《 zhī zhū nǚ zhī wěn》 shì pǔ yī gé de dì sì bù xiǎo shuō , zhè wú yí shì tā de xiǎo shuō zhōng yǐng xiǎng zuì dà de yī bù。 zài 1976 nián fā biǎo hòu , jǐ cì zài bǎn , bèi yì chéng duō zhǒng wén zì , bìng gǎi biān chéng diàn yǐng。
zài 'ā gēn tíng shǒu dū bù yí nuò sī 'ài lì sī jiān yù de yī jiān láo fáng lǐ guān yā zhe liǎng gè qiú fàn , yī gè shì zhèng zhì fàn wǎ lún dīng , lìng yī gè shì tóng xìng liàn zhě mò lì nà。 xiǎo shuō yǐ tā men liǎng gè rén de duì huà wéi zhù xiàn suǒ , zhú bù zhǎn xiàn chū tā men de nèi xīn shì jiè , bō dòng liǎo mái cáng zài tā men yì shí shēn chù de xīn xián , cóng yī gè cè miàn pōu lù liǎo 'ā gēn tíng shè huì de xiàn shí。 zuò zhě yǐ zhù rén gōng xù shù diàn yǐng gù shì de fāng fǎ , yī fāng miàn jiē shì liǎo lì tú gǎi biàn shè huì de gé mìng zhě de fù zá de nèi xīn shì jiè , lìng yī fāng miàn yòu cóng shè huì、 xīn lǐ hé shēng lǐ zhū fāng miàn duō céng cì dì pōu xī liǎo tóng xìng liàn zhè gè rì yì yǐn qǐ rén men zhòng shì de shè huì wèn tí。
duì yú tóng xìng liàn de chǎn shēng yǔ cún zài , zuò zhě yǐ yán sù de tài dù jìn xíng liǎo jù tǐ de fēn xī。 tā cǎi yòng xīn yíng de biǎo xiàn shǒu fǎ , pō jù jiàng xīn dì jiāng xǔ duō yì shù jì qiǎo qiǎo miào dì róu hé zài yī qǐ , jīng xīn gòu zhù liǎo xiǎo shuō de jié gòu , yī bù bù yì cǎi fēn chéng de diàn yǐng gù shì , yǔ xiǎo shuō zhèng wén xiāng hù hū yìng de lǐ lùn zhù shí , chuān chā zài duì huà dāng zhōng de yì shí liú , hái yòu jiǎn jié míng kuài de xíng shū gōng wén , ràng rén dú qǐ lái xīng wèi 'àng rán , yú sī bù duàn , zhēn kě wèi jí yán sù wén xué yǔ tōng sú xiǎo shuō yú yī shēn , jì yòu yǐn rén rù shèng de gù shì qíng jié , yòu yòu duì shè huì xué hé xìng xīn lǐ xué děng wèn tí de shēn kè tàn qiú , hái yòu nài rén zhuó mó de wén xué mèi lì。 zhè zhǒng jiāng wén xué xìng、 qù wèi xìng、 shè huì xìng、 kē xué xìng róng hé zài yī qǐ de tè diǎn shì zhè bù xiǎo shuō qǔ dé chéng gōng de zhù yào yuán yīn。
zhè bù xiǎo shuō zhōng yùn yòng dé zuì wéi tū chū de shǒu fǎ jiù shì zài liǎng gè rén de duì huà zhōng xù shù diàn yǐng gù shì。 shēn 'ān diàn yǐng yì shù de pǔ yī gé qiǎo miào dì jiāng liù bù diàn yǐng de qíng jié guàn chuān yú zhěng bù xiǎo shuō de shǐ mò。 zhè xiē diàn yǐng gù shì de gòu sī qiǎo miào , ān pái dé dāng。 měi bù diàn yǐng suī rán dū dú lì chéng piān , què yòu zhe gòng tóng de shēn suì de nèi hán , jí cóng bù tóng de jiǎo dù yǐn yù tóng xìng liàn de bù tóng de biǎo xiàn fāng shì jí qí xīn lǐ tè zhēng。 zuò zhě cǎi yòng méng tài qí de shǒu fǎ , jiāng diàn yǐng yǔ diàn yǐng , diàn yǐng yǔ liǎng gè qiú fàn de xiàn shí shēng huó jiǎn qiē duì bǐ、 míng xù 'àn yù , xiàng duō lēng jìng yī bān zhé shè chū yī fú fú jì yòu qíng qù yòu nài rén sī suǒ de huà miàn。
The novel can be read as an indictment of a disengaged aesthetic perspective in the context of a world where people have to take sides. Valentin, the Marxist protagonist, has risked his life and willingly endured torture for a political cause and his example helps transform his cell-mate into a citizen, someone who will enter the world. Likewise, the other protagonist, Molina's love of aesthetics and cultural life teaches Valentin that escapism can have a powerfully utopian purpose in life; escapism has the potential to be just as subversive and meaningful as actual political activity.
The novel was adapted into a stage play by Puig in 1983 (English translation by Allan Baker). It was also made into a film (1985) and a Broadway musical (1993).
zài 'ā gēn tíng shǒu dū bù yí nuò sī 'ài lì sī jiān yù de yī jiān láo fáng lǐ guān yā zhe liǎng gè qiú fàn , yī gè shì zhèng zhì fàn wǎ lún dīng , lìng yī gè shì tóng xìng liàn zhě mò lì nà。 xiǎo shuō yǐ tā men liǎng gè rén de duì huà wéi zhù xiàn suǒ , zhú bù zhǎn xiàn chū tā men de nèi xīn shì jiè , bō dòng liǎo mái cáng zài tā men yì shí shēn chù de xīn xián , cóng yī gè cè miàn pōu lù liǎo 'ā gēn tíng shè huì de xiàn shí。 zuò zhě yǐ zhù rén gōng xù shù diàn yǐng gù shì de fāng fǎ , yī fāng miàn jiē shì liǎo lì tú gǎi biàn shè huì de gé mìng zhě de fù zá de nèi xīn shì jiè , lìng yī fāng miàn yòu cóng shè huì、 xīn lǐ hé shēng lǐ zhū fāng miàn duō céng cì dì pōu xī liǎo tóng xìng liàn zhè gè rì yì yǐn qǐ rén men zhòng shì de shè huì wèn tí。
duì yú tóng xìng liàn de chǎn shēng yǔ cún zài , zuò zhě yǐ yán sù de tài dù jìn xíng liǎo jù tǐ de fēn xī。 tā cǎi yòng xīn yíng de biǎo xiàn shǒu fǎ , pō jù jiàng xīn dì jiāng xǔ duō yì shù jì qiǎo qiǎo miào dì róu hé zài yī qǐ , jīng xīn gòu zhù liǎo xiǎo shuō de jié gòu , yī bù bù yì cǎi fēn chéng de diàn yǐng gù shì , yǔ xiǎo shuō zhèng wén xiāng hù hū yìng de lǐ lùn zhù shí , chuān chā zài duì huà dāng zhōng de yì shí liú , hái yòu jiǎn jié míng kuài de xíng shū gōng wén , ràng rén dú qǐ lái xīng wèi 'àng rán , yú sī bù duàn , zhēn kě wèi jí yán sù wén xué yǔ tōng sú xiǎo shuō yú yī shēn , jì yòu yǐn rén rù shèng de gù shì qíng jié , yòu yòu duì shè huì xué hé xìng xīn lǐ xué děng wèn tí de shēn kè tàn qiú , hái yòu nài rén zhuó mó de wén xué mèi lì。 zhè zhǒng jiāng wén xué xìng、 qù wèi xìng、 shè huì xìng、 kē xué xìng róng hé zài yī qǐ de tè diǎn shì zhè bù xiǎo shuō qǔ dé chéng gōng de zhù yào yuán yīn。
zhè bù xiǎo shuō zhōng yùn yòng dé zuì wéi tū chū de shǒu fǎ jiù shì zài liǎng gè rén de duì huà zhōng xù shù diàn yǐng gù shì。 shēn 'ān diàn yǐng yì shù de pǔ yī gé qiǎo miào dì jiāng liù bù diàn yǐng de qíng jié guàn chuān yú zhěng bù xiǎo shuō de shǐ mò。 zhè xiē diàn yǐng gù shì de gòu sī qiǎo miào , ān pái dé dāng。 měi bù diàn yǐng
The novel can be read as an indictment of a disengaged aesthetic perspective in the context of a world where people have to take sides. Valentin, the Marxist protagonist, has risked his life and willingly endured torture for a political cause and his example helps transform his cell-mate into a citizen, someone who will enter the world. Likewise, the other protagonist, Molina's love of aesthetics and cultural life teaches Valentin that escapism can have a powerfully utopian purpose in life; escapism has the potential to be just as subversive and meaningful as actual political activity.
The novel was adapted into a stage play by Puig in 1983 (English translation by Allan Baker). It was also made into a film (1985) and a Broadway musical (1993).