艺术家 人物列表
藤子·F·不二雄 Fujiko F Fujio小野洋子 Ono Yōko东山魁夷 Kaii Higashiyama
森山大道 Moriyama Daido
森山大道 Moriyama Daido
艺术家  (1938年10月10日)
Daidō Moriyama
出生地： 大阪府池田市


森山大道（Moriyama Daido）（1938年10月10日－），大阪府池田市出生，日本摄影师；以强烈风格的黑白城市街头摄影闻名。

简历

森山大道1958年曾任自由身平面设计师，因受美国摄影师威廉·克莱因 (William Klein)作品《纽约》启发而投身摄影。1959年跟随岩宫武二任助手学习摄影，1961年转到东京发展，原欲参加摄影师组成的团体VIVO，但VIVO刚巧解散，森山转而担任摄影师细江英公的助理。1966年，于东京涩谷与中平卓马共同开设事务所。1968年参与摄影团体《Provoke》(挑衅)第2号，同年出版摄影集《日本剧场写真帖》。

森山大道的作品曾于世界多个国家展出。1999年，美国旧金山现代艺术博物馆举办森山大道巡回回顾展《Stray Dog》(野犬)，显示森山大道的摄影风格受到美国艺术界肯定。《Stray Dog》其后于纽约大都会美术馆及日本协会画廊巡回举行；2002年则于纽约及伦敦举行展览。2003年，法国卡地亚基金会为森山大道于巴黎举办大型回顾展。2008年，日本东京都摄影美术馆举办《夏威夷》回顾展。其他曾举办展览城市包括科隆、苏黎世、阿姆斯特丹、米兰、奥斯陆等。2012年10月于香港举办《反射与折射——森山大道写真展》。

风格

森山大道的摄影风格独特，擅长于以特别角度，粗糙、模糊、高反差及粗微粒的黑白照片，加上黑房后期制作技巧，表达强烈的效果。其作品主要以轻便相机Ricoh GR21拍摄。曾于其自传作品《犬的记忆》中自称流浪狗，自我形容为“像一条狗，在路上像排泄似地在街头各处拍摄照片”。

资料来源

  1. ^ 森山大道：把摄影从生命扣除，我就是糟老头！ 互联网档案馆的存档，存档日期2012-08-25. 数位时代，2008年5月1日
  2. ^ 森山大道 页面存档备份，存于互联网档案馆 shenchaoliang.com
  3. ^ 跳转至：3.0 3.1 街拍闻名国际 一条黑白森山大道 页面存档备份，存于互联网档案馆 星岛日报，2012年8月21日

外部链接


Daidō Moriyama (森山 大道, Moriyama Daidō, born October 10, 1938) is a Japanese photographer.

He received the Infinity Award for Lifetime Achievement from the International Center of Photography in New York in 2004 and the Hasselblad Award in 2019.

Life and work

Born in Ikeda, Osaka, Moriyama studied photography under Takeji Iwamiya (based in Osaka), before moving to Tokyo in 1961 to work as an assistant to the photographer Eikoh Hosoe for three years. He produced a collection of photographs, Nippon gekijō shashinchō, which showed the darker sides of urban life and the less-seen parts of cities. In them, he attempted to show how life in certain areas was being left behind the other industrialized parts. His subsequent work revolves around the themes of urban mystery, memory, and exploration of the photographic medium.

Moriyama's style is synonymous with that of Provoke magazine, which he was involved with in 1969, namely 'are, bure, bokeh', translated as 'grainy / rough, blurry, and out-of-focus'. Known mostly for his work in black and white, his images often use high contrast and tilted horizons to convey the fragmentary nature of modern life. Moriyama often presents his work in the form of photo-books, which he describes as open-ended sites, allowing the reader to decide on the sequence of images that they view. Since 1968, he has published more than 150 photo books. Some of the most notable of these photo books are Japanese Theater (1968), Farewell, Photography (1972), Daidohysteric (1993), and Hokkaido (2008).

Farewell, Photography (Sashin yo Sayonara) is included in Andrew Roth's The Book of 101 Books: Seminal Photographic Books of the Twentieth Century, Martin Parr and Gerry Badger's The Photobook: A History, Volume I and the Hasselblad Center's The Open Book.[citation needed]

While Moriyama has been working with color photography since the 1970s, they were seldom exhibited with the solo presentation Daido Tokyo at Fondation Cartier pour l’art Contemporain, Paris, in 2016 being the first major solo show to display his color photographs. Between 2008 and 2015, Moriyama had revisited Tokyo, particularly focusing on the Shinjuku district, to take 86 chromogenic prints (‘Tokyo Colour’ series, 2008–2015) and black-and-white photographs (‘Dog and Mesh Tights’, 2014–2015). The Hammer Museum in Los Angeles in April 2016 secured a donation of street photography by Moriyama, the world's largest collection.

Moriyama's photography has been influenced by Seiryū Inoue, Shōmei Tōmatsu, William Klein, Andy Warhol, Eikoh Hosoe, the Japanese writer Yukio Mishima, the dramatist Shūji Terayama and Jack Kerouac's On the Road.

Awards

Publications

Publications by Moriyama

  • にっぽん劇場写真帖 = Nippon Gekijo Shashincho = Japan: A Photo Theater. Muromachi Shob, 1968. With text in two places by Shūji Terayama in Japanese. 216 pages.
  • Documentary = Kiroku = Record 1–5. Privately published, 1972–73.
  • Sashin yo Sayonara = Bye Bye Photography.
    • Tokyo: Shashin hyoron-sha, 1972.
    • Farewell Photography. Tokyo: PowerShovel, 2006.
    • Farewell Photography. Bookshop M / Getsuyousha, 2019.
  • Another Country. Privately published, 1974
  • Tales of Tono. Asahi Sonorama, 1976
  • Japan, A Photo Theater II. Asahi Sonorama, 1978. With an essay by Shoji Yamagishi.
  • Hikari to Kage = Light and Shadow. Tojusha, 1982
  • Memories of a Dog – Places in My Memory. Asahi Shinbunsha, 1984 (Essays)
  • A Dialogue with Photography. Seikyūsha, 1985 (Essays)
  • A Journey to Nakaji. Tokyo: Sokyusha, 1987
  • Moriyama Daidō 1970–1979. Tokyo: Sokyusha, 1989
  • Lettre a St. Lou. Kawade Shobo Shinsha, 1990
  • Daido hysteric No.4. Hysteric Glamour, 1993
  • Color. Tokyo: Sokyusha, 1993
  • Daido hysteric No.6. Hysteric Glamour, 1994
  • A Dog's Time. Sakuhinsha, 1995
  • Imitation. Taka Ishii Gallery, Tokyo, 1995
  • From/ Toward Photography. Seikyūsha, 1995 (Essays)
  • A Dialogue with Photography. (Revised) Seikyūsha, 1995 (Essays)
  • Daido hysteric Osaka No.8. Hysteric Glamour, 1997
  • Moriyama Daidō. Nihon no shashinka 37. Iwanami Shoten, 1997
  • Hunter. (Reprint) Taka Ishii Gallery, Tokyo, 1997
  • Fragments. Composite Press, Tokyo, 1998
  • Memories of a Dog – Places in My Memory, the final. Asahi Shinbunsha, 1998 (Essays)
  • Passage. Wides, 1999
  • Dream of water. Tokyo: Sokyusha, 1999
  • Visions of Japan: Daido Moriyama. Korinsha, Tokyo, 1999
  • Color 2. Tokyo: Sokyusha, 1999
  • Past is every time new, the future is always nostalgic.Seikyūsha, 2000
  • Memories of a Dog – Places in My Memory. (Revised) Kawade Shobo Shinsha, 2001
  • Memories of a Dog – Places in My Memory, the final. (Revised) Kawade Shobo Shinsha, 2001
  • Platform. Daiwa Radiator Factory and Taka Ishii Gallery, 2002
  • '71- NY Daido Moriyama. PPP Editions, 2002
  • Shinjuku. Tokyo: Getsuyosha, 2002
  • transit. Eyesencia, 2002
  • Daido Moriyama 55. Phaidon, 2002
  • Daido Moriyama, The Complete Works vol. 1. Daiwa Radiator Company, 2003
  • Daido Moriyama: Actes Sud. Foundation Cartier pour l’art contemporain, 2003
  • Remix. Galerie Kamel Mennour, 2004
  • Daido Moriyama. Guiding Light, 2004
  • Memories of a Dog. Portland, OR: Nazraeli Press, 2004
  • Daido Moriyama, The Complete Works vols 2–4. Daiwa Radiator Factory, 2004
  • Wilderness!. Parco, 2005
  • Shinjuku 19XX-20XX. Codax, 2005
  • Tokyo. Reflex New Art Gallery, 2005
  • Buenos Aires. Kodansha, 2005
  • Lettre a St. Lou. Kawade Shobo Shinsha, 2005
  • Shinjuku Plus. Tokyo: Getsuyosha, 2006
  • t-82. PowerShovelBooks, 2006
  • it. Rat Hole, 2006
  • Snap. (Record extra issue No. 1) Akio Nagasawa, 2007
  • Kagero & Colors. PowerShovelBooks, 2007
  • Hawaii. Tokyo: Getsuyosha, 2007
  • Osaka Plus. Tokyo: Getsuyosha, 2007
  • Erotica. Asahi Shinbunsha, 2007
  • Tales of Tono. Kobunsha, 2007
  • Yashi. Fondation Cartier pour l’art contemporain, Paris, and Taka Ishii Gallery, Tokyo, 2008
  • Record No. 1-5 Complete Reprint Edition. Tokyo: Akio Nagasawa, 2008. Issues 1–5 of his magazine Record.
  • Magazine Work 1971 1974. Tokyo: Getsuyosha, 2009.
  • Tsugaru. Tokyo: Taka ishii Gallery, 2010. Hardback. ISBN 9786000006945. Catalog of an exhibition held at Taka Ishii Gallery, November 2010. 81 of the 82 photographs taken in Goshogawara and other villages in the Tsugaru-plain area of Aomori Prefecture in 1976. Edition of 1000 copies.
  • Auto-portrait. MMM label 1. Tokyo: Match and Company Co., 2010. With a text by Simon Baker. Edition of 1000 copies.
  • Gekijo. Tokyo: Super Labo, 2011. Edition of 500 copies.
  • Remix. Galerie Kamel Mennour, 2012
  • Paris 88/89. Paris and Arles, France: Poursuite, 2012.
  • Light & Shadow Magazine. 2013. Edition of 250 Copies.
  • Mirage. MMM label 4. Tokyo: Match and Company Co., 2013. Edition of 1000 copies.
  • Dog and Mesh Tights. Tokyo: Getsuyosha, 2015. With an afterword by Moriyama. Text in English and Japanese.
  • Self. One Picture Book 90. Portland, OR: Nazraeli Press, 2015. ISBN 978-1-59005-426-0. Edition of 500 copies.
  • Fukei. Tokyo: Super Labo, 2015. Edition of 700 copies in two different covers (one with fish, the other with a flower), 350 of each cover.
  • Daido Moriyama in Color: Now, and Never Again. Milan: Skira, 2016. ISBN 978-8857222264.
  • Scandalous. Tokyo: Akio Nagasawa, 2016. Edition of 350 copies.
  • Osaka. Tokyo: Getsuyosha, 2016. With essays "Osaka no koto" (in Japanese) and "Dark Pictures" (in English).
  • Pantomime. Tokyo: Akio Nagasawa, 2017. Edition of 600 copies.
  • Pretty Woman. Tokyo: Akio Nagasawa, 2017. Edition of 900 copies.
  • K. Tokyo: Getsuyosha, 2017. ISBN 978-4-86503-050-1
  • Record. Tokyo: Akio Nagasawa, 2017. A digest edition of his Record magazines containing selected work from Record No.1to Record No.30. Edited by Mark Holborn.
  • Aa, Koya. Kadokawa, 2017. With a story by Shūji Terayama.
  • Uwajima. Switch, 2018. Photographs made in Uwajima, Ehime, some of which were previously published in Coyote magazine in 2004. With an essay by Shinro Ohtake (in Japanese).
  • Tokyo Boogie Woogie. Tokyo: Super Labo, 2018. ISBN 978-4-908512-26-1. Edition of 1000 copies.
  • Tights in Shimotakaido. Tokyo: Akio Nagasawa, 2018. Edition of 600 copies.
  • Lips! Lips! Lips!. Tokyo: Akio Nagasawa, 2018. Edition of 350 copies.
  • Daido Moriyama in Color: Now, and Never Again. Yokosuka.Milan: Skira, 2018. ISBN 978-8857231167
  • Daido Moriyama in Color: Now, and Never Again. Nocturnal Nude. Milan: Skira, 2018. ISBN 978-8857236308.
  • Daido Moriyama in Color: Now, and Never Again. Self-portrait.Milan: Skira, 2018. ISBN 978-8857236315.
  • Akai Kutsu Vol. 1. Kanagawa: Super Labo, 2019. ISBN 978-4908512766.
  • Akai Kutsu Vol. 2. Kanagawa: Super Labo, 2019. ISBN 978-4908512773.
  • Daido Moto. Paso Robles, CA: Nazraeli, 2019. Edition of 500 copies.
  • How I Take Photographs. Laurence King, 2019. ISBN 978-1786274243. Photographs by Moriyama and text co-written with Takeshi Nakamoto.

Magazines by Moriyama

  • Record No.1. Self-published, 1972.
  • Record No.2. Self-published, 1972.
  • Record No.3. Self-published, 1972.
  • Record No.4. Self-published, 1973.
  • Record No.5. Self-published, 1973.
  • Record No.6. – Record No.39. Tokyo: Akio Nagasawa, 2006–2018. Various individual editions.

Publications with others

  • 4. Mazu tashikarashisa no sekai o sutero: shashin to gengo no shisō = First Abandon the World of Pseudo-Certainty: Thoughts on Photography and Language. Tokyo: Tabata Shoten, 1970. OCLC 53405730. With Nakahira Takuma, Takanashi Yutakaand Taki Kōji.
  • The Japanese Box – Facsimile reprint of six rare photographic publications of the Provoke era, Edition 7L / Göttingen: Steidl, 2001.
  • Terayama. Tokyo: Match and Company Co., 2015. English and Japanese editions. With text by Shuji Terayama and an afterword by Satoshi Machiguchi, "The Spell Moves On." Edition of 1500 copies.
  • Dazai. MMM label 5. Tokyo: Match and Company Co., 2014. With a text by Osamu Dazai, "Villon's Wife." Edition of 1200 copies.
  • Odasaku. Tokyo: Match and Company Co., 2016. With a short story by Sakunosuke Oda, "At the Horse Races," and an afterword by Satoshi Machiguchi.
  • Teppo yuri no Shateikyori. Tokyo: Getsuyosha, 2017. With haiku in Japanese by Misa Uchida.

    

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