《战争与统帅》《古代军队记录》《罗马帝国的生活》，是引起强有力的普利策奖史诗《约翰·布朗的遗体》作者兴趣的最初部分书籍；早年，斯蒂芬·文森特·贝尼特（Stephen Vincent Benet，1898—1943）在驻防全国各地的军队里长大，当他的父亲、美军陆军上校詹姆斯·沃尔克·贝内特，背诵诸如布朗的诗行时，这个什么都读的幼小读者便专注地倾听着：“我、乔里斯和他跳上马镫，/我飞奔，克里克飞奔，我们三个都飞奔。”

贝内特家在西班牙（米诺卡岛）和美国世世代代都是军人。陆军准将斯蒂芬·文森特·贝尼特，诗人的爷爷，是美国军队军械署署长，首席大法官福尔摩斯曾经说：“我读的第一本署此姓名的书是一本《军法专著》，第二本，很多年后，是一本史诗！”

斯蒂芬·文森特·贝尼特像他著名的姊妹威廉·露丝·贝尼特和劳拉·贝尼特一样，在很小时就开始写作。他12岁时他的诗集在圣尼古拉斯联盟出版。17岁时他的戏剧独白的书《五个男人和庞培》问世。当他仍在耶鲁时，第二本书就出版了。威廉·里昂·菲尔普斯，他在耶鲁的一位老师，描述他是一个受到普遍欢迎、容光焕发的健谈者。他是《青春》的一位副主编，这是一本校际诗刊，主张“死亡使诗歌自由”；他是耶鲁文学杂志的主席，获得过三个诗歌奖；他的耶鲁朋友里包括菲利普·巴里、阿奇博尔德·麦克利什和桑顿·王尔德。

从耶鲁毕业后，他尝试从事广告业，写了一部小说，获得文学硕士学位后去了法国，在巴黎大学文理学院学习，并继续他的创作。1926年他被授予古根海姆学者奖，他再次去了法国，为写《约翰·布朗的遗体》忙碌了两年。他后来的著作《无头骑士》，一部广播轻歌剧，主要围绕着美国的民间传说来创作；《戴维和丹尼尔·韦伯斯特》，他最著名的故事，改编成歌剧并在纽约演出；还有《约翰尼·派伊和傻瓜杀手》。除了普利策奖，他还赢得国家诗歌奖，罗斯福勋章（为表彰他对美国文学的贡献），以及雪莱纪念奖。他是全国艺术和文学学会的副主席、《耶鲁青年诗人丛书》的编者。据说他是本·文森特——西里尔·休谟写于1923年的书《半人马座的妻子》中的一个人物——的原型。他有三个孩子，生活在纽约。

他的作品有：《五个男人和庞培》（1915），《青春冒险》（1918），《天堂与大地》（1920），《老虎乔伊》（1925），《丝兰》（1926），《约翰·布朗的遗体》（1928，获1929年普利策奖），《民歌与诗歌》（1931），《詹姆斯·肖氏的女儿》（1934），《燃烧的城市》（1936），《戴维和丹尼尔·韦伯斯特》（1937），《十三点》（1937），《约翰尼·派伊和傻瓜杀手》（1938），《午夜之前的传说》（1939）。

　　Stephen Vincent Benét (/bəˈneɪ/ bə-NAY; July 22, 1898 – March 13, 1943) was an American poet, short story writer, and novelist. He is best known for his book-length narrative poem of the American Civil War, John Brown's Body (1928), for which he received the Pulitzer Prize for Poetry, and for the short stories "The Devil and Daniel Webster" (1936) and "By the Waters of Babylon" (1937). In 2009, Library of America selected his story "The King of the Cats" (1929) for inclusion in its two-century retrospective of American Fantastic Tales, edited by Peter Straub.
　　
　　Life and career
　　Early life
　　Benét was born on July 22, 1898 in Fountain Hill, Pennsylvania in the Lehigh Valley region of eastern Pennsylvania[1] to James Walker Benét, a colonel in the United States Army. His grandfather and namesake led the Army Ordnance Corps from 1874 to 1891 as a brigadier general and served in the Civil War. His paternal uncle Laurence Vincent Benét was an ensign in the United States Navy during the Spanish–American War and later manufactured the French Hotchkiss machine gun.[2]
　　
　　Around the age of ten, Benét was sent to the Hitchcock Military Academy. He graduated from Summerville Academy in Augusta, Georgia and from Yale University, where he was "the power behind the Yale Lit", according to Thornton Wilder, a fellow member of the Elizabethan Club. He also edited[3] and contributed light verse to the campus humor magazine The Yale Record.[4] His first book was published when he was aged 17 and he was awarded an M.A. in English upon submission of his third volume of poetry in lieu of a thesis.[5] He was also a part-time contributor to Time magazine in its early years.[6]
　　
　　In 1920-21, Benét went to France on a Yale traveling fellowship, where he met Rosemary Carr; the couple married in Chicago in November 1921.[7] Carr was also a writer and poet, and they collaborated on some works. In 1926, he received a Guggenheim Fellowship award and while living in Paris, wrote John Brown's Body.[8]
　　
　　Man of letters
　　They came here, they toiled here, they suffered many pains, they lived here, they died here, they left singing names.
　　
　　— Used by the Menorcan Cultural Society to honor their Minorcan ancestors who fled Andrew Turnbull's failed New Smyrna, Florida colony and found sanctuary in St. Augustine, Florida (though Benet actually wrote those lines in a poem about the French pioneers of America).
　　Benét helped solidify the place of the Yale Series of Younger Poets Competition and Yale University Press during his decade-long judgeship of the competition.[9] He published the first volumes of James Agee, Muriel Rukeyser, Jeremy Ingalls, and Margaret Walker. He was elected a Member of the American Academy of Arts and Letters in 1929,[10] and Fellow of the American Academy of Arts and Sciences in 1931.[11]
　　
　　Out of John Brown's strong sinews the tall skyscrapers grow,
　　Out of his heart the chanting buildings rise,
　　Rivet and girder, motor and dynamo,
　　Pillar of smoke by day and fire by night,
　　The steel-faced cities reaching at the skies,
　　The whole enormous and rotating cage
　　Hung with hard jewels of electric light,
　　Smoky with sorrow, black with splendor, dyed
　　Whiter than damask for a crystal bride
　　With metal suns, the engine-handed Age,
　　The genie we have raised to rule the earth,
　　Obsequious to our will
　　But servant-master still,
　　The tireless serf already half a god --
　　
　　—Stephen Vincent Benét, "John Brown's Body" (1928)[12]
　　Benét won the O. Henry Award on three occasions, for his short stories An End to Dreams in 1932, The Devil and Daniel Webster in 1937, and Freedom's a Hard-Bought Thing in 1940.
　　
　　His fantasy short story "The Devil and Daniel Webster" inspired several unauthorized dramatizations by other writers after its initial publication which prompted Benet to adapt his own work for the stage.[13] Benet approached composer Douglas Moore to create an opera of the work with Benet serving as librettist in 1937.[13] The Devil and Daniel Webster: An Opera in One Act (New York: Farrar & Rinehart, 1939) premiered on Broadway in 1939.[13] That work was created from 1937 through 1939, and its libretto served as the basis for a 1938 play adaptation of the work by Benet (The Devil and Daniel Webster: A Play in One Act, New York: Dramatists Play Service, 1938).[13] The play in turn was used as the source for a screenplay adaptation co-penned by Benet which was originally released as All That Money Can Buy (1941).[13]
　　
　　Benét also wrote the sequel "Daniel Webster and the Sea Serpent", in which Daniel Webster encounters Leviathan.
　　
　　Death and legacy
　　
　　Benét's gravesite at Evergreen Cemetery in Stonington, Connecticut
　　Benét died of a heart attack in New York City on March 13, 1943 at age 44.[14] He was buried in Evergreen Cemetery in Stonington, Connecticut, where he had owned the historic Amos Palmer House. On April 17, 1943, NBC broadcast a special tribute to his life and works which included a performance by Helen Hayes.[15][16] He was awarded a posthumous Pulitzer Prize in 1944 for Western Star, an unfinished narrative poem on the settling of the United States.
　　
　　Benét adapted the Roman myth of the rape of the Sabine Women into the story "The Sobbin' Women". That story was adapted as the musical film Seven Brides for Seven Brothers (1954), then as a stage musical (1978) and then TV series (1982). His play John Brown's Body was staged on Broadway in 1953 in a three-person dramatic reading featuring Tyrone Power, Judith Anderson, and Raymond Massey, directed by Charles Laughton. The book was included in Life magazine's list of the 100 outstanding books of 1924–44.[17]
　　
　　Dee Brown's Bury My Heart at Wounded Knee takes its title from the final phrase of Benét's poem "American Names". The full quotation appears at the beginning of Brown's book:
　　
　　I shall not be there
　　I shall rise and pass
　　Bury my heart at Wounded Knee.
　　
　　Selected works
　　Five Men and Pompey, a series of dramatic portraits, Poetry, 1915
　　The Drug-Shop, or, Endymion in Edmonstoun (Yale University Prize Poem), 1917[18]
　　Young Adventure: A book of Poems, 1918
　　Heavens and Earth, 1920
　　The Beginnings of Wisdom: A Novel, 1921
　　Young People's Pride: A Novel, 1922
　　Jean Huguenot: A Novel, 1923
　　The Ballad of William Sycamore: A Poem, 1923
　　King David: A two-hundred-line ballad in six parts, 1923
　　Nerves, 1924 (A play, with John Farrar)
　　That Awful Mrs. Eaton, 1924 (A play, with John Farrar)
　　Tiger Joy: A Book of Poems, 1925
　　The Mountain Whippoorwill: How Hill-Billy Jim Won the Great Fiddler's Prize: A Poem., 1925
　　The Bat, 1926 (ghostwritten novelization of the play by Mary Roberts Rinehart and Avery Hopwood)
　　Spanish Bayonet, 1926
　　John Brown's Body, 1928
　　The Barefoot Saint: A Short Story, 1929
　　The Litter of Rose Leaves: A Short Story, 1930
　　Abraham Lincoln, 1930 (screenplay with Gerrit Lloyd)
　　Ballads and Poems, 1915–1930, 1931
　　A Book of Americans, 1933 (with Rosemary Carr Benét, his wife)
　　James Shore's Daughter: A Novel, 1934
　　The Burning City, 1936 (includes 'Litany for Dictatorships')
　　The Magic of Poetry and the Poet's Art, 1936
　　The Devil and Daniel Webster, 1936
　　By the Waters of Babylon, 1937
　　The Headless Horseman: one-act play, 1937
　　Thirteen O'Clock, 1937
　　We Aren't Superstitious, 1937 (Essay on the Salem Witch Trials)
　　Johnny Pye and the Fool Killer: A Short Story, 1938
　　Tales Before Midnight: Collection of Short Stories, 1939
　　The Ballad of the Duke's Mercy, 1939
　　The Devil and Daniel Webster, 1939 (opera libretto with Douglas Moore)
　　A Song of Three Soldiers, 1940
　　Elementals, 1940–41 (broadcast)
　　Freedom's Hard-Bought Thing, 1941 (broadcast)
　　Listen to the People, 1941
　　A Summons to the Free, 1941
　　William Riley and the Fates, 1941
　　Cheers for Miss Bishop, 1941 (screenplay with Adelaide Heilbron, Sheridan Gibney)
　　The Devil and Daniel Webster, 1941 (screenplay with Dan Totheroh)
　　Selected Works, 1942 (2 vols.)
　　Short Stories, 1942
　　Nightmare at Noon: Short Poem, 1942 (in The Treasury Star Parade, ed. by William A. Bacher)
　　A Child is Born, 1942 (broadcast)
　　They Burned the Books, 1942
　　They Burned the Books, 1942 (broadcast)
　　These works were published posthumously:
　　
　　Western Star, 1943 (unfinished)
　　Twenty Five Short Stories, 1943
　　America, 1944
　　O'Halloran's Luck and Other Short Stories, 1944
　　We Stand United, 1945 (radio scripts)
　　The Bishop's Beggar, 1946
　　The Last Circle, 1946
　　Selected Stories, 1947
　　From the Earth to the Moon, 1958