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shèng yuàn The Hunchback of Notre-Dame
zuòzhě: wéi duō · guǒ Victor Hugo
  zuò jiā yīn xiǔ de zuò pǐn 'ér xiǔzuò pǐn yīn yǒng shēng de rén 'ér yǒng shēng guǒ shèng yuànjiù shì zhè yàng
   xióng wěi zhuàng de shèng yuàn , zhè zuò shì jiè shàng zuì zhuāng yánzuì wán měizuì táng huáng de shì jiàn zhùsuī rán jīng liǎo bǎi nián de fēng cāng sāngdàn fēi fán de shì jīng měi de diāo shì réng jiù fēng yùn yóu cúnlìng rén tàn wéi guān zhǐ
  
   zhěng shèng yuàn de jiàn zhù suī rán cuò luò cēncīdàn què zhuāng yán xiéjué 'ào líng xiù qiǎo miào pèihún rán zài hóng wēi 'é de zhù zào xíng zhōng tòu chū zhǒng zhuāng yán de shén shèng gǎn shén de huàn xìngzhěng jiàn zhù fēn wéi 3 céngcóng zhèng miàn kànzuì xià céng shì zuò jiān xíng gǒng ménzhōng jiān céng shì 3 shàn shuò de chuāng sān céng shì pái liè yòu de měi de lán gānlán gān shàng miàn shì liǎng zuò jiān dǐng de zhōng lóu gāo 69 nán zhōng lóu xuán zhōngzhòng 13 dūnběi zhōng lóu jiàng xīn yùn shè liǎo 187 de lóu zài liǎng zuò zhōng lóu de zhōng jiān piān hòu wèi zhì shàngbàn zhēng róng bàn wèi chū gāo 90 de jiān zhè zhōng lóu jiān fēn zhì céng gǒng mén bàng de zhū duō shèng jīng rén diāo xiàngzhōng céng chuāng bàng de dāngxià de diāo xiàng shàn yóu 37 kuài chéng de yuán xíng chuāng qián miàn suǒ diāo de shèng chǔnǚ xiàng pèi zài xiǎn gāo shēn shén
  
   shèng yuàn jǐn jiàn zhù shí jiān zǎoér qiě jiàn zhù shí jiān chángcóng 1163 nián dòng gōngdào 1250 nián wán chéngbìng zài 14 shì 17 shì fēn bié jìn xíng guò liǎng zhòng xiū de jiàn shèjīhū qiān dòng liǎo quán quán guó rén de xīn shuōnán lóu shàng 13 dūn zhòng de zhōngzài zhù liào zhōng suǒ jiā de liàng jīnyín chéngfènjiù shì yòng dāng shí de men kāng kǎi 'ér qián chéng juān xiàn chū lái de jīn yín shǒu shì róng chéng delìng wài shèng yuàn suǒ zài de wèi zhì wéi de xīn de xiān mín gāo héng héng héng luó rénzuì zǎo jiù shì zài zhè jiàn liǎo de chéng shì chú xíngsuǒ zhì jīn suàn dào guó quán guó de chéng dōushì shèng yuàn wéi diǎn de
  
   jìn guǎn shèng yuàn jiàn zhù hóng wěi shǐ yōu jiǔdiāo jīng měi wèi zhì zhòng yào 'ér yíng liǎo yǒng jiǔ de guāng huī shuāi de shēng dàn zhēn zhèng wéi zhè zuò jiàn zhù zēng cǎitóu guāng zhù huáng dehái dāng shǒu tuī wéi duō · guǒ de cháng piān xiǎo shuō shèng yuàn 》。 yóu zhè cháng piān xiǎo shuō suǒ hán de de xiǎng shēn de shè huì nèi róng duì xiǎng zhèng de xiè zhuī qiú chōng jǐngér shǐ shèng yuàn yuǎn yuǎn chāo yuè liǎo zuò wéijiàn zhùjiào tángde ér yòu liǎo quán xīn de shè huì jià zhí xiǎng nèi hánchéng wéi rén men xīn zhōng xīn bǎo shǒutuò jìn tuǒ xiézhèng xié 'èměi huàn chǒu jìn xíng kàng zhēng bìng zhàn 'ér shèng zhī de shì jīn shí fēn shuǐ lǐngchéng wéi xiàng shàng jīng shén de shèng xiān jìn xiǎng de róng chéng wéi zhǒng duì shēng huó wèi lái de měi hǎo de xiàng zhēng de xiàng wǎng
  
   díquè guǒ de shèng yuànwéi zhè zuò shēng míng yuǎn de jiàn zhù píng tiān liǎo xiàn de huó mèi fán lái dào zhè de rén huái zhe duì zuò jiā rén xíng xiàng jīng shén zhì de jǐng yǎng zūn chóng。《 shèng yuànzhī suǒ néng gòu wéi shèng yuàn gòu zhù jīn zhù zào líng húnshǐ chéng wéi dào liáng zhī de xiàng zhēngchéng wéi chún jié shàn liáng de suǒ zàichéng wéi xìn yǎng zhuī qiú de tuōchéng wéi duìède biān duìměide 'ōu de xíng xiàng huà de jiàn zhèngjiù yīn wéi guǒ shì fēi fán de zuò jiā de fēi fánzhù yào biǎo xiàn zài qíngwán qiángjiān rènduì guó jiāmín rén mín chōng mǎn liǎo rèn xīn wǎng qián tóu shè huì biàn yòng xiàn de zhēn chéng tǎn shuàimíng biàn shì fēi zhī chí zhèng qiē zhuī qiú zhēn jìn guǎn shèng yuànshì guǒ qīng nián shí de zuò pǐnchuàng zuò zhè cháng piān xiǎo shuō de shí hòu guǒ hái méi yòu jīng guò zài gēn dǎo shàng bèi liú fàng 18 nián deliàn ”, de xiǎng de shēn xìng hái yuǎn xiě zuòbēi cǎn shì jiè》、《 jiǔ sān niánděng zuò pǐn shí yàng huǒ chún qīngdàn shǐ zhè yàng,《 shèng yuànréng jiù shì xiàn shí zhù wén xué chuàng zuò de chuàng xīn de wài mào chǒu lòu dàn nèi xīn shàn liáng de qiāo zhōng rén duō měi de sài láng 'ài chéng wéi xiǔ de wén xué xíng xiàngér suǒ dài biǎo de shè huì xiǎng shǐ shèng yuàn chéng wéi yǒng yuǎn nài rén xún wèi hán qióng de shū


  The Hunchback of Notre-Dame (French: Notre-Dame de Paris, "Our Lady of Paris") is a novel by Victor Hugo published in 1831. The French title refers to the Notre Dame Cathedral in Paris, around which the story is centered.
  
  Hugo began to write Hunchback in 1829. The agreement with his original publisher, Gosselin, was that the book would be finished that same year. However, Hugo was constantly delayed due to the demands of other projects. By the summer of 1830, Gosselin demanded the book to be completed by February 1831. And so beginning in September 1830, Hugo worked non-stop on the project; he bought a new bottle of ink, a woollen cloak, [citation needed] and cloistered himself in his room refusing to leave his house (except for nightly visits to the cathedral). The book was finished six months later.
  Synopsis
  
  The story dates back to January 6, 1482 in Paris, France, the day of the 'Festival of Fools' in Paris. Quasimodo, the deformed bell-ringer of Notre Dame, is introduced by his crowning as Pope of Fools.
  
  Esmeralda, a beautiful Gypsy with a kind and generous heart, captures the hearts of many men but especially those of Quasimodo and his adopted father, Claude Frollo, the Archdeacon of Notre Dame. Frollo is torn between his lust and the rules of the church. He orders Quasimodo to kidnap her and then abandons him when he is caught and whipped and ordered to be tied down in the heat. Esmeralda, seeing his thirst, offers the hunchback water. It saves her, for she captures the heart of Quasimodo.
  
  Esmeralda is later charged with the attempted murder of Phoebus, whom Frollo attempted to kill in jealousy, and is sentenced to death by hanging. Crazy with frustrated lust, Frollo has her condemned to death when she refuses to be his. As she is being led to the gallows, Quasimodo swings down by the bell rope of Notre Dame and carries her off to the cathedral under the law of sanctuary. Clopin rallies the Truands (criminals of Paris) to charge the cathedral and rescue Esmeralda. The King, seeing the chaos, vetoes the law of sanctuary and commands his troops to take Esmeralda out and kill her. When Quasimodo sees the Truands, he assumes they are there to hurt Esmeralda, so he drives them off. Frollo betrays Esmeralda by handing her to the troops and watches while she is hanged. Quasimodo pushes him from the heights of Notre Dame to his death. Quasimodo then goes to a mass grave, lies next to her corpse, crawls off to Esmeralda's tomb with his arms around her body and eventually dies of starvation. Two years later, excavationists find the skeletons of Esmeralda with a broken neck and Quasimodo locked in an embrace.
  Characters
  Major
  
   * Quasimodo, the titular protagonist of the story. He is a barely verbal hunchback bell-ringer of Notre Dame. Ringing the church bells has made him deaf. When he was a hideous and abandoned baby, he was adopted by Claude Frollo. Quasimodo's life within the confines of the cathedral and his only two outlets—ringing the bells and his love and devotion for Frollo—are described. He ventures outside the Cathedral rarely, since people despise and shun him for his appearance. The notable occasions when he does leave are his taking part in the Festival of Fools—during which he is elected Fools'-Pope due to his perfect hideousness—and his subsequent attempt to kidnap Esmeralda, his rescue of Esmeralda from the gallows, his attempt to bring Phoebus to Esmeralda, and his final abandonment of the cathedral at the end of the novel. It is revealed in the story that the baby Quasimodo was left by the Gypsies in place of Esmeralda, whom they abducted.
   * Esmeralda, the protagonist of the story. She is a beautiful young barefoot Gypsy dancer, innocent, close to nature, and naturally compassionate and kind. She is the center of the human drama within the story. A popular focus of the citizens' attentions, she experiences their changeable attitudes, being first adored as an entertainer, then hated as a witch, before being lauded again for her dramatic rescue by Quasimodo; when the King finally decides to put her to death, he does so in the belief that the Parisian mob want her dead. She is loved by both Quasimodo and Claude Frollo, but falls deeply in love with Captain Phoebus, a handsome military man who only has a passing infatuation with her and whom she believes will protect her. She is the only character to show the hunchback a moment of human kindness: as he is being whipped for punishment and jeered by a horrid rabble, she approaches the public stock and gives him a drink of water. Because of this, he falls fiercely in love with her, even though she is too disgusted by his ugliness even to let him kiss her hand.
   * Claude Frollo is the Archdeacon of Notre Dame. Despite his celibacy vows as a priest, he finds himself madly in love with Esmeralda. He nearly murders Phoebus in a jealous rage from seeing Phoebus on top of Esmeralda. He is killed when Quasimodo pushes him off the cathedral. His dour attitude and his alchemical experiments scared and alienated him from the Parisians, who believed him a sorcerer, and so he lived without family, save for Quasimodo and his spoiled brother Jehan. He serves as the novel's main antagonist.
   * Pierre Gringoire is a struggling poet. He mistakenly finds his way into the "Court of Miracles", the secret lair of the Gypsies. In order to preserve the secrecy, Gringoire must either be killed by hanging, or marry a Gypsy. Although Esmeralda does not love him, and in fact believes him a coward rather than a true man (he, unlike Phoebus, failed in his attempt to rescue her from Quasimodo), she takes pity on his plight and marries him—although, much to his disappointment, she refuses to let him touch her.
  
   * Phoebus de Chateaupers is the Captain of the King's Archers. After he saves Esmeralda from abduction, she becomes infatuated with him, and he is intrigued by her. He is already betrothed, but just wants to lie with her. As he continues talking to and kissing her, Frollo comes from behind and stabs him. Esmeralda faints and upon waking up, finds that she has been framed with killing him. After the events of the novel, he suffers the 'tragedy' of marriage to the beautiful but spiteful Fleur-de-Lys de Gondelaurier.
   * Clopin Trouillefou is the King of Truands. He rallies the Court of Miracles to rescue Esmeralda from Notre Dame after the idea is suggested by Gringoire. He is eventually killed during the attack by the King's soldiers.
  
  Minor
  
   * Djali (pronounced like "Jolly") is Esmeralda's pet goat. She performs tricks such as writing the word "Phoebus" in moveable letter-blocks, and tapping the number of beats to indicate the month and hour of the day. These tricks delight the citizens at first, but later horrify them, causing them to believe Esmeralda is a witch.
   * Fleur-de-Lys de Gondelaurier is a beautiful and wealthy socialite engaged to Phoebus. Phoebus's attentions to Esmeralda make her insecure and jealous, and she and her friends respond by treating Esmeralda with contempt and spite. Fleur-de-Lys later neglects to inform Phoebus that Esmeralda has not been executed, which serves to deprive the pair of any further contact. Phoebus and Fleur-de-Lys marry at the end of the novel.
   * Jehan Frollo is Claude Frollo's over-indulged, scallywag younger brother. He is a troublemaker and a student at the university. He is dependent on his brother for money, which he then proceeds to squander on alcohol. Quasimodo kills him during the attack on the cathedral.
   * Sister Gudule, formerly named Paquette la Chantefleurie, is an anchorite, who lives in seclusion in an exposed cell in central Paris. She is tormented by the loss of her daughter Agnes, whom she believes to have been cannibalised by Gypsies as a baby, and devotes her life to mourning her. Her long-lost daughter turns out to be Esmeralda.
   * Louis XI is the King of France. Appears briefly when he is brought the news of the rioting at Notre Dame.
   * Tristan l'Hermite is a friend of King Louis XI. He leads the band that goes to capture Esmeralda.
   * Henriet Cousin is the city executioner.
   * Florian Barbedienne is the judge who sentences Quasimodo to be tortured. He is also deaf.
   * Jacques Charmolue gets Esmeralda to falsely confess to killing Phoebus. He then has her executed.
  
  Major themes
  
  The original French title, Notre-Dame de Paris (the formal title of the Cathedral) indicates that the Cathedral itself is the most significant aspect of the novel, both the main setting and the focus of the story's themes. Nearly every event in the novel takes place in the cathedral, atop the cathedral or can be witnessed by a character standing within or atop the cathedral. The Cathedral had fallen into disrepair at the time of writing, which Hugo wanted to point out. The book portrays the Gothic era as one of extremes of architecture, passion, and religion. The theme of determinism (fate and destiny) is explored as well as revolution and social strife. The severe distinction of the social classes is shown by the relationships of Quasimodo and Esmeralda with higher-caste people in the book. Hugo is also very concerned with justice, and description of religious fanaticism.
  
  The main theme as said in the Disney's adpatation is "Who is the Monster and who is the Man?????"
  Architecture
  
  Architecture is a major concern of Hugo's in Notre-Dame de Paris, not just as embodied in the cathedral itself, but as representing throughout Paris and the rest of Europe an artistic genre which, Hugo argued, was about to disappear with the arrival of the printing press. Claude Frollo's portentous phrase, ‘Ceci tuera cela’ ("This will kill that", as he looks from a printed book to the cathedral building), sums up this thesis, which is expounded on in Book V, chapter 2. Hugo writes that ‘quiconque naissait poète se faisait architecte’ ("whoever is born a poet becomes an architect"), arguing that while the written word was heavily censored and difficult to reproduce, architecture was extremely prominent and enjoyed considerable freedom.
  
   Il existe à cette époque, pour la pensée écrite en pierre, un privilége tout-à-fait comparable à notre liberté actuelle de la presse. C'est la liberté de l'architecture.
   There exists in this era, for thoughts written in stone, a privilege absolutely comparable to our current freedom of the press. It is the freedom of architecture.
   —Book V, Chapter 2
  
  With the recent introduction of the printing press, it became possible to reproduce one's ideas much more easily on paper, and Hugo considered this period to represent the last flowering of architecture as a great artistic form. As with many of his books, Hugo was interested in a time which seemed to him to be on the cusp between two types of society.
  Literary significance and reception
  
  The enormous popularity of the book in France spurred the nascent historical preservation movement in that country and strongly encouraged Gothic revival architecture. Ultimately it led to major renovations at Notre-Dame in the 19th century led by Eugène Viollet-le-Duc. Much of the cathedral's present appearance is a result of this renovation.
  Allusions and references
  Allusions to actual history, geography and current science
  
  In The Hunchback of Notre Dame, Victor Hugo makes frequent reference to the architecture of the Cathedral of Notre Dame in Paris.
  
  He also mentions the invention of the printing press, when the bookmaker near the beginning of the work speaks of "the German pest."
  
  Victor Hugo lived a few homes away from Victor of Aveyron, the first well-documented feral child, although the inspiration for Quasimodo's character is not directly linked to him.
  Allusions in other works
  
  The name Quasimodo has become synonymous with "a courageous heart beneath a grotesque exterior."
  Film, TV, or theatrical adaptations
  
  To date, all of the film and TV adaptations have strayed somewhat from the original plot, some going as far as to give it a happy ending. The 1956 film is one of the only ones to end exactly like the novel, although it changes other parts of the story. Unlike most adaptations, the Disney version has the ending that's inspired by an opera created by Hugo himself.
  Film
  
   * Esmeralda (1905 film)
   * The Hunchback of Notre Dame (1911 film)
   * The Darling of Paris (1917 film)
   * Esmeralda (1922 film)
   * The Hunchback of Notre Dame (1923 film)
   * The Hunchback of Notre Dame (1939 film)
   * The Hunchback of Notre Dame (1956 film)
   * The Hunchback of Notre Dame (1996 film)
   * The Hunchback (1997 film)
   * Quasimodo d'El Paris (1999 film)
   * Saeed Khan Rangeela a Pakistani comedian turned director made a movie named Kubra Aashiq in 1973 inspired from The Hunchback of Notre-Dame, with himself in the lead role of Quasimodo. However it did not fulfill the expectations of the audience and literary circles also did not appreciate it.
  
  Television
  
   * The Hunchback of Notre Dame (1966 film)
   * The Hunchback of Notre Dame (1977 film)
   * The Hunchback of Notre Dame (1982 film)
   * The Hunchback of Notre Dame (1986 film)
  
  Theatre
  
   * In 1977, an adaptation by Ken Hill was commissioned and staged by the National Theatre in London.
  
  Music
  
   * The Hunchback of Notre Dame by Alec R. Costandinos and the Syncophonic Orchestra from 1977, a lush orchestral disco 28 minute epic re-telling the tale of Quasimodo and Esmeralda.
  
  Musical theatre
  
   * Opera "La Esmeralda", by Louise Bertin (1836), libretto by Victor Hugo.
   * Opera "Esmeralda", by Arthur Goring Thomas (1883) based on the Victor Hugo novel.
   * Opera Esmeralda, by Dargomyzhsky (1847), also based on the same Victor Hugo novel.
   * "Notre Dame", romantic Opera in two acts, text after Victor Hugo by Franz Schmidt and Leopold Wilk; composed: 1902-4, 1st perf.: Vienna 1914
   * The Hunchback of Notre Dame (1993), an Off Broadway musical with music by Byron Janis, lyrics by Hal Hackady and book by Anthony Scully
   * The Hunchback of Notre Dame (1993), a dramatic sung-through musical with book and lyrics by Gary Sullivan and music by John Trent Wallace. After a production at the Mermaid Theatre in London it was published by Samuel French Ltd in 1997 and has received several UK productions as well as productions in New Zealand and Australia. In 2010 it was re-written as a conventional musical, with the new title Notre Dame.
   * In 1999, "Notre Dame de Paris (musical)" opened in Paris and became an instant success. It is considered the most successful adaptation of any novel except for "The Phantom of the Opera" and "Les Misérables." It was also adapted for the stage by Nicholas DeBaubien.
   * From 1999 to 2002, the Disney film was adapted into a darker, more Gothic musical production called Der Glöckner von Notre Dame (translated in English as The Bellringer of Notre Dame), re-written and directed by James Lapine and produced by the Disney theatrical branch, in Berlin, Germany. A cast recording was also recorded in German. There has been discussion of an American revival of the musical.
   * A rock musical version was released in Seattle, Washington in 1998 titled "Hunchback" with music and script by C. Rainey Lewis.
   * A musical version, scored by Dennis DeYoung, will open in Chicago at the Bailiwick Reperatory in the summer of 2008
  
  Ballet
  
   * Notre-Dame de Paris A ballet choreographed by Roland Petit. First performed in 1965 at the Paris Opera.
   * The Hunchback of Notre Dame (1998) – choreography and direction by Michael Pink and original music score by Philip Feeney. Currently in the repertoire of Milwaukee Ballet, Boston Ballet, Royal New Zealand Ballet, Atlanta Ballet and Colorado Ballet.
   * Ringaren i Notre Dame (Swedish for The Bellringer of Notre Dame; 2009) – choreography by Pär Isberg and original music score by Stefan Nilsson. Its first performance was on 3 April 2009, by the Royal Swedish Ballet at the Royal Swedish Opera, Stockholm.
  
  Radio
  
  The book was twice adapted and broadcast by BBC Radio 4 as its Classic Serial:
  
   * in 5 parts from 6 January to 3 February 1989, with Jack Klaff as Quasimodo
   * in 2 parts on 30 November and 7 December 2008, with deaf actor David Bower playing Quasimodo.
  
  Translation history
  
  The Hunchback of Notre-Dame has been translated into English many times. Translations are often reprinted by various publisher imprints. Some translations have been revised over time.
  
   * 1833. Translated by Frederic Shoberl as The Hunchback of Notre Dame. Later revisions.
   * 1833. Translated by William Hazlitt as Notre Dame: A Tale of the Ancien Regime. Later revisions.
   * 1888. Translated by Isabel F. Hapgood as Notre-Dame de Paris.
   * 1895. Translated by M.W. Artois et al., part of the 28-vol The Novels of Victor Hugo, re-printed in the 20th century under other titles.
   * 1964. Translated by Walter J. Cobb. In multiple editions, see for example Signet Classics ISBN 0451527887, Pub date 10 April 2001, paperback.
   * 1978. Translated by John Sturrock. In multiple editions, see for example Penguin Classics ISBN 0140443533, Pub date 26 October 1978, paperback.
   * 1993. Translated by Alban J. Krailsheim as Notre-Dame de Paris. See Oxford World's Classics ISBN 978-0199555802
   * 2002. Revised translation by Catherine Liu of an anonymous 19th century translation. See Modern Library Classics ISBN 0679642579, Pub date 8 October 2002.
  
   This list is incomplete; you can help by expanding it.
  
  Quotations
  
   * A description of Quasimodo upon his election as the fool's pope: "We shall not attempt to give the reader an idea of that tetrahedron nose- that horse-shoe mouth- that small left eye over-shadowed by a red bushy brow, while the right eye disappeared entirely under an enormous wart- of those straggling teeth with breaches here and there like the battlements of a fortress- of that horny lip, over which one of those teeth projected like the tusk of an elephant- of that forked chin- and, above all, of the expression spread over all this-that expression of mingled malice, amazement and sadness." (p. 62)
   * On the connection between architecture and culture: "When a man understands the art of seeing, he can trace the spirit of an age and the features of a king even in the knocker on a door." (p. 184)
   * Quasimodo's reaction to Esmeralda's gift of a drink of water while he is being heckled on the pillory: "Then from that eye, hitherto so dry and burning, was seen to roll a big tear, which fell slowly down that deformed visage so long contracted by despair. Perhaps it was the first that the unfortunate creature had ever shed." (p. 322)
   * Quasimodo, explaining why he won't enter Esmeralda's cell: "The owl goes not into the nest of the lark." (p. 502)
   * After Esmeralda's execution: "Quasimodo then lifted his eye to look upon the Gypsy girl, whose body, suspended from the gibbet, he beheld quivering afar, under its white robes, in the last struggles of death; then again he dropped it upon the archdeacon, stretched a shapeless mass at the foot of the tower, and he said with a sob that heaved his deep breast to the bottom, 'Oh-all that I've ever loved!'"
guó de tiān zhù jiào táng
   guó de tiān zhù jiào tángwèi shì zhōng xīn zhōng dǎo shàng。 1163 nián dòng gōng, 1250 nián jiàn chéng zhōng lóuhòu jīng kuò jiànzhěng zuò jiào táng 1345 nián jùn gōngyóu shí kuài duī 'ér chéngjiào táng dōng duān shì shèng tánzhōng de jiān gāo 90 duān mén wéi duì gāo 60 duō de fāng lóushì shèng yuàn de zhèng miànyuàn nèi diàn táng shēn yuē 125 kuān yuē 47 róng jìn wàn rénshì 'ōu zhōu zǎo jiàn zhù diāo de dài biǎodiàn nèi cáng yòu 13-17 shì de duō shù zhēn pǐn cháng piān xiǎo shuō guó guǒ zuò 1831 nián shèng yuàn jiào táng de zhù jiào luò yīn zhàn yòu sài shàonǚ 'ài méi 'ěr chéngbiàn shā de qíng rén bìng jià huò shàonǚ bèi pàn xíngshèng yuàn chǒu lòu de qiāo zhōng rén jiā duō jiāng cóng xíng chǎng jiù chūcáng zài shèng yuàn luò yòu jiāng shàonǚ jié chū shèng yuàn jiù fànzāo jué hòu biàn jiāng jiāo gěi guān bīngxíng xíng zhī jiā duō jiāng luò cóng lóu dǐng tuī xià shuāi jìn zài shàonǚ de bàng
No. 3
   shèng yuàn kāi fàng shí jiān jiào táng zhōu zhì zhōu 8: 00-18: 45; zhōu liù zhōu 8: 00-19: 45
   lóu 10 yuè 1 zhì 3 yuè 31 10: 00-17: 30
  4 yuè 1 zhì 6 yuè 30 , 9 yuè 1 zhì 9 yuè 30 9: 30-19: 30
  7 yuè 1 zhì 8 yuè 31 9: 00-22: 00
   shèng yuàn bié xǐng shuō shèng yuàn yòu rén shuō zuì hǎo cóng northportal jìn mén jiù néng zhuàng jiàn xuàn duó mùdì 3 méi guī huà chuānglìng wài shèng yuàn liǎng biān de shāng diàn hěn yòu míng mǎi dào hěn duō jīng měi de niàn pǐn shèng yuàn jiāo tōng chéng tiě (4) xiàn zài cite zhàn xià chē
   shèng yuàn ( notredamedeparis) jiàn chéng 1345 nián jǐn yīn guǒ de tóng míng xiǎo shuō 'ér chū mínggèng yīn wéi shì zuì lǎo zuì hóng wěi de tiān zhù jiào tángzhè zuò shì de shí jiàn zhù jīng liǎng bǎi niányóu mauricedesul-ly suǒ shè shì zuì lǎozuì jiàn zhù zuì chū de tiān zhù jiào tángzài 'ōu zhōu jiàn zhù shǐ shàng yòu huàshídài de
  
   jiào táng xíng fāng zhèng tài zhuāng yánzhèng miàn cháo fēn sān cénggāo 69 céng bìng pái sān zuò táo xíng mén dòngzuǒ wéi shèng ményòu wéi shèng 'ān ménzhōng wéi zuì hòu de shěn pànmén shàng mǎn liǎo diāo shìmiáo shù shèng jīng de shìmén juàn shàng shì cháng tiáo kān pái zhe 28 zuò diāo xiàng
   shèng yuàn hòu diàn shǐ jiàn 137o nián dàn shì zhěng jiàn zhù de zhōng duānér qiě běn shēn hái chuàng zào liǎo zhǒng yǐng xiǎng dào měi wèi jié gòu de dòng gǎncóng gāo jiǎo gǒng dào zhuàng gòu jià xiàn liǎo zhè zhǒng dòng gǎngāo jiǎo gǒng bàn jìng 15 zuǒ yòubié de hòu diàn jiàn zhù kuì wéi jiàn zhù de jié chū zhī zuò
   cóng shèng yuàn shàng guān shǎng dào sài ( laseine) shàng de fēng guāng páng jiǎ zhōng xīnxīng tiān wǎn shàng shèng yuàn nèi shí yòu fēng qín yǎn zòu
jiào táng héng héng shèng yuàn
  gài kuàng
  【 zhōng wén míng chēng shèng yuàn
  【 wén míng chēng】 Notre-DamedeParis
  【 yīng wén míng chēng】 Notre-DameCathedral
  【 suǒ zài guó jiā guó
  【 suǒ zài chéng shì
  【 suǒ zài dài dǎo de dōng nán duān
  【 jiàn zào shí jiān】 1163 nián ~1345 nián
  【 jiàn zhù fēng shì
  【 jiàn zhù shīshàng · · xiè ( JeandeChelles)
   · · méng 'è ( PierredeMontreuil)
   shàng · wéi( JeanRavy)
   wéi yōu léi · · ( Viollet-le-Duc)
  【 jiǎn jiè shèng yuàn shì zuò shì fēng de jiào tángshì lǎo de xiàng zhēng chù zài sài zhōng dài dǎo de dōng nán duānwèi zhěng chéng de zhōng xīn de wèi shǐ jià zhí lún shì shǐ shàng zuì wéi huī huáng de jiàn zhù zhī guǒ zài shèng yuàn wéi shí tóu de jiāo xiǎng
   shǐ
   shèng yuàn jiào táng bìng shì zài wèi zhǐ shàng de dòng zōng jiào xìng jiàn zhùgēn jiào táng xià jué chū lái de xiē wén gāi diǎn bèi zuò wéi zōng jiào yòng de shǐ huí dào luó de liú ( EmperorTiberius) shí dàizài dǎo de dōng bàn shàng néng jiàn yòu zuò yòng lái luó gāo shén zhǐ de shén diànzhì zài zhǐ shàng suǒ xiū zhù de zuò jiào jiào táng zhòng shuō fēn yúnyòu shuō rèn wéi zài 4 shì shí zhè xiū zhù liǎo zuò yòng lái bài shèng shǐ fēn de xíng jiào tángdàn yòu shuō rèn wéi jiào táng shì zài 7 shì suǒ jiàndàn shì shǐ yòng liǎo xiē gèng zǎo shí de jiàn zhù yào huò yòu shuō rèn wéi jiào táng shì zài luò wēn wáng cháo( Mérovingiens) de 'ěr bèi 'ěr shì( ChildebertI) zài 528 nián shí xiān qián jīng cún zài de jiào táng wéi chǔ jìn gǎi jiànshèng yuàn de qián shēn zǎo zài 10 shì shíjiù jīng chéng wéi huò zhěng guó de zōng jiào zhōng xīndàn shì zhèng yīn wéi zhè bān de zhòng yào xìngrén men kāi shǐ xiàn yuán yòu de shèng shǐ fēn jiào táng suǒ chéng dān de zhòng rèn xiāng zài jiā shàng yuán běn de jiào táng jīng suí zhù shí jiān 'ér lǎo jiùér kāi shǐ suǒ chóngxīn xiū zhù jiào táng de yào xìng。 1160 nián shí zhù jiào mǎo · · ( MauricedeSully) jiào táng de chóngjiàn jìhuàbìng 1163 nián shí mái xià shíxiàng zhēng jiào táng kāi shǐ xīng jiàndāng shí de jiào huáng shān sān shì( PopeAlexanderIII) diàn
   jiàn zào guò chéng
   zài shèng yuàn de xiū jiàn jìhuà zhōngxīn de jiàn yào yuán jiàn dōng biàn zài jiào táng qián fāng téng chū zuò wéi yóu xíng yòng de guǎng chǎngwéi dào diǎnmǎo zhù jiào jiāng yuán běn shì zài dǎo dōng biān de xiǎo dǎo běn dǎo xiāng lián tián de fāng shì chǎn shēng chū jiàn zhù jiào táng de yòng chú zhī wài chāi jiàn liǎo shǎo shè biàn néng shè tiáo quán xīn de jiē dàoxīn shèng yuàn ”( RueNeuveNotre-Dame), zhè tiáo liù kuān de jiē dào shì zhōng shì shí zuì de tiáo jiēzhì zhù jiào zhái jiào táng shè de yuànzhù gōng yuàn), yīn wéi dǎo shàng yòng zhī bèi qiān dào sài nán 'àn
   zài jiào táng de píng miàn shàngchéng lǎo jiào táng de běn shèng yuàn bèi shè chéng yòu zòng cāng( Nave) de guī huábāo kuò zhōng cāng liǎng liǎng de cāngdàn xiāng duì dezhěng dòng jiàn zhù de chǐ guī fàng duōjiào táng quán cháng 128 guāng shì zhōng cāng jiù yòu 12.5 kuānér zhěng zuò jiào táng de quán kuān wéi 40 qióng dǐng( Vault) wéi 33 kuān
   jiào táng de shí shì 1163 nián diàn xiàshǔ chàng shī bān jié gòu de fènkāi gōng hòu jiào táng de xiū zhù fēi cháng kuàiyīn zài 1182 nián jiào huáng de shǐ zhě xiàn chū liǎo xīn de tán zhī hòushèng yuàn de běn gōng néng suàn shì zhì chéng xíng zhí dào zhè jiē duàn hòugōng rén men cái kāi shǐ jiāng jiù de jiào táng chāi chúzhōng shí dàijiù jiào táng bìng huì zài xīn jiào táng jiàn chū jiù chāi chú yán jiào táng cháng de zōng jiào xìng yùn zuò)。 zhī hòu shèng yuàn gòng gēnghuàn liǎo wèi xìng míng kǎo de jiàn zhù shīzhú jiàn de jiāng jiàn zhù zhāo pái de gǒng shì kuà qióng dǐng wán chéngjiào táng shuāng zào xíng de zhèng miàn( Façade) zhí dào jìn 13 shì hòuzài sān rèn jiàn zhù shī de shǒu shàng cái dòng gōngbìng zài 1220 nián dài shíyóu wèi jiàn zhù shī cāng dǐng fēn jiē tóng wán chéng
   xiáng jiè shào
   guó tiān zhù jiào jiào tángwèi sài chéng dǎo de dōng duānshǐ jiàn 1163 niánshì zhù jiào · · jué dìng xīng jiàn dezhěng zuò jiào táng zài 1345 nián cái quán jiàn chéng shí 180 duō niángāi jiào táng shì de jiàn zhù fēng tánhuí lángmén chuāng děng chù de diāo huì huà shù táng nèi suǒ cáng de 13 17 shì de liàng shù zhēn pǐn 'ér wén míng shì
   shèng yuàn de zhèng miàn shèng yuàn shì zuò diǎn xíng de shì jiào táng de zhèng miàn yòu duì zhōng zhù kǒu de shàng shè yòu de méi guī chuāngzài zhōng tíng de shàng fāng yòu gāo bǎi de jiān suǒ yòu de zhù tǐng xiū cháng shàng jiān jiān de gǒng quàn lián chéng zhōng tíng yòu zhǎi yòu gāo yòu chángcóng wài miàn yǎng wàng jiào táng gāo jùn de xíng jiā shàng dǐng sǒng de zhōng jiān shǐ rén gǎn dào zhǒng xiàng lán tiān shēng téng de xióng jìn jiào táng de nèi shù de chuí zhí xiàn tiáo yǐn rén yǎng wàngshù shí gāo de gǒng dǐng zài yōu 'àn de guāng xiàn xià yǐn yǐn yuē yuēshǎn shǎn shuò shuòjiā shàng zōng jiào de xiá xiǎng shàng miàn jiù shì tiān táng shìjiào táng jiù chéng shàng duì huà de fāng shì 'ōu zhōu jiàn zhù shǐ shàng huàshídài de biāo zhìshèng yuàn zuò dōng cháo zhèng miàn fēng jié gòu yán jǐnkàn shàng shí fēn xióng wěi zhuāng yán bèi zhù zòng xiàng fēn wéi sān kuàisān tiáo zhuāng shì dài yòu jiāng héng xiàng huàfēn wéi sān fēn zhōngzuì xià miàn yòu sān nèi 'āo de mén dòngmén dòng shàng fāng shì suǒ wèi deguó wáng láng”, shàng yòu fēn bié dài biǎo liè yóu tài guó dài guó wáng de 'èr shí zūn diāo 。 1793 nián mìng zhōng de rén mín jiāng rèn zuò men tòng hèn de guó guó wáng de xíng xiàng 'ér jiāng men dǎo huǐdàn shì hòu láidiāo xiàng yòu chóngxīn bèi yuán bìng fàng huí yuán wèi。“ cháng lángshàng miàn wéi zhōng yāng fēnliǎng wéi liǎng de shí zhì zhōng líng chuāng zhōng jiān méi guī huā xíng de yuán chuāng zhí jìng yuē 10 jiàn 1220 héng 1225 niánzhōng yāng gòngfèng zhe shèng shèng yīngliǎng biān zhe tiān shǐ de xiàngliǎng de shì dāng xià de xiàng
   zhàn zài sài pànyuǎn tiào gāo gāo chù de shèng yuàn de mén zhōu mǎn liǎo diāo xiàng céng jiē zhù céngshí xiàng yuè wǎng céng yuè xiǎo mén shàng diāo shì jīng qiǎo duō wéi miáo shù shèng jīng zhōng de rén mén zhèng zhōng jiān shì zuì hòu de shěn pàn zuǒ yòu liǎng biān lìng shè ménzuǒ mén shì shèng de shì yòu shì shèng zhī shèng 'ān de shìměi diāo zuò pǐn céng fēn míng gōng jīng
   zǒu shèng yuàn nèiyòu 'ān fàng pái pái zhú táishù shí zhī bái zhú huī yìng shǐ yuàn nèi yáng zhù róu de fēnzuò qián shè yòu jiǎng táijiǎng tái hòu miàn zhì fàng sān zuò diāo xiàngzuǒyòu diāo xiàng shì guó wáng shí sān shí liǎng rén guāng wàng xiàng zhōng yāng shèng 'āi xiàng (Pieta), héng shèng shàngshèng shén qíng shí fēn 'āi shāng
   shèng yuàn 'èr céng lóu shì zhù míng de méi guī chuāng cǎi bān lán jǐn jǐn shì zhuāng shìzhè táng huáng de cǎi huà zhù de shèng jīng shì qián de shén zhí rén yuán jiè yóu zhè xiē xiàng lái zuò chuán dào zhī yòng
   yuàn nèi bǎi zhì hěn duō de huàdiāo shèng xiàngyīn qián lái guān lǎn de yóu luò juéyào xiǎng shòu rén piàn de níng jìng fáng shàng shèng yuàn sān céng lóu jiù shì zuì dǐng céng guǒ xià de zhōng lóucóng zhōng lóu kàn shī huà bān de měi jǐngyòu 'ōu zhōu diǎn xiàn dài gǎn de jiàn zhù xīn shǎng sài shàng fēng guāng sōu sōu guān guāng chuán zài zhù yóu chuān suō yóu shǐ sài
   zhōng de jiào táng shèng yuàn guǎng chǎng shàng yòu guó gōng wǎnglíng diǎn Pointzero” biāo zhìcóng dào shénme fāng yòu duō shàogōng shì cóng zhè yuán shǐ diǎnkāi shǐ cèliáng decóng shénme fāng dào yòu duō shàogōng shì zhǐ de dào zhè yuán diǎnde
   jiào táng nèi wéi jīhū méi yòu shénme zhuāng shì tīng róng 9000 rén zhōng 1500 rén zuò zài jiǎng tái shàngtīng nèi de guǎn fēng qín hěn yòu mínggòng yòu 6000 gēn yīn guǎnyīn hún hòu xiǎng liàng bié shì zòu shèng bēi zhuàng de yuèqǔcéng jīng yòu duō zhòng de diǎn zài zhè xíng xuān 1945 nián 'èr shì jiè zhàn shèng de zàn měi shīyòu 1970 nián guó zǒng tǒng dài gāo jiāng jūn de zàng děng
   shèng yuàn shì zuò shí tóu jiàn zhùzài shì jiè jiàn zhù shǐ shàngbèi wéi yóu de shí tóu chéng de jiāo xiǎng suī rán zhè shì yīzhuàng zōng jiào jiàn zhùdàn shǎn shuò zhāofǎ guó rén mín de zhì huìfǎn yìng liǎo rén men duì měi hǎo shēng huó de zhuī qiú xiàng wǎng
shù jià zhí
   shèng yuàn shì zuò shí tóu jiàn zhùzài shì jiè jiàn zhù shǐ shàngbèi wéi yóu de shí tóu chéng de jiāo xiǎng suī rán zhè shì yīzhuàng zōng jiào jiàn zhùdàn shǎn shuò zhāofǎ guó rén mín de zhì huìfǎn yìng liǎo rén men duì měi hǎo shēng huó de zhuī qiú xiàng wǎng shèng yuàn ( NotreDamedeParis) shèng táng”。 guó tiān zhù jiào jiào tángshì jiè zhù míng de jiào tángwèi guó sài zhōng de chéng dǎo dōng duānwéi 'ōu zhōu zǎo shì jiàn zhù diāo shù de dài biǎo zōng jiàowén huàjiàn zhù shù shēn de shèng yuànyuán wéi niàn luó zhù shén zhū 'ér jiàn zàosuí zhe suì yuè de liú shìzhú jiàn chéng wéi shèng yuàn zǎo jiào de jiào táng
   yóu lǎn xìn shì
  【 jiāo tōng chéng tiě 4 hào xiàn zài Cite zhàn xià chē
   shèng yuàn de jǐngkāi fàng shí jiānzhù jiào táng zhèng lóu zhōu zhì zhōu 8:00-18:45; zhōu liù zhōu 8:00-19:45
   jiào táng lóu 10 yuè 1 zhì 3 yuè 31 10:00-17:309 yuè 1 zhì 9 yuè 30 9:30-19:307 yuè 1 zhì 8 yuè 31 9:00-22:00
  【 yóu lǎn shì shèng yuàn yòu rén shuō zuì hǎo cóng jiào táng de běi mén( NorthPortal) jìn mén jiù néng zhuàng jiàn xuàn duó mùdì 3 méi guī huà chuānglìng wài shèng yuàn liǎng biān de shāng diàn hěn yòu míng mǎi dào hěn duō jīng měi de niàn pǐn
xiǎo shuō héng héng shèng yuàn
  gài kuàng
  【 xiǎo shuō míng chēng】《 shèng yuàn
  【 chuàng zuò shí jiān】 1831 nián
  【 xiǎo shuō bié chēng】《 zhōng lóu guài rén
  【 zuò zhěwéi duō · guǒ
  【 xíng shìlàng màn zhù xíng shì xiǎo shuō
   zuò jiā jiè shào
    wéi duō · guǒ (VictorHugo, 1802.2.26~ 1885.5.22) 19 shì làng màn zhù wén xué yùn dòng lǐng xiùrén dào zhù de dài biǎo rén bèi rén men chēng wéi lán de suō shì ”。
   guǒ chū shēng guó dōng jǐn 'āi ruì shì de shěng bèi sāng sōng de qīn shì lún shǒu xià de wèi jiāng jūnér shí de guǒ suí zài bān zhù jūn, 10 suì huí shàng xuézhōng xué xué yuàn xué dàn de xīng zài xiě zuò 15 suì shí zài lán xué yuàn de shī jìng sài huì jiǎng, 17 suì shí zàibǎi huā shī sài míng, 20 suì shí chū bǎn liǎo shī sòng shī 》, yīn sòng bàng wáng cháo huò shí shǎng zhī hòu xiě liǎo liàng guó qíng diào de shī zhī hòu duì bàng wáng cháo yuè wáng cháo gǎn dào shī wàngchéng wéi gòng zhù zhě hái xiě guò duō shī běn yòu xiān míng bìng guàn chè zhù zhāng de xiǎo shuō
  1841 nián guǒ bèi xuǎn wéi lán xué yuàn yuàn shì, 1845 nián rèn shàng yuàn yuán, 1848 nián 'èr yuè mìng hòurèn gòng guó huì dài biǎo, 1851 nián lún sān shì chēng guǒ fèn fǎn duì 'ér bèi liú wáng guó wàiliú wáng jiān xiě xià zhèng zhì fěng shīchéng 》, měi zhāng pèi yòu lún sān shì de shī zhèng gāng lǐng tiáo wénbìng jiā fěng hái yòng lún shì de gōng lún sān shì de chǐ duì
  1870 nián guó liúxiě mìng tuī fān lún sān shì hòu guǒ fǎn huí guǒ shēng zhù zuò děng shēnjīhū shè wén xué suǒ yòu lǐng píng lùn jiā rèn wéi de chuàng zuò xiǎng xiàn dài xiǎng zuì wéi jiē jìn hòu guó guó zhì 'āibèi 'ān zàng zài guó míng rén niàn pái dexiān xián ”。
   guǒ zuì wéi guó rén jīn jīn dào de làng màn shì shì 30 suì shí xiè hòu 26 suì de yǎn yuán zhū · 'āibìng zhuì 'ài hòu guǎn men zài huò fēn kāi guǒ měi tiān dōuyào gěi xiě fēng qíng shūzhí dào 75 suì shìjiāng jìn 50 nián lái cóng wèi jiànduànxiě liǎo jiāng jìn liǎng wàn fēng xìnguàn chuān guǒ shēng huó dòng chuàng zuò de zhù dǎo xiǎng shì rén dào zhù héng héng fǎn duì bào 'ài zhìè”。
   guǒ jīhū jīng liǎo 19 shì guó de suǒ yòu zhòng shì biàn shēng xiě guò duō shī xiǎo shuō běn zhǒng sǎnwén wén píng lùn zhèng lùn wén zhāngshì guó yòu yǐng xiǎng de rén
   guǒ de chuàng zuò chéng chāo guò 60 niánzuò pǐn děng shēnbāo kuò 26 juàn shī 、 20 juàn xiǎo shuō、 12 juàn běn、 21 juàn zhé lùn zhù 79 juàn zhī duōgěi guó wén xué rén lèi wén huà bǎo zēng tiān liǎo fèn shí fēn huī huáng de wén huà chǎn dài biǎo zuò shìcháng piān xiǎo shuō shèng yuàn 》《 bēi cǎn shì jiè》《 hǎi shàng láo gōng》《 xiào miàn rén》《 jiǔ sān nián》, shī guāng yǐngděngduǎn piān xiǎo shuō:《“ nuò màn hào yùnàn
   chuàng zuò bèi jǐng
  《 shèng yuànshì guó zuò jiā wéi duō · guǒ xíng làng màn zhù xiǎo shuō duì shǒu xiě liǎo shēng zài 15 shì guó de shì shèng yuàn zhù jiào luò dào mào 'àn ránshé xiē xīn chángxiān 'ài hòu hèn hài sài láng 'ài měi miàn chǒu lòuxīn shàn liáng de qiāo zhōng rén duō wéi jiù láng shè shēnxiǎo shuō jiē liǎo zōng jiào de wěixuān gào jìn zhù de chǎn sòng liǎo xià céng láo dòng rén mín de shàn liángyǒu 'àishějǐ wéi rénfǎn yìng liǎo guǒ de rén dào zhù xiǎng
   xiǎo shuō de chā zhè shū de zāo jìn shì zài shā huáng shì tǒng zhì shí de 'é guóyīn wéi guǒ xiǎng huó yuè yòu chǎn jiē yóu zhù qīng xiàngyòu tóng qíng gāng gāng xīng de chǎn jiē de mìngyīn bǎo shǒu wán de shā huáng xià lìng zài 'é guó jìn zhǐ chū bǎn guǒ de suǒ yòu de zuò pǐn
   xiǎo shuō shèng yuàn shù zài xiàn liǎo bǎi duō nián qián wáng shí tǒng zhì shí de zhēn shí shǐgōng tíng jiào huì láng bèi wéi jiān rén mín qún zhòngrén mín qún zhòng zěn yàng tóng liǎng shì yīng yǒng dǒu zhēngxiǎo shuō zhōng de fǎn pàn zhě sài láng 'ài měi huómiàn róng chǒu lòu de cán rén duō shì zuò wéi zhēn zhèng de měi de huà shēn zhǎn xiàn zài zhě miàn qián deér rén men zài zhù jiào luó luò guì jūn rén shēn shàng kàn dào de shì cán kōng de xīn líng zuì 'è de qíng zuò zhě jiāng de shì shēng dòng fēng de xìng chǎng miàn yòu lián zhuì láishǐ zhè xiǎo shuō yòu hěn qiáng de xìngxiǎo shuō làng màn zhù cǎi nóng lièqiě yùn yòng liǎo duì de xiě zuò shǒu shì yùn yòng làng màn zhù duì zhào yuán de shù fàn běnxiǎo shuō de biǎoshǐ guǒ de míng shēng gèng jiā yuǎn yáng
   shì jiǎn jiè
   chǒu lóng rén duō bèi shèng yuàn de shén luó shōu yǎngzuò zhuàng zhōng rénwài mào zhèng jīng de luó shén cóng jiàn měi de sài shàonǚ 'ài méi hòubèi měi suǒ yòu 'ér shén hún diān dǎozhǐ shǐ duō qiáng xíng zǒu 'ài méi zhōng bèi bīng shàng wèi duì cháng suǒ jiùài méi yīn 'ér 'ài shàng liǎo dàn shēng xìng fēng liúbèi huái hèn zài xīn de luó shādàn méi yòu bìng jià huò 'ài méi lìng bèi pàn xíngxíng xíng shí duō jiāng 'ài méi jiù zǒu bìng cáng shēn shèng yuàn zhōng gài qún zhòng wéi jiù 'ài méi 'ér chōng jiào táng duō zhànài méi bèi yóu luó dài lǐng de jūn duì chōng shèng yuàn suǒ shāzuì hòu duō fèn rán jiāng luó cóng jiào táng dǐng lóu shuāi luò xiàzuì hòu duō zhe 'ài méi de shī xùn qíng
   xiǎo shuō píng jià
   zài shí jiǔ shì qún xīng càn làn de guó wén tánwéi duō · guǒ shuō shì zuì cuǐ càn de míng xīng shì wěi de shī rénshēng míng zhuó zhù de zuò jiāxiǎo shuō jiāyòu shì guó làng màn zhù wén xué yùn dòng de shǒu lǐng xiùzhè wěi de zuò pǐn shèng yuànshì de yǐn hōng dòng xiào yìng de làng màn pài xiǎo shuō de wén xué jià zhí duì shè huì shēn de shǐ zài jīng liǎo jiāng jìn liǎng shì de shí jiān zhī hòuhái shì zài jīn tiān bèi biàn biàn de fān yìnchóngbǎncóng 'ér lái dào men de shǒu zhōng
   zài yuè zhè běn shū de guò chéng zhōng gǎn shòu dào liǎo qiáng liè deměi chǒu duì ”。 shū zhōng de rén shì jiàn shǐ yuán xiàn shí shēng huó bèi kuā zhāng qiáng huà liǎozài zuò jiā de nóng zhòng cǎi zhī xiàgòu chéng liǎo xuàn 'ér de huà miànxíng chéng jiān ruì deshèn zhì shì nán zhì xìn de shàn 'èměi chǒu de duì
   shàonǚ 'ài měi shì liú làng rén de chǒng 'érkào jiē tóu mài wéi shēng tiān zhēn chún jié tóng qíng xīn jiù zhù rényīn wéi rěn xīn kàn jiàn zhě bèi chǔsǐ jiē shòu shī rén gān guǒ zuò míng shàng de zhàng bǎo quán de shēng mìngkàn jiàn duō zài liè xià shòu biān xíngzhǐ yòu huì tóng qíng lián mǐn shuǐ sòng dào yīn kǒu 'ér hǎn de qiāo zhōng rén de chún biānzhè yàng xīn gāo guì de háijìng bèi jiào huì tíng miè wéi ”、“ shā rén fàn”, bìng bèi pàn chù jiǎo xíngzuò zhě zhè rén zào chéng měi shàn de huà shēnràng xīn líng de měi wài zài de měi wán quán tǒng yǐn zhě duì de xiàn tóng qíngcóng 'ér chǎn shēng duì fēng jiàn jiào huì wáng quán de qiáng liè fèn hèn
   zhì zhù jiào luò qiāo zhōng rén duōzhè shì liǎng wán quán xiāng fǎn de xíng xiàng luò biǎo miàn shàng dào mào 'àn ránguò zhe qīng jìn de xiū xíng shēng huóér nèi xīn què qiú yín duì shì de xiǎng shòu chōng mǎn xiàn yīn xiǎn shǒu duànér jiā duōzhè tuó bèi yǎnyòu lóng yòu de xíng réncóng xiǎo shòu dào shì rén de shì língzài 'ài měi yàn dào rén xīn de wēn nuǎnzhè wài biǎo mán de guài réncóng biàn jiāng quán de shēng mìng qíng tuō zài 'ài měi de shēn shàng wéi tānɡ dǎo huǒ wèile de xìng shēng de qiē
   zhè zhǒng tuī xiàng duān de měi chǒu duì zhàojué duì de chóng gāo xié 'è de duì shǐ xiǎo shuō yòu zhǒng zhèn hàn rén xīn de liàngnéng juàn zǒu men quán de xiǎng qíng gǎnzhè zhèng shì làng màn pài xiǎo shuō de mèi suǒ zài
   zài shèng yuànzhōngzuò zhě de tóng qíng xīn miáo xiě liǎo zuì xià céng de rén mínliú làng zhě gài men shān lán zhǐ què yōng yòu yuǎn yuǎn shèng guò suǒ wèi yòu jiào yǎngwén míng de shì jiè de rén de měi zhù yǒu 'àizhèng zhí yǒng gǎn shè wéi rén de měi xiǎo shuō zhōng liú làng rén wéi jiù chū 'ài méi gōng shèng yuàn de chǎng miànbēi zhuàng lièkāng kǎijīng xīn dòng
   zuò wéi làng màn zhù wén xué de chéng bēizhè xiǎo shuō zuì míng xiǎn de biāo zhì zhī shì guǒ shàn 'è měi chǒu zuò liǎo xiān míng de duì dàn zhè zhǒng duì zhào què shì 'àn chuán tǒng de fāng shì měi shànchǒu 'è fēn bié zhōng zài liǎng lèi tóng de rén shēn shànghuò shì gēn běn huí chǒu guài de miànér shì ràng men xiāng jiāo cuòwài biǎo měi hǎo de nèi xīn wèi shàn liángwài biǎo chǒu lòu de nèi xīn wèi měiwèi shàn
   shèng yuànwēi yán xiǔ de zhì huìzài cún zài jīn bǎi duō nián zhōng zhù shì zhe gǔn gǔn shuǐyún yún zhòng shēngcéng jīng shì duō shǎo rén jiān bēi rén jiān de jiàn zhèngzài guǒ de zhè xiǎo shuō zhōng fǎng yòu liǎo shēng mìng de 'ài měi zhèng shí luò de zuì xíngbēi tàn zhòng hǎo hàn cháng shì hēi 'àn tǒng zhì 'ér yīng yǒng xiàn shēn de zhuàng jīng zàn duō zhèmiǎo dào de wēi chén jiè qiē chái láng bào qiē guì shǒu cǎi zài jiǎo xià de xiá xíng wéi shèn zhì duō wéi shì zhè xíng rén líng hún de zhù zǎiyòu shì guài de tuōzài guǒ de shēng huā miào xià huó liǎo láitóng shí suǒ míng shù bìng wēi yǎn chū de mìng yùn jiāo xiǎng zēng tiān liǎo wěi zuò jiā de guāng huīměi de shèng yuàn shì jiàn zhù shù de zhēn pǐn guǒ zǎo zài shàonián shí dài jiù duì jiàn zhù shù héng héng yóu shì jiàn zhù shù yòu nóng hòu de xīng zhì qīng nián shí dài zhì shǎo jìn xíng liǎo sān nián de zhǔn bèishú zhōng shì de guó shè huì bié shì qīn shēn zuàn jìn shèng yuàn de tóng shí guǎng fàn yuè yòu guān liàozhǎng liǎo guó rén yǐn wéi róng de zhè zuò jiàn zhù suǒ yòu de 'ào biàn 1830 nián 7 yuè zhuóshǒu xiě gǎo jiǎ tuō zài liǎng zuò wēi 'é gāo sǒng de zhōng lóu zhī de hēi 'àn jiǎo luò xiàn qiáng shàng yòu zhè yàng zhōng shì rén shǒu de mìng yùnshuō shì zhè zhī pèi rén lèi de mìng yùnshì shí shàng zhī pèi mèi shí dài qiē rén de hēi 'àn zhī guǐ suǒ zài de mìng shēn shēn dòng liǎo zuò zhěquè shí,《 shèng yuànzhè běn shū jiù shì wèile shuōmìng yùn 'ér xiě zuò dewěi de rén dào zhù zhě guǒ xún qiú de shì mìng yùn de zhēn shí nèi hán lùn shì luò hái shì duō men guī gēn dào shì shè huì de rén men nèi xīn de fēn lièchōng fǎn yìng de shì men shí dài shén quán rén quán mèi qiú zhī zhī jiānpáng chén zhòng de hēi 'àn zhì zhēngzhá zhe de cuì ruò rén zhī jiān de fēn lièchōng zhōng dǎo zhì bēi zhōng qiē rén tǒng tǒng guāng de cǎn liè jié men zài zhè zhù zhōng kàn jiàn de mìng yùnjiù shì zài dìng huán jìng zhōng shì de guó shǒu mèi xìn mán tǒng zhì chāng jué de shè huì zhī zhōng huī héng sǎo qiē de wēi 。《 shèng yuànzuò wéi làng màn zhù dài biǎo zuòzhèng shì yóu zuò zhě qiú rán yuán mào huà zhōng shì de guó shè huì zhēn shí shēng huó zhuó yuè de shǒu làng màn de xíng shì dòng rén de qíng jié zhǎnníng jīng liàn zài zhè míng zhù zhōng 'ér chéng xiàn chū men de shēng dòng miàn mào fēng yùn hányíng liǎo ài zhī hòu làng màn zhù diǎn zhù bǎn zhì de yòu shèng zhè shì fèn 'ér bēi zhuàng de mìng yùn jiāo xiǎng
   zhù :《 shèng yuànshì yòu guǒ shēn fēng de cháng piān xiǎo shuō zài shí jiǔ suì shí jiù xiě chū cháng piān xiǎo shuōbīng dǎo xiōng hàn》( yòu bīng dǎo wáng》), zhǐ guò chū bǎn shí méi yòu shǔ míng
diàn yǐng héng héng shèng yuàn
  【 zhōng wén míng chēng shèng yuàn
  【 yīng wén míng chēng】 NotreDamedeParis
  【 wài wén piàn míng】 TheHunchbackofNotreDame
  【 yǐngpiān lèi xíngkǒng yǐngpiān
  【 yǐngpiān shí cháng】 115 fēn zhōng
  【 pāi shè guó jiā guó
  【 duì bái yán
  【 cǎicǎi
  【 miàn】 35 háo jiāo piàn biàn xíng kuān yín
  【 hùn yīndān shēng dào
  【 píng 】 RatedPGforviolenceandsensuality
  【 bié】 Argentina
  【 bǎn quán suǒ yòu】 ParisFilmProduction( guó guó diàn yǐng gōng
  【 pāi shè shí jiān】 1956 nián 4 yuè 16 ~1956 nián 8 yuè 11
  【 shè zhì shì】 35 háo
  【 yìn shì】 35 háo diàn yǐng hǎi bào
  【 zhì zuò gōng 】 PanitaliaParisFilmProductions
  【 xíng gōng 】 AlliedArtistsPicturesCorporation[ měi guó ]
  Cocinor[ guó ]
  【 zhì zuò rén】 RaymondHakim.....producer
  RobertHakim.....producer
   rén yuán
  【 dǎo yǎnràng · ( JeanDelannoy)
  【 biān wéi duō · guǒ VictorHugo.....(novel)
  【 gǎi biān】 JeanAurenche.....&
  JacquesPrévert
  BenHecht.....uncredited
  【 yǎn yuán
  GinaLollobrigida( · láo luò ) .....Esmeralda
  AnthonyQuinn.....Quasimodo
  JeanDanet.....CapitainePhoebusdeChateaupers
  AlainCuny.....ClaudeFrollo
  RobertHirsch.....Gringoire
  DanielleDumont.....FleurdeLys
  PhilippeClay.....ClopinTrouillefou
  MauriceSarfati.....JehanFrollo
  JeanTissier.....KingLouisXI
  ValentineTessier.....AloysedeGondelaurier
  JacquesHilling.....Charmolue
  JacquesDufilho.....GuillaumeRousseau
  RogerBlin.....MathiasHungadi
  MarianneOswald.....Falourdel
  RolandBailly.....Torterue
  Piéral.....Lenain
  CamilleGuérini.....Leprésidentdutribunal
  Damia.....Lamendiante
  RobertLombard.....JacquesCoppenole
  AlbertRémy.....Jupiter
  HubertdeLapparent.....GuillaumedeHarancourt
  BorisVian.....Lecardinal
  MadeleineBarbulée.....MadameOutarde
  AlbertMichel.....Leveilleurdenuit
  DanielEmilfork.....Lerouge
  MichelEtcheverry.....L'archidiacre(asEtcheverry)
  DominiqueDavray.....LaCharonne
  YvetteLucas.....Rongeoreille
  DeniseCarvenne.....Latapissière
  JacquesBertrand.....Bellevignedel'Etoile
  PaulBonifas.....MaîtreLeCornu(uncredited)
  ChristineDarvel.....(uncredited)
  JennyDoria.....(uncredited)
  GeorgesDouking.....Untire-laine(uncredited)
  PierreFresnay.....Récitant/Narrator(voice)(uncredited)
  ChristineLangart.....(uncredited)
  AnneLaurent.....(uncredited)
  JeanMartin.....Untire-laine(uncredited)
  LouisetteRousseau.....(uncredited)
  FrançoiseVallery.....(uncredited)
   shàng yìng
  【 guó】 1956 nián 12 yuè 19
  【 】 1956 nián 12 yuè 19
  【 】 1957 nián 2 yuè 22
  【 ruì diǎn】 1957 nián 7 yuè 29
  【 měi guó】 1957 nián 11 yuè 3
  【 fēn lán】 1960 nián 3 yuè 25
  【 dōng 】 1972 nián 2 yuè 18
  【 fēn lán】 1974 nián 2 yuè 22
  【 é luó 】 2003 nián 6 yuè 21
  【 zhōng guó】 2008 nián 1 yuè 5
   qíng jiè shào
   bǎn běn
   měi shàn liáng de sài niàn 'āi bái tiān kào tiào mài wéi shēngwǎn shàng qún chēng gài wáng guóde qióng rén zhù zài āi de měi mào qīng guó qīng chéngquè gěi yǐn lái liǎo shā shēn zhī huò
   guó wáng wèi duì de duì cháng fěi yuán běn yòu wèi hūn què chuí xián 'āi de měi piàn liǎo de fāng xīnjiù zài fěi 'āi zài guǎn yōu huì shí rán fěi bèi shén de hēi rén shāngyóu hēi rén méi yòu bèi zhǎo dào guǎn lǎo bǎn de gòngcí yòu duì 'āi fēi cháng zài tíng shàngāi shòu xíng hòu bèi zhāogòngchéng rèn shì xiǎng shā hài fěi āi yīn bèi pàn jiǎo xíng
   shí yǐn cáng zài hēi 'àn jiǎo luò de hēi rén shì shèng yuàn de shén luó luò biǎo miàn shàng shì duì rén yàn 'è de zhōng chéng de jiào nèi xīn què zhí rán shāo zhe xióng xióng liè huǒ wàng dào měi de 'āi shì zài kàn dào 'āi fěi yuē huì shí kòng zhì de shāng liǎo fěi
   zài 'āi bèi sòng wǎng jiǎo xíng jià de shàng shèng yuàn de qiāo zhōng rén duō jiāng jiù xià dài shèng yuàn bìnàn duō wài biǎo chǒu lòu cóng xiǎo bèi luó shén shōu yǎngdàn xīn shàn liángbìng zhēn xīn 'ài zhe 'āi zài shèng yuàn zhōng duō jiù shì 'āi de shǒu shén
   guó wáng de wèi duì kāi shǐ jìn gōng shèng yuàn zhuō 'āi duō shì bǎo dàn rén de liàng dìng yòu xiànāi bèi luàn jiàn shè duō kàn dào de shī bèi zǒubēi tòng jué zhēn zhèng de xiōng shǒu héng héng luó shén cóng shèng yuàn de dǐng céng rēng liǎo xià
   duō zhǎo dào fàng zhì 'āi shī de fāngjǐn jǐn bào zhe xīn 'ài de niànduō nián hòurén men xiàn liǎo liǎng chán rào zài shī dāng rén men xiǎng yào jiāng men fēn shízhè liǎng shī dùn shí huà zuò liǎo huī chén xiāo shī yǐng zōng
   bǎn běn 'èr
   běn piàn gēn guó wén háo wéi duō 'ěr guǒ míng zhù shèng yuàngǎi biānchǒu lóng rén duō bèi shèng yuàn de shén luó shōu yǎngzuò zhuàng zhōng rénwài mào zhèng jīng de luó shén cóng jiàn měi de sài shàonǚ 'ài méi hòubèi měi suǒ yòu 'ér shén hún diān dǎozhǐ shǐ duō qiáng xíng zǒu 'ài méi zhōng bèi fēi bīng shàng wèi duì cháng suǒ jiùài méi yīn 'ér 'ài shàng liǎo fēi dàn fēi shēng xìng fēng liúbèi huái hèn zài xīn de luó shābìng jià huò 'ài méi lìng bèi pàn xíngxíng xíng shí duō jiāng 'ài méi jiù zǒu bìng cáng shēn shèng yuàn zhōng gài qún zhòng wéi jiù 'ài méi 'ér chōng jiào táng duō zhànài méi bèi yóu luó dài lǐng de jūn duì chōng shèng yuàn suǒ shāzuì hòu duō fèn rán jiāng luó cóng jiào táng dǐng lóu shuāi luò xiàzuì hòu duō zhe 'ài méi de shī xùn qíng
   bǎn běn sān
   zhè guǒ míng zhù céng bèi duō bān shàng yín zhōng 1939 nián de měi guó bǎn bèi guǎng fàn rèn wéi shì zuì jiā bǎn běn zhōng de guó biǎo xiàn zhù jǐng yóu zhí chēng dàochún jié měi de sài láng 'ài měi gài wáng guóde rén dào chù mài xíng wèile jiù liú làng shī rén gān guǒ bèi jià gěi liǎo guó wáng de wèi duì cháng fěi shì huā huā gōng piàn liǎo 'ài měi de 'ài qíngjiù zài men yuē huì shí hēi rén jiāng fěi shāngài měi zuò wéi xián fàn bèi sòng shàng tíngbìng pàn chù jiǎo xíng chǒu de shèng yuàn de zhuàng zhōng lǎo rén duō jiāng jiù liǎo chū láibìng dài jìn jiào táng bìnàn duō zhí shēn 'ài zhe zài hùn luàn zhōngài měi bèi guó wáng wèi duì de luàn jiàn shè bēi tòng jué díkǎ duō zhuǎn shēn jiāng zhēn zhèng de shā rén xiōng shǒu jiù shì luò luò shén cóng shèng yuàn de dǐng lóu rēng liǎo xià zhī hòu 'ài měi de shī jǐn jǐn bào zài huà wèile chén
   nèi róng xiáng jiè
  1482 nián wáng shí tǒng zhì xià de chéng chén jìn zài rén jiéde kuáng huān de fēn zhōng shèng yuàn qián miàn de guǎng chǎng shànglái 'āi de sài shàonǚ 'ài méi dòng rén de měi mào 'ē'nuó de liǎo rén men liè hècǎi rén men gěi de shǎng qiánfēn gěi qióng de hái menbìng duì men shuō:“ zhè xiē qián quán men guò jié !” hái men wèn :“ zěn me bàn?” shuō:“ bié guǎn tiān tiān dōuzài guò jié。”
   zài zhòng duō de guān zhòng zhōng miàn cāng bái de zhōng nián rénchuānzhuó hēi de jiào páoduǒ zài chuāng hòu miàn zài tōu kàn 'ài méi piān piān jiù shì shèng yuàn de zhù jiàoliàn jīn shù shì luò · luó luòdāng kàn dào shuāng quán de sài láng biān chàng biān tiào qīng kuài de jué miào de mái cáng zài xīn shí duō nián de niàn rán huàn xǐng liǎo kòng liǎo de líng hún de guǐ gǎn zǒuwèile pái qiǎn xīn zhōng de fán mèn dào guǎng chǎng shàng gǎn zhèng zài jiào mài de tān fànshēng yán zhǔn zài jiào táng qián miàn nàozhè xiē xiǎo fàn fàng zài yǎn qún 'ér gōng zhīzhèng zài zhè shícóng jiào táng nèi chōng chū lái xiàngmào chǒushēn cái gāo de nán tuī kāi zhòng rénjiù huí liǎo shén rén míng jiào duōyuán lái shì bèi zài shèng yuàn mén qián de xíng 'ér luó luò chū lián mǐn yǎng chéng rényīn zhōng qiāo zhōng 'ér zhèn lóng liǎo 'ěr duǒkuáng huān de rén men zhèng zài rén jiào huáng”, ài méi yǎn kàn zhōng liǎo yòu lóng yòu chǒu de zhōng lóu guài rén duōrén men gěi dài shàng wáng guān shàng páo hái gěi liǎo zhī kǒu shàoràng zuò zài gāo gāo de jiào shàng yán jiē yóu xíng duō zhèng gāo xīng chuī zhe shào rán kàn jiàn liǎn yīn chén de luó luò zhàn zài jiào qiánshén diào de wáng guān huí shèng yuàn
   bàng wǎn shí fēnài méi dài zhe xīn 'ài de xiǎo shān yáng kāi jié de guǎng chǎnghàoqí de gān guǒ zhí gēn zhexíng zhì guǎng chǎng bàng de tiáo xiǎo xiàng rán luó nuò jiā duō cuān liǎo chū lái jiāng 'ài méi 'ěr qiáng xíng qiǎng zǒushàonǚ jiù mìnggān guǒ xià gǎn dòng dànzhèng zài wēi shí guò de wáng jiā shì wèi cháng jiù xià liǎo shàonǚ luó nuò chèn wèi duì jiā duō zhēng shí liù zǒu liǎo duō bèi wèi duì qín huòcóng ài méi 'ài shàng liǎo
   zài zhè wáng cháotǒng zhì xià dehēi huà wáng guó gài wáng láo bān zhèng zài shěn dǒng qièkǒu 'ér wáng guó lǐng de qióng shī rén gān guǒ àn zhào wáng cháo de guīju zhǐ yòu liǎng zhǒng xuǎn yào me gēn jiǎo suǒ pèi duìyào me gēn wáng guó zhōng de rén pān qīn shì lǎo réndōu xián guò dān méi rén kěn yào zhè yànggān guǒ zhǐ néng bèi diào zài zhè qiān jūn zhī ài méi tǐng shēn 'ér chūgāo hǎn yào ”。 zhè yàngliǎng rén dāng chǎng xíng hūn shàn liáng de shàonǚ tóng jié wéi zhǐ shì wèile jiù mìng dài huí jiā zhōnggōng shí dàn tóng fáng
   fàn liǎo qiáng qiǎng mín zuì díkǎ duōzài bèi cǎo cǎo shěn hòubèi dài dào guǎng chǎng shàng dāng zhòng biān chīguì zài liè xià dài rén shòu guò de zhōng lóu guài rén kǒu nán 'áo xiàng shì bīng wéi guān de rén qún gāo hǎn yào shuǐhuí de què shì piàn nòng zhè shíměi de 'ài měi kāi zhòng rén shuǐ sòng dào duō de zuǐ biān
   guǎng chǎng shàngqióng shī rén bāng zhù 'ài méi shàng yǎn xiǎo shān yáng rèn de jié xiǎo shān yáng zài duī dīng zhōngdiāo chū liǎo tài yáng shén de míng zhè shí zhèng zài guǎng chǎng bàng biān de wáng gōng zhōng xiàng wáng hòu de 'ér xiàn mèi chǒnggōng zhù bǎi huā ràng dào guǎng chǎng shànggǎn zǒu 'ài měi zhèng shí duì de 'ài qíng lái dào guǎng chǎng shēng hōng gǎn zhe zhèng zài yǎn chū de rénxiǎo shēng 'ài méi dìng xià liǎo jīn wǎn zài lǎo fāng jiàn miàn de yōu huì
   xīn shén níng de luó luò tīng shuō gān guǒ niàn jié wéi huǒ zhōng shāo shí fēn shēng dāng zhī men zhǐ shì míng yòu zhuǎn yōu wéi zài jiē shàng jiàn làn zuì de shì wèi duì cháng tīng shuō yào niàn yōu huì zhèng yán quàn shēng yán niàn shì yòu zhī dàn fǎn shuō:“ 'ài qíng hūn yīn hùn wéi tán。” jìng zhí xiàng jiā diàn zǒu luó luò xiàng yǐng yàng jǐn suí hòu
   lái dào diàn de xiǎo lóu shàngài méi zhèng zuò zài chuáng biān děng zhe dāng men liè wěn bào shí zài shēn shàng de shǒu jiāo gěi niàn niàn shùn shǒu pāo chū chuāng wàiqià qiǎo zhè shǒu luò zài zhèng zài chuāng wài qiè tīng de luó luò de yǎn qiándāng zhè duì qíng rén zài liè yōng bào shí luó luò shí shǒucóng chuāng wài jìn liǎo de hòu bèi
   zài shěn pàn 'ài měi de tíng shàng diàn de zhū lǎo bǎn zuò zhèng shuōkàn jiàn hún shēn liú huáng wèi de hēi rénxiàng guǐ yàng yín biàn chéng liǎo gān shù zuò zài shěn pàn shàng de luó luò shuō:“ shì guǐér shì zhè wèi niàn shā liǎo wèi duì cháng。” de 'ài méi zhǐ guān xīn wèi duì cháng de shēng yīn wéi zhèng míng shǒu rēng chū liǎo chuāng wài shì tíng gào wèi duì cháng jǐn huó zheér qiě duì bèi hài jīng guò suǒ zhī háo kěn wéi niàn kāi tuō zuì zhè shǐ 'ài méi shí fēn shī wàngzài xíng zhī xià niàn chéng zhāogòngrèn shī yòng shù shǐ hēi guǐ shā liǎo wèi duì cháng tíng pàn chù niàn jiǎo xíng zhí xíng
   duō qiāo zhōng zhī hòuzài lóu shàng kàn dào luó luò shén jǐn zhāng zhù shì zhe shèng yuàn mén qián de guǎng chǎngchuānzhuó bái xíng fàn páo de 'ài méi zhàn zài jiān cōng máng de jiǎo xíng jià xiàjiǎo suǒ tào zài shàngpíng jìng děng dài zhe xíng xíng de shí duō qiē cóng mén nèi chōng chū niàn qiǎng jìn liǎo shèng yuànxíng xíng díshì bīng jīng hún dìng dèng kǒu dāi kàn zhe zhōng lóu guài rén rén jié chí liǎo chǎngyīn wéi shèng yuàn bìnàn quán de yuán yīnshì bīng men gǎn shàn
   duō niàn cáng zài de zhù fáng xiàng shǒu shén yàng shuì zài fáng mén kǒu rén jié dào de shào jiāo gěi niàngào dào wēinàn shí chuī shào jiù néng gǎn lái jiù yuán
   luó luò dào jiāo wài xiàng liǎo fēng yàngluàn páo liǎo zhèn zhī hòuhuí dào liǎo shèng yuàn xiàn 'ài méi dàn wèi bèi chǔsǐér qiě jiù zài shēn biān gēn suí zǒu jìn liǎo duō de fáng jiānài měi xiàn zhè rén jiù shì shā de hēi rénshí fēn huǒdāng luó luò zhèng yào qiáng jiān shí chuī liǎo shào duō wén shēng 'ér zhìgǎn zǒu liǎo de 'ēn rénbìng gào niàn qiǎng de shì shì chū de zhù
   duō duì 'ài méi huái yòu xiàn de gǎn chún zhēn de 'ài zhī qíng kuài huó kàn zhe shú shuì de měi rén rán xǐng lái de niàn bèi de chǒu liǎn xià huài liǎo duō máng táo zǒupáo dào zhōng lóu shàng yòng de tóu pīn mìng zhuàng zhe zhōng chén de zhōng míng ài méi lái dào shēn biān duō yòng shǒu méng zhù liǎnnán nán shuō:“ de liǎn hěn chǒuzǒng ràng rén hài 。” wèile 'ān wèi niàn wèitā tiào liǎo jié zòu huān kuài de dǎoxīng fèn cháng díkǎ duōxiàng qiū qiān yàngyòng shēn de zhòng liàng wéi niàn qiāo xiǎng liǎo shèng yuàn de zhōng shuǎng lǎng de xiào shēng chōng mǎn zhěng zhōng lóu duō zài zhōng lóu shàng qiān zhe shéng fēi lái fēi wéi 'ài méi cǎi zhāi shèng kāi de xiān huā rán niàn xiàn liǎo zài guǎng chǎng shàng de wèi duì cháng jiào de míng dàn tóu tái kàn yǎn ràng duō zhǎo shì wèile dào gōng zhù fēng hòu de péi jià wèi shèng bǎo luó de lǐng duì niàn de qǐng qiú xiè tīng 'ér shàn liáng díkǎ duō jué méi liǎo niàn de shǐ mìng
   duì niàn qiáng zhàn wèi chéng de luó luò huái hèn zài xīnguì dào guó wáng qǐng shì jiě jué shèng yuàn bìnàn quán wèn guó wáng qǐng jiào liǎo wèi shàng zài zhōng de lǎo xué zhězhōng jué dìng bìnàn quánqiáng shèng yuàn zhuō duō chèn luó luò wài chū shí jiào táng de mén jǐn jǐn guān zhù
   gài wáng láo bān tīng shuō shèng yuàn bìnàn quán jiāng yào jié shùshuài lǐng chéng qiān shàng wàn de liú làng rén gàiqián lái gōng shèng yuànyíng jiù nán lín tóu de jiě mèi míng zhēn xiāng de duō zěn róng zhè xiē rén chōng jiào táng cóng lóu dǐng shàng rēng xià de shí tiáo shí kuàifān dǎo zhuó de jīn shǔ sàn zhòng rényǒng gǎn de gài zhōng gōng ménjiù zǒu liǎo 'ài méi liào yán zhèn dài de guó wáng shì bīng cóng hòu mén jìn jiào táng diǎn bān de jiàn xiàng 'ài méi liú làng hàn men gài wáng zài hùn zhàn zhōng bèi rén shā duō zhàn zài lóu dǐng shàngkàn zhe xīn 'ài de niàn yòu bèi diào zài jiǎo xíng jià shàngtòng shēngdāng xiàn luó luò zhèng zài zhōng lóu shàng duì zhe 'ài méi níng xiàojiù zhè dào mào 'àn rán de shòu guò tóu dǐng rēng liǎo xià
   cóng jiǎo xíng jià shàng jiě xià lái de 'ài méi de shī bèi rén men fàng zài méng gòng fén duō zhǎo dào zhī hòujìng jìng tǎng zài shēn bàngliǎng nián zhī hòurén men xiàn liǎo liǎng jǐn jǐn bào zài de shī dāng rén men shì fēn kāi men shíshī biàn huà wéi chén
   rén xíng xiàng
   ài měi
   ài měi chún jié xié qíng tiān zhēnduì 'ài qíng chōng mǎn chōng jǐng wàngzhèng yīn wéi wéi shì réndōu xiàng yàng de zhēn xīn shí dài rénsuǒ dāng zài xún luó zhōng 'ǒu rán jiù liǎo hòu jiù 'ài qíng xiàn gěi liǎo zhèng yīn wéi chún jié xié zhuī qiú chún zhēn de 'ài qíng xìng de shēng huósuǒ zhì 'ài zhe háo méi yòuhuái huì piàn bèi pàn hái huàn xiǎng hái huì zài lái jiù chún zhēn lìng rén xīn tòng liè
   ài měi wèi qiáng bàopǐn jiān zhēndāng bèi xiàn 'ér guān zài qiú láo fáng shídāng luó luò cóng shèng yuàn zhōng lóu piàn chū lái shí luó luò ràng zài wáng huò zhòngxuǎn miàn duì luó luò de yín wēi nìngsǐ lín xíng qián luó luò shēng wéi tiáo jiàn yǐn yòu jiù fàn wàng zhe jiǎo jià duàn rán huí hái méi yòu yàng shǐ hài ”、“ tǎo yàn de 'āng zàng de yāo sēng !”“ yào chě xià kěwù de bái tóu wǎng liǎn shàng rēng !”“ gǔn de !” nìngyuàn xuǎn jiǎo jià bēi de wěi jūn luó luòzài wéi liǎo de zūn yán rén
   duō
   duō yòu zhe chǒu dào diǎn de xiàngmào xíng de liǎn miàn de xíng de zuǐcēncī de chǐ yǎněr lóngtuó bèi shàng jiāng suǒ yòu de xìng jiàng lín zài liǎo de shēn shàng guǒ zào de jué jǐn shì jiǎn dān dechǒu guài”, liǎo duō zhǒngměi ”, zhǒng yǐn hán de nèi zài měi duō de wài mào chǒu lòudàn shì de nèi xīn què shì gāo shàng de yǒng gǎn cóng fēng jiàn jiào huì de kǒuzhōng jiù chū liǎo 'ài méi yòngshèng diàn bìnànde fāng bǎo zhù liǎo niàn de xìng mìngzài shèng yuàn zhōng duō wēi zhì zhào 'ài měi zuì hòu duō zài zhòng rén de cháo xiào shēng zhōng dài shàng liǎochǒu rén wángde huā huán shì bǎo 'ài měi què yòu shì dào mào 'àn rán de luò de bāng xiōng gāng zài zhōng lóu shàng shì zhe xīn 'ài de niàn jià gěi liǎojiǎo jià”, què yòu zài jiāng dezài shēng shuāi chéng suì piàn…… zuò wéi làng màn zhù zhù zuò xìng de chǎng miàn gěi men kòu rén xīn xián de zhèn hànyòu rén zhī jiān shēn nèi xīn de máo dùn chōng biǎo xiàn lín jìn zhì
   yīnyuè hǎi bào
yīnyuè héng héng shèng yuàn
  dāng dài hǎn jiàn de kuàng shì zuò bǎn yīnyuè shèng yuàn 》, chū gǎi biān wén xué guǒ de xiǔ míng zhùyóu 'ōu měi jiè dǐng jiān cái LucPlamondon , RichardCocciante zuòqǔběn shuài xiān 1998 nián 1 yuè de guó chàngpiān zhǎn zhōng zhàn fàng cǎitóng nián 9 yuè 16 hào zhèng shì zài guó huì tīng tuī chū shǒu yǎnhàn dòng rén xīn jiā píng cháoshǒu yǎn wèi liǎng nián mèi fēng cháo xùn juàn 'ōu zài guó jiā lián yǎn 130 chǎngshèng kuàng kōng qiántóng shí róng huò jiā FELIX shù jiǎng xiàngnián zuò”、“ nián zuì jiā gēqǔnián zuì chàng xiāo zhuān jiduō xiàng shū róng
  19 shì de guó wén háo wéi duō · guǒ 'ǒu rán kàn dào liǎo shèng yuàn qiáng shàng shēn shēn xià de “ ΑΝΑΓΚΗ”, dài biǎo liǎo tiān shùmìng yùn zhī shén“ Destiny”, xiǔ de chuán shì zhī zuò héng héng shèng yuànjiù zhè yàng dàn shēng liǎoběn cái zhè shì jiè míng zhùqiáng liè 'ér yòu zhèn hàn de xiàn dài yīnyuè shì jué xiào guǒ de tái jǐngjìn qíng tóu de biǎo yǎnshēng dòng de biǎo chū liǎo yuán zhù zhōng duì jiào huì fēng jiàn zhì de jiē biān duì jiào huì rén shì xié 'è xíng jìng guì bēi liè de jīng shén dào de pēng duì rén dào zhù rén 'ài jīng shén de sòng yáng shèng yuàn zhōng juésè chǎng miàn chōng mǎn duì chōng qīng kuáng liànshì yán bèi pànquán zhàn yòu mìng kàng zhēngyuán zuì jiù shúchén lún shēng huádiē dàng de zhāng jiàn gòu chéng lán zhuàng kuò xuè lèi jiāo zhì de bēi shǐ shīkuà yuè shí dài cháo liú wén huà fān kāi chuàng dāng dài yīnyuè de xīn yuán
   běn liào
  【 zuòqǔ】 RichardCocciante
  【 wén zuò 】 LucPlamondon
  【 yīng wén zuò 】 WillJennings
  【 yuán zhùwéi duō · guǒ VictorHugo
  【 dǎo yǎn】 GillesMaheu
  【 biān 】 MartinoMuller
  【 jǐng shè 】 ChristianRatz
  【 zhuāng shè 】 FredSathal
  【 dēng guāng shè 】 AlainLortie
  【 yīng wén bǎn shǒu yǎn】 2000 nián yuán yuè 24 měi guó wéi jiā
   chuàng zuò bèi jǐng
   dāng bào xūn bēi cǎn shì jiè》 (LesMiserables) gòng xiǎo jiě》 (MissSaigon) zào chéng hōng dònglái guó de zuò pǐn zhú jiàn huò shì rén de 'àijìn nián lái guó de yīnyuè xīn zuò pǐngǎi biān guǒ míng zhù de shèng yuàn 》, yòu zài guó shàng yǐn lǐng zhǔ mùdì fēng cháo
   guǒ zhè wèi bèi wéi 19 shì guó làng màn zhù wén háochú liǎobēi cǎn shì jièzhī wàihái chuàng zuò liǎo shèng yuàn 》、《 lún wēi 'ěrděng wén tán míng zhù de shēng jīng liǎo màn cháng 'ér dòng dàng de shǐ shí dāng shí guó wén tán zhèng chù diǎn làng màn zhù chōng zhī zhù làng màn fēng bàng de fēng de xiǎng xiàng huá de zǎo 'ào shì wén tángèng zhé de qíng jié hàn dòng zhě xīn xián。《 shèng yuànjiǎng shù liǎo zhè yàng de shìdān rèn quán zhù shùde yóu chàng shī rén lín guǒshì sài láng 'ài méi (Esmeralda) yòu míng shí de zhàng ài méi chū tóng qíng xīnwèile ràng miǎn bèi rén chǔsǐ cái yǔn nuò jié hūntiān shēng xíngbèi shèng yuàn shōu róng 'ér dān rèn qiāo zhōng rén de jiā duō (Quasimodo), shèng yuàn de zhù jiào hóu luò (Frollo) shì wèi duì de duì cháng féi (Phoebus), qíng jìn 'ài shàng liǎo měi de 'ài méi shēng shì fèng tiān zhù de hóu luòmíng zhī nán zhī 'ài shì shén zhí rén yuán de jìn réng rán nán ér féi suī rán yòu jiāo měi de wèi hūn bǎi (Fleur-de-Lys) wéi bànquè yīn wéi shēng xìng fēng liú 'ér rǎn zhǐ 'ài méi men sān rén gòng tóng chàng de“ Belle”, zài guó dān shì chǎng chuàng xià liǎo 300 wàn zhāng de 'ào rén chéng jiā duō cán xíng huìzhǐ gǎn 'ài shēn mái xīn zhōngài méi 'ài shàng liǎo féi yǐn hóu luò de hèn chèn zhe 'ài méi féi yōu huì shí shāng liǎo féi rán hòu jià huò gěi 'ài méi yào xié shēn xiāng fǒu jiù yào jiāng chǔsǐ jué cóngbèi sòng shàng liǎo jiǎo xíng táijiā duō fèn shēn dào chǎng jié rén cáng zài shèng yuàn zhōng jiǔ sài rén de lǐng xiù lóu pān shuài zhòng gōng shèng yuàn jiě jiù 'ài méi féi shuài lǐng wèi duì kuì liǎo sài qún zhòng shù pān bèi shā lín guǒ dài liǎo lǐng dǎo rén de wèi zhī duì kàng jūn duì de jiā duōràng hóu luò 'ài méi jiāo gěi féi yīn wéi wéi féi shì lái jiě jiù dewèi liào féi yóu gǎn zài chù wèi hūn ér xuān jiāng 'ài méi chǔsǐbēi fèn zhī zhōngjiā duō hóu luò cóng zhōng lóu dǐng duān tuī xiàrán hòu jiě jiù 'ài méi zhǐ wéi shí wǎn 'āi qiú guì shǒu de tóng bào zǒu liǎo 'ài méi de duǒ cáng zài gōng de jiào wéi 'ài méi xùn qíng
   zhè shì yǒng yuǎn shì zhí yīnyuè zuò jiā men shēn jué de hǎo cái wéi běn jià gòu suǒ gǎi biān de yīnyuè yòu 'ān luò wéi de mèi yǐng》、 deměi shòu shèng yuànděng děng de tuán yuán jié bǎn běn tóngzhè chū bēi shōu chǎngméi yòu zuò de shān gǎi jiào zhōng shí yuán zhù
   guó rén qiǎng xiān tuī chū liǎo wén bǎn de yīnyuè shèng yuàn 》, shuō shì yīn wéi kàn jiàn bǎn běn de shǒu yǎn rán shì zài bólínxīn zhōng wéi píngzhè chū yóu jiā jiā LucPalmondon hùn xuè 'érōu zhōu yuán chuàng shǒu RichardCocciante zuò 1998 nián zài guó huì tīng shǒu yǎnzài lún dūn shàng yǎn zhī qián de bǎn běn zài 1999 nián 9 yuè jìn xíng liǎo 'ōu zhōu de xún huí gōng yǎn zhōng bāo kuò guóruì shì shí děng guó jiāgōng yǎn shí fēn chéng gōnghǎo píng cháo, CD gèng shì mài de huǒ shū tuō xiāo。 10 yuè héng kuà yángzài jiā kuí běi shěng kāi shǐ xún huí yǎn chūyòu yǐn hōng dòngzhè chū yīnyuè de yīng bǎn cóng 2000 nián yuán yuè zài měi guó wéi jiā yǎn chū bàn niánchǎng chǎng bào mǎn。 5 yuè fèn tuán zhèng shì shī lún dūn zhǔn bèi cháng zhù chuàng zào lìng
  
   zhòng tóng de yīnyuè
   dāng jīn zhù míng de yīnyuè duō shì yóu niǔ yuē bǎi lǎo huì lún dūn de yǎn gōng bāo zhuāng 'ér chéng deyīn zhè xiē dài yòu liǎo bǎi lǎo huì yòu de fēng zhēng yùn zuò fāng shìér shèng yuànquè shì wài shì shǎo shù wén míng shì jiè què méi yòu shòu dào bǎi lǎo huì yǐng xiǎng de zhù míng yīnyuè
  《 shèng yuàndàn shēng guó yuǎn niǔ yuē lún dūnxiān tiān jiù méi yòu shòu dào bǎi lǎo huì de yǐng xiǎngér zuò pǐn dàn shēng hòucóng bāo zhuāng dào zhì zuò tuī xiāo de zhěng guò chéng quán shì yóu guó gōng quán quán bāo bàn deér xiàngbēi cǎn shì jiè gòng xiǎo jiě yàng zài guó dàn shēngquè yóu lún dūn de gōng lái bāo zhuāng yùn zuòyīn 'ér,《 shèng yuànzhōng jīhū méi yòu bǎi lǎo huì lún dūn de yìn guān kàn guò gāi de rén wǎng wǎng huì yòu zhòng tóng de gǎn shòu
   dǎo juésè chàng juésè fēn
  《 shèng yuànde shì cǎi yòng liǎo dǎo hègē chàng xiāng fēn de xíng shì jiù shì tiào de yǎn yuán chàng ér chàng de yǎn yuán tiào zhè dāng jīn duō shù yīnyuè chǔlǐ chànghè dǎo de zuò tài xiāng zài yīnyuè zhōng dǎo hègē chàng yǎn yuán de juésè fēn pèi huì yòu zhòngdàn běn shàng méi yòu jué duì fēn kāi de qíng kuàng chàng yǎn yuán huì dǎo yǎn yuán dǎoér dǎo yǎn yuán huì cānyù chànggèng duō shì chàng), cóng 'ér xiàn chū de yàng shìér shèng yuàn shì jiāng liǎng zhě wán quán de fēn zhěng mùdì gēqǔ quán yóu 7 wèi zhù yào yǎn yuán yǎn chàng men chàng de shí hòu cānyù rèn dǎo quán qíng tóu jiù xiàng guāng dēng xià de chāo míng xīng dǎo yǎn yuán wán quán cānyù de yǎn chàngzài ,,, děng chǎng miàn de duàn luò zhōng dǎo jīhū jiù shì yǎn chū de quán
   jiāng dǎo chàng wán quán fēn ràng liǎng zhě gèng jiā tóu de yǎn chūjiāng de biǎo yǎn huī dào zhìér yào yīn wéi chàng yǎn yuán de yuán 'ér jiàng dǎo de nán yào yīn wéi dǎo yǎn yuán de yuán 'ér yǐng xiǎng shēng yīn de zhì liàngdāng chàng yǎn yuán yòng shēng yīn biǎo qíng gǎn shí bàng de zhě jiù quán qíng tóu yòng zhī biǎo de gǎn qíng jiū 'ài chū chǎng wéi dāng yǎn chàng de shí hòuzài shēn bàng de zhě jiù tiào kuáng huān kuài de dǎozhè yàng de dǎo yǎn chàng gèng néng biǎo xiàn nèi xīn bēn fàng de xiǎngér dāng fěi yǎn chàng shízài shēn bàng de wèi nán xìng zhě zhǐ zhe bèi yǐng tiào ràng rén gǎn shòu dào hēi 'àn de nèi xīn tòng de jué
   zài shèng yuànzhōng chàng zhě yòng xiàng de lái biǎo qíng gǎn zhě yòng chōu xiàng de dòng zuò lái biǎo qíng gǎn zhě zhě zài tóng tái shàng tóng shí biǎo liǎo nèi zài wài zài xiàng chōu xiàng
   zài dǎo dòng zuò shàngbiān hái gěi zhě hěn de yóu yòu xiē duàn luò míng xiǎn dài yòu yóu huī de chéng fèntóng shí zhě zài dǎo shí hái yùn yòng liǎo lán gāngùn bàng děng dào xiàn chū liǎo xiě shí xiě de shuāngchóng xiào guǒ
   liú xíng huà de yǎn
   zài yǎn chàng fāng shàng,《 shèng yuànwán quán yùn yòng liǎo liú xíng chàng méi yòu róng diǎn měi shēng chàng ér zài yǎn zòuyuè shàng,《 shèng yuàn quán cǎi yòng diàn shēngyuè méi yòu jiàn guǎn xián yuèqìzhè liǎng zhě biǎo míng liǎo shèng yuànzhuī qiú chún cuì liú xíng fēng de tàiér zài duō shù yīnyuè zhōngduō duō shàoshào huì róng měi shēng chàng zài bàn zòuyuè shàng duō guǎn xián yuèqì wéi zhùhuò zhě zài zhōng jiā xiē yáo gǔn diàn shēngyuè hěn shǎo jiàn dào chún liú xíng yuèqì bàn zòu de qíng kuàng
   de yǎn chàng 'ān pái
   zài shèng yuànzhōng bié piān zhòng chàngzhěng chǎng 50 duàn yīnyuè zhōngjué fēn dōushì chàng fāng chàng dēng chǎng shǒu jiē shǒuér jiào shǎo yòu chóngchàng chàng zhǐ yòu jié wěi děng shǎo shù fāng cái chū xiàn guòér qiě cǎi yòng de shì shì xiān zhì hǎo de bèi jǐng shì chàngyóu méi yòu xiàn chǎng yǎn yuán de cānyùyīn biàn tīng dào chàng quē shǎo liǎo chàng de zhēn shí gǎnzài duō shù yīnyuè zhōngwèile gèng hǎo biǎo xiàn de qíng fēng de shēng yīn céng bān huì jiāng chàngchóngchàng chàng jìn xíng de 'ān pái huì guò fèn piān zhòng chàng néng guò fèn piān zhòng chóngchàng huò chàng。《 shèng yuànduì chàng de piān hǎohuì ràng rén gǎn dào shēng yīn céng gòu fēng zài xíng shì shàng lüè xiǎn dān diào liǎo
   zào chéng zhè zhuàng kuàng de zhù yào yuán yīn hái shì zài dǎo juésè yǎn chàng juésè de wán quán fēn yóu dǎo juésè cānyù yǎn chàngyīn quán de chàng duàn luò jiù quán luò zài liǎo 7 wèi zhù yào juésè shēn shàngzhè 7 rén zài zhōng quán zài de shí hòu jiù jīng hěn shǎo liǎoyào chóngchàng chàng jiù gèng nán liǎohǎo zài zhōng de měi shǒu gēqǔ fēi cháng hǎo tīngzhè duō shǎo liǎo chàng xíng shì shàng de jiǎn dān
   zhòng tóng de yīnyuè chuàng zuò shǒu
  《 shèng yuànzhōng de yīnyuè gòng yòu 50 duànzuòqǔ zhě duì měi shǒu gēqǔ dōushì chéng piān dehěn shǎo zhuī qiú gēqǔ gēqǔ zhī jiān gòng tóng de yīnyuè cái liàochú liǎo shǒu shì wán quán fǎn zhī wàijīhū shǒu shǒu shì quán xīn de chuàng zuòyīn 'ér zài yīnyuè shàng hěn nán zhǎo dào gēqǔ gēqǔ zhī jiān de lián zài xīn shǎng shí huì yòu xiàn chǎng yīnyuè huì de gǎn jué guǒ zài guān shǎng shí méi yòu shì shàng yǎn jīng hěn róng gǎn jué zhè shì zhāng guó liú xíng yīnyuè de jīng xuǎn jiér shì yīnyuè shuō de zhuān diǎn jiù shì,《 shèng yuànméi yòu cǎi yòng duō shù yīnyuè cǎi yòng de zhù yīnyuè cái biàn huà zhǎn de shǒu
  《 shèng yuànde zhè zuò duō shù yīnyuè de chuàng zuò shǒu tóng jīnjué duō shù de yīnyuè hái shì cǎi yòng zhù cái biàn huà de shǒu zuòqǔ zhě jiāng zhù yīnyuè cáizài tóng de rén shì qíng jié zhōng jìn xíng biàn huàshǐ guàn chuān zài zhěng zhōngràng rén gǎn jué dào yòu xiē yīnyuè piàn duàn huì shí shí yíng rào zài 'ěr biānzhè shǒu zài yīnyuè bēi cǎn shì jièzhōng jiù fēi cháng míng xiǎnzàibēi zhōng zhēn zhèng quán xīn de yīn zhǐ zhàn dào liǎo quán yīnyuè de sān fēn zhī ér quán yīnyuè jiù shì gēn zhè sān fēn zhī de yīnyuè cáijiāng jìn xíng biàn huà yán shēn 'ér xíng chéng dedāng 'ěr biān shí tīng dào shú de yīnyuè zhù gǎn dào qīnqiè yòu jiā shēn liǎo rén shì qíng jié de yìn xiàng
   zài yīnyuè de chuàng zuò zhōngduì tǒng de yuán shì wéi zhòng yào de jiù shì yào yòu yīnyuè de duàn biàn huàyòu yào yòu yīnyuè de tǒng yìng guǒ biàn huà tài duōhuì gěi rén zhuō dìng de gǎn jué guǒ tǒng tài duō miǎn huì ràng rén yòu yàn fán qíng 。《 shèng yuànzhè yàng de chuàng zuò shǒu gěi rén de gǎn jué shì biàn huà yòu ér xiāng duì quē tǒng dāng rán yòu zhè zhǒng néngzuòqǔ zhě duì de xuán xiě zuò fēi cháng yòu xìn xīn bǎo zhèng měi shǒu gēqǔ yōu měi dòng tīngdàn guǒ ràng yùn yòng zhù cái biàn huà de shǒu fǎn 'ér yǐng xiǎng liǎo duì gēqǔ de yóu chuàng zuòxiěde yóu yōu měi liǎo
   yòng bàn zòu yòng yīn
  《 shèng yuànzhōng méi yòu shǐ yòng xiàn chǎng bàn zòuzhè shì hěn shǎo jiàn dezài bǎi lǎo huì lún dūn de yīnyuè zhōng běn shàng dōushì yuèduì xiàn chǎng bàn zòu。《 shèng yuàn shì fàng xiān zhì hǎo de pèi zhè zuò kāi shǐ jiù yǐn liǎo hěn duō rén de zhēng yīn wéi rén men gǎn dào yīn huì xiǎn bǎn 'ér méi yòu shēng lèi xiàn zài míng xīng jiǎ chàng de gǎn juédàn shì shí zhèng míngzhè bìng yǐng xiǎng shí de xiào guǒzuì zhòng yào de yuán yīn zài shèng yuànde yīnyuè quán shì diàn shēngyuè yǎn zòu deduì diàn shēngyuè 'ér yán yīn xiàn chǎng yǎn zòu de chā bié bìng ér qiě zài zhōng méi yòu fāng yào yīnyuè jié zòu shàng de sōng dòngyīn wán quán shì xiān zhì hǎoyòng yàng de jié zòu shù wàn de yǎn zòudāng ránzuì zhòng yào kǒng hái shì shěng qiánběn lái yào duō rén de xiàn chǎng yǎn zòuxiàn zài zhǐ yào pán yīn dài jiù jiě jué liǎozuò wéi cháng yǎn chū de zhè yàng de fāng shì shěng xià fèi yòng
   hái yòu bié zhī chù shì cǎi yòng liǎo 'ěr guà shì mài fēngyǎn yuán mài fēng guà zài zuǐ biānbào zài guān zhòng miàn qiánzhè zhǒng 'ěr guà shì mài fēng cháng cháng yòng zài jìn kuáng de xīng shēn shàngzài jué duō shù de yīnyuè zhōngwǎng wǎng mài fēng cáng zài tóu děng kàn jiàn de fāng chēng yǐn cáng shì mài fēngyīn wéi zhè yàng gǎn jué gèng xiàng yǎn yuánér shì xīng。《 shèng yuànde zhè zuò què shí ràng duō rén hěn chī jīngdāng yǎn chàng zhě měi rén 'ěr guà shì mài fēng zhàn zài tái shàng gāo shēng chàngpèi zhe zhě de dǎo dēng guāngràng rén gǎn jué jiù xiàng shì yīcháng xīng de yǎn chàng huìhěn yòu shì jué shàng de xiàn chǎng gǎndàn xiāng duì 'ér yánjiù quē shǎo liǎo xiē de gǎn jué
   gāo kōng jìn xiǎn mèi
   zhōng de gāo kōng fēi cháng lìng rén jīng duō duì zhe xīn 'ài de zhōng qīng nèi xīn 'ài zhī qíng de shí hòusān zhōng dùn shí cóng tiān 'ér jiàngzài měi zhōng miàn dōuyòu yǎn yuán men bàn yǎn zhōng bǎi fèn yáo bǎizhuàng zhe zhōng chū zhèn rén xīn de shēng yīnkàn zhe yǎn yuán guà zài zhōng miànzuò zhe zhǒng yàng de dòng zuòpèi zhe de zhōng shēngzài jiā shàng duō liè 'ér jìn hǒu de shēng yīnjué duì shì duàn gǎn rén zhì shēn de chǎng miànhái yòu 'ài bèi diào de duō zài lín zhōng qián de wèi zhě diào zài gāng shàng de yǎn chū gěi rén liú xià liǎo shēn de yìn xiàng shuō zhè duō shǎo guī gōng gāo kōng dài lái de zhèn hànzhè xiē dòng zuò de biǎo yǎn zhě shì bān rén shèng rèn de men zhōng yòu duō shì cóng yùn dòng yuán huò yǎn yuán zhuǎnháng guò lái de zhōng jiù yòu dǎo biǎo yǎn 'ér míng shēng zào de rén tuánzhù míng diàn yǐng dǎo yǎn bèi sōng céng jīng gēn men 7 rén de gāo chāo biǎo yǎn pāi chéng liǎo diàn yǐng zhàn shì》, zài 'ōu zhōu qīng shàonián zhōng chǎn shēng liǎo hěn fǎn xiǎng
   chōu xiàng de jǐng
  《 shèng yuànde jǐng shì jiǎn dān 'ér yòu chōng de kāi chǎngchéng xiàn zài guān zhòng miàn qián shì yóu shí kuài pào pīn bǎn pīn chéng de qiángzài jiā shàng gēn zhùjiù chéng liǎo shèng yuànzài dēng guāng de yìng chèn xiàchéng xiàn chū shén yōu 'àn de fēnzhè yàng de shè xiǎn rán zhǐ chū liǎo shèng yuàn hěn xiǎo de fēnràng rén néng shàng kàn míng báiquè néng gěi rén gèng duō de xiǎng xiàngxiàng bǎi lǎo huì lún dūn de duō shù yīnyuè zài dào shàng gèng duō qiáng diào fǎng zhēnràng rén kàn jiù míng bái men xiāng ,《 shèng yuànzài jǐng de shè shàng yào xiǎn chōu xiàng duō
   zài cháng 3 xiǎo shí de yǎn chū zhè gāo wēi de qiáng shǐ zhōng zài tái shàngyóu tái de gāo kuān wán quán bèi qiáng zhàn mǎn jīng biàn zài zòng xiàng de píng miàn shàng zhì tài duō de jǐng dào yīn 'ér zài zhěng zhōng qiáng de qián miàn shǐ zhōng bǎo liú liǎo piàn kōng biàn yǎn chàng zhě dǎo zhě yòu chōng de tái lái biǎo yǎnzhè yàng de shè shǐ tái shàng duō shù de shí hòu zhǐ yòu yǎn yuánér méi yòu de jǐng dào gěi rén xiàn chǎng yīnyuè huì de xiào guǒ
   zhòng tóng de hǎo
   xiàng zhè yàng zhòng tóng de rán jiào róng shòu dào fāng miàn de guān zhùtóng jué duō shù zhù míng de yīnyuè yàng,《 shèng yuànzài dàn shēng hòu zāo shòu de zhǐ shǎo lún dūn kuài bàopíng lùn shuō gēn chǒu lòu de shuǐ zhù qiáng lái dài biǎo měi de shèng yuànshí zài yòu shī shuǐ zhǔn。《 diàn xùn bàopíng lùn shuō yīnyuè shēng yīn guò xuān nàoér yǎn yuán zhǐ zhù zhòng sǎng yīn 'ér zhù zhòng biǎo yǎn,《 tài shì bàopíng lùn shuō gēqǔ de 'ān pái xiǎn luàn 'ér méi yòu céng děng děngdāng ránzàn yáng bāo jiǎng de píng lùn yào yuǎn yuǎn píng de duō duō
  《 shèng yuànzài fāng miàn xiàn liǎo zhuī xīn qiú de tài zài xiàng shì rén biǎo míngzhè shì bǎi lǎo huì lún dūn de yīnyuè ér shì wán quán yóu guó rén zhì zào de yīnyuè
   duō píng jiā rèn wéi,《 shèng yuànjiāng yǐn lǐng dāng dài yīnyuè kuà yuè 80 nián dài wéi shì yīnyuè de yǐng xiǎngjìn 'ér mài xiàng biǎo yǎn shù de xīn yuánzhè kǒu tài liǎo guò,《 shèng yuànquè shí shì zhí guān kàn de hǎo zhè huà jué duì jiǎkǒu diǎn
   yīnyuè shèng yuànzhuān ji
  ACTI
  1Ouverture(
  2LeTempsDesCathedrales( jiào táng shí dài
  3LesSans-Papiers(Clopin)( fēi mín
  4InterventionDeFrollo( hóu luò de jiè
  5Bohemienne(Esmeralda)( . láng
  6EsmйraldaTuSais(Clopin)( ài méi míng liǎo
  7CesDiamants-lа( zuàn shí bān de yǎn móu
  8LaFateDesFous( rén qìng diǎn
  9LePapeDesFous(Quasimodo)( rén jiào huáng
  10LaSorciиre(Frolo-Quasimodo)(
  11L`enfantTrouve(Quasimodo)( 'ér
  12LesPortesDeParis(Gringoire)( chéng mén
  13TentativeD`enlиvement( yòu guǎi
  14Lacourdesmiracles( zhī diàn
  15LeMotPhoebus( féi de
  16BeauCommeLeSoleil( jūn jiāo yáng
  17Dechire(Phoebus)( xīn tòng liè
  18Anarkia(Frollo-Gringoire)( mìng
  19ABoire( qiú gān lín
  20Belle měi jiā rén
  21MaMaisonC`estTaMaison( chù wèijiā
  22AveMariaPaпen(Esmeralda)( jiào de shèng sòng
  23JeSensMaVieQuiBascule( shēng mìng bǎi dàng
  24TuVasMeDйtruire(Frollo)( zhì mìng kuáng liàn
  25L`ombre(Phoebus-Frollo)( yīn yǐng
  26LeValD`amour( ài zhī
  27LaVolupte( xiǎng
  28Fatalite( mìng yùn
  ACTII 'èr
  29Florence( luó lún
  30LesCloches( zhōng
  31OuEst-elle( rén zài
  32LesOiseauxQu`onMetEnCage( qiú lóng zhī niǎo
  33Condamnes( pàn jué
  34LeProces( sòng shěn
  35LaTorture( xíng qiú
  36Phaebus( féi
  37EtrePretreEtAimerUneFemme( shēn wéi shén liàn hóng yán
  38LaMonture( zuò
  39JeReviensVersToi( zhī fǎn
  40VisiteDeFrolloAEsmeralda( tàn
  41UnMatinTuDansais( qīng chén
  42Liberes( jiě fàng
  43Lune( yuè liàng
  44JeTeLassieUnSifflet( zèng shào
  45DieuQueLeMundeEstInjuste( rén shì gōng
  46Vivre( qiú cún
  47L`attaqueDeNotre-dame( shèng yuàn
  48Deportes( qiǎn sòng chū jìng
  49MonMaitreMonSauveur( de jiù zhù
  50Donnez-laMoi( jiāo gěi
  51DanseMonEsmeralda( ! ài méi 'ài
  52DanseMonEsmeralda(Saluts)
  53LeTempsDesCathedrales( zhōngqǔ
  54Belle 'èrměi jiā rén
   ài měi héng héng HéleneSégara shì duō héng héng Garou shì lín guǒ ( gān guǒ ) héng héng BrunoPelletier shì
yīngwénjièshì
  1. :  The Hunchback of Notre-Dame
xiàngguāncí
zuò jiā làng màn zhù guǒ wài guó zuò jiā míng zhù rén wén xué měi
ài měi ōu měi míng xīng
bāo hán cí
shèng yuàn ( jīng ) guó shèng yuàn
shèng yuàn guǒ shèng yuàn dǎo
shèng yuàn ( yīng hàn duì zhào )sài shèng yuàn
shì jiè wén xué míng zhù diǎn cáng - shèng yuàn ( quán běn )shì jiè wén xué míng zhù bǎo - shèng yuàn ( qīng shǎo bǎn )