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chún zhēn nián dài The Age of Innocence
zuòzhě: · huá dùn Edith Wharton
  《 chún zhēn nián dài 》 ( yīng hàn duì zhào ) shì jīng jiǔ shuāi de jié zuòbèi rèn wéi shì · huá dùn zuì wéi wán měi de xiǎo shuōzuò zhě cóng qīn shēn jīng shú de huán jìng zhōng liàn cái zào rén jiāng zuò pǐn cái gēn zhí shēn hòu de xiàn shí rǎng zhōngtōng guò mìng yùn chén zhè xiàn suǒ zhù rén gōng 'ā qiē 'ěr 'ài qíng bēi de zhù xiàn xiāng yìng chènshǐ kàn xún cháng de 'ài qíng shì bèi liǎo shēn de shè huì xiàn shí
  
  "5000 chuáng tóu dēng yīng xué běn " yóu měi guó zuò jiā zhí jīng xuǎn liǎo guó wài shù shí zuì zhí shēng de wén xué zuò pǐn 5500 zuì cháng yòng de dān xiě chéng yán xiàn dài dàobiāo zhǔnyuán zhī yuán wèiér qiě tōng dǒng tǎng zài chuáng shàng yòng fān diǎn jiù jīn jīn yòu wèi xué yīng ér qiě diàn fāng wén huà gāo rén de kǒu wèi xiū yǎngduì chūzhōng yīng xué zhě lái shuō shì tào zhí bié tuī jiàn de yīng jiǎn 。《 chún zhēn nián dài 》 ( yīng hàn duì zhào ) wèicóng shū de zhōng wéi yīng hàn duì zhào bǎnshì jīng jiǔ shuāi de jié zuòbèi rèn wéi shì · huá dùn zuì wéi wán měi de xiǎo shuō


  The Age of Innocence (1920) is a novel by Edith Wharton, which won the 1921 Pulitzer Prize. The story is set in upper class New York City in the 1870s.
  
  In 1920, The Age of Innocence was published twice; first in four parts, July – October, in the Pictorial Review magazine, and then by D. Appleton and Company as a book in New York and in London. The book was warmly received; the Times Book Review considered it "a brilliant panorama of New York's 45 years ago. The novel is in demand mostly at public libraries and a best seller in the bookstores."
  
  Plot introduction
  
  The Age of Innocence centers on an upper class couple's impending marriage, and the introduction of a woman plagued by scandal whose presence threatens their happiness. Though the novel questions the assumptions and morals of 1870s' New York society, it never devolves into an outright condemnation of the institution. In fact, Wharton considered this novel an "apology" for her earlier, more brutal and critical novel, The House of Mirth. Not to be overlooked is Wharton's attention to detailing the charms and customs of the upper caste. The novel is lauded for its accurate portrayal of how the 19th-century East Coast American upper class lived, and this, combined with the social tragedy, earned Wharton a Pulitzer Prize — the first Pulitzer awarded to a woman. Edith Wharton was 58 years old at publication; she lived in that world, and saw it change dramatically by the end of World War I. The title is an ironic comment on the polished outward manners of New York society, when compared to its inward machinations.
  Plot summary
  
  Newland Archer, gentleman lawyer and heir to one of New York City's best families, is happily anticipating a highly desirable marriage to the sheltered and beautiful May Welland. Yet he finds reason to doubt his choice of bride after the appearance of Countess Ellen Olenska, May's exotic, beautiful thirty-year-old cousin, who has been living in Europe. Ellen has returned to New York after scandalously separating herself (per rumor) from a bad marriage to a Polish Count. At first, Ellen's arrival and its potential taint to his bride's family disturbs him, but he becomes intrigued by the worldly Ellen who flouts New York society's fastidious rules. As Newland's admiration for the countess grows, so does his doubt about marrying May, a perfect product of Old New York society; his match with May no longer seems the ideal fate he had imagined.
  
  Ellen's decision to divorce Count Olenski is a social crisis for the other members of her family, who are terrified of scandal and disgrace. Living apart can be tolerated, but divorce is unacceptable. To save the Welland family's reputation, a law partner of Newland asks him to dissuade Countess Olenska from divorcing the Count. He succeeds, but in the process comes to care for her; afraid of falling in love with Ellen, Newland begs May to accelerate their wedding date; May refuses.
  
  Newland tells Ellen he loves her; Ellen corresponds, but is horrified of their love's aggrieving May. She agrees to remain in America, separated but still married, only if they do not sexually consummate their love; Newland receives May's telegram agreeing to wed sooner.
  
  Newland and May marry; he tries forgetting Ellen but fails. His society marriage is loveless, and the social life he once found absorbing has become empty and joyless. Though Ellen lives in Washington and has remained distant, he is unable to cease loving her. Their paths cross while he and May are in Newport, Rhode Island. Newland discovers that Count Olenski wishes Ellen to return to him, and she has refused, despite her family pushing her to reconcile with her husband and return to Europe. Frustrated by her independence, the family cut off her money, as the Count had already done.
  
  Newland desperately seeks a way to leave May and be with Ellen, obsessed with how to finally possess her. Despairing of ever making Ellen his wife, he attempts to have her agree to be his mistress. Then Ellen is recalled to New York City to care for her sick grandmother, who accepts her decision to remain separated and agrees to reinstate her allowance.
  
  Back in New York and under renewed pressure from Newland, Ellen relents and agrees to consummate their relationship. However, Newland then discovers that Ellen has decided to return to Europe. Newland makes up his mind to abandon May and follow Ellen to Europe when May announces that she and Newland are throwing a farewell party for Ellen. That night, after the party, Newland resolves to tell May he is leaving her for Ellen. She interrupts him to tell him that she learned that morning that she is pregnant; she reveals that she had told Ellen of her pregnancy two weeks earlier, despite not being sure of it at the time. The implication is that she did it because she suspected the love between Ellen and Newland and knew Ellen well enough to know that she would drop Newland if May was pregnant. Newland guesses that this is Ellen's reason for returning to Europe. Hopelessly trapped, Newland decides not to follow Ellen, surrendering his love for the sake of his children, remaining in a loveless marriage to May.
  
  Twenty-six years later, after May's death, Newland and his son are in Paris. The son, learning that his mother's cousin lives there, has arranged to visit Ellen in her Paris apartment. Newland is stunned at the prospect of seeing Ellen again. On arriving outside the apartment building, Newland, still reeling emotionally, sends up his son alone to meet Ellen, while he waits outside, watching her apartment's balcony. Newland considers going up, but decides that his dream and memory of Ellen are more real than anything else in his life has been; he walks back to his hotel without meeting her.
  Characters in The Age of Innocence
  
  Major Characters
  
   * Newland Archer: The story's protagonist is a young, popular, successful lawyer living with his mother and sister in an elegant New York City house. Since childhood, his life has been shaped by the customs and expectations of upper class New York City society. His engagement to May Welland is one in a string of accomplishments. At the story's start, he is proud and content to dream about a traditional marriage in which he will be the husband-teacher and she the wife-student. His life changes when he meets Countess Ellen Olenska. Through his relationship with her — first friendship, then love — he begins questioning the values on which he was raised. He sees the sexual inequality of New York society and the shallowness of its customs, and struggles to balance social commitment to May with love for Ellen. He cannot find a place for their love in the intricate, judgmental web of New York society. Throughout the story's progress, he transgresses the boundaries of acceptable behavior for love of Ellen: first following her to Skuytercliff, then Boston, and finally willing to follow her to Europe. In the end, though, Newland Archer finds that the only place for their love is in his memories.
  
   * Mrs. Manson Mingott: The matriarch of the powerful Mingott family, and grandmother to Ellen and May. She was born Catherine Spicer, the daughter of an inconsequential family. Widowed at 28, she has ensured her family's social position by her own shrewdness and force of character. She controls her family: at Newland's request, she has May and Mrs. Welland agree to an earlier wedding date. She controls the money — withholding Ellen's living allowance (when the family is angry with Ellen), and having niece Regina Beaufort ask for money when in financial trouble. Mrs. Mingott is a maverick in the polite world of New York society, at times pushing the boundaries of acceptable behavior; receiving guests in her house's ground floor, though society associates that practice with prostitutes. Her welcoming Ellen is viewed skeptically, and she insists the rest of the family support Ellen.
  
   * Mrs. Welland: May's mother, has raised her daughter to be a proper society lady. May's dullness, lack of imagination, and rigid views of appropriate and inappropriate behavior are consequence of her influence. She has effectively trained her husband, the weak-willed Mr. Welland, to conform to her desires and wishes. Mrs. Welland is the driving force behind May's commitment to a long engagement. Without her mother's influence, May might have agreed sooner to Newland's request for an earlier wedding date. After a few years of marriage, Newland Archer perceives in his mother-in-law what May will become — stolid, unimaginative, and dull.
  
   * May Welland: Newland Archer's fiancée, then wife. Raised to be a perfect wife and mother, she follows and obeys all of society's customs, perfectly. Mostly, she is the shallow, uninterested and uninteresting young woman that New York society requires. When they are in St. Augustine, though, May gives Newland a rare glimpse of the maturity and compassion he had previously ignored. She offers to release him from their engagement so he can marry the woman he truly loves, thinking he wants to be with Mrs. Rushworth, a married woman with whom he had recently ended a love affair. When he assures May of his loving only her, May appears to trust him, at least at first. Yet after marriage, she suspects Newland is Ellen's lover. Nonetheless, May pretends happiness before society, maintaining the illusion that she and he have the perfect marriage expected of them. Her unhappiness activates her manipulative nature, and Newland does not see it until too late. To drive Ellen away from him, May tells Ellen of her pregnancy before she is certain of it. Yet, there still is compassion in May, even in their loveless marriage's long years after Ellen's leaving. After May's death, Newland Archer learns she had always known of his continued love for Ellen; as May lay dying, she told their son Dallas that the children could always trust their father Newland, because he surrendered the thing most meaningful to him out of loyalty to their marriage.
  
   * Ellen Olenska: She is May's cousin and Mrs. Manson Mingott's granddaughter. She became a Countess by marrying Polish Count Olenski, a European nobleman. Her husband was allegedly cruel and abusive, stole Ellen's fortune and had affairs with other women and possibly even with men. When the story begins, Ellen has fled her unhappy marriage, lived in Venice with her husband's secretary, and has returned to her family in New York City, America. She is a free spirit who helps Newland Archer see beyond narrow New York society. She treats her maid, Nastasia, as an equal; offering the servant her own cape before sending her out on an errand. She attends parties with disreputable people such as Julius Beaufort and Mrs. Lemuel Struthers, and she invites Newland, the fiancé of her cousin May to visit her. Ellen suffers as much as Newland from their impossible love, but she is willing to live in emotional limbo so long as they can love each other at a distance. Ellen's love for Newland drives her important decisions: dropping divorce from Count Olenski, remaining in America, and offering Newland choice of sexual consummation only once, and then disappearing from his life. Her conscience and responsibility to family complicate her love for Newland. When she learns of May's pregnancy, Ellen immediately decides to leave America, refusing Newland's attempt to follow her to Europe, and so allow cousin May to start her family with her husband Newland.
  
   * New York City Society: Composed of powerful, wealthy families. These people follow and impose a strict, rigid code of social custom and behavior, and judge as unacceptable and disposable the people who do not follow their rules. Ellen has difficulty adapting to the behavoir that such a society thinks appropriate for a woman separated from her husband. New York society's judgment is clear; almost everyone refuses to attend the dinner party honoring Ellen's return.
  
  Minor Characters
  
   * Christine Nilsson: A famous singer who performs in an opera on the night of Archer and May's engagement. She sings in the same opera two years later.
   * Mrs. Lovell Mingott: May and Ellen's aunt, and the daughter-in-law of Mrs. Manson Mingott.
   * Lawrence Lefferts: A wealthy young man and a member of Archer's social circle. He is considered the expert on manners. Archer believes that Lefferts is behind New York society's rude refusal to attend the welcome dinner for Ellen. According to Archer, Lefferts makes a big show of his morality every time that his wife, Mrs. Lefferts, suspects that he is having an affair.
   * Sillerton Jackson: The expert on the families that make up New York society. He knows who is related to whom, and the history of every important family. Mrs. Archer and Janey invite him over for dinner when they want to catch up on gossip.
   * Julius Beaufort: An arrogant banker who tries to have an affair with Ellen. He even follows her to Skuytercliff during the weekend that Archer goes to visit Ellen. His banking business eventually fails, and he leaves New York society in disgrace.
   * Regina Beaufort: Julius Beaufort's wife and Mrs. Manson Mingott's niece. She comes to Mrs. Mingott when her husband's bank fails, to ask for a loan. Her visit causes Mrs. Mingott to have a stroke.
   * Janey Archer: Archer's dowdy, unmarried sister who never goes out and relies on Archer. She and her mother invite guests to dinner so they can gossip about New York society. Janey disapproves of Ellen, because she's unconventional and independent, and doesn't simply tolerate her husband's abuse.
   * Mrs. Archer: Archer's widowed mother. She doesn't get out to events often, but loves to hear about society. She and Janey strongly believe in the values of New York society. Like Janey, she views Ellen with suspicion.
   * Mrs. Lemuel Struthers: A woman on the fringes of New York society. She is treated with mistrust and scorn until Ellen befriends her. She eventually becomes popular; at the end of the novel, May thinks it appropriate to go to her parties.
   * Count Olenski: Ellen's husband, a dissolute aristocrat who drove Ellen away with neglect and misery. At first, Count Olenski is content to let Ellen go. Later, though, he sends his secretary to America to ask Ellen to return, with the stipulation that she only appear as his hostess occasionally. He never appears in the story, but is described as half paralyzed and very pale, with thick feminine eyelashes. He constantly cheats on Ellen, and a veiled remark of Jackson's implies that he copulates with men, too. What other abuses and infidelities he commits are unknown, but he seems quite malicious.
   * Sophy Jackson: Sillerton Jackson's unmarried sister. She is a friend of Janey and Mrs. Archer.
   * Louisa and Henry van der Luyden: Cousins of the Archers, and the most powerful people in New York society. They only mingle with people when they are trying to save society. Mrs. Archer goes to the van der Luydens after New York society snubs Ellen. They invite her to a very exclusive party in honor of the Duke of St. Austrey to show society that they support her.
   * Duke of St Austrey: A European Duke. He is the guest of honor at a dinner party thrown by the van der Luydens. Both Ellen and Archer find him dull.
   * Nastasia: Ellen's Italian maid. She invites Archer and the other guests to wait in Ellen's sitting room.
   * Mr. Letterblair: The senior partner of Archer's law firm. He gives Archer the responsibility of talking Ellen out of her plans to divorce the Count.
   * Mrs. Rushworth: The vain, foolish married woman with whom Archer had an affair before his engagement to May.
   * Ned Winsett: A journalist. He and Archer are friends, despite their different social circles. He is one of the few people with whom Archer feels that he can have a meaningful conversation. Ned Winsett challenges Archer to think of things outside of society.
   * Reggie Chivers: An important member of society. Archer spends a weekend at their country home on the Hudson River.
   * Marchioness Medora Manson: The aunt who took Ellen to Europe as a child. She now lives in Washington, where Ellen goes to take care of her. During a visit to New York, she tries to persuade Archer to convince Ellen that she should return to the Count. Beaufort's bank failure eventually ruins Mrs. Manson's fortune, and she moves back to Europe with Ellen.
   * Dr. Agathon Carver: A friend (and possible love interest) of the Marchioness Manson. Archer meets him at Ellen's house.
   * Du Lac aunts: Archer's elderly aunts. They offer their country home to May and Archer for their honeymoon.
   * Mrs. Carfry: An English acquaintance of Janey and Mrs. Archer. She invites Archer and May to a dinner party while they are on their European wedding tour.
   * M. Rivière: The French tutor of Mrs. Carfry's nephew. He fascinates Archer with his life story and intellect. Later, Archer learns that he was Count Olenski's secretary and the man who helped Ellen escape her marriage. The count sends him to Boston to try to convince Ellen to return to Europe.
   * Emerson Sillerton: An unpopular, eccentric professor who spends his summers in Newport with the rest of society. He throws a party for the Blenker family that no one wants to attend.
   * Blenker family: The unpopular, socially inferior family with whom the Marchioness and Ellen stay while in Newport. They are the guests of honor at Emerson Sillerton's party, and seems to be a clever, kind bunch.
   * Miss Blenker: The youngest daughter of the Blenker family. When Archer visits her empty family's house on the day of Sillerton's party, she is there. Archer briefly confuses her with Ellen, and she flirts with him. Through Miss Blenker, Archer learns that Ellen has gone to Boston.
   * Dallas Archer: May and Archer's eldest child. He takes his father on a trip to Europe. Through Dallas, Archer learns that May felt sorry for his empty heart after Ellen left.
   * Fanny Beaufort: Dallas Archer's fiancée and the daughter of Julius Beaufort and his second wife. She asks Dallas to visit Ellen while he and Archer are in Paris.
  
  Film, TV or theatrical adaptations
  
   * In 1924, an eponymous silent film film adaptation was released by Warner Brothers, directed by Wesley Ruggles, and starring Beverly Bayne as Countess Olenska and Elliott Dexter as Newland Archer.
  
   * In 1928, Margaret Ayer Barnes adapted the novel into a play, first produced on Broadway, starring Katharine Cornell as Countess Ellen Olenska.
  
   * In 1934, an eponymous film adaptation directed for RKO Studios by Philip Moeller (based upon the 1920 novel and 1928 play), starring Irene Dunne as Countess Ellen Olenska and John Boles as Newland Archer.
  
   * In 1993, an eponymous film adaptation, The Age of Innocence, was directed by Martin Scorsese, starring Michelle Pfeiffer as Countess Ellen Olenska, Daniel Day-Lewis as Newland Archer, Winona Ryder as May Welland Archer, Richard E. Grant, and Miriam Margolyes. Ryder won a Golden Globe Award for her portrayal of May Welland Archer, and the film won an Oscar for costume design.
  
   * Gossip Girl author Cecily Von Ziegesar modeled her hit series on Edith Wharton's The Age of Innocence. On March 16, 2009, an episode of Gossip Girl entitled "The Age of Dissonance" aired, showing the teens star in a theatrical production of The Age of Innocence with Blair as Countess Olenska, Serena as May Welland, and Dan as Newland Archer with several other characters from the show portraying minor roles in the story including Nate as Beaufort.
chún zhēn nián dài
shīrén: gēqǔ zuò zhě Ge Quzuozhe

běn xìn
  zhōng wén piàn míng
   chún zhēn nián dài
   yīng wén piàn míng
  TheAgeofInnocence
   gèng duō zhōng wén piàn míng
   xīn wài yōu qíng
   yǐngpiān lèi xíng
   ài qíng / qíng
   piàn cháng
  139 fēn zhōng
   guó jiā /
   měi guó
   duì bái yán
   yīng
   cǎi
   cǎi
   hùn yīn
  DolbySR
   bié
  Singapore:PGArgentina:AtpPortugal:M/12Australia:GSweden:BtlUK:UChile:TEPeru:PTFinland:SUSA:PGIceland:LCanada:PGSpain:TGermany:6
   zhì zuò chéng běn
  $34,000,000(estimated)
   bǎn quán suǒ yòu
  ColumbiaPicturesIndustries,Inc.
   pāi shè
  1992 nián 3 yuè -1992 nián 6 yuè
yǎn zhí yuán biǎo
  dǎo yǎn
   dīng · sài MartinScorsese
   biān
   · dùn EdithWharton.....(novel)
   dīng · sài MartinScorsese.....(screenplay)
  JayCocks.....(screenplay)&
   yǎn yuán
   dān 'ěr · dài - liú DanielDayLewis.....NewlandArcher
   xiē 'ěr · fěi MichellePfeiffer.....EllenOlenska
   wéi nuò · lài WinonaRyder.....MayWelland
   · shǐ AlexisSmith.....LouisavanderLuyden
   jié dīng · zhuó bié lín GeraldineChaplin.....Mrs.Welland
   chá · lán RichardE.Grant.....LarryLefferts
   ruì 'ān · lāi MiriamMargolyes.....Mrs.Mingott
   luó · xiào 'ēn · lāi RobertSeanLeonard.....TedArcher
   qiáo sēn · léi JonathanPryce.....Rivière
   qiáo 'ān · JoanneWoodward.....Narrator(voice)
   'ěr · wēi 'ěr xùn StuartWilson.....JuliusBeaufort
   dīng · sài MartinScorsese.....Photographer(uncredited)
   zhì zuò rén
  BarbaraDeFina.....producer
  BruceS.Pustin.....co-producer
  JosephP.Reidy.....associateproducer(asJosephReidy)
zhì zuò xíng
  shè zhì shì
  35mm
   zhì zuò chǔlǐ fāng
  Super35
   yìn shì
  35mm(anamorphic)
   miàn
  35 háo jiāo piàn biàn xíng kuān yín
   zhì zuò gōng
  CappaProduction
   lún yǐng gōng ColumbiaPicturesCorporation[ měi guó ]
   xíng gōng
   lún yǐngpiān gōng ColumbiaPictures[ měi guó ]
   lún sān xīng diàn yǐng xíng gōng ColumbiaTriStarFilmDistributorsInternational[ měi guó ].....(Argentina)
  ColumbiaTriStarFilmsdeEspañaS.A.[ bān ].....(Spain)
   lún sān xīng jiā tíng shì pín gōng ColumbiaTriStarHomeVideo[ měi guó ].....(1994)(USA)(laserdisc)
   lún sān xīng ColumbiaTriStar[ ].....(Brazil)(DVD)
  LK-TELVídeo[ ].....(Brazil)(VHS)
  LK-TEL[ ā gēn tíng ].....(Argentina)(video)
   zhì zuò gōng
  IllusionArtsInc.[ měi guó ]
   gōng
  CoasttoCoastCateringInc.[ měi guó ].....catering
  EpicSoundtrax[ měi guó ].....soundtrack
  M/SBillingsPublicityLtd.[ měi guó ].....publicity
  SoundOneCorporation[ měi guó ].....post-productionfacilities
  T.A.B.Inc.[ měi guó ].....negativecutting
  TheEffectsHouseCo.[ měi guó ].....opticaleffects
   shàng yìng
   guó
  France
  1993 nián 9 yuè 22
   jiā
  Canada
  1993 nián 10 yuè 1
   měi guó
  USA
  1993 nián 10 yuè 1
   ruì diǎn
  Sweden
  1993 nián 10 yuè 29
   fēn lán
  Finland
  1993 nián 11 yuè 12
   guó
  Germany
  1993 nián 11 yuè 18
   ào
  Australia
  1993 nián 12 yuè 2
   lán
  Netherlands
  1994 nián 1 yuè 6
   ā gēn tíng
  Argentina
  1994 nián 2 yuè 10
   bān
  Spain
  1994 nián 2 yuè 18
   guó
  France
  2005 nián 6 yuè 29 .....(re-release)
qíng jiè shào
  běn piàn gēn 'ài huá dùn 1921 nián huò wén xué jiǎng de tóng míng xiǎo shuō gǎi biānér shì jiǎng shǐ shàng shǒu huò jiǎng de xìng zuò jiā qíng miáo shù shēng 1870 nián dài niǔ yuē shàng liú shè huì de sān jiǎo liàn qíng
   xiàng shàn cháng miáo huì niǔ yuē zhōng xià céng shè huì shēng huó de xiě shí pài dǎo yǎn dīng · shǒu cháng shì wǎng cóng wèi jiē chù guò de cáipāi shè zhuāng wén 'ài qíng piàn chún zhēn nián dài shuō shì cóng yǐng shēng de huā liǎo nián shí jiān yán yuán zhùdāng jué dìng jiāng bān shàng yín shí yòu hào fèi liǎng nián jìn xíng qián zhì zuò yóu bèi jǐng wéi shí jiǔ shì de shàng liú shè huì fán zhuāngjiā yáoháo zhái zhuāng huángrén zhǐ tán jiē shí fēn kǎo jiūzài xīn shǎng zhī fáng liú xià diàn yǐng zhōng zhè xiē jīng zhì de dào
  19 shì 70 nián dài de měi guó shàng liú shè huìnián qīng hūn shì jiàn hěn dào de shì qíngér cóng 'ōu zhōu huí dào niǔ yuē de jué 'āi lúnqià shì zhè yàng bài huài mén fēng de rénāi lún de biǎo mèi méi shī niǔ lán · ā qiē 'ěr dìng hūnniǔ lán suī rán chù shì zhōng guī zhōng dàn nèi xīn duān miè shì zhè shè huì wěi de dào zhǔn shì shí shàng qīng chūn shí dài de niǔ lán 'àn liàn guò 'āi lúnduō nián hòu zài xiāng shǐ de nèi xīn lán niǔ lán wéi zhì de qíng gǎnxiàng méi qiú hūnduān zhuāng xián jìng de méi nèi xīn líng lóng tòuzǎo chá jué wèi hūn qíng gǎn yòu dàn què dòng shēng èr rén jié hūn liǎoniǔ lán hěn kuài biàn xiàn zài hūn yīn de shù xià jiàn jiàn shī liǎo bìng shēn míng bái liǎo zhēn zhèng 'ài de rén shì 'āi lúnniǔ lán zài piàn zhōng xiàng tóng yàng bèi shòu jiān 'áo de 'āi lún qīng liǎo xīn zhōng de 'àibìng jué xīn 'ōu zhōu zhǎo 'āi lúndàn shí méi píng jìng gào huái yùnbìng qiě gào liǎo 'āi lúnshì de guī zhōng chéng gōng chāi sàn liǎo 'āi lún niǔ lánduō nián hòu jiè lǎo nián bìng sàng de niǔ lán zhōng yòu huì jiàn dào 'āi lúnrán 'ér zhǐ shì zài lóu xià yáo wàng zhe 'āi lún de chuāng kǒunián qīng shí dài de 'āi lún càn làn de xiào róng zài niǔ lán de xīn zhōng xiān huā zhàn fàng
xiāng guān píng lùn
  In a world of tradition. In an age of innocence. They dared to break the rules.
   yǐngpiān zhǎn xiàn de 'ài de qíng yuǎn yuǎn chāo guò xiē tuō guāng liǎo de chǎng miànzhè de měi réndōu bèi céng céng bāo guǒ zài wéi duō shí de xìng nèi
   héng héng zhī jiā tài yáng shí bào
   jìn guǎn zhè zuò pǐn tiān cái dàn zhè shēng zài 19 shì 70 nián dài niǔ yuē shàng liú shè huì de bēi luó màn shǐ zhù dìng zhǐ néng yòu zhe yòu xiàn de guān zhòng
   héng héng zōng
  《 chún zhēn nián dàishì chū shì jué de shèng yàn
   héng héng Reel diàn yǐng píng lùn
   dāng sài yīn wéi zhōng dùn de yuán zhù 'ér shòu dào zūn jìng shítóng shí de cuò zhèng zài shì dùn gèng duō de guān diǎn
   héng héng gǔn shí
  《 chún zhēn nián dàishì wén huà zhuān zhì duì de zhǒng bào zhèng
   héng héng huá shèng dùn yóu bào
hòu zhì zuò
  zuì xiàng sài de yǐngpiān
   zhè jīng diǎn de 'ài qíng shì méi yòu dīng · sài qián yǐngpiān guàn suǒ yòu de liúxiě hǎn jiào de“ Fuckyou”, zhè zǒng shì fèn de dǎo yǎn zhè chéng xiàn de shì lìng rén yǎn huā liáo luàn de xìng ràng rén yuè de luó màn
   yǐngpiān bèi jǐng shè zhì zài 19 shì 70 nián dài shí de rén men 'àn zhào yán de shè huì tán huàzǒu jiàn miàn huìjìn cānshèn zhì men rén de shēng huóliàn 'ài hūn yīn zài zhè zhǒng chéng shì xià jìn xíngsuī rán zhè zhǒng shè jiāo de bìng méi yòu rèn shū miàn dàn shēng huó zài zhōng de rén chū shēng lái jiù zài duàn duì jìn xíng zhe yán xiǎo shuō zuò zhě · dùn qiáng liè de fěng kǒu wěn jiāng shí dài chēng wéi chún zhēn nián dài ”, zhè kàn chéng wéi guò liǎo de nián dài zài xiàn jīn de shè huì rán qiáo zhuāng gǎi bàn guò de miàn róng cún zàisuī rán yǐngpiān zhǎn xiàn de shì 19 shì 70 nián dài niǔ yuē shàng liú shè huì de 'ài qíng bēi dàn sài wǎng yǐngpiān zhōng xiǎn jiàn de liúxiě chōng què bèi yǐn cáng zài kàn yōu wén zhì bīn bīn de shè huì zhī xiàzhè zhǒng biǎo miàn de wén duān zhuāng zhī xià què shì jīng suàn de cán rěnsuī rán xiāng liǎo shì dàn dīng · sài · dùn dōushì yán jiū niǔ yuē luò zhàn zhēng de zhuān jiā
   zhè lèi cái de shì zài qián bèi fǎn pāi guòkàn jiàn fēng jǐng de fáng jiān》( ARoomwithaView)、《 shì dùn rén》( TheBostonians) shì lèi cái de shàng zuòzhè lèi cái biǎo miàn shàng kàn pāi chū liǎoqióng jiē lòu xiàng》( MeanStreets)、《 chū chē 》( TaxiDriver)、《 fèn de gōng niú》( RagingBull)、《 hǎo jiā huǒ》( Goodfellas) děng piàn de dīng · sài háo xiāng gānzhè lèi cái shì duì suǒ wèichún zhēnde zhǒng tiǎo xìn qiǎn dàn dāng de péng yǒu zuò biān JayCocks( qiánshí dài zhōu kānde diàn yǐng píng lùn jiājiāng · dùn de xiǎo shuō chún zhēn nián dài gěi kàn shí dīng · sài duì zhè běn xiǎo shuō zhe liǎo zài hòu lái de tán huà zhōng zhè yàng shuō dào:“ yíng rào zài nǎo de shì mào zhī xià de cán rěnrén men jiāng men xiǎng yào zhēn zhèng biǎo de yǐn cáng zài biǎo miàn de xià zài xiǎo de wén huà juàn zhǎngdàdāng mǒu rén bèi shā shí héng héng zhè wǎng wǎng shì péng yǒu gān de xiào de shì zhè zhǒng shā xíng wéi jīng cháng bèi nòng xiàng shì zhǒng xiàn ér zài 1870 nián dài de niǔ yuē zhè qiēdōu hái cún zài shí de niǔ yuē shì lěng zhī dào zhè liǎng zhǒng niǔ yuē zhǒng huì hǎo xiē。”
  《 chún zhēn nián dàishì zuì wěi de diàn yǐng zhī yīn wéi tuō liǎo diàn yǐng fēng de zhù liú 'ér dào xīn shǎngjiù xiàng de lìng yǐngpiān lài de shēng》( Kundun) yàng zài piàn zhōng zhǎn shì liǎo de nài xīn ràng yǒng tíng de shè yǐng 'ān jìng xiàér ràng jìng tài de huà miàn lái jiǎng shù shìér zài biǎo miàn 'ān jìng shuǐ de huà miàn xià què yǐn cáng zhe de nán zhì de zhāng jié zòushàng liú shè huì de rén quán zhuāng zài gōng gòng chǎng yòng xùn liàn yòu jīng xīn zào de cuò jiāo tánxìng de chōng dòng zài men de xīn zhōng fān gǔn xiōng yǒngjīng guò zhè xiē shí de zhù rén gōng men hěn nán háo sǔn cún huó xià láiér zhè zhèng shì yǐngpiān suǒ yào biǎo de jīng suǐdàn zài zhè liè de fǎn fán suǒ zhōngréng rán chuán chū zhǒng yōu měi zūn yán
   běn jīng què fǎn yìng chū xiǎo shuō yuán zhù de jīng shén zài wán měi běn de chǔ shàngpèi zhuān héng de shè yǐng shī MichaelBallhaus wéi yǐngpiān guǒ shàng liǎo céng shè huì xué de bāo zhuāngwèile gèng zhēn shí hái yuán chū shí dàiyǐngpiān zài zuì wēi xiǎo de jié shàng xià liǎo gōng jīng měi de shí gāo xuějiājīng zhì de zhì huì huàzhí dào shìdàng de bèi jǐng yīnyuèyǐngpiān zhōng de qiēdōu shì xiāng jīn yín dechōng chì zháoshuǐ jīngtiān 'é róng xiàng wéi duō shí de fáng jiān duī mǎn liǎo jiā huì huàzhī xíng zhú táidiāo zhí máoruǎn diàn wán chuānzhuó zhè qiē xiāng pèi de rén menyǐngpiān tiào dòng zhe měi de zhǒng yán zài zhōng liú chàng liú zhuǎnyǐngpiān zhōng de rén zǒng zài yǐng liánér jiù yòng kàn dòng shí huǎn màn dòng de shè xiàng dòng shēng huài zhe men de zào xíngshè xiàng dòng jīng qiǎo zhì hěn nán chá juéjìng zhǐ de shè xiàng huò shì zhǒng guān cháér dòng de shè xiàng jiù shì guān chá zhě
  《 chún zhēn nián dàide yuán shēng yóu de zuǒ jiǎode pèi shīāi 'ěr · 'ēn tǎn dān rèn pèi wéi biǎo xiàn 19 shì shàng liú shè huì zhǐ zuì jīn de shēng huó fāng shì liàng de xián lǒngzhào zài diǎn rén de fēn dāng zhōng。 DanteFerretti de tái shè GabriellaPescucci de zhuāng shè dōushì lún wán měi quē de, MichaelBallhaus de shè yǐng chāo yuè liǎo qián de shuǐ píng
   biǎo yǎn
   cóng zuì zhù yào de juésè dào zuì yào de juésèyǎn yuán men de biǎo yǎn dōuhěn dào wèiměi biǎo yǎn jié jīng guò liǎo jīng xīn de tiáozhěng bǎo chí dìng de yōu lái pèi zhè chǎng luó màn de zhàn zhēng yòuqiān miàn rénzhī chēng de dān 'ěr · dài - liú zhè zhào yàng huī chū tóng liú xiāng wéi nuò · lài de biǎo xiàn méi yòu me lìng rén yìng xiàng shēn dàn zài piàn zhōng de biǎo yǎn cái néng dào liǎo zàijīng qíng bǎi niánzhōng gèng hǎo de huībìng yào niǔ jǐn shuāng shǒu huò shì xià yǎn lèiwéi nuò · lài bàn yǎn de méi shì 'ān jìng duān zhuāng denéng qīng róng bèi jǐngér zhè zhèng shì yǐngpiān suǒ yào qiú de yàng
   guān · dùn
   běn piàn gēn · dùn 1921 nián huò wén xué jiǎng de tóng míng xiǎo shuō gǎi biān shì jiǎng shǐ shàng shǒu huò jiǎng de xìng zuò jiā
   · dùn shì huó yuè 19 shì 20 shì chū de wèi zhòng yào zuò jiā, 1862 nián chū shēng niǔ yuē guì zhī jiāyòu nián suí 'ōu zhōu, 11 suì huí dào měi guó yòu shòu 'ōu zhōu wén huà de rǎn shàonián shí dài 'ài wén xué, 1885 nián mén dànghù duì de shì dùn shēn shì 'ài huá · dùn jié hūnhūn hòu zhōng duàn xiě zuòdàn de hūn yīn shēng huó bìng měi mǎn。 1907 nián guó, 1913 nián zhàng hūn hòu dìng quán jīng tóu chuàng zuò · dùn 'ōu zhōu de měi guó zhù míng zuò jiā hēng · zhān jiāo wǎng shèn hēng · zhān duì de xiǎo shuō chuàng zuò chǎn shēng liǎo shēn de yǐng xiǎng shì jiè zhàn jiān tóu shè huì jiù huó dòngbìng yīn huò guó zhèng bān de róng xūn zhāng
  1899 nián · dùn 37 suì shí chū bǎn liǎo duǎn piān xiǎo shuō gāo shàng de shì hǎo》, cóng jìn xiǎo shuō chuàng zuò de fēng shōu shí jīhū měi nián dōuyòu zuò pǐn wèn shì。 1920 nián biǎo de chún zhēn nián dàidài biǎo liǎo xiǎo shuō chuàng zuò de gāo fēng。《 chún zhēn nián dàide zhù yào qíng jié shēng zài 19 shì 70 nián dài 80 nián dài chū de niǔ yuē shàng liú shè huì jiāng shí dài de niǔ yuē shàng liú shè huì zuò xiǎo xiǎo de jīn yòu jiān yòu huáhěn nán zài shàng miàn zhī shí 40 nián hòu dùn zài zuò pǐn zhōng yòu huí dào céng jīng bìng de guò yǎng guò shù guò de shè huì gǎn qíng shì de zhōng yòu qīnqiè de juàn liàn yòu yòu qīng xǐng de zhēn biān shì zhè zhǒng guò mǒu zhǒng jiězài jīng liǎo shì jiè zhàn wéi rén lèi dài lái de xuè xīng róu lìn zhī hòu zhòng shì shěn shì liǎo guò wěn dìng de nián dài pàn zhe bāo hán shí xiàn yòu shì 'ān quán de yǐn dìng wèi lái。《 chún zhēn nián dàibèi rèn wéi shì · huá dùn jié gòu qiǎo zuì wéi wán měi de xiǎo shuōzuò jiā cóng qīn shēn jīng shú de huán jìng zhōng liàn cái zào rén jiāng zuò pǐn cái gēn zhì shēn hòu de xiàn shí rǎng zhī zhōngyóu tōng guò mìng yùn chén zhè xiàn suǒ zhù rén gōng 'ài qíng bēi de zhù xiàn xiāng yìng chènshǐ kàn xún cháng de 'ài qíng shì bèi liǎo shēn de shè huì xiàn shí zài rén zào fāng miànzuò jiā dàn huà rén shè huì xíng wéizhuólì biǎo xiàn rén nèi xīn shì jiè de cháng shì shì duì xiàn shí zhù chuàng zuò shǒu de zhǎnér zhè qiē shǐ chún zhēn nián dàichéng wéi jīng jiǔ shuāi de jié zuò
jīng cǎi huā
  · yuán dìng zài 1992 nián qiū tiān xíngdàn dīng · yòu duì piānzǐ jiǎn ji liǎo duàn shí jiān shì yǐngpiān tuī chí liǎo nián shí jiān
  · dǎo yǎn chuàn:( dīng · zài méi de hūn pāi zhào piàn de shè yǐng shī
  · yǐngpiān xiàn gěi dīng · sài de qīn chá 'ěr · sài zài yǐngpiān jiāng wán chéng shí shì sài shuāng qīn de diāo xiàng zài piàn zhōng chē zhàn chǎng de chǎng jǐng zhōng chū xiàn
  · piàn zhōng de sān zhù yào yǎn yuándān 'ěr · dài - liú xiē 'ěr · fěi wéi nuò · lài dōushì dīng · sài kǎo juésè shí de rén xuǎn
jīng cǎi duì bái
  Ellen Olenska: I think we should look at reality, not dreams.
   ài lún · ào lán rèn wéi men yīnggāi gèng guān zhù xiàn shíér shì huàn xiǎng
  NewlandArcher:Ijustwantustobetogether!
   niǔ lán · ā chè zhǐ xiǎng men zài
  EllenOlenska:Ican'tbeyourwife,Newland!IsityourideathatIshouldlivewithyouasyourmistress?
   ài lún · ào lán néng chéng wéi de ā chè zhèng shì rèn wéi yīnggāi zuò wéi de qíng shēng huó zài
  NewlandArcher:Iwant...Somehow,Iwanttogetawaywithyou...and...andfindaworldwherewordslikethatdon'texist!
   niǔ lán · ā chè xiǎng guǎn zěn yàng xiǎng kāi…… bìng qiě…… zhǎo dào fāngzài suǒ yòu lèi zhè yàng de huǎng yán dōubù cún zài
  ________________________________________
  EllenOlenska:Iknewyou'dcome.
   ài lún · ào lán zhī dào huì lái
  NewlandArcher:Thatshowsyouwantedmeto.
   niǔ lán · ā chè biǎo míng xiǎng ràng zhè yàng zuò
  ________________________________________
  Newland:Honest?Isn'tthatwhyyoualwaysadmireJuliusBeauford?Hewasmorehonestthantherestofus,wasn'the,we'vegotnocharacter,nocolor,novariety.Iwonderwhyyoujustdon'tgobacktoEurope.
   niǔ lán chéng shí jiù shì wèishénme zǒng shì xīn shǎng zhū · bèi de yuán yīn men zhōng de rèn réndōu yào chéng shí shì men méi yòu xìngméi yòu chǎng gòu fēng hěn guài wèishénme huí dào 'ōu zhōu
  Ellen:Ibelievethat'sbecauseofyou.
   ài lún xiāng xìn shì yīn wéi
  ________________________________________
  Newland:Yougavememyfirstglimpseofareallife.Thenyouaskedmetogoonwiththefalseone.Noonecanendurethat.
   niǔ lán ràng rèn shí dào liǎo shénme shì zhēn zhèng de shēng huórán hòu yòu jiào huí guò zhǒng cuò de shēng huóméi rén néng rěn shòu zhè qiē
  Ellen:I'menduringit.
   ài lún zhèng zài rěn shòu zhè qiē
  ________________________________________
  EllenOlenska:Howcanwebehappybehindthebacksofpeoplewhotrustus?
   ài lún · ào lán duǒ zài xiē xìn rèn men de rén de shēn hòu men yòu zěn me néng xìng
  ________________________________________
  EllenOlenska:IsNewYorksuchalabyrinth?IthoughtitwasallstraightupanddownlikeFifthAvenue.Allthecrossstreetsnumberedandbighonestlabelsoneverything.
   ài lún · ào lán niǔ yuē jiù shì zhè yàng zuò gōng rèn wéi de qiēdōu xiàng dào yàng zhísuǒ yòu de shí kǒu biāo shàng liǎo shù zhè de qiēdōu tiē shàng liǎo ràng rén liǎo rán de de biāo qiān
  NewlandArcher:Everythingislabeled,buteverybodyisnot.
   niǔ lán · ā chèquè shí zhè de qiē shì tiē shàng liǎo biāo qiāndàn zhè de rén què méi yòu
  EllenOlenska:ThenImustcountonyouforwarningstoo.
   ài lún · ào lán me rèn zhēn kǎo de zhōng gào liǎo
  ________________________________________
  EllenOlenska:Isfashionsuchaseriousconsideration?
   ài lún · ào lán kǎo zhè zhǒng yán de shì qíng shì hěn shí máo de
  NewlandArcher:Amongthosewhohavenothingmoreserioustoconsider.
   niǔ lán · ā chèduì xiē méi yòu gèng yán de shì qíng kǎo de rén lái shuō shì zhè yàng
  ________________________________________
  Newland:Weshouldtraveleverywhere.
   niǔ lán men yīnggāi dào chù xíng
  LouisavanderLuyden:ButnotNaples.DoctorBencombsaysthereisafeverthere.
   · fàn dēngdàn bié bèi shēng shuō 'ér zhèng liú xíng bìng
chuān bāng jìng tóu
  · shí dài cuò dāng 'āi lún xiàng niǔ lán biǎo bái xīn de shí hòu zài shēn hòu de qiáng shàng kàn dào yóu huà“ TheArt,theCaresses,theSphynx”, shì yóu FernandKhnoppf zài 1896 nián chuàng zuò deyǐngpiān shè zhì de shí jiān shì zài 1870 nián dài
  · lián guàn xìngzài shì dùn gōng yuán cháng dèng shàngniǔ lán 'āi lún zuò zhedāng zuò xià lái de shí hòu tuō xià liǎo shǒu tào men kàn jiàn de hūn jièjìng tóu zhuànxiàng bié chù rán hòu yòu huí lái shí dài zhe shǒu tàorán hòu yòu shǒu tào tuō xià
  · shí dài cuò diàn yǐng shēng zài 1870 nián dàidiàn yǐng kāi shǐ yīcháng shì de yǎn chūzhè chū zài niǔ yuē shàng yǎn de shí jiān shì zài 1883 nián 10 yuè 22
  · shí dài cuò zài de cháng jìng tóu kàn dào hòu fāng de wàn shén diàn shèng dǎo guǎn shì bái tiān hái shì wǎndōukě qīng kàn dào jiàn zhù dǐng shàng de diàn shì tiān xiàn
  · shí dài cuò : Beaufort guà zài hóng huì huà shì de liǎng huà: LePrintemps chūn de dàn shēng》( TheBirthofSpring), zuò zhě shì Bouguereau, shí wán chéng 1886 niánér yǐngpiān fǎn yìng de nián dài què shì 19 shì 70 nián dài
  · shì shí cuò niǔ lán méi de hái shòu shí shī wéi hái niàn de dǎo shì:“ shèng shèng shèng líng。”( theFather,Son,andtheHolySpirit, ér shì theFather,SonandtheHolyGhost)。 shí zhí dào 20 shì 20 nián dài měi guó shèng gōng huì xiū gǎi liǎo dǎo shū hòu shī cái huì zài shí shuō::“ TheFather,Son,andtheHolySpirit。”
yīnyuè zhuān ji
  zhuān ji 1: chún zhēn nián dài
   shǒumèng tíng wěi
   yánguó
   gōng chún zhēn nián dài
   : 1994.08.00
   mèng tíng wěi bái
   hái zài mín cān tīng chàng de shí hòuchū liǎo xiào ménjiù gǎn jǐn diǎn wán gōng zài cān tīng chàng shì bēizhe quán jiā de zhǐ jìn xíng derán 'érbēizhe huái zhe mèng xiǎnglái dào xiàn shí de tái shàng jìn rán shì me měi de
   tái xià de liè lěng jiāo tóu jiē 'ěr shì qīng 'èr chǔ shěn néng néng zài tái shàng fēng guāngchú liǎo chàng hái yào biǎo yǎnzhǎng tīng cóng de qíng yóu xīn héng héng zài hái dǒng bàn méi yòu duō jīn qián bàn de nián néng gěi dezhēn dezhǐ yòu de shēng yīn gǎn qíng。“ shì 'ài chàng de yào chàng xià 。” gào
   xiāng duō niánzhōng zài de chàng shēng zhōngchū liǎo zhāngxiào yuán mín xuǎn ji zài xiǎng guǒ néng xiē zài tái zhōng tīng guò chàng de tīng zhòng láizuò zhòng huí wǎng de xīn biǎohuì shì duō me měi……
  
   bái shā chuāng de hái
   jīn xié
   jiù yào fēn bié
   jué
   mèng shī
   mián dào
   ǒu
   _ de 'ài
   wǎng shì
   bǎi yòu chūn tiān
   zěn me néng
   zǒu zài zhōng
   zhuān ji 2: chún zhēn nián dài
   shǒu bèi
   yánguó zhuān ji 1CD
   gōng shàng hǎi shēng xiàng
   : 1998.05.00
   dāng shǒutóng zhuō de chàng biàn jiāng nán běi de shí hòu de zuò zhě gāo xiǎo sōng suí zhī dài lái yīcháng xiào yuán mín yáo de huī huáng shì duàn suì yuè bèi dìng wéi xiào yuán mín yáo shí dài bèi zhèng shì zài zhè shí hòu shēng lái de qīng xīn wèi mǐn de zhì bèi gāo xiǎo sōng suǒ xiànbìng qiān yuē mài tián xiàcóng zǒu shàng liǎo tiáo xìng yùn zhī zài jiǔ liù nián mài tián tuī chū de shǒu zhāng zhuān jiqīng chūn huǐhéng héng gāo xiǎo sōng rén zuò pǐn zhōng bèi bāo lǎn liǎo zhuān ji zhōng suǒ yòu de shēngdāng zhè zhāng zhuān ji zài guó nèi chuàng xià huī huáng de xiāo liàng jiā shí bèi lǎo láng duì chàng de zhù qīng chūn huǐ shǒu shǎn yào zhe gāo xiǎo sōng chuàng zuò cái huá de《 B xiǎo diào hòu zài diàn tái de páiháng bǎng shàng chōng shàng liǎo bǎng shǒu fēi chéng wéi liǎo míng xiào yuán mín yáo shǒu
   qīng chūn huǐzhī hòumài tián biàn kāi shǐ zhuóshǒu bèi de rén zhuān jiér qián hòu zhì liǎo jìn liǎng nián duōzǒng shì mǎn fān guò lái chóngxīn huò shì hòu lái de hǎo dài liǎo qián miàn de hǎo ér bèi duì xuǎn shí fēn rèn zhēnzhè jiān wán chéng liǎo zhōng guó yīnyuè xué yuàn de xué chéng wéi míng zhuān shǒuér 9 nián de xué shǐ zài qiǎofāng yīnyuè děng fāng miàn dōuyòu liǎo de diǎn
   zhuān ji yóu gāo xiǎo sōng dān gāng zhì zuòshōu liǎo dōng sàn cái qíng de chún zhēn nián dài 》, zhè shǒu zuò wéi zhuān ji de zhù gēqǔ jīng fàngbiàn zài zhōng guó gēqǔ páiháng bǎng shàng liǎo hǎo chéng ér jiǔ nián shǐ bèi róng huò zhōng yāng rén mín guǎng diàn tái bān dequán guó tīng zhòng zuì 'ài de shǒuchēng hào de gōng yīng shì gāo xiǎo sōng fēng wéi bèi liàng shēn dìng zuò de shǒu qīng xīn liú chàng de xiǎo pǐngèng lìng rén zhǔ mùdì zhuān ji zhōng shōu liǎo bèi wéi zài guó nèi fàng yìng de měi guó dòng huà piànhuā lányǎn chàng de zhōng wén bǎn zhù ér dāng chū bèi bèi xuǎn zhōng shì yīn wéi de xìng yùngèng shì yīn wéi de chàng qiāng xué yuàn pài de fēng zhēng liǎo gōng
   bèi chéng xiào yuán mín yáo shí dài de jiǎn dān qīng chún shí shàng xìng zhǎn xīn de chǔshì tài jiāng chún zhēn xīn líng jīng cǎi dòng de guāng yùn zài zhé shè zài de shǒu zhāng zhuān ji zhōng bèi de shēng yīnmíng 'ér qīng chètīng chū xùn liàn yòu de chàng gōng gěi dài lái de dàn què bìng xiǎn guò diāo zhuózhè shì yīn wéi zài yòng xīn yǎn de yīnyuèzài yīnyuè zhōng biǎo shí chún zhēn de xīn líng
  
  01 gōng yīng gāo xiǎo sōng fēng
  02 huā lán míng : MatthewWilder
  03 shì shuí shā bǎo shā bǎo
  04 zài jié nán táo dōng dōng
  05 chún zhēn nián dài dōng dōng
  06 bái huà lín pòshù pòshù
  07 hái zhāng yíng zhāng yíng
  08 xiāng féng zhì / bèi bèi
  09 shí guāng tóng jiǎng tiáo
  10B xiǎo diào hòu gāo xiǎo sōng gāo xiǎo sōng
   zhuān ji 3: chún zhēn nián dài
   shǒu : bǎi
   gōng : ài huí chàngpiān
   shí jiān :2006-10-25
   : gǎng tái
   zhǒng : guó
   fēng : yáo gǔn
   zhuān ji jiǎn jiè
   tòu míng de huá chè de bēn fàng
   wàng de hēi bái zhī yáng de jiāo chū xiàn……
   bǎi &ChinaBlue: 2006 quán xīn zhuān ji chún zhēn nián dài 》! chóngfǎn chún zhēn de měi hǎo nián dài
   huī jūn tán shí nián de chún hòu gōng yáo gǔn huáng bǎi tuī chū jué duì shì yòu shǐ lái zuì shū què zuì qìn dòng tīng de zhāng zhuān ji liǎo bǎi zhè zhāng quán xīn chuàng zuò de chún zhēn nián dàiguó zhuān ji xiàng jiā xuān gào zhe“ WuBaiisback!” biāo xuān gào de chún zhēn yán ràng rén hàoqí xiàng zǒu zài qián duān de bǎi zhè huì dài zhe jiā jìn zhǒng shì jiè
   bié bèi zhà tīng zhī xià zhōng màn bǎn wéi zhù de dòng xuán gěi piàn liǎochū tīng shí wéi zhì shēn zài fán huā jǐn de yuán shàngquè lěng fáng zài qíng kōng zhōng jiàng xià lán de bīng qìn de shū chàng chuān chā yīn de nóng liè bǎi shī wàng zuò wéi wàng de yǎng chū kǒujiāo chū liǎo zhāngzài wàng jué wàng zhī jiānzhǎo xún shī luò de chún zhēn nián dài 。” de jīng zhī zuò
   qiē huàn zhuǎn jǐng shì shī bān de qiǎo miào bāo guǒ zài dòng tīng de xuán zhàn fàng chū lái de měi shǒu gēqǔ què shì fēng de zhǒng zhǒng tài zhèn yāng shàng miàn shuǐ wén de fàng shè chàn dòngtóng míng gēqǔ chún zhēn nián dàiyòu néng de huò dào。《 cǎi hóngjué duì shì xiàng lái shàn cháng xiě xiě jǐng de bǎi yòu fān xīn zhī zuò shì yùtiē zhe shuō zhe jīn liàn qíng dài lái de xuán niàn dòng xīn huí de jiū jié jiàn pán kāi jiàn shè xià debīng 》, shì diǎn xíng de bǎi fēng wèitīng guòjiù bèi yǎo zhù liǎo màn zhe yáo gǔn lán diào yān de guò shì 'ài shàng 》, yòu 'ài qíng jīng zhōng shēng guò de nài。《 shì de huā duǒ《 CherryLover》 shì bǎi xīn kǒu wèi de cháng xiān jiē de qīng shuǎng tián měi
   chū dào shí niányáo gǔn huáng bǎi zài 10/25 jiāng xíng kuí wéi sān nián de quán xīn guó zhuān ji chún zhēn nián dài bǎi zuò guòài qíng de jìn tóu》、《 lèi qiáo》、《 shuāng miàn rénděng zhuān ji lāi měi jiǎng hùn yīn shī BillSchnee duì bǎi shuōzhè shì zuò guò suǒ yòu de zhuān ji zuì hǎo tīng de zhāng zhuān ji liǎobìng jīng shì jīn tái wáng de bǎijīn nián zài duó xià guó wáng 'èr zhù xīn MV shǒu jiā zhùjué chǐ tiǎo zhàn qīn ér pèi xīn zhuān ji zài jīng huá chéng 12 lóu de Partyroom bàn de liǎng chǎng Pub yǎn chàng huìxiāo chū liǎng chǎng de piào zhōu nèi mài wányào kàn bǎi de Live, zhǐ hǎo děng dài piàn hòu de huó dòng liǎo
  《 chún zhēn nián dàishì zhāng zài yuè hùn luàn de shí dài píng jiè chún zhēn de yīnyuè ràng rén chóngxīn zhǎo dào xíng zǒu de yǒng liàng wàng de zhuān ji bǎi xíng róng zhè shì zhāng chōng mǎnzhì de shí shàngtòu míng de huá de zhuān jizhuān ji mùdì 'ān pái shì jiè yóu duàn xún huán de wàng jué wànglái xiǎn zhǎo xún chún zhēn nián dài de zhù dān rèn guò huì xiū dùnluò shǐ huáxiǎo tián zhèng děng dōng pái rén yīn de lāi měi jiǎng hùn yīn shī BillSchnee zuì shàn cháng de jiù shì chǔlǐ chàng vocal de fèn nián ràng bǎi dào jīn jiǎng wáng deshuāng miàn rénjiù shì chū zhī shǒu wǎng zhōng màn shì bǎi de zuòtīng dǒng zhōng wén de rěn zhù duì bǎi shuōzhè shì zuò guò suǒ yòu de zhuān ji zuì hǎo tīng de zhāng zhuān ji liǎozài bǎi chū dào shí nián de shíshuō zhè shì zhāng dēng fēng zào zhī zuò diǎn bùwèi guò!!
   bǎi zuò duō pāi guònuó wēi de sēn línděng zhù míng gēqǔ yīnyuè yǐng dài de zhōng dǎo yǎnzuì huì zhuā bǎi tiě hàn róu qíng de fènzhè zuò bǎi 'èr shǒu zhù guò shì 'ài shàng de MV, dǎo jiě gēqǔ nèi róng shì wèi shén zhí chū xiàn yòu huò bǎidàn hòu lái yòu xiàng zhèn fēng xiāo shī de shìwèicǐ bǎi pāi MV de zuì chǐ shǒu zài MV zhōng yòng zhùjuéwèile zhè chǔnǚ xiùdǎo yǎn zhǎo liǎo wèi běn míng zhuān chéng fēi lái tái wān wǎng zhōng màn liǎng rén yǎn chū zhù jiǎo tóu kào zài bǎi jiān shàngtóu piāo dào liǎn shàng huò shì zhùjué nián zài bǎi shēn biān fān gǔn děng qīn ràng bǎi tán guó liàn qíngdàn shì huì yīng wén de zhùjué gōu tōng què chéng liǎo zuì de wèn suǒ pāi shè yǎn chū shí bìng shùn bǎi zhǐ néng yòu xiàn de wén gēn gōu tōngyīn shǐ yòu gēn xiǎo S děng rén yǎn guò qīn duì shǒu jīng yànběn xiǎng zhe nán dǎo de bǎi zhǐ néng tàn yīng xióng yòng zhī
  
  1 zhǐ yào bǎi
  2 chún zhēn nián dài bǎi
  3 liǎng bǎi
  4CherryLover bǎi
  5 hǎi shì shèn lóu bǎi
  6 bīng bǎi
  7 cǎi hóng bǎi
  8 guò shì 'ài shàng bǎi
  9 mèng bǎi
  10 liàn bǎi
  11 shì de huā duǒ bǎi
  12 qiān wàn yóu bǎi
  13 fān bái bǎi
yīnyuè zhuān ji
  zhuān ji 1: chún zhēn nián dài
   shǒumèng tíng wěi
   yánguó
   gōng chún zhēn nián dài
   : 1994.08.00
   mèng tíng wěi bái
   hái zài mín cān tīng chàng de shí hòuchū liǎo xiào ménjiù gǎn jǐn diǎn wán gōng zài cān tīng chàng shì bēizhe quán jiā de zhǐ jìn xíng derán 'érbēizhe huái zhe mèng xiǎnglái dào xiàn shí de tái shàng jìn rán shì me měi de
   tái xià de liè lěng jiāo tóu jiē 'ěr shì qīng 'èr chǔ shěn néng néng zài tái shàng fēng guāngchú liǎo chàng hái yào biǎo yǎnzhǎng tīng cóng de qíng yóu xīn héng héng zài hái dǒng bàn méi yòu duō jīn qián bàn de nián néng gěi dezhēn dezhǐ yòu de shēng yīn gǎn qíng。“ shì 'ài chàng de yào chàng xià 。” gào
   xiāng duō niánzhōng zài de chàng shēng zhōngchū liǎo zhāngxiào yuán mín xuǎn ji zài xiǎng guǒ néng xiē zài tái zhōng tīng guò chàng de tīng zhòng láizuò zhòng huí wǎng de xīn biǎohuì shì duō me měi……
  
   bái shā chuāng de hái
   jīn xié
   jiù yào fēn bié
   jué
   mèng shī
   mián dào
   ǒu
   _ de 'ài
   wǎng shì
   bǎi yòu chūn tiān
   zěn me néng
   zǒu zài zhōng
   zhuān ji 2: chún zhēn nián dài
   shǒu bèi
   yánguó zhuān ji 1CD
   gōng shàng hǎi shēng xiàng
   : 1998.05.00
   dāng shǒutóng zhuō de chàng biàn jiāng nán běi de shí hòu de zuò zhě gāo xiǎo sōng suí zhī dài lái yīcháng xiào yuán mín yáo de huī huáng shì duàn suì yuè bèi dìng wéi xiào yuán mín yáo shí dài bèi zhèng shì zài zhè shí hòu shēng lái de qīng xīn wèi mǐn de zhì bèi gāo xiǎo sōng suǒ xiànbìng qiān yuē mài tián xiàcóng zǒu shàng liǎo tiáo xìng yùn zhī zài jiǔ liù nián mài tián tuī chū de shǒu zhāng zhuān jiqīng chūn huǐhéng héng gāo xiǎo sōng rén zuò pǐn zhōng bèi bāo lǎn liǎo zhuān ji zhōng suǒ yòu de shēngdāng zhè zhāng zhuān ji zài guó nèi chuàng xià huī huáng de xiāo liàng jiā shí bèi lǎo láng duì chàng de zhù qīng chūn huǐ shǒu shǎn yào zhe gāo xiǎo sōng chuàng zuò cái huá de《 B xiǎo diào hòu zài diàn tái de páiháng bǎng shàng chōng shàng liǎo bǎng shǒu fēi chéng wéi liǎo míng xiào yuán mín yáo shǒu
   qīng chūn huǐzhī hòumài tián biàn kāi shǐ zhuóshǒu bèi de rén zhuān jiér qián hòu zhì liǎo jìn liǎng nián duōzǒng shì mǎn fān guò lái chóngxīn huò shì hòu lái de hǎo dài liǎo qián miàn de hǎo ér bèi duì xuǎn shí fēn rèn zhēnzhè jiān wán chéng liǎo zhōng guó yīnyuè xué yuàn de xué chéng wéi míng zhuān shǒuér 9 nián de xué shǐ zài qiǎofāng yīnyuè děng fāng miàn dōuyòu liǎo de diǎn
   zhuān ji yóu gāo xiǎo sōng dān gāng zhì zuòshōu liǎo dōng sàn cái qíng de chún zhēn nián dài 》, zhè shǒu zuò wéi zhuān ji de zhù gēqǔ jīng fàngbiàn zài zhōng guó gēqǔ páiháng bǎng shàng liǎo hǎo chéng ér jiǔ nián shǐ bèi róng huò zhōng yāng rén mín guǎng diàn tái bān dequán guó tīng zhòng zuì 'ài de shǒuchēng hào de gōng yīng shì gāo xiǎo sōng fēng wéi bèi liàng shēn dìng zuò de shǒu qīng xīn liú chàng de xiǎo pǐngèng lìng rén zhǔ mùdì zhuān ji zhōng shōu liǎo bèi wéi zài guó nèi fàng yìng de měi guó dòng huà piànhuā lányǎn chàng de zhōng wén bǎn zhù ér dāng chū bèi bèi xuǎn zhōng shì yīn wéi de xìng yùngèng shì yīn wéi de chàng qiāng xué yuàn pài de fēng zhēng liǎo gōng
   bèi chéng xiào yuán mín yáo shí dài de jiǎn dān qīng chún shí shàng xìng zhǎn xīn de chǔshì tài jiāng chún zhēn xīn líng jīng cǎi dòng de guāng yùn zài zhé shè zài de shǒu zhāng zhuān ji zhōng bèi de shēng yīnmíng 'ér qīng chètīng chū xùn liàn yòu de chàng gōng gěi dài lái de dàn què bìng xiǎn guò diāo zhuózhè shì yīn wéi zài yòng xīn yǎn de yīnyuèzài yīnyuè zhōng biǎo shí chún zhēn de xīn líng
  
  01 gōng yīng gāo xiǎo sōng fēng
  02 huā lán míng : MatthewWilder
  03 shì shuí shā bǎo shā bǎo
  04 zài jié nán táo dōng dōng
  05 chún zhēn nián dài dōng dōng
  06 bái huà lín pòshù pòshù
  07 hái zhāng yíng zhāng yíng
  08 xiāng féng zhì / bèi bèi
  09 shí guāng tóng jiǎng tiáo
  10B xiǎo diào hòu gāo xiǎo sōng gāo xiǎo sōng
   zhuān ji 3: chún zhēn nián dài
   shǒu : bǎi
   gōng : ài huí chàngpiān
   shí jiān :2006-10-25
   : gǎng tái
   zhǒng : guó
   fēng : yáo gǔn
   zhuān ji jiǎn jiè
   tòu míng de huá chè de bēn fàng
   wàng de hēi bái zhī yáng de jiāo chū xiàn……
   bǎi &ChinaBlue: 2006 quán xīn zhuān ji chún zhēn nián dài 》! chóngfǎn chún zhēn de měi hǎo nián dài
   huī jūn tán shí nián de chún hòu gōng yáo gǔn huáng bǎi tuī chū jué duì shì yòu shǐ lái zuì shū què zuì qìn dòng tīng de zhāng zhuān ji liǎo bǎi zhè zhāng quán xīn chuàng zuò de chún zhēn nián dàiguó zhuān ji xiàng jiā xuān gào zhe“ WuBaiisback!” biāo xuān gào de chún zhēn yán ràng rén hàoqí xiàng zǒu zài qián duān de bǎi zhè huì dài zhe jiā jìn zhǒng shì jiè
   bié bèi zhà tīng zhī xià zhōng màn bǎn wéi zhù de dòng xuán gěi piàn liǎochū tīng shí wéi zhì shēn zài fán huā jǐn de yuán shàngquè lěng fáng zài qíng kōng zhōng jiàng xià lán de bīng qìn de shū chàng chuān chā yīn de nóng liè bǎi shī wàng zuò wéi wàng de yǎng chū kǒujiāo chū liǎo zhāngzài wàng jué wàng zhī jiānzhǎo xún shī luò de chún zhēn nián dài 。” de jīng zhī zuò
   qiē huàn zhuǎn jǐng shì shī bān de qiǎo miào bāo guǒ zài dòng tīng de xuán zhàn fàng chū lái de měi shǒu gēqǔ què shì fēng de zhǒng zhǒng tài zhèn yāng shàng miàn shuǐ wén de fàng shè chàn dòngtóng míng gēqǔ chún zhēn nián dàiyòu néng de huò dào。《 cǎi hóngjué duì shì xiàng lái shàn cháng xiě xiě jǐng de bǎi yòu fān xīn zhī zuò shì yùtiē zhe shuō zhe jīn liàn qíng dài lái de xuán niàn dòng xīn huí de jiū jié jiàn pán kāi jiàn shè xià debīng 》, shì diǎn xíng de bǎi fēng wèitīng guòjiù bèi yǎo zhù liǎo màn zhe yáo gǔn lán diào yān de guò shì 'ài shàng 》, yòu 'ài qíng jīng zhōng shēng guò de nài。《 shì de huā duǒ《 CherryLover》 shì bǎi xīn kǒu wèi de cháng xiān jiē de qīng shuǎng tián měi
   chū dào shí niányáo gǔn huáng bǎi zài 10/25 jiāng xíng kuí wéi sān nián de quán xīn guó zhuān ji chún zhēn nián dài ’, bǎi zuò guòài qíng de jìn tóu》、《 lèi qiáo》、《 shuāng miàn rénděng zhuān ji lāi měi jiǎng hùn yīn shī BillSchnee duì bǎi shuōzhè shì zuò guò suǒ yòu de zhuān ji zuì hǎo tīng de zhāng zhuān ji liǎobìng jīng shì jīn tái wáng de bǎijīn nián zài duó xià guó wáng 'èr zhù xīn MV shǒu jiā zhùjué chǐ tiǎo zhàn qīn ér pèi xīn zhuān ji zài jīng huá chéng 12 lóu de Partyroom bàn de liǎng chǎng Pub yǎn chàng huìxiāo chū liǎng chǎng de piào zhōu nèi mài wányào kàn bǎi de Live, zhǐ hǎo děng dài piàn hòu de huó dòng liǎo
  《 chún zhēn nián dàishì zhāng zài yuè hùn luàn de shí dài píng jiè chún zhēn de yīnyuè ràng rén chóngxīn zhǎo dào xíng zǒu de yǒng liàng wàng de zhuān ji bǎi xíng róng zhè shì zhāng chōng mǎnzhì de shí shàngtòu míng de huá de zhuān jizhuān ji mùdì 'ān pái shì jiè yóu duàn xún huán de wàng jué wànglái xiǎn zhǎo xún chún zhēn nián dài de zhù dān rèn guò huì xiū dùnluò shǐ huáxiǎo tián zhèng děng dōng pái rén yīn de lāi měi jiǎng hùn yīn shī BillSchnee zuì shàn cháng de jiù shì chǔlǐ chàng vocal de fèn nián ràng bǎi dào jīn jiǎng wáng deshuāng miàn rénjiù shì chū zhī shǒu wǎng zhōng màn shì bǎi de zuòtīng dǒng zhōng wén de rěn zhù duì bǎi shuōzhè shì zuò guò suǒ yòu de zhuān ji zuì hǎo tīng de zhāng zhuān ji liǎozài bǎi chū dào shí nián de shíshuō zhè shì zhāng dēng fēng zào zhī zuò diǎn bùwèi guò!!
   bǎi zuò duō pāi guònuó wēi de sēn línděng zhù míng gēqǔ yīnyuè yǐng dài de zhōng dǎo yǎnzuì huì zhuā bǎi tiě hàn róu qíng de fènzhè zuò bǎi 'èr shǒu zhù guò shì 'ài shàng de MV, dǎo jiě gēqǔ nèi róng shì wèi shén zhí chū xiàn yòu huò bǎidàn hòu lái yòu xiàng zhèn fēng xiāo shī de shìwèicǐ bǎi pāi MV de zuì chǐ shǒu zài MV zhōng yòng zhùjuéwèile zhè chǔnǚ xiùdǎo yǎn zhǎo liǎo wèi běn míng zhuān chéng fēi lái tái wān wǎng zhōng màn liǎng rén yǎn chū zhù jiǎo tóu kào zài bǎi jiān shàngtóu piāo dào liǎn shàng huò shì zhùjué nián zài bǎi shēn biān fān gǔn děng qīn ràng bǎi tán guó liàn qíngdàn shì huì yīng wén de zhùjué gōu tōng què chéng liǎo zuì de wèn suǒ pāi shè yǎn chū shí bìng shùn bǎi zhǐ néng yòu xiàn de wén gēn gōu tōngyīn shǐ yòu gēn xiǎo S děng rén yǎn guò qīn duì shǒu jīng yànběn xiǎng zhe nán dǎo de bǎi zhǐ néng tàn yīng xióng yòng zhī
  
  1 zhǐ yào bǎi
  2 chún zhēn nián dài bǎi
  3 liǎng bǎi
  4CherryLover bǎi
  5 hǎi shì shèn lóu bǎi
  6 bīng bǎi
  7 cǎi hóng bǎi
  8 guò shì 'ài shàng bǎi
  9 mèng bǎi
  10 liàn bǎi
  11 shì de huā duǒ bǎi
  12 qiān wàn yóu bǎi
  13 fān bái bǎi
   chún zhēn nián dài
  Idolgirls( ài duǒ háishì běi jīng 'ài duǒ wén huà zài jīng guò liǎo nián duō de fēng shì xùn liàn hòutuī chū de shǒu zhī duō rén 'ǒu xiàng chéng yuán píng jūn nián líng wéi 18 suìcóng péi xùn kāi shǐgōng jiù gēn měi rén de diǎn jìn xíng dìng wèi zhuān xiàng péi xùn qiú jiāng“ Idolgirls” zào chéng wéi hán gài yǐngshìzhù chí děng duō de 'ǒu xiàng rénzuò wéi 90 hòu de nián qīng wàng jǐn chéng wéi dài lǐng nián qīng rén cháo liúgèng néng jǐyǔ nián qīng rén zhèng què xiǎng zhǐ yǐnràng 90 zài shìfēi zhù liú”。
   shǒu zhù zhī héng chún zhēn nián dài
   yīn + zào chū de jiǎn dān 'ér yòu shú de xuán shì men dān chún de guò shíyōng yòu xiǎo xiǎo xìng de men jiù shì shì jiè shàng zuì kuài de jīng líng
   'èr zhù zhī héng héng hǎi dào
   ài duǒ yīnyuè zhì zuò tuán duì zhuān mén wéi“ Idolgirls” liàng shēn zào de shǒu zhī dān hǎi dào》, zhù R&B fēngzài shǔ jiǎ jiù jīng zài yīnyuè wǎng zhàn shàng xiàn shōu Ep de zuò pǐn shì jīng guò idolgirls chóngxīn yǎn de xīn bǎn běnxiāng xìn huì dài gěi jiā yàng de gǎn jué
   sān zhù héng héng chéng
   suí zhe de yīnyuè xiǎng huá de yóu ,, dòng gǎn de jié zòuqīng kuài xuán ràng men kāi shǐ duàn de chéng
yīngwénjièshì
  1. :  The Age of Innocence
jìnyící
tiān zhēn shí dài
bāo hán cí
chún zhēn nián dàichún zhēn nián dài shū wǎng shì chún zhēn nián dài
de chún zhēn nián dàichún zhēn nián dài jīn xié chún zhēn nián dài
chún zhēn nián dài jīn xiéwǎng shì chún zhēn nián dàitiān shuǐ chún zhēn nián dài chuán yòu xiàn rèn gōng