Tian Han (1898-1968): Theatre activist, playwright. Changsha people. Early study in Japan. Returned in 1922, he served as editor Zhonghua Book Company. After the founder of Southern society. Initiated the establishment of the early participation of 30 Chinese Leftist Writers Union and the left-wing dramatists Union. War in Wuhan during the third room to participate in the Political Department of the Central Military Commission, responsible for the art of publicity. Quanguowenlian served as Vice President after the founding of the Chinese Drama Society President, the Secretary for the Ministry of Culture to improve opera, arts Authority and so on. Write a drama, opera, drama, film scripts over a hundred, the main of "Tiger by the Night", "Death of famous," "chaos clock", "Beauty Bank", "Guan Hanqing", "Xie Yaohuan" and so on.
Tian Han (March 12, 1898 -1968 on December 10), formerly known Shouchang, March 12, 1898 was born in Changsha County. Author drama, drama writer, film script writer, novelist, poet, lyrics writer, literary critic, social activist, leader of literary and artistic work. The founder of Chinese modern drama. Versatile. Early study in Japan, the 1920s drama, written a number of well-known drama department, the successful adaptation of some traditional operas. He National Anthem, "Anthem," the writer. The Cultural Revolution, was persecuted to death.
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Tian Han Introduction
Tian Han (March 12, 1898 -1968 on December 10), formerly known as Shouchang, who uses the pseudonym Peter Hong, Chen Yu, Shu people, Han cents and so on. March 12, 1898 Born in Changsha County, Hunan Province. Drama writers, drama writer, screenplay writer, novelist, poet, lyrics writer, literary critic, social activist, literary and artistic work leader. The founder of modern Chinese drama. Versatile, prolific. Changsha, Hunan origin. Early study in Japan, beginning in the 1920s drama activities, write too many of the famous drama, successfully adapted some traditional opera. He was People's Republic of China national anthem, "March of the Volunteers" lyricist. Cultural Revolution, the social forces of the left were persecuted and died in prison.
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Life and creation
Tian Han was born poor families, versatile, prolific. Early study in Japan, beginning in the 1920s drama activities, write too many of the famous drama, successfully adapted some traditional opera. Boyhood subject Tan, Tien-Hua Chen, Huang et al and Poets of Southern Society, uncle and easy like effects with anti-imperialist ambitions. 1912 enrolled in Changsha Normal School. 1930 joined the Chinese Communist Party. 1916 was easy to like the help, went to Japan, was admitted to Tokyo Higher Normal School. In 1919, in Tokyo Dazhao and other organizations to join the Young China Association, began to publish poetry and reviews. The following year, the creation of the script "ring E Lin and the Rose", "coffee shops overnight." In 1921, with Guo, Ch'eng Society and other organizations to create, promote new literature. 1922 home, employed in Shanghai Zhonghua editing. 1924, Tian Han Shu Yi and his wife founded the encyclical "Southland fortnightly", published one-act tragedy "for Tiger Night", Shanghai staged competing schools. Since then, has been teaching the first Normal School in Changsha, Shanghai University, a large complex university. In 1926, the Shanghai Tang Huai Qiu, founder Southland movie theaters, director shot "to the private sector to" unfinished. Autumn of 1927, he served as director of the Literature Shanghai University of the Arts, and soon was elected president, wrote the drama "Suzhou Nocturne," "Death of famous" and so on. End, in conjunction with Ouyang Yuqian, Tang Huai Qiu, Zhou Xinfang, such as high-hundredth hold "dragon fish will" performance, the impact is quite broad. 1928, and Xu Beihong, Ouyang Yuqian formation Southland Arts, Tian Han dean and director of literature. In autumn, the establishment of the southern club to determine the "era of unity and itching of the promising young for the revolutionary movement on the art of" purpose. Southland community youth into society, to promote the spirit of the new theater movement hurricane several occasions to Nanjing, Hangzhou, Guangzhou and other performances. During the same period, Tian Han editor of the "Southern Monthly", writing the "ancient lake voice", "Thriller," "go south", "Fifth Ward", "fire dance", "Sun Yat-sen's death," "consistent" and other plays and a series of articles about the theater movement. 1920 ~ 1929 Tian Han's early drama activities for the foundation and development of China's emerging drama played an important role. In terms of dramatic literature, his works to rid itself of the "civilized drama" effect, to learn the essence of Chinese opera and theater in Europe and America, the Chinese drama works as an independent literary form to new heights. "Won the Tiger of the Night" and "The Death of famous" is the work of the peak of this period. Southland community he founded, is one of the earliest professional nature of the drama group, it is the drama of the campus into the community, to carry out the popularity of drama and theater movement has played an active and leading role in promoting. Southland club creation and performance, not only produced a progressive social impact, and training a group of artistic backbone of the cause of the pioneering drama has an indelible contribution. From the winter of 1929 began, Tian Han engaged in cultural activities, while actively participating in political activities. March 1930, he participated as one of the promoters of the Chinese Left-Wing Writers Alliance Conference, and was _select_ed as one of seven executive committee headed by Lu Xun, China participated in the freedom movement and then the big league. In April Tian Han published the famous "Our own critique" and openly declared to the proletariat turned. June, southern community arts drama after being reactionaries seized. In order to further strengthen the unity of the left-wing theater people, left-wing coalition was reorganized as the left-wing dramatist Theatre Alliance, Tian Han was launched, one of the organizers. In 1932 he joined the Communist Party China, from participating in the work of art of the party leadership, has served as a "play together" in the caucus and members of the CPC Shanghai Committee of the Central Cultural Bureau. During this period, he created the drama "rainy", "chaos clock", "storm in seven women", "rejuvenation of the song" and a lot of work; while and Xia Yan, Yang Hansheng into movies and other positions, as " Yi Hua "," Lianhua "and other films the company wrote" three modern women "," Youth March "," Children of "a group of progressive film script, make the film look from the emergence of new literary ideas to art. In addition, he also created by Nie Er compose the "Graduation Song", "Anthem" and other well-known songs. This period was a period of political enthusiasm and artistic talents Tian Han-round development, he carried on the left-wing cultural activities, and played a leading role in promoting. February 1935, the CPC Jiangsu Provincial Committee and the Shanghai is destroyed, Tian Han and Yang Hansheng, Du Xiang et arrested, released on bail after being placed under house arrest in Nanjing. In autumn, the North incident, Tian Han and Ying Yun Wei, Ma Yanxiang organization Association of Chinese stage. December, invited Shanghai, Peking, Tianjin and other places actors, held a 18-day premiere in Nanjing, performed Tian Han created the "rejuvenation of the song," "fights" (in collaboration with Mayan Xiang), "Before the Dawn", "flood . " KMT government had refused to take part and give financial aid periods. The following year, adapted and performed six-act drama "Resurrection", the creation of a one-act drama "A must Signa mother", "female reporter" and the drama script "Dobashi of war." Spring of 1937, according to Lu Xun's novel five-act play, "The True Story of Ah Q", premiered by the Chinese traveling troupe. After "77", the creation of a five-act play "Marco Polo" and hold the troops performances. Soon, the CPC delegation arrived in Nanjing, reviewed the performance of Tian Han was arrested after he resumed organizational relationships. August, Tian Han went to Shanghai to participate in the work of cultural salvation. After the fall of Shanghai, 田汉南 Lower Cheung, spin back Wuhan engaged theater united front work. December Wuhan joint performance "final victory", then _set_ up the China Association of National theater enemy, Tian Han is one of the main organizers, and drafted the Declaration of the Establishment. Early 1938, according to the enemy Drama Association "resolution", and Mayan Xiang Tian Han, Liao Mosha and other editing and publishing of the "war drama" semimonthly. After going Changsha, Changsha and organized "Daily War" and the text made it clear that "drama is the drama transport route stage guerrilla" theater workers call for national liberation struggle. February 1938, Tian Han Zhou Enlai invited to be, to Wuhan to participate in the Political Department of the Military Council of the third KMT-CPC cooperation hall, he was Director of the sixth, responsible for advocacy work of art, with Hong Shen, etc. _set_ up 10 enemy drama team , four enemy propaganda team and a children theater. November 1938, the withdrawal of Wuhan to Changsha, Hunan majority of opera artists united anti-Japanese national salvation of the show, and personally writing a "new Yanmenguan", "Jianghan Fishermen", "Yue Fei" and other opera script. 1940 should be three church hall went to Chongqing, and Ouyang Yuqian, Du Xuan, Xu Qiao, founder of the "Drama Spring" period, published in Guilin; Tian Han has worked at the "Symposium national form of drama," and "historical drama Symposium" , had a significant impact. After "Wannan Incident", Tian Han left Chongqing to Hunan Nanyue lived for nearly six months, and then engaged in the war drama activities to Guilin, under extremely difficult conditions in the formation of the new Chinese leadership drama and opera, Xiang Ju Japanese drama groups and other civil society. While writing the drama "Autumn Sound Fu", "golden age", and Hong Shen, Xia Yan co-edited "Farewell, Hong Kong." Spring of 1944, such as Guilin Tian Han and Ouyang Yuqian chaired the first session of play exhibition southwest, reviewed the progress of the Kuomintang areas Japanese drama team and a large number of outstanding performances plays, drama team for strengthening the unity and uphold progressive theater movement from a significant role in promoting. After the war, Tian Han returned to Shanghai in the spring of 1946, put a democratic movement against the reactionary rule of the Kuomintang, writing a "beauty line", "southern", "The Legendary Spring" and other plays and movies. During this period, mainly in the public identity Tian Han organizational leadership drama activities. In addition to the new theater group composed of artists, opera artist Tian Han more attention to national unity and the use of traditional forms and transformation, to mobilize the forces of the theater, into the anti-Japanese struggle for democracy and civil opposition movement. After the founding of People's Republic of China, the Ministry of Culture drama Tian Han improvements Secretary Authority arts, Chinese opera school's first president. He closely unite theater workers, to grow and drama team, a lot of work and prosperity dramatic creation. He actively promote opera reform, promoting the development of traditional Chinese opera art. At the same time, also wrote the drama "Guan Hanqing", "Princess Wencheng", adapted from the opera "White Snake", "Xie Yaohuan" and other works. 1964, has been Zhang, Kang Sheng attacks and framed. In the "Cultural Revolution", on December 10, 1968 persecuted to death. Tian Han devoted his life to literature and art, creating a drama, opera 60 academic books, more than 20 screenplays, 24 drama plays, song lyrics and nearly 2,000 new classical poetry. He wrote "Anthem", sung to music by Nie Er country, was designated as the People's Republic of China national anthem. Not only is he the founder and the cause of reform Chinese revolutionary opera theater movement pioneer, but also excellent organizer and creator of early Chinese revolutionary music, movie career. Tian Han is the vice-chairman of China Federation of Literary and Art Circles national chairman of the Chinese Dramatists Association; was elected to the first, the second session of the Chinese People's Congress on behalf of, the fourth Chinese Political Consultative Conference. After 1949, the Ministry of Culture drama Tian Han worked Bureau, Arts Bureau. Cultural Revolution was persecuted to death. April 1979 vindicated, in Beijing held a grand memorial meeting. In 2009, to commemorate 60 years of the establishment of People's Republic of China film "Founding of the Republic" in which Donnie Yen plays Tian Han.
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Drama masterpiece
One-act drama "for Tiger Night" is one of the finest early Tian Han-act drama, story after the Revolution as the background Hunan village, describing Orion Wie Xianpinaifu wealthy, forced her daughter and cousin Huang Lin Kou interrupt Dasha romance, another promise to others. Huang Dasha missing cousin, aunt of the night climbing overlooking the lotus lamp. Wie placed overnight in the mountains Taiqiang want to hunt for the female tiger additions dowry. Huang Dasha mistakenly Taiqiang, Huang Lin Kou stick on the occasion of dying leave. Wei Moujiang lines break up two, and beaten his daughter. Huang Dasha angrily suicide. Tian Han Through this marriage tragedy, then express the pain and the pursuit of youth, exposing the dark autocratic feudal forces, reflects the spirit of radical democracy. Screenplay by Lin Kou and characterization of two yellow Dasha, enthusiastic praise of the young men and women against the spirit of freedom and the pursuit of unfailing love. 3-act play "Death of famous" is a masterpiece of southern Tian Han in the period, the script describing the famous Peking Opera actor Liu Zhensheng towards art seriously, focusing on German opera, theater products, his apprentice 刘凤仙 minor celebrity after being corrupted by a rogue bully Yang uncle , Liu Zhensheng uphold justice, but since protests in evil oppression, resentment disease, dead on top of the stage. Liu Zhensheng this artistic image to the sound of the early Republican famous artist Liu Hong's death as a material, summarizes the sufferings of the old society opera artist, a real lively arts typical. Play female roles Liu Fengxian, clowns and other characters left Po Kui also written flesh plump, playwright artistic creation is reaching a mature expression. Tian Han expose these artistic image suffocating dark forces, critical edge does not stay in the money snobbish ugly, but focus on the rogue, the bully, the bureaucracy to run rampant throughout the social system. Although the outcome is tragic, but not lonely pursuit and personal destruction and write people's struggle and gradual awakening. "The death of the famous" natural language, deep, in the winter of 1927 in Shanghai opera hall premiere, decorated by the Hong Shen Liu Zhensheng, Yang Wen Ying ornaments impatiens, left out ornaments left Kui Bao, Xiaofeng European decorative Xiao Yulan, Tang Huai Yang autumn decorations uncle, Chen Baichen decorated reporters. One-act drama "chaos clock" was written in early 1932, the road drama premiered in Shanghai. Screenplay reflect 1931 "918" night, Northeastern University students to hear the Japanese attack on Shenyang, after shelling Beidaying news, ring the bell collection, generous deeds go to war, relentlessly flogging the Kuomintang government "does not resistance "surrender acts. This is a public drama, the author thinking and understanding of young students step by step improve performance in sharp opposition to the reactionary cleverly capitulationism authorities and the people of resolute armed resistance from the side. Writers surging momentum, blazing performance of the anti-imperialist struggle enthusiasm of the people, put forward "with the majority of workers, peasants and citizens to unite armed self-help" slogan, which is featured in the new stage of creation Tian Han. Due to the rapid and timely writers expressed will of people across the country struggle, "chaos clock" propaganda played a huge role. 3-act drama "rejuvenation of the song" was written in the end of 1934, in January 1935 Shanghai Association stage debut. Play high-dimensional shape of the patriotic youth Han Mei Niang and moving image. Original teaching in high-dimensional Nanyang Han, after the "September 18 Incident" farewell love of overseas Chinese students Mei Niang, returning into the War. He fought bravely in Shanghai, "a twenty-eight," the battle wounded. Mei Niang break the shackles of feudal family, return to participate in the rescue work. Play the loyalty of young love and lofty patriotism national liberation combine the joys and sorrows of the hero encounters and lively scene of mass struggle together, to open up a new realm. Screenplay plot and character description are relatively simple, but the authors describe the feelings of good scenes, _set_ting the context, so that patriotism and pure love exceptionally exciting. Multi-act play "Beauty Line" was written in the end of 1946 to the spring of 1947. Liu Mei screenplay writing women soldiers suffered insults, with factory closures, family life without forced to descend, almost forced into a dead end. Her experience reflects the lower semi-feudal society, women's suffering. Liang Ruoying both women aspire to knowledge revolution, there is a certain sense of justice, and stand up to torment, weakness seek security. After she left her husband Zhang Yuliang engaged in revolution, and former banker Wang cohabitation, until awakened by the king was gradually abandoned. New women not only have a new group of revolutionaries Lee brave, resourceful, but also to help workers Liu Mei deepest sympathy to guide Liangruo Ying. The reality of life but also makes three women came together to greet struggle for the arrival of victory. Although the script was written during the war in Shanghai, but the actual reflects the dark brutality of U.S. imperialism and the Kuomintang spies rule. The fate of three women of organically interwoven together, thereby revealing the extensive and profound social reality "Pyrrhic victory" after. "Beauty line" absorbing drama in art structure, cinematic techniques, coherent form after the previous 21 games, making the conversion a lot of freedom and space to reflect the rich and complex plot content. March 1947 by the theatrical premiere of the play nine teams in Wuxi, Zhu Lin ornaments Liangruo Ying, Li decorated in groups because, fields ornaments Liu Mei, Jiang Jun Zhang Yuliang ornaments, ornaments Diao light Tan Wang Yuan, Yuan Zhao served as Rapporteur. In 1958, to commemorate the world cultural celebrity Guan Hanqing, Tian Han writing 12 games drama "Guan Hanqing", the play of "Dou" written and staged as a clue to expand the conflict, shaping the Yuan Dynasty playwright Guan Hanqing fighting art image. Simple kind of girl Zhu Xiaolan Enu resist abuse, is framed at the chop bribetaker. Guan Hanqing excited in outrage at Geisha Zhu Lian Xiu, who wrote the support of a tragedy "Dou." Powerful Ahe saw horse whip A drama by Guan Hanqing affairs intent to compel modify the script, otherwise not allowed to be staged. Guan Hanqing rather break than bend, refused to amend. Zhu Lian Xiu righteous in the spirit of self-sacrifice took responsibility performance. Screenplay also wrote Jieruchou tournament curtain show, witty but love and hate the king and Qing, sense of justice and staunch the king the other characters come against the background of the main characters, also wrote a shameless scholar leaves vicious vile Hao Chen and opportunistic, and just as in control . Existing historical literature little information on the life of Guan Hanqing, Tian Han comprehensive analysis of the political and economic situation and the people's living Yuan society to grasp the idea of the character of Guan Hanqing thoughts and feelings through research work, which he wrote and the people interest-bearing interlinked relationship, wrote his abhorrence of darkness, contempt power, unyielding fighting spirit. The script does not stick to the historical facts, but also to meet the historical truth, in the context of class struggle and national struggle of Guan Hanqing theatrical performance art activities, wrote his most valuable struggles character. Guan Hanqing artistic image, summarizes the history of the progress of the fight against the traditional Chinese literati, but also financial injection of Tian Han lifetime struggle for the cause of China's dramatic life experience. Tian Han script creation reflects the consistent characteristics: rich imagination, a vigor of poetry, history of persistent sense of justice. Structural integrity of the play, describing the fine, refined language, is recognized as the peak of Tian Han dramatic creation, but also a monument to the history of Chinese drama. "Guan Hanqing" premiered in 1958 by the Beijing People's Art Theatre. Directed by Ouyang Shan statue, etc., Diao decorative light Tan Guan Hanqing, Zhu Lian Shu embroidery tattoo show. "Princess Wencheng" was written in 1960, the purpose is to sing the national history of friendly relations and promote unity and cooperation among the various ethnic groups in socialist society. 7th century, the Tibetan British emissary Lord Gampo times to marry him, and the Emperor adopted the pro-Weizheng policy, decided to clan woman Princess Wencheng betrothed Gampo. In Tibetan interior, Gambo and pro owners make Gar marriage, Minister Emei Le Chan and Christine Dayton then battle anti-marriage. The play unfold in sharp conflict in the complex. Starting from Chang'an, Princess Wencheng and his party to overcome the difficult road of bitter cold, beat Christine Dayton, who sabotage, finally, Tang Dynasty and good, Princess Wencheng and Songtsen end NCKU marriage. Princess Wencheng History proficient, proficient martial arts, the "Tetra Pak border residents' aspirations, while she is growing in the court of the lack of experience of young women, the lack of experience of complex contradictions payable, and foster mother to leave their native land filled attachment mood. Write the screenplay with vivid detail the process of Princess Wencheng mature character development, but also to fully express unswervingly pursue ethnic Han people and good spirit. Gambo ingenious, determined and Tang marriage, he is not confused eloquent minister, calm discreet, and finally identified the truth triumphed. This is a dramatic national leader in rare brother image. Screenplay wealth legendary character portrayed in the ups and downs of the plot. The play premiered in 1960 by the China Youth Art Theatre in Beijing. Directed by Jinshan, Wu Xue decorated Gampo, Princess Wencheng Zhengzhen Yao ornaments. Because of the great intellectual achievements of art, "Princess Wencheng" and "Guan Hanqing" Tian Han in his later years was known as the art of Sun Tzu. Tian Han always attached importance to the history of traditional Chinese opera artistic achievement and social role. In 1943, Tian Han had the traditional god drama "White Snake" adapted for 25 games opera "Jinbo mind"; 1958 to modify the script again, restore the original title of the play "White Snake", highlighting the theme of opposition to feudalism, the development of the story The myth of color, smooth and beautiful lyrics, has reached a new level. In 1961, according Bowl cavity "female Xunan" screenplay adaptation of the opera, "Xie Yaohuan", describing the Tang Dynasty during the reign of Empress Wu, Xie Yaohuan ordered the governor of the southern posing with local despots and their counting on the right to Junchen rape, Wu Sansi for The story resolute struggle, reflecting the people's sufferings and struggle, this historical tragedy embodied aesthetics and drama "Guan Hanqing" consistent with the dramatic creation must document Tian Han. "Resurrection"
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Book titles
Rose of the road (the diary) in May 1922, Shanghai, Thailand East Book Bureau Café Night (drama _set_) in December 1924, Zhonghua Book Company Cui Yan Prince (silent screenplay) 1925, Guanghua Bookstore Silver Dream (essay) 1928, Zhonghua Book Company Continued Silver Dream (essay) 1928, Zhonghua Book Company Southland drama (Proceedings) in July 1929, Shanghai, bud Bookstore Introduction to Modern Irish Drama (Original) in July 1929, Shanghai, Southeast Bookstore Tian Han drama _set_ in 1934, the modern bookstore Rejuvenation of the song (Drama) in May 1935, the general bookstore Tian Han anthology (theatrical poetry collection) 1936, Vientiane Bookstore Tian Han, a collection of essays in August 1936, Shanghai, today on behalf of the bookstore Tian Han plays election in October 1936, Shanghai, antique bookstore Before dawn (Drama) in March 1937, Beixinshuju War and Drama (Proceedings) date February 1937, Changsha Commercial Press Yue Fei (forty-four field new opera) in 1940, Gui Lin Baihong bookstore Tian Han masterpiece (theatrical prose album) in 1941, three bookshops Fu Autumn Sound (five-act drama) in January 1944, Guilin Wen person publishing Tian Han anthology (theatrical poetry collection) in September 1947, the central bookstore White Snake (fifth episode opera) in 1955, the Writers Publishing House Tian Han plays election in February 1955, the People's Literature Publishing House The death of the famous (three-act drama) in August 1957, Chinese Drama Press The West Chamber (six opera) in May 1959, Chinese Drama Press Guan Hanqing (Thirteen drama) in June 1959, Chinese Drama Press Moonlight (Drama) in September 1959, the People's Literature Publishing House Tian Han anthology (drama _set_) years in November 1959, the People's Literature Publishing House Tian Han Opera election (Volumes I and II of this) in January 1981, the Hunan People's Publishing House Tianhan Wen _set_s (16 volumes) in 1983, Chinese Drama Press
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Review of Tian Han
Tian Han, formerly known as Tian Shouchang Changsha, Hunan Province. He was born in the "Hundred Days Reform" of 1898, while in the "Cultural Revolution" in 10 years in 1968 was persecuted to death, indeed born in troubled times, died when the chaos. He Young and smart, studious, long and hard to forge ahead by a Shan farmer's son grow into a cultural history of modern China left a footprint, has undergone major influence in foreign countries also gained a reputation poet and playwright. He is a great patriot, a hundred years due to the suffering of the Chinese aggression of foreign powers suffered heavy pressure in his heart, into the roar of national self-help, so he wrote "Anthem" to become the most times forte, a new Chinese national anthem. Tian Han romantic passionate, talented, his pursuit of the arts, the pursuit of love, the pursuit of the perfect combination of both. However, in order to go in the former he often thorny road; For the latter, he also always found next Bei Bei bitter to drink. Nanjing University Professor Mr. Dong Jian-authored more than 50 million words of "Tian Han Biography", published by the Beijing October Art Publishing House. For the overseas readers a preview, we hereby request the author to rewrite as a serial publication. Born farmhouse In the east of Changsha county, there is a historic town called Hua Guoyuan, undulating mountains near the town there is a mountain ridge in the number of radius in the "land of Pingyang," called Tian (soil), the (earth segment) in another star little bit scattered the farm, which has a small village called Mau Ping, Tian Han was born in the old home. Tian Han's family, three generations hole nearly thirty people. This is a simple, hard-working but poor peasant family. Ancestors was a big landlords, but in the hands of his grandfather Tiangui Quan defeat down. There are no carry out at home, has pulled very empty, like a rotten lantern going broke. Family by farming for a living, also offering a little weave silk craft. To break through this poor, closed the old families, the need for education, culture boost. Yu Qing Tian Tian Han's father was the first to think through cultural learning and people rushed out of the house, after 15 years of marriage still persist in the private school to school. But he failed, and eventually abandoned school because of poverty. When 34-year-old Tian Yu Qing died when he failed to achieve his own son Tian Han want to stay in the body, leaving the burden of his wife a pair of life. For future growth Tian Han, there are two characters is essential. One is his mother, an uncle of his plum easily. If Tian Tian Han is the family of this "chicken coop" in flying a "Phoenix", then his mother, young phoenix is easy to Hacken protection of God. She had a kid brother to accompany Easy Plum reading, an important cultural knowledge, strongly supported his son to school. Easy Plum fill LinSheng into county school, high culture day, lectures Nanxiang, spin go look for a job; then join the democratic revolutionary movement led by Sun Yat-sen, became the ideological pathfinder juvenile Tian Han and funders economy. Tian Han private school for a few years in his hometown of Reading, scores quite well, it was the teacher's appreciation. Tian Han soon dropped out of school because of poverty, temporarily homeschooling. Then his house in Ash met Xifeng Lu Liang three Ai (female also). The beam three Ai (female also) is less than a 50-year-old widow, Tian Han mother's close friends. Because her name has a "phoenix" word, when her husband was alive Liangsan Gong residence named "Xifeng Lu." It was a very elegant place, in a small house on the hillside planted with camellias and bamboo, like "Xanadu." Especially in the rain, listening to the rain on the roof tiles and the fairy mountain temple bells, looked Piaozhui petals and tea to wash more Hongyan days Xinyu bamboo, burning mountain forest Pa to Matsuba, mountain people drinking homemade tea, talk by saying history is really a distinctive flavor. Tian Han learned a lot here in the classroom can not learn something. The most interesting is listening to beam three Ai (female also) talking about "The West Chamber." Pure and beautiful love story and "Pik days, the yellow, the westerly tight, North Various Artists. Dawn to who dyed cream Lin drunk? Always tears from the people," such beautiful sounds of diction, in Tian Han simply like to drink nectar, such as bath spring, only to find a trace of a warm spring breeze gently blowing the heart. Tian Han and Nie Er exchanges Nie Er and China famous modern playwright Tian Han had unusual contacts, they had to struggle with common ideals. Meet Nie Er Nie Er Tian Han was in 1931, when the moon ensembles, Nie Er was only about two years old, and Tian Han is also a passionate young progressive thinking. After that, their relationship gradually close up, Tian Han introduced Nie Er participated in the "Friends of the Soviet Union," the music group. Here, they met Nie Er Lu Ji, Zhang Shu, any light, An E and other progressive writers, musicians. Nie Er and Tian Han's first collaboration was in the autumn of 1932, when the company was making the movie Lianhua Tian Han created the "maternal light," Nie Er composed for the film of the "mining song" Nie Er himself playing a drama miners, the face and body painted black Cantor that support "mining song," It can be said that his description of the working class creation groans and cries of the first song. In 1934, Tian Han's play "Yangtze River Tempest" premiere, Nie Er theme song for the drama with the music, this is the famous "Forward Song," and his own drama plays dockers Pharaoh, when Pharaoh When grandson was shot and killed by imperialists, Pharaoh picked up his grandson sing: My fellow citizens, all of a mind, Our struggle dawn. We are not afraid to die (White) do not take the dead to scare us! We do conquered people, We do Chinese masters! Let us form a great wall of iron, The robbers were all driven to do; Let us form a great wall of iron, The road toward freedom, forward! Nie Er sing generous tragic, so all who tears opera, which aroused a great deal of anti-Japanese enthusiasm. Later, the White Terror worsening, such progress playwright Tian Han, had to go underground. He can be contacted through indirect relationship with Nie Er. At this point Tian Han and wrote the drama "rejuvenation of the song," one of the "farewell Nanyang" is one of Nie Er comps. The tune in the '30s as a stage art song often sung. "Rejuvenation of the song" In the Shanghai Grand Theater performances, Tian Han could not help but want to see, but this time he has not wanted to be an enemy of public appearances. After much thought, he came up with an idea to put on the robe, sweaters, leather hat, dressed as the identity of a rich man, and the other a lesbian is posing as his daughter, helped him into the opera theater, but is still waiting for spies arrested. Fortunately, this outfit saved him, the enemy does not see through his true identity. At a time of Nie Er also flew to Europe to Japan to study, Tian Han wrote in prison, "Anthem," the lyrics to music by Nie Er, this is about the last time they collaborated. Soon, the young Nie Er died in a foreign country. 2009, "Founding of the Republic" and Donnie Yen Tian Han. "Founding of the Republic" in Tian Han, played by Donnie Yen
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Encyclopedia
Tian Han Tian Han Generation of playwrights, modern theater movement organizer and leader. Whose real name is Tian Shouchang. March 1898 Born on 12 Changsha Togo peasant family. Father in Hunan Yuezhou, Shaoyang County as a cook. Mother of the household, and his "strong knowledge of Italian, a hundred bitter does not return," Tian Han has great influence on the life of the road. 6-year-old Meng Tian Han open, learning the classics and other ancient Chinese tradition, culture and lay a more solid foundation. 9 years old his father died, his mother by spinning and weaving for their livelihood. Uncle get aid, energies studied, outstanding. Revolution on the eve of the three secondary schools are expected to apply for alumni renamed, the name of four together as "the British, male, pregnant, Han," is beginning to use one of Tian Han. 1912 was admitted by recommendation Changsha Normal School, the principal of the famous educator Teli. In 1916, the uncle was sent to Japan to any student manager who, along with east to Tian Han study, first learn the Navy, after the education, the end result of his childhood love of dramatic literature, and engaged in art and literature. Theatre Arts preparedness and early creative activities and relationships Tian Han origins can be traced back to the theater has been an early age. In the village, he was the first to see the shadow, he once stated:. "This is the starting point of my contacts drama" In the future, post-harvest and from the entertainment of God "wooden skull Opera" (puppet show) and Flower Drum Opera performances farmers learn to the concert. Simple folk drama Tian Han realism and make young minds excited by the romantic stories and performances gave him infinite joy. Often with the ancestors, parents watch the "drama" (Gordon play), but also that he had a "very surprised and envious" of the situation. All these planted in theater arts Tian Han deeply loving. After the school was removed a few locations, where the multi-temple, when ritual performances, consequent dramatic close more opportunities. 11-year-old into the provincial capital into higher primary school, the city both Han Ban premiere, another Peking opera on stage, Tian Han fascinated for opera began, "about this class drama than sticking to the rules that would be far more romantic drama Han Ban much or much more realistic. "student age of 13 he attended military solidarity with the Revolution and the formation of three months, but as usual, not money the military theater, opera and more than every night. In Changsha Normal school, Ouyang Yuqian rate literary societies show "blood" and other drama (civilized drama), also makes juvenile Tian Han "very welcomed move and love." In the colorful attraction of dramatic art, Tian Hanmeng made a strong admiration and pursuit. 14 years old the first time you begin to practice for drama, written "Protestant child", "New Peach Blossom Fan," published in the "Journal of Changsha", "Shanghai Times," This is the cause of Tian Han involved in theater preparation and trial stage. Tian Han period Southland community During the study in Japan, the Japanese theater world by Tian Han, "Understanding the modern European drama realism." He unreservedly to read literary books, participated in organizing the famous dramatist Kikuchi Kan and other literary report regularly to the theater to watch the show's artistic seat "Resurrection" and other modern drama. Meanwhile, the October Revolution in Russia, early progressive literary movement in Japan and "Fourth" new literary movement surging domestic rise, he gave great inspiration and influence. He was eager to be a playwright, hope for the expression of discontent with the forces of evil through thoughtful concern for the fate of the theater, and communication in Guo, he once said that "China's future Ibsen" vows. He and Nathan Moruo, Baihua communication, and later classified as "clover collection" was published in 1920. Tian Han's literary thought in this period relatively unorganized, in the "hunger" among the various literary trends of the Western genre not distinguish good and bad, eclectic. As he enthusiastically introduced the American poet Walt Whitman's democracy works, studies Goethe, Schiller, Heine positive romantic poetry, the 19th-century Enlightenment ideology of progress in Russia, Herzen, Tolstoy and other masters masters performance the passion and love, but also translating over Shakespeare's "Hamlet" and other classics; another side and obsessed esthete writer Oscar Wilde, symbolism writers and poets Maeterlinck, Baudelaire, Symbolist poet Verlaine, and has received New Romanticism impact. This time, Tian Han formed the ideological dualism worldview and artistic concept, on the one hand think writers and artists "should expose the dark side of life", on the one hand and advocates "the beautification of life, people forget the pain of real life, into the room in one kind of intoxicating delight totally consistent throughout. " Tian Han's birth works as "The Night Café", written in 1920, describes the salt merchants Master Li Bai Qiuying Ganqing abandoned cafe maid's story. Screenplay plot is relatively simple, innocent girl's infatuation with the rich kids is in sharp contrast to the fickle, exposing the ugly row exploiting classes
