Spring in the Moon Palace, Fujiang Mei, the first open Su Yan.
Every year, seeing more East River, the cloud body, snow spirit, do not account for the Love.
Sanjong waterside, do not hate to sell more dark.
Is the owner, the much less innocent, Hong heart point.
Imaginative poem, like Yu Hu Qing ice, light review, before the statue down, by Sheng-Hua ON TOURISM.
雪过松梢,犹有残英落。
晚色际天天似幕。
一尊先与东风约。
邀得红梅同宴乐。
酒面融春,春满纤纤萼。
客意为伊浑忘却。
归船且傍花阴泊。
素光围练。
寒透笙歌院。
莫把寿阳,妆信传书箭。
掩香面。
汉宫寻遍。
月里还相见。
数声啼鸟怨年华。
又是凄凉时候、在天涯。
白露收残暑,清风衬晚霞。
绿杨堤畔闹荷花。
记得年时沽酒、那人家。
【Review】 仲殊《南柯子·十里青山远》宋词鉴赏【字体:小大】
仲殊,名挥,姓张。安州人,曾举进士。据说他年轻时风流倜傥,放荡不羁,因此妻子对他甚为不满,曾在食物里下了毒,他得救不死。从此,他心灰意冷,弃家为僧,居苏州承天寺、杭州吴山宝月寺。然仲殊虽出家为僧,却不甚遵守佛门清规,虽不吃肉,却嗜蜜、酒如命,每食必饮酒食蜜。这首词便是他出家为僧后所作,从这首词作中我们仍能看出一个早年放荡不羁而半路出家的和尚的自我写照。
上片着重从空间方面着笔,首二句便直接铺叙景物,展示出一幅“青山隐隐水迢迢”的画境。“十里青山远”是远望所得之景。“十里青山”本已含“远”,而这里更著一个“远”字,不仅点出“行人更在春山外”的意境,而且透露出词人不知归期的惆怅寂冷心态。“潮平带路沙”是近看所得之景。词人的视线由“十里青山”的远景观赏收回到眼前之景,由赋山转向摹水,点出行人的具体环境。第三句由写所见过渡到所闻。远处一带青山,偶尔可以听见“数声啼鸟”,这对欢乐人来说,便是青山绿水、美景如画;莺歌燕舞,良辰美景的赏心乐事,但对感触特多,凡心未尽的词人来说,却似乎觉得啼鸟在怨年光的易逝,青春易老了。这便是词人的心理情感移入到鸟啼声所引起的移情联想。由鸟的啼怨,词人不期而然地涌起又是“凄凉时候”,又是“远在天涯”的感叹了。这是词人长期的漂泊以及对这种生活的厌倦情绪的反映。
下片主要从时间方面落笔。“白露”既指秋凉的夜露,又表明了节候。“清风”句紧承前句强调白昼的结束。这两句紧承“啼鸟怨年华”的命意,形象生动地展示出时间推移的进程。“绿杨”句承前写景。杨柳堤岸,浓荫密处,微风过后,荷香飘拂,那荷花又大又丽,正撩人情思。站在荷塘边,词人突然想起来了,原来有一年,也是这个时候,他到过此地,在附近的酒家买酒喝,并乘着酒意还来观赏过荷花。他禁不住又是感叹又是喜悦,于是向着塘里的荷花问道:“荷花啊,你还记得那年买酒喝的那个醉汉么?”这一问颇含韵致,荷花在佛教徒的心目中,本是最圣洁的东西,所以释迦佛像都是坐在莲花上的。而如今词人虽为和尚,看到莲花想起的却是它那世俗的美艳,并将荷花与自己醉中赏花的事紧紧联系起来,这就表明了词人虽名为和尚的真实心态。这里词人由眼前景而追忆往昔事,仍是从时间方面来写,照应上片“又是凄凉时候、在天涯”。
全词从时空两方面构思,写景抒情,情寓于景,意象清悠,意境清晰。词作设色明艳,对比和谐,色彩艳丽,美感很强。(池万兴)
Write to prime fine silk three hundred.
There should be no world.
This is the Qiantang River on the map.
General Wonderful.
Was clear autumn day on low.
Dan-racking.
Not a picture of these children only.
Thousand points worse than the branches of snow.
Fang statue on the invitation.
Account for half Dongjun spring.
Respect before the eyes.
In the southern scenery.
Moved across the river to.
From South no longer open.
Hammer film clamp snow red furnace.
Playing on the Golden Lion, also worthy of doubt.
Wood woman out eyes open, clay figurines dark frown.
Peach flower book is already late.
Spring not to smile, to be when.
Tim haggard rain suit.
Li Feng shoes wet for a long time, blissful silence Yanyan land.
Xinchou eyebrow, hand text.
Why not send for Hong Qian scales.
V. thin to Iraq only lover, who control the official in the official leisure.
摇金翠、玲珑三岛。
地控全吴,山横旧楚春来早。
千里断云芳草。
六朝遗恨连江表。
都分付、倚楼吟啸。
铁瓮城头,一声画角吹残照。
带夜潮来到。
Draw curtain air fineness maid.
Silver vision of world more than before.
People quiet.
Tiecheng west and the _set_ting sun.
Jiang Liu into the endless mountains, ancient and modern, a dream Mosi volume.
Hometown homeless go back lazy.
Hurt much.
Love blows more bleak.
Iron Urn head, the picture angle residual sound short.
Small splash of gold catalyst to promote the wine feast.
Yan Hong light wind shaking soft wax.
Sun_set_ haze clear eyeful.
To battle Dan, Qiao Tong pen tooth tube.
Write Yichuan mountain light color solution.
Who can paint a river getting late.
闲阶静、杨花渐少,朱门掩、莺声犹嫩。
悔匆匆、过却清明,旋占得馀芳,已成幽恨。
都几日阴沈,连宵慵困。
起来韶华都尽。
怨入双眉闲斗损。
乍品得情怀,看承全近。
深深态、无非自许。
厌厌意、终羞人问。
争知道、梦里蓬莱,待忘了馀香,时传音信。
纵留得莺花,东风不住,也则眼前愁闷。
【Notes】 看承全近:看承,特殊对待,照顾。全近,非常亲近。
也侧:仍然、依旧。
【Review】 这是一首伤春之作。上片着重描绘景物,写春光流逝的过程。“天阔云高”三句,首先从大处落笔,描绘出早春时分天高云阔、碧水横流、乍暖还寒的景象,为词意的发展作了铺垫。“晚日寒生轻晕”一句写在这天地之间的一轮夕阳微带寒意,生出略有彩色的环形风圈。“晕”指围着太阳成环形的彩色光圈,这一现象通常被看作天气变化的预兆。前三句选取极为阔大的景象描绘,描绘出一幅完美而极富特征和阔大境界的早春图像。
“闲阶静”四句,紧承上文,由大笔勾勒转为工笔描摹;由云阔水远转向闲庭朱户;不着痕迹地写出了春景变化的特征:闲暇的庭院不再是“红杏枝头春意闹”,而是“庭院深深深几许”,一片幽静寂寥。杨花柳絮如天女散花般不断飘飞,却越飞越少;朱门紧闭的深宅大院之中,传出呖呖莺声,仍是那般悦耳娇嫩、优美婉啭。这里前二句写眼中所见,后两句写耳中所闻,一“渐”、一“犹”,写出实感,可见词人观物之细致,以“杨花”“莺声”代春景,角度新颖。“渐少”、“犹嫩”点明孟春已逝,仲春降临。这里写春光的流逝十分细腻新颖,没有直接的铺叙。而是从景物的变化中显示出来。
“悔匆匆”四句,紧承仲春景色,推进一步写暮春。词人用一“悔”字领起,描绘春光流逝之速,无限惜春、惆怅之情溢于言表;再加上词句用“匆匆”、“旋”、“已”这些词一气而下,便将春光难留、稍纵即逝的惜春情怀与伤春愁绪表露无遗。
“都几日阴沉”三句,紧承清明过了之后写暮春已尽,春光全去。接连好几天,天气阴沉,欲雨无雨,致使人身心困倦,等昏睡起来一看,美好的春光全部消逝殆尽了。这三句字里行间充满着未能及时赏春的悔恨之情和徒然看着春光流逝的懊丧之意。整个上片,词人将春景变化直至消失的整个过程细腻生动地写了出来,而赏春、惜春、留春、伤春之情,亦全部蕴含其中了。这样词作自然而然地过渡到下片。
下片由春光的流逝转而抒发无法留春的愁怀。“怨入双眉闲斗损”换头,紧承“韶华都尽”而来,并开拓词意,转入抒情。这里“斗”是凑在一起之意,“损”,变形的意思。词人将伤春的情感心态集中表现在双眉有事无事总是紧锁在一起上。这种写法新颖别致,令人耳目一新。用语虽简却传神肖貌,收到了点睛之效。
“乍品得情怀”六句,紧承上句,为何会“怨入双眉闲头损”呢?这几句便是回答之辞。词人刚刚开始品尝到赏春的情味,看承照料她十分亲近周到,谁知这种深厚细切的情感只不过是自我赞许而已,而她那有气无力的病态却始终羞于别人表示关切、慰问呢!词人将自己对春有情而春却对他无意的微妙复杂的心理活动幽深含蓄地揭示了出来,这也使得上文中“怨入双眉”的伤春之情落到了实处,得到答案,脉络细密,层次转深。
“争知道,梦里蓬莱”三句进一步写伤春之情。词人索性到梦境中去寻求仙境,打算忘了暮春的芳香,怎知道这撩人的春意又不时传来其芳香的气息。词人虽说“待忘了余香”,实是反衬留春不得的伤春情怀,而“时传音信”则又写出春似乎无情却又含情的意蕴。这里词作一波三折,情意幽微,将伤春之情描绘得淋漓尽致又含蓄蕴藉。
“纵留得莺花”三句,紧承上句,词人似乎对春作答:纵然留得花香鸟语,却留不住春风,也只落得眼前一片愁闷罢了。这里词人以“莺花”代表春天美丽的景物,将伤春情怀委婉曲折地描摹出来,令人回肠荡气,咀嚼不已。
这首词写春色消逝的过程细腻委婉,形象鲜明,寓情于景,写春逝撩愁的情怀却层层深入,笔笔跌转,情景相生,抑扬映衬,十分优美。词的风格细腻清秀,具有较高的艺术审美价值。(池万兴)
Jun tube filaments, Luo Qi Yong Zhi court.
Jing Xian Shou off peach, rain cover, Sin Ying next spring.
Bi Ikegami, turtle tours Crane Dance, song playing longevity.
Year.
Jiaqing will, Lan Jiang, delicate, light spirit of the Pleiades stars.
Yu Hui Yi Shi suddenly, with lower per fine.
The Japan-China Wu Prefecture, see Ping, Jun Heng Temple Gallery.
Kirin Court, fame first, from income Danqing.
Feiming Shao Shun long overdue, the five characters Qianqi difficult flooded a long time.
Bear Dream On Cheung, turtle life literature.
Lung volume fog rolling East Doo Hong.
Canopus is now the southern sky, and sometimes bow to carry the dual God.
Board Yu leisure, Xiang Wu lock flowers Palace.
Shi Yao Chi banquet was, three thousand women, the depth of uniform red.
Light smile, respect for the former know, Mama old Chi Yung.
Sight.
Qi Xianshou, sometimes dumping, spring in the cup.
Play Technicolor Dreamcoat intercropping, festive heavy.
More angel message to teach Hao crane, two dance goes blank.
People live long, flowers grow on, years and wind.
Big Subaru fine, sub-Ling Chu Wan show.
Early Jun Heng Yun, Ji also mink gun, to load songs into the post.
Book Fair-shaped instrument, Cheng Huayu wing, but the old deep grace.
Tianjuan hard to stay, single sail go back, silk gauze water Keshan, the enemy together.
On sleep pillow clouds, old Hua Xu light readings.
Evening banquet towards Huan, conditions when Ka-hing, I offer eyebrow public life.
Wufu Qianxiang, mountains and water, far away, a bottle of aromatic wine.
Dan woke up □ Housing Kuroishi marrow.
To smoke when driving.
Seno hand with a spoonful of self.
Rotary fried pine fire.
Shijue Daigo straight cocoa.
Lift up the spirit.
Hole in the busy days of the new moon.
One will be off East Church Gui.
Dan Xiao Qi Road, the Fung Ying, Xun Chi is flying to.
Hong spit gold lion, bottles floating green ants.
Complains Yan Hei Zanying expensive.
Song Chun-Ting heart is willing to associate status, until the provisional Mui and soup flavor.
Crane Dance longevity schedule times.
Cai Yi Zhu Fu.
Xian Peng drunk pour Yi Park.
Hong head in the clouds, the star re-century palace life, the East fighting Burghardt see faint.
Jiaqing left West feast.
Wine Zhaxing, they owned a return pass.
Rain Old Well, Changsha, Ying Tianjuan again.
Gong Fu is also the former seat by taking Ding Ning, meritorious calculation any late.
七叶蓂疏,佳气生晴书。
称庆源深流福厚。
天精储粹干星斗。
喜人高堂罗燕豆。
风弄微凉,帘幕披香绣。
暂倩灵龟言永寿。
蟠桃花送长生酒。
March 13, was the Cold Food night.
Aroma Park on warm musk to make.
Since to remain in the beauty drunk driving.
Wine glass full of flowers Yanye.
Do negative lust, thousands of clock stop drinking soon.
Yan Tong curtain in the next spring.
Do not ask Dongjun take on Fong.
I Aescin, Dan Ming is not the volume.
Chu Ching Hai Yue Linghui far.
Reduction of non-Xiong, Wan Fu Hang Dan.
Shannon Po fog, non-Kam feast of red recommended.
Kim Yong Chun repeated count full, wine Millennium spring bloom.
A total of brow, meet the mayor.
Astrology really break down south.
Wufu living counterparts.
Develop a rhinoceros bones show the top, was a judge and Lucky.
Pass on the cause of a poetry and literature.
Wealth and fame get to see.
Public Chu Wah CD most of the pet.
High paternity Jade incense table.
Pengcheng ninety thousand rich, Kangning He counted three thousand.
House on the sky pulling off the ground, the Court would like to toilet in just a few kilometers.