The reeds and rushes are deeply green,
And the white dew is turned into hoarfrost.
The man of whom I think,
Is somewhere about the water.
I go up the stream in quest of him,
But the way is difficult and long.
I go down the stream in quest of him,
And lo! he is right in the midst of the water.
The reeds and rushes are luxuriant,
And the white dew is not yet dry.
The man of whom I think,
Is on the margin of the water.
I go up the stream in quest of him,
But the way is difficult and steep.
I go down the stream in quest of him,
And lo! he is on the islet in the midst of the water.
The reeds and rushes are abundant,
And the white dew is not yet ceased.
The man of whom I think,
Is on the bank of the river.
I go up the stream in quest of him,
But the way is difficult and turns to the right.
I go down the stream in quest of him,
And lo! he is on the island in the midst of the water.
Cuizhe not sober, and the autumn wind Ruohe. Dicey being spent, a few leaves Shen Bo. Weak spring morning, Lu Cong night more. After shaking off the arena, but also fear of wasted years.
Jianjia long autumn and more Beichi Mizuochi Wei Ke dry. Castle Peak off at sun_set_, Einai sound fisheries sub-song. Cheap high-fat fall perch such as soil, for wine drunk lost village market. Middle of the night before outfitting boats Son Bay, according to Lu Hua Pu vaguely month.
"Poetry Qin Feng" English Version. Generally considered to be a love poem, written on Iraq "and repeated the pursuit of the unattainable finally sadness. Poetic mood beautifully profound, there is a singing" of the delight.
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No. 5
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Jian and Jia are inferior value of the plants, Yin Yu humble. Offenders are usually used as a modest word. "Loving" Volume II: "My being out of Reeds, the door into the Master." Five King will guarantee "The Corrections Yuannu": "climbing from the swan, Reliance is the Reeds." Qing Li Yu "means the edge Wu fraud ":" though I am Reeds are open Yushu flowers, Is he a poor Ge Wu yarn no melon. "See" Jian Jia Yu-shu. "
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No. 6
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蒹葭
"Poetry Qin Feng Jian Jia": "Jian Jia gray, cream white dew. The so-called Iraqi people, in the Water." This refers to the water's edge miss old friends, after "Reeds" refers to missing remote friends. Hu Huisheng "sub-sub-sub-title Lake Hermitage map" poem: "Infinite Reeds Italy, attentive to this map."
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Jian Jia
蒹葭
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蒹葭
蒹葭
"Book of Songs qin" Jianjia green and white dew cream. The so-called Iraqi people, in the water side. Back from the whirl, road resistance and long; Back of the tour, the Central Wan in the water. Jianjia grass, dew is not Xi. The so-called Iraqi people, in the water of the Mekong. Back from the whirl, road resistance and Ji; Back of the tour, Wan islet in the water. Jianjia t_set_se, Bailu not have, The so-called Iraqi people, in the water 涘. Back from the whirl, and drag the right road; Back of the tour, Wan islet in the water.
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Notes
蒹葭 注释
蒹葭 注释
蒹葭 注释
Jian Jia (jiān jiā): Jian, Di, like reeds. Reed, reed. Gray: the lush look. In the water side: the river, on the other side. Su whirl (sù huí) from the: means to upstream along the river to find her. Su whirl, the upper counter. From the, chase, pursuit. Resistance: obstacles, difficult to walk. Back of the tour: go along the upper reaches of the river current to find her. Travel, flow, refers to the DC waterways. Central Lithuania in the water: (the person) as if the river in the middle. Wan, as if. Desolately: lush look. Now writing "lush." Xi (xī): dry. Mae (méi): where the transfer of water and grass, that shore. Ji (jī): Gordon, rise. Islet (chí): Small Island or high water. T_set_se: lush distinctive look. Have: only, here means "dry, dry." Creating (sì): the water. Right: the right corner, here is the (road) bending means. Holm (zhǐ): a small piece of land in water.
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Modern translation
蒹葭 今译
Bise gray river reed, Late autumn frost condensed into dew. My thoughts all the people, On the other side of the river side. Upstream looking for, But a long road obstacles. Down the river looking for, Seemed to have a central water. A lush river reed, Morning dew has not dried. My cherished person, On the other side of the river side. Upstream looking for, Bumpy roads dangerous hard climb. Down the river looking for, Seems like the middle of Sha Chau. More lush riverside reeds, Still stay in the early morning dew. My hard in pursuit of the people, On the other side of a river. Upstream looking for, Circuitous road obstacles difficult to walk. Down the river looking for, Seemed to have in the water sandbar.
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Comment
蒹葭 简评
"Acacia ancient writing, not over the" Jian "who." Acacia called who we hope for but beyond, seen but not impossible; Although hard for the sake of it, the end is also not available. So faint emotions, Yang Yang in the text between. I Changwen is music, only the lingering chord in the ear; this reading of "Jian", text only and I love square. Jian Jia who reeds also, wandering thing, the wind and swing, but limited to his roots, if the drift if only, Ruoyouruowu. Thoughts unlimited, trance sway, but worried about the roots. Roots are, the situation also. Phase Simo as is. Disclosure of the material, momentary extinction. Buddha says: all promising method, such as fleeting dream. Such as dew electricity, should be the same; love of the material, illusory without shape. Zhuangzi said: music that is true, steamed into the bacteria. One reason too. Cream who is also exposed by the condensate. Rustic body fluid from the earth, then formed a thin cream to chill. Beauty but could not find, so Acacia Yi Shen, Yi Jian their feelings. Hence it is "not Xi", "not already." Love Ke Deer lingers though not, it is subject to its bitter end. Seeking not bitter, bitter Aibie Li! This Acacia is also the most bitter person! Love is tied to the so-called Iraqi people. However, the water side, I do not know it at the end. Gu Changjiang a poem: "Deep in the mountains somewhere in the clouds at." Fu Yue will seek it, so although I do not know their track, also waded in from the. Said, "Su whirl", said "back of the tour," search up and down also. Obstacles and the road curved, made the arduous quest, described as "Land of the Dead under the blue sky on the poor." However, at last, "are not seen two vast", the chaser, but the phantom clouds, moon in the water flowers in a mirror, and finally not available. Acacia benefits to, like a shadow in front, hand touch it, but out of reach. "Wan water central" one, Jingru broken strings of sound, loud and long. Idiot yeah? Dream yeah? Each reading this, are not hi, sigh it, blame it, weep!
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Writing Background
蒹葭 写作背景
蒹葭 写作背景
"Jian Jia" from "The Book • • Qin Feng Guo Feng", about 255 years ago in the Qin produced a folk song. On the content of this poem has always been differences of opinion. To sum up, there are the following three versions: the "thorn Xianggong" said. "Mao order," says: "Jian, gill Xianggong also. Not with Zhou, the country will not by solid Yan." Days in the Soviet Union and Eastern people today, "The Book of Songs," Discrimination of red interpreting said: "'Across the Water' The 'so-called Iraqi' (the sage), Zhou Wang Zhaoli system metaphor. If the rule against Zhou, then 'channel resistance and long', 'and the umbilical', 'and the right', meaning dead, cure . If the compliance Zhou, that 'the central Wan in the water', 'low water'. 'in the water so that ", meaning that country there is hope. "Second," Jobs, "said. Of Yao's" General Theory of Poetry "and the Criticism of Fang Yurun's" Book of Original "Jobs told that this is a poem," Iraqi "or" talented people ":" wise men waterfront seclusion, and Mu and think people see it. "Or that:" not to seek its hidden Yi Road, Hermit Bierbuxian. "Third," love, "said. People today blue chrysanthemum has, Yang Ren of, Fanshu Yun, Gao, Lu Hui Wen Dengjun to the" Love Song "says. If Lu Hui Wen said:" This is a love song, since the pursuit of the lover is expected to but beyond, the poet into trouble. Said water barrier is a subtle metaphor. " The poem no verified the ability of the poem's "Iraqi" hardly referred to credit, and therefore more difficult for the three that are conclusive. Here, Let us first use it as a love poem to interpret. "Jian" is a qin. Zhouxiao Wang, Qin Qin closure of the ancestors of non-subnetted Valley (now Tianshui, Gansu). King Ping dongqian, Qin Xianggong escort for active troops, also received a large manor west Qishan. Later, Qin gradually East re_set_tlement, are in the Yong (now Shaanxi Xingping). Qin including now southeastern Gansu, Shaanxi Guanzhong area. Qin Feng a total of ten, mostly Eastern Zhou era folk songs of the region.
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Hierarchy
蒹葭 层次结构
蒹葭 层次结构
蒹葭 层次结构
蒹葭 层次结构
Poem chapters overlap, each chapter can be divided into four levels: Reeds from the first two to Xing, showing a river Autumn: autumn morning in autumn, dense, gray reeds, dew Ying Ying, glistening like frost. This state is in the solitude of being slightly miserable sorrowful Qingxudong color, and thus the persistent pursuit of writing a poem that is expected is difficult to love, played a very good atmosphere and mood rendering contrast effect. Third, the four images show the center of poetry: lyric hero wander the river, looking across the river search for the "Iraqi people." The "Iraqi people" is his day and night of the loved one. "Across the Water" is the isolation barrier, which means the pursuit of difficult, due to an unattainable level. Although the long-awaited hero lyric, persistent pursuit, but "Iraqis' all misty barrier. Expected to be difficult that is, therefore no alternative but to verse waves forlorn mood of despair and emptiness fantastic. The following four are tied for the two levels, namely, one in the water, the state is expected to hard description of the two different scenarios. "Back from the whirl, road resistance and long," which is written above the difficulties when pursuing upstream: difficulties and obstacles and endless, endless long journey, to indicate the end does not reach too. "Back of the tour, the Central Wan in the water", which is painted a vision when searching downstream: the smooth travel everywhere, Iraqis from time to time in Lithuania, but the end is not nearly as well. Both upstream, and downstream, all sorts of search, meaning visible persistent; not a difficult dilemma over is hard to near vision, after all, no, deeper feelings of despair threatened. Thus, the Iraqi people that the situation is expected and can not be concrete and fully demonstrated.
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Content Review
蒹葭 内容述评
蒹葭 内容述评
蒹葭 内容述评
If the poem, "Iraqi," identified as the lover, lovers, then, this poem is to express the lyrical hero's pursuit of the good and the pursuit of love, not a melancholy mood. Spirit is precious, love is sincere, but the result is slim, the situation is sad. Significance of this poem, the most valuable, however, what resonates most is not the pursuit of lyrical hero and loss, but he created the "water side" - that is the expected difficulty of the artistic conception of universal significance. Good poetry can create the mood. Mood is a pattern, a structure, it has included all with similar content pattern, similar to the structure of the performance of heterogeneous things. "In the water side" of the structure is: Seeker - water - Iraqis. As the poem "Iraqi" no specific meaning, and the significance of the river is blocked, so all the world where the obstruction is difficult to achieve because of all the pursuit, can happen here, resonance and sympathetic resonance with the structure. Naturally, when we are in with the "in the water side," a similar situation, it should be appreciated that it is determined to pursue, but not its gloom and doom. This poem with water, reed, cream, gel and other images to create a hazy, refreshing and mysterious mood. Morning mist hanging over everything, dew glistening frost has been cemented. A shy girl lag. Representatives of the poem are images of water in women, reflecting women's beauty, like a thin fog girl cast of yarn. She will appear in the water, for a continent appeared in the water. Not find, feel anxious and helpless as ants crawling usually itchy, and if Daojiao general pain. As we often say "from appeal to the eye", this beauty from the changes due to the hazy, fuzzy, not clear. The identity of the hero and the Iraqi people, features, spatial location is vague, and gives a smoke and mirrors, indeed, the dim misty feeling. Jian Jia, White Dew, Iraqis, Autumn, become increasingly elusive, constitute a hazy elegant watercolors. Each chapter begins with the poem are used in, see Xing Fu calligraphy. Through the eyes real King of the description and praise, painting a misty ethereal mood, enveloped the whole chapter. Autumn seize the unique characteristics of the poet, at the repeated use of carefully written description, rendering the atmosphere of desolation deserted late autumn, to writing a poet, saw it but warm Qimu friend of mind. Each chapter of the first two poems are from the autumn Xing, leads to the body. It point to understand the seasons and time, but also render the Jian Cang Lu Bai of the desolate atmosphere of wistful mood of character contrast, to the blending emotion with landscape, scenes of the state of the art. "Jian", "water" and "Iraqis" the image of each other, seamless, for things from the Xing and the object to be painted to form a complete art world. Write the beginning of the autumn scene reedy waters, which is "popping like to Ming Yi," a "from feeling" role. Because reedy, and under the reflection in the sky color is bound to reveal a confused state, which shows a verse from one side of the hero of the hearts of the "hazy love" level. Wang Fu-chih, "Jiang Talks on Poetry," said: "The King of Love and who, since the mustard with the intelligence phase, Perot also. Scenarios in mind in the matter of the points though. And Jingsheng Feeling King, dirge of touch, the Ying Wing haggard, mutual possession of the house "," Jian "This poem is to Muqiu unique sights and feelings of people to pay Acacia euphemism melancholy cast together, thereby rendering the atmosphere of the poem, creating a Pushuo fans, scenes of mood, is is the "King of all Poets love words," the embodiment. In short, "Jian" rich in poetic beauty, whether from the perspective of appreciation, or from the creative point of view, deserves our attention and to be seriously discussed.
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Arts Features
蒹葭 艺术特色
"Jian" is a chapter in the Book of Songs is one of the best. Its main features, embodied in the fact that grammaticalization, ethereal images, the overall symbol of the three closely related. First, the fact that grammaticalization Second, the image of the ethereal In fact, the poem describes the scene, not the head of the personnel of the reality of existence, but a heart home. This mental image, nor is it ever had an experience the memory of truths, but by the many similar events, similar to the feelings of the synthesis, condensation, into a virtual typifying the psychological situation. This psychological situation of the most prominent feature is the non-stick does not stagnate, more ethereal Yun. "In the water side," that is expected to be difficult, the psychological situation is this ethereal art show. Here are the pursuit and the pursuit of those empty, it appears to be real features of the river, road obstacles, and even counter-current, downstream of the search line, and the Iraqis where the "pool of water" and unite in place, are also become the symbolic image of the virtual. They are not made on when and where, rivers and mountains where the water get to the bottom, otherwise, the Iraqis both in the river upstream and downstream of the river to self-contradictory, how can two people do not even crossed the river to also become a problem. "Jian", the success lies in the poet accurately captured the hearts of people like to create a similar Claustrophobia, ethereal and refined psychological situation, only to show the overall mood of poetry symbol. Third, the overall mood of a symbol Virtual reality technology, images of the ethereal and the overall mood of the symbol is a problem in three dimensions. From virtual reality to the image of ethereal, to the whole symbol, which is largely symbolic Poetry of the construction process.
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Brief
蒹葭 参考资料
Different people different environment, people want to cents. (Zhong Xing Ming • "Book of Criticism") This naturally reclusive sage waterfront, and admire and think people see the poem. "In the water through", this one has, the heavier, "dating back irresolute," "back of the tour," quadrupled mimic, so writing it would like to see the shape of deep enterprise. So in the next "in" word-plus-one "Wan 'jail, then feel dotting want to fly, people of God of the pen. (Qing • Of Yao," General Theory of the Book of Songs ") Fine play "so-called" word, meaning the person is difficult to say, and "in the water side" also think of the story. If some of the party, that is, human footprints can be, how up and down and not seek the Holy? Purpose of Poets far, stubborn and far from the truth in order of suppression. (Qing, Huang Zhongsong "Poetry suspected syndrome") Chapters only one meaning, especially for rhyme ears. In fact, the first chapter has become farewell. Ancient poetry, into the Triassic more than one meaning, the so-called a singing three sigh, were more than a residual sound good. (Qing • Criticism of Fang Yurun (Book of Original ") Poetry just like symbolism, which contains a mysterious flavor. (Chen Zi exhibition "Book Directly")
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Notes
蒹葭 注释
Jian Jia (jiān jiā): reeds, reeds. Jian, there is no longer ear reed. Jia, born reed. Gray: the lush look. Below "desolately" ("sad" is the "luxuriant" under the guise of the word) "T_set_se" with the "gray" means the same. Dew as frost: crystal dew into frost. Is, condensed into. The so-called: said, here refers to the miss. Iraqis: this person or that person. Refers to the poet's search for missing people. In the water side: the other side of the water, the water side. Side, side Su whirl (sù huí) from the: along the winding road to the upper reaches of the river to look for Iraqis. Su whirl, upstream. Su, swimming against the tide in the water or shore up the walk, here refer to the land line. Whirl, spiral winding waterways. From, follow, chase, pursuit of this case to find. Of, in this case Iraqis. Road resistance: obstacles on the road more difficult to walk. Resistance, obstacles, roads, difficult to walk. Back of the tour: the current to find her. Back of the tour, downstream. "You" through "flow" refers to the DC waterways. Central Lithuania in the water: (the person) as if the river in the middle. Mean is not far but can not reach. Wan, Wan Ran, it seems. Desolately: lush look. Now writing "lush", and below "t_set_se" meaning the same. Xi (xī): dry. Mae (méi): where the transfer of water and grass, that shore. Ji (jī): increased mean more and more terrain, walking effort. Islet (chí): water, a small continent or island. T_set_se: the lush look. Does not have: that the sun evaporates the dew has not yet been completed. Creating (sì): the water. Right: twists and turns. Holm (zhǐ): water beach. Of: on behalf of the "Iraqi"
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Brief
蒹葭 参考资料
蒹葭 参考资料
蒹葭 参考资料
Different people different environment, people want to cents. (Zhong Xing Ming • "Book of Criticism") This naturally reclusive sage waterfront, and admire and think people see the poem. "In the water of the Mekong", this one has, the heavier, "dating back irresolute," "back of the tour," quadrupled mimic, so writing it would like to see the shape of deep enterprise. So in the next "in" word-plus-one "Wan 'jail, then feel dotting want to fly, people of God of the pen. (Qing • Of Yao," General Theory of the Book of Songs ") Fine play "so-called" word, meaning the person is difficult to say, and "in the water side" also think of the story. If some of the party, that is, human footprints can be, how up and down and not seek the Holy? Purpose of Poets far, stubborn and far from the truth in order of suppression. (Qing, Huang Zhongsong "Poetry suspected syndrome") Chapters only one meaning, especially for rhyme ears. In fact, the first chapter has become farewell. Ancient poetry, into the Triassic more than one meaning, the so-called a singing three sigh, were more than a residual sound good. (Qing • Criticism of Fang Yurun (Book of Original ") Poetry just like symbolism, which contains a mysterious flavor. (Chen Zi exhibition "Book Directly") Related idioms: Qiushuiyiren, in the water side Reed (With the dark sky to make games for, if a better translation, replacement can be also) (However, please keep the information reproduced) You and reed, beside the river I wander here, had to linger I should meet you, without cumber only watching her in there. She with dew, along the river I seek the source, away, away I should meet her but the danger with her shadow without fere She in the reed, among the river I loiter to reach, had to delay I should meet her without brook but mere gazeing you still there --- Skydarken
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Text and explain
Original "Book of Songs qin" Jian Jia (jiān jiā) green and white dew cream. The so-called Iraqi people, in the water side. Su (sù) whirl (huí) from the, road resistance and long; back of the tour, the Central Wan in the water. Jianjia lush (qī), Bailu not Xi (xī). The so-called Iraqi people, in the water of the Mekong (méi). Back from the whirl, road resistance and Ji (jī); back of the tour, Wan islet in the water (chí). Jianjia t_set_se, Bailu not have. The so-called Iraqi people, in the water 涘 (sì). Back from the whirl, and drag the right road; back of the tour, Wan in the water zhi (zhǐ). Notes Gray: the lush look. Below "desolately" ("sad" is the "luxuriant" under the guise of the word) "T_set_se" with the "gray" means the same. The so-called: said, here refers to the miss. Iraqis: this person or that person. Refers to the poet's search for missing people. In the water side: the other side of the water, the water side. Side, side Su whirl (sù huí) from the: along the winding road to the upper reaches of the river to look for Iraqis. Su whirl, upstream. Su, swimming against the tide in the water or shore up the walk, here refer to the land line. Whirl, spiral winding waterways. From, follow, chase, pursuit of this case to find. Of, in this case Iraqis. Road resistance: obstacles on the road more difficult to walk. Resistance, obstacles, roads, difficult to walk. Back of the tour: the current to find her. Back of the tour, downstream. "You" through "flow" refers to the DC waterways. Central Lithuania in the water: (the person) as if the river in the middle. Mean is not far but can not reach. Wan, Wan Ran, it seems. Desolately: lush look. Now writing "lush", and below "t_set_se" meaning the same. Xi (xī): dry. Mae (méi): where the transfer of water and grass, that shore. Ji (jī): increased mean more and more terrain, walking effort. Islet (chí): water, a small continent or island. T_set_se: the lush look. Does not have: that the sun evaporates the dew has not yet been completed. Creating (sì): the water. Right: twists and turns. Holm (zhǐ): water beach. Of: on behalf of the "Iraqi" Modern translation River Reed Bise gray, late autumn dew condenses into frost. My thoughts all the people, on the other side of the river side. Pursue her up against the current, but a long road to ourselves. Down the river searching, as if in the center of the water. A lush riverside reeds, the morning dew has not dried. My cherished people to the other side of the river side. Pursue her up against the current, dangerous hard bumpy road climb. Down the river searching, as if the middle of the sandbar. More lush riverside reeds, still stay in the early morning dew. My hard in pursuit of the people, on the other side of a river. Pursue her up against the current, difficult to take the circuitous road obstacles. Down the river searching, as if sandbar in the water.
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Correlation Analysis
蒹葭 相关分析
蒹葭 相关分析
Comment "Acacia ancient writing, not over the" Jian "who." Acacia called who we hope for but beyond, seen but not impossible; Although hard for the sake of it, the end is also not available. So faint emotions, Yang Yang in the text between. I Changwen is music, only the lingering chord in the ear; this reading of "Jian", text only and I love square. Jian Jia who reeds also, wandering thing, the wind and swing, but limited to his roots, if the drift if only, Ruoyouruowu. Thoughts unlimited, trance sway, but worried about the roots. Roots are, the situation also. Phase Simo as is. Disclosure of the material, momentary extinction. Buddha says: all promising method, such as fleeting dream. Such as dew electricity, should be the same; love of the material, illusory without shape. Zhuangzi said: music that is true, steamed into the bacteria. One reason too. Cream who is also exposed by the condensate. Rustic body fluid from the earth, then formed a thin cream to chill. Beauty but could not find, so Acacia Yi Shen, Yi Jian their feelings. Hence it is "not Xi", "not already." Love Ke Deer lingers though not, it is subject to its bitter end. Seeking not bitter, bitter Aibie Li! This Acacia is also the most bitter person! Love is tied to the so-called Iraqi people. However, the water side, I do not know it at the end. Gu Changjiang a poem: "Deep in the mountains somewhere in the clouds at." Fu Yue will seek it, so although I do not know their track, also waded in from the. Said, "Su whirl", said "back of the tour," search up and down also. Obstacles and the road curved, made the arduous quest, described as "Land of the Dead under the blue sky on the poor." However, at last, "are not seen two vast", the chaser, but the phantom clouds, moon in the water flowers in a mirror, and finally not available. Acacia benefits to, like a shadow in front, hand touch it, but out of reach. "Wan water central" one, Jingru broken strings of sound, loud and long. Each reading this, are not hi, sigh it, blame it, weep! Hierarchy Reeds from the first two to Xing, showing a river Autumn: autumn morning in autumn, dense, gray reeds, dew Ying Ying, glistening like frost. This state is in the solitude of being slightly miserable sorrowful Qingxudong color, and thus the persistent pursuit of writing a poem that is expected is difficult to love, played a very good atmosphere and mood rendering contrast effect. Third, the four images show the center of poetry: lyric hero wander the river, looking across the river search for the "Iraqi people." The "Iraqi people" is his day and night of the loved one. "Across the Water" is the isolation barrier, which means the pursuit of difficult, due to an unattainable level. Although the long-awaited hero lyric, persistent pursuit, but "Iraqis' all misty barrier. Expected to be difficult that is, verse waves therefore have no alternative but fantastic mood and melancholy emptiness. The following four are tied for the two levels, namely, one in the water, the state is expected to hard description of the two different scenarios. "Back from the whirl, road resistance and long," which is written above the difficulties when pursuing upstream: difficulties and obstacles and endless, endless long journey, to indicate the end does not reach too. "Back of the tour, the Central Wan in the water", which is painted a vision when searching downstream: the smooth travel everywhere, Iraqis from time to time in Lithuania, but the end is not nearly as well. Both upstream, and downstream, all sorts of search, meaning visible persistent; not a difficult dilemma over is hard to near vision, after all, no, deeper feelings of despair threatened. Thus, the Iraqi people that the situation is expected and can not be concrete and fully demonstrated. Content Review If the poem, "Iraqi," identified as the lover, lovers, then, this poem is to express the lyrical hero's pursuit of the good and the pursuit of love, not a melancholy mood. Spirit is precious, love is sincere, but the result is slim, the situation is sad. Significance of this poem, the most valuable, however, what resonates most is not the pursuit of lyrical hero and loss, but he created the "water side" - that is the expected difficulty of the artistic conception of universal significance. Good poetry can create the mood. Mood is a pattern, a structure, it has included all with similar content pattern, similar to the structure of the performance of heterogeneous things. "In the water side" of the structure is: Seeker - water - Iraqis. As the poem "Iraqi" no specific meaning, and the significance of the river is blocked, so all the world where the obstruction is difficult to achieve because of all the pursuit, can happen here, resonance and sympathetic resonance with the structure. Naturally, when we are in with the "in the water side," a similar situation, it should be appreciated that it is determined to pursue, but not its gloom and doom. Arts Features "Jian" is a chapter in the Book of Songs is one of the best. Its main features, embodied in the fact that grammaticalization, ethereal images, the overall symbol of the three closely related. First, the fact that grammaticalization Second, the image of the ethereal In fact, the poem describes the scene, not the head of the personnel of the reality of existence, but a heart home. This mental image, nor is it ever had an experience the memory of truths, but by the many similar events, similar to the feelings of the synthesis, condensation, into a virtual typifying the psychological situation. This psychological situation of the most prominent feature is the non-stick does not stagnate, more ethereal Yun. "In the water side," that is expected to be difficult, the psychological situation is this ethereal art show. Here are the pursuit and the pursuit of those empty, it appears to be real features of the river, road obstacles, and even counter-current, downstream of the search line, and the Iraqis where the "pool of water" and unite in place, are also become the symbolic image of the virtual. They are not made on when and where, rivers and mountains where the water get to the bottom, otherwise, the Iraqis both in the river upstream and downstream of the river to self-contradictory, how can two people do not even crossed the river to also become a problem. "Jian", the success lies in the poet accurately captured the hearts of people like to create a similar Claustrophobia, ethereal and refined psychological situation, only to show the overall mood of poetry symbol. Third, the overall mood of a symbol Virtual reality technology, images of the ethereal and the overall mood of the symbol is a problem in three dimensions. From virtual reality to the image of ethereal, to the whole symbol, which is largely symbolic Poetry of the construction process.
