A.H.霍夫曼·封·法勒斯雷本(1798-1874)德国浪漫主义诗人。编有《德国古代政治诗歌集》等，德国国歌《德意志之歌》的作词者。
August Heinrich Hoffmann (About this soundlisten (help·info), calling himself 'von Fallersleben', after his hometown ; 2 April 1798 – 19 January 1874) was a German poet. He is best known for writing "Das Lied der Deutschen", its third stanza now being the national anthem of Germany, and a number of popular children's songs, considered part of the Young Germany movement.
Biography
Carte de visite of Hoffmann, card no. "1324" by an unidentified photographer with crown over the letter "P", about 1860
August Henrich Hoffmann by Carl Georg Christian Schumacher (1819)
Hoffmann was born in Fallersleben in Lower Saxony, then in the duchy of Brunswick-Lüneburg.
The son of a merchant and mayor of his native city, he was educated at the classical schools of Helmstedt and Braunschweig, and afterwards at the universities of Göttingen and Bonn. His original intention was to study theology, but he soon devoted himself entirely to literature. In 1823 he was appointed custodian of the university library at Breslau, a post which he held till 1838. He was also made extraordinary professor of the German language and literature at that university in 1830, and ordinary professor in 1835. Hoffmann was deprived of his chair in 1842 in consequence of his Unpolitische Lieder (1840–1841, "Unpolitical Songs"), which gave much offence to the authorities in Prussia.[1]
During his exile, he traveled in Germany, Switzerland and Italy, and lived for two or three years in Mecklenburg, of which he became a naturalized citizen. After the revolution of 1848 he was enabled to return to Prussia, where he was restored to his rights, and received the salary attached to a promised office not yet vacant. He married in 1849, and during the next ten years lived first in Bingerbrück, afterwards in Neuwied, and then in Weimar, where together with Oskar Schade (1826–1906) he edited the Weimarische Jahrbuch (1854–1857).[1]
In 1860 he was appointed librarian to Victor I, Duke of Ratibor at the monasterial castle of Corvey near Höxter on the Weser, where he died in 1874.[1][2]
Works
Hoffmann von Fallersleben was one of the most popular poets of his time. In politics he ardently sympathized with the progressive tendencies of his time, and he was among the earliest and most effective of the political poets who prepared the way for the outbreak of 1848. As a poet, however, he acquired distinction chiefly by the ease, simplicity and grace with which he gave expression to the passions and aspirations of daily life. Although he had not been scientifically trained in music, he composed melodies for many of his songs, and a considerable number of them are sung by all classes in every part of Germany.[1]
Among the best known is the patriotic "Das Lied der Deutschen" which starts with the words Deutschland, Deutschland über alles and is set to a 1797 tune by Joseph Haydn. The lyrics were written in 1841 on the island of Helgoland, then in British possession.[3] The text of the song expresses the pan-German sentiments common in revolutionary republicans of the period and were highly inflammatory in the princedoms of the German-speaking world. This sentiment was, of course, considered high treason. The phrase über alles did not refer to militant ideas of conquest of foreign countries, but to the need for loyalty to a united Germany to replace all other regional loyalties.[citation needed]
The best of his poetical writings is his Gedichte ("Poems", 1827), but there is great merit also in his
Alemannische Lieder ("Alemannic Songs", 1826),
Soldatenleben ("Soldier's Life", 1852),
Rheinleben ("Rhine Life", 1865), and in his
Fünfzig neue Kinderlieder ("Fifty New Children's Songs"), and
Alte und neue Kinder ("Old and New Children's Songs").[1]
Many of his children's songs have remained popular until today and are known by nearly every German child, such as "Alle Vögel sind schon da", "Ein Männlein steht im Walde", "Summ, summ, summ", "Winters Abschied" („Winter ade, scheiden tut weh“), "Kuckuck, Kuckuck, ruft’s aus dem Wald", "Der Kuckuck und der Esel", "A, a, a, der Winter der ist da", "Der Frühling hat sich eingestellt", and the Christmas song "Morgen kommt der Weihnachtsmann".[citation needed]
His Unpolitische Lieder, Deutsche Lieder aus der Schweiz ("German Songs from Switzerland") and Streiflichter ("Highlights") are interesting mainly in relation to the movements of the age in which they were written. As a student of ancient Teutonic literature, Hoffmann von Fallersleben ranks among the most persevering and cultivated of German scholars, some of the chief results of his labors being embodied in his Horae Belgicae, Fundgruben für Geschichte deutscher Sprache und Literatur ("Sources for the History of German Language and Literature"), Altdeutsche Blätter ("Old German Papers"), Spenden zur deutschen Literaturgeschichte und Findlinge.[1]
Among his editions of particular works may be named
Reineke Vos
Monumenta Elnonensia and
Theophilus
Die deutsche Philologie im Grundriss ("Fundamentals of German Philology", 1836) was at the time of its publication a valuable contribution to philological research, and historians of German literature still attach importance to his
Geschichte des deutschen Kirchenliedes bis auf Luther ("History of the German Church Song up to Luther", 1832; 3rd ed., 1861),
Unsere volkstümlichen Lieder ("Our Folk Songs", 3rd ed., 1869) and
Die deutschen Gesellschaftslieder des 16. und 17. Jahrh. ("German Social Songs of the 16th and 17th Centuries", 2nd ed., 1860).[1]
In 1868-1870 Hoffmann published in 6 vols. an autobiography, Mein Leben: Aufzeichnungen und Erinnerungen ("My Life: Notes and Memories", an abbreviated ed. in 2 vols., 1894). His Gesammelte Werke ("Collected Works") were edited by H. Gerstenberg in 8 vols. (1891–1894); his Ausgewählte Werke ("Selected Works") by H. Benzmann (1905, 4 vols.). See also Briefe von Hoffmann von Fallersleben und Moritz Haupt an Ferdinand Wolf ("Letters by Hoffmann von Fallersleben and Moritz Haupt to Ferdinand Wolf", 1874); J. M. Wagner, Hoffmann von Fallersleben, 1818-1868 (1869–1870), and R. von Gottschall, Porträts und Studien ("Portraits and Studies", vol. v., 1876).[1]