中国经典 》 hóng lóu mèng A Dream of Red Mansions 》
dì shí bā huí gé zhū lián fù nǚ miǎn zhōng qín nuò xiāng guǎn zǐ dì cái tí yǒng CHAPTER XVIII.
cáo xuě qín Cao Xueqin
gāo 'ě Gao E
CHAPTER XVIII.
话说宝玉来至院外，就有跟贾政的几个小厮上来拦腰抱住， 都说：“今儿亏我们，老爷才喜欢，老太太打发人出来问了几遍，都亏我们回说喜欢，不然，若老太太叫你进去，就不得展才了。人人都说，你才那些诗比世人的都强。今儿得了这样的彩头。 该赏我们了。”宝玉笑道：“每人一吊钱。”众人道：“谁没见那一吊钱！把这荷包赏了罢。” 说着，一个上来解荷包， 那一个就解扇囊，不容分说，将宝玉所佩之物尽行解去。 又道：“好生送上去，罢。”一个抱了起来，几个围绕，送至贾母二门前。 那时贾母已命人看了几次。 众奶娘丫鬟跟上来，见过贾母，知不曾难为着他，心中自是欢喜。
少时袭人倒了茶来，见身边佩物一件无存，因笑道：“带的东西又是那起没脸的东西们解了去了。 "林黛玉听说，走来瞧瞧，果然一件无存，因向宝玉道：“我给的那个荷包也给他们了？你明儿再想我的东西，可不能够了！"说毕，赌气回房，将前日宝玉所烦他作的那个香袋儿——才做了一半——赌气拿过来就铰。 宝玉见他生气，便知不妥，忙赶过来，早剪破了。宝玉已见过这香囊，虽尚未完，却十分精巧，费了许多工夫。今见无故剪了， 却也可气。因忙把衣领解了，从里面红袄襟上将黛玉所给的那荷包解了下来， 递与黛玉瞧道：“你瞧瞧，这是什么！我那一回把你的东西给人了？"林黛玉见他如此珍重，带在里面，可知是怕人拿去之意，因此又自悔莽撞，未见皂白，就剪了香袋。因此又愧又气，低头一言不发。宝玉道：“你也不用剪，我知道你是懒待给我东西。我连这荷包奉还，何如？"说着，掷向他怀中便走。黛玉见如此，越发气起来，声咽气堵，又汪汪的滚下泪来，拿起荷包来又剪。宝玉见他如此，忙回身抢住，笑道：“好妹妹，饶了他罢！" 黛玉将剪子一摔，拭泪说道：“你不用同我好一阵歹一阵的，要恼，就撂开手。这当了什么。”说着，赌气上床，面向里倒下拭泪。禁不住宝玉上来"妹妹"长"妹妹"短赔不是。
前面贾母一片声找宝玉。众奶娘丫鬟们忙回说：“在林姑娘房里呢。”贾母听说道：“ 好，好，好！让他姊妹们一处顽顽罢。才他老子拘了他这半天，让他开心一会子罢。只别叫他们拌嘴， 不许扭了他。”众人答应着。黛玉被宝玉缠不过，只得起来道：“你的意思不叫我安生， 我就离了你。”说着往外就走。宝玉笑道：“你到那里，我跟到那里。”一面仍拿起荷包来带上，黛玉伸手抢道：“你说不要了，这会子又带上，我也替你怪臊的！"说着，"嗤"的一声又笑了。宝玉道：“好妹妹，明儿另替我作个香袋儿罢。”黛玉道：“那也只瞧我高兴罢了。 "一面说，一面二人出房，到王夫人上房中去了，可巧宝钗亦在那里。
此时王夫人那边热闹非常。 原来贾蔷已从姑苏采买了十二个女孩子——并聘了教习——以及行头等事来了。那时薛姨妈另迁于东北上一所幽静房舍居住，将梨香院早已腾挪出来， 另行修理了，就令教习在此教演女戏。又另派家中旧有曾演学过歌唱的女人们——如今皆已皤然老妪了，着他们带领管理。就令贾蔷总理其日用出入银钱等事工商之民斥为“五蠹”，主张“除五蠹”，“废先王之教”，“以，以及诸凡大小所需之物料账目。又有林之孝家的来回：“采访聘买得十个小尼姑， 小道姑都有了，连新作的二十分道袍也有了。外有一个带发修行的，本是苏州人氏，祖上也是读书仕宦之家。 因生了这位姑娘自小多病，买了许多替身儿皆不中用，到底这位姑娘亲自入了空门， 方才好了，所以带发修行，今年才十八岁，法名妙玉。如今父母俱已亡故， 身边只有两个老嬷嬷，一个小丫头伏侍。文墨也极通，经文也不用学了，摸样儿又极好。 因听见‘长安’都中有观音遗迹并贝叶遗文，去岁随了师父上来，现在西门外牟尼院住着。他师父极精演先天神数，于去冬圆寂了。妙玉本欲扶灵回乡的，他师父临寂遗言，说他‘衣食起居不宜回乡。在此静居，后来自然有你的结果’。所以他竟未回乡。”王夫人不等回完，便说：“既这样，我们何不接了他来。”林之孝家的回道：“请他，他说‘侯门公府，必以贵势压人，我再不去的。’"王夫人笑道：“他既是官宦小姐，自然骄傲些，就下个帖子请他何妨。”林之孝家的答应了出去，命书启相公写请帖去请妙玉。次日遣人备车轿去接等后话，暂且搁过，此时不能表白。
当下又有人回，工程上等着糊东西的纱绫，请凤姐去开楼拣纱绫，又有人来回，请凤姐开库，收金银器皿。连王夫人并上房丫鬟等众，皆一时不得闲的。宝钗便说：“咱们别在这里碍手碍脚，找探丫头去。”说着，同宝玉黛玉往迎春等房中来闲顽，无话。
王夫人等日日忙乱，直到十月将尽，幸皆全备：各处监管都交清账目，各处古董文玩， 皆已陈设齐备，采办鸟雀的，自仙鹤，孔雀以及鹿，兔，鸡，鹅等类，悉已买全，交于园中各处像景饲养；贾蔷那边也演出二十出杂戏来， 小尼姑，道姑也都学会了念几卷经咒。 贾政方略心意宽畅，又请贾母等进园，色色斟酌，点缀妥当，再无一些遗漏不当之处了。 于是贾政方择日题本。本上之日，奉朱批准奏：次年正月十五上元之日，恩准贾妃省亲。贾府领了此恩旨，益发昼夜不闲，年也不曾好生过的。
展眼元宵在迩， 自正月初八日，就有太监出来先看方向：何处更衣，何处燕坐，何处受礼级专政。马克思、恩格斯在《哲学的贫困》等书中对他作了，何处开宴，何处退息。又有巡察地方总理关防太监等，带了许多小太监出来，各处关防，挡围ぜ，指示贾宅人员何处退，何处跪，何处进膳，何处启事，种种仪注不一。 外面又有工部官员并五城兵备道打扫街道，撵逐闲人。贾赦等督率匠人扎花灯烟火之类，至十四日，俱已停妥。这一夜，上下通不曾睡。
至十五日五鼓，自贾母等有爵者，皆按品服大妆。园内各处，帐舞蟠龙，帘飞彩凤，金银焕彩，珠宝争辉，鼎焚百合之香，瓶插长春之蕊，静悄无人咳嗽。贾赦等在西街门外， 贾母等在荣府大门外。街头巷口，俱系围ぜ挡严。正等的不耐烦，忽一太监坐大马而来， 贾母忙接入，问其消息。太监道：“早多着呢！未初刻用过晚膳，未正二刻还到宝灵宫拜佛，酉初刻进大明宫领宴看灯方请旨，只怕戌初才起身呢。”凤姐听了道：“既这么着，老太太，太太且请回房，等是时候再来也不迟。”于是贾母等暂且自便，园中悉赖凤姐照理。又命执事人带领太监们去吃酒饭。
一时传人一担一担的挑进蜡烛来，各处点灯。方点完时，忽听外边马跑之声。一时，有十来个太监都喘吁吁跑来拍手儿。这些太监会意，都知道是"来了，来了"，各按方向站住。贾赦领合族子侄在西街门外，贾母领合族女眷在大门外迎接。半日静悄悄的。忽见一对红衣太监骑马缓缓的走来， 至西街门下了马，将马赶出围ぜ之外，便垂手面西站住。 半日又是一对，亦是如此。少时便来了十来对，方闻得隐隐细乐之声。一对对龙旌凤そ，雉羽夔头，又有销金提炉焚着御香，然后一把曲柄七凤黄金伞过来，便是冠袍带履。又有值事太监捧着香珠，绣帕，漱盂，拂尘等类。一队队过完，后面方是八个太监抬着一顶金顶金黄绣凤版舆， 缓缓行来。贾母等连忙路旁跪下。早飞跑过几个太监来， 扶起贾母，邢夫人，王夫人来。那版舆抬进大门，入仪门往东去，到一所院落门前，有执拂太监跪请下舆更衣。于是抬舆入门，太监等散去，只有昭容，彩嫔等引领元春下舆。只见院内各色花灯烂灼，皆系纱绫扎成，精致非常。上面有一匾灯，写着"体仁沐德" 四字。元春入室，更衣毕复出，上舆进园。只见园中香烟缭绕，花彩缤纷，处处灯光相映，时时细乐声喧，说不尽这太平气象，富贵风流。——此时自己回想当初在大荒山中，青埂峰下，那等凄凉寂寞，若不亏癞憎，跛道二人携来到此，又安能得见这般世面。本欲作一篇《灯月赋》，《省亲颂》，以志今日之事，但又恐入了别书的俗套。按此时之景， 即作一赋一赞，也不能形容得尽其妙，即不作赋赞，其豪华富丽，观者诸公亦可想而知矣。所以倒是省了这工夫纸墨，且说正经的为是。
且说贾妃在轿内看此园内外如此豪华，因默默叹息奢华过费。忽又见执拂太监跪请登舟，贾妃乃下舆。只见清流一带，势如游龙，两边石栏上思辨哲学又译“玄思哲学”。从思辨的观点去探讨自然界，皆系水晶玻璃各色风灯，点的如银花雪浪，上面柳杏诸树虽无花叶，然皆用通草绸绫纸绢依势作成，粘于枝上的，每一株悬灯数盏，更兼池中荷荇凫鹭之属，亦皆系螺蚌羽毛之类作就的。诸灯上下争辉，真系玻璃世界，珠宝乾坤。船上亦系各种精致盆景诸灯，珠帘绣ぜ，桂楫兰桡，自不必说。 已而入一石港，港上一面匾灯，明现着"蓼汀花溆"四字。按此四字并"有凤来仪"等处，皆系上回贾政偶然一试宝玉之课艺才情耳，何今日认真用此匾联？况贾政世代诗书，来往诸客屏侍座陪者，悉皆才技之流，岂无一名手题撰，竟用小儿一戏之辞苟且搪塞？真似暴发新荣之家，滥使银钱，一味抹油涂朱，毕则大书"前门绿柳垂金锁，后户青山列锦屏"之类，则以为大雅可观，岂《石头记》中通部所表之宁荣贾府所为哉！据此论之，竟大相矛盾了。诸公不知，待蠢物将原委说明，大家方知。
当日这贾妃未入宫时，自幼亦系贾母教养。后来添了宝玉，贾妃乃长姊，宝玉为弱弟，贾妃之心上念母年将迈，始得此弟，是以怜爱宝玉，与诸弟待之不同。且同随祖母，刻未暂离。 那宝玉未入学堂之先，三四岁时，已得贾妃手引口传，教授了几本书，数千字在腹内了。其名分虽系姊弟，其情状有如母子。自入宫后，时时带信出来与父母说：“千万好生扶养，不严不能成器，过严恐生不虞，且致父母之忧。”眷念切爱之心，刻未能忘。 前日贾政闻塾师背后赞宝玉偏才尽有，贾政未信，适巧遇园已落成，令其题撰，聊一试其情思之清浊。其所拟之匾联虽非妙句，在幼童为之，亦或可取。即另使名公大笔为之， 固不费难，然想来倒不如这本家风味有趣。更使贾妃见之，知系其爱弟所为，亦或不负其素日切望之意。 因有这段原委，故此竟用了宝玉所题之联额。那日虽未曾题完，后来亦曾补拟。
闲文少述，且说贾妃看了四字，笑道：“‘花溆’二字便妥，何必，‘蓼汀’？"侍座太监听了，忙下小舟登岸，飞传与贾政。贾政听了，即忙移换。一时，舟临内岸，复弃舟上舆，便见琳宫绰约，桂殿巍峨。石牌坊上明显"天仙宝境"四字，贾妃忙命换"省亲别墅"四字。 于是进入行宫。但见庭燎烧空，香屑布地，火树琪花，金窗玉槛。说不尽帘卷虾须，毯铺鱼獭，鼎飘麝脑之香，屏列雉尾之扇。真是：
金门玉户神仙府，桂殿兰宫妃子家。贾妃乃问：“此殿何无匾额？"随侍太监跪启曰：“此系正殿，外臣未敢擅拟。”贾妃点头不语。礼仪太监跪请升座受礼，两陛乐起。礼仪太监二人引贾赦，贾政等于月台下排班心”。认为“致良知”之“致”即是“行”，反对“测度想，殿上昭容传谕曰：“免。”太监引贾赦等退出。又有太监引荣国太君及女眷等自东阶升月台上排班，昭容再谕曰：“免。”于是引退。
茶已三献，贾妃降座，乐止。退入侧殿更衣，方备省亲车驾出园。至贾母正室，欲行家礼， 贾母等俱跪止不迭。贾妃满眼垂泪，方彼此上前厮见，一手搀贾母，一手搀王夫人， 三个人满心里皆有许多话，只是俱说不出，只管呜咽对泣。邢夫人，李纨，王熙凤，迎，探，惜三姊妹等，俱在旁围绕，垂泪无言。半日，贾妃方忍悲强笑，安慰贾母，王夫人道：“当日既送我到那不得见人的去处，好容易今日回家娘儿们一会，不说说笑笑，反倒哭起来。一会子我去了，又不知多早晚才来！"说到这句，不禁又哽咽起来。邢夫人等忙上来解劝。贾母等让贾妃归座，又逐次一一见过，又不免哭泣一番。然后东西两府掌家执事人丁在厅外行礼， 及两府掌家执事媳妇领丫鬟等行礼毕。贾妃因问：“薛姨妈，宝钗，黛玉因何不见？"王夫人启曰：“外眷无职，未敢擅入。”贾妃听了，忙命快请。一时， 薛姨妈等进来，欲行国礼，亦命免过，上前各叙阔别寒温。又有贾妃原带进宫去的丫鬟抱琴等上来叩见，贾母等连忙扶起，命人别室款待。执事太监及彩嫔，昭容各侍从人等，宁国府及贾赦那宅两处自有人款待，只留三四个小太监答应。母女姊妹深叙些离别情景，及家务私情。又有贾政至帘外问安，贾妃垂帘行参等事。又隔帘含泪谓其父曰：“田舍之家，虽齑盐布帛，终能聚天伦之乐，今虽富贵已极，骨肉各方，然终无意趣！"贾政亦含泪启道：“臣，草莽寒门，鸠群鸦属之中，岂意得征凤鸾之瑞。今贵人上锡天恩， 下昭祖德，此皆山川日月之精奇，祖宗之远德钟于一人，幸及政夫妇。且今上启天地生物之大德， 垂古今未有之旷恩，虽肝脑涂地，臣子岂能得报于万一！惟朝乾夕惕，忠于厥职外，愿我君万寿千秋，乃天下苍生之同幸也。贵妃切勿以政夫妇残年为念，懑愤金怀，更祈自加珍爱。惟业业兢兢，勤慎恭肃以侍上，庶不负上体贴眷爱如此之隆恩也。 "贾妃亦嘱"只以国事为重，暇时保养，切勿记念"等语。贾政又启：“园中所有亭台轩馆，皆系宝玉所题，如果有一二稍可寓目者，请别赐名为幸。”元妃听了宝玉能题，便含笑说：“果进益了。”贾政退出。贾妃见宝，林二人亦发比别姊妹不同，真是姣花软玉一般。 因问：“宝玉为何不进见？"贾母乃启：“无谕，外男不敢擅入。”元妃命快引进来。小太监出去引宝玉进来，先行国礼毕，元妃命他进前，携手拦于怀内，又抚其头颈笑道：“比先竟长了好些……"一语未终，泪如雨下。
尤氏，凤姐等上来启道：“筵宴齐备，请贵妃游幸。”元妃等起身，命宝玉导引，遂同诸人步至园门前， 早见灯光火树之中，诸般罗列非常。进园来先从"有凤来仪"，"红香绿玉" ，"杏帘在望，妃极加奖赞，又劝：“以后不可太奢，此皆过分之极。”已而至正殿，谕免礼归座，大开筵宴。贾母等在下相陪，尤氏，李纨，凤姐等亲捧羹把盏。
元妃乃命传笔砚伺候，亲搦湘管，择其几处最喜者赐名。按其书云：顾恩思义
天地启宏慈，赤子苍头同感戴，
古今垂旷典，九州万国被恩荣。此一匾一联书于正殿大观园有凤来仪红香绿玉蘅芷清芬杏帘在望阁"，更有"蓼风轩"，"藕香榭"，"紫菱洲"，"荇叶渚"等名，又有四字的匾额十数个， 诸如"梨花春雨"，"桐剪秋风"，"荻芦夜雪"等名，此时悉难全记。又命旧有匾联俱不必摘去。于是先题一绝云：
衔山抱水建来精，多少工夫筑始成。
天上人间诸景备，芳园应锡大观名。写毕，向诸姊妹笑道：“我素乏捷才，且不长于吟咏， 妹辈素所深知。今夜聊以塞责，不负斯景而已。异日少暇，必补撰《大观园记》并< <省亲颂》等文，以记今日之事。妹辈亦各题一匾一诗，随才之长短，亦暂吟成，不可因我微才所缚。且喜宝玉竟知题咏，是我意外之想。此中‘潇湘馆’，蘅芜苑’二处，我所极爱， 次之‘怡红院’，‘浣葛山庄’，此四大处，必得别有章句题咏方妙。前所题之联虽佳， 如今再各赋五言律一首，使我当面试过，方不负我自幼教授之苦心。”宝玉只得答应了，下来自去构思。
迎， 探，惜三人之中，要算探春又出于姊妹之上，然自忖亦难与薛林争衡，只得勉强随众塞责而已。李纨也勉强凑成一律。贾妃先挨次看姊妹们的，写道是：
旷性怡情匾额迎春
园成景备特精奇，奉命羞题额旷怡。
谁信世间有此境，游来宁不畅神思？
万象争辉匾额探春
名园筑出势巍巍，奉命何惭学浅微。
精妙一时言不出，果然万物生光辉。
文章造化匾额惜春
山水横拖千里外，楼台高起五云中。
园修日月光辉里，景夺文章造化功。
文采风流匾额李纨
秀水明山抱复回，风流文采胜蓬莱。
绿裁歌扇迷芳草，红衬湘裙舞落梅。
珠玉自应传盛世，神仙何幸下瑶台。
名园一自邀游赏，未许凡人到此来。
凝晖钟瑞匾额薛宝钗
芳园筑向帝城西，华日祥云笼罩奇。
高柳喜迁莺出谷，修篁时待凤来仪。
文风已著宸游夕，孝化应隆归省时。
睿藻仙才盈彩笔，自惭何敢再为辞。
世外仙源匾额林黛玉
名园筑何处，仙境别红尘。
借得山川秀，添来景物新。
香融金谷酒，花媚玉堂人。
何幸邀恩宠，宫车过往频。贾妃看毕，称赏一番，又笑道：“终是薛林二妹之作与众不同， 非愚姊妹可同列者。”原来林黛玉安心今夜大展奇才，将众人压倒，不想贾妃只命一匾一咏，倒不好违谕多作，只胡乱作一首五言律应景罢了。
彼时宝玉尚未作完， 只刚作了"潇湘馆"与"蘅芜苑"二首，正作"怡红院"一首，起草内有"绿玉春犹卷"一句。宝钗转眼瞥见，便趁众人不理论，急忙回身悄推他道：“他因不喜‘ 红香绿玉’四字，改了‘怡红快绿’，你这会子偏用‘绿玉’二字，岂不是有意和他争驰了？况且蕉叶之说也颇多，再想一个字改了罢。”宝玉见宝钗如此说，便拭汗道：“ 我这会子总想不起什么典故出处来。”宝钗笑道：“你只把‘绿玉’的‘玉’字改作‘蜡’字就是了。 "宝玉道：“‘绿蜡’可有出处？"宝钗见问，悄悄的咂嘴点头笑道：“亏你今夜不过如此， 将来金殿对策，你大约连‘赵钱孙李’都忘了呢！唐钱ぞ咏芭蕉诗头一句：‘冷烛无烟绿蜡乾’，你都忘了不成？"宝玉听了，不觉洞开心臆，笑道：“该死，该死！现成眼前之物偏倒想不起来了，真可谓‘一字师’了。从此后我只叫你师父，再不叫姐姐了。”宝钗亦悄悄的笑道：“还不快作上去，只管姐姐妹妹的。谁是你姐姐？那上头穿黄袍的才是你姐姐， 你又认我这姐姐来了。”一面说笑，因说笑又怕他耽延工夫，遂抽身走开了。宝玉只得续成，共有了三首。
此时林黛玉未得展其抱负，自是不快。因见宝玉独作四律，大费神思，何不代他作两首，也省他些精神不到之处。想着，便也走至宝玉案旁，悄问：“可都有了？"宝玉道：“才有了三首， 只少‘杏帘在望’一首了。”黛玉道：“既如此，你只抄录前三首罢。赶你写完那三首， 我也替你作出这首了。”说毕，低头一想，早已吟成一律，便写在纸条上，搓成个团子，掷在他跟前。宝玉打开一看，只觉此首比自己所作的三首高过十倍，真是喜出望外，遂忙恭楷呈上。贾妃看道：
有凤来仪臣宝玉谨题
秀玉初成实，堪宜待凤凰。
竿竿青欲滴，个个绿生凉。
迸砌妨阶水，穿帘碍鼎香。
莫摇清碎影，好梦昼初长。
蘅芷清芬
蘅芜满净苑，萝薜助芬芳。
软衬三春草，柔拖一缕香。
轻烟迷曲径，冷翠滴回廊。
谁谓池塘曲，谢家幽梦长。
怡红快绿
深庭长日静，两两出婵娟。
绿蜡春犹卷，红妆夜未眠。
凭栏垂绛袖，倚石护青烟。
对立东风里，主人应解怜。
杏帘在望
杏帘招客饮，在望有山庄。
菱荇鹅儿水，桑榆燕子梁。
一畦春韭绿，十里稻花香。
盛世无饥馁，何须耕织忙。贾妃看毕，喜之不尽，说：“果然进益了！"又指"杏帘"一首为前三首之冠，遂将"浣葛山庄"改为"稻香村"。又命探春另以彩笺誊录出方才一共十数首诗， 出令太监传与外厢。贾政等看了，都称颂不已。贾政又进《归省颂》。元春又命以琼酥金脍等物，赐与宝玉并贾兰。此时贾兰极幼，未达诸事，只不过随母依叔行礼，故无别传。贾环从年内染病未痊，自有闲处调养，故亦无传。
那时贾蔷带领十二个女戏，在楼下正等的不耐烦，只见一太监飞来说：“作完了诗，快拿戏目来！"贾蔷急将锦册呈上，并十二个花名单子。少时，太监出来，只点了四出戏：
第一出，《豪宴》，第二出，《乞巧》，
第三出， 《仙缘》，第四出，《离魂》。贾蔷忙张罗扮演起来。一个个歌欺裂石之音， 舞有天魔之态。虽是妆演的形容，却作尽悲欢情状。刚演完了，一太监执一金盘糕点之属进来，问：“谁是龄官？"贾蔷便知是赐龄官之物，喜的忙接了，命龄官叩头。太监又道：“贵妃有谕，说‘龄官极好，再作两出戏，不拘那两出就是了’。”贾蔷忙答应了，因命龄官作《游园》，《惊梦》二出。龄官自为此二出原非本角之戏，执意不作，定要作< <相约》《相骂》二出。贾蔷扭他不过，只得依他作了。贾妃甚喜，命"不可难为了这女孩子， 好生教习"，额外赏了两匹宫缎，两个荷包并金银锞子，食物之类。然后撤筵，将未到之处复又游顽。 忽见山环佛寺，忙另プ手进去焚香拜佛，又题一匾云：“苦海慈航"。又额外加恩与一般幽尼女道。
少时， 太监跪启：“赐物俱齐，请验等例。”乃呈上略节。贾妃从头看了，俱甚妥协，即命照此遵行。 太监听了，下来一一发放。原来贾母的是金，玉如意各一柄，沉香拐拄一根，伽楠念珠一串，"富贵长春"宫缎四匹，"福寿绵长"宫绸四匹，紫金"笔锭如意"锞十锭，"吉庆有鱼"银锞十锭。邢夫人，王夫人二分，只减了如意，拐，珠四样。贾敬，贾赦，贾政等，每分御制新书二部，宝墨二匣，金，银爵各二只，表礼按前。宝钗，黛玉诸姊妹等， 每人新书一部，宝砚一方，新样格式金银锞二对。宝玉亦同此。贾兰则是金银项圈二个，金银锞二对。尤氏，李纨，凤姐等，皆金银锞四锭，表礼四端。外表礼二十四端，清钱一百串，是赐与贾母，王夫人及诸姊妹房中奶娘众丫鬟的。贾珍，贾琏，贾环，贾蓉等，皆是表礼一分，金锞一双。其余彩缎百端，金银千两，御酒华筵，是赐东西两府凡园中管理工程，陈设，答应及司戏，掌灯诸人的。外有清钱五百串，是赐厨役，优怜，百戏，杂行人丁的。
众人谢恩已毕， 执事太监启道：“时已丑正三刻，请驾回銮。”贾妃听了，不由的满眼又滚下泪来。 却又勉强堆笑，拉住贾母，王夫人的手，紧紧的不忍释放，再四叮咛：“不须挂念，好生自养。如今天恩浩荡，一月许进内省视一次，见面是尽有的，何必伤惨。倘明岁天恩仍许归省，万不可如此奢华靡费了！"贾母等已哭的哽噎难言了。贾妃虽不忍别， 怎奈皇家规范，违错不得，只得忍心上舆去了。这里诸人好容易将贾母，王夫人安慰解劝，方才扶出园门进上房去了。要知端的，且看下回。
His Majesty shows magnanimous bounty. The Imperial consort Yuan pays a visit to her parents. The happiness of a family gathering. Pao-yue displays his polished talents.
But let us resume our story. A servant came, at this moment, to report that for the works in course of execution, they were waiting for gauze and damask silk to paste on various articles, and that they requested lady Feng to go and open the depot for them to take the gauze and silk, while another servant also came to ask lady Feng to open the treasury for them to receive the gold and silver ware. And as Madame Wang, the waiting-maids and the other domestics of the upper rooms had all no leisure, Pao-ch'ai suggested: "Don't let us remain in here and be in the way of their doing what there is to be done, and of going where they have to go," and saying this, she betook herself, escorted by Pao-yue and the rest, into Ying Ch'un's rooms.
Madame Wang continued day after day in a great state of flurry and confusion, straight up to within the tenth moon, by which time every arrangement had been completed, and the overseers had all handed in a clear statement of their accounts. The curios and writing materials, wherever needed, had all already been laid out and everything got ready, and the birds (and animals), from the stork, the deer and rabbits to the chickens, geese and the like, had all been purchased and handed over to be reared in the various localities in the garden; and over at Chia Se's, had also been learnt twenty miscellaneous plays, while a company of young nuns and Taoist priestesses had likewise the whole number of them, mastered the intonation of Buddhist classics and incantations.
Chia Cheng after this, at length, was slightly composed in mind, and cheerful at heart; and having further invited dowager lady Chia and other inmates to go into the garden, he deliberated with them on, and made arrangements for, every detail in such a befitting manner that not the least trifle remained for which suitable provision had not been made; and Chia Cheng eventually mustered courage to indite a memorial, and on the very day on which the memorial was presented, a decree was received fixing upon the fifteenth day of the first moon of the ensuing year, the very day of the Shang Yuan festival, for the honourable consorts to visit their homes.
Upon the receipt of this decree, with which the Chia family was honoured, they had still less leisure, both by day as well as by night; so much so that they could not even properly observe the new year festivities. But in a twinkle of the eye, the festival of the full moon of the first moon drew near; and beginning from the eighth day of the first moon, eunuchs issued from the palace and inspected beforehand the various localities, the apartments in which the imperial consort was to change her costume; the place where she would spend her leisure moments; the spot where she would receive the conventionalities; the premises where the banquets would be spread; the quarters where she would retire for rest.
There were also eunuchs who came to assume the patrol of the grounds and the direction of the defences; and they brought along with them a good many minor eunuchs, whose duty it was to look after the safety of the various localities, to screen the place with enclosing curtains, to instruct the inmates and officials of the Chia mansion whither to go out and whence to come in from, what side the viands should be brought in from, where to report matters, and in the observance of every kind of etiquette; and for outside the mansion, there were, on the other hand, officers from the Board of Works, and a superintendent of the Police, of the "Five Cities," in charge of the sweeping of the streets and roads, and the clearing away of loungers. While Chia She and the others superintended the workmen in such things as the manufacture of flowered lanterns and fireworks.
The fourteenth day arrived and everything was in order; but on this night, one and all whether high or low, did not get a wink of sleep; and when the fifteenth came, every one, at the fifth watch, beginning from dowager lady Chia and those who enjoyed any official status, appeared in full gala dress, according to their respective ranks. In the garden, the curtains were, by this time, flapping like dragons, the portieres flying about like phoenixes with variegated plumage. Gold and silver glistened with splendour. Pearls and precious gems shed out their brilliant lustre. The tripod censers burnt the Pai-ho incense. In the vases were placed evergreens. Silence and stillness prevailed, and not a man ventured so much as to cough.
Chia She and the other men were standing outside the door giving on to the street on the west; and old lady Chia and the other ladies were outside the main entrance of the Jung mansion at the head of the street, while at the mouth of the lane were placed screens to rigorously obstruct the public gaze. They were unable to bear the fatigue of any further waiting when, at an unexpected moment, a eunuch arrived on horseback, and Chia Cheng went up to meet him, and ascertained what tidings he was the bearer of.
"It's as yet far too early," rejoined the eunuch, "for at one o'clock (her highness) will have her evening repast, and at two she has to betake herself to the Palace of Precious Perception to worship Buddha. At five, she will enter the Palace of Great Splendour to partake of a banquet, and to see the lanterns, after which, she will request His Majesty's permission; so that, I'm afraid, it won't be earlier than seven before they set out."
Lady Feng's ear caught what was said. "If such be the case," she interposed, "may it please your venerable ladyship, and you, my lady, to return for a while to your apartments, and wait; and if you come when it's time you'll be here none too late."
Dowager lady Chia and the other ladies immediately left for a time and suited their own convenience, and as everything in the garden devolved upon lady Feng to supervise, she ordered the butlers to take the eunuchs and give them something to eat and drink; and at the same time, she sent word that candles should be brought in and that the lanterns in the various places should be lit.
But unexpectedly was heard from outside the continuous patter of horses running, whereupon about ten eunuchs hurried in gasping and out of breath. They clapped their hands, and the several eunuchs (who had come before), understanding the signal, and knowing that the party had arrived, stood in their respective positions; while Chia She, at the head of all the men of the clan, remained at the western street door, and dowager lady Chia, at the head of the female relatives of the family, waited outside the principal entrance to do the honours.
For a long interval, everything was plunged in silence and quiet; when suddenly two eunuchs on horseback were espied advancing with leisurely step. Reaching the western street gate, they dismounted, and, driving their horses beyond the screens, they forthwith took their stand facing the west. After another long interval, a second couple arrived, and went likewise through the same proceedings. In a short time, drew near about ten couples, when, at length, were heard the gentle strains of music, and couple by couple advanced with banners, dragons, with fans made with phoenix feathers, and palace flabella of pheasant plumes; and those besides who carried gold-washed censers burning imperial incense. Next in order was brought past a state umbrella of golden yellow, with crooked handle and embroidered with seven phoenixes; after which quickly followed the crown, robe, girdle and shoes.
There were likewise eunuchs, who took a part in the procession, holding scented handkerchiefs and embroidered towels, cups for rinsing the mouth, dusters and other such objects; and company after company went past, when, at the rear, approached with stately step eight eunuchs carrying an imperial sedan chair, of golden yellow, with a gold knob and embroidered with phoenixes.
Old lady Chia and the other members of the family hastily fell on their knees, but a eunuch came over at once to raise her ladyship and the rest; and the imperial chair was thereupon carried through the main entrance, the ceremonial gate and into a court on the eastern side, at the door of which stood a eunuch, who prostrated himself and invited (her highness) to dismount and change her costume.
Having forthwith carried her inside the gate, the eunuchs dispersed; and only the maids-of-honour and ladies-in-waiting ushered Yuan Ch'un out of the chair, when what mainly attracted her eye in the park was the brilliant lustre of the flowered lamps of every colour, all of which were made of gauze or damask, and were beautiful in texture, and out of the common run; while on the upper side was a flat lantern with the inscription in four characters, "Regarded (by His Majesty's) benevolence and permeated by his benefits."
Yuan Ch'un entered the apartment and effected the necessary changes in her toilette; after which, she again egressed, and, mounting her chair, she made her entry into the garden, when she perceived the smoke of incense whirling and twirling, and the reflection of the flowers confusing the eyes. Far and wide, the rays of light, shed by the lanterns, intermingled their brilliancy, while, from time to time, fine strains of music sounded with clamorous din. But it would be impossible to express adequately the perfect harmony in the aspect of this scene, and the grandeur of affluence and splendour.
The imperial consort of the Chia family, we must now observe, upon catching sight, from the interior of her chair, of the picture presented within as well as without the confines of this garden, shook her head and heaved a sigh. "What lavish extravagance! What excessive waste!" she soliloquised.
But of a sudden was again seen a eunuch who, on his knees, invited her to get into a boat; and the Chia consort descended from the chair and stepped into the craft, when the expanse of a limpid stream met her gaze, whose grandeur resembled that of the dragon in its listless course. The stone bannisters, on each side, were one mass of air-tight lanterns, of every colour, made of crystal or glass, which threw out a light like the lustre of silver or the brightness of snow.
The willow, almond and the whole lot of trees, on the upper side, were, it is true, without blossom and leaves; but pongee and damask silks, paper and lustring had been employed, together with rice-paper, to make flowers of, which had been affixed on the branches. Upon each tree were suspended thousands of lanterns; and what is more, the lotus and aquatic plants, the ducks and water fowl in the pond had all, in like manner, been devised out of conches and clams, plumes and feathers. The various lanterns, above and below, vied in refulgence. In real truth, it was a crystal region, a world of pearls and precious stones. On board the boat were also every kind of lanterns representing such designs as are used on flower-pots, pearl-laden portieres, embroidered curtains, oars of cinnamon wood, and paddles of magnolia, which need not of course be minutely described.
They entered a landing with a stone curb; and on this landing was erected a flat lantern upon which were plainly visible the four characters the "Persicary beach and flower-laden bank." But, reader, you have heard how that these four characters "the persicary beach and the flower-laden bank," the motto "a phoenix comes with dignified air," and the rest owe one and all their origin to the unexpected test to which Chia Cheng submitted, on a previous occasion, Pao-yue's literary abilities; but how did it come about that they were actually adopted?
You must remember that the Chia family had been, generation after generation, given to the study of letters, so that it was only natural that there should be among them one or two renowned writers of verses; for how could they ever resemble the families of such upstarts, who only employ puerile expressions as a makeshift to get through what they have to do? But the why and the wherefore must be sought in the past. The consort, belonging to the Chia mansion, had, before she entered the palace, been, from her infancy, also brought up by dowager lady Chia; and when Pao-yue was subsequently added to the family, she was the eldest sister and Pao-yue the youngest child. The Chia consort, bearing in mind how that she had, when her mother was verging on old age, at length obtained this younger brother, she for this reason doated upon him with single love; and as they were besides companions in their attendance upon old lady Chia, they were inseparable for even a moment. Before Pao-yue had entered school, and when three or four years of age, he had already received oral instruction from the imperial spouse Chia from the contents of several books and had committed to memory several thousands of characters, for though they were only sister and brother, they were like mother and child. And after she had entered the Palace, she was wont time and again to have letters taken out to her father and her cousins, urgently recommending them to be careful with his bringing up, that if they were not strict, he could not possibly become good for anything, and that if they were immoderately severe, there was the danger of something unpropitious befalling him, with the result, moreover, that his grandmother would be stricken with sorrow; and this solicitude on his account was never for an instant lost sight of by her.
Hence it was that Chia Cheng having, a few days back, heard his teacher extol him for his extreme abilities, he forthwith put him to the test on the occasion of their ramble through the garden. And though (his compositions) were not in the bold style of a writer of note, yet they were productions of their own family, and would, moreover, be instrumental, when the Chia consort had her notice attracted by them, and come to know that they were devised by her beloved brother, in also not rendering nugatory the anxious interest which she had ever entertained on his behalf, and he, therefore, purposely adopted what had been suggested by Pao-yue; while for those places, for which on that day no devices had been completed, a good number were again subsequently composed to make up what was wanted.
After the Chia consort had, for we shall now return to her, perused the four characters, she gave a smile. "The two words 'flower-laden bank,'" she said, "are really felicitous, so what use was there for 'persicary beach?'"
When the eunuch in waiting heard this observation, he promptly jumped off the craft on to the bank, and at a flying pace hurried to communicate it to Chia Cheng, and Chia Cheng instantly effected the necessary alteration.
By this time the craft had reached the inner bank, and leaving the boat, and mounting into her sedan chair, she in due course contemplated the magnificent Jade-like Palace; the Hall of cinnamon wood, lofty and sublime; and the marble portals with the four characters in bold style: the "Precious confines of heavenly spirits," which the Chia consort gave directions should be changed for the four words denoting: "additional Hall (for the imperial consort) on a visit to her parents." And forthwith making her entrance into the travelling lodge her gaze was attracted by torches burning in the court encompassing the heavens, fragments of incense strewn on the ground, fire-like trees and gem-like flowers, gold-like windows and jade-like bannisters. But it would be difficult to give a full account of the curtains, which rolled up (as fine as a) shrimp's moustache; of the carpets of other skins spread on the floor; of the tripods exhaling the fragrant aroma of the brain of the musk deer; of the screens in a row resembling fans made of pheasant tails. Indeed, the gold-like doors and the windows like jade were suggestive of the abode of spirits; while the halls made of cinnamon wood and the palace of magnolia timber, of the very homes of the imperial secondary consorts.
"Why is it," the Chia consort inquired, "that there is no tablet in this Hall?"
The eunuch in waiting fell on his knees. "This is the main Hall," he reverently replied, "and the officials, outside the palace, did not presume to take upon themselves to suggest any motto."
The Chia consort shook her head and said not a word; whereupon the eunuch, who acted as master of ceremonies, requested Her Majesty to ascend the throne and receive homage. The band stationed on the two flights of steps struck up a tune, while two eunuchs ushered Chia She, Chia Cheng and the other members on to the moonlike stage, where they arranged themselves in order and ascended into the hall, but when the ladies-in-waiting transmitted her commands that the homage could be dispensed with, they at once retraced their footsteps.
(The master of the ceremonies), in like manner led forward the dowager lady of the Jung Kuo mansion, as well as the female relatives, from the steps on the east side, on to the moon-like stage; where they were placed according to their ranks. But the maids-of-honour again commanded that they should dispense with the ceremony, so they likewise promptly withdrew.
After tea had been thrice presented, the Chia consort descended the Throne, and the music ceased. She retired into a side room to change her costume, and the private chairs were then got ready for her visit to her parents. Issuing from the garden, she came into the main quarters belonging to dowager lady Chia, where she was bent upon observing the domestic conventionalities, when her venerable ladyship, and the other members of the family, prostrated themselves in a body before her, and made her desist. Tears dropped down from the eyes of the Chia consort as (she and her relatives) mutually came forward, and greeted each other, and as with one hand she grasped old lady Chia, and with the other she held madame Wang, the three had plenty in their hearts which they were fain to speak about; but, unable as each one of them was to give utterance to their feelings, all they did was to sob and to weep, as they kept face to face to each other; while madame Hsing, widow Li Wan, Wang Hsi-feng, and the three sisters: Ying Ch'un, T'an Ch'un, and Hsi Ch'un, stood aside in a body shedding tears and saying not a word.
After a long time, the Chia consort restrained her anguish, and forcing a smile, she set to work to reassure old lady Chia and madame Wang. "Having in days gone by," she urged, "been sent to that place where no human being can be seen, I have to-day after extreme difficulty returned home; and now that you ladies and I have been reunited, instead of chatting or laughing we contrariwise give way to incessant tears! But shortly, I shall be gone, and who knows when we shall be able again to even see each other!"
When she came to this sentence, they could not help bursting into another tit of crying; and Madame Hsing hastened to come forward, and to console dowager lady Chia and the rest. But when the Chia consort resumed her seat, and one by one came again, in turn, to exchange salutations, they could not once more help weeping and sobbing for a time.
Next in order, were the managers and servants of the eastern and western mansions to perform their obeisance in the outer pavilion; and after the married women and waiting-maids had concluded their homage, the Chia consort heaved a sigh. "How many relatives," she observed, "there are all of whom, alas! I may not see."
"There are here now," madame Wang rejoined with due respect, "kindred with outside family names, such as Mrs. Hsueeh, nee Wang, Pao-ch'ai, and Tai-yue waiting for your commands; but as they are distant relatives, and without official status, they do not venture to arrogate to themselves the right of entering into your presence." But the Chia consort issued directions that they should be invited to come that they should see each other; and in a short while, Mrs. Hsueeh and the other relatives walked in, but as they were on the point of performing the rites, prescribed by the state, she bade them relinquish the observance so that they came forward, and each, in turn, alluded to what had transpired during the long separation.
Pao Ch'in also and a few other waiting-maids, whom the Chia consort had originally taken along with her into the palace, knocked their heads before dowager lady Chia, but her ladyship lost no time in raising them up, and in bidding them go into a separate suite of rooms to be entertained; and as for the retainers, eunuchs as well as maids-of-honour, ladies-in-waiting and every attendant, there were needless to say, those in the two places, the Ning mansion and Chia She's residence, to wait upon them; there only remained three or four young eunuchs to answer the summons.
The mother and daughter and her cousins conversed for some time on what had happened during the protracted separation, as well as on domestic affairs and their private feelings, when Chia Cheng likewise advanced as far as the other side of the portiere, and inquired after her health, and the Chia consort from inside performed the homage and other conventionalities (due to her parent).
"The families of farmers," she further went on to say to her father, "feed on salted cabbage, and clothe in cotton material; but they readily enjoy the happiness of the relationships established by heaven! We, however, relatives though we now be of one bone and flesh, are, with all our affluence and honours, living apart from each other, and deriving no happiness whatsoever!"
Chia Cheng, on his part endeavoured, to restrain his tears. "I belonged," he rejoined, "to a rustic and poor family; and among that whole number of pigeons and pheasants, how could I have imagined that I would have obtained the blessing of a hidden phoenix! Of late all for the sake of your honourable self, His Majesty, above, confers upon us his heavenly benefits; while we, below, show forth the virtue of our ancestors! And it is mainly because the vital principle of the hills, streams, sun, and moon, and the remote virtue of our ancestors have been implanted in you alone that this good fortune has attained me Cheng and my wife! Moreover, the present emperor, bearing in mind the great bounty shewn by heaven and earth in promoting a ceaseless succession, has vouchsafed a more generous act of grace than has ever been displayed from old days to the present. And although we may besmear our liver and brain in the mire, how could we show our gratitude, even to so slight a degree as one ten-thousandth part. But all I can do is, in the daytime, to practise diligence, vigilance at night, and loyalty in my official duties. My humble wish is that His Majesty, my master, may live ten thousand years and see thousands of autumns, so as to promote the welfare of all mankind in the world! And you, worthy imperial consort, must, on no account, be mindful of me Cheng and my wife, decrepid as we are in years. What I would solicit more than anything is that you should be more careful of yourself, and that you should be diligent and reverential in your service to His Majesty, with the intent that you may not prove ungrateful of his affectionate regard and bountiful grace."
The Chia consort, on the other hand, enjoined "that much as it was expedient to display zeal, in the management of state matters, it behoved him, when he had any leisure, to take good care of himself, and that he should not, whatever he did, give way to solicitude on her behalf." And Chia Cheng then went on to say "that the various inscriptions in the park over the pavilions, terraces, halls and residences had been all composed by Pao-yue, and, that in the event of there being one or two that could claim her attention, he would be happy if it would please her to at once favour him with its name." Whereupon the imperial consort Yuean, when she heard that Pao-yue could compose verses, forthwith exclaimed with a smile: "He has in very truth made progress!"
After Chia Cheng had retired out of the hall, the Chia consort made it a point to ask: "How is it that I do not see Pao-yue?" and dowager lady Chia explained: "An outside male relative as he is, and without official rank, he does not venture to appear before you of his own accord."
"Bring him in!" the imperial consort directed; whereupon a young eunuch ushered Pao-yue in. After he had first complied with the state ceremonies, she bade him draw near to her, and taking his hand, she held it in her lap, and, as she went on to caress his head and neck, she smiled and said: "He's grown considerably taller than he was before;" but she had barely concluded this remark, when her tears ran down as profuse as rain. Mrs. Yu, lady Feng, and the rest pressed forward. "The banquet is quite ready," they announced, "and your highness is requested to favour the place with your presence."
The imperial consort Yuan stood up and asking Pao-yue to lead the way, she followed in his steps, along with the whole party, and betook herself on foot as far as the entrance of the garden gate, whence she at once espied, in the lustre shed by the lanterns, every kind of decorations. Entering the garden, they first passed the spots with the device "a phoenix comes with dignified air," "the red (flowers are) fragrant and the green (banana leaves like) jade!" "the sign on the apricot tree is visible," "the fragrance pure of the ligularia and iris," and other places; and ascending the towers they walked up the halls, forded the streams and wound round the hills; contemplating as they turned their gaze from side to side, each place arranged in a different style, and each kind of article laid out in unique designs. The Chia consort expressed her admiration in most profuse eulogiums, and then went on to advise them: "that it was not expedient to indulge in future in such excessive extravagance and that all these arrangements were over and above what should have been done."
Presently they reached the main pavilion, where she commanded that they could dispense with the rites and take their seats. A sumptuous banquet was laid out, at which dowager lady Chia and the other ladies occupied the lower seats and entertained each other, while Mrs. Yu, widow Li Wan, lady Feng and the rest presented the soup and handed the cups. The Imperial consort Yuan subsequently directed that the pencils and inkslabs should be brought, and with her own hands she opened the silken paper. She chose the places she liked, and conferred upon them a name; and devising a general designation for the garden, she called it the Ta Kuan garden (Broad vista), while for the tablet of the main pavilion the device she composed ran as follows: "Be mindful of the grace and remember the equity (of His Majesty);" with this inscription on the antithetical scrolls:
Mercy excessive Heaven and earth display, And it men young and old hail gratefully; From old till now they pour their bounties great Those rich gifts which Cathay and all states permeate.
Changing also the text: "A phoenix comes with dignified air for the Hsiao Hsiang Lodge."
"The red (flowers are) fragrant and the green (banana leaves like) jade," she altered into "Happy red and joyful green"; bestowing upon the place the appellation of the I Hung court (joyful red). The spot where "the fragrance pure of the ligularia and iris," was inscribed, she called "the ligularia and the 'Wu' weed court;" and where was "the sign in the apricot tree is visible," she designated "the cottage in the hills where dolichos is bleached." The main tower she called the Broad Vista Tower. The lofty tower facing the east, she designated "the variegated and flowery Hall;" bestowing on the line of buildings, facing the west, the appellation of "the Hall of Occult Fragrance;" and besides these figured such further names as: "the Hall of peppery wind," "the Arbour of lotus fragrance," "the Islet of purple caltrop," "the Bank of golden lotus," and the like. There were also tablets with four characters such as: "the peach blossom and the vernal rain;" "the autumnal wind prunes the Eloecocca," "the artemisia leaves and the night snow," and other similar names which could not all be placed on record. She furthermore directed that such tablets as were already put up, should not be dismounted, and she forthwith took the lead and composed an heptameter stanza, the burden of which was:
Hills it enclasps, embraces streams, with skill it is laid out: What task the grounds to raise! the works to start and bring about! Of scenery in heaven and amongst men store has been made; The name Broad Vista o'er the fragrant park should be engraved.
When she had finished writing, she observed smilingly, as she addressed herself to all the young ladies: "I have all along lacked the quality of sharpness and never besides been good at verses; as you, sisters, and all of you have ever been aware; but, on a night like this I've been fain to do my best, with the object of escaping censure, and of not reflecting injustice on this scenery and nothing more. But some other day when I've got time, be it ever so little, I shall deem it my duty to make up what remains by inditing a record of the Broad Vista Garden, as well as a song on my visit to my parents and other such literary productions in memory of the events of this day. You sisters and others must, each of you, in like manner compose a stanza on the motto on each tablet, expressing your sentiments, as you please, without being restrained by any regard for my meagre ability. Knowing as I do besides that Pao-yue is, indeed, able to write verses, I feel the more delighted! But among his compositions, those I like the best are those in the two places, 'the Hsiao Hsiang Lodge,' and 'the court of Heng and Wu;' and next those of 'the Joyful red court,' and 'the cottage in the hills, where the dolichos is bleached.' As for grand sites like these four, there should be found some out-of-the-way expressions to insert in the verses so that they should be felicitous. The antithetical lines composed by you, (Pao-yue), on a former occasion are excellent, it is true; but you should now further indite for each place, a pentameter stanza, so that by allowing me to test you in my presence, you may not show yourself ungrateful for the trouble I have taken in teaching you from your youth up."
Pao-yue had no help but to assent, and descending from the hall, he went off all alone to give himself up to reflection.
Of the three Ying Ch'un, T'an Ch'un, and Hsi Ch'un, T'an Ch'un must be considered to have also been above the standard of her sisters, but she, in her own estimation, imagined it, in fact, difficult to compete with Hsueeh Pao-ch'ai and Lin Tai-yue. With no alternative however than that of doing her best, she followed the example of all the rest with the sole purpose of warding off criticism. And Li Wan too succeeded, after much exertion, in putting together a stanza.
The consort of the Chia family perused in due order the verses written by the young ladies, the text of which is given below.
The lines written by Ying Ch'un on the tablet of "Boundless spirits and blissful heart" were:
A park laid out with scenery surpassing fine and rare! Submissive to thy will, on boundless bliss bashful I write! Who could believe that yonder scenes in this world found a share! Will not thy heart be charmed on thy visit by the sight?
These are the verses by T'an Ch'un on the tablet of "All nature vies in splendour":
Of aspect lofty and sublime is raised a park of fame! Honoured with thy bequest, my shallow lore fills me with shame. No words could e'er amply exhaust the beauteous skill, For lo! in very truth glory and splendour all things fill!
Thus runs Hsi Ch'un's stanza on the tablet of the "Conception of literary compositions":
The hillocks and the streams crosswise beyond a thousand li extend! The towers and terraces 'midst the five-coloured clouds lofty ascend! In the resplendent radiance of both sun and moon the park it lies! The skill these scenes to raise the skill e'en essays to conceive outvies!
The lines composed by Li Wan on the tablet "grace and elegance," consisted of:
The comely streams and hillocks clear, in double folds, embrace; E'en Fairyland, forsooth, transcend they do in elegance and grace! The "Fragrant Plant" the theme is of the ballad fan, green-made. Like drooping plum-bloom flap the lapel red and the Hsiang gown. From prosperous times must have been handed down those pearls and jade. What bliss! the fairy on the jasper terrace will come down! When to our prayers she yields, this glorious park to contemplate, No mortal must e'er be allowed these grounds to penetrate.
The ode by Hsueeh Pao-ch'ai on the tablet of "Concentrated Splendour and Accumulated auspiciousness" was:
Raised on the west of the Imperial city, lo! the park stored with fragrant smell, Shrouded by Phoebe's radiant rays and clouds of good omen, in wondrous glory lies! The willows tall with joy exult that the parrots their nests have shifted from the dell. The bamboo groves, when laid, for the phoenix with dignity to come, were meant to rise. The very eve before the Empress' stroll, elegant texts were ready and affixed. If even she her parents comes to see, how filial piety supreme must be! When I behold her beauteous charms and talents supernatural, with awe transfixed, One word, to utter more how can I troth ever presume, when shame overpowers me.
The distich by Lin Tai-yue on the tablet of "Spiritual stream outside the world," ran thus:
Th' imperial visit doth enhance joy and delight. This fairy land from mortal scenes what diff'rent sight! The comely grace it borrows of both hill and stream; And to the landscape it doth add a charm supreme. The fumes of Chin Ku wine everything permeate; The flowers the inmate of the Jade Hall fascinate. The imperial favour to receive how blessed our lot! For oft the palace carriage will pass through this spot.
The Chia consort having concluded the perusal of the verses, and extolled them for a time: "After all," she went on to say with a smile, "those composed by my two cousins, Hsueeh Pao-ch'ai and Lin Tai-yue, differ in excellence from those of all the rest; and neither I, stupid as I am, nor my sisters can attain their standard."
Lin Tao-yue had, in point of fact, made up her mind to display, on this evening, her extraordinary abilities to their best advantage, and to put down every one else, but contrary to her expectations the Chia consort had expressed her desire that no more than a single stanza should be written on each tablet, so that unable, after all, to disregard her directions by writing anything in excess, she had no help but to compose a pentameter stanza, in an offhand way, merely with the intent of complying with her wishes.
Pao-yue had by this time not completed his task. He had just finished two stanzas on the Hsiao Hsiang Lodge and the Heng Wu garden, and was just then engaged in composing a verse on the "Happy red Court." In his draft figured a line: "The (leaves) of jade-like green in spring are yet rolled up," which Pao-ch'ai stealthily observed as she turned her eyes from side to side; and availing herself of the very first moment, when none of the company could notice her, she gave him a nudge. "As her highness," she remarked, "doesn't relish the four characters, representing the red (flowers are) fragrant, and the green (banana leaves) like jade, she changed them, just a while back, for 'the joyful red and gladsome green;' and if you deliberately now again employ these two words 'jade-like green,' won't it look as if you were bent upon being at variance with her? Besides, very many are the old books, in which the banana leaves form the theme, so you had better think of another line and substitute it and have done with it!"
When Pao-yue heard the suggestion made by Pao-ch'ai, he speedily replied, as he wiped off the perspiration: "I can't at all just at present call to mind any passage from the contents of some old book."
"Just simply take," proposed Pao-ch'ai smilingly, "the character jade in jade-like green and change it into the character wax, that's all."
"Does 'green wax,'" Pao-yue inquired, "come out from anywhere?"
Pao-ch'ai gently smacked her lips and nodded her head as she laughed. "I fear," she said, "that if, on an occasion like to-night, you show no more brains than this, by and by when you have to give any answers in the golden hall, to the questions (of the examiner), you will, really, forget (the very first four names) of Chao, Oh'ien, Sun and Li (out of the hundred)! What, have you so much as forgotten the first line of the poem by Han Yue, of the T'ang dynasty, on the Banana leaf:
"Cold is the candle and without a flame, the green wax dry?"
On hearing these words, Pao-yue's mind suddenly became enlightened. "What a fool I am!" he added with a simper; "I couldn't for the moment even remember the lines, ready-made though they were and staring at me in my very eyes! Sister, you really can be styled my teacher, little though you may have taught me, and I'll henceforward address you by no other name than 'teacher,' and not call you 'sister' any more!"
"Don't you yet hurry to go on," Pao-ch'ai again observed in a gentle tone of voice sneeringly, "but keep on calling me elder sister and younger sister? Who's your sister? that one over there in a yellow coat is your sister!"
But apprehending, as she bandied these jokes, lest she might be wasting his time, she felt constrained to promptly move away; whereupon Pao-yue continued the ode he had been working at, and brought it to a close, writing in all three stanzas.
Tai-yue had not had so far an opportunity of making a display of her ability, and was feeling at heart in a very dejected mood; but when she perceived that Pao-yue was having intense trouble in conceiving what he had to write, and she found, upon walking up to the side of the table, that he had only one stanza short, that on "the sign on the apricot tree is visible," she consequently bade him copy out clean the first three odes, while she herself composed a stanza, which she noted down on a slip of paper, rumpled up into a ball, and threw just in front of Pao-yue.
As soon as Pao-yue opened it and glanced at it, he realised that it was a hundred times better than his own three stanzas, and transcribing it without loss of time, in a bold writing, he handed up his compositions.
On perusal, the Chia Consort read what follows. By Pao-yue, on: "A phoenix comes with dignified air:"
The bamboos just now don that jadelike grace, Which worthy makes them the pheasant to face; Each culm so tender as if to droop fain, Each one so verdant, in aspect so cool, The curb protects, from the steps wards the pool. The pervious screens the tripod smell restrain. The shadow will be strewn, mind do not shake And (Hsieh) from her now long fine dream (awake)!
On "the pure fragrance of the Ligularia and Iris Florentina:"
Hengs and Wus the still park permeate; The los and pis their sweet perfume enhance; And supple charms the third spring flowers ornate; Softly is wafted one streak of fragrance! A light mist doth becloud the tortuous way! With moist the clothes bedews, that verdure cold! The pond who ever sinuous could hold? Dreams long and subtle, dream the household Hsieh.
On "the happy red and joyful green:"
Stillness pervades the deep pavilion on a lengthy day. The green and red, together matched, transcendent grace display. Unfurled do still remain in spring the green and waxlike leaves. No sleep yet seeks the red-clad maid, though night's hours be far-spent, But o'er the rails lo, she reclines, dangling her ruddy sleeves; Against the stone she leans shrouded by taintless scent, And stands the quarter facing whence doth blow the eastern wind! Her lord and master must look up to her with feelings kind.
On "the sign on the apricot tree is visible:"
The apricot tree sign to drink wayfarers doth invite; A farm located on a hill, lo! yonder strikes the sight! And water caltrops, golden lotus, geese, as well as flows, And mulberry and elm trees which afford rest to swallows. That wide extent of spring leeks with verdure covers the ground; And o'er ten li the paddy blossom fragrance doth abound. In days of plenty there's a lack of dearth and of distress, And what need then is there to plough and weave with such briskness?
When the Chia consort had done with the perusal, excessive joy filled her heart. "He has indeed made progress!" she exclaimed, and went on to point at the verses on "the sign on the apricot tree," as being the crowning piece of the four stanzas. In due course, she with her own hands changed the motto "a cottage in the hills where dolichos is bleached" into "the paddy-scented village;" and bidding also T'an Ch'un to take the several tens of stanzas written then, and to transcribe them separately on ornamented silk paper, she commanded a eunuch to send them to the outer quarters. And when Chia Cheng and the other men perused them, one and all sung their incessant praise, while Chia Cheng, on his part, sent in some complimentary message, with regard to her return home on a visit.
Yuan Ch'un went further and gave orders that luscious wines, a ham and other such presents should be conferred upon Pao-yue, as well as upon Chia Lan. This Chia Lan was as yet at this time a perfect youth without any knowledge of things in general, so that all that he could do was to follow the example of his mother, and imitate his uncle in performing the conventional rites.
At the very moment that Chia Se felt unable, along with a company of actresses, to bear the ordeal of waiting on the ground floor of the two-storied building, he caught sight of a eunuch come running at a flying pace. "The composition of verses is over," he said, "so quick give me the programme;" whereupon Chia Se hastened to present the programme as well as a roll of the names of the twelve girls. And not a long interval elapsed before four plays were chosen; No. 1 being the Imperial Banquet; No. 2 Begging (the weaver goddess) for skill in needlework; No. 3 The spiritual match; and No. 4 the Parting spirit. Chia Se speedily lent a hand in the getting up, and the preparations for the performance, and each of the girls sang with a voice sufficient to split the stones and danced in the manner of heavenly spirits; and though their exterior was that of the characters in which they were dressed up for the play, their acting nevertheless represented, in a perfect manner, both sorrow as well as joy. As soon as the performance was brought to a close, a eunuch walked in holding a golden salver containing cakes, sweets, and the like, and inquired who was Ling Kuan; and Chia Se readily concluding that these articles were presents bestowed upon Ling Kuan, made haste to take them over, as he bade Ling Kuan prostrate herself.
"The honourable consort," the eunuch further added, "directs that Ling Kuan, who is the best actress of the lot, should sing two more songs; any two will do, she does not mind what they are."
Chia Se at once expressed his obedience, and felt constrained to urge Ling Kuan to sing the two ballads entitled: "The walk through the garden" and "Frightened out of a dream." But Ling Kuan asserted that these two ballads had not originally been intended for her own role; and being firm in her refusal to accede and insisting upon rendering the two songs "The Mutual Promise" and "The Mutual Abuse," Chia Se found it hard to bring her round, and had no help but to let her have her own way. The Chia consort was so extremely enchanted with her that she gave directions that she should not be treated harshly, and that this girl should receive a careful training, while besides the fixed number of presents, she gave her two rolls of palace silk, two purses, gold and silver ingots, and presents in the way of eatables.
Subsequently, when the banquet had been cleared, and she once more prosecuted her visit through those places to which she had not been, she quite accidentally espied the Buddhist Temple encircled by hills, and promptly rinsing her hands, she walked in and burnt incense and worshipped Buddha. She also composed the device for a tablet, "a humane boat on the (world's) bitter sea," and went likewise so far as to show special acts of additional grace to a company of ascetic nuns and Taoist priestesses.
A eunuch came in a short while and reverently fell on his knees. "The presents are all in readiness," he reported, "and may it please you to inspect them and to distribute them, in compliance with custom;" and presented to her a list, which the Chia consort perused from the very top throughout without raising any objection, and readily commanding that action should be taken according to the list, a eunuch descended and issued the gifts one after another. The presents for dowager lady Chia consisted, it may be added, of two sceptres, one of gold, the other of jade, with "may your wishes be fulfilled" inscribed on them; a staff made of lign-aloes; a string of chaplet beads of Chia-nan fragrant wood; four rolls of imperial satins with words "Affluence and honours" and Perennial Spring (woven in them); four rolls of imperial silk with Perennial Happiness and Longevity; two shoes of purple gold bullion, representing a pen, an ingot and "as you like;" and ten silver ingots with the device "Felicitous Blessings." While the two shares for madame Hsing and madame Wang were only short of hers by the sceptres and staffs, four things in all. Chia She, Chia Cheng and the others had each apportioned to him a work newly written by the Emperor, two boxes of superior ink, and gold and silver cups, two pairs of each; their other gifts being identical with those above. Pao-ch'ai, Tai-yue, all the sisters and the rest were assigned each a copy of a new book, a fine slab and two pair of gold and silver ornaments of a novel kind and original shape; Pao-yue likewise receiving the same presents. Chia Lan's gifts consisted of two necklets, one of gold, the other of silver, and of two pair of gold ingots. Mrs. Yu, widow Li Wan, lady Feng and the others had each of them, four ingots of gold and silver; and, in the way of keepsakes, four pieces of silk. There were, in addition, presents consisting of twenty-four pieces of silk and a thousand strings of good cash to be allotted to the nurses, and waiting-maids, in the apartments of dowager lady Chia, madame Wang and of the respective sisters; while Chia Chen, Chia Lien, Chia Huan, Chia Jung and the rest had, every one, for presents, a piece of silk, and a pair of gold and silver ingots.
As regards the other gifts, there were a hundred rolls of various coloured silks, a thousand ounces of pure silver, and several bottles of imperial wine, intended to be bestowed upon all the men-servants of the mansions, on the East and the West, as well as upon those who had been in the garden overseeing works, arranging the decorations, and in waiting to answer calls, and upon those who looked after the theatres and managed the lanterns. There being, besides, five hundred strings of pure cash for the cooks, waiters, jugglers and hundreds of actors and every kind of domestic.
The whole party had finished giving expression to their thanks for her bounty, when the managers and eunuchs respectfully announced: "It is already a quarter to three, and may it please your Majesty to turn back your imperial chariot;" whereupon, much against her will, the Chia consort's eyes brimmed over, and she once more gave vent to tears. Forcing herself however again to put on a smile, she clasped old lady Chia's and madame Wang's hands, and could not bring herself to let them go; while she repeatedly impressed upon their minds: that there was no need to give way to any solicitude, and that they should take good care of their healths; that the grace of the present emperor was so vast, that once a month he would grant permission for them to enter the palace and pay her a visit. "It is easy enough for us to see each other," (she said,) "and why should we indulge in any excess of grief? But when his majesty in his heavenly generosity allows me another time to return home, you shouldn't go in for such pomp and extravagance."
Dowager lady Chia and the other inmates had already cried to such an extent that sobs choked their throats and they could with difficulty give utterance to speech. But though the Chia consort could not reconcile herself to the separation, the usages in vogue in the imperial household could not be disregarded or infringed, so that she had no alternative but to stifle the anguish of her heart, to mount her chariot, and take her departure.
The whole family experienced meanwhile a hard task before they succeeded in consoling the old lady and madame Wang and in supporting them away out of the garden. But as what follows is not ascertained, the next chapter will disclose it.
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