民歌很少精雕细琢，却犹如浑璞玉，自有天然之美，因直抒胸臆，语出肺腑，相较精雕细琢的文人诗，另有一种特殊魅力。让我们回归到汉魏，两晋，六朝，盛唐。去观望彼时的风月无限,向那些古人讨一些情爱暖暖身。从《人生若只如初见》《当时只道是寻常》《思无邪》《陌上花开缓缓归》直到《陌上花开》，只有在安意如的传述中，才真真切切地感受到了古典与现代也是可以找到契合点的。本书在追寻古典诗词的浪漫足迹，沉醉唯美爱情的旷世韵味。在历史中游历，有如行走在蔷薇园。你可看到那些华美的诗句，一如正放的花般鲜艳，一如明日的花般凋零，或喜或悲，又要分辨那蔷薇下的刺，不被历史的沧桑人世的坎坷所刺伤刺痛。
在《红楼梦》里四丫头惜春的身世是个谜也是十二钗中曹公着墨最少的人物，却个性鲜明叫人过目不忘。在安意如的笔下惜春成了秦可卿和贾敬的女儿，为公公和儿媳妇爬灰所生。这样的身世注定了惜春的冷淡和自卑。惜春被指配给冯紫英这是一个极为妙绝的搭配。倘若仅仅只是如此那了不得是个爱情故事的敷衍罢了，这样的惜春又哪里算得出彩？但是《惜春记》却不同，这里的四丫头是极出彩的此中亦有红楼中其他人出场也只是叫她更加立体更加的精彩。
诗经，是一部古老而珍重的书，中国诗歌的源头。名头之高妇孺皆知，但从汉代以来，就没有几个真正能完全懂得的了。诗经一共有305篇，作者在《思无邪》中选择了40余篇进行解读，以“国风”为主，纵横深入地还原了诗经本来的面目。它大气而活泼的，沿袭前两本书的清新自在，然而在表达的深度和力度上都有新的突破。
才女文字——古典情怀的现代阐释；小资读本——沉吟至今的情爱绝唱；纳兰性德，张爱玲，村上春树，不止是小资才推崇。纳兰词——华贵的悲哀，优美的感伤；细读纳兰词会发现，豪放是外放的的风骨，优伤才是内敛的精魂。一个生活在三百年前的男子，在他的词章中不倦不悔地体贴诉对感情的执着，对友情的坚定，像一道道疗伤的温泉汤药，温暖了，唤醒了，我们冰封的情感。
这是一部不甘于淹没在浩瀚书海中的作品。她似在谈诗词，又似在谈风月。她不拘泥于对古典诗词字面的理解，也非传统意义上的简单赏析，而是一种风格独特、感情丰富的散文随笔。她用清丽、感性的笔调，配以优雅、飘逸的插图，描绘出一幕幕古典诗词背后唯美、动人的历史爱情画卷，引领读者倾听一段段经典、震撼的浪漫往事……
"Goddess" is a best-selling author Ann intended as, following the "Bowl", "when people say that unusual", "Thought of Justice" and other books launched another appreciation of the classical literary essays.
"Goddess" is intended as a continuation of the previous Ann creative style of classical elegance, a representative of the Yuan opera drama "Peony Pavilion", "The West Chamber" "Peach Blossom Fan" and had a beautiful appreciation.
Busy modern man, who had been sitting quietly in the theater and enjoy the opera Ruannuo tune, graceful figure? "The Peony Pavilion", "The West Chamber", "Peach Blossom Fan", perhaps these people play a lot of familiar names, but who makes a taste of their romance and legend? "Who is ready to dawn frost forest drunk? Always tears from the people", "lovely flowers are everywhere, so all may pay with piles of rubbish," "delicate silk blowing busy sunny courtyard, shaking Yang Chun, such as lines," Yuan Drama charm what point than the Tang, Song inferior? In classical literature, such as an Italian famous essay with you smooth read yuan opera Peony Pavilion. Her efforts to explore Yuan embodied human drama, humanity and freedom romantic magic beauty of spirit, today's men and women in classical literature and emotion of the characters inextricably involved together.
"Goddess" is intended as a continuation of the previous Ann creative style of classical elegance, a representative of the Yuan opera drama "Peony Pavilion", "The West Chamber" "Peach Blossom Fan" and had a beautiful appreciation.
Busy modern man, who had been sitting quietly in the theater and enjoy the opera Ruannuo tune, graceful figure? "The Peony Pavilion", "The West Chamber", "Peach Blossom Fan", perhaps these people play a lot of familiar names, but who makes a taste of their romance and legend? "Who is ready to dawn frost forest drunk? Always tears from the people", "lovely flowers are everywhere, so all may pay with piles of rubbish," "delicate silk blowing busy sunny courtyard, shaking Yang Chun, such as lines," Yuan Drama charm what point than the Tang, Song inferior? In classical literature, such as an Italian famous essay with you smooth read yuan opera Peony Pavilion. Her efforts to explore Yuan embodied human drama, humanity and freedom romantic magic beauty of spirit, today's men and women in classical literature and emotion of the characters inextricably involved together.
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