yuèdòushī pí tè lè Carl Friedrich Georg Spittelerzài诗海dezuòpǐn!!! | |||
shī pí tè lè chū shēng zài ruì shì bā sài 'ěr fù jìn de xiǎo chéng lì sī tǎ 'ěr de yī gè guān lì jiā tíng。 xiān hòu zài sū lí shì dà xué gōng dú fǎ lǜ， zài hǎi dé bǎo、 bā sài 'ěr yán jiū shén xué。 zuò jiā huò dé xué wèi hòu， yīng pìn zhì shèng bǐ dé bǎo zuò jiào shī。 ( fēn duàn ) cóng yī jiǔ nián zhì yī jiǔ wǔ nián， shī pí tè lè jí zhōng jīng lì， chuàng zuò 〈 ào lín pǐ yà shān de chūn tiān 〉。 zhè shǒu shī tōng guò xī là shén huà zhū shén zhēng qǔ hè lā yǐ huò wáng wèi de chuán shuō， chǎn shì rén zài zhè gè xié 'è、 yú mèi chōng chì de shì jiè shàng， bì xū yǔ mìng yùn fèn dòu。 shī pí tè lè de〈 ào lín pǐ yà shān〉 chāo guò liǎng wàn xíng， jù yòu qì shì hóng dà、 gòu sī wán quán、 yùn lǜ gōng jǐn、 yǔ huì fēng měi děng yōu diǎn， bèi běn rén jí xū duō rén shì wéi zuò jiā bì shēng zuì hǎo de zuò pǐn。
zhù yào zuò pǐn
zuì jù dài biǎo xìng de zuò pǐn shì〈 ào lín pǐ yà shān de chūn tiān〉 zhè shǒu duō dá liǎng wàn duō xíng de jù xíng shǐ shī yǐ jí《 mèng zhōng de jiā lì yī mǎ guǒ》。 zuò jiā chú liǎo chuàng zuò shī， huán yòu xiě zuò xiǎo shuō、 xì jù zuò pǐn。
zuò pǐn de zhōng yì
nuò bèi 'ěr wén xué jiǎng quán jí biān yì wěi yuán huì / biān yì，《 sī bǐ tè lè》， tái běi shì： jiǔ wǔ wén huà chū bǎn， 1981 nián。
shī mín / yì，《 ào lín pǐ sī de chūn tiān》， guì lín： lí jiāng chū bǎn shè， 1996 nián。
Spitteler was born in Liestal, and from 1863 he studied law at the University of Zurich. In 1865-1870 he studied theology in the same institution, at Heidelberg and Basel. Later he worked in Russia as tutor, starting from August 1871, remaining there (with some periods in Finland) until 1879. Later he was elementary teacher in Bern and La Neuveville, as well as journalist for the Der Kunstwart and as editor for the Neue Zürcher Zeitung. In 1883 Spitteler married Marie op der Hoff, previously his pupil in Neuveville.
In 1881 Spitteler published the allegoric prose poem Prometheus and Epimetheus, published under the pseudonym Carl Felix Tandem, and showing contrasts between ideals and dogmas through the two mythological figures of the titles. This 1881 edition was given an extended psychological exegesis by Carl Gustav Jung in his book Psychological Types (published in 1921). Late in life, Spitteler reworked Prometheus and Epimetheus and published it under his true name, with the new title Prometheus der Dulder (Prometheus the Sufferer, 1924).
In 1900-1905 Spitteler wrote the powerful allegoric-epic poem, in iambic hexameters, Olympischer Frühling (Olympic Spring). This work, mixing fantastic, naturalistic, religions and mythological themes, deals with human concern towards the universe. His prose works include Die Mädchenfeinde (Two Little Misogynists, 1907), about his autobiographical childhood experiences, the dramatic Conrad der Leutnant (1898), in which he show influence from the previously opposed Naturalism, and the autobiographical novella Imago (1906), examining the role of unconscious in the conflict between a creative mind and the middle-class restrictions.
During World War I he opposed to the pro-German attitude of the Swiss German-speaking majority, a position put forward in the essay "Unser Schweizer Standpunkt". In 1919 he won the Nobel Prize. Spitteler died at Lucerne in 1924.