现实百态 Resurrection   》 TRANSLATOR'S PREFACE      Leo Tolstoy


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Resurrection (Russian: Воскресение, Voskreseniye), first published in 1899, was the last novel written by Leo Tolstoy. The book is the last of his major long fiction works published in his lifetime (it was first serialized in the popular weekly Niva). Tolstoy intended the novel as an exposition of injustice of man-made laws and the hypocrisy of institutionalized church. It was first published serially in the magazine Niva as an effort to raise funds for the resettlement of the Dukhobors. Plot outline The story is about a nobleman named Dmitri Ivanovich Nekhlyudov, who seeks redemption for a sin committed years earlier. His brief affair with a maid resulted in her being fired and ending up in prostitution. The book treats his attempts to help her out of her current misery, but also focuses on his personal mental and moral struggle. Framed for murder, the maid, Maslova, is convicted by mistake, sent to Siberia. Nekhlyudov goes to visit her in prison, meets other prisoners, hears their stories, and slowly comes to realize that all around his charmed and golden aristocratic world, yet invisible to it, is a much larger world of oppression, misery and barbarism. Story after story he hears and even sees of people chained without cause, beaten without cause, immured in dungeons for life without cause—and all punctuated like lightning flashes by startling vignettes—a twelve year old boy sleeping in a lake of human dung from an overflowing latrine because there is no other place on the prison floor, but clinging in a vain search for love to the leg of the man next to him—until the book achieves the bizarre intensity of a horrific fever dream. Popular and critical reception The book was eagerly awaited. "How all of us rejoiced," one critic wrote on learning that Tolstoy had decided to make his first fiction in 25 years, not a short novella but a full-length novel. "May God grant that there will be more and more!" It outsold Anna Karenina and War and Peace. Despite its early success, today Resurrection is not as famous as the works that preceded it. Some writers have said that Resurrection has characters that are one-dimensional and that as a whole the book lacks Tolstoy's earlier attention to detail. By this point, Tolstoy was writing in a style that favored meaning over aesthetic quality. The book faced much censorship upon publication. The complete and accurate text was not published until 1936. Many publishers printed their own editions because they assumed that Tolstoy had given up all copyrights as he had done with previous books. Instead, Tolstoy kept the copyright and donated all royalties to Doukhobor,who were Russian pacifists hoping to emigrate to Canada. Adaptations Operatic adaptations of the novel include the Risurrezione by Italian composer Franco Alfano, Vzkriesenie by Slovak composer Ján Cikker, and Resurrection by American composer Tod Machover. Additionally, various film adaptations have been produced. The well known version is a Russian film Resurrection directed by Mikhail Shveitser with Evgeniy Matveyev, Tamara Semina and Pavel Massalsky.
TRANSLATOR'S PREFACE Opinions about Tolstoy and his work differ, but on one point there surely might be unanimity. A writer of world-wide reputation should be at least allowed to know how to spell his own name. Why should any one insist on spelling it "Tolstoi" (with one, two or three dots over the "i"), when he himself writes it "Tolstoy"? The only reason I have ever heard suggested is, that in England and America such outlandish views are attributed to him, that an outlandish spelling is desirable to match those views. This novel, written in the rough by Tolstoy some years ago and founded upon an actual occurrence, was completely rewritten by him during the last year and a half, and all the proceeds have been devoted by him to aiding the Doukhobors, a sect who were persecuted in the Caucasus (especially from 1895 to 1898) for refusing to learn war. About seven thousand three hundred of them are settled in Canada, and about a hundred of the leaders are exiled to the remote parts of Siberia. Anything I may receive for my work in translating the book will go to the same cause. "Prevention is better than cure," and I would rather help people to abstain from killing and wounding each other than devote the money to patch up their wounds after the battle. LOUISE MAUDE



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TRANSLATOR'S PREFACECHAPTER I.CHAPTER II.CHAPTER III.CHAPTER IV.
CHAPTER V.CHAPTER VI.CHAPTER VII.CHAPTER VIII.CHAPTER IX.CHAPTER X.
CHAPTER XI.CHAPTER XII.CHAPTER XIII.CHAPTER XIV.CHAPTER XV.CHAPTER XVI.
CHAPTER XVII.CHAPTER XVIII.CHAPTER XIX.CHAPTER XX.CHAPTER XXI.CHAPTER XXII.
No.   I   [II]   [III]   [IV]   [V]   [VI]   Page

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