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Huan Tan (?~56) 
Huan Tan     汉代   (?~56 AD)

civility apprehend《新论》

  Han philosophers, the experts. Word Junshan, Peiguo phase (now Anhui suixi Northwest) people. Loving temperament, good Guqin, learned through, over the five study after, hi non-destroyed Suru. Ai, Ping Tai, the place, but Lang. Wang Mang music when he was telling the doctor. Xuan-ascended the throne, so the doctor Chao prayer. Guangwu, the term Yi Lang Decadence. Divination by firmly opposed to theology, "Prophecy of the very words of non-economic" objectives are Guangwu as "non-holy can not", attempted to beheading. After devaluation, as Luan Jun Cheng, Road Death disease. He candle than to behave dry form, the spirit of the candle, put forward "candlelight metaphor and spirit" of the well-known argument, asserted that the spirit can not leave people's physical and independent existence, as the candle from the candle body can not exist as . Wang praised his work as "defendants world affairs, distinguishing plain not, false words, Wei Shi of the speech, everyone will permit." ("Lun Heng Chao Qi") to have an impact on the development of later thinking atheism. Author of the "new theory" 29, long lost. Now pass the "new form of God" an income "Hiroaki Gallery". "New theory" to clear all series of the Yen may be better (see "Full text of the Ancient Three Six Three Kingdoms"). Another Fu, Lei, books, playing all 26, this kept the "fairy Fu", "Chenshi Zheng Shu," "generous rewards sparse Restraining Prophecy" and other text (see "art class together," and the pass). "Sui Shu Jing Ji Zhi" was recorded in a set of five volumes, has been Lost. Biography See "Biography of the Later Han Huan Tan."
  Huan Tan's father was the emperor's too happy to make, Huan Tan through temperament, good at playing the piano, his music has its own unique views, for those who only have the form of court music was very disgusted. According to historical records: Xiu's reign, recruit more capable, then recommend a large Sagong Song Hong Huan Tan, Huan Tan interview Guangwu some folk melodies when the bomb, light Wudi Long Tai Yue heart, let him do palm music doctor.
  Huan Tan was a "new theory" book, which "Qin Tao article" is a monograph of Qin, the original book has been lost, there are several Collenction the Qing Dynasty. "Qin Tao article" includes piano theory, history and piano melodies, the aspects of interpretation, according to "the Book. Huan Tan Biography" recorded OSGi bundles are not finished, is continued into later Suzong life Ban. Qin on many aspects of the music reflects the Confucian thought, and elsewhere documented Huan Tan's ideological conflict; piano introduces the history of the Qin Shi Kuang and Yung doors of people; melodies were introduced 7: "Yao Chang" "Shun Cao", "Yu Cao", "King Wen Cao", "micro-sub-speaking", "Ji Zi Cao" and "Yi's parade," not only describes each of the first theme of the works, but also pointed out that the characteristics of their music.
Translated by Google
《Huan Tan》
Poet: Xu Jun

  力排谶纬本非经,言直多因见理明。
  却憾临危无定守,仓皇叩地苦求生。
No. 3
  桓谭(前?-公元56)
  东汉哲学家、经学家。字君山,沛国相(今安徽淮北市)人。爱好音律,善鼓琴,博学多通,遍习五经,喜非毁俗儒。哀帝、平帝间,位不过郎。王莽时任掌乐大夫。刘玄即位,诏拜太中大夫。光武帝时,任议郎给事中。因坚决反对谶纬神学,“极言谶之非经”,被光武帝目为“非圣无法”,险遭处斩。后被贬,出任六安郡丞,道中病卒。他把烛干比作人的形体,把烛火的精神,提出“以烛火喻形神”的有名论点,断言精神不能离开人的形体而独立存在,正如烛光之不能脱离烛体而存在一样。王充称道他的著作是“讼世间事,辨昭然否,虚妄之言,伪饰之辞,莫不证定”。(《论衡·超奇》)对后来无神论思想发展有所影响。著作有《新论》二十九篇,早佚 。现传《新论·形神》一篇,收入《弘明集》内。《新论》以清严可均辑本较好(见《全上古三代秦汉三国六朝文》)。另有赋、诔、书、奏凡二十六篇,今存《仙赋》、《陈时政疏》、《抑谶重赏疏》等文(见《艺文类聚》及本传)。《隋书·经籍志》著录有集五卷,已佚。传见《后汉书·桓谭传》。
  桓谭的父亲是汉成帝时的太乐令,桓谭通音律,擅弹琴,他对音乐有自己独到的见解,对那些徒具形式的雅乐很是反感。据史书记载:刘秀即位后,广纳贤才,当时的大司空宋弘举荐了桓谭桓谭面见光武帝时弹了一些民间琴曲,光武帝龙心大悦,就让他做了掌乐大夫。
  由于桓谭“颇离雅操而更为新弄”,遭到了当时保守势力的攻击,大司空宋弘更是大为生气,他斥责桓谭在帝面前“数进郑声以乱雅颂”,并威胁他不得在武帝面前再弹新声。后来,光武帝举行宴会时,让桓谭弹琴,桓谭举止失措,令帝奇怪,宋弘趁机讲了一通雅颂之道,自此,光武帝渐渐疏远了桓谭
  汉代崇尚神仙方士,而桓谭对此非常反感,因为他反对光武帝的谶纬迷信,以致被加上“非圣无法”的罪名,罢官流放,死于途中。
  桓谭著有《新论》一书,其中的《琴道篇》是琴学专著,原书已失传,清代有几种辑佚本。《琴道篇》包括琴论、琴史和琴曲解说等几个方面,据《后汉书. 桓谭传》记载,此篇并未写完,是后来肃宗命班固续成。琴论方面很多地方反映了儒家的音乐思想,与别处记载的桓谭的音乐思想相抵触;琴史则介绍了师旷和雍门等琴人;琴曲共介绍了七首:《尧畅》、《舜操》、《禹操》、《文王操》、《微子操》、《箕子操》和《伯夷操》,每首作品不仅介绍了主题思想,还指出了它们的音乐特点。
百科大全
  Huan Tan
  桓谭
  中国汉代琴家,字君山,沛国相(今安徽濉溪县西北)人。其父为西汉成帝太乐令。桓谭博学多艺,精于琴,喜好新兴的音乐。东汉建武年间,他由大司空宋弘推荐,官拜议郎、给事中。据《后汉书·宋弘列传》记载,光武帝宫宴,常令桓谭弹琴,尤其爱听他弹奏的“郑声”。宋弘听了很不高兴,指责桓谭说:“吾所以荐子者,欲令辅国家以道德也。而今数进郑声,以乱雅颂,非忠正者也。”后来,光武帝大会群臣,又让桓谭奏琴,桓谭见宋弘在座,举止失措,光武问其故,宋弘离席奏称:“臣所以荐桓谭者,望能以忠正导主,而令朝廷耽悦郑声,臣之罪也。”
  桓谭对俗儒常加以非议,引起不少人的反对,故多见排抵,又因他反对谶纬迷信,光武帝认为他不遵守圣贤之道,险遭处斩,在贬出六安郡丞的途中病卒。桓谭著有《新论》29篇,早佚。其中《琴道》一篇仅完成第1章,后肃宗令班固续成。现传《新论》为后人所辑。
  (林友仁)
English Expression
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