首页>> 文学论坛>> 现实百态>> 约瑟夫·康拉德 Joseph Conrad   波兰 Poland   世界大战和冷战   (1857年12月3日1924年8月3日)
黑暗的心 Heart of Darkness
  包括了原书的全文,还由美国文学方面的学者作了详尽的注释,帮助读者理解原文。注释既包括语言方面的内容,又介绍了一些文化背景方面的知识。是公认的二十世纪文学经典、剥葱皮一样把殖民主义者的心态一层层刻画得淋漓尽致。本书具有鲜明的现代主义特色。作者康拉德用了马洛这样一个叙述者,让他以回忆者的身份出现在故事里,他的叙述穿梭于过去与现在、自己和库尔兹及听众之间,让读者分享着他的各种情绪,这种叙述角度的交替,开创了一种新的叙述模式,代替了传统的线性叙述方法。另外,小说中隐喻、象征等修辞手段的运用还使作品极具可读性。“黑暗的心”本身就含有双层寓意:既指地理意义上的黑色的非洲腹地,也指殖民者黑暗的内。本书大量修辞手法的运用大大丰富了作品的意蕴,深化了小说的主题,使小说的思想内容、艺术风格不亚于20世纪任何一部现代主义小说。


  Heart of Darkness is a novella written by Joseph Conrad. Before its 1902 publication, it appeared as a three-part series (1899) in Blackwood's Magazine. It is widely regarded as a significant work of English literature and part of the Western canon.
  
  The story tells of Charles Marlow, an Englishman who took a foreign assignment from a Belgian trading company as a ferry-boat captain in Africa. Although Conrad does not give the name of the river, at the time, Congo Free State, the location of the large and important Congo River was a private colony of Belgium's King Leopold II. Marlow is employed to transport ivory downriver. However, his more pressing assignment is to return Kurtz, another ivory trader, to civilization, in a cover-up. Kurtz has a reputation throughout the region.
  
  This symbolic story is a story within a story or frame narrative. It follows Marlow as he recounts from dusk through to late night, to a group of men aboard a ship anchored in the Thames Estuary his Congolese adventure. The passage of time and the darkening sky during the fictitious narrative-within-the-narrative parallel the atmosphere of the story.
  
  Background
  
  Eight and a half years before writing the book, Conrad had gone to serve as the captain of a Congo steamer. On arriving in the Congo, he found his steamer damaged and under repair. He became ill and returned to Europe before serving as captain. Some of Conrad's experiences in the Congo and the story's historic background, including possible models for Kurtz are recounted in Adam Hochschild's King Leopold's Ghost.
  
  The story-within-a-story device (called framed narrative by literary critics) that Conrad chose for Heart of Darkness — one in which Charles Marlow relates to other characters his account of his journey — has many literary precedents. Emily Brontë's Wuthering Heights and Mary Shelley's Frankenstein used a similar device but the best known examples are Geoffrey Chaucer's The Canterbury Tales, The Arabian Nights and Samuel Taylor Coleridge's The Rime of the Ancient Mariner.
  Plot summary
  
  The story opens with an unnamed narrator describing five men, apparently colleagues, on a boat anchored on the Thames near London and the surroundings as dusk settles in and they await the turning of the tide. The narrator cites a passenger known as Marlow: the only one of the men that "still followed the sea." Marlow makes an obtuse comment about London having been "too, one of the dark places on earth"; thus begins the story of Marlow and a job he took as captain of a steamship in Africa.
  
  He begins by ruminating on how Britain's image among Ancient Roman officials must have been similar to Africa's image among 19th century British officials. He describes how his "dear aunt" used many of her contacts to secure the job for him. When he arrives at the job, he encounters many men he dislikes as they strike him as untrustworthy. They speak often of a man named Kurtz, who has quite a reputation in many areas of expertise. He is somewhat of a rogue ivory collector, "essentially a great musician," a journalist, a skilled painter and "a universal genius".
  
  Marlow arrives at the Central Station run by the general manager, an unwholesome conspiratorial character. He finds that his steamship has been sunk and spends several months waiting for parts to repair it. Kurtz is rumored to be ill, making the delays in repairing the ship all the more costly. Marlow eventually gets the parts and he and the manager set out with a few agents and a crew of cannibals on a long, difficult voyage up the river. The dense jungle and the oppressive silence make everyone aboard a little jumpy, and the occasional glimpse of a native village or the sound of drums works the voyagers into a frenzy.
  
  Marlow and his crew come across a hut with stacked firewood together with a note saying that the wood is for them but that they should approach cautiously. Shortly after the steamer has taken on the firewood it is surrounded by a dense fog. When the fog clears, the ship is attacked by an unseen band of natives, who fire arrows from the safety of the forest, killing one of the crew. When they later reach Kurtz's station, they are met by a Russian trader who assures them that everything is fine and informs them that he is the one who left the wood and the note. They find that Kurtz has established himself as a god with the natives and has gone on brutal raids in the surrounding territory in search of ivory.
  
  Marlow and his crew take the ailing Kurtz aboard their ship and depart. Kurtz is lodged in Marlow's pilothouse and Marlow begins to see that Kurtz is every bit as grandiose as previously described. During this time, Kurtz gives Marlow a collection of papers and a photograph for safekeeping; both had witnessed the manager going through Kurtz's belongings. The photograph is of a beautiful woman whom Marlow assumes is Kurtz's love interest, or, as Marlow calls her, "his [Kurtz's] intended."
  
  One night Marlow happens upon Kurtz, obviously near death. As Marlow comes closer with a candle, Kurtz seems to experience a moment of clarity and speaks his last words: "The horror! The horror!" Marlow believes this to be Kurtz's reflection on the events of his life. Marlow does not inform the manager or any of the other voyagers of Kurtz's death; the news is instead broken by the manager's child-servant.
  
  Marlow later returns to his home city and is confronted by many people seeking things and ideas of Kurtz. Marlow eventually sees Kurtz's fiancée about a year later; she is still in mourning. She asks Marlow about Kurtz's death and Marlow informs her that his last words were her name—rather than, as really happened, "The horror! The horror!"
  
  The story concludes as the scene returns to the trip on the Thames and mentions how it seems as though the boat is drifting into the heart of the darkness.
  Motifs
  
   He cried in a whisper at some image, at some vision—he cried out twice, a cry that was no more than a breath—"The horror! The horror!"
  
   – Joseph Conrad, Heart of Darkness
  
  T. S. Eliot's use of a quotation from The Heart of Darkness—"Mistah Kurtz, he dead"—as an epigraph to the original manuscript of his poem, The Hollow Men, contrasted its dark horror with the presumed "light of civilization," and suggested the ambiguity of both the dark motives of civilization and the freedom of barbarism, as well as the "spiritual darkness" of several characters in Heart of Darkness. This sense of darkness also lends itself to a related theme of obscurity—again, in various senses, reflecting the ambiguities in the work. Morality is ambiguous, that which is traditionally placed on the side of "light" is in darkness and vice versa.
  
  Africa was known as "The Dark Continent" in the Victorian Era with all the negative connotations attributed to Africans by many of the British. One of the possible influences for the Kurtz character was Henry Morton Stanley of "Dr. Livingstone, I presume" fame, as he was a principal explorer of "The Dark Heart of Africa", particularly the Congo. Stanley was supposedly infamous for his violence against his porters while in Africa, although records indicate this was perhaps an exaggeration and he was later honoured with a knighthood. An agent Conrad met when travelling in the Congo, Georges-Antoine Klein, could also have served as a model for Kurtz (klein means "small" in German, where kurz means "short"). Klein died aboard Conrad's steamer and was interred along the Congo, much like Kurtz in the novel. Among the people Conrad may have encountered on his journey was a trader called Leon Rom, who was later named chief of the Stanley Falls Station. In 1895 a British traveller reported that Rom had decorated his flower-bed with the skulls of some twenty-one victims of his displeasure (including women and children) resembling the posts of Kurtz's Station.
  Duality of Human Nature
  
  But theory is one thing, practice is another. Idealism, which has a Utopian quality, is inappropriate in a world where corrupt interests abound and where there are many who go on all fours. The last sentence in the report, an added footnote--"Exterminate all the brutes"--refers us to the dark other side of his personality, "the soul satiated with primitive emotions"; it shows a descent and that his "civilizer's" concern for the distressed savages has turned to hatred. Of particular relevance is the significance of the portrait he has painted, the blindfolded torchbearer against the black background which could suggest (among other things) the simplicity of the ideal and the complexity of reality, the illusion of light and the truth of darkness. The monstrous prevails and the human and artistic potential miscarries. There is a downward tug in Kurtz's involvement with the wilderness and he descends into a brute existence. He is reduced to madness and his aggressive impulses take control of him.
  
  
  To emphasize the theme of darkness within mankind, Marlow's narration takes place on a yawl in the Thames tidal estuary. Early in the novella, Marlow recounts how London, the largest, most populous and wealthiest city in the world, was a dark place in Roman times. The idea that the Romans conquered the savage Britons parallels Conrad's tale of the Belgians conquering the savage Africans. The theme of darkness lurking beneath the surface of even "civilized" persons appears prominently and is explored in the character of Kurtz and through Marlow's passing sense of understanding with the Africans.
  
  Kurtz embodies all forms of an urge to be more or less than human. He employs his faculties for aims in the opposite to the idealism announced in his self-deconstructing report as a civilizer. His writings show in Marlow's view an "exotic Immensity ruled by an august Benevolence" and they appeal to "every altruistic sentiment." His predisposition for benevolence is clear in the statement "We whites...must necessarily appear to them [savages] in the nature of supernatural beings....By the simple exercise of our will we can exert a power for good practically unbounded". The Central Station manager quotes Kurtz, the exemplar: "Each station should be like a beacon on the road towards better things, a centre for trade of course, but also for humanizing, improving, instructing". Kurtz's inexperienced, scientific self in the fiery report is alive with the possibility of the cultivation and conversion of the savages. He would have subscribed to Moreau's proposition that "a pig may be educated".
  
  Themes developed in the novella's later scenes include the naïveté of Europeans (particularly women) regarding the various forms of darkness in the Congo; the British traders and Belgian colonialists' abuse of the natives and man's potential for duplicity. The symbolism in the book expands on these as a struggle between good and evil (light and darkness), not so much between people as in every major character's soul.
  Readings
  
  Conrad's novel is called an archetypal modern text for a number of reasons, one being its many interpretations. These readings include:
  
  Symbolic
  
  A symbolic reading of the text may note that contrasts between light and dark have been part of life since the origins of humanity. Light equaling good, dark equaling evil plays an important part in the novel. Symbolic comparisons are also made between the River Thames and the Congo river, between the City of London seen at the start of the novel and the African settlement where Marlow lives for a time during his journey. Marlow is symbolically compared to the maverick Kurtz and Kurtz can also be seen as a symbol of the imperial, ignorant and callous European mind.
  
  Mythical
  
  A mythical reading has ideas of the primitive, the nature of primitive existence and the effect that a vague but powerful idea has upon humanity, embodying as well a return to the origins of existence and a confrontation with darkness. The myth of the Seer or apparent "All-seeing Wise Man" is included, is embodied by Kurtz. Although this idea is not fulfilled as we learn Kurtz is not the God-like figure described by colonists and natives alike, Marlow still learns from Kurtz, even at a point where the idea of Empire is in decline.
  
  Psychological
  
  This reading of Conrad's tale has been a common form of interpretation and the most obvious and introspective reading of the novella is as a journey into Marlow's inner self. It is an exploration of identity on how the outside world may alter and disrupt the inner ideals and morals of even the most incorruptible person.
  
  Political
  
  Since the late 1960s, political readings of Heart of Darkness have increased, exploring and commenting on the ideology of imperialism. Marlow's reference at the start of the novel to the actions of the Romans is a comparison to the actions of those exploring the Africa in the novel's context, particularly the Congo river. Through a political reading much of the text can be interpreted as a satire of the greed and ignorance of Europe. Marlow indicates that the British colonial effort is superior to that of any other country, particularly Belgians' colonial activities, "There was a vast amount of red [British colonies] -good to see at any time, because one knows that some real work is done in there". Marlow experiences something of a revelation as we see him change his opinions during the story.
  
  Realist
  
  Many readers view Conrad as a realist and a documenter of the events he saw in the Congo. Readers of this approach argue that Heart of Darkness is a document of Conrad's visit to the Congo and should be read as a judgment of Belgian colonialism rather than a psychological analysis.
  Historical context
  The Roi des Belges, the ship Conrad used to travel up the Congo
  
  The novel is partly autobiographical, based on Joseph Conrad's six-month journey up the Congo River where he took command of a steamboat in 1890 after the death of its captain. At the time the river was called the Congo and the country was the Congo Free State. The area Conrad refers to as the Company Station was a place called Matadi, two hundred miles up river. The Central Station was called Kinshasa and these places marked a stretch of river impassable by steamboat on which Marlow takes a "two-hundred mile tramp".
  
  Conrad met Roger Casement at Matadi on 13 June 1890, writing "Made the acquaintance of Mr Roger Casement, which I should consider as a great pleasure under any circumstances and now it becomes a positive piece of luck. Thinks, speaks well, most intelligent and very sympathetic." The two were to share a room for several weeks, barring a period when Casement went down river to Boma escorting "a large lot of ivory".
  
  The Company was the "Anglo-Belgian India-Rubber Company" formed by King Leopold II of Belgium. The Congo Free State was voted into existence by the Berlin Conference (1884), which Conrad refers to sarcastically in his novella as "the International Society for the Suppression of Savage Customs".
  
  Leopold II declared the Congo Free State his property in 1892, legally permitting the Belgians to take what rubber they wished from the area without having to trade with Africans. This caused more atrocities by the Belgian traders.
  
  The Congo Free State ceased to be the property of the king and became a colony of Belgium called Belgian Congo, in 1908 after the extent of the atrocities committed there became known in the West, in part through Conrad's novella but mainly through Casement's exposé.
  Reception
  
  In a post-colonial reading, the Nigerian writer Chinua Achebe famously criticized Heart of Darkness in his 1975 lecture An Image of Africa: Racism in Conrad's "Heart of Darkness", saying the novella de-humanized Africans, denied them language and culture and reduced them to a metaphorical extension of the dark and dangerous jungle into which the Europeans venture. Achebe's lecture prompted a lively debate, reactions at the time ranged from dismay and outrage—Achebe recounted a Professor Emeritus from the University of Massachusetts saying to Achebe after the lecture, "How dare you upset everything we have taught, everything we teach? Heart of Darkness is the most widely taught text in the university in this country. So how dare you say it’s different?"—to support for Achebe's view—"I now realize that I had never really read Heart of Darkness although I have taught it for years," one professor told Achebe. Other critiques include Hugh Curtler's Achebe on Conrad: Racism and Greatness in Heart of Darkness (1997).
  
  In King Leopold's Ghost (1998), Adam Hochschild argues that literary scholars have made too much of the psychological aspects of Heart of Darkness while scanting the horror of Conrad's accurate recounting of the methods and effects of colonialism. He quotes Conrad as saying, "Heart of Darkness is experience ... pushed a little (and only very little) beyond the actual facts of the case."
  Adaptations
  
  Orson Welles adapted and narrated the novel for his Mercury Theater radio show. When Welles signed his contract with RKO Radio Pictures in 1940, he considered making films based on Heart of Darkness and on the C. Day Lewis novel The Smiler With a Knife (1939) before deciding on Citizen Kane (1941).
  
  The CBS television anthology Playhouse 90 aired a loose adaptation in 1958. This version, written by Stewart Stern, uses the encounter between Marlow (Roddy McDowall) and Kurtz (Boris Karloff) as its final act, and adds a backstory in which Marlow had been Kurtz's adopted son. The cast includes Inga Swenson and Eartha Kitt.
  
  The most famous adaptation of Heart of Darkness is Francis Ford Coppola's 1979 movie Apocalypse Now, which moves the story from the Congo to Vietnam and Cambodia during the Vietnam War. In Apocalypse Now, Martin Sheen plays Captain Benjamin L. Willard, a US Army officer charged with "terminating" the command of Colonel Walter E. Kurtz (who was also based on Green Beret Colonel Robert B. Rheault of Project GAMMA). Marlon Brando played Kurtz, and it remains one of his most famous roles.
  
  Dennis Hopper's brief role in Apocalypse Now as the photojournalist is based in part on the Russian trader character, whom Marlow describes at first as looking like a "harlequin" (his clothing is a mass of patchwork colors), and many of Hopper's lines allude to those spoken by the Russian trader: the man [Kurtz] has enlarged his mind; you don't talk to him, you listen; you [Marlow] are not to judge him. Sheen's Willard's meditation in the film on how he detests "the stench of lies" mirrors Marlow's comments on lying to Kurtz's "intended."
  
  A production documentary of the film was titled, Hearts of Darkness: A Filmmaker's Apocalypse, which exposed some of the major difficulties director Coppola faced in seeing the movie through to completion. Ironically, the difficulties Coppola and his crew faced often mirrored some of the themes of the book.
  
  On March 13, 1993, TNT aired a new version of the story directed by Nicolas Roeg, starring Tim Roth as Marlow and John Malkovich as Kurtz.
  
  In 1989, British poet Matthew Francis published Demonland, a short story strongly influenced by Heart of Darkness, mixed with elements from his experience as a worker in the computer industry. Swiss author Christian Kracht's 2008 novel Ich werde hier sein im Sonnenschein und im Schatten also draws heavily upon basic story elements of Heart of Darkness, but transposes them into a fictitious, post-apocalyptic Switzerland. One could also cite Werner Herzog's Aguirre: Wrath of God, a film chronicling a group of conquistadors' journey down the Amazon River attempting to find El Dorado, but only finding the silent, defensive malice of the Amerindians and madness.
  The Nellie, a cruising yawl, swung to her anchor without a flutter of the sails, and was at rest. The flood had made, the wind was nearly calm, and being bound down the river, the only thing for it was to come to and wait for the turn of the tide.
   The sea-reach of the Thames stretched before us like the beginning of an interminable waterway. In the offing the sea and the sky were welded together without a joint, and in the luminous space the tanned sails of the barges drifting up with the tide seemed to stand still in red clusters of canvas sharply peaked, with gleams of varnished sprits. A haze rested on the low shores that ran out to sea in vanishing flatness. The air was dark above Gravesend, and farther back still seemed condensed into a mournful gloom, brooding motionless over the biggest, and the greatest, town on earth.
   The Director of Companies was our captain and our host. We four affectionately watched his back as he stood in the bows looking to seaward. On the whole river there was nothing that looked half so nautical. He resembled a pilot, which to a seaman is trustworthiness personified. It was difficult to realize his work was not out there in the luminous estuary, but behind him, within the brooding gloom.
   Between us there was, as I have already said somewhere, the bond of the sea. Besides holding our hearts together through long periods of separation, it had the effect of making us tolerant of each other's yarns--and even convictions. The Lawyer--the best of old fellows--had, because of his many years and many virtues, the only cushion on deck, and was lying on the only rug. The Accountant had brought out already a box of dominoes, and was toying architecturally with the bones. Marlow sat cross-legged right aft, leaning against the mizzen-mast. He had sunken cheeks, a yellow complexion, a straight back, an ascetic aspect, and, with his arms dropped, the palms of hands outwards, resembled an idol. The Director, satisfied the anchor had good hold, made his way aft and sat down amongst us. We exchanged a few words lazily. Afterwards there was silence on board the yacht. For some reason or other we did not begin that game of dominoes. We felt meditative, and fit for nothing but placid staring. The day was ending in a serenity of still and exquisite brilliance. The water shone pacifically; the sky, without a speck, was a benign immensity of unstained light; the very mist on the Essex marshes was like a gauzy and radiant fabric, hung from the wooded rises inland, and draping the low shores in diaphanous folds. Only the gloom to the west, brooding over the upper reaches, became more somber every minute, as if angered by the approach of the sun.
   And at last, in its curved and imperceptible fall, the sun sank low, and from glowing white changed to a dull red without rays and without heat, as if about to go out suddenly, stricken to death by the touch of that gloom brooding over a crowd of men.
   Forthwith a change came over the waters, and the serenity became less brilliant but more profound. The old river in its broad reach rested unruffled at the decline of day, after ages of good service done to the race that peopled its banks, spread out in the tranquil dignity of a waterway leading to the uttermost ends of the earth. We looked at the venerable stream not in the vivid flush of a short day that comes and departs for ever, but in the august light of abiding memories. And indeed nothing is easier for a man who has, as the phrase goes, "followed the sea" with reverence and affection, than to evoke the great spirit of the past upon the lower reaches of the Thames. The tidal current runs to and fro in its unceasing service, crowded with memories of men and ships it had borne to the rest of home or to the battles of the sea. It had known and served all the men of whom the nation is proud, from Sir Francis Drake to Sir John Franklin, knights all, titled and untitled--the great knights-errant of the sea. It had borne all the ships whose names are like jewels flashing in the night of time, from the Golden Hind returning with her round flanks full of treasure, to be visited by the Queen's Highness and thus pass out of the gigantic tale, to the Erebus and Terror, bound on other conquests-- and that never returned. It had known the ships and the men. They had sailed from Deptford, from Greenwich, from Erith-- the adventurers and the settlers; kings' ships and the ships of men on `Change; captains, admirals, the dark "interlopers" of the Eastern trade, and the commissioned "generals" of East India fleets. Hunters for gold or pursuers of fame, they all had gone out on that stream, bearing the sword, and often the torch, messengers of the might within the land, bearers of a spark from the sacred fire. What greatness had not floated on the ebb of that river into the mystery of an unknown earth! . . . The dreams of men, the seed of commonwealths, the germs of empires.
   The sun set; the dusk fell on the stream, and lights began to appear along the shore. The Chapman lighthouse, a three-legged thing erect on a mud-flat, shone strongly. Lights of ships moved in the fairway--a great stir of lights going up and going down. And farther west on the upper reaches the place of the monstrous town was still marked ominously on the sky, a brooding gloom in sunshine, a lurid glare under the stars.
   "And this also," said Marlow suddenly, "has been one of the dark places of the earth."
   He was the only man of us who still "followed the sea." The worst that could be said of him was that he did not represent his class. He was a seaman, but he was a wanderer, too, while most seamen lead, if one may so express it, a sedentary life. Their minds are of the stay-at-home order, and their home is always with them--the ship; and so is their country--the sea. One ship is very much like another, and the sea is always the same. In the immutability of their surroundings the foreign shores, the foreign faces, the changing immensity of life, glide past, veiled not by a sense of mystery but by a slightly disdainful ignorance; for there is nothing mysterious to a seaman unless it be the sea itself, which is the mistress of his existence and as inscrutable as Destiny. For the rest, after his hours of work, a casual stroll or a casual spree on shore suffices to unfold for him the secret of a whole continent, and generally he finds the secret not worth knowing. The yarns of seamen have a direct simplicity, the whole meaning of which lies within the shell of a cracked nut. But Marlow was not typical (if his propensity to spin yarns be excepted), and to him the meaning of an episode was not inside like a kernel but outside, enveloping the tale which brought it out only as a glow brings out a haze, in the likeness of one of these misty halos that sometimes are made visible by the spectral illumination of moonshine.
   His remark did not seem at all surprising. It was just like Marlow. It was accepted in silence. No one took the trouble to grunt even; and presently he said, very slow--
   "I was thinking of very old times, when the Romans first came here, nineteen hundred years ago--the other day. . . . Light came out of this river since--you say Knights? Yes; but it is like a running blaze on a plain, like a flash of lightning in the clouds. We live in the flicker--may it last as long as the old earth keeps rolling! But darkness was here yesterday. Imagine the feelings of a commander of a fine--what d'ye call `em?--trireme in the Mediterranean, ordered suddenly to the north; run overland across the Gauls in a hurry; put in charge of one of these craft the legionaries,--a wonderful lot of handy men they must have been too--used to build, apparently by the hundred, in a month or two, if we may believe what we read. Imagine him here-- the very end of the world, a sea the color of lead, a sky the color of smoke, a kind of ship about as rigid as a concertina-- and going up this river with stores, or orders, or what you like. Sandbanks, marshes, forests, savages,--precious little to eat fit for a civilized man, nothing but Thames water to drink. No Falernian wine here, no going ashore. Here and there a military camp lost in a wilderness, like a needle in a bundle of hay--cold, fog, tempests, disease, exile, and death,-- death skulking in the air, in the water, in the bush. They must have been dying like flies here. Oh yes--he did it. Did it very well, too, no doubt, and without thinking much about it either, except afterwards to brag of what he had gone through in his time, perhaps. They were men enough to face the darkness. And perhaps he was cheered by keeping his eye on a chance of promotion to the fleet at Ravenna by-and-by, if he had good friends in Rome and survived the awful climate. Or think of a decent young citizen in a toga--perhaps too much dice, you know--coming out here in the train of some prefect, or tax-gatherer, or trader even, to mend his fortunes. Land in a swamp, march through the woods, and in some inland post feel the savagery, the utter savagery, had closed round him,-- all that mysterious life of the wilderness that stirs in the forest, in the jungles, in the hearts of wild men. There's no initiation either into such mysteries. He has to live in the midst of the incomprehensible, which is also detestable. And it has a fascination, too, that goes to work upon him. The fascination of the abomination--you know. Imagine the growing regrets, the longing to escape, the powerless disgust, the surrender, the hate."
   He paused.
   "Mind," he began again, lifting one arm from the elbow, the palm of the hand outwards, so that, with his legs folded before him, he had the pose of a Buddha preaching in European clothes and without a lotus-flower--"Mind, none of us would feel exactly like this. What saves us is efficiency--the devotion to efficiency. But these chaps were not much account, really. They were no colonists; their administration was merely a squeeze, and nothing more, I suspect. They were conquerors, and for that you want only brute force-- nothing to boast of, when you have it, since your strength is just an accident arising from the weakness of others. They grabbed what they could get for the sake of what was to be got. It was just robbery with violence, aggravated murder on a great scale, and men going at it blind--as is very proper for those who tackle a darkness. The conquest of the earth, which mostly means the taking it away from those who have a different complexion or slightly flatter noses than ourselves, is not a pretty thing when you look into it too much. What redeems it is the idea only. An idea at the back of it; not a sentimental pretense but an idea; and an unselfish belief in the idea--something you can set up, and bow down before, and offer a sacrifice to. . . ."
   He broke off. Flames glided in the river, small green flames, red flames, white flames, pursuing, overtaking, joining, crossing each other-- then separating slowly or hastily. The traffic of the great city went on in the deepening night upon the sleepless river. We looked on, waiting patiently--there was nothing else to do till the end of the flood; but it was only after a long silence, when he said, in a hesitating voice, "I suppose you fellows remember I did once turn fresh-water sailor for a bit," that we knew we were fated, before the ebb began to run, to hear about one of Marlow's inconclusive experiences.
   "I don't want to bother you much with what happened to me personally," he began, showing in this remark the weakness of many tellers of tales who seem so often unaware of what their audience would best like to hear; "yet to understand the effect of it on me you ought to know how I got out there, what I saw, how I went up that river to the place where I first met the poor chap. It was the farthest point of navigation and the culminating point of my experience. It seemed somehow to throw a kind of light on everything about me-- and into my thoughts. It was somber enough too--and pitiful-- not extraordinary in any way--not very clear either. No, not very clear. And yet it seemed to throw a kind of light.
   "I had then, as you remember, just returned to London after a lot of Indian Ocean, Pacific, China Seas--a regular dose of the East--six years or so, and I was loafing about, hindering you fellows in your work and invading your homes, just as though I had got a heavenly mission to civilize you. It was very fine for a time, but after a bit I did get tired of resting. Then I began to look for a ship--I should think the hardest work on earth. But the ships wouldn't even look at me. And I got tired of that game too.
   "Now when I was a little chap I had a passion for maps. I would look for hours at South America, or Africa, or Australia, and lose myself in all the glories of exploration. At that time there were many blank spaces on the earth, and when I saw one that looked particularly inviting on a map (but they all look that) I would put my finger on it and say, `When I grow up I will go there.' The North Pole was one of these places, I remember. Well, I haven't been there yet, and shall not try now. The glamour's off. Other places were scattered about the Equator, and in every sort of latitude all over the two hemispheres. I have been in some of them, and . . . well, we won't talk about that. But there was one yet--the biggest, the most blank, so to speak-- that I had a hankering after.
   "True, by this time it was not a blank space any more. It had got filled since my boyhood with rivers and lakes and names. It had ceased to be a blank space of delightful mystery--a white patch for a boy to dream gloriously over. It had become a place of darkness. But there was in it one river especially, a mighty big river, that you could see on the map, resembling an immense snake uncoiled, with its head in the sea, its body at rest curving afar over a vast country, and its tail lost in the depths of the land. And as I looked at the map of it in a shop-window, it fascinated me as a snake would a bird-- a silly little bird. Then I remembered there was a big concern, a Company for trade on that river. Dash it all! I thought to myself, they can't trade without using some kind of craft on that lot of fresh water--steamboats! Why shouldn't I try to get charge of one? I went on along Fleet Street, but could not shake off the idea. The snake had charmed me.
   "You understand it was a Continental concern, that Trading society; but I have a lot of relations living on the Continent, because it's cheap and not so nasty as it looks, they say.
   "I am sorry to own I began to worry them. This was already a fresh departure for me. I was not used to get things that way, you know. I always went my own road and on my own legs where I had a mind to go. I wouldn't have believed it of myself; but, then--you see--I felt somehow I must get there by hook or by crook. So I worried them. The men said `My dear fellow,' and did nothing. Then--would you believe it?--I tried the women. I, Charlie Marlow, set the women to work-- to get a job. Heavens! Well, you see, the notion drove me. I had an aunt, a dear enthusiastic soul. She wrote: `It will be delightful. I am ready to do anything, anything for you. It is a glorious idea. I know the wife of a very high personage in the Administration, and also a man who has lots of influence with,' &c., &c. She was determined to make no end of fuss to get me appointed skipper of a river steamboat, if such was my fancy.
   "I got my appointment--of course; and I got it very quick. It appears the Company had received news that one of their captains had been killed in a scuffle with the natives. This was my chance, and it made me the more anxious to go. It was only months and months afterwards, when I made the attempt to recover what was left of the body, that I heard the original quarrel arose from a misunderstanding about some hens. Yes, two black hens. Fresleven--that was the fellow's name, a Dane--thought himself wronged somehow in the bargain, so he went ashore and started to hammer the chief of the village with a stick. Oh, it didn't surprise me in the least to hear this, and at the same time to be told that Fresleven was the gentlest, quietest creature that ever walked on two legs. No doubt he was; but he had been a couple of years already out there engaged in the noble cause, you know, and he probably felt the need at last of asserting his self-respect in some way. Therefore he whacked the old nigger mercilessly, while a big crowd of his people watched him, thunderstruck, till some man,-- I was told the chief's son,--in desperation at hearing the old chap yell, made a tentative jab with a spear at the white man-- and of course it went quite easy between the shoulder-blades. Then the whole population cleared into the forest, expecting all kinds of calamities to happen, while, on the other hand, the steamer Fresleven commanded left also in a bad panic, in charge of the engineer, I believe. Afterwards nobody seemed to trouble much about Fresleven's remains, till I got out and stepped into his shoes. I couldn't let it rest, though; but when an opportunity offered at last to meet my predecessor, the grass growing through his ribs was tall enough to hide his bones. They were all there. The supernatural being had not been touched after he fell. And the village was deserted, the huts gaped black, rotting, all askew within the fallen enclosures. A calamity had come to it, sure enough. The people had vanished. Mad terror had scattered them, men, women, and children, through the bush, and they had never returned. What became of the hens I don't know either. I should think the cause of progress got them, anyhow. However, through this glorious affair I got my appointment, before I had fairly begun to hope for it.
   "I flew around like mad to get ready, and before forty-eight hours I was crossing the Channel to show myself to my employers, and sign the contract. In a very few hours I arrived in a city that always makes me think of a whited sepulcher. Prejudice no doubt. I had no difficulty in finding the Company's offices. It was the biggest thing in the town, and everybody I met was full of it. They were going to run an over-sea empire, and make no end of coin by trade.
   "A narrow and deserted street in deep shadow, high houses, innumerable windows with venetian blinds, a dead silence, grass sprouting between the stones, imposing carriage archways right and left, immense double doors standing ponderously ajar. I slipped through one of these cracks, went up a swept and ungarnished staircase, as arid as a desert, and opened the first door I came to. Two women, one fat and the other slim, sat on straw-bottomed chairs, knitting black wool. The slim one got up and walked straight at me-- still knitting with downcast eyes--and only just as I began to think of getting out of her way, as you would for a somnambulist, stood still, and looked up. Her dress was as plain as an umbrella-cover, and she turned round without a word and preceded me into a waiting-room. I gave my name, and looked about. Deal table in the middle, plain chairs all round the walls, on one end a large shining map, marked with all the colors of a rainbow. There was a vast amount of red--good to see at any time, because one knows that some real work is done in there, a deuce of a lot of blue, a little green, smears of orange, and, on the East Coast, a purple patch, to show where the jolly pioneers of progress drink the jolly lager-beer. However, I wasn't going into any of these. I was going into the yellow. Dead in the center. And the river was there--fascinating--deadly--like a snake. Ough! A door opened, a white-haired secretarial head, but wearing a compassionate expression, appeared, and a skinny forefinger beckoned me into the sanctuary. Its light was dim, and a heavy writing-desk squatted in the middle. From behind that structure came out an impression of pale plumpness in a frock-coat. The great man himself. He was five feet six, I should judge, and had his grip on the handle-end of ever so many millions. He shook hands, I fancy, murmured vaguely, was satisfied with my French. Bon voyage.
  "In about forty-five seconds I found myself again in the waiting-room with the compassionate secretary, who, full of desolation and sympathy, made me sign some document. I believe I undertook amongst other things not to disclose any trade secrets. Well, I am not going to.
   "I began to feel slightly uneasy. You know I am not used to such ceremonies, and there was something ominous in the atmosphere. It was just as though I had been let into some conspiracy-- I don't know--something not quite right; and I was glad to get out. In the outer room the two women knitted black wool feverishly. People were arriving, and the younger one was walking back and forth introducing them. The old one sat on her chair. Her flat cloth slippers were propped up on a foot-warmer, and a cat reposed on her lap. She wore a starched white affair on her head, had a wart on one cheek, and silver-rimmed spectacles hung on the tip of her nose. She glanced at me above the glasses. The swift and indifferent placidity of that look troubled me. Two youths with foolish and cheery countenances were being piloted over, and she threw at them the same quick glance of unconcerned wisdom. She seemed to know all about them and about me too. An eerie feeling came over me. She seemed uncanny and fateful. Often far away there I thought of these two, guarding the door of Darkness, knitting black wool as for a warm pall, one introducing, introducing continuously to the unknown, the other scrutinizing the cheery and foolish faces with unconcerned old eyes. Ave! Old knitter of black wool. Morituri te salutant. Not many of those she looked at ever saw her again--not half, by a long way.
   "There was yet a visit to the doctor. `A simple formality,' assured me the secretary, with an air of taking an immense part in all my sorrows. Accordingly a young chap wearing his hat over the left eyebrow, some clerk I suppose,--there must have been clerks in the business, though the house was as still as a house in a city of the dead,-- came from somewhere up-stairs, and led me forth. He was shabby and careless, with ink-stains on the sleeves of his jacket, and his cravat was large and billowy, under a chin shaped like the toe of an old boot. It was a little too early for the doctor, so I proposed a drink, and thereupon he developed a vein of joviality. As we sat over our vermouths he glorified the Company's business, and by-and-by I expressed casually my surprise at him not going out there. He became very cool and collected all at once. `I am not such a fool as I look, quoth Plato to his disciples,' he said sententiously, emptied his glass with great resolution, and we rose.
   "The old doctor felt my pulse, evidently thinking of something else the while. `Good, good for there,' he mumbled, and then with a certain eagerness asked me whether I would let him measure my head. Rather surprised, I said Yes, when he produced a thing like calipers and got the dimensions back and front and every way, taking notes carefully. He was an unshaven little man in a threadbare coat like a gaberdine, with his feet in slippers, and I thought him a harmless fool. `I always ask leave, in the interests of science, to measure the crania of those going out there,' he said. `And when they come back, too?' I asked. `Oh, I never see them,' he remarked; `and, moreover, the changes take place inside, you know.' He smiled, as if at some quiet joke. `So you are going out there. Famous. Interesting too.' He gave me a searching glance, and made another note. `Ever any madness in your family?' he asked, in a matter-of-fact tone. I felt very annoyed. `Is that question in the interests of science too?' `It would be,' he said, without taking notice of my irritation, `interesting for science to watch the mental changes of individuals, on the spot, but . . .' `Are you an alienist?' I interrupted. `Every doctor should be--a little,' answered that original, imperturbably. `I have a little theory which you Messieurs who go out there must help me to prove. This is my share in the advantages my country shall reap from the possession of such a magnificent dependency. The mere wealth I leave to others. Pardon my questions, but you are the first Englishman coming under my observation. . . .' I hastened to assure him I was not in the least typical. `If I were,' said I, `I wouldn't be talking like this with you.' `What you say is rather profound, and probably erroneous,' he said, with a laugh. `Avoid irritation more than exposure to the sun. Adieu. How do you English say, eh? Good-by. Ah! Good-by. Adieu. In the tropics one must before everything keep calm.' . . . He lifted a warning forefinger. . . . `Du calme, du calme. Adieu.'
   "One thing more remained to do--say good-by to my excellent aunt. I found her triumphant. I had a cup of tea--the last decent cup of tea for many days--and in a room that most soothingly looked just as you would expect a lady's drawing-room to look, we had a long quiet chat by the fireside. In the course of these confidences it became quite plain to me I had been represented to the wife of the high dignitary, and goodness knows to how many more people besides, as an exceptional and gifted creature-- a piece of good fortune for the Company--a man you don't get hold of every day. Good heavens! and I was going to take charge of a two-penny-halfpenny river-steamboat with a penny whistle attached! It appeared, however, I was also one of the Workers, with a capital-- you know. Something like an emissary of light, something like a lower sort of apostle. There had been a lot of such rot let loose in print and talk just about that time, and the excellent woman, living right in the rush of all that humbug, got carried off her feet. She talked about `weaning those ignorant millions from their horrid ways,' till, upon my word, she made me quite uncomfortable. I ventured to hint that the Company was run for profit.
   "`You forget, dear Charlie, that the laborer is worthy of his hire,' she said, brightly. It's queer how out of touch with truth women are. They live in a world of their own, and there had never been anything like it, and never can be. It is too beautiful altogether, and if they were to set it up it would go to pieces before the first sunset. Some confounded fact we men have been living contentedly with ever since the day of creation would start up and knock the whole thing over.
   "After this I got embraced, told to wear flannel, be sure to write often, and so on--and I left. In the street--I don't know why--a queer feeling came to me that I was an impostor. Odd thing that I, who used to clear out for any part of the world at twenty-four hours' notice, with less thought than most men give to the crossing of a street, had a moment--I won't say of hesitation, but of startled pause, before this commonplace affair. The best way I can explain it to you is by saying that, for a second or two, I felt as though, instead of going to the center of a continent, I were about to set off for the center of the earth.
   "I left in a French steamer, and she called in every blamed port they have out there, for, as far as I could see, the sole purpose of landing soldiers and custom-house officers. I watched the coast. Watching a coast as it slips by the ship is like thinking about an enigma. There it is before you-- smiling, frowning, inviting, grand, mean, insipid, or savage, and always mute with an air of whispering, `Come and find out.' This one was almost featureless, as if still in the making, with an aspect of monotonous grimness. The edge of a colossal jungle, so dark-green as to be almost black, fringed with white surf, ran straight, like a ruled line, far, far away along a blue sea whose glitter was blurred by a creeping mist. The sun was fierce, the land seemed to glisten and drip with steam. Here and there grayish-whitish specks showed up, clustered inside the white surf, with a flag flying above them perhaps. Settlements some centuries old, and still no bigger than pin-heads on the untouched expanse of their background. We pounded along, stopped, landed soldiers; went on, landed custom-house clerks to levy toll in what looked like a God-forsaken wilderness, with a tin shed and a flag-pole lost in it; landed more soldiers--to take care of the custom-house clerks, presumably. Some, I heard, got drowned in the surf; but whether they did or not, nobody seemed particularly to care. They were just flung out there, and on we went. Every day the coast looked the same, as though we had not moved; but we passed various places--trading places--with names like Gran' Bassam Little Popo, names that seemed to belong to some sordid farce acted in front of a sinister backcloth. The idleness of a passenger, my isolation amongst all these men with whom I had no point of contact, the oily and languid sea, the uniform somberness of the coast, seemed to keep me away from the truth of things, within the toil of a mournful and senseless delusion. The voice of the surf heard now and then was a positive pleasure, like the speech of a brother. It was something natural, that had its reason, that had a meaning. Now and then a boat from the shore gave one a momentary contact with reality. It was paddled by black fellows. You could see from afar the white of their eyeballs glistening. They shouted, sang; their bodies streamed with perspiration; they had faces like grotesque masks--these chaps; but they had bone, muscle, a wild vitality, an intense energy of movement, that was as natural and true as the surf along their coast. They wanted no excuse for being there. They were a great comfort to look at. For a time I would feel I belonged still to a world of straightforward facts; but the feeling would not last long. Something would turn up to scare it away. Once, I remember, we came upon a man-of-war anchored off the coast. There wasn't even a shed there, and she was shelling the bush. It appears the French had one of their wars going on thereabouts. Her ensign dropped limp like a rag; the muzzles of the long eight-inch guns stuck out all over the low hull; the greasy, slimy swell swung her up lazily and let her down, swaying her thin masts. In the empty immensity of earth, sky, and water, there she was, incomprehensible, firing into a continent. Pop, would go one of the eight-inch guns; a small flame would dart and vanish, a little white smoke would disappear, a tiny projectile would give a feeble screech--and nothing happened. Nothing could happen. There was a touch of insanity in the proceeding, a sense of lugubrious drollery in the sight; and it was not dissipated by somebody on board assuring me earnestly there was a camp of natives--he called them enemies!-- hidden out of sight somewhere.
   "We gave her her letters (I heard the men in that lonely ship were dying of fever at the rate of three a day) and went on. We called at some more places with farcical names, where the merry dance of death and trade goes on in a still and earthy atmosphere as of an overheated catacomb; all along the formless coast bordered by dangerous surf, as if Nature herself had tried to ward off intruders; in and out of rivers, streams of death in life, whose banks were rotting into mud, whose waters, thickened into slime, invaded the contorted mangroves, that seemed to writhe at us in the extremity of an impotent despair. Nowhere did we stop long enough to get a particularized impression, but the general sense of vague and oppressive wonder grew upon me. It was like a weary pilgrimage amongst hints for nightmares.
   "It was upward of thirty days before I saw the mouth of the big river. We anchored off the seat of the government. But my work would not begin till some two hundred miles farther on. So as soon as I could I made a start for a place thirty miles higher up.
   "I had my passage on a little sea-going steamer. Her captain was a Swede, and knowing me for a seaman, invited me on the bridge. He was a young man, lean, fair, and morose, with lanky hair and a shuffling gait. As we left the miserable little wharf, he tossed his head contemptuously at the shore. `Been living there?' he asked. I said, `Yes.' `Fine lot these government chaps--are they not?' he went on, speaking English with great precision and considerable bitterness. `It is funny what some people will do for a few francs a month. I wonder what becomes of that kind when it goes up country?' I said to him I expected to see that soon. `So-o-o!' he exclaimed. He shuffled athwart, keeping one eye ahead vigilantly. `Don't be too sure,' he continued. `The other day I took up a man who hanged himself on the road. He was a Swede, too.' `Hanged himself! Why, in God's name?' I cried. He kept on looking out watchfully. `Who knows? The sun too much for him, or the country perhaps.'
   "At last we opened a reach. A rocky cliff appeared, mounds of turned-up earth by the shore, houses on a hill, others, with iron roofs, amongst a waste of excavations, or hanging to the declivity. A continuous noise of the rapids above hovered over this scene of inhabited devastation. A lot of people, mostly black and naked, moved about like ants. A jetty projected into the river. A blinding sunlight drowned all this at times in a sudden recrudescence of glare. `There's your Company's station,' said the Swede, pointing to three wooden barrack-like structures on the rocky slope. `I will send your things up. Four boxes did you say? So. Farewell.'
   "I came upon a boiler wallowing in the grass, then found a path leading up the hill. It turned aside for the bowlders, and also for an undersized railway-truck lying there on its back with its wheels in the air. One was off. The thing looked as dead as the carcass of some animal. I came upon more pieces of decaying machinery, a stack of rusty rails. To the left a clump of trees made a shady spot, where dark things seemed to stir feebly. I blinked, the path was steep. A horn tooted to the right, and I saw the black people run. A heavy and dull detonation shook the ground, a puff of smoke came out of the cliff, and that was all. No change appeared on the face of the rock. They were building a railway. The cliff was not in the way or anything; but this objectless blasting was all the work going on.
   "A slight clinking behind me made me turn my head. Six black men advanced in a file, toiling up the path. They walked erect and slow, balancing small baskets full of earth on their heads, and the clink kept time with their footsteps. Black rags were wound round their loins, and the short ends behind wagged to and fro like tails. I could see every rib, the joints of their limbs were like knots in a rope; each had an iron collar on his neck, and all were connected together with a chain whose bights swung between them, rhythmically clinking. Another report from the cliff made me think suddenly of that ship of war I had seen firing into a continent. It was the same kind of ominous voice; but these men could by no stretch of imagination be called enemies. They were called criminals, and the outraged law, like the bursting shells, had come to them, an insoluble mystery from over the sea. All their meager breasts panted together, the violently dilated nostrils quivered, the eyes stared stonily uphill. They passed me within six inches, without a glance, with that complete, deathlike indifference of unhappy savages. Behind this raw matter one of the reclaimed, the product of the new forces at work, strolled despondently, carrying a rifle by its middle. He had a uniform jacket with one button off, and seeing a white man on the path, hoisted his weapon to his shoulder with alacrity. This was simple prudence, white men being so much alike at a distance that he could not tell who I might be. He was speedily reassured, and with a large, white, rascally grin, and a glance at his charge, seemed to take me into partnership in his exalted trust. After all, I also was a part of the great cause of these high and just proceedings.
   "Instead of going up, I turned and descended to the left. My idea was to let that chain-gang get out of sight before I climbed the hill. You know I am not particularly tender; I've had to strike and to fend off. I've had to resist and to attack sometimes--that's only one way of resisting-- without counting the exact cost, according to the demands of such sort of life as I had blundered into. I've seen the devil of violence, and the devil of greed, and the devil of hot desire; but, by all the stars! these were strong, lusty, red-eyed devils, that swayed and drove men--men, I tell you. But as I stood on this hillside, I foresaw that in the blinding sunshine of that land I would become acquainted with a flabby, pretending, weak-eyed devil of a rapacious and pitiless folly. How insidious he could be, too, I was only to find out several months later and a thousand miles farther. For a moment I stood appalled, as though by a warning. Finally I descended the hill, obliquely, towards the trees I had seen.
   "I avoided a vast artificial hole somebody had been digging on the slope, the purpose of which I found it impossible to divine. It wasn't a quarry or a sandpit, anyhow. It was just a hole. It might have been connected with the philanthropic desire of giving the criminals something to do. I don't know. Then I nearly fell into a very narrow ravine, almost no more than a scar in the hillside. I discovered that a lot of imported drainage-pipes for the settlement had been tumbled in there. There wasn't one that was not broken. It was a wanton smash-up. At last I got under the trees. My purpose was to stroll into the shade for a moment; but no sooner within than it seemed to me I had stepped into a gloomy circle of some Inferno. The rapids were near, and an uninterrupted, uniform, headlong, rushing noise filled the mournful stillness of the grove, where not a breath stirred, not a leaf moved, with a mysterious sound--as though the tearing pace of the launched earth had suddenly become audible.
   "Black shapes crouched, lay, sat between the trees, leaning against the trunks, clinging to the earth, half coming out, half effaced within the dim light, in all the attitudes of pain, abandonment, and despair. Another mine on the cliff went off, followed by a slight shudder of the soil under my feet. The work was going on. The work! And this was the place where some of the helpers had withdrawn to die.
   "They were dying slowly--it was very clear. They were not enemies, they were not criminals, they were nothing earthly now,-- nothing but black shadows of disease and starvation, lying confusedly in the greenish gloom. Brought from all the recesses of the coast in all the legality of time contracts, lost in uncongenial surroundings, fed on unfamiliar food, they sickened, became inefficient, and were then allowed to crawl away and rest. These moribund shapes were free as air--and nearly as thin. I began to distinguish the gleam of eyes under the trees. Then, glancing down, I saw a face near my hand. The black bones reclined at full length with one shoulder against the tree, and slowly the eyelids rose and the sunken eyes looked up at me, enormous and vacant, a kind of blind, white flicker in the depths of the orbs, which died out slowly. The man seemed young--almost a boy--but you know with them it's hard to tell. I found nothing else to do but to offer him one of my good Swede's ship's biscuits I had in my pocket. The fingers closed slowly on it and held--there was no other movement and no other glance. He had tied a bit of white worsted round his neck--Why? Where did he get it? Was it a badge--an ornament--a charm--a propitiatory act? Was there any idea at all connected with it? It looked startling round his black neck, this bit of white thread from beyond the seas.
首页>> 文学论坛>> 现实百态>> 约瑟夫·康拉德 Joseph Conrad   波兰 Poland   世界大战和冷战   (1857年12月3日1924年8月3日)