in the form of photo-books, which he describes as open-ended sites, allowing the reader to decide on the sequence of images that they view. Since 1968, he has published more than 150 photo books. Some of the most notable of these photo books are Japanese Theater (1968), Farewell, Photography (1972), Daidohysteric (1993), and Hokkaido (2008).

Farewell, Photography (Sashin yo Sayonara) is included in Andrew Roth's The Book of 101 Books: Seminal Photographic Books of the Twentieth Century, Martin Parr and Gerry Badger's The Photobook: A History, Volume I and the Hasselblad Center's The Open Book.[citation needed]

While Moriyama has been working with color photography since the 1970s, they were seldom exhibited with the solo presentation Daido Tokyo at Fondation Cartier pour l’art Contemporain, Paris, in 2016 being the first major solo show to display his color photographs. Between 2008 and 2015, Moriyama had revisited Tokyo, particularly focusing on the Shinjuku district, to take 86 chromogenic prints (‘Tokyo Colour’ series, 2008–2015) and black-and-white photographs (‘Dog and Mesh Tights’, 2014–2015). The Hammer Museum in Los Angeles in April 2016 secured a donation of street photography by Moriyama, the world's largest collection.

Moriyama's photography has been influenced by Seiryū Inoue, Shōmei Tōmatsu, William Klein, Andy Warhol, Eikoh Hosoe, the Japanese writer Yukio Mishima, the dramatist Shūji Terayama and Jack Kerouac's On the Road.

Awards

Publications

Publications by Moriyama

  • にっぽん劇場寫真帖 = Nippon Gekijo Shashincho = Japan: A Photo Theater. Muromachi Shob, 1968. With text in two places by Shūji Terayama in Japanese. 216 pages.
  • Documentary = Kiroku = Record 1–5. Privately published, 1972–73.
  • Sashin yo Sayonara = Bye Bye Photography.
    • Tokyo: Shashin hyoron-sha, 1972.
    • Farewell Photography. Tokyo: PowerShovel, 2006.
    • Farewell Photography. Bookshop M / Getsuyousha, 2019.
  • Another Country. Privately published, 1974
  • Tales of Tono. Asahi Sonorama, 1976
  • Japan, A Photo Theater II. Asahi Sonorama, 1978. With an essay by Shoji Yamagishi.
  • Hikari to Kage = Light and Shadow. Tojusha, 1982
  • Memories of a Dog – Places in My Memory. Asahi Shinbunsha, 1984 (Essays)
  • A Dialogue with Photography. Seikyūsha, 1985 (Essays)
  • A Journey to Nakaji. Tokyo: Sokyusha, 1987
  • Moriyama Daidō 1970–1979. Tokyo: Sokyusha, 1989
  • Lettre a St. Lou. Kawade Shobo Shinsha, 1990
  • Daido hysteric No.4. Hysteric Glamour, 1993
  • Color. Tokyo: Sokyusha, 1993
  • Daido hysteric No.6. Hysteric Glamour, 1994
  • A Dog's Time. Sakuhinsha, 1995
  • Imitation. Taka Ishii Gallery, Tokyo, 1995
  • From/ Toward Photography. Seikyūsha, 1995 (Essays)
  • A Dialogue with Photography. (Revised) Seikyūsha, 1995 (Essays)
  • Daido hysteric Osaka No.8. Hysteric Glamour, 1997
  • Moriyama Daidō. Nihon no shashinka 37. Iwanami Shoten, 1997
  • Hunter. (Reprint) Taka Ishii Gallery, Tokyo, 1997
  • Fragments. Composite Press, Tokyo, 1998
  • Memories of a Dog – Places in My Memory, the final. Asahi Shinbunsha, 1998 (Essays)
  • Passage. Wides, 1999
  • Dream of water. Tokyo: Sokyusha, 1999
  • Visions of Japan: Daido Moriyama. Korinsha, Tokyo, 1999
  • Color 2. Tokyo: Sokyusha, 1999
  • Past is every time new, the future is always nostalgic.Seikyūsha, 2000
  • Memories of a Dog – Places in My Memory. (Revised) Kawade Shobo Shinsha, 2001
  • Memories of a Dog – Places in My Memory, the final. (Revised) Kawade Shobo Shinsha, 2001
  • Platform. Daiwa Radiator Factory and Taka Ishii Gallery, 2002
  • '71- NY Daido Moriyama. PPP Editions, 2002
  • Shinjuku. Tokyo: Getsuyosha, 2002
  • transit. Eyesencia, 2002
  • Daido Moriyama 55. Phaidon, 2002
  • Daido Moriyama, The Complete Works vol. 1. Daiwa Radiator Company, 2003
  • Daido Moriyama: Actes Sud. Foundation Cartier pour l’art contemporain, 2003
  • Remix. Galerie Kamel Mennour, 2004
  • Daido Moriyama. Guiding Light, 2004
  • Memories of a Dog. Portland, OR: Nazraeli Press, 2004
  • Daido Moriyama, The Complete Works vols 2–4. Daiwa Radiator Factory, 2004
  • Wilderness!. Parco, 2005
  • Shinjuku 19XX-20XX. Codax, 2005
  • Tokyo. Reflex New Art Gallery, 2005
  • Buenos Aires. Kodansha, 2005
  • Lettre a St. Lou. Kawade Shobo Shinsha, 2005
  • Shinjuku Plus. Tokyo: Getsuyosha, 2006
  • t-82. PowerShovelBooks, 2006
  • it. Rat Hole, 2006
  • Snap. (Record extra issue No. 1) Akio Nagasawa, 2007
  • Kagero & Colors. PowerShovelBooks, 2007
  • Hawaii. Tokyo: Getsuyosha, 2007
  • Osaka Plus. Tokyo: Getsuyosha, 2007
  • Erotica. Asahi Shinbunsha, 2007
  • Tales of Tono. Kobunsha, 2007
  • Yashi. Fondation Cartier pour l’art contemporain, Paris, and Taka Ishii Gallery, Tokyo, 2008
  • Record No. 1-5 Complete Reprint Edition. Tokyo: Akio Nagasawa, 2008. Issues 1–5 of his magazine Record.
  • Magazine Work 1971 1974. Tokyo: Getsuyosha, 2009.
  • Tsugaru. Tokyo: Taka ishii Gallery, 2010. Hardback. ISBN 9786000006945. Catalog of an exhibition held at Taka Ishii Gallery, November 2010. 81 of the 82 photographs taken in Goshogawara and other villages in the Tsugaru-plain area of Aomori Prefecture in 1976. Edition of 1000 copies.
  • Auto-portrait. MMM label 1. Tokyo: Match and Company Co., 2010. With a text by Simon Baker. Edition of 1000 copies.
  • Gekijo. Tokyo: Super Labo, 2011. Edition of 500 copies.
  • Remix. Galerie Kamel Mennour, 2012
  • Paris 88/89. Paris and Arles, France: Poursuite, 2012.
  • Light & Shadow Magazine. 2013. Edition of 250 Copies.
  • Mirage. MMM label 4. Tokyo: Match and Company Co., 2013. Edition of 1000 copies.
  • Dog and Mesh Tights. Tokyo: Getsuyosha, 2015. With an afterword by Moriyama. Text in English and Japanese.
  • Self. One Picture Book 90. Portland, OR: Nazraeli Press, 2015. ISBN 978-1-59005-426-0. Edition of 500 copies.
  • Fukei. Tokyo: Super Labo, 2015. Edition of 700 copies in two different covers (one with fish, the other with a flower), 350 of each cover.
  • Daido Moriyama in Color: Now, and Never Again. Milan: Skira, 2016. ISBN 978-8857222264.
  • Scandalous. Tokyo: Akio Nagasawa, 2016. Edition of 350 copies.
  • Osaka. Tokyo: Getsuyosha, 2016. With essays "Osaka no koto" (in Japanese) and "Dark Pictures" (in English).
  • Pantomime. Tokyo: Akio Nagasawa, 2017. Edition of 600 copies.
  • Pretty Woman. Tokyo: Akio Nagasawa, 2017. Edition of 900 copies.
  • K. Tokyo: Getsuyosha, 2017. ISBN 978-4-86503-050-1
  • Record. Tokyo: Akio Nagasawa, 2017. A digest edition of his Record magazines containing selected work from Record No.1to Record No.30. Edited by Mark Holborn.
  • Aa, Koya. Kadokawa, 2017. With a story by Shūji Terayama.
  • Uwajima. Switch, 2018. Photographs made in Uwajima, Ehime, some of which were previously published in Coyote magazine in 2004. With an essay by Shinro Ohtake (in Japanese).
  • Tokyo Boogie Woogie. Tokyo: Super Labo, 2018. ISBN 978-4-908512-26-1. Edition of 1000 copies.
  • Tights in Shimotakaido. Tokyo: Akio Nagasawa, 2018. Edition of 600 copies.
  • Lips! Lips! Lips!. Tokyo: Akio Nagasawa, 2018. Edition of 350 copies.
  • Daido Moriyama in Color: Now, and Never Again. Yokosuka.Milan: Skira, 2018. ISBN 978-8857231167
  • Daido Moriyama in Color: Now, and Never Again. Nocturnal Nude. Milan: Skira, 2018. ISBN 978-8857236308.
  • Daido Moriyama in Color: Now, and Never Again. Self-portrait.Milan: Skira, 2018. ISBN 978-8857236315.
  • Akai Kutsu Vol. 1. Kanagawa: Super Labo, 2019. ISBN 978-4908512766.
  • Akai Kutsu Vol. 2. Kanagawa: Super Labo, 2019. ISBN 978-4908512773.
  • Daido Moto. Paso Robles, CA: Nazraeli, 2019. Edition of 500 copies.
  • How I Take Photographs. Laurence King, 2019. ISBN 978-1786274243. Photographs by Moriyama and text co-written with Takeshi Nakamoto.

Magazines by Moriyama

  • Record No.1. Self-published, 1972.
  • Record No.2. Self-published, 1972.
  • Record No.3. Self-published, 1972.
  • Record No.4. Self-published, 1973.
  • Record No.5. Self-published, 1973.
  • Record No.6. – Record No.39. Tokyo: Akio Nagasawa, 2006–2018. Various individual editions.

Publications with others

  • 4. Mazu tashikarashisa no sekai o sutero: shashin to gengo no shisō = First Abandon the World of Pseudo-Certainty: Thoughts on Photography and Language. Tokyo: Tabata Shoten, 1970. OCLC 53405730. With Nakahira Takuma, Takanashi Yutakaand Taki Kōji.
  • The Japanese Box – Facsimile reprint of six rare photographic publications of the Provoke era, Edition 7L / Göttingen: Steidl, 2001.
  • Terayama. Tokyo: Match and Company Co., 2015. English and Japanese editions. With text by Shuji Terayama and an afterword by Satoshi Machiguchi, "The Spell Moves On." Edition of 1500 copies.
  • Dazai. MMM label 5. Tokyo: Match and Company Co., 2014. With a text by Osamu Dazai, "Villon's Wife." Edition of 1200 copies.
  • Odasaku. Tokyo: Match and Company Co., 2016. With a short story by Sakunosuke Oda, "At the Horse Races," and an afterword by Satoshi Machiguchi.
  • Teppo yuri no Shateikyori. Tokyo: Getsuyosha, 2017. With haiku in Japanese by Misa Uchida.

    

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