群星荟萃 》 wǒ de fù qīn My father 》
wǒ de fù qīn My father
mǎ dōng Ma Dong
My father
héng héng tán mǎ jì
· mǎ dōng ·
shí yuè dǐ dǎ diàn huà huí běi jīng jiā lǐ， tīng shuō wǒ fù qīn kě néng shí 'èr yuè suí yī gè yǎn chū tuán lái 'ào fǎng wèn yǎn chū， wǒ xīn lǐ lüè guò yī zhèn huāng zhāng de xīng fèn， mǎn yǐ wéi kěn dìng néng zài 'ào zhōu jiàn tā yī miàn liǎo。 zhí dào zuì jìn jǐ tiān yòu tīng shuō zhè shì chù jiāo liǎo， zhèng zhuó mó zhe “ hǎo shì duō mó ” zhè cí 'ér 'ān wèi zì jǐ de shí hòu，《 huá lián shí bào》 de yī wèi biān ji xiān shēng lái diàn huà， sǐ huó ràng wǒ xiě yī piān guān yú wǒ fù qīn de dōng xī。 wǒ dāyìng liǎo， kě shì xīn lǐ qīng chǔ zhè bù shì hǎo xiě de wén zì。 zhōng guó gǔ lái jiù yòu bì huì de chuán tǒng， táng cháo guǐ cái shī rén lǐ hè wéi bì“ jìn sù” de fù huì， lián“ jìn shì” dōubù gǎn qù kǎo。 jīn rén suī bù zhì rú cǐ， dàn duì yú 'ér zǐ lái shuō， wán quán kè guān dì píng jià fù qīn， shǐ zhōng bù shì jiàn róng yì de shì。
wǒ fù qīn mǎ jì， yuán míng mǎ shù huái， yī jiǔ sān sān nián shēng yú běi jīng， sān shí wǔ suì hé wǒ mǔ qīn jié hūn， yī jiǔ liù bā nián dǐ wǒ chū shēng zài hā 'ěr bīn。
shēng wǒ shí fù qīn zhèng zài 'áidòu， mǔ qīn zhǐ néng huí lǎo lǎo jiā qù shēng wǒ。 wǒ liù shí tiān shí， bèi mǔ qīn yòng shí jǐ céng zhān tǎn bèi rù bāo zhe dào liǎo běi jīng。 fù qīn zhà jiàn zhī xià， jīng wéi páng rán dà wù。 hòu lái bō jiǎn chōu sī， céng céng pò yì， wǒ tú qióng bǐ jiàn shí， tā duì wǒ de dì yī jù píng jià shì：“ zěn me jiù zǎo hé 'ér nà me dà！” bù jiǔ hòu， tā qù dōng běi nèn jiāng gànxiào liǎo。 mǔ qīn yīn wèishì bù duì de wén yì bīng， suí duì yǎn chū yě shì sì chù zǒu， wǒ zhǐ néng jì yǎng zài bié rén jiā lǐ， zhí dào liǎng suì duō。 zài jiàn dào fù qīn shí wǒ yǐ jīng huì jiào rén liǎo， dàn tè bié“ chù wō zǐ”， duǒ zài bié rén tuǐ hòu miàn jiào liǎo tā yī shēng“ shū shū”。 děng wǒ zhǎngdà liǎo tīng rén shuō， wǒ nà shēng“ shū shū” chàdiǎn 'ér bǎ tā de yǎn lèi jiào xià lái。 wǒ bàn xìn bàn yí， yě méi wèn héng héng méi gǎn wèn。
wǒ suī rán shì dú zǐ， kě shì tóng nián gēn fù qīn zài yī qǐ de rì zǐ bìng bù duō。 zài wǒ de yìn xiàng zhōng， tā yī nián lǐ zǒng yào yòu shí gè yuè zài wài dì， féng nián guò jié bù zài jiā gèng shì jīng cháng de shì。 jiā lǐ de réndōu xí guàn liǎo， tā zì jǐ yě lè cǐ bù pí， yīn wéi dào wài dì yǎn chū、 xiě zuò、 shēn rù shēng huó děng děng jiù shì tā de shì yè， tā de lè qù。
fù qīn cóng xiǎo jiā jìng bìng bù hǎo。 zǔ fù zǎo shì， xiōng dì jiě mèi sì rén de shēng huó quán kào nǎi nǎi yī rén zhī chēng， bù dé yǐ dà bó hé wǒ fù qīn dú wán“ gāo xiǎo” jiù chū qù dāng xué tú。 dà bó qù liǎo tiān jīn， qí hòu qǔ qī shēng zǐ， jiù zài tiān jīn“ zhā gēn 'ér” liǎo。 fù qīn dào shàng hǎi yī qù wǔ nián， xué tú suī méi yòu xué dào shénme， dàn shì tā dú lì de shēng huó cóng nà shí jiù kāi shǐ liǎo。 huí dào běi jīng zhèng zhí jiě fàng， tā zhòng rù xué xiào， dú wán liǎo chū zhōng。 yī jiǔ wǔ yī nián， tā kǎo jìn liǎo běi jīng shì xīn huá shū diàn， xiān hòu zài wáng fǔ jǐng， hǎi diàn děng duō gè fēn diàn gōng zuò。 yě jiù shì cóng nà shí kāi shǐ， tā zài wén yì fāng miàn de tiān fù zhú jiàn xiǎn lù zài yè yú shēng huó zhōng。
xiàngshēng dāng shí gāng gāng cóng tiān qiáo de jiǔ guǎn chá péng zhōng zǒu jìn zhèng guī de jù chǎng， jiù shí dài de yì rén men yě jīng guò zhèng fǔ de“ zhěng biān” jié shù liǎo cháng qī bù wěn dìng de mài yì shēng yá。 qí zhōng de jiǎo jiǎo zhě rú bái fèng míng xiān shēng、 hóu bǎo lín xiān shēng、 liú bǎo ruì xiān shēng、 guō qǐ rú xiān shēng、 guō quán bǎo xiān shēng děngdōu jìn liǎo guǎng bō wén gōng tuán shuō chàng tuán。 wén gōng tuán shì lì shǔ yú dāng shí de zhōng yāng guǎng bō shì yè jú， shì yǐ gōng yìng diàn tái de guǎng bō jié mù wéi zhù yào gōng zuò de。 xiàngshēng zuò wéi yī zhǒng běi fāng chuán tǒng de qǔyì xíng shì cóng nán dēng dà yǎ zhī táng yī yuè 'ér tōng guò guǎng bō xiàng quán guó bō fàng， qí zhōng chóngxīn zhěng lǐ chuán tǒng jié mù、 qù zāo pò、 qǔ jīng huá de gōng zuò shì hěn fán zhòng de。 qián shù de jǐ wèi yì shù dà shī zài zhè fāng miàn qǐ liǎo hěn guān jiàn de zuò yòng， shǐ xiāng shēng zuò wéi lǎoshào xián yí， xǐ wén lè jiàn de yú lè jié mù， zài quán guó fàn wéi nèi xùn sù pǔ jí kāi liǎo。
wǒ bù néng què dìng shì shòu zhè zhǒng pǔ jí de yǐng xiǎng， hái shì yǐ qián fù qīn jiù“ zhōng qíng” yú xiàngshēng， dàn tā zài zhè fāng miàn de tiān fù shì wú kě fǒu rèn de。 zài xīn huá shū diàn gōng zuò zhī yú， tā kāi shǐ liǎo xiàngshēng xiě zuò hé biǎo yǎn de cháng shì。 yī jiǔ wǔ liù nián de quán guó yè yú wén yì diào yǎn duì yú fù qīn de yī shēng shì yī gè zhòng yào de zhuǎn zhé diǎn。 tā zài nà cì diào yǎn zhōng huò dé liǎo yī děng jiǎng， tóng shí tā de cái huá yě bèi xǔ duō hángjiā fā xiàn， qí zhōng zuì zhù yào de shì yǐ gù xiàngshēng biǎo yǎn yì shù dà shī hóu bǎo lín xiān shēng。 hóu xiān shēng de shèng zàn hé shōu tú de yuàn wàng， wéi fù qīn jìn rù guǎng bō shuō chàng tuán zhè gè qǔyì jiè dì yī liú de zhuān yè tuán tǐ pū píng liǎo dào lù。 dàn shì jù fù qīn shuō， tā zài dāng shí shì yòu xuǎn zé yú dì de。 tóng shí zhāo tā de hái yòu méi kuàng wén gōng tuán， ér fù qīn jiào qīng xiàng yú hòu zhě， yuán yīn shì méi kuàng wén gōng tuán dōushì nián qīng rén， yòu cháo qì， xiāng bǐ zhī xià guǎng bō shuō chàng tuán dōushì xiē lǎo yì rén， jiāng hú qì nóng。 duì yú yī gè 'èr shí 'èr suì de rén lái shuō， yòu cǐ xiǎng fǎ shì hěn zì rán de shì。 dàn tā rú guǒ zhēn dì jìn liǎo“ méi kuàng”， yě xǔ jiù méi yòu hòu lái de mǎ jì liǎo。
jìn liǎo guǎng bō shuō chàng tuán， yī qiē wán quán bù yī yàng liǎo。 xiàngshēng xiàng xǔ duō zhōng guó chuán tǒng de yì shù xíng shì yī yàng， méi yòu gù dìng de jiào shòu fāng fǎ， hěn duō chuán tǒng jié mù gēn běn méi yòu dǐ gǎo hé lù yīn， wán quán shì kào shī fù kǒu shòu jiā shàng xué shēng zì jǐ de lǐ jiě hé biǎo yǎn zhōng de jīng yàn jī lěi， zhú bù mō suǒ chū lái de。 yě zhèng shì zhè zhǒng fāng fǎ， cái shǐ hěn duō jié mù jīng guò jǐ dài rén de tuī qiāo hé wán shàn， qiān chuí bǎi liàn， chéng wéi zhēn zhèng de jīng pǐn。 xiǎng xué huì zhè zhǒng duàn zǐ， jiù zhǐ yòu xiàng zhǎng wò zuò pǐn de qián bèi xī xīn qiú jiào。 fù qīn zài zhè fāng miàn jiù tiān shí（ sì jiǔ nián jiě fàng zài yī dìng chéng xù shàng dǎ pò liǎo chuán tǒng de shī chéng guān niàn hé mén hù jiè xiàn）、 dì lì（ néng jiù jìn qiú jiào yú rú cǐ duō de qián bèi míng jiā）、 rén hé（ fù qīn zì shēn de sù zhì hé qín fèn） zhī biàn， shì yè shàng tū fēi měng jìn。
xíng wén zhì cǐ， wǒ xiǎng qǐ liǎo yī gè jīng cháng bèi rén wèn dào de wèn tí：
“ nǐ fù qīn dào dǐ shì bù shì hóu bǎo lín xiān shēng de tú dì？”
“ dāng rán shì！” chú qù zhī yù zhī 'ēn bù shuō， cóng hóu xiān shēng de yì shù sī xiǎng dào zuò pǐn de jì chéng、 cóng hóu pài xiàngshēng qīng xīn、 gāo yǎ de wǔ tái fēng gé de yīn xún、 cóng fù qīn zuò wéi sì jiǔ nián hòu xīn yī dài xiàngshēng yǎn yuán chéng shàng qǐ xià de wèi zhì、 hècóng běi fāng xiàngshēng liú pài de chuán chéng mài luò lái kàn， wǒ fù qīn háo wú yí wèn shì hóu xiān shēng de dí chuán dì zǐ。
tiān cái hěn duō shí hòu xū yào tōng guò qín fèn lái tǐ xiàn， wǒ fù qīn zài tā de shì yè shàng shì yī gè qín fèn de tiān cái。 dāng shí wǒ jiā zhù zài xī chéng mǎ xiāng hú tóng， shuō chàng tuán jiù zài shí bēi hú tóng， liǎng dì xiāng jù bù dào yī gōng lǐ， qí zì xíng chē jiù jǐ fēn zhōng de lù， kě shì fù qīn zài tuán lǐ pái liàn hé gǎo chuàng zuò， jīng cháng jǐ gè yuè cái huí yī tàng jiā， luò liǎo nǎi nǎi hěn duō mányuàn。 jīng guò jǐ nián de xué xí hé shí jiàn， fù qīn dǎ xià liǎo hěn hǎo de jī chǔ。 duì yú chuán tǒng jié mùdì shú xī， duì yú shuō、 xué、 dòu、 chàng sì mén jī běn gōng de zhǎng wò， duì yú chù lèi bàng tōng de qí tā qǔyì xíng shì de liǎo jiě， tā zài tóng yī dài rén zhōng dōushì shǒu qū yī zhǐ de。
rú guǒ bǎ wǔ shí nián dài kàn zuò xīn jiù xiàngshēng de fēn shuǐ lǐng， nà me xīn xiàngshēng zuì dà de tè diǎn shì zuò pǐn de chuàng zuò。 fù qīn zài zhǎng wò chuán tǒng de biǎo yǎn jì qiǎo hòu， dà dǎn dì jiāng zhè xiē jì qiǎo jiā jìn liǎo tā zì jǐ de chuàng zuò zhōng。 jù wǒ suǒ zhī， fù qīn de chǔnǚ zuò yīnggāi shì yī gè jiào“ dǎ lán qiú” de xiàngshēng， jí shǐ yòng jīn tiān de yǎn guāng lái kàn， zuò wéi chǔnǚ zuò“ dǎ lán qiú” yě shì hěn chéng gōng de。 qí hòu yī jiǔ wǔ bā nián tā xiě de“ yīng xióng xiǎo bā lù”、 wǔ jiǔ nián de“ zhǎo jiù jiù”、 liù yī nián de“ dēng shān yīng xióng zàn”、 liù sān nián de“ huà xiàng”、 liù sì nián de“ sān bǐ líng”， jiù xiàng yī gè gè jiǎo yìn， biāo zhì liǎo tā chéng gōng de dào lù。 zhè xiē xiàngshēng jīng diàn tái bō chū hòu fēng xíng yī shí， kuài zhì rén kǒu， mǎ jì de míng zì yě biàn dé jiā yù hù xiǎo。 yǔ cǐ tóng shí， fù qīn zì jǐ de fēng gé yě zhú jiàn què lì， tā zhù zhāng xiàngshēng fěng cì yǔ gē sòng bìng jǔ， chuàng lì liǎo gē sòng xíng xiàngshēng de měi xué yuán zé， zhè yī tū pò wéixiàng shēng de jìn bù hé fā zhǎn gòng xiàn liáng duō。 lǎo shè xiān shēng yī jiǔ liù yī nián fā biǎo zài《 rén mín rì bào》 shàng de“ jiàn kāng yǔ xiào shēng” zhōng céng yù yán： yǐ tā（ zhǐ fù qīn） de cái lì， ruò néng bù duàn tí gāo sī xiǎng wén huà， tā de chéng jiù shì wèi kě xiàn liàng de。
jiǎ rú méi yòu“ wén huà dà gé mìng”， zhōng guó de lì shǐ huì gǎi xiě， xǔ duō zhōng guó rén de mìng yùn huì bù yī yàng。 dàn jiǎ shè lì shǐ shì huāng táng de。“ wén gé” bì jìng gǎi biàn liǎo nà yī dài rén de mìng yùn， wǒ fù qīn yě bù lì wài。 shì jǐng zhōng liú chuán zhe yī zhǒng shuō fǎ， shuō wǒ fù qīn zài“ wén gé” zhōng shì zào fǎn pài， zhè shuō fǎ bù zhī yuán yú hé rén， qǐ zì hé shí， què shì bǎi fēn zhī bǎi de miù wù。“ wén gé” liù liù nián kāi shǐ shí， quán guó gè dān wèi dōuzài chéng lì“ gé mìng wěi yuán huì”， zuì chū de zǔ chéng yě shì gè dān wèi de lǐng dǎo rén wù。 wǒ fù qīn dāng shí shì yè wù jiān zǐ， bèi wěi yǐ fù zhù rèn zhī zhí， tā hái méi yòu wán quán gǎo qīng chǔ zhè“ fù zhù rèn” guǎn shénme shì de shí hòu， jiù guā qǐ liǎo dǎ jī liú shǎo qí fǎn dòng lù xiàn de fēng。 zhè shí hòu shuō chàng tuán cái chū xiàn liǎo zhēn zhèng de zào fǎn pài， wǒ fù qīn xiàng xǔ duō zài wèi zhě yī yàng， chéng liǎo lǐ suǒ dāng rán de dǎ jī mù biāo， bèi guànyǐ“ fǎn gé mìng xiū zhèng zhù yì fènzǐ”、“ bái zhuān dào lù de dài yán rén” de mào zǐ。 dàn shì zhè bǐ qǐ qí hòu de dà pī dǒu hái suàn shì“ hé fēng xì yǔ”。 wǒ mǔ qīn jiù shì zài zhè shí hòu jīng rén jiè shào rèn shí wǒ fù qīn de。 dāng jiè shào rén xiàng wǒ mǔ qīn tí qǐ mǎ jì de shí hòu， mǔ qīn píng tīng guǎng bō dé lái de yìn xiàng wèn：“ nà bù shì lǎo tóu zǐ má？”
tā men de dì yī cì yuē huì shì fù qīn dài mǔ qīn qù kàn pī pàn tā de dà zì bào。 zài dāng shí wén gōng tuán de suǒ zài dì héng héng fěn lóu， dà zì bào pū tiān gài dì， gěi mǔ qīn liú xià hěn shēn yìn xiàng。 wǒ hòu lái yī zhí rèn wéi fù qīn zhè zhāo hěn gāo míng， yī zhǒng jué miào de làng màn， yī zhǒng“ shì zhēn míng shì zì fēng liú” de làng màn。
cóng tā men jié hūn dào shēng wǒ， fù qīn dōushì zài bèi pī dǒu zhōng dù guò de。 mǔ qīn bào zhe nà gè“ tè dà hào” de wǒ cóng hā 'ěr bīn huí dào běi jīng， fù qīn xiǎng qǐng yī tiān jiǎ dào chē zhàn jiē wǒ men， jiēguǒ zhǐ bèi pī zhǔn bàn tiān， xià wǔ tā yǐ jiù huí dān wèi jiē shòu“ bāng zhù”。 hěn duō rén yǐ wéi“ wén gé” shí pēn qì shì de pī dǒu dà huì bù huì bèi yòng zài wǒ fù qīn zhè gè nián líng de yī dài rén shēn shàng， zài zhè yī diǎn shàng， fù qīn kě néng shì gè lì wài。 chú liǎo tā gè rén de zhuān chǎng pī dǒu huì wài， tā yě cháng“ róng xìng” dì bèi“ yāo qǐng” zài bié rén de pī dǒu huì shàng chū xí péi bǎng。 tā hòu lái yě cháng shuō tā de dì yīcháng“ zhuān chǎng wǎn huì” shì zài wén gé zhōng 'ér fēi yǐ hòu de yī jiǔ bā bā nián。
wǒ fù qīn yī gòng qù guò liǎng gè gànxiào， dì yī gè shì zài hēi lóng jiāng shěng nèn jiāng dì qū， hòu yīn lín biāo yī hào wén jiàn， quán bù chè huí guān nèi， zhòng shè zài hé nán huái yáng dì qū。 dāng shí zhōng zhí jī guān de gànxiào nóng chǎng dōuzài nà yī dài， shǐ chēng“ guān nèi dì yī dà chǎng”。 xiàngshēng shì“ sì jiù”， bù xǔ shuō， hěn duō hé tā yī qǐ qù gànxiào de yǎn yuán dū yǐ wéi zhè bèi zǐ zài yě gànbù liǎo běn xíng liǎo。 kě shì fù qīn xiāng xìn zǒng yòu yī tiān xiàngshēng néng huí dào wǔ tái shàng。 qī sān nián cóng hé nán huí dào běi jīng， tā lì jí kāi shǐ jì xù tā de chuàng zuò。 nà shí de huán jìng kě xiǎng 'ér zhī， fán wén yì zuò pǐn bì xū yǐ“ sān tū chū” wéi yuán zé。 fù qīn zài wén gé zhōng de dì yī gè zuò pǐn“ yǒu yì sòng”， xiě chéng zhī hòu xiū gǎi liǎo qī gè yuè， miǎnqiǎng tōng guò liǎo shàng miàn de shěn chá， dàn diàn tái hái shì bù gǎn bō， yīn wéi wén gé yǐ lái cóng méi yòu bō guò xiàngshēng。 yī gè jí 'ǒu rán de jī huì， bā yī diàn yǐng zhì piàn chǎng pāi shè“ wǔ yī” de jì lù piàn， qí zhōng shè qǔ liǎo qī fēn zhōng“ yǒu yì sòng” de piàn duàn， yáo wén yuán zài shěn piàn shí zhǐ shuō： kě yǐ bā。 jì lù piàn fàng liǎo， diàn tái de rén cái gǎn zài guǎng bō zhōng fàng lù yīn。 fù qīn de sān gè zuò pǐn“ yǒu yì sòng”、“ shān yīng”、“ hǎi yàn” shì wén gé zhōng jǐn yòu de xiàngshēng， yě shì nà gè nián dài jǐn yòu de xiào shēng， zhí dào jīn tiān， hái yòu bù zhī jiù lǐ de nián qīng rén rèn wéixiàng shēng shì cóng“ yǒu yì sòng” yǐ hòu cái yòu de。
suí zhe“ sì rén bāng” de dǎo tái， xiàngshēng zài quán guó fàn wéi nèi xiān qǐ liǎo yī gè gāo cháo，“ wǔ tái fēng léi”、“ xīn táo huā yuán jì” děngdōu shì guān zhòng 'ěr shú néng xiáng de duàn zǐ。 yī jiǔ qī qī nián zài rén mín dà huì táng de guó yàn shàng， yè shèng táo lǎo rén xīng chōng chōng dì duān zhe jiǔ bēi zǒu dào wǒ fù qīn zhuō qián zhù jiǔ， lián shēng kuā zàn“ xīn táo huā yuán jì”：“ mǎ jì yā， xiàngshēng jiù shì yào xiě zhè yàng de。 hǎo！ yòu zhī shí， yòu yì sī！ lái， zhù nǐ chéng gōng！ ……” diàn shì jìn rù měi yī gè jiā tíng， duì yú gōng zhòng rén wù de xíng xiàng shēn rù rén xīn qǐ liǎo zhì guān zhòng yào de zuò yòng。 ér zhè duàn shí jiān yě zhèng shì wǒ fù qīn zài tā shì yè shàng zǒu xiàng wán quán chéng shú de shí qī。 bā shí nián dài yǐ lái tā jiā zuò fēn chéng， wǔ tái biǎo yǎn yě jiàn rù lú huǒ chún qīng zhī jìng。 bā sān nián kāi shǐ de chūn jié wǎn huì yóu qí lìng rén yìn xiàng shēn kè， bā wǔ nián quán guó shí dà xiào xīng píng xuǎn zhōng tā míng liè bǎng shǒu， bā bā nián wéi jì niàn tā wǔ tái shēng huó sà nián 'ér jǔ bàn liǎo“ mǎ jì xiàngshēng zuò pǐn yǎn chū huì”， zài quán guó jìn xíng xún huí yǎn chū， shèng kuàng kōng qián。 jiǔ shí nián dài tā de shí jǐ míng dì zǐ zài sū zhōu jǔ xíng“ xiè shī huì”， zài wén yì jiè chuán wéi jiā huà。
miào yǔ rú tāo dòng xiá 'ěr
sān fēn rù mù yù huān huá
rán xī zhú guài cháng yǔ bǐ
liàn shí bǔ tiān xué nǚ wā
zhè shì zhù míng huà jiā fàn céng tí zèng wǒ fù qīn de yī shǒu shī。 sà wǔ nián lái， wǒ fù qīn chuàng zuò dà xiǎo sān bǎi duō gè xiàngshēng zuò pǐn， mén rén dì zǐ zhōng yòu jiāng kūn、 zhào yán、 féng gǒng、 liú wěi、 huáng hóng…… huó yuè zài gè zhǒng wǔ tái shàng。 tā zì jǐ zé yǐ rán zài bù duàn de chuàng xīn zhōng， tā de yì shù shēng yá hái méi yòu huà shàng jù hào。
gōng zhòng rén wù de yì sī wǎng wǎng shì bèi gōng zhòng guān xīn hé yì lùn de rén wù， wǔ tái shàng de fù qīn dài gěi guān zhòng xiào shēng， shēng huó zhōng de tā què jīng cháng yù shàng fán nǎo。 tā měi cì chū mén zǒng shì bèi lù rén rèn chū， rèn chū hòu jiù shì“ zhōng guó tè sè” de wéi guān。 qí shí suǒ yòu réndōu shì chū yú hàoqí hé xǐ huān héng héng zhè mǎ jì dào dǐ hé diàn shì shàng cháng dé yī yàng bù yī yàng？ dàn shuí yě bù xiǎng zhè xiē“ hǎo xīn” dū jí zhōng zài yī gè rén shēn shàng shí， jiù gòu tā shòu de liǎo。 wǒ lái 'ào zhōu qián jǐ tiān， fù qīn xiǎng dài wǒ qù xī dān mǎi yī fú， chē tíng zài hú tóng lǐ， tā gāng chū hú tóng méi yòu shí mǐ jiù ràng rén wéi qǐ lái liǎo， dōng xī méi mǎi chéng， huí dào chē lǐ tā duì wǒ shuō zhè shì tā shí wǔ nián lái dì yī cì lái xī dān。 wǒ men jiā jiù gèng béng tí liǎo， zhǐ yào fù qīn zài jiā， jiù zǒng shì rén liú bù duàn， cóng zǎo shàng shí diǎn dào wǎn shàng shí 'èr diǎn。 qí zhōng yòu péng yǒu、 tóng xíng、 tā de xué shēng、 tóng shì、 rèn shí de、 bù rèn shí de， shénme réndōu yòu， hái yòu hěn duō shì cóng wài dì lái běi jīng zhǎo fù qīn xué xiàngshēng de。 jiù lián guǎng bō diàn shì bù mén kǒu zhàn gǎng zhí qín de wǔ jǐng dōuzhī dào wǒ men jiā dì zhǐ。 yī yòu rén zhǎo mǎ jì， lì kè wǎng wǒ men jiā gǎn， zhōng fàn wǎn fàn cháng cháng shì yī dà zhuō rén。 shuō qǐ zhè xiē， wǒ jiù jué dé wǒ mǔ qīn hěn liǎo bù qǐ， tā shì zhōng guó chàngpiān gōng sī de yīnyuè biān ji， jiān gù zì jǐ shì yè de tóng shí， hái dé bāng fù qīn liào lǐ lǐ lǐ wài wài。 lìng wài jiù shì shè huì shàng liú chuán de gè zhǒng liú yán fěi yǔ， jīn tiān mǎ jì dǎo mài huáng jīn liǎo， míng tiān zǒu sī ràng rén zhuā qǐ lái liǎo…… kāi shǐ de shí hòu， jiā lǐ rén hái zhēn zháojí， shí jiān yī cháng quándōu jiàn guài bù guài liǎo。 yě xǔ zhè xiē dōushì míng rén de dài jià。
hěn duō rén wèn wǒ：“ nǐ yòu méi yòu gēn nǐ bà bà xué shuō xiàngshēng？” wǒ huí dá shuō：“ méi yòu。” díquè méi yòu。 fù mǔ cóng xiǎo jiù bù ràng wǒ wǎng zhè juàn zǐ lǐ jìn， yě yā gēn 'ér méi xiǎng ràng wǒ gān zhè xíng。 kě shì shēng huó zài zhè yàng de jiā tíng lǐ， ěr rú mù rǎn de， duō shǎo shòu liǎo xiē xūn táo。 féng gǒng yǐ qián duì wǒ shuō： nǐ zǎo wǎn dé gān zhè xíng。 huì fǒu bèi tā bù xìng 'ér yán zhōng ní？ zhǐ yòu tiān zhī dào。
zhōng guó gǔ yǔ shuō： fù mǔ zài， bù yuǎn yóu。 wǒ bù shì gè xiào zǐ， zuò wéi dú shēng zǐ bù néng péi zài fù mǔ shēn biān。 qī nián qián wǒ zhǐ shēn lái 'ào， lín xíng qián yè， fù qīn gěi wǒ jiǎng liǎo tā shí sān suì qù shàng hǎi xué tú de jīng lì zuò wéi lín bié zèng yán。 wǒ lǐ jiě tā de liáng kǔ yòng xīn。 qī nián lái wǒ zài 'ào zhōu yī shì wú chéng， měi sī jí cǐ， zhōng yòu kuì wéi rén zǐ zhī gǎn。
hán yè jiāng jìn， dōng fāng jì bái。 wú lùn fù qīn zhè cì lái 'ào néng fǒu chéngháng， xiāng xìn wǒ bù jiǔ jiù kě yǐ jiàn dào tā liǎo。 □ zhāi zì 'ào dà lì yà《 huá lián shí bào》
xú míng yáng gōng gǎo
- On the Season
* Ma Dong
My father racing season, formerly known as Ma Shuhuai, born in Beijing in 1933, thirty-year-old and my mother married, the end of 1968 I was born in Harbin.
Although I was an only child, was my childhood days together with his father not many. In my mind, he always has ten months of the year in the field, not at home on holidays is often a matter. People are accustomed to at home, he happily, as to the field performances, writing, depth of life, and so is his career, he's fun.
Small family my father is not good. Grandfather died young, depends entirely on the lives of four brothers and sisters, one grandmother support, uncle and my father was forced to read "upper primary" to go out as an apprentice. Uncle went to Tianjin, then get married and have children, in Tianjin, "root children" of the. Father went to Shanghai for a five-year, apprentices, although not learn anything, but since then his independent life begins. Back to Beijing coincided with the liberation, he re-enter school, finished junior high school. 1951, he was admitted to the Beijing Xinhua Bookstore, has in Wangfujing, Haidian, and other outlets work. That is, since then, his literary talent for gradually emerged in the amateur life.
Drafting this point, I thought often been asked a question:
"Your father is not Mr. Hou Baolin in the end the apprentice?"
"Of course!" Remove helping his career did not say, from Hou's works of art thought to inherit, from the comic Hou send fresh, elegant style, follow the stage, as in 2049 from his father after the location of a new generation of comic actors nexus , and the comic genre from the heritage context of the north point of view, there is no doubt my father's heir to Mr. Hou.
Genius often need to be embodied through hard work, my father in his career is a hard-working talent. At that time I lived in West Side alley Ma, rap groups in stone alley, two less than a kilometer away, the road bike for a few minutes, but the father in the regiment, and Gao Chuangzuo rehearsal, only a few months back to visit often home, down a grandmother many complain. After several years of study and practice, his father laid a good foundation. Familiar with the traditional program, for that, science, funny, singing four basic skills of the master, for the analogy of other folk art forms of understanding, he in the same generation are second to none.
If the fifties as a watershed in the old and new comic, the new feature is the greatest comic works of creation. Father in control of the traditional performing skills, the bold will add these skills into his own creation. As far as I know, the father's debut should be called "playing basketball" cross-talk, using today's point of view, as a debut, "playing basketball" is also very successful. Subsequently in 1958 he wrote "Hero Little Eight", 2059's "looking for uncle," 2061's "climbing like a hero," 2063's "Portrait", 2064's "three to zero ", as one step, marking his path to success. The comic was broadcast through the radio became popular, famous, racing season has become a household name. At the same time, the father gradually established his own style, his comic irony and praise both advocated the creation of a song type of comic's aesthetic principles, the breakthrough for the cross talk contribution to the progress and development. Lao She in 1961 published in the "People's Daily" on the "health and laughter" had predicted: in him (father) wit, if we can constantly improve the ideological and cultural achievements are yet to know his limits .
If there is no "Cultural Revolution", China's history will be rewritten and the fate of many Chinese people would be different. But suppose history is absurd. "Cultural Revolution", after all, has changed the fate of his generation, my father is no exception. Marketplace in circulating a statement saying that my father in the "Cultural Revolution" is a rebel, I do not know from whom this argument, starting from the time, but it is one hundred percent false. "Cultural Revolution" began in 2066 when the units are _set_ up across the country, "Revolutionary Committee", is composed of the first leaders of various units. My father was the business elite, was appointed to the post of deputy director, he has not completely clear about this, "deputy director of the" control what, when, on the blowing wind against Liu Shaoqi reactionary line. It only appeared when the rap group the real rebel, like my father, like many incumbents, has become natural targets, known as the "counter-revolutionary revisionist elements", "white road special advocate" hat. But this criticism fairly large compared to later be "sweetness and light." My mother was at this time was introduced to my father. When the referrals brought to the racing season, when my mother, my mother obtained the impression that by listening to the radio asked: "Is not that old man do?"
Their first date is the critical father took his mother to see poster. Backstage at the time the location - Powder House, posters overwhelming for my mother left a deep impression. I always thought my father was very clear this mode, a wonderful romantic, a "true celebrities from the romantic" romantic.
I am married to the students from their father were spent in political campaigns in the. Mother holding that "large number" I returned to Beijing from Harbin, the father want the day off to the station to meet us, only to be approved by a half-day afternoon, back to his unit is still receiving "help." Many people think that the "Cultural Revolution" when the jet's political campaigns, the Assembly will not be used in this age of my father's generation who, at this point, the father may be an exception. In addition to his own special struggle sessions, he often "honored" to be "invited" to attend the meeting in someone else's criticism tied to accompany. He was often said that his first "special evening" is not in the Cultural Revolution after 1988.
My father visited a total of two cadre school, the first region in the Nen River in Heilongjiang province, after the first document by Lin Biao, withdraw customs, re-located in the Henan Huaiyang area. At that time the organs of the cadre school farms in that area, known as "the first big off the field." Crosstalk is the "four olds", not allowed to say, many go with him cadre of actors that the Bank can not do in this life no longer has. However, crosstalk can believe that one day his father returned to the stage. Returned to Beijing from Henan in 2073, he immediately began to continue his writing. At that time the environment can be imagined, where literary and artistic works must be "three prominent" principle. Father during the Cultural Revolution in the first work, "Friendship Song", written seven months after the change, barely passed the above review, but the radio is not broadcast, because broadcast during the Cultural Revolution has never been cross talk. A great chance, August First Film Studio film "May Day" documentary, in which the intake of seven minutes, "Friendship Song" clip, Yao Wen-yuan said in the review films only: to it. Put documentary, radio talent dare put on the radio recording. Three works of his father's "Friendship Song", "Mountain Eagle", "Swallow" is the only comic in the Cultural Revolution, is the only laugh that era, until today, I do not know to young people in there that the crosstalk is "Friendship Song" only after the.
With the "Gang of Four" in the fall, comic dialogue in the country _set_ off a climax, "the stage wind and thunder," "New Peach Blossom Spring", which are well known piece is the audience. 1977's state dinner in the Great Hall, tao old excitedly came up to me carrying his father at the table toasting glasses, repeatedly praise the "New Peach Blossom Spring": "Yeah racing season, is to write this comic. Good ! have the knowledge, fun! to, I wish you success! ... ... "TV into every family enjoys popular support for the image of public figures played a crucial role. And this time is what my father in his career to fully mature period. His excellent work since the eighties scene, the stage reached a pinnacle of performance is also getting into the environment. 2083 Spring Festival Party started particularly impressive, in 2085, he _select_ed the top ten comedians topped the list in 2088 to commemorate his life of thirty years and held the stage "racing season comic work will be performed" in the carried out nationwide tour, unprecedented. Nineties a dozen of his disciples held in Suzhou, "Xie Society" in literary and art circles for the elephants.
If oscillation is well wit
Two-thirds into the Muyuhuanhua
Burning candle strange Changyu rhino pen
Nu Wa Shi Lian Sky Science
This is the famous painter Van has inscribed a poem by my father. Thirty five years, the size of my father three hundred comic creation works, his disciples in Jiang Kun, Zhao Yan, Feng Gong, Liu, Andrew ... ... active in a variety of stage. He himself remained in constant innovation, his artistic career has not ends.
The meaning of public figures often are the characters of public concern and debate, the father of the stage the audience laughter, the life he has often encountered trouble. Every time he always travels by passersby out, after recognizing that "Chinese characteristics" of the onlookers. In fact, everyone is out of curiosity and love - this racing season in the end and not the same as on TV look? But who do not want these "good intentions" are concentrated in one person when his subject was enough. I came to Australia a few days ago, my father wanted to take me to the Xidan shopping for clothes, cars parked in the alley, he just left lane is not ten meters on the people around them, and things did not buy into, back in the car he said to me that was his first time in fifteen years to Xidan. Not to mention our family even more, as long as my father at home, will always crowded with people, from ten in the morning to midnight. Including friends, colleagues, his students, colleagues, know, do not know, what people have, there are many to Beijing to find her father from the field study of comic dialogue. Even the mouth of radio and television department of the armed police guard on duty all know our home address. Some people looking for a racing season, and immediately rush to our house, dinner, lunch is often a large table of people. Speaking of which, I think my mother was great, she is the record company's music editor, taking into account their own careers at the same time, had to help my father cooking inside and out. The other is the various rumors circulating in society today, reselling gold racing season, and smuggling of people to catch up tomorrow ... ... the beginning, the family really anxious, over time all flattering. Perhaps these are the celebrity price.
Many people have asked me: "Do you have cross talk with your dad doctrine?" I replied: "no." Indeed not. Parents would not let me into this small circle of progress, it simply did let me do this line of thought. But living in such families, monasteries, and the number of Shou Lexie edified. Feng Gong ago said to me: sooner or later you have to do this trip. Unfortunately, he will be concerned as well? Only God knows.
Chinese proverb says: parents, do not travel to distant lands. I am not a dutiful son, as the only child can not stay with her parents. Seven years ago I come to Australia alone, the eve of his departure, my father told me he was thirteen years old to go to Shanghai as the parting words the experience of apprenticeship. I understand his care and thought. I have nothing in Australia seven years, each thinking of this, the final sub-human feeling guilty.
Cold night will do, East Dawning. Regardless of whether the father had come to Australia trip, I believe I can see him soon. □ From Australia "Hualian Times"
Xu famous Feeds
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