Landscape, that the mountains and water, or water in the mountains, who are pleasant scenery. Zhao Ling moved to flow in the room, and think of home, as the landscape of Ou, the landscape but also the code name for the home. Besides also used as a landscape or the landscape of the province of Landscape Poetry said. Chinese literature to the theme of landscape, began in prose, and its height in the Wei and Jin, in terms of poetry, Xie Lingyun, Yan Yan, who, especially in multi-masterpiece; Tang is Zhang said, Jiuling, Meng, Wang Wei, Bai, Chu Xi, Chang Jian, Du Fu, Yingwu, Liu and others, were this the experts. Landscape painting originated quite early, early intervention is more delicate, to change habits before Wu Daozi, then the line pen too fast, too far, all non-authentic. And Li Xun out, change painting, a Golden Landscape, Wang and record breaking ink landscape, one is the ancestor of the North case, one to South of the ancestors. Both the sub-sovereign, the method is already. Landscape basis, since the beginning of a solid and can not pull out. (Wu Hong a) of the alternative answers to a total of 2 votes The main types of Chinese traditional painting From the perspective of art history, painting the former Republic of China we are collectively referred to as paintings. In ancient Chinese painting no definite name, commonly known as Dan, mainly refers to the painting on silk, rice paper, silk, and be mounted on a scroll painting. Different from the West in modern times to enter the oil (also known as Western painting) and other foreign countries known as the Chinese painting and painting, referred to as "painting." It is unique to the Chinese brush, ink and paint, in accordance with long established rules and forms and artistic creation out of the painting. Chinese painting methods according to their use of materials and performance, can be subdivided into ink, heavy color, Qianjiang, meticulous, freehand, line drawing, etc.; their subjects have figure painting, landscape painting, flower and so on. Frame in the form of Chinese painting is more diverse, there are scroll horizontally expanded (also known as hand-rolled), Hengpi, vertical expansion has banners, the central hall, the size of a book page Ying Chi, leaf yet, painted on a folding fan top, round fan and so on. Chinese painting in the ideological content and artistic creation, reflecting the social consciousness of the Chinese nation and aesthetic embodies the Chinese people on the natural, social, and associated political, philosophical, religious, moral, cultural and other aspects of awareness. Chinese painting and Western painting (Feng) Eastern Western culture, is fundamentally different. Therefore, the performance arts are also different. About the subjective weight of Oriental Art, Western Art focus on objective. Oriental art of poetry, Western art is drama. Therefore, in painting, Chinese painting heavy charm and re-shape of Western painting. Comparison between any of the following five different points: (A) Sheng of Chinese painting with lines, lines of Western painting is not significant. Most of the lines is not the original images, is the artist to represent the two images of the realm. For example, Chinese painting, the depiction of an egg-shaped line represents the people's faces, in fact, no such person around the face line, this line is the boundary of the face and background. And a L-shaped line represents the picturesque people nose, in fact, have no such lines on the nose, this line is the boundary of the nose and face. Another example landscapes, flowers, kind and no cable, and artists with a line Sheng. Special lines in the landscape called "texture strokes (cracked <cūn> law: one of Chinese painting techniques, to express the texture of rocks and bark.)." Special characters in the line called "folds." Research efforts are difficult. Western painting to otherwise, only the matter sector, the sector is not described on the line. So much like the kind of Western painting and Chinese painting like kind, glance it as art. Cover Chinese paintings and calligraphy homologous with the writing, like painting, free sway, the disclosure of mind. 19th century, Westerners see Chinese paintings flying lines, very like Mu, they imitate it, it becomes "late Impressionism" (see book <book: that of "the basis of artistic accomplishments," a book version of Guilin in 1941> in "A Brief History of Western painting," chapter). However, before the late Impressionist Western painting, lines are not significant. (B) do not pay attention to perspective of Chinese painting, Western painting very focused perspective. Perspective, that is, the performance of three-dimensional objects in the plane. Western painting real objects sought resemblance, it is very particular about perspective. Look at the streets of Western painting, housing, furniture, utensils, etc., form very correct, actually the same with the real thing. If the corridor of the circumstances described, actually a few inches of the place in the distance Expressed Shu Zhang. If the scan positive (standing view of the Central Railway) railway, actually a few inches in several places Expressed in the distance. Chinese painting to otherwise, does not like painting streets, houses, furniture, utensils and other three-dimensional phase very significant things, and happy to write clouds, mountains, trees, waterfalls and other graphic materials such as natural Yuanwang things. Housing artifacts occasionally described, nor pay attention to perspective, and any performance. For example, drawing a deep courtyard scene, the Qulang chamber, to make lines that fly the air like when one sees; Besides, we have not seen for a time, but it is flying, fly fly, the few times the see. Therefore, hand-rolled Chinese painting, landscape stretching Shu Zhang, as is seen in the train. _Set_ pieces of Chinese painting, landscape many piles, as seen in the aircraft. Because the Chinese people, like painting with poetry, think of where that painting where perspective can not be bound by. So perspective of Chinese painting will be wrong sometimes. But this mistake does not matter. We can not use the law to criticize Western painting Chinese painting. (C) do not speak anatomy of Oriental Painting, Western Painting heavy anatomy. Anatomy, skeletal muscle is the body shape of the performance. Westerners for the figure, we must first study anatomy. This anatomical English Dubbed: anatomy for art students, the art of anatomy. So different from those of its physiological anatomy physiological anatomy departments about the structure and function of the human body, art is more specifically about the performance of anatomical shape. Skeletal muscles but also must memorize the names of all the abnormal shape, is a hard science. But Western artists have to learn. Because the focus on realism of Western painting, with the real body must have the same description. However, the Chinese figure painter never need this knowledge. Chinese figure painting, the sole purpose of Expressed Attitude features the characters, but not about the size and the proportion of people ministries. Therefore, Chinese Painting in the man, looks odd old, the first body is not known. Woman Crescent lips, Xiaojian waist. If these people's clothes off, the shape of terrible. But not only tolerated, but it is the benefits of Chinese painting. The strong desire of Chinese painting impression, so the expansion characteristics of the characters, so that by the magnificent men and women by Qian Li, and fully demonstrate its character. So do not use the symbol of realistic law method. Not for the shape, and find quite similar. (E) subject to the natural-based Oriental painting, Western painting themes to the main characters. Before the Han dynasty Chinese painting, but also to figure as the main theme. However, the Tang Dynasty, landscape that is independent. Until today, the landscape often Zhengge Chinese painting. Western from the Greek times, has been the main theme characters. Medieval religious paintings, most of the people as his subject. For example, "Last Judgement", "victory of death", etc., numerous characters in a painting. Until the 19th century, the tenor has a separate landscape. Landscape after independence figure does not give way, nude in Western painting today is still the main theme. The five, is a Chinese painting and Western painting and different point. It can be seen interesting lofty Chinese painting and western painting plain fun. Therefore, for art research, Western painting Chinese painting is less than profound. For people to appreciate Chinese painting is less than the ordinary Western painting. Classification of painting The field of painting in the world art self-contained. Performance-based object can be divided into; figures, landscapes, community art, flowers, fruits, feathers, animals, insects, fish and other art subjects; method according to the performance of fine brushwork, Freehand, hook Le, colors, ink and other techniques in the form, _set_ Color can be divided into Golden, size green, no bone, splash of color, tint, Qianjiang and so are several. Major changes in the use of lines and ink, to hook, wrinkle, spot, stained, thick, pale, dry, wet, yin, yang, to, back, true, real, sparse, dense, and blank and other performance practices, to describe the images and operating position; framing layout, broad vision, not rigidly adhere to Focus Lens; of performance in the form of murals, screen, hanging scroll, scroll, album, fan and other forms of frame, combined with the traditional decoration of the mounting process. Figure from the late Zhouzhi Han Wei, Six mature. Landscapes, flowers, birds paintings, etc. to the occasion of the beginning of the independent formation of the Sui and Tang painting. Five Dynasties, Song competition out of schools, along with popular ink, landscape Wei National Cheng Kung University Branch. Has been developed in the Song dynasty paintings, while the Yuan Dynasty Tai Hing, trend impressionistic style; Ming and Qing Dynasties and the continued development of modern, increasingly focused on Tech Praising God. In the Wei, Jin, Tang and Ming and Qing periods, etc., has been painting, Buddhist art and Western art. Chinese painting emphasizes "nature outside, in the heart of the source," demanding "meaning keep T first, painting was intended to do" and stressed that I melted material, create mood, to write to God, Vivid, Vivid Spirit. As Drawings and Paintings, and their lyrics in both Tech and bone pen, the line has a close connection to run, so painting with calligraphy, seal cutting influence each other, forming a remarkable artistic features. The tools and materials for the painting of a special pen, ink, paper, ink, and silk factors. Modern and contemporary Chinese paintings in the tradition and the absorption of foreign techniques, the breakthrough and development. ◆ Painting ◆ Court body painting ◆ paintings Also known as "Opinion of the Painting." A Chinese painting. Refers to the Chinese people of China's feudal society, by the literati painting. As distinct from civil society and the court painters Painting painting professional painter, Song Su Shi put forward the "Opinion of the Painting", Ming Dong Qichang commendable "Literati Painting" Wang Wei to the Tang Dynasty to its founder and head to South of the ancestors (see " Civil cases "). But also tend to raise the old literati painting art, civil contempt, and academy painters painter. Tang Zhang Yan Yuan "art history in mind," said: "Since ancient times, good artist, is it dressed nobles, Recluse expert, non-Lu Yan is also the best." This said of a long time. Chen Heng Ke believes that modern "paintings have four elements: character, knowledge, talent and ideas, with these four, is able to perfect." Normally "literati painting" more drawn from the landscape, flowers, chrysanthemum and bamboo wood and stone, etc. Merlin in order to Express the "Soul" or personal ambition, between the apartment also has the nation of corrupt political oppression or feelings of resentment. Touted their "morale", "Yiping", advocating algae products, and stress ink taste, slightly off shape, emphasizing the charm and attach great importance to literature, calligraphy, painting mood of cultivation and to create. Yao Mang Father "A Study of Chinese Literati Painting order" had a very high evaluation: "tang Youcheng (D) assistance poetry art, and fun from the pen, law free transfer, the words do not have to house both commercial and Qiu Yun Shan, Yi Xing and vegetation do not have to become Yin. "literati painting aesthetics of Chinese painting and the ink, freehand drawing and other techniques of development, have considerable influence. ◆ painting sub ten Chinese painting terms. Division of Chinese painting, Tang Zhang Yan Yuan "art history in mind," sub-six, that is, people, buildings, landscapes, pommel horse, ghosts, birds and flowers. Song "sun and Huapu" sub-ten, that is, Taoist and Buddhist door, door people, palace doors, Fan family door, Arowana doors, landscape the door, the door livestock animals, birds and flowers doors, bamboo doors, doors, and other vegetables. Southern Song Dengchun "painting following the" eight categories (the door), that Buddha spirits, Biographies, stone forest landscape, flowers and bamboo feathers, insects, fish, livestock animals, housing canoe cars, fruits and vegetables herbs, small landscape painting and other miscellaneous. See "Thirteen subjects." Thirteen Division ◆ Chinese painting terms. Division of Chinese painting, Tang Zhang Yan Yuan "art history in mind," is divided into six; Song "sun and Huapu" is divided into ten; Southern Song Dengchun "After painting" is divided into eight categories. Hou Yuan Tang "Painting Kam," said: "secular establishment painter thirteen subjects, landscapes begin with painted rendering industry." Ming Tao Zongyi "cease farming record" contained in the "artist Thirteen subjects" is: "Buddha-phase, jade Emperor Wang phase, Diamond spirits Lohan holy man, the situation dragon, Sushi figures, the whole territory of mountains, flowers and bamboo feathers, wild mule animals, human use, boundary painting the house, all Bangsheng, farming, weaving, carving and inlay blue green. " ◆ Comics Ink Comics, which has a cartoon on the idea of the characteristics of wide range of topics, or satire or praise, but the technique of expression on the use of traditional Chinese ink painting techniques, both its elegance. Compared with the general comic books, comic ink more ornamental value. It extends the comic appearance of the performance areas and ornamental varieties. Chinese ink are number of excellent comics authors, such as Feng, Hua Junwu, Huang Yong Yu, Han Yu, Fang Cheng, Wang Chengxi, Bike Guan, Xu Pengfei, Jiangwen Bing, He Wei, often iron Jun, Xu Jin, white Shan Cheng, and others, but also the emergence of a number of outstanding works Performance targets by sub- ◆ Painting A painting. The characters known as the main painting. Chinese figure painting, called "People", is painting a big picture subjects, appear more landscape painting, such as the early bird; can be divided into Taoist and Buddhist paintings, painted ladies, portraits, genre paintings, historical paintings, and other stories. Painting seek realistic portrait of vivid personalities, the spirit of vivid and. The expressive of the law, often to the performance of the character, resides in the environment, atmosphere, movements and dynamic rendering into. In theory, it is also known as Chinese painting figure painting as "vivid." Famous ancient Eastern Jin Dynasty Gu Kai and figure of the "Goddess map" volumes, Tang Han Huang's "Literary Gathering", in Five Southern Tang Gu Wing "Han Banquet at Night", Song Li Gonglin's "Offerings such as" Song Li Don "Plucking map" Liang Kai's "Li Bai Chant map", Yuan Wang Yi's "Young Bamboo West Little as" Ming Qiu Ying's "row female figure" Volume has whale "Hou Cave lofty like" , Qing Ren Bonian "high-Yong of the like", as well as modern Xu "Tagore as" other. In modern times, more emphasis on "imitating" and also learned Western techniques, the shape and color on the cloth has been developed. ◆ Landscape ◆ green landscape A landscape painting. Shiqing with minerals, malachite green as the main color of the landscape. Large green, small green of the points. The former multi-hook profile, less wrinkle pen, colored thick, highly decorated; the latter is based on the thin ink pastel green cover. Qing Zhang Geng said: "The painting, painting also, all ages, colors, and more green." Hou Tang Dynasty, said: "Li Xun colored landscape, with SCIENTIFIC AND mapping, since for a law." There are two Southern Song Dynasty Zhao (Job Ju, Bo Su), green landscape is known to be good at. Chinese landscape painting, first, colors, after the ink. First, painting and color re-color, light color came later. ◆ Qianjiang Landscape A landscape painting. Dye in the ink hook on the basis of Le Cun, laying the ocher color of the light color landscape painting. "Mustard Seed Garden Painting", said: "Huang Kung-Wang Cun, Yushan imitation stone surface, use of ocher color, shallow Shi, sometimes reddish brown pen then hook is probably out. Meng complex of ocher and Garcinia the landscape, the hills hi pared painting grass, then ocher Jun-out, sometimes not here with color, only the human face and ocher landscapes pine bark with it. "color characteristics of this _set_ begins with the Five Dong Yuan, Sheng Yuan Huang Kung-wang, also known as "Miss installed" landscape. ◆ Golden Paintings in the illuminated Chinese, Shiqing and malachite green. All of these three pigments as the main color of the painting, called "Golden Landscape", than "Green Landscape" multi-illuminated color. Illuminated dye generally used for hook mountain profile, Shiwen, toe, spit, Choi Ha, and palaces, pavilions and other buildings. But the Ming Dynasty, Tang Qi "painting in the matter complained about" the other to the one said: "The cover Jinbi by: Shi Qing malachite green also, the green landscape that also. Future generations be aware, that the gold pen to be illuminated landscape, husband to Golden Golden Pen name easily understood by the name of funny too! " ◆ green Shiqing Chinese painting and malachite green in color. Also refers to the color of the two pigment-based coloring methods. Qing Wang Hui said: "All _set_ green, body to serious gas to light clear, effective all in the shading halo, I was green method Jing Wu three decades, beginning to do its magic." ("Qing Hui painting Postscript") Shouping also said: "re-green color, is thick, for Talking about difficult, as the shallow Dan men, while becoming increasingly difficult, especially thick Nong. ... ... to virtual, and shipped out of the Ya Yan, Nong fiber too, the Aura disappointed indistinct, the more pale becoming increasingly Nong thick, the so-called extremely gorgeous, still belong to nature, drawing one of the changes are. "(" Museum of Painting, Hong Ou Postscript ") describes the essence of green and color. See the "green landscape." ◆ bird ◆ New Literati Painting New paintings, that "Chinese New Literati Painting" refers to the 20th century, late 80s early 90s the emergence of a culture of Chinese art phenomenon. 1996 Beijing artist side Hirayama often with Fuzhou painter Wang peace, Hebei artists North of fish in the side of Ping Shan, the "Ping Shan House" together met with chat, as in the artistic views and pursuits have much in common, so the germination of the launching of Chinese painting exhibition of ideas. Then with the Nanjing painters Wang Mengqi, Fang Jun and other agreed in Tianjin by the Tianjin Academy of Fine Arts Gallery artist Huo Chunyang make arrangements for the exhibition, which is the "new paintings" to start. Later, artists across the country such as: Zhu Xinjian, Liuer Gang, Wang Yong, Xu Lele, ZHU Daoping, Chen Ping, Tian Liming, Jiang Hongwei, etc. to respond and join in, become a great influence in the country a cultural phenomenon. "New Literati Painting" with "'85 New Wave", "Star Exhibition" and the 20th century, 80's, 90's brilliant page in Chinese art history. ◆ Original Big Landscape Painting Large Landscape Painting Original Contemporary Landscape Painting is generated in the process of a new school of painting, is by the famous painter, Yang Mu Qing painting advocated by theorists of a new landscape painting style, it rough, bold for its atmosphere, to dry pen, pen for dry tone, in following the traditional principles of landscape composition with layers of positive staining under the law, a "bold brush hook, point and area vaguely, concise tracks deep, brief and color, ink color blending, exaggerated clever clumsy" distinctive style, to reflect the original meaning of life, giving spiritual shock. Mounting in the form of painting Framed painting is an important work and painting for the painting collection of artists who are all to understand and know the place, mounted directly to the success of its way to save time and have important connections, and mounting styles form a contrast to the role of excellent works of art. A complete painting, need to make it more attractive, and easy preservation, circulation and collection, is a high not open framed. Because most of painting in Chinese painting on rice paper or easily broken items are on the silk. Mounting is also called "sulfur loading," loaded pool "," mounted on the back "is our unique way to protect and beautify the paintings and rubbings of the technology, as Western oil paintings, after the completion of the frame should fit in beautifully, so that it can achieve a higher aesthetic values. Also can be divided into the original mounting mounted and re-mounting, mounted the original painting is a good picture of the new procedures by mounting mounting. The original re-mounting is mounted on the poor or those who manage collections in the custody of the good, the occurrence of shell off, damp moldy Zaoxiu fracture, insect bite handed mouse out of the painting to painting and mounting. After mounting of the painting, strong, beautiful, easy to watch the collection and arrangement. Re-mounting the paintings, will extend its vitality. The ancients said: "The historic re-mounted, such as disease seek medical ... ... of good health is readily into the sky, poor health and death are readily." Chinese paintings framed by the program so what is it? Care is generally the first paper mounted on the back of paintings, and then twist, silk, paper, trim, and then install the shaft into the layout. The mounting is a traditional variety, but the finished product can be divided into hanging scroll by shape, hand-rolled, the album three categories. Regardless of the original painting paintings mounted heart size, shape, and mounted after use, have only asked mounting heart, _set_ cover, calendar loaded three steps. Care center is framed painting is an important process throughout the decoration process. The re-mounting the old painting is quite difficult. Peel off the old paint first heart, sewage cleaning mold, repair holes, etc., and then mounting the new process of re-framed paintings. China's mounting process is accompanied by a history of Chinese painting produced, saved from the historical data to see the present as early as 1,500 years ago, there has been mounting technology, and equipment Jia paste for the production, preservation, mounting of paper choices, and paintings of the decontamination, repair, dyed yellow and others have written records. The Ming Dynasty, Zhou Jia helmet with a "decoration Chi", the Qing Dynasty Tuesday to learn the "corner posts" are discussed in our system, mounting a special book. History of painting Prior to the Wei and Jin, birds and flowers as the performance of Chinese art objects, has always been decorated the way motifs in pottery, bronze and above. At that time the flowers, birds and some animals have a mystical significance, with complex social meaning. Mapping the people it is not within the scope of performance art, but rather to convey the community through their faith and the will of the sovereign, and art is subordinated to the needs of the content. Early on the bird of human concern, is a hotbed of breeding bird. Historical records, Wei, the bird has many independent works, including Gu Kaizhi the "goose mallard waterfowl map", Shidao Shuo's "Geese", Lu On the "semi-Geese", Gujing Xiu's "cicada bird map ", Yuan Qian's" Cangwu map "Ding's" cicada Sparrows ", Xiao Yi's" deer map ", and so the bird can explain this period has a certain scale. While it can not see the original, but through other figure can understand the background of the flowers and birds have a relatively high level, such as Gu Kai "Lo River map" in birds and so on. During this period the bird is to draw some more birds and animals, as they often have some contact and myths, and some even mythical characters. If the rabbit pound medicine for the Queen Mother, the sun in the black gold, the moon in the toad, and represent the four directions of the Dragon, White Tiger, Suzaku, basalt and so on. Generally, a separate Division in the Tang bird, bird areas belonging to the pommel horse during this period has been relatively high artistic achievement, and now can see the Han Gan, "according to White Night", Han Huang's "Five Oxen map "and the song transfer is wearing a" semi-Ox, "and so on, have shown that this subject has high artistic standards. The records of Cao Ba, Chen Hong in the pommel horse, Feng Shao is painting the eagle, Xue Ji's paintings Crane, Wei Yan's painting the dragon, side-luan, Tengchang You, Diaoguang Yin's bird, Sun-bit picture Shochiku, not only a powerful line-up, And each have a masterpiece. Xue Ji paintings, such as cranes, Du Fu, a poem in praise, saying: "Xue Gong XI Crane, are written Qingtian true. Painting color long-Yu Jin, Chu Chen Cang still ran. Ngong all interested in the low, upright like a long one." Characteristics of Chinese Painting (Art B-level exams related answer) China referred to as "painting" created the Chinese nation has a long history and distinctive ethnic characteristics of the painting. Chinese painting lines as the primary means of modeling, pay attention to a pen with ink, so that line, ink, color each other, to "air transport vivid, "the artistic effect; characteristics of the two, as" child care situation Yu, painting in poetry "; characteristics of three poetry, love, painting, print integration. The use of line and ink painting of the main changes to the hook, wrinkle, spot, stained, thick, pale, dry, wet, yin, yang, to, back, true, real, sparse, dense, and blank and other performance practices, to describe images and business location; framing layout, broad vision, not rigidly adhere to Focus Lens. There are murals, screens hanging scroll, scroll, album, fan and other forms of frame, combined with the traditional decoration of the mounting process. Figure from the late Zhouzhi Han Wei, Six mature. Landscapes, flowers, birds paintings, etc. to the occasion of the beginning of the independent formation of the Sui and Tang painting. Five Dynasties, Song competition out of schools, along with popular ink, landscape Wei National Cheng Kung University Branch. Has been developed in the Song dynasty paintings, while the Yuan Dynasty Tai Hing, trend impressionistic style; Ming and Qing Dynasties and the continued development of modern, increasingly focused on Tech Praising God. In the Wei, Jin, Tang and Ming and Qing periods, etc., has been painting, Buddhist art and Western art. Chinese painting emphasizes "nature outside, in the heart of the source," demanding "meaning keep T first, painting was intended to do" and stressed that I melted material, create mood, to write to God, Vivid, Vivid Spirit. As Drawings and Paintings, and their lyrics in both Tech and bone pen, the line has a close connection to run, so painting with calligraphy, seal cutting influence each other, forming a remarkable artistic features. Chinese landscape painting pen ancestors who? Hard to say. I know there are well-known Five Southern Tang painters called the Dong Yuan, I picked the Dong Yuan. Dong Yuan (? - About 962 years) and Five Dynasties China Southern Tang painters. One for the Dong Yuan, Zi Shu of Jiangxi Zhong Ling (now near Nanchang, Jiangxi Province) who call themselves "southern people." Birth and death unknown, the main activities in the Southern Tang Dynasty in the primary (934 ~ 960) times. Southern Tang Li Jing main thing when he Beiyuan Fushi, it is also called "Dong Bei Yuan", after the death of Southern Tang to Song. Song Shen Kuo said he was "really to write South Mountain, not to Qiqiao of the pen." Yamagata drawn, mostly along the Yangtze River hills, mostly rolling Tuo slope, soil Hill wearing stone, must little for the brand-shaped steep. This Jing Hao earlier in his impressive performance by North Yamagata just a stark contrast. Dong Yuan attaches great importance to the midpoint of the paintings depict landscape character, often come with the plot of genre painting, and sometimes actually draw the themes of the whole system. Although the body small, simple but real fine, the characters are _set_ blue, red, white and other heavy color, and ink, _set_ off by Cun point, do not spare a Calendula ancient ages. The works are handed down, "Long places rural people map". According to recorded history painting, Dong Shin landscapes, Yunlong, cattle tiger, omnipotent, especially the most famous painting, creating the Southern Pine Landscape. The real mountains of the southern landscape and more picturesque than the Qiqiao of the pen, says he recorded more than landscape painting scenery of Jiangnan "plain naive, Don is no such product." Mi Fu was praised for his landscapes, saying: "mountainous come and go, the clouds were dark, do not install clever fun, Chieh-te naive." Five of the "painting Kam" is recorded: "Dong Yuan landscape there are two kinds: the same ink, woodland Yuan Shu, Ping Yuan deep, rocks for Phi Ma Cun; the same color, cracked text seldom, colors, thick old, the characters more red Tsing Yi, faces of the people who have pink pigment. two are masterpieces too. "Shen Kuo in the Song," Meng Xi Bi Tan "is mentioned:" Dong Yuan good painting, the dragon workers Qiulan vision, writing true southern mountains, steep hill is not surprising that the document ", also known as" the pen is very hasty, short-sighted of the few non-class images, a distance the landscape beaming ... .... " Good at landscape painting ink and light color, like a bark like to use the wrinkle pen performance of the mountains, and more vitriol on the head (top of stone) moss point, more dense picture of the trees and hills from the sticks, the clouds were dark and Pu Bridge to fisheries , Ting Nagisa _set_ off the southern scenery, later called by the plain naive, not to the Tang Dynasty. And color are also strong to make, little rocks Cun Wen, splendid scenery, close to the Li Xun style, while the more active indulgence. And work dragon, ox, tiger, and people. Landscape shānshuǐ Water on the mountain floods. Example: while small children living in the rain, landscape on the down.
Translated by Google
English Expression
n.: landscape, water from a mountain, mountains and rivers, traditional Chinese painting of mountains and waters
French Expression
n. paysage de montagne et de rivière;
tableau de paysage (pour la peinture traditionnelle chinoise)
Thesaurus
Shanshui Village
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painting of flowers and birds in traditional Chinese style