Literary Writing : swan > Qu You
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Qu You (1341~1427) 浙江杭州

poetry comment《归田诗话》
Chinese classic《剪灯新话》

  "Shear Lantern" is the Department of legendary collections. Strange main narrative, love stories like, have as clear of the "Kindness and Punishing Evil" ("cut Lantern" Preface) purposes, so most of the story is full of karma of preaching, with a relatively strong superstitious. A small number of chapters of the performance of the young men and women desire autonomy demands of marriage, the war from the reflection of the late Yuan to bring misfortune to the people. Such as "Tracy Biography" in the gold set and Liu Tracy, this is a self-selected marriage and live a happy life, happy couples, but the war has split them, so Liu Tracy became the concubine of General Lee, Kim set to visit his wife, prepared by the danger and nocturnal sleep, to the Department of General Lee, but also to brothers and sisters to recognize only the last is to die for their love both to death. More Qiwan touching story. Although there are few works to preach throughout the chapters of retribution, but to varying degrees, exposed the dark feudal society. Such as the "Revised text Scheeren Biography" by the underworld and the world of the comparison between human rulers "to bribe the pass, can the door first and into the can looks the abuse charge, can be a catchy title and Zang take" of corruption, but also the performance of the Ming Division personnel can "only when it will be, will be called functional," the yearning, between the lines reveals the irony of reality. Another example is "Lvyi Ren Biography" by the ghost of the complaint, accusing the right of the crimes with Jia Sidao cruel tyranny, but also reflects the high officials of the concubines of feudal society, their tragic fate. Many of the story the book is more plot twists and turns fresh pen also has bright and clean, have a certain artistic appeal. But the authors show their knowledge, in order, the question in mind, and sometimes poems move surplus space, they undermine the structure of romantic fiction, seems caught up branch spread.
  "Jiandengxinhua" full version that has not circulated in China. Gao Ming Confucianism "rivers Zhi book" contained in the "cut Lantern" Volume 4, Appendix, Volume 1, the number of articles also completely. Tongzhi years published "Jian Cong words" in the collection of "Jiandengxinhua" Only Volume 2, few articles have been inadequate. But in Japan, there is a long celebration, laid down between the movable element and, a few articles the most complete, Dong Kang Songfen Church has thus carved turn. Classical Literature Publishing House in 1957, neighbor Week Lankavatara (signature weeks Yi) of the school Note the total volume 4 20, Appendix 2. Appendix "Send Mei Ji", Department of weeks Lankavatara According to "integrate ancient and modern books Gui Yuan Code" added.
  Qu also good words. The word is long on describing the scenery of the works, there is fresh air. Such as child〕 〔goof off, "Sudi Spring" in the "cage Spring Sudi miles, mountains empty □ illegible" context highlighting "the wind gradually smooth, sudden, I hear, Ming-lang startled gull array" This scenario , quite poetic, in a certain position in the Ming Dynasty word.
  Qu Yuan Yi Shan is also fake, "Tang advocacy" style, compiled a "sound advocacy continued," take the Song and Yuan Dynasty Septasyllabic 1200, divided into 12 volumes. In compiling this book, he noted that Tang banished over the world is wrong with the Song, Tang and Song dynasties poems that their own strong points, is a more insightful view. However, not publishing a book.
Translated by Google
No. 2
  瞿佑(1341~1427) 明代文学家。"佑"一作"□"。字宗吉,号存斋。一说钱塘(今浙江杭州)人,一说山阳(今江苏淮安)人。年少时颇有诗名。当时著名诗人杨维桢至钱塘,年方14岁的瞿佑见杨的《香奁八题》,即席奉和,俊语叠出,受到杨维桢的赏识,袖其稿而去。他与当地文人凌彦□是忘年交。彦□曾作咏梅词《霜天晓角》、咏柳词《柳梢春》各 100首,号"梅柳争春",瞿佑一日之内全部作和,凌彦□惊叹不已,呼瞿佑为"小友"。洪武时期,由贡士荐授仁和训导,历任浙江临安教谕、河南宜阳训导,后升任周王府长史。永乐年间,因作诗获罪,谪戍保安十年。洪熙元年(1425),遇赦放还,先在英国公家主持家塾三年,后官复原职,内阁办事,但不久他就离开人世。他多才多艺,却一生流落不遇,抑郁不得志。他的著作有《香台集》、《咏物诗》、《存斋遗稿》、《乐府遗音》、《归田诗话》、《剪灯新话》等20余种。
  《剪灯新话》是部传奇小说集。主要叙述灵怪、艳情之类的故事,由于作者抱有明确的"劝善惩恶"(《剪灯新话》自序)目的,所以绝大多数故事充斥着因果报应的说教,带有较浓厚的迷信色彩。其中少数篇章表现了青年男女要求婚姻自主的愿望,从侧面反映了元末战乱给人民带来的不幸遭遇。如《翠翠传》里的金定和刘翠翠,本是自主择婚、过着美满生活的恩爱夫妻,但战乱却拆散了他们,使得刘翠翠成了李将军的宠妾,金定为了访妻,备经险阻,夜行露宿,到了李将军处,还只能以兄妹相认,最后是双双殉情而死。故事较为凄惋动人。还有少数作品虽以因果报应说教贯穿篇章,但在不同程度上暴露了封建社会的黑暗。如《修文舍人传》通过阴间和阳世的对比,说明人间官府"可以贿赂而通,可以门第而进,可以外貌而滥充,可以虚名而躐取"的腐败,也表现对冥司用人能"必当其才,必称其职"的向往,字里行间透露出作者对现实的讽刺。又如《绿衣人传》通过女鬼的控诉,指责了权相贾似道残忍暴虐的罪行,也反映了封建社会里达官贵人的姬妾们的悲惨命运。书中不少故事的情节较为曲折,文笔也还明净清新,有一定的艺术感染力。但作者为了显示自己才学,所记答问,有时诗词动盈篇幅,反而破坏了传奇小说的结构,显得支蔓芜杂。
  《剪灯新话》成就并不算太高,但它和《剪灯□话》、《觅灯因话》等明代传奇小说,上承唐宋传奇的余绪,下开《聊斋志异》的先河,因此在中国文言小说发展史上有一定的地位。而且,《剪灯新话》的故事情节,有助于谈资,为明代拟话本和戏曲提供了许多素材。《金凤钗记》、《翠翠传》、《三山福地志》被凌□初改写成话本,编入"二刻"《拍案惊奇》中;《寄梅记》被周德清改写成话本,编入《西湖二集》中;《金凤钗记》还被沈□改编成戏曲《坠钗记》;周朝俊的戏曲《红梅记》采用了《绿衣人传》一些情节。
  《剪灯新话》在中国早已无足本流传。明高儒《百川书志》所载《剪灯新话》4卷,附录1卷,篇数还完全。同治年间出版的《剪灯丛话》里所收的《剪灯新话》只有2卷,篇数已不足。但在日本,却有庆长、元和间所刊活字本,篇数最完备,董康诵芬堂曾据此翻刻。1957年古典文学出版社出版近人周楞伽(署名周夷)的校注本,共4卷20篇,附录2篇。附录中的《寄梅记》,系周楞伽据《古今图书集成·闺媛典》增补。
  瞿佑的诗歌也多是风情绮丽之作,诸如《安荣美人行》、《美人画眉歌》、《阿娇金屋》、《师师檀板》等,都是组织工丽、类似温庭筠风格的诗篇,抒写的感情较为软熟轻浮。但他的一些咏古诗歌,也有一定的兴寄,陈田曾称它是"最为警策"之作(《明诗纪事》乙签卷十三)。《故宫人》结尾诗人发出的"往事兴亡谁与论,亭亭白塔镇愁魂。惟有□霞岭头树,至今犹说岳王坟"的感慨与叹息,寄寓着对误国者的谴责。在《题和靖墓》里,表达了他对林和靖洁身自好、隐沦西湖的崇敬,又另具一番深意。此外,瞿佑有《归田诗话》3卷,类似笔记。此书似是留滞戍所保安时所作,释还后整理成帙。其中记载时人杨维桢、丁鹤的作品,颇有资料价值,但所见较浅,考证亦疏。
  瞿佑也善词。其词作多是一些描绘景物的作品,有清新气息。如〔摸鱼子〕《苏堤春晓》在"苏堤十里笼春晓,山色空□难认"的背景下,突出"风渐顺,忽听得,鸣榔惊起沙鸥阵"这样场景,颇有诗情画意,在明人词中有一定地位。
  瞿佑还仿元遗山《唐诗鼓吹》的体例,编纂了《鼓吹续音》,取宋金元三朝七律1200首,分为12卷。在编纂此书时,他注意到世人过分宗唐贬宋的不妥,认为唐宋二朝诗歌各有所长,是较有见地的看法。但此书并未刊布。
百科大全
  Qu You
  瞿佑
  明代文学家。“佑”一作“□”。字宗吉,号存斋。钱塘(今浙江杭州)人。年少时颇有诗名。当时著名诗人杨维桢至钱塘,年方14岁的瞿佑见杨的《香奁八题》,即席奉和,俊语叠出,受到杨维桢的赏识,袖其稿而去。他与当地文人凌彦□是忘年交。彦□曾作咏梅词《霜天晓角》、咏柳词《柳梢春》各 100首,号“梅柳争春”,瞿佑一日之内全部作和,凌彦□惊叹不已,呼瞿佑为“小友”。洪武时期,由贡士荐授仁和训导,历任浙江临安教谕、河南宜阳训导,后升任周王府长史。永乐年间,因作诗获罪,谪戍保安十年。洪熙元年(1425),遇赦放还,先在英国公家主持家塾三年,后官复原职,内阁办事,但不久他就离开人世。他的著作有《香台集》、《咏物诗》、《存斋遗稿》、《乐府遗音》、《归田诗话》、《剪灯新话》等20余种。
  《剪灯新话》是部传奇小说集。主要叙述灵怪、艳情之类的故事,由于作者抱有明确的“劝善惩恶”(《剪灯新话》自序)目的,所以绝大多数故事充斥着因果报应的说教,带有较浓厚的迷信色彩。其中少数篇章表现了青年男女要求婚姻自主的愿望,从侧面反映了元末战乱给人民带来的不幸遭遇。如《翠翠传》里的金定和刘翠翠,本是自主择婚、过着美满生活的恩爱夫妻,但战乱却拆散了他们,使得刘翠翠成了李将军的宠妾,金定为了访妻,备经险阻,夜行露宿,到了李将军处,还只能以兄妹相认,最后是双双殉情而死。故事较为凄惋动人。还有少数作品虽以因果报应说教贯穿篇章,但在不同程度上暴露了封建社会的黑暗。如《修文舍人传》通过阴间和阳世的对比,说明人间官府“可以贿赂而通,可以门第而进,可以外貌而滥充,可以虚名而躐取”的腐败,也表现对冥司用人能“必当其才,必称其职”的向往,字里行间透露出作者对现实的讽刺。又如《绿衣人传》通过女鬼的控诉,指责了权相贾似道残忍暴虐的罪行,也反映了封建社会里达官贵人的姬妾们的悲惨命运。书中不少故事的情节较为曲折,文笔也还明净清新,有一定的艺术感染力。但作者为了显示自己才学,所记答问,有时诗词动盈篇幅,反而破坏了传奇小说的结构,显得支蔓芜杂。
  明代正德六年杨氏清江堂刻本《剪灯新话》
  《剪灯新话》成就并不算太高,但它和《剪灯□话》、《觅灯因话》等明代传奇小说,上承唐宋传奇的余绪,下开《聊斋志异》的先河,因此在中国文言小说发展史上有一定的地位。而且,《剪灯新话》的故事情节,有助于谈资,为明代拟话本和戏曲提供了许多素材。《金凤钗记》、《翠翠传》、《三山福地志》被凌□初改写成话本,编入“二刻”《拍案惊奇》中;《寄梅记》被周德清改写成话本,编入《西湖二集》中;《金凤钗记》还被沈□改编成戏曲《坠钗记》;周朝俊的戏曲《红梅记》采用了《绿衣人传》一些情节。
  《剪灯新话》在中国早已无足本流传。明高儒《百川书志》所载《剪灯新话》4卷,附录1卷,篇数还完全。同治年间出版的《剪灯丛话》里所收的《剪灯新话》只有2卷,篇数已不足。但在日本,却有庆长、元和间所刊活字本,篇数最完备,董康诵芬堂曾据此翻刻。1957年古典文学出版社出版近人周楞伽(署名周夷)的校注本,共4卷20篇,附录2篇。附录中的《寄梅记》,系周楞伽据《古今图书集成·闺媛典》增补。
  瞿佑的诗歌也多是风情绮丽之作,诸如《安荣美人行》、《美人画眉歌》、《阿娇金屋》、《师师檀板》等,都是组织工丽、类似温庭筠风格的诗篇,抒写的感情较为软熟轻浮。但他的一些咏古诗歌,也有一定的兴寄,陈田曾称它是“最为警策”之作(《明诗纪事》乙签卷十三)。《故宫人》结尾诗人发出的“往事
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  1. :  Qu You