yǐngpiān yǐ dì yī rén chēng de xíng shì jiǎng shù liǎo yī gè míng jiào 'ā lì kè sī de shàonián fàn de gù shì。 zài bù yuǎn de wèi lái shè huì lǐ， jǐ gè chōng mǎn bào lì qīng xiàng de shàonián zài 'ā lì kè sī shuài lǐng xià dào chù xún huān zuò lè， zài tòng dǎ yī liú làng hàn hòu， tā men zhǎo dào yī qún yù qiáng jiān yī shàonǚ de liú máng， wéi bào sī yuàn dà dǎ chū shǒu。 yīcháng 'è zhàn hòu， ā lì kè sī hé tóng huǒ jià chē fēi chí， zài mǎ lù shàng sì yì dì nì xíng。 jiāo wài de yī chù yù suǒ， ā lì kè sī yǐ fā shēng jiāo tōng shì gù wéi yóu xiàng zhè lǐ de hù zhù zuò jiā yà lì shān dà fū fù jiè yòng diàn huà， dāng mén dǎ kāi shí， tā men jiù dài zhe miàn jù chōng rù wū nèi， ōu dǎ zuò jiā， lún jiān zuò jiā de qī zǐ。 zài fēng kuáng de fā xiè wán bào lì yǔ xìng yù hòu， tā men cái huí jiā xiū xī。
dì 'èr tiān， ā lì kè sī tòng dǎ duì zì jǐ bù zhōng de shǒu xià， cóng 'ér què lì liǎo zì jǐ lǎo dà de dì wèi。 wǎn shàng tā men jiù yòu yī qǐ zhǔn bèi yǐ xiāng tóng de fāng fǎ jìn rù fù pó “ māo fū rén ” jiā zhōng， bù liào“ māo fū rén” zǎo yòu fáng fàn， bù dàn méi yòu kāi mén， hái zài 'ā lì kè sī jìn rù qián gěi jǐng chá tōng liǎo diàn huà。 ā lì kè sī yóu chuāng hù jìn rù“ māo fū rén” de qǐn shì， liǎng rén zhǎn kāi bó dǒu， ā lì kè sī shī shǒu jiāng“ māo fū rén” dǎ sǐ。 dāng tā huāng máng táo chū māo fū rén de gōng yù shí， què bèi shǒu xià bào fù 'ér dāng chǎng jī hūn， zuì hòu bèi gǎn lái de jǐng chá dài bǔ。
ā lì kè sī yǐ shā rén zuì bèi pàn rù yù 14 nián， wèile suō duǎn xíng qī， ā lì kè sī zì gào fèn yǒng， yuàn yì bǎ zì jǐ dāng zuò xiǎo bái shǔ yī yàng sòng qù wéi yī xiàng jiào zuò“ yàn 'è liáo fǎ” de chōng dāng shí yàn pǐn。 liáo fǎ hěn jiǎn dān： zài zhù shè mǒu zhǒng yào wù hòu， yī shēng men jiù ràng 'ā lì kè sī mù bù zhuǎn jīng dì guān kàn gè zhǒng lìng rén fàzhǐ de sè qíng、 bào lì yǐngpiān， yǐ shǐ qí duì sè qíng bào lì zài shēng lǐ shàng chǎn shēng tiáo jiàn fǎn shè shì de 'ěxīn。 dàn zuì lìng 'ā lì kè sī wú fǎ rěn shòu de shì， fàng yìng nà cuì bào xíng de yǐng piàn shí， jìng rán tóng shí bō fàng zhe tā zuì xǐ 'ài de yīnyuè héng héng bèi duō fēn《 dì jiǔ jiāo xiǎng qū》！ zhè yàng， ā lì kè sī zài shí yàn jié shù hòu chéng wèile yī gè dǎ bù hái shǒu、 mà bù hái kǒu、 wú fǎ jiē jìn nǚ sè 'ér qiě jué duì bù huì wēi hài shè huì de " xīn rén "。 chū yù hòu huí dào jiā de 'ā lì kè sī fā xiàn jiā lǐ yǐ jīng méi yòu zì jǐ de wèi zhì， huò bù dān xíng， liú làng jiē tóu， yòu zāo dào céng jīng zāo dào zì jǐ tòng dǎ de lǎo liú làng hàn de bào fù， zhèng zài zhè shí， cǐ shí liǎng gè jǐng chá qián lái jiě wéi， tā men jìng shì yuán lái de shǒu xià！ zhè liǎng gè shǒu xià wéi bào qián chóu， bǎ 'ā lì kè sī dài dào jiāo wài dú dǎ zhé mó。 zuì hòu， jīhū yǎn yǎn yī xī de 'ā lì kè sī pá dào yī hù rén jiā qián， tā wàn wàn méi xiǎng dào zhè jìng shì tā cóng qián de shòu hài zhě zuò jiā yà lì shān dà de zhù suǒ。 yà lì shān dà lì yòng 'ā lì kè sī bào fù， yì tú tuī fān xiàn rèn zhèng fǔ。
The title is taken from an old Cockney expression, "as queer as a clockwork orange"¹, and alludes to the prevention of the main character's exercise of his free will through the use of a classical conditioning technique. With this technique, the subject’s emotional responses to violence are systematically paired with a negative stimulation in the form of nausea caused by an emetic medicine administered just before the presentation of films depicting "ultra-violent" situations. Written from the perspective of a seemingly biased and unapologetic protagonist, the novel also contains an experiment in language: Burgess creates a new speech that is the teenage slang of the not-too-distant future.
The novel has been adapted for cinema in a controversial movie by Stanley Kubrick, and also by Andy Warhol; adaptations have also been made for television, radio, and the stage. As well as inspiring a concept album, the novel and films are referred to in, and have inspired, a number of songs and bands.
dì 'èr tiān， ā lì kè sī tòng dǎ duì zì jǐ bù zhōng de shǒu xià， cóng 'ér què lì liǎo zì jǐ lǎo dà de dì wèi。 wǎn shàng tā men jiù yòu yī qǐ zhǔn bèi yǐ xiāng tóng de fāng fǎ jìn rù fù pó “ māo fū rén ” jiā zhōng， bù liào“ māo fū rén” zǎo yòu fáng fàn， bù dàn méi yòu kāi mén， hái zài 'ā lì kè sī jìn rù qián gěi jǐng chá tōng liǎo diàn huà。 ā lì kè sī yóu chuāng hù jìn rù“ māo fū rén” de qǐn shì， liǎng rén zhǎn kāi bó dǒu， ā lì kè sī shī shǒu jiāng“ māo fū rén” dǎ sǐ。 dāng tā huāng máng táo chū māo fū rén de gōng yù shí， què bèi shǒu xià bào fù 'ér dāng chǎng jī hūn， zuì hòu bèi gǎn lái de jǐng chá dài bǔ。
ā lì kè sī yǐ shā rén zuì bèi pàn rù yù 14 nián， wèile suō duǎn xíng qī， ā lì kè sī zì gào fèn yǒng， yuàn yì bǎ zì jǐ dāng zuò xiǎo bái shǔ yī yàng sòng qù wéi yī xiàng jiào zuò“ yàn 'è liáo fǎ” de chōng dāng shí yàn pǐn。 liáo fǎ hěn jiǎn dān： zài zhù shè mǒu zhǒng yào wù hòu， yī shēng men jiù ràng 'ā lì kè sī mù bù zhuǎn jīng dì guān kàn gè zhǒng lìng rén fàzhǐ de sè qíng、 bào lì yǐngpiān， yǐ shǐ qí duì sè qíng bào lì zài shēng lǐ shàng chǎn shēng tiáo jiàn fǎn shè shì de 'ěxīn。 dàn zuì lìng 'ā lì kè sī wú fǎ rěn shòu de shì， fàng yìng nà cuì bào xíng de yǐng piàn shí， jìng rán tóng shí bō fàng zhe tā zuì xǐ 'ài de yīnyuè héng héng bèi duō fēn《 dì jiǔ jiāo xiǎng qū》！ zhè yàng， ā lì kè sī zài shí yàn jié shù hòu chéng wèile yī gè dǎ bù hái shǒu、 mà bù hái kǒu、 wú fǎ jiē jìn nǚ sè 'ér qiě jué duì bù huì wēi hài shè huì de " xīn rén "。 chū yù hòu huí dào jiā de 'ā lì kè sī fā xiàn jiā lǐ yǐ jīng méi yòu zì jǐ de wèi zhì， huò bù dān xíng， liú làng jiē tóu， yòu zāo dào céng jīng zāo dào zì jǐ tòng dǎ de lǎo liú làng hàn de bào fù， zhèng zài zhè shí， cǐ shí liǎng gè jǐng chá qián lái jiě wéi， tā men jìng shì yuán lái de shǒu xià！ zhè liǎng gè shǒu xià wéi bào qián chóu， bǎ 'ā lì kè sī dài dào jiāo wài dú dǎ zhé mó。 zuì hòu， jīhū yǎn yǎn yī xī de 'ā lì kè sī pá dào yī hù rén jiā qián， tā wàn wàn méi xiǎng dào zhè jìng shì tā cóng qián de shòu hài zhě zuò jiā yà lì shān dà de zhù suǒ。 yà lì shān dà lì yòng 'ā lì kè sī bào fù， yì tú tuī fān xiàn rèn zhèng fǔ。
The title is taken from an old Cockney expression, "as queer as a clockwork orange"¹, and alludes to the prevention of the main character's exercise of his free will through the use of a classical conditioning technique. With this technique, the subject’s emotional responses to violence are systematically paired with a negative stimulation in the form of nausea caused by an emetic medicine administered just before the presentation of films depicting "ultra-violent" situations. Written from the perspective of a seemingly biased and unapologetic protagonist, the novel also contains an experiment in language: Burgess creates a new speech that is the teenage slang of the not-too-distant future.
The novel has been adapted for cinema in a controversial movie by Stanley Kubrick, and also by Andy Warhol; adaptations have also been made for television, radio, and the stage. As well as inspiring a concept album, the novel and films are referred to in, and have inspired, a number of songs and bands.
zài bǐ dé bǎo pín mín qū yī jiā gōng yù de wǔ céng lóu dǒu shì lǐ， zhù zhe yī gè qióng dà xué shēng lā sī kē 'ěr ní kē fū。 tā zhèng zài jīng lì zhe yīcháng tòng kǔ 'ér jī liè de sī xiǎng dǒu zhēng héng héng tā yào què dìng zì jǐ shì shǔ yú kě yǐ wéi suǒ yù wéi de bù píng fán de rén， hái shì zhǐ pèi zuò bù píng fán de rén de gōng jù de pǔ tōng rén。 tā yuán zài fǎ lǜ xì jiù xué， yīn jiāo bù qǐ xué fèi 'ér bèi pò chuò xué， xiàn zài kào mǔ qīn hé mèi mèi cóng jié jù de shēng huó fèi zhōng jié shěng xià lái de qián wéi chí shēng huó。 tā yǐ jīng hěn jiǔ méi yòu jiāo fáng zū liǎo。 jìn lái， fáng dōng tài tài bù jǐn tíng zhǐ gōng gěi tā huǒ shí， ér qiě cuī zū shèn jǐn。 zhè shí tā yù jiàn liǎo xiǎo gōng wù yuán mǎ 'ěr měi lā tuó fū。 mǎ 'ěr měi lā tuó fū yīn shī yè 'ér xiàn rù jué jìng， cháng nǚ suǒ ní yà bèi pò dāng liǎo jiē tóu jì nǚ。 lā sī kē 'ěr ní kē fū bù yuàn xiàng mǎ 'ěr měi lā tuó fū nà yàng rénrén zǎi gē， tā dǎ suàn yòng“ shí yàn” lái zhèng míng zì jǐ shì yī gè“ bù píng fán de rén”。
lí tā zhù chù bù yuǎn yòu jiā dàngpù， lǎo bǎn niàn shì gè gāo lì dài zhě， xīn hěn shǒu là。 yī tiān wǎn shàng， lā sī kē 'ěr ní kē fū chéng tā yī rén zài jiā， chuǎng rù shì nèi， bǎ tā shā sǐ。 cǐ shí lǎo bǎn niàn de yì mǔ mèi mèi wài chū fǎn huí， lā sī kē 'ěr ní kē fū zài huāng luàn zhōng yòu shā sǐ liǎo tā。 cì rì qīng chén， tā shōu dào jǐng chá jú de chuán piào， jīng kǒng wàn fēn， hòu zhī shì wéi zhuī jiāo qiàn kuǎn shí cái sōng liǎo kǒu qì。 tā zài lí kāi shí wú yì zhōng tīng dào jǐng guān tán lùn zuó wǎn xiōng shā 'àn， jǐn zhāng dé hūn jué guò qù， yǐn qǐ yī jǐng guān zhù yì。 tā qīng xǐng hòu huí dào jiā lǐ jiù wò chuáng bù qǐ， jǐ tiān bùxǐng rén shì， hòu lái bìng qíng yòu suǒ hǎo zhuǎn， dàn nèi xīn què chǔyú gèng tòng kǔ de máo dùn chōng tū zhōng。
jǐ tiān hòu， lā sī kē 'ěr ní kē fū 'ǒu rán jiàn dào yīn chē huò 'ér shēng mìng chuí wēi de mǎ 'ěr měi lā tuó fū。 tā yào qiú jǐng chá jiāng shāng zhě sòng huí jiā zhōng， mǎ 'ěr měi lā tuó fū dào jiā hòu jiù sǐ qù。 lā sī kē 'ěr ní kē fū tóng qíng gū 'ér guǎ mǔ de bù xìng， ná chū mǔ qīn gāng jì lái de 25 lú bù jiē jì tā men。 lǜ shī lú rén xiǎng yòng qī piàn shǒu duàn qǔ lā sī kē 'ěr ní kē fū de mèi mèi dù ní yà， yóu yú zāo dào lā sī kē 'ěr ní kē fū de jí lì fǎn duì 'ér gào chuī。 lú rén huái hèn zài xīn， qǐ tú yǐ wū xiàn suǒ ní yà tōu tā de qián lái zhèng míng lā sī kē 'ěr ní kē fū xíng wéi bù duān héng héng jiāng mǔ qīn de xuè hàn qián sòng gěi huài nǚ rén。 lā sī kē 'ěr ní kē fū dāng zhòng jiē chuān liǎo lú rén de wú chǐ xíng wéi， suǒ ní jī shí fēn gǎn jī tā。
lā sī kē 'ěr ní kē fū shā rén hòu， jìn guǎn méi lù hén jì， dàn shì què wú fǎ bǎi tuō nèi xīn de kǒng jù， tā gǎn dào zì jǐ yuán xiān de yī qiē měi hǎo de gǎn qíng dū suí zhī mǐn miè liǎo， zhè shì bǐ fǎ lǜ chéng fá gèng yán lì de liáng xīn chéng fá。 tā yì shí dào zì jǐ de“ shí yàn” shī bài liǎo。 tā huái zhe tòng kǔ de xīn qíng lái dào suǒ ní yà chù， shòu dào suǒ ní yà zōng jiào sī xiǎng de gǎn zhào， xiàng tā shuō chū liǎo fàn zuì de zhēn xiāng yǔ dòng jī。 zài suǒ ní yà de quàn shuō xià， tā xiàng jǐng fāng tóu 'àn zì shǒu。
lā sī kē 'ěr ní kē fū bèi pàn chù 8 nián kǔ yì， lái dào liǎo xī bó lì yà。 bù jiǔ， suǒ ní yà yě lái dào liǎo nà lǐ。 yī tiān qīng chén， liǎng rén zài hé biān xiāng yù。 tā men jué xīn qián xìn shàng dì， yǐ chàn huǐ de xīn qíng chéng shòu yī qiē kǔ nán， huò qǔ jīng shén shàng de xīn shēng。
《 zuì yǔ fá》 shì yī bù zhuó yuè de shè huì xīn lǐ xiǎo shuō， tā de fā biǎo biāo zhì zhe tuó sī tuǒ yé fū sī jī yì shù fēng gé de chéng shú。
xiǎo shuō yǐ zhù rén gōng lā sī kē 'ěr ní kē fū fàn zuì jí fàn zuì hòu shòu dào liáng xīn hé dào dé chéng fá wéi zhù xiàn， guǎng fàn dì miáo xiě liǎo 'é guó chéng shì pín mín zǒu tóu wú lù de bēi cǎn jìng yù hé rì qū jiān ruì de shè huì máo dùn。 zuò zhě bǐ xià de jīng chéng bǐ dé bǎo shì yī pài 'àn wú tiān rì de jǐng xiàng： cǎo shì chǎng shàng jù jí zhuóyǎn jīng bèi dǎ dé fā qīng de jì nǚ， wū zhuó de hé shuǐ zhōng zhēngzhá zhe tóu hé zì jìn de nǚ gōng， qióng kùn liáo dǎo de xiǎo gōng wù yuán bèi mǎ chē zhuàng dǎo zài jiē tóu， fā fēng de nǚ rén dài zhe hái zǐ yán jiē qǐ tǎo …… yǔ cǐ tóng shí， gāo lì dài lǎo tài pó dèng dà zhe xiōng hěn de yǎn jīng， yào zhà gān qióng rén de zuì hòu yī dī xuè hàn， mǎn shēn tóng chòu de shì kuài bù xī yòng yòu piàn、 wū xiàn de shǒu duàn cán hài“ xiǎo rén wù”， yǐ dá dào lì jǐ de mùdì， ér huāng yín wú dù de guì zú dì zhù wéi mǎn zú zì jǐ de shòu yù， bù duàn gān chū lìng rén fàzhǐ de gòu dāng…… zuò zhě huái zhe zhēn qiē de tóng qíng hé mǎn qiāng de jī fèn， jiāng 19 shì jì 60 nián dài shā 'é jīng chéng de hēi 'àn、 chì pín、 jué wàng hé wū zhuó yī qǐ wú qíng dì zhǎn xiàn zài dú zhě miàn qián。
lā sī kē 'ěr ní kē fū shì xiǎo shuō zhōng de zhōng xīn rén wù， zhè shì yī gè diǎn xíng de jù yòu shuāngchóng rén gé de xíng xiàng： tā shì yī gè xīn dì shàn liáng、 lè yú zhù rén de qióng dà xué shēng， yī gè yòu tiān fù、 yòu zhèng yì gǎn de qīng nián， dàn tóng shí tā de xìng gé yīn yù、 gū pì，“ yòu shí shèn zhì lěng mò wú qíng、 má mù bù rén dào liǎo háo wú rén xìng de dì bù”， wèile zhèng míng zì jǐ shì gè“ xià píng fán de rén”， jìng rán qù xíng xiōng shā rén，“ zài tā shēn shàng sì hū yòu liǎng zhǒng jié rán bù tóng de xìng gé zài jiāo tì biàn huà”。 zhèng shì zhè shuāngchóng rén gé zhī jiān de jī liè chōng tū， shǐ zhù rén gōng bù duàn dì dòng yáo zài duì zì jǐ de“ lǐ lùn”（ jí guān yú“ píng fán de rén” yǔ“ bù píng fán de rén” de guān diǎn） de kěn dìng yǔ fǒu dìng zhī jiān。 duì yú lā sī kē 'ěr ní kē fū lái shuō， rú guǒ gān yuàn zuò nì lái shùn shòu de“ píng fán de rén”， nà me děng dài tā de shì mǎ 'ěr měi lā tuó fū de bēi cǎn jié jú， rú guǒ qù zuò yī gè bù gù yī qiē dào dé zhǔn zé de“ rén lèi zhù zǎi zhě”， nà jiù huì yǔ wéi fēi zuò dǎi de bēi bǐ zhī tú lú rén hé sī wéi dé lǐ jiā yī luò fū tóng liú hé wū。 tā de rén gé zhōng de zhù dǎo miàn zhōng yú zài bái rè huà de bó dǒu zhōng zhàn liǎo yōu shì， bìng tuī dòng tā zuì hòu fǒu dìng zì jǐ de“ lǐ lùn”， xiàng suǒ ní yà kào lǒng。 xiǎo shuō tōng guò zhè yī xíng xiàng， shēn kè dì jiē lù liǎo zī chǎn jiē jí de“ ruò ròu qiáng shí” yuán zé duì xiǎo zī chǎn jiē jí zhī shí fènzǐ de dú hài， yòu lì dì pī pàn liǎo zhè yī yuán zé de fǎn rén dào zhù yì de shí zhì， bìng qiě cóng kè guān shàng fǒu dìng liǎo jiàn lì zài“ chāo rén” zhé xué jī chǔ shàng de wú zhèng fǔ zhù yì shì de fǎn kàng， yīn wéi zhè zhǒng fǎn kàng jué bù kě néng gěi bèi yā pò zhě dài lái xīn shēng huó de zhuǎn jī。
rán 'ér， zuò zhě zuò chū de shàng shù jiē lù hé pī pàn jǐn jǐn shì cóng lún lǐ dào dé guān niàn hé zōng jiào sī xiǎng chū fā de。 zuò zhě rèn wéi yī qiē yǐ bào lì kàng 'è de zuò fǎ dōubù zú qǔ， yīn wéi rén wú fǎ táo bì nèi xīn de chéng fá， zài huǐ miè tā rén de tóng shí yě huǐ miè liǎo zì shēn。 zuò zhě hái lì tú bǎ lā sī kē 'ěr ní kē fū de fàn zuì xíng wéi guī jié wéi pāo qì liǎo duì shàng dì de xìn yǎng suǒ zhì。 yòng suǒ ní yà de huà lái shuō， shì yīn wéi“ nín lí kāi liǎo shàng dì， shàng dì chéng fá liǎo nín， bǎ nín jiāo gěi liǎo mó guǐ！” zuò zhě wéi lā sī kē 'ěr ní kē fū 'ān pái de yī tiáo“ xīn shēng” zhī lù， shí jì shàng jiù shì yī tiáo yǔ hēi 'àn xiàn shí tuǒ xié de dào lù， yě jiù shì suǒ wèi“ suǒ ní yà de dào lù”。 zuò zhě bǎ suǒ ní yà kàn zuò rén lèi kǔ nán de xiàng zhēng， bìng zài tā shēn shàng tǐ xiàn liǎo qián xìn shàng dì， chéng shòu bù xìng， tōng guò tòng kǔ jìng huà líng hún de sī xiǎng， zuò wéi yī gè hēi 'àn shè huì de xī shēng pǐn， yī gè shòu yā pò zuì shēn de nǚ xìng， suǒ ní yà de xíng xiàng yòu zhe bù kě dī gū de diǎn xíng yì yì， dàn shì zuò wéi yī gè lǐ xiǎng rén wù， zhè yī xíng xiàng què xiǎn dé shí fēn cāng bái。 xiǎn rán， tuó sī tuǒ yé fū sī jī zài xiǎo shuō zhōng xuān yáng de zhè xiē zōng jiào sī xiǎng， yǔ zhěng bù zuò pǐn suǒ xiǎn shì de qiáng dà pī pàn lì liàng shì bù xiāng xié diào de： zhè lǐ chōng fēn biǎo xiàn chū zuò zhě shì jiè guān de jiān ruì máo dùn。
《 zuì yǔ fá》 jù yòu hěn gāo de yì shù chéng jiù。 xiǎo shuō bǐ jiào quán miàn dì xiǎn shì liǎo tuó sī tuǒ yé fū sī jī guān yú“ kè huà rén de xīn líng shēn chù de 'ào mì” de tè diǎn。 zuò zhě shǐ zhōng ràng rén wù chù zài wú fǎ jiě tuō de máo dùn zhī zhōng， tōng guò rén wù bēi jù xìng de nèi xīn chōng tū jiē shì rén wù xìng gé， tóng shí zuò zhě duì huàn jué、 mèng yǎn hé biàn tài xīn lǐ de kè huà yě jí wéi chū sè。 xiǎo shuō zhōng， yóu yú zuò zhě zhuólì tuò kuān rén wù de xīn lǐ jié gòu， qíng jié jié gòu xiāng duì dì chǔyú cóng shǔ dì wèi。 jìn guǎn zuò pǐn zhōng mǎ 'ěr měi lā tuó fū yī jiā de zāo yù lìng rén tóng qíng， xiōng shā shì jiàn kòu rén xīn xián， dàn tā mendōu zhǐ shì“ yī fèn fàn zuì de xīn lǐ bào gào” de zǔ chéng bù fēn。 zhèng yīn wéi zhè yàng， zhù rén gōng de nèi xīn shì jiè cái yǐ qián suǒ wèi yòu de fú dù hé shēn dù zhǎn xiàn zài dú zhě miàn qián。 cǐ wài， zhè bù xiǎo shuō chǎng miàn zhuǎn huàn kuài， chǎng jǐng tuī yí xùn sù， zhù yào qíng jié guò chéng zhǐ yòng liǎo jǐ tiān shí jiān， zài nóng suō de shí kōng zhōng róng nà liǎo fēng fù de sī xiǎng nèi róng， xiǎo shuō de shí dài sè cǎi hé zhèng lùn sè cǎi shí fēn xiān míng。
Crime and Punishment focuses on the mental anguish and moral dilemmas of Rodion Romanovich Raskolnikov, an impoverished ex-student from St. Petersburg who formulates and executes a plan to kill an unscrupulous pawnbroker for her money. Raskolnikov argues that with the pawnbroker's money he can perform good deeds to counterbalance the crime, while ridding the world of a worthless parasite. This murder he also commits to test Raskolnikov's hypothesis that some people are naturally able to and also have the right to murder. Several times throughout the novel, Raskolnikov also justifies his actions by connecting himself mentally with Napoleon Bonaparte, believing that murder is permissible in pursuit of a higher purpose.
Creation
Dostoevsky conceived the idea of Crime and Punishment in the summer of 1865, having gambled away much of his fortune, unable to pay his bill or afford proper meals. At the time the author owed large sums of money to creditors, and was trying to help the family of his brother Mikhail, who had died in early 1864. Projected under the title The Drunkards, it was to deal "with the present question of drunkness ... [in] all its ramifications, especially the picture of a family and the bringing up of children in these circumstance, etc., etc." Once Dostoevsky conceived Raskolnikov and his crime, now inspired by the case of Pierre François Lacenaire, this theme became ancillary, centering on the story of the Marmeladov family.
Dostoevsky offered his story or novella (at the time Dostoevsky was not thinking of a novel) to the publisher Mikhail Katkov. His monthly journal, The Russian Messenger, was a prestigious publication of its kind, and the outlet for both Ivan Turgenev and Leo Tolstoy, but Dostoevsky, having carried on quite bruising polemics with Katkov in early 1860s, had never published anything in its pages. Dostoevsky turned as a last resort to Katkov, and asked for an advance on a proposed contribution after all other appeals elsewhere failed. In a letter to Katkov written in September 1865, Dostoevsky explained to him that the work was to be about a young man who yields to "certain strange, 'unfinished' ideas, yes floating in the air"; he had thus embarked on his plan to explore the moral and psychological dangers of the "radical" ideology. In letters written in November 1865 an important conceptual change occurred: the "story" has become a "novel", and from here on all references to Crime and Punishment are to a novel.
Dostoevsky had to race against time, in order to finish on time both The Gambler and Crime and Punishment. Anna Snitkina, a stenographer who would soon become his second wife, was a great help for Dostoevsky during this difficult task. The first part of Crime and Punishment appeared in the January 1866 issue of The Russian Messenger, and the last one was published in December 1866.
“ At the end of November much had been written and was ready; I burned it all; I can confess that now. I didn't like it myself. A new form, a new plan excited me, and I started all over again. ”
— Dostoevsky's letter to his friend Alexander Wrangel in February 1886
In the complete edition of Dostoevsky's writings published in the Soviet Union, the editors reassembled and printed the notebooks that the writer kept while working on Crime and Punishment, in a sequence roughly corresponding to the various stages of composition. Because of these labors, there is now a fragmentary working draft of the story, or novella, as initially conceived, as well as two other versions of the text. These have been distinguished as the Wiesbaden edition, the Petersburg edition, and the final plan, involving the shift from a first-person narrator to the indigenous variety of third-person form invented by Dostoevsky. The Wiesbaden edition concentrates entirely on the moral/physic reactions of the narrator after the murder. It coincides roughly with the story that Dostoevsky described in his letter to Katkov, and written in a form of a diary or journal, corresponds to what eventually became part II.
“ I wrote [this chapter] with genuine inspiration, but perhaps it is no good; but for them the question is not its literary worth, they are worried about its morality. Here I was in the right—nothing was against morality, and even quite the contrary, but they saw otherwise and, what's more, saw traces of nihilism ... I took it back, and this revision of a large chapter cost me at least three new chapters of work, judging by the effort and the weariness; but I corrected it and gave it back. ”
— Dostoevsky's letter to A.P. Milyukov
Why Dostoevsky abandoned his initial version remains a matter of speculation. According to Joseph Frank, "one possibility is that his protagonist began to develop beyond the boundaries in which he had first been conceived". The notebooks indicate that Dostoevsky was aware of the emergence of new aspects of Raskolnikov's character as the plot action proceeded, and he structured the novel in conformity with this "metamorphosis," Frank says. Dostoevsky thus decided to fuse the story with his previous idea for a novel called The Drunkards. The final version of Crime and Punishment came to birth only when, in November 1865, Dostoevsky decided to recast his novel in the third person. This shift was the culmination of a long struggle, present through all the early stages of composition. Once having decided, Dostoevsky began to rewrite from scratch, and was able to easily integrate sections of the early manuscript into the final text—Frank says that he did not, as he told Wrangel, burn everything he had written earlier.
The final draft went smoothly, except for a clash with the editors of The Russian Messenger, about which very little is known. Since the manuscript Dostoevsky turned in to Katkov was lost, it is unclear what the editors had objected to in the original. In 1889, the editors of the journal commented that "it was not easy for him [Dostoevsky] to give up his intentionally exaggerated idealization of Sonya as a woman who carried self-sacrifice to the point of sacrificing her body". It seems that Dostoevsky had initially given Sonya a much more affirmative role in the scene, in which she reads the Gospel story of the raising of Lazarus to Raskolnikov.
Plot
Raskolnikov, a mentally unstable drop-out student, lives in a tiny, rented room in Saint Petersburg. He refuses all help, even from his friend Razumikhin, and devises a plan to murder and to rob an unpleasant elderly pawn-broker and money-lender, Alyona Ivanovna. His motivation, whether personal or ideological, remains at this point unclear. While still considering the plan, Raskolnikov makes the acquaintance of Semyon Zakharovich Marmeladov, a drunkard who recently squandered his family's little wealth. He also receives a letter from his sister and mother, speaking of their coming visit to St. Petersberg, and his sister's sudden marriage plans which they plan on discussing upon their arrival.
After much deliberation, Raskolnikov sneaks into Alyona Ivanovna's apartment where he murders her with an ax. He also kills her half-sister, Lizaveta, who happens to stumble upon the scene of the crime. Shaken by his actions, Raskolnikov manages to only steal a handful of items and a small purse, leaving much of the pawn-broker's wealth untouched. Raskolnikov then flees and manages to leave miraculously unseen and undetected.
After the bungled murder, Raskolnikov falls into a feverish state and begins to worry obsessively over the murder. He hides the stolen items and purse under a rock, and tries desperately to clean his clothing of any blood or evidence. He falls into a fever later that day, though not before calling briefly on his old friend Razumikhin. As the fever comes and goes in the following days, Raskolnikov behaves as though he wishes to betray himself. He shows strange reactions to whosoever mentions the murder of the pawn-broker, which is now known about and talked of in the city. In his delirium, Raskolnikov wanders Petersberg, drawing more and more attention to himself and his relation to the crime. In one of walks through the city, he sees Marmeladov being struck mortally by a carriage in the streets. Rushing to help him, Raskolnikov gives the remainder of his money to the man's family, which includes his teenage daughter, Sonia, who has been forced to become a prostitute to support her family.
In the meantime, Raskolnikov's mother, Pulkheria Alexandrovna, and his sister, Avdotya Romanovna (or Dunya) have arrived in town. Avdotya had been working as a governess for the Svidrigailov family until this point, but was forced out of the position by the head of the family, Arkady Ivanovich Svidrigaïlov. Svidrigailov, a married man, was attracted to Avdotya's physical beauty and her stunning spiritual qualities, and offered her riches and elopement. Avdotya, having none of this, fled the family and lost her source of income, only to meet Pyotr Petrovich Luzhin, a man of modest income and rank. Luzhin proposes to marry Avdotya, thereby securing her and her mother's financial safety, provided she accept him quickly and without question. It is for these very reasons that the two of them come to St. Petersberg, both to meet Luzhin there and to attain Raskolnikov's approval. Luzhin, however, calls on Raskolnikov while he is in a delirious state and presents himself as a foolish, self-righteous and presuming man. Raskolnikov dismisses him immediately as a potential husband for his sister, and realizes that she only accepted him to help her family.
As the novel progresses, Raskolnikov is introduced to the detective Porfiry, who begins to suspect him for the murder purely on psychological grounds. At the same time, a chaste relationship develops between Raskolnikov and Sonya. Sonya, though a prostitute, is full of Christian virtue and is only driven into the profession by her family's poverty. Meanwhile, Razumikhin and Raskolnikov manage to keep Avdotya from continuing her relationship with Luzhin, whose true character is exposed to be conniving and base. At this point, Svidrigailov appears on the scene, having come from the province to Petersberg, almost solely to seek out Avdotya. He reveals that his wife is dead, and that he is willing to pay Avdotya a vast sum of money in exchange for nothing. She, upon hearing the news, refuses flat out, suspecting him of treachery.
As Raskolnikov and Porfiry continue to meet, Raskolnikov's motives for the crime become exposed. Porfiry becomes increasingly certain of the man's guilt, but has no concrete evidence or witnesses with which to back this suspicion up. Raskolnikov's nerves begin to wear thin, and he is constantly struggling with the the idea of confessing, though he knows that he can never be truly convicted. He turns to Sonya for support, and confesses his crime to her. By coincidence, Svidrigailov has taken up residence in a room next to Sonya's and overhears the entire confession. When the two men meet face to face, Svidrigailov acknowledges this fact, and suggests that he may use it against him, should he need to. Svidrigailov also speaks of his own past, in which he reveals that he has committed murder and most recently killed his wife.
Raskolnikov is at this point completely torn; he is urged by Sonya to confess, and Svidrigailov's testimony could potentially convict him. Meantime, Svidrigailov attempts to seduce and then rape Avdotya, who convinces him not to. He then spends a night in confusion, and in the morning shoots himself. This same morning, Raskolnikov goes again to Sonya, who again urges him to confess and to clear his conscience. He makes his way to the police station, where he is met by the news of Svidrigailov's suicide. He hesitates a moment, thinking again that he might get away with a perfect crime, but is persuaded by Sonya to confess.
The epilogue tells of how Raskolnikov is sentenced to penal servitude in Siberia, where Sonya follows him. Avdotya and Razumikhin marry and are left in a happy position by the end of the novel. Raskolnikov, however, struggles in Siberia. It is only after some time serving that his redemption and moral regeneration begin under Sonya's loving influence.
Characters
In Crime and Punishment Dostoevsky succeeds in fusing the personality of his main character, Rodion Romanovich Raskolnikov (Russian: Родион Романович Раскольников), with his new anti-radical ideological themes. The main plot involves a murder as the result of "ideological intoxication," and depicts all the disastrous moral and psychical consequences that result from the murderer. Raskolnikov's psychology is placed at the center, and carefully interwoven with the ideas behind his transgression; every other feature of the novel illuminates the agonizing dilemma in which Raskolnikov is caught. From another point of view, the novel's plot is another variation of a conventional nineteenth-century theme: an innocent young provincial comes to seek his fortune in the capital, where he succumbs to corruption, and loses all traces of his former freshness and purity. However, as Gary Rosenshield points out, "Raskolnikov succumbs not to the temptations of high society as Honoré de Balzac's Rastignac or Stendhal's Julien Sorel, but to those of rationalistic Petersburg".
Raskolnikov is the protagonist, and the action is focalized primarily from his perspective. Despite its name, the novel does not so much deal with the crime and its formal punishment, as with Raskolnikov's internal struggle (the English translation does not do justice to the plot, however, in Russia, the title means 'transgression' over a border, which is what Raskolnikov emotionally does).[citation needed] The book shows that his punishment results more from his conscience than from the law. He committed murder with the belief that he possessed enough intellectual and emotional fortitude to deal with the ramifications, [based on his paper/thesis, "On Crime", that he is a Napoleon], but his sense of guilt soon overwhelms him. It is only in the epilogue that he realizes his formal punishment, having decided to confess and end his alienation.
Sofia Semyonovna Marmeladova (Russian: Софья Семёновна Мармеладова), variously called Sonia and Sonechka, is the daughter of a drunk, Semyon Zakharovich Marmeladov, whom Raskolnikov meets in a tavern at the beginning of the novel, and who, Raskolnikov discerns, shares the same feelings of shame and alienation as he does. She becomes the first person to whom Raskolnikov confesses his crime, and she supports him even though she was friends with one of the victims (Lizaveta). For most of the novel, Sonya serves as the spiritual guide for Raskolnikov. After his confession she follows him to Siberia where she lives in the same town as the prison.
Other characters of the novel are:
* Porfiry Petrovich (Порфирий Петрович) – The detective in charge of solving the murders of Lizaveta and Alyona Ivanovna, who, along with Sonya, guides Raskolnikov towards confession. Unlike Sonya, however, Porfiry does this through psychological games. Despite the lack of evidence, he becomes certain Raskolnikov is the murderer following several conversations with him, but gives him the chance to confess voluntarily. He attempts to confuse and to provoke the unstable Raskolnikov in an attempt to coerce him to confess.
* Avdotya Romanovna Raskolnikova (Авдотья Романовна Раскольникова) – Raskolnikov's strong willed and self-sacrificial sister, called Dunya, Dounia or Dunechka for short. She initially plans to marry the wealthy, yet smug and self-possessed, Luzhin, to save the family from financial destitution. She has a habit of pacing across the room while thinking. She is followed to Saint Petersburg by the disturbed Svidrigailov, who seeks to win her back through blackmail. She rejects both men in favour of Raskolnikov's loyal friend, Razumikhin.
* Arkady Ivanovich Svidrigaïlov (Аркадий Иванович Свидригайлов) – Sensual, depraved, and wealthy former employer and current pursuer of Dunya, Svidrigaïlov is suspected of multiple acts of murder, and overhears Raskolnikov's confessions to Sonya. With this knowledge he torments both Dunya and Raskolnikov but does not inform the police. When Dunya tells him she could never love him (after attempting to shoot him) he lets her go and commits suicide. Whereas Sonya represents the path to salvation, Svidrigaïlov represents the other path towards suicide. Despite his apparent malevolence, Svidrigaïlov is similar to Raskolnikov in regard to his random acts of charity. He fronts the money for the Marmeladov children to enter an orphanage (after both their parents die), gives Sonya five percent bank notes totalling three thousand rubles, and leaves the rest of his money to his juvenile fiancée.
* Marfa Petrovna Svidrigailova (Марфа Петровна Свидригайлова) – Arkady Svidrigaïlov's deceased wife, whom he is suspected of having murdered, and who he claims has visited him as a ghost. Her bequest of 3,000 rubles to Dunya allows Dunya to reject Luzhin as a suitor.
* Dmitri Prokofich Razumikhin (Дмитрий Прокофьич Разумихин) – Raskolnikov's loyal friend. In terms of Razumikhin's contribution to Dostoevsky's anti-radical thematics, he is intended to represent something of a reconciliation of the pervasive thematic conflict between faith and reason. The fact that his name means reason shows Dostoevsky's desire to employ this faculty as a foundational basis for his Christian faith in God.
* Katerina Ivanovna Marmeladova (Катерина Ивановна Мармеладова) – Semyon Marmeladov's consumptive and ill-tempered second wife, stepmother to Sonya. She drives Sonya into prostitution in a fit of rage, but later regrets it, and beats her children mercilessly, but works ferociously to improve their standard of living. She is obsessed with demonstrating that slum life is far below her station. Following Marmeladov's death, she uses Raskolnikov's money to hold a funeral.
* Semyon Zakharovich Marmeladov (Семён Захарович Мармеладов) – Hopeless drunk who indulges in his own suffering, and father of Sonya. Marmeladov could be seen as a Russian equivalent of the character of Micawber in Charles Dickens' novel, David Copperfield.[citation needed]
* Pulkheria Alexandrovna Raskolnikova (Пульхерия Александровна Раскольникова) – Raskolnikov's relatively clueless, hopeful and loving mother. Following Raskolnikov's sentence, she falls ill (mentally and physically) and eventually dies. She hints in her dying stages that she is slightly more aware of her son's fate, which was hidden from her by Dunya and Razumikhin.
* Pyotr Petrovich Luzhin (Пётр Петрович Лужин) – A well-off lawyer who is engaged to Raskolnikov's sister Dunya in the beginning of the novel. His motives for the marriage is rather despicable, as he states more or less that he chose her since she will be completely beholden to him financially.
* Andrey Semyenovich Lebezyatnikov (Андрей Семёнович Лебезятников) – Luzhin's utopian socialist roommate who witnesses his attempt to frame Sonya and subsequently exposes him.
* Alyona Ivanovna (Алёна Ивановна) – Suspicious old pawnbroker who hoards money and is merciless to her patrons. She is Raskolnikov's intended target.
* Lizaveta Ivanovna (Лизавета Ивановна) – Alyona's simple and innocent sister. Raskolnikov murders her when she walks in immediately after Raskolnikov had killed Alyona. Lizaveta was a friend of Sonya's.
* Zosimov (Зосимов) – A friend of Razumikhin and a doctor who cared for Raskolnikov.
* Nastasya Petrovna (Настасья Петровна) – Raskolnikov's landlady's servant and a friend of Raskolnikov.
* Nikodim Fomich (Никодим Фомич)– The amiable Chief of Police.
* Ilya "Gunpowder" Petrovich (Илья Петрович) – A police official and Fomich's assistant.
* Alexander Grigorievich Zamyotov (Александр Григорьевич Заметов) – Head clerk at the police station and friend to Razumikhin. Raskolnikov arouses Zamyotov's suspicions by explaining how he, Raskolnikov, would have committed various crimes, although Zamyotov later apologizes, believing, much to Raskolnikov's amusement, that it was all a farce to expose how ridiculous the suspicions were. This scene illustrates the argument of Raskolnikov's belief in his own superiority as Übermensch.[citation needed]
* Nikolai Dementiev (Николай Дементьев) – A painter and sectarian who admits to the murder, since his sect holds it to be supremely virtuous to suffer for another person's crime.
* Polina Mikhailovna Marmeladova (Полина Михайловна Мармеладова) – Ten-year-old adopted daughter of Semyon Zakharovich Marmeladov and younger stepsister to Sonya, sometimes known as Polechka.
Name Word Meaning (in Russian)
Rodion Romanovich Raskolnikov raskol a schism, or split; "raskolnik" is "one who splits" or "dissenter"; the verb raskalyvat' means "to cleave", "to chop","to crack","to split" or "to break"
Pyotr Petrovich Luzhin luzha a puddle
Dmitri Prokofich Razumikhin razum reason, intelligence
Alexander Grigorievich Zamyotov zametit to notice, to realize
Andrey Semyenovich Lebezyatnikov lebezit to fawn on somebody, to cringe
Semyon Zakharovich Marmeladov marmelad marmalade/jam
Arkady Ivanovich Svidrigailov Svidrigailo a Lithuanian duke of the fifteenth century
Structure
Crime and Punishment has a distinct beginning, middle and end. The novel is divided into six parts, with an epilogue. The notion of "intrinsic duality" in Crime and Punishment has been commented upon, with the suggestion that there is a degree of symmetry to the book. Edward Wasiolek who has argued that Dostoevsky was a skilled craftsman, highly conscious of the formal pattern in his art, has likened the structure of Crime & Punishment to a "flattened X", saying:
Parts I-III [of Crime and Punishment] present the predominantly rational and proud Raskolnikov: Parts IV-VI, the emerging "irrational" and humble Raskolnikov. The first half of the novel shows the progressive death of the first ruling principle of his character; the last half, the progressive birth of the new ruling principle. The point of change comes in the very middle of the novel.
This compositional balance is achieved by means of the symmetrical distribution of certain key episodes throughout the novel's six parts. The recurrence of these episodes in the two halves of the novel, as David Bethea has argued, is organized according to a mirror-like principle, whereby the "left" half of the novel reflects the "right" half. For her part, Margaret Church discerns a contrapuntal structuring: parts I, III and V deal largely with the main hero's relationship to his family (mother, sister and mother surrogates), while parts II, IV and VI deal with his relationship to the authorities of the state "and to various father figures".
The seventh part of the novel, the Epilogue, has attracted much attention and controversy. Some of Dostoevsky's critics have criticized the novel's final pages as superfluous, anti-climactic, unworthy of the rest of the work, while others have rushed to the defense of the Epilogue, offering various ingenious schemes which conclusively prove its inevitability and necessity. Steven Cassedy argues that Crime and Punishment "is formally two distinct but closely related, things, namely a particular type of tragedy in the classical Greek mold and a Christian resurrection tale". Cassedy concludes that "the logical demands of the tragic model as such are satisfied without the Epilogue in Crime and Punishment ... At the same time, this tragedy contains a Christian component, and the logical demands of this element are met only by the resurrection promised in the Epilogue".
Crime and Punishment is written from a third-person omniscient perspective. It is focalized primarily from the point of view of Raskolnikov; however, it does at times switch to the perspective of Svidrigailov, Razumikhin, Peter Petrovich, or Dunya. This narrative technique, which fuses the narrator very closely with the consciousness and point of view of the central characters of the plot, was original for its period. Franks notes that his identification, through Dostoevsky's use of the time shifts of memory and his manipulation of temporal sequence, begins to approach the later experiments of Henry James, Joseph Conrad, Virginia Woolf, and James Joyce. A late nineteenth-century reader was, however, accustomed to more orderly and linear types of expository narration. This led to the persistence of the legend that Dostoevsky was an untidy and negligent craftsman, and to critical observations like the following by Melchior de Vogüé:
"A word ... one does not even notice, a small fact that takes up only a line, have their reverberations fifty pages later ... [so that] the continuity becomes unintelligible if one skips a couple of pages."
Dostoevsky uses different speech mannerisms and sentences of different length for different characters. Those who use artificial language—Luzhin, for example—are identified as unattractive people. Mrs. Marmeladov's disintegrating mind is reflected in her language, too. In the original Russian text, the names of the major characters have something of a double meaning, but in translation the subtlety of the language is sometimes lost. There is even a play with the Russian word for crime ("prestuplenie"), which is literally translated as a stepping across or a transgression. The physical image of crime as a crossing over a barrier or a boundary is lost in translation. So is the religious implication of transgression, which in English refers to a sin rather than a crime.
Symbolism
The Dreams
Raskolnikov's dreams always have a symbolic meaning, which suggests a psychological view. In the dream about the horse, the mare has to sacrifice itself for the men who are too much in a rush to wait. This could be symbolic of women sacrificing themselves for men, just like Raskolnikov's belief that Dunya is sacrificing herself for Rodya by marrying Luzhin. Some critics have suggested this dream is the fullest single expression of the whole novel, containing the nihilistic destruction of an innocent creature and Rodion's suppressed sympathy for it (although the young Rodion in the dream runs to the horse, he still murders the pawnbroker soon after waking). The dream is also mentioned when Raskolnikov talks to Marmeladov. He states that his daughter, Sonya, has to sell her body to earn a living for their family. The dream is also a blatant warning for the impending murder.
In the final pages, Raskolnikov, who at this point is in the prison infirmary, has a feverish dream about a plague of nihilism, that enters Russia and Europe from the east and which spreads senseless dissent (Raskolnikov's name alludes to "raskol", dissent) and fanatic dedication to "new ideas": it finally engulfs all of mankind. Though we don't learn anything about the content of these ideas they clearly disrupt society forever and are seen as exclusively critical assaults on ordinary thinking: it is clear that Dostoevsky was envisaging the new, politically and culturally nihilist ideas which were entering Russian literature and society in this watershed decade, and with which Dostoevsky would be in debate for the rest of his life (cp. Chernyshevsky's What Is to Be Done?, Dobrolyubov's abrasive journalism, Turgenev's Fathers and Sons and Dostoevsky's own The Possessed). Just like the novel demonstrates and argues Dostoevsky's conviction that "if God doesn't exist (or is not recognized) then anything is permissible" the dream sums up his fear that if men won't check their thinking against the realities of life and nature, and if they are unwilling to listen to reason or authority, then no ideas or cultural institutions will last and only brute barbarism can be the result. Janko Lavrin, who took part in the revolutions of the WWI era, knew Lenin and Trotsky and many others, and later would spend years writing and researching on Dostoevsky and other Russian classics, called this final dream "prophetic in its symbolism".
The Cross
Sonya gives Rodya a cross when he goes to turn himself in. He takes his pain upon him by carrying the cross through town, like Jesus; he falls to his knees in the town square on the way to his confession. Sonya carried the cross up until then, which indicates that, as literally mentioned in the book, she suffers for him, in a semi-Christ-like manner. Sonya and Lizaveta had exchanged crosses and become spiritual sisters, originally the cross was Lizaveta's — so Sonya carries Lizaveta's cross, the cross of Rodya's innocent victim, whom he didn't intend to kill.
Saint Petersburg
“ On an exceptionally hot evening early in July a young man came out of the garret in which he lodged in S. Place and walked slowly, as though in hesitation, towards K. bridge. ”
— Fyodor Dostoevsky, Crime and Punishment, I, I
The above opening sentence of the novel has a symbolic function: Russian critic Vadim K. Kozhinov argues that the reference to the "exceptionally hot evening" establishes not only the suffocating atmosphere of Saint Petersburg in midsummer but also "the infernal ambience of the crime itself". Dostoevsky was among the first to recognize the symbolic possibilities of city life and imagery drawn from the city. I. F. I. Evnin regards Crime and Punishment as the first great Russian novel "in which the climactic moments of the action are played out in dirty taverns, on the street, in the sordid black rooms of the poor".
Dostoevsky's Petersburg is the city of unrelieved poverty; "magnificence has no place in it, because magnificence is external, formal abstract, cold". Dostoevsky connects the city's problems to Raskolnikov's thoughts and subsequent actions. The crowded streets and squares, the shabby houses and taverns, the noise and stench, all are transformed by Dostoevsky into a rich store of metaphors for states of mind. Donald Fanger asserts that "the real city [...] rendered with a striking concreteness, is also a city of the mind in the way that its atmosphere answers Raskolnikov's spiritual condition and almost symbolizes it. It is crowded, stifling, and parched."
Themes
Dostoevsky's letter to Katkov reveals his immediate inspiration, to which he remained faithful even after his original plan evolved into a much more ambitious creation: a desire to counteract what he regarded as nefarious consequences arising from the doctrines of Russian nihilism. In the novel, Dostoevsky pinpointed the dangers of both utilitarianism and rationalism, the main ideas of which inspired the radicals, continuing a fierce criticism he had already started with his Notes from Underground. A Slavophile religious believer, Dostoevsky utilized the characters, dialogue and narrative in Crime and Punishment to articulate an argument against westernizing ideas in general. He thus attacked a peculiar Russian blend of French utopian socialism and Benthamite utilitarianism, which had led to what revolutionaries, such as Nikolai Chernyshevsky, called "rational egoism".
The radicals refused, however, to recognize themselves in the novel's pages (Dimitri Pisarev ridiculed the notion that Raskolnikov's ideas could be identified with those of the radicals of his time), since Dostoevsky portrayed nihilistic ideas to their most extreme consequences. The aim of these ideas was altruistic and humanitarian, but these aims were to be achieved by relying on reason and suppressing entirely the spontaneous outflow of Christian pity and compassion. Chernyshevsky's utilitarian ethic proposed that thought and will in man were subject to the laws of physical science. Dostoevsky believed that such ideas limited man to a product of physics, chemistry and biology, negating spontaneous emotional responses. In its latest variety of Bazarovism, Russian nihilism encouraged the creation of an élite of superior individuals to whom the hopes of the future were to be entrusted.
Raskolnikov exemplifies all the potentially disastrous hazards contained in such an ideal. Frank notes that "the moral-psychological traits of his character incorporate this antinomy between instinctive kindness, sympathy, and pity on the one hand and, on the other, a proud and idealistic egoism that has become perverted into a contemptuous disdain for the submissive herd". Raskolnikov's inner conflict in the opening section of the novel results in a utilitarian-altruistic justification for the proposed crime: why not kill a wretched and "useless" old moneylender to alleviate the human misery? Dostoevsky wants to show that this utilitarian type of reasoning and its conclusions had become widespread and commonplace; they were by no means the solitary invention of Raskolnikov's tormented and disordered mind. Such radical and utilitarian ideas act to reinforce the innate egoism of Raskolnikov's character, and to turn him into a hater rather than a lover of his fellow humans. He even becomes fascinated with the majestic image of a Napoleonic personality who, in the interests of a higher social good, believes that he possesses a moral right to kill. Indeed, his "Napoleon-like" plan drags him to a well-calculated murder, the ultimate conclusion of his self-deception with utilitarianism.
In his depiction of the Petersburg background, Dostoevsky accentuates the squalor and human wretchedness that pass before Raskolnikov's eyes. He also uses Raskolnikov's encounter with Marmeladov to present both the heartlessness of Raskolnikov's convictions and the alternative set of values to be set against them. Dostoevsky believes that the "freedom" propounded by the aforementioned ideas is a dreadful freedom "that is contained by no values, because it is before values". The product of this "freedom", Raskolnikov, is in perpetual revolt against society, himself, and God. He thinks that he is self-sufficient and self-contained, but at the end "his boundless self-confidence must disappear in the face of what is greater than himself, and his self-fabricated justification must humble itself before the higher justice of God". Dostoevsky calls for the regeneration and renewal of the "sick" Russian society through the re-discovering of their country, their religion, and their roots.
Reception
The first part of Crime and Punishment published in the January and February issues of The Russian Messenger met with public success. Although the remaining parts of the novel had still to be written, an anonymous reviewer wrote that "the novel promises to be one of the most important works of the author of The House of the Dead". In his memoirs, the conservative belletrist Nikolay Strakhov recalled that in Russia Crime and Punishment was the literary sensation of 1866.
The novel soon attracted the criticism of the liberal and radical critics. G.Z. Yeliseyev sprang to the defense of the Russian student corporations, and wondered, "Has there ever been a case of a student committing murder for the sake of robbery?" Pisarev, aware of the novel's artistic value attempted in 1867 another approach: he argued that Raskolnikov was a product of his environment, and explained that the main theme of the work was poverty and its results. He measured the novel's excellence by the accuracy and understanding with which Dostoevsky portrayed the contemporary social reality, and focused on what he regarded as inconsistencies in the novel's plot. Strakhov rejected Pisarev's contention that the theme of environmental determinism was essential to the novel, and pointed out that Dostoevsky's attitude towards his hero was sympathetic: "This is not mockery of the younger generation, neither a reproach nor an accusation—it is a lament over it."
English translations
* Frederick Whishaw (1885)
* Constance Garnett (1914)
* David Magarshack (1951)
* Princess Alexandra Kropotkin (1953)
* Jessie Coulson (1953)
* Sidney Monas (1968)
* David McDuff (1991)
* Richard Pevear & Larissa Volokhonsky (1992)
* Julius Katzer
* Michael Scammell
Film adaptations
Main article: Film adaptations of Crime and Punishment
There have been over 25 film adaptations of Crime and Punishment. They include:
* Raskolnikow (aka Crime and Punishment) (1923, directed by Robert Wiene)
* Crime and Punishment (1935, starring Peter Lorre, Edward Arnold and Marian Marsh)
* Eigoban Tsumi to Batsu (1953, manga by Tezuka Osamu, under his interpretation)
* Crime and Punishment (1970 film) (Soviet film, 1970, starring Georgi Taratorkin, Tatyana Bedova, Vladimir Basov, Victoria Fyodorova) dir. Lev Kulidzhanov
* Rikos ja Rangaistus (1983; Crime and Punishment), the first movie by the Finnish director Aki Kaurismäki, with Markku Toikka in the lead role. The story has been transplanted to modern-day Helsinki, Finland.
* Crime and Punishment in Suburbia (2000, an adaptation set in modern America and "loosely based" on the novel)
* Columbo (1971 - 78, and intermittently otherwise, starring the American actor Peter Falk) According to the creator of "Columbo", William Link, the American detective "Columbo", is based in part upon Porfiry Petrovich.
lí tā zhù chù bù yuǎn yòu jiā dàngpù， lǎo bǎn niàn shì gè gāo lì dài zhě， xīn hěn shǒu là。 yī tiān wǎn shàng， lā sī kē 'ěr ní kē fū chéng tā yī rén zài jiā， chuǎng rù shì nèi， bǎ tā shā sǐ。 cǐ shí lǎo bǎn niàn de yì mǔ mèi mèi wài chū fǎn huí， lā sī kē 'ěr ní kē fū zài huāng luàn zhōng yòu shā sǐ liǎo tā。 cì rì qīng chén， tā shōu dào jǐng chá jú de chuán piào， jīng kǒng wàn fēn， hòu zhī shì wéi zhuī jiāo qiàn kuǎn shí cái sōng liǎo kǒu qì。 tā zài lí kāi shí wú yì zhōng tīng dào jǐng guān tán lùn zuó wǎn xiōng shā 'àn， jǐn zhāng dé hūn jué guò qù， yǐn qǐ yī jǐng guān zhù yì。 tā qīng xǐng hòu huí dào jiā lǐ jiù wò chuáng bù qǐ， jǐ tiān bùxǐng rén shì， hòu lái bìng qíng yòu suǒ hǎo zhuǎn， dàn nèi xīn què chǔyú gèng tòng kǔ de máo dùn chōng tū zhōng。
jǐ tiān hòu， lā sī kē 'ěr ní kē fū 'ǒu rán jiàn dào yīn chē huò 'ér shēng mìng chuí wēi de mǎ 'ěr měi lā tuó fū。 tā yào qiú jǐng chá jiāng shāng zhě sòng huí jiā zhōng， mǎ 'ěr měi lā tuó fū dào jiā hòu jiù sǐ qù。 lā sī kē 'ěr ní kē fū tóng qíng gū 'ér guǎ mǔ de bù xìng， ná chū mǔ qīn gāng jì lái de 25 lú bù jiē jì tā men。 lǜ shī lú rén xiǎng yòng qī piàn shǒu duàn qǔ lā sī kē 'ěr ní kē fū de mèi mèi dù ní yà， yóu yú zāo dào lā sī kē 'ěr ní kē fū de jí lì fǎn duì 'ér gào chuī。 lú rén huái hèn zài xīn， qǐ tú yǐ wū xiàn suǒ ní yà tōu tā de qián lái zhèng míng lā sī kē 'ěr ní kē fū xíng wéi bù duān héng héng jiāng mǔ qīn de xuè hàn qián sòng gěi huài nǚ rén。 lā sī kē 'ěr ní kē fū dāng zhòng jiē chuān liǎo lú rén de wú chǐ xíng wéi， suǒ ní jī shí fēn gǎn jī tā。
lā sī kē 'ěr ní kē fū shā rén hòu， jìn guǎn méi lù hén jì， dàn shì què wú fǎ bǎi tuō nèi xīn de kǒng jù， tā gǎn dào zì jǐ yuán xiān de yī qiē měi hǎo de gǎn qíng dū suí zhī mǐn miè liǎo， zhè shì bǐ fǎ lǜ chéng fá gèng yán lì de liáng xīn chéng fá。 tā yì shí dào zì jǐ de“ shí yàn” shī bài liǎo。 tā huái zhe tòng kǔ de xīn qíng lái dào suǒ ní yà chù， shòu dào suǒ ní yà zōng jiào sī xiǎng de gǎn zhào， xiàng tā shuō chū liǎo fàn zuì de zhēn xiāng yǔ dòng jī。 zài suǒ ní yà de quàn shuō xià， tā xiàng jǐng fāng tóu 'àn zì shǒu。
lā sī kē 'ěr ní kē fū bèi pàn chù 8 nián kǔ yì， lái dào liǎo xī bó lì yà。 bù jiǔ， suǒ ní yà yě lái dào liǎo nà lǐ。 yī tiān qīng chén， liǎng rén zài hé biān xiāng yù。 tā men jué xīn qián xìn shàng dì， yǐ chàn huǐ de xīn qíng chéng shòu yī qiē kǔ nán， huò qǔ jīng shén shàng de xīn shēng。
《 zuì yǔ fá》 shì yī bù zhuó yuè de shè huì xīn lǐ xiǎo shuō， tā de fā biǎo biāo zhì zhe tuó sī tuǒ yé fū sī jī yì shù fēng gé de chéng shú。
xiǎo shuō yǐ zhù rén gōng lā sī kē 'ěr ní kē fū fàn zuì jí fàn zuì hòu shòu dào liáng xīn hé dào dé chéng fá wéi zhù xiàn， guǎng fàn dì miáo xiě liǎo 'é guó chéng shì pín mín zǒu tóu wú lù de bēi cǎn jìng yù hé rì qū jiān ruì de shè huì máo dùn。 zuò zhě bǐ xià de jīng chéng bǐ dé bǎo shì yī pài 'àn wú tiān rì de jǐng xiàng： cǎo shì chǎng shàng jù jí zhuóyǎn jīng bèi dǎ dé fā qīng de jì nǚ， wū zhuó de hé shuǐ zhōng zhēngzhá zhe tóu hé zì jìn de nǚ gōng， qióng kùn liáo dǎo de xiǎo gōng wù yuán bèi mǎ chē zhuàng dǎo zài jiē tóu， fā fēng de nǚ rén dài zhe hái zǐ yán jiē qǐ tǎo …… yǔ cǐ tóng shí， gāo lì dài lǎo tài pó dèng dà zhe xiōng hěn de yǎn jīng， yào zhà gān qióng rén de zuì hòu yī dī xuè hàn， mǎn shēn tóng chòu de shì kuài bù xī yòng yòu piàn、 wū xiàn de shǒu duàn cán hài“ xiǎo rén wù”， yǐ dá dào lì jǐ de mùdì， ér huāng yín wú dù de guì zú dì zhù wéi mǎn zú zì jǐ de shòu yù， bù duàn gān chū lìng rén fàzhǐ de gòu dāng…… zuò zhě huái zhe zhēn qiē de tóng qíng hé mǎn qiāng de jī fèn， jiāng 19 shì jì 60 nián dài shā 'é jīng chéng de hēi 'àn、 chì pín、 jué wàng hé wū zhuó yī qǐ wú qíng dì zhǎn xiàn zài dú zhě miàn qián。
lā sī kē 'ěr ní kē fū shì xiǎo shuō zhōng de zhōng xīn rén wù， zhè shì yī gè diǎn xíng de jù yòu shuāngchóng rén gé de xíng xiàng： tā shì yī gè xīn dì shàn liáng、 lè yú zhù rén de qióng dà xué shēng， yī gè yòu tiān fù、 yòu zhèng yì gǎn de qīng nián， dàn tóng shí tā de xìng gé yīn yù、 gū pì，“ yòu shí shèn zhì lěng mò wú qíng、 má mù bù rén dào liǎo háo wú rén xìng de dì bù”， wèile zhèng míng zì jǐ shì gè“ xià píng fán de rén”， jìng rán qù xíng xiōng shā rén，“ zài tā shēn shàng sì hū yòu liǎng zhǒng jié rán bù tóng de xìng gé zài jiāo tì biàn huà”。 zhèng shì zhè shuāngchóng rén gé zhī jiān de jī liè chōng tū， shǐ zhù rén gōng bù duàn dì dòng yáo zài duì zì jǐ de“ lǐ lùn”（ jí guān yú“ píng fán de rén” yǔ“ bù píng fán de rén” de guān diǎn） de kěn dìng yǔ fǒu dìng zhī jiān。 duì yú lā sī kē 'ěr ní kē fū lái shuō， rú guǒ gān yuàn zuò nì lái shùn shòu de“ píng fán de rén”， nà me děng dài tā de shì mǎ 'ěr měi lā tuó fū de bēi cǎn jié jú， rú guǒ qù zuò yī gè bù gù yī qiē dào dé zhǔn zé de“ rén lèi zhù zǎi zhě”， nà jiù huì yǔ wéi fēi zuò dǎi de bēi bǐ zhī tú lú rén hé sī wéi dé lǐ jiā yī luò fū tóng liú hé wū。 tā de rén gé zhōng de zhù dǎo miàn zhōng yú zài bái rè huà de bó dǒu zhōng zhàn liǎo yōu shì， bìng tuī dòng tā zuì hòu fǒu dìng zì jǐ de“ lǐ lùn”， xiàng suǒ ní yà kào lǒng。 xiǎo shuō tōng guò zhè yī xíng xiàng， shēn kè dì jiē lù liǎo zī chǎn jiē jí de“ ruò ròu qiáng shí” yuán zé duì xiǎo zī chǎn jiē jí zhī shí fènzǐ de dú hài， yòu lì dì pī pàn liǎo zhè yī yuán zé de fǎn rén dào zhù yì de shí zhì， bìng qiě cóng kè guān shàng fǒu dìng liǎo jiàn lì zài“ chāo rén” zhé xué jī chǔ shàng de wú zhèng fǔ zhù yì shì de fǎn kàng， yīn wéi zhè zhǒng fǎn kàng jué bù kě néng gěi bèi yā pò zhě dài lái xīn shēng huó de zhuǎn jī。
rán 'ér， zuò zhě zuò chū de shàng shù jiē lù hé pī pàn jǐn jǐn shì cóng lún lǐ dào dé guān niàn hé zōng jiào sī xiǎng chū fā de。 zuò zhě rèn wéi yī qiē yǐ bào lì kàng 'è de zuò fǎ dōubù zú qǔ， yīn wéi rén wú fǎ táo bì nèi xīn de chéng fá， zài huǐ miè tā rén de tóng shí yě huǐ miè liǎo zì shēn。 zuò zhě hái lì tú bǎ lā sī kē 'ěr ní kē fū de fàn zuì xíng wéi guī jié wéi pāo qì liǎo duì shàng dì de xìn yǎng suǒ zhì。 yòng suǒ ní yà de huà lái shuō， shì yīn wéi“ nín lí kāi liǎo shàng dì， shàng dì chéng fá liǎo nín， bǎ nín jiāo gěi liǎo mó guǐ！” zuò zhě wéi lā sī kē 'ěr ní kē fū 'ān pái de yī tiáo“ xīn shēng” zhī lù， shí jì shàng jiù shì yī tiáo yǔ hēi 'àn xiàn shí tuǒ xié de dào lù， yě jiù shì suǒ wèi“ suǒ ní yà de dào lù”。 zuò zhě bǎ suǒ ní yà kàn zuò rén lèi kǔ nán de xiàng zhēng， bìng zài tā shēn shàng tǐ xiàn liǎo qián xìn shàng dì， chéng shòu bù xìng， tōng guò tòng kǔ jìng huà líng hún de sī xiǎng， zuò wéi yī gè hēi 'àn shè huì de xī shēng pǐn， yī gè shòu yā pò zuì shēn de nǚ xìng， suǒ ní yà de xíng xiàng yòu zhe bù kě dī gū de diǎn xíng yì yì， dàn shì zuò wéi yī gè lǐ xiǎng rén wù， zhè yī xíng xiàng què xiǎn dé shí fēn cāng bái。 xiǎn rán， tuó sī tuǒ yé fū sī jī zài xiǎo shuō zhōng xuān yáng de zhè xiē zōng jiào sī xiǎng， yǔ zhěng bù zuò pǐn suǒ xiǎn shì de qiáng dà pī pàn lì liàng shì bù xiāng xié diào de： zhè lǐ chōng fēn biǎo xiàn chū zuò zhě shì jiè guān de jiān ruì máo dùn。
《 zuì yǔ fá》 jù yòu hěn gāo de yì shù chéng jiù。 xiǎo shuō bǐ jiào quán miàn dì xiǎn shì liǎo tuó sī tuǒ yé fū sī jī guān yú“ kè huà rén de xīn líng shēn chù de 'ào mì” de tè diǎn。 zuò zhě shǐ zhōng ràng rén wù chù zài wú fǎ jiě tuō de máo dùn zhī zhōng， tōng guò rén wù bēi jù xìng de nèi xīn chōng tū jiē shì rén wù xìng gé， tóng shí zuò zhě duì huàn jué、 mèng yǎn hé biàn tài xīn lǐ de kè huà yě jí wéi chū sè。 xiǎo shuō zhōng， yóu yú zuò zhě zhuólì tuò kuān rén wù de xīn lǐ jié gòu， qíng jié jié gòu xiāng duì dì chǔyú cóng shǔ dì wèi。 jìn guǎn zuò pǐn zhōng mǎ 'ěr měi lā tuó fū yī jiā de zāo yù lìng rén tóng qíng， xiōng shā shì jiàn kòu rén xīn xián， dàn tā mendōu zhǐ shì“ yī fèn fàn zuì de xīn lǐ bào gào” de zǔ chéng bù fēn。 zhèng yīn wéi zhè yàng， zhù rén gōng de nèi xīn shì jiè cái yǐ qián suǒ wèi yòu de fú dù hé shēn dù zhǎn xiàn zài dú zhě miàn qián。 cǐ wài， zhè bù xiǎo shuō chǎng miàn zhuǎn huàn kuài， chǎng jǐng tuī yí xùn sù， zhù yào qíng jié guò chéng zhǐ yòng liǎo jǐ tiān shí jiān， zài nóng suō de shí kōng zhōng róng nà liǎo fēng fù de sī xiǎng nèi róng， xiǎo shuō de shí dài sè cǎi hé zhèng lùn sè cǎi shí fēn xiān míng。
Crime and Punishment focuses on the mental anguish and moral dilemmas of Rodion Romanovich Raskolnikov, an impoverished ex-student from St. Petersburg who formulates and executes a plan to kill an unscrupulous pawnbroker for her money. Raskolnikov argues that with the pawnbroker's money he can perform good deeds to counterbalance the crime, while ridding the world of a worthless parasite. This murder he also commits to test Raskolnikov's hypothesis that some people are naturally able to and also have the right to murder. Several times throughout the novel, Raskolnikov also justifies his actions by connecting himself mentally with Napoleon Bonaparte, believing that murder is permissible in pursuit of a higher purpose.
Creation
Dostoevsky conceived the idea of Crime and Punishment in the summer of 1865, having gambled away much of his fortune, unable to pay his bill or afford proper meals. At the time the author owed large sums of money to creditors, and was trying to help the family of his brother Mikhail, who had died in early 1864. Projected under the title The Drunkards, it was to deal "with the present question of drunkness ... [in] all its ramifications, especially the picture of a family and the bringing up of children in these circumstance, etc., etc." Once Dostoevsky conceived Raskolnikov and his crime, now inspired by the case of Pierre François Lacenaire, this theme became ancillary, centering on the story of the Marmeladov family.
Dostoevsky offered his story or novella (at the time Dostoevsky was not thinking of a novel) to the publisher Mikhail Katkov. His monthly journal, The Russian Messenger, was a prestigious publication of its kind, and the outlet for both Ivan Turgenev and Leo Tolstoy, but Dostoevsky, having carried on quite bruising polemics with Katkov in early 1860s, had never published anything in its pages. Dostoevsky turned as a last resort to Katkov, and asked for an advance on a proposed contribution after all other appeals elsewhere failed. In a letter to Katkov written in September 1865, Dostoevsky explained to him that the work was to be about a young man who yields to "certain strange, 'unfinished' ideas, yes floating in the air"; he had thus embarked on his plan to explore the moral and psychological dangers of the "radical" ideology. In letters written in November 1865 an important conceptual change occurred: the "story" has become a "novel", and from here on all references to Crime and Punishment are to a novel.
Dostoevsky had to race against time, in order to finish on time both The Gambler and Crime and Punishment. Anna Snitkina, a stenographer who would soon become his second wife, was a great help for Dostoevsky during this difficult task. The first part of Crime and Punishment appeared in the January 1866 issue of The Russian Messenger, and the last one was published in December 1866.
“ At the end of November much had been written and was ready; I burned it all; I can confess that now. I didn't like it myself. A new form, a new plan excited me, and I started all over again. ”
— Dostoevsky's letter to his friend Alexander Wrangel in February 1886
In the complete edition of Dostoevsky's writings published in the Soviet Union, the editors reassembled and printed the notebooks that the writer kept while working on Crime and Punishment, in a sequence roughly corresponding to the various stages of composition. Because of these labors, there is now a fragmentary working draft of the story, or novella, as initially conceived, as well as two other versions of the text. These have been distinguished as the Wiesbaden edition, the Petersburg edition, and the final plan, involving the shift from a first-person narrator to the indigenous variety of third-person form invented by Dostoevsky. The Wiesbaden edition concentrates entirely on the moral/physic reactions of the narrator after the murder. It coincides roughly with the story that Dostoevsky described in his letter to Katkov, and written in a form of a diary or journal, corresponds to what eventually became part II.
“ I wrote [this chapter] with genuine inspiration, but perhaps it is no good; but for them the question is not its literary worth, they are worried about its morality. Here I was in the right—nothing was against morality, and even quite the contrary, but they saw otherwise and, what's more, saw traces of nihilism ... I took it back, and this revision of a large chapter cost me at least three new chapters of work, judging by the effort and the weariness; but I corrected it and gave it back. ”
— Dostoevsky's letter to A.P. Milyukov
Why Dostoevsky abandoned his initial version remains a matter of speculation. According to Joseph Frank, "one possibility is that his protagonist began to develop beyond the boundaries in which he had first been conceived". The notebooks indicate that Dostoevsky was aware of the emergence of new aspects of Raskolnikov's character as the plot action proceeded, and he structured the novel in conformity with this "metamorphosis," Frank says. Dostoevsky thus decided to fuse the story with his previous idea for a novel called The Drunkards. The final version of Crime and Punishment came to birth only when, in November 1865, Dostoevsky decided to recast his novel in the third person. This shift was the culmination of a long struggle, present through all the early stages of composition. Once having decided, Dostoevsky began to rewrite from scratch, and was able to easily integrate sections of the early manuscript into the final text—Frank says that he did not, as he told Wrangel, burn everything he had written earlier.
The final draft went smoothly, except for a clash with the editors of The Russian Messenger, about which very little is known. Since the manuscript Dostoevsky turned in to Katkov was lost, it is unclear what the editors had objected to in the original. In 1889, the editors of the journal commented that "it was not easy for him [Dostoevsky] to give up his intentionally exaggerated idealization of Sonya as a woman who carried self-sacrifice to the point of sacrificing her body". It seems that Dostoevsky had initially given Sonya a much more affirmative role in the scene, in which she reads the Gospel story of the raising of Lazarus to Raskolnikov.
Plot
Raskolnikov, a mentally unstable drop-out student, lives in a tiny, rented room in Saint Petersburg. He refuses all help, even from his friend Razumikhin, and devises a plan to murder and to rob an unpleasant elderly pawn-broker and money-lender, Alyona Ivanovna. His motivation, whether personal or ideological, remains at this point unclear. While still considering the plan, Raskolnikov makes the acquaintance of Semyon Zakharovich Marmeladov, a drunkard who recently squandered his family's little wealth. He also receives a letter from his sister and mother, speaking of their coming visit to St. Petersberg, and his sister's sudden marriage plans which they plan on discussing upon their arrival.
After much deliberation, Raskolnikov sneaks into Alyona Ivanovna's apartment where he murders her with an ax. He also kills her half-sister, Lizaveta, who happens to stumble upon the scene of the crime. Shaken by his actions, Raskolnikov manages to only steal a handful of items and a small purse, leaving much of the pawn-broker's wealth untouched. Raskolnikov then flees and manages to leave miraculously unseen and undetected.
After the bungled murder, Raskolnikov falls into a feverish state and begins to worry obsessively over the murder. He hides the stolen items and purse under a rock, and tries desperately to clean his clothing of any blood or evidence. He falls into a fever later that day, though not before calling briefly on his old friend Razumikhin. As the fever comes and goes in the following days, Raskolnikov behaves as though he wishes to betray himself. He shows strange reactions to whosoever mentions the murder of the pawn-broker, which is now known about and talked of in the city. In his delirium, Raskolnikov wanders Petersberg, drawing more and more attention to himself and his relation to the crime. In one of walks through the city, he sees Marmeladov being struck mortally by a carriage in the streets. Rushing to help him, Raskolnikov gives the remainder of his money to the man's family, which includes his teenage daughter, Sonia, who has been forced to become a prostitute to support her family.
In the meantime, Raskolnikov's mother, Pulkheria Alexandrovna, and his sister, Avdotya Romanovna (or Dunya) have arrived in town. Avdotya had been working as a governess for the Svidrigailov family until this point, but was forced out of the position by the head of the family, Arkady Ivanovich Svidrigaïlov. Svidrigailov, a married man, was attracted to Avdotya's physical beauty and her stunning spiritual qualities, and offered her riches and elopement. Avdotya, having none of this, fled the family and lost her source of income, only to meet Pyotr Petrovich Luzhin, a man of modest income and rank. Luzhin proposes to marry Avdotya, thereby securing her and her mother's financial safety, provided she accept him quickly and without question. It is for these very reasons that the two of them come to St. Petersberg, both to meet Luzhin there and to attain Raskolnikov's approval. Luzhin, however, calls on Raskolnikov while he is in a delirious state and presents himself as a foolish, self-righteous and presuming man. Raskolnikov dismisses him immediately as a potential husband for his sister, and realizes that she only accepted him to help her family.
As the novel progresses, Raskolnikov is introduced to the detective Porfiry, who begins to suspect him for the murder purely on psychological grounds. At the same time, a chaste relationship develops between Raskolnikov and Sonya. Sonya, though a prostitute, is full of Christian virtue and is only driven into the profession by her family's poverty. Meanwhile, Razumikhin and Raskolnikov manage to keep Avdotya from continuing her relationship with Luzhin, whose true character is exposed to be conniving and base. At this point, Svidrigailov appears on the scene, having come from the province to Petersberg, almost solely to seek out Avdotya. He reveals that his wife is dead, and that he is willing to pay Avdotya a vast sum of money in exchange for nothing. She, upon hearing the news, refuses flat out, suspecting him of treachery.
As Raskolnikov and Porfiry continue to meet, Raskolnikov's motives for the crime become exposed. Porfiry becomes increasingly certain of the man's guilt, but has no concrete evidence or witnesses with which to back this suspicion up. Raskolnikov's nerves begin to wear thin, and he is constantly struggling with the the idea of confessing, though he knows that he can never be truly convicted. He turns to Sonya for support, and confesses his crime to her. By coincidence, Svidrigailov has taken up residence in a room next to Sonya's and overhears the entire confession. When the two men meet face to face, Svidrigailov acknowledges this fact, and suggests that he may use it against him, should he need to. Svidrigailov also speaks of his own past, in which he reveals that he has committed murder and most recently killed his wife.
Raskolnikov is at this point completely torn; he is urged by Sonya to confess, and Svidrigailov's testimony could potentially convict him. Meantime, Svidrigailov attempts to seduce and then rape Avdotya, who convinces him not to. He then spends a night in confusion, and in the morning shoots himself. This same morning, Raskolnikov goes again to Sonya, who again urges him to confess and to clear his conscience. He makes his way to the police station, where he is met by the news of Svidrigailov's suicide. He hesitates a moment, thinking again that he might get away with a perfect crime, but is persuaded by Sonya to confess.
The epilogue tells of how Raskolnikov is sentenced to penal servitude in Siberia, where Sonya follows him. Avdotya and Razumikhin marry and are left in a happy position by the end of the novel. Raskolnikov, however, struggles in Siberia. It is only after some time serving that his redemption and moral regeneration begin under Sonya's loving influence.
Characters
In Crime and Punishment Dostoevsky succeeds in fusing the personality of his main character, Rodion Romanovich Raskolnikov (Russian: Родион Романович Раскольников), with his new anti-radical ideological themes. The main plot involves a murder as the result of "ideological intoxication," and depicts all the disastrous moral and psychical consequences that result from the murderer. Raskolnikov's psychology is placed at the center, and carefully interwoven with the ideas behind his transgression; every other feature of the novel illuminates the agonizing dilemma in which Raskolnikov is caught. From another point of view, the novel's plot is another variation of a conventional nineteenth-century theme: an innocent young provincial comes to seek his fortune in the capital, where he succumbs to corruption, and loses all traces of his former freshness and purity. However, as Gary Rosenshield points out, "Raskolnikov succumbs not to the temptations of high society as Honoré de Balzac's Rastignac or Stendhal's Julien Sorel, but to those of rationalistic Petersburg".
Raskolnikov is the protagonist, and the action is focalized primarily from his perspective. Despite its name, the novel does not so much deal with the crime and its formal punishment, as with Raskolnikov's internal struggle (the English translation does not do justice to the plot, however, in Russia, the title means 'transgression' over a border, which is what Raskolnikov emotionally does).[citation needed] The book shows that his punishment results more from his conscience than from the law. He committed murder with the belief that he possessed enough intellectual and emotional fortitude to deal with the ramifications, [based on his paper/thesis, "On Crime", that he is a Napoleon], but his sense of guilt soon overwhelms him. It is only in the epilogue that he realizes his formal punishment, having decided to confess and end his alienation.
Sofia Semyonovna Marmeladova (Russian: Софья Семёновна Мармеладова), variously called Sonia and Sonechka, is the daughter of a drunk, Semyon Zakharovich Marmeladov, whom Raskolnikov meets in a tavern at the beginning of the novel, and who, Raskolnikov discerns, shares the same feelings of shame and alienation as he does. She becomes the first person to whom Raskolnikov confesses his crime, and she supports him even though she was friends with one of the victims (Lizaveta). For most of the novel, Sonya serves as the spiritual guide for Raskolnikov. After his confession she follows him to Siberia where she lives in the same town as the prison.
Other characters of the novel are:
* Porfiry Petrovich (Порфирий Петрович) – The detective in charge of solving the murders of Lizaveta and Alyona Ivanovna, who, along with Sonya, guides Raskolnikov towards confession. Unlike Sonya, however, Porfiry does this through psychological games. Despite the lack of evidence, he becomes certain Raskolnikov is the murderer following several conversations with him, but gives him the chance to confess voluntarily. He attempts to confuse and to provoke the unstable Raskolnikov in an attempt to coerce him to confess.
* Avdotya Romanovna Raskolnikova (Авдотья Романовна Раскольникова) – Raskolnikov's strong willed and self-sacrificial sister, called Dunya, Dounia or Dunechka for short. She initially plans to marry the wealthy, yet smug and self-possessed, Luzhin, to save the family from financial destitution. She has a habit of pacing across the room while thinking. She is followed to Saint Petersburg by the disturbed Svidrigailov, who seeks to win her back through blackmail. She rejects both men in favour of Raskolnikov's loyal friend, Razumikhin.
* Arkady Ivanovich Svidrigaïlov (Аркадий Иванович Свидригайлов) – Sensual, depraved, and wealthy former employer and current pursuer of Dunya, Svidrigaïlov is suspected of multiple acts of murder, and overhears Raskolnikov's confessions to Sonya. With this knowledge he torments both Dunya and Raskolnikov but does not inform the police. When Dunya tells him she could never love him (after attempting to shoot him) he lets her go and commits suicide. Whereas Sonya represents the path to salvation, Svidrigaïlov represents the other path towards suicide. Despite his apparent malevolence, Svidrigaïlov is similar to Raskolnikov in regard to his random acts of charity. He fronts the money for the Marmeladov children to enter an orphanage (after both their parents die), gives Sonya five percent bank notes totalling three thousand rubles, and leaves the rest of his money to his juvenile fiancée.
* Marfa Petrovna Svidrigailova (Марфа Петровна Свидригайлова) – Arkady Svidrigaïlov's deceased wife, whom he is suspected of having murdered, and who he claims has visited him as a ghost. Her bequest of 3,000 rubles to Dunya allows Dunya to reject Luzhin as a suitor.
* Dmitri Prokofich Razumikhin (Дмитрий Прокофьич Разумихин) – Raskolnikov's loyal friend. In terms of Razumikhin's contribution to Dostoevsky's anti-radical thematics, he is intended to represent something of a reconciliation of the pervasive thematic conflict between faith and reason. The fact that his name means reason shows Dostoevsky's desire to employ this faculty as a foundational basis for his Christian faith in God.
* Katerina Ivanovna Marmeladova (Катерина Ивановна Мармеладова) – Semyon Marmeladov's consumptive and ill-tempered second wife, stepmother to Sonya. She drives Sonya into prostitution in a fit of rage, but later regrets it, and beats her children mercilessly, but works ferociously to improve their standard of living. She is obsessed with demonstrating that slum life is far below her station. Following Marmeladov's death, she uses Raskolnikov's money to hold a funeral.
* Semyon Zakharovich Marmeladov (Семён Захарович Мармеладов) – Hopeless drunk who indulges in his own suffering, and father of Sonya. Marmeladov could be seen as a Russian equivalent of the character of Micawber in Charles Dickens' novel, David Copperfield.[citation needed]
* Pulkheria Alexandrovna Raskolnikova (Пульхерия Александровна Раскольникова) – Raskolnikov's relatively clueless, hopeful and loving mother. Following Raskolnikov's sentence, she falls ill (mentally and physically) and eventually dies. She hints in her dying stages that she is slightly more aware of her son's fate, which was hidden from her by Dunya and Razumikhin.
* Pyotr Petrovich Luzhin (Пётр Петрович Лужин) – A well-off lawyer who is engaged to Raskolnikov's sister Dunya in the beginning of the novel. His motives for the marriage is rather despicable, as he states more or less that he chose her since she will be completely beholden to him financially.
* Andrey Semyenovich Lebezyatnikov (Андрей Семёнович Лебезятников) – Luzhin's utopian socialist roommate who witnesses his attempt to frame Sonya and subsequently exposes him.
* Alyona Ivanovna (Алёна Ивановна) – Suspicious old pawnbroker who hoards money and is merciless to her patrons. She is Raskolnikov's intended target.
* Lizaveta Ivanovna (Лизавета Ивановна) – Alyona's simple and innocent sister. Raskolnikov murders her when she walks in immediately after Raskolnikov had killed Alyona. Lizaveta was a friend of Sonya's.
* Zosimov (Зосимов) – A friend of Razumikhin and a doctor who cared for Raskolnikov.
* Nastasya Petrovna (Настасья Петровна) – Raskolnikov's landlady's servant and a friend of Raskolnikov.
* Nikodim Fomich (Никодим Фомич)– The amiable Chief of Police.
* Ilya "Gunpowder" Petrovich (Илья Петрович) – A police official and Fomich's assistant.
* Alexander Grigorievich Zamyotov (Александр Григорьевич Заметов) – Head clerk at the police station and friend to Razumikhin. Raskolnikov arouses Zamyotov's suspicions by explaining how he, Raskolnikov, would have committed various crimes, although Zamyotov later apologizes, believing, much to Raskolnikov's amusement, that it was all a farce to expose how ridiculous the suspicions were. This scene illustrates the argument of Raskolnikov's belief in his own superiority as Übermensch.[citation needed]
* Nikolai Dementiev (Николай Дементьев) – A painter and sectarian who admits to the murder, since his sect holds it to be supremely virtuous to suffer for another person's crime.
* Polina Mikhailovna Marmeladova (Полина Михайловна Мармеладова) – Ten-year-old adopted daughter of Semyon Zakharovich Marmeladov and younger stepsister to Sonya, sometimes known as Polechka.
Name Word Meaning (in Russian)
Rodion Romanovich Raskolnikov raskol a schism, or split; "raskolnik" is "one who splits" or "dissenter"; the verb raskalyvat' means "to cleave", "to chop","to crack","to split" or "to break"
Pyotr Petrovich Luzhin luzha a puddle
Dmitri Prokofich Razumikhin razum reason, intelligence
Alexander Grigorievich Zamyotov zametit to notice, to realize
Andrey Semyenovich Lebezyatnikov lebezit to fawn on somebody, to cringe
Semyon Zakharovich Marmeladov marmelad marmalade/jam
Arkady Ivanovich Svidrigailov Svidrigailo a Lithuanian duke of the fifteenth century
Structure
Crime and Punishment has a distinct beginning, middle and end. The novel is divided into six parts, with an epilogue. The notion of "intrinsic duality" in Crime and Punishment has been commented upon, with the suggestion that there is a degree of symmetry to the book. Edward Wasiolek who has argued that Dostoevsky was a skilled craftsman, highly conscious of the formal pattern in his art, has likened the structure of Crime & Punishment to a "flattened X", saying:
Parts I-III [of Crime and Punishment] present the predominantly rational and proud Raskolnikov: Parts IV-VI, the emerging "irrational" and humble Raskolnikov. The first half of the novel shows the progressive death of the first ruling principle of his character; the last half, the progressive birth of the new ruling principle. The point of change comes in the very middle of the novel.
This compositional balance is achieved by means of the symmetrical distribution of certain key episodes throughout the novel's six parts. The recurrence of these episodes in the two halves of the novel, as David Bethea has argued, is organized according to a mirror-like principle, whereby the "left" half of the novel reflects the "right" half. For her part, Margaret Church discerns a contrapuntal structuring: parts I, III and V deal largely with the main hero's relationship to his family (mother, sister and mother surrogates), while parts II, IV and VI deal with his relationship to the authorities of the state "and to various father figures".
The seventh part of the novel, the Epilogue, has attracted much attention and controversy. Some of Dostoevsky's critics have criticized the novel's final pages as superfluous, anti-climactic, unworthy of the rest of the work, while others have rushed to the defense of the Epilogue, offering various ingenious schemes which conclusively prove its inevitability and necessity. Steven Cassedy argues that Crime and Punishment "is formally two distinct but closely related, things, namely a particular type of tragedy in the classical Greek mold and a Christian resurrection tale". Cassedy concludes that "the logical demands of the tragic model as such are satisfied without the Epilogue in Crime and Punishment ... At the same time, this tragedy contains a Christian component, and the logical demands of this element are met only by the resurrection promised in the Epilogue".
Crime and Punishment is written from a third-person omniscient perspective. It is focalized primarily from the point of view of Raskolnikov; however, it does at times switch to the perspective of Svidrigailov, Razumikhin, Peter Petrovich, or Dunya. This narrative technique, which fuses the narrator very closely with the consciousness and point of view of the central characters of the plot, was original for its period. Franks notes that his identification, through Dostoevsky's use of the time shifts of memory and his manipulation of temporal sequence, begins to approach the later experiments of Henry James, Joseph Conrad, Virginia Woolf, and James Joyce. A late nineteenth-century reader was, however, accustomed to more orderly and linear types of expository narration. This led to the persistence of the legend that Dostoevsky was an untidy and negligent craftsman, and to critical observations like the following by Melchior de Vogüé:
"A word ... one does not even notice, a small fact that takes up only a line, have their reverberations fifty pages later ... [so that] the continuity becomes unintelligible if one skips a couple of pages."
Dostoevsky uses different speech mannerisms and sentences of different length for different characters. Those who use artificial language—Luzhin, for example—are identified as unattractive people. Mrs. Marmeladov's disintegrating mind is reflected in her language, too. In the original Russian text, the names of the major characters have something of a double meaning, but in translation the subtlety of the language is sometimes lost. There is even a play with the Russian word for crime ("prestuplenie"), which is literally translated as a stepping across or a transgression. The physical image of crime as a crossing over a barrier or a boundary is lost in translation. So is the religious implication of transgression, which in English refers to a sin rather than a crime.
Symbolism
The Dreams
Raskolnikov's dreams always have a symbolic meaning, which suggests a psychological view. In the dream about the horse, the mare has to sacrifice itself for the men who are too much in a rush to wait. This could be symbolic of women sacrificing themselves for men, just like Raskolnikov's belief that Dunya is sacrificing herself for Rodya by marrying Luzhin. Some critics have suggested this dream is the fullest single expression of the whole novel, containing the nihilistic destruction of an innocent creature and Rodion's suppressed sympathy for it (although the young Rodion in the dream runs to the horse, he still murders the pawnbroker soon after waking). The dream is also mentioned when Raskolnikov talks to Marmeladov. He states that his daughter, Sonya, has to sell her body to earn a living for their family. The dream is also a blatant warning for the impending murder.
In the final pages, Raskolnikov, who at this point is in the prison infirmary, has a feverish dream about a plague of nihilism, that enters Russia and Europe from the east and which spreads senseless dissent (Raskolnikov's name alludes to "raskol", dissent) and fanatic dedication to "new ideas": it finally engulfs all of mankind. Though we don't learn anything about the content of these ideas they clearly disrupt society forever and are seen as exclusively critical assaults on ordinary thinking: it is clear that Dostoevsky was envisaging the new, politically and culturally nihilist ideas which were entering Russian literature and society in this watershed decade, and with which Dostoevsky would be in debate for the rest of his life (cp. Chernyshevsky's What Is to Be Done?, Dobrolyubov's abrasive journalism, Turgenev's Fathers and Sons and Dostoevsky's own The Possessed). Just like the novel demonstrates and argues Dostoevsky's conviction that "if God doesn't exist (or is not recognized) then anything is permissible" the dream sums up his fear that if men won't check their thinking against the realities of life and nature, and if they are unwilling to listen to reason or authority, then no ideas or cultural institutions will last and only brute barbarism can be the result. Janko Lavrin, who took part in the revolutions of the WWI era, knew Lenin and Trotsky and many others, and later would spend years writing and researching on Dostoevsky and other Russian classics, called this final dream "prophetic in its symbolism".
The Cross
Sonya gives Rodya a cross when he goes to turn himself in. He takes his pain upon him by carrying the cross through town, like Jesus; he falls to his knees in the town square on the way to his confession. Sonya carried the cross up until then, which indicates that, as literally mentioned in the book, she suffers for him, in a semi-Christ-like manner. Sonya and Lizaveta had exchanged crosses and become spiritual sisters, originally the cross was Lizaveta's — so Sonya carries Lizaveta's cross, the cross of Rodya's innocent victim, whom he didn't intend to kill.
Saint Petersburg
“ On an exceptionally hot evening early in July a young man came out of the garret in which he lodged in S. Place and walked slowly, as though in hesitation, towards K. bridge. ”
— Fyodor Dostoevsky, Crime and Punishment, I, I
The above opening sentence of the novel has a symbolic function: Russian critic Vadim K. Kozhinov argues that the reference to the "exceptionally hot evening" establishes not only the suffocating atmosphere of Saint Petersburg in midsummer but also "the infernal ambience of the crime itself". Dostoevsky was among the first to recognize the symbolic possibilities of city life and imagery drawn from the city. I. F. I. Evnin regards Crime and Punishment as the first great Russian novel "in which the climactic moments of the action are played out in dirty taverns, on the street, in the sordid black rooms of the poor".
Dostoevsky's Petersburg is the city of unrelieved poverty; "magnificence has no place in it, because magnificence is external, formal abstract, cold". Dostoevsky connects the city's problems to Raskolnikov's thoughts and subsequent actions. The crowded streets and squares, the shabby houses and taverns, the noise and stench, all are transformed by Dostoevsky into a rich store of metaphors for states of mind. Donald Fanger asserts that "the real city [...] rendered with a striking concreteness, is also a city of the mind in the way that its atmosphere answers Raskolnikov's spiritual condition and almost symbolizes it. It is crowded, stifling, and parched."
Themes
Dostoevsky's letter to Katkov reveals his immediate inspiration, to which he remained faithful even after his original plan evolved into a much more ambitious creation: a desire to counteract what he regarded as nefarious consequences arising from the doctrines of Russian nihilism. In the novel, Dostoevsky pinpointed the dangers of both utilitarianism and rationalism, the main ideas of which inspired the radicals, continuing a fierce criticism he had already started with his Notes from Underground. A Slavophile religious believer, Dostoevsky utilized the characters, dialogue and narrative in Crime and Punishment to articulate an argument against westernizing ideas in general. He thus attacked a peculiar Russian blend of French utopian socialism and Benthamite utilitarianism, which had led to what revolutionaries, such as Nikolai Chernyshevsky, called "rational egoism".
The radicals refused, however, to recognize themselves in the novel's pages (Dimitri Pisarev ridiculed the notion that Raskolnikov's ideas could be identified with those of the radicals of his time), since Dostoevsky portrayed nihilistic ideas to their most extreme consequences. The aim of these ideas was altruistic and humanitarian, but these aims were to be achieved by relying on reason and suppressing entirely the spontaneous outflow of Christian pity and compassion. Chernyshevsky's utilitarian ethic proposed that thought and will in man were subject to the laws of physical science. Dostoevsky believed that such ideas limited man to a product of physics, chemistry and biology, negating spontaneous emotional responses. In its latest variety of Bazarovism, Russian nihilism encouraged the creation of an élite of superior individuals to whom the hopes of the future were to be entrusted.
Raskolnikov exemplifies all the potentially disastrous hazards contained in such an ideal. Frank notes that "the moral-psychological traits of his character incorporate this antinomy between instinctive kindness, sympathy, and pity on the one hand and, on the other, a proud and idealistic egoism that has become perverted into a contemptuous disdain for the submissive herd". Raskolnikov's inner conflict in the opening section of the novel results in a utilitarian-altruistic justification for the proposed crime: why not kill a wretched and "useless" old moneylender to alleviate the human misery? Dostoevsky wants to show that this utilitarian type of reasoning and its conclusions had become widespread and commonplace; they were by no means the solitary invention of Raskolnikov's tormented and disordered mind. Such radical and utilitarian ideas act to reinforce the innate egoism of Raskolnikov's character, and to turn him into a hater rather than a lover of his fellow humans. He even becomes fascinated with the majestic image of a Napoleonic personality who, in the interests of a higher social good, believes that he possesses a moral right to kill. Indeed, his "Napoleon-like" plan drags him to a well-calculated murder, the ultimate conclusion of his self-deception with utilitarianism.
In his depiction of the Petersburg background, Dostoevsky accentuates the squalor and human wretchedness that pass before Raskolnikov's eyes. He also uses Raskolnikov's encounter with Marmeladov to present both the heartlessness of Raskolnikov's convictions and the alternative set of values to be set against them. Dostoevsky believes that the "freedom" propounded by the aforementioned ideas is a dreadful freedom "that is contained by no values, because it is before values". The product of this "freedom", Raskolnikov, is in perpetual revolt against society, himself, and God. He thinks that he is self-sufficient and self-contained, but at the end "his boundless self-confidence must disappear in the face of what is greater than himself, and his self-fabricated justification must humble itself before the higher justice of God". Dostoevsky calls for the regeneration and renewal of the "sick" Russian society through the re-discovering of their country, their religion, and their roots.
Reception
The first part of Crime and Punishment published in the January and February issues of The Russian Messenger met with public success. Although the remaining parts of the novel had still to be written, an anonymous reviewer wrote that "the novel promises to be one of the most important works of the author of The House of the Dead". In his memoirs, the conservative belletrist Nikolay Strakhov recalled that in Russia Crime and Punishment was the literary sensation of 1866.
The novel soon attracted the criticism of the liberal and radical critics. G.Z. Yeliseyev sprang to the defense of the Russian student corporations, and wondered, "Has there ever been a case of a student committing murder for the sake of robbery?" Pisarev, aware of the novel's artistic value attempted in 1867 another approach: he argued that Raskolnikov was a product of his environment, and explained that the main theme of the work was poverty and its results. He measured the novel's excellence by the accuracy and understanding with which Dostoevsky portrayed the contemporary social reality, and focused on what he regarded as inconsistencies in the novel's plot. Strakhov rejected Pisarev's contention that the theme of environmental determinism was essential to the novel, and pointed out that Dostoevsky's attitude towards his hero was sympathetic: "This is not mockery of the younger generation, neither a reproach nor an accusation—it is a lament over it."
English translations
* Frederick Whishaw (1885)
* Constance Garnett (1914)
* David Magarshack (1951)
* Princess Alexandra Kropotkin (1953)
* Jessie Coulson (1953)
* Sidney Monas (1968)
* David McDuff (1991)
* Richard Pevear & Larissa Volokhonsky (1992)
* Julius Katzer
* Michael Scammell
Film adaptations
Main article: Film adaptations of Crime and Punishment
There have been over 25 film adaptations of Crime and Punishment. They include:
* Raskolnikow (aka Crime and Punishment) (1923, directed by Robert Wiene)
* Crime and Punishment (1935, starring Peter Lorre, Edward Arnold and Marian Marsh)
* Eigoban Tsumi to Batsu (1953, manga by Tezuka Osamu, under his interpretation)
* Crime and Punishment (1970 film) (Soviet film, 1970, starring Georgi Taratorkin, Tatyana Bedova, Vladimir Basov, Victoria Fyodorova) dir. Lev Kulidzhanov
* Rikos ja Rangaistus (1983; Crime and Punishment), the first movie by the Finnish director Aki Kaurismäki, with Markku Toikka in the lead role. The story has been transplanted to modern-day Helsinki, Finland.
* Crime and Punishment in Suburbia (2000, an adaptation set in modern America and "loosely based" on the novel)
* Columbo (1971 - 78, and intermittently otherwise, starring the American actor Peter Falk) According to the creator of "Columbo", William Link, the American detective "Columbo", is based in part upon Porfiry Petrovich.
（ huàn xiǎng xiǎo shuō）
yī
wǒ shì yī gè huāng táng kě xiào de rén。 xiàn zài tā men jiào wǒ fēng zǐ。 zài tā men kàn lái， rú guǒ wǒ yǐ rán bù xiàng xiān qián nà yàng huāng táng de huà， nà me zhè yī chēng hū dǎo shì shēng liǎo yī jí。 bù guò， wǒ xiàn zài yǐ jīng bù shēng qì liǎo， xiàn zài wǒ jué dé tā men quándōu hěn kě 'ài， shèn zhì dāng tā men cháo xiào wǒ de shí hòu héng héng wǒ fǎn 'ér jué dé tā men tè bié kě 'ài。 jiǎ ruò wàng zhe tā men wǒ xīn lǐ bù shì nà me yōu shāng de huà， wǒ huì tóng tā men yī dào xiào de， héng héng bù shì xiào wǒ zì jǐ， ér shì yóu yú xǐ huān tā men。 wǒ zhī suǒ yǐ gǎn dào yōu shāng， shì yīn wéi tā men bù dǒng dé zhēn lǐ， ér wǒ què dǒng。 āi， yī gè rén dǒng dé zhēn lǐ yòu duō me nán 'ā！ dàn shì zhè yī diǎn tā men shì lǐ jiě bù dào de。
bù， tā men shì bù huì lǐ jiě de。
guò qù wǒ gǎn dào fēi cháng shāng xīn de， shì yīn wéi wǒ hǎo xiàng hěn huāng táng kě xiào。 bù shì hǎo xiàng， ér shì què shí huāng táng。 wǒ yī xiàng shì fēi cháng huāng táng kě xiào de， zhè yī diǎn yě xǔ wǒ yī shēng xià lái jiù shì rú cǐ。 yě xǔ shì qī suì de shí hòu， wǒ jiù yǐ jīng zhī dào zì jǐ shì gè huāng táng de rén liǎo。 hòu lái wǒ shàng zhōng xué， jìn dà xué， jiēguǒ ní héng héng xué dé yuè duō， yuè jué dé zì jǐ huāng táng。 yīn cǐ， duì yú wǒ lái shuō， dà xué lǐ xué dào de quán bù zhī shí fǎng fó zhǐ shì zuì zhōng xiàng wǒ zhèng shí hé shuō míng： wǒ xué xí yuè shēn rù yuè huāng táng。 xué xí rú cǐ， shēng huó yě shì rú cǐ。 shí jiān yī nián nián guò qù， wǒ rèn shí dào wǒ zài gè fāng miàn dōuhěn huāng táng， zhè gè rèn shí zài wǒ shēn shàng yě yǔ nián jù zēng。 suǒ yòu de rén zǒng shì cháo xiào wǒ， dàn shì， tā men shuí yě bù zhī dào， shuí yě cāi bù chū， rú guǒ shuō rén shì jiān yòu gè shénme rén zuì liǎo jiě wǒ shì huāng táng rén de huà， nà me zhè gè rén jiù shì wǒ zì jǐ。 shǐ wǒ yí hàn bù guò de zhèng shì tā men bù míng liǎo zhè yī diǎn。 bù guò， zài zhè jiàn shì qíng shàng wǒ zì gè 'ér yòu cuò： wǒ lǎo shì nà me gāo 'ào， cóng bù yuàn yì xiàng rèn hé rén chéng rèn zì jǐ huāng táng。 wǒ shēn shàng de zhè zhǒng 'ào màn zài yǔ nián jù zēng， cháng ruò wǒ ràng zì jǐ xiàng rèn hé rén chéng rèn zì jǐ huāng táng， nà me dāng wǎn wǒ jiù huì yòng shǒu qiāng dǎ suì zì jǐ de nǎo dài。 ā， wǒ xiǎo shí hòu yòu duō tòng kǔ， shēng pà rěn nài bù zhù 'ér tū rán xiàng huǒ bàn men tǎn bái chéng rèn。 rán 'ér， dāng wǒ chéngzhǎng wéi qīng nián hòu， suī rán duì zì jǐ hěn huài de pǐn xìng yī nián bǐ yī nián yòu gēngshēn de rèn shí， dàn bù zhī wèishénme xīn qíng què fǎn 'ér biàn dé píng jìng duō liǎo。 díquè shì bù zhī dào wèishénme， yīn wéi wǒ zhì jīn hái bù néng duàn dìng qí yuán yīn。 zhè yuán yīn yě xǔ shì yóu yú mǒu zhǒng jí dà dì yǐng xiǎng wǒ de qíng kuàng， shǐ wǒ xīn tóu jī jù zhe jí dù de kǔ mèn， zhè jiù shǐ wǒ méng fā liǎo yī zhǒng xìn niàn： shì jiè shàng dào chù dōushì · wú · suǒ · wèi。 wǒ zǎo jiù yù gǎn dào liǎo zhè yī diǎn， dàn shì， wán zhěng de xìn niàn sì hū shì zuì jìn yī nián tū rán chū xiàn de。 wǒ hū rán gǎn dào， shì jiè de yòu wú， duì yú wǒ lái shuō dū · wú · suǒ · wèi。 wǒ kāi shǐ gǎn dào bìng qiě zhēn zhèng dì gǎn dào， · wǒ · shēn · biān · kōng · wú · yī · wù。 qǐ chū， wǒ zǒng yǐ wéi， xǔ duō dōng xī guò qù shì yòu de， dàn shì hòu lái wǒ cái wù chū lái， guò qù yě shì yī wú suǒ yòu， zhǐ shì bù zhī yīn wèishénme cái fǎng fó nà yàng。 wǒ zhú jiàn què xìn， jiāng lái yě yǒng yuǎn shì yī wú suǒ yòu。 yú shì， wǒ mǎ shàng jiù bù zài duì bié rén shēng qì， yě jīhū bù zài duì bié rén liú yì。 shuō shí zài de， zhè zhǒng biàn huà shèn zhì zài yī xiē wēi bù zú dào de shì qíng shàng yě huì biǎo xiàn chū lái。 bǐ rú， yòu shí hòu wǒ zài jiē shàng zǒu zhe zǒu zhe jiù zhuàng zhe liǎo rén jiā。 zhè bù shì yóu yú chén sī de yuán gù， wǒ yòu shénme yào chén sī de ní， wǒ dāng shí jiù gēn běn méi yòu xiǎng shénme， yīn wéi wǒ duì shénme dōuwú suǒ wèi。 wǒ yào shì jiě jué liǎo yī xiē wèn tí yòu duō hǎo， āi， yī gè wèn tí yě méi yòu jiě jué， ér yòu duō shǎo wèn tí yào jiě jué 'ā？ kě shì， wǒ yī xiǎng dào · quán · wú · suǒ · wèi， yī qiē wèn tí biàn bù fù cún zài liǎo。
jiù zài nà zhī hòu wǒ nòng qīng liǎo。 wǒ shì qù nián shí yī yuè， què qiē dì shuō shì qù nián shí yī yuè sān rì nòng qīng de。 dǎ nà yǐ hòu wǒ de měi yī shùn jiān wǒdōu jì dé qīng qīng chǔ chǔ。 zhè shì fā shēng zài yī gè qī hēi qī hēi de yè wǎn， kǒng pà zhǐ yòu zhè gè yè wǎn cái zhè me hēi。 dāng shí shì shí diǎn duō zhōng， wǒ zhèng huí jiā qù。 jì dé， wǒ zhèng zài xiǎng zhe méi yòu bǐ zhè gèng yīn 'àn de shí hòu， shèn zhì zài ròu tǐ shàng yě gǎn jué dé dào。 qīng pén dà yǔ xià liǎo yī zhěng tiān， nà shì yīcháng zuì hán lěng、 zuì yīn yù shèn zhì jiào rén kě pà de dà yǔ。 wǒ jì dé， zhè yǔ shèn zhì hái duì rén huái zhe yī zhǒng gōng rán de dí yì。 ér zài shí diǎn duō zhōng tā què zhòu rán tíng liǎo， sàn fā chū yī gǔ lìng rén jué dé kě pà de cháo qì， bǐ xià yǔ shí hái yào cháo shī， hái yào hán lěng。 jiē dào lù miàn shàng de měi yī kuài shí bǎn， měi yī tiáo hú tóng， chù chù dōuzài sàn fā zhe wù qì。 rú guǒ cóng jiē shàng wǎng hú tóng lǐ wàng qù， nà lǐ miàn yě shì wù qì téng téng de。 wǒ tū fā qí xiǎng， rú guǒ jiē dēng quán bù xī miè， huì shǐ rén yú kuài xiē， yīn wéi tā bǎ shí me dū zhào dé tōng míng tòu liàng， fǎn 'ér lìng rén gǎn dào yōu shāng。 zhè yī tiān wǒ jīhū méi yòu chī dōng xī， wǎn shàng zǎo zǎo dì dào liǎo yī wèi gōng chéng shī jiā， dāng shí zài zuò de hái yòu tā de liǎng wèi péng yǒu。 wǒ yī zhí mò bù zuò shēng， sì hū hěn jiào tā men shēng yàn。 tā men tán kàn xī yǐn rén de shénme shì qíng， shèn zhì tū rán fā qǐ huǒ lái。 dàn shì zài wǒ kàn lái， tā men quán wú suǒ wèi， tā men jī dòng zhǐ bù guò shì zuò zuò yàng zǐ 'ér yǐ。 wǒ hū rán bǎ wǒ de zhè yī xiǎng fǎ duì tā men shuō liǎo chū lái：“ xiān shēng men， wǒ shuō nǐ men běn lái shì wú suǒ wèi de má。” tā men tīng liǎo méi yòu shēng qì， fǎn 'ér xiào qǐ wǒ lái。 zhè shì yīn wǒ de huà bìng wú zé bèi yì wèi， ér zhǐ shì wǒ jué dé quándōu wú suǒ wèi 'ér yǐ。 tā men kàn chū wǒ zhè quán wú suǒ wèi zhī hòu yě jiù kuài huó qǐ lái liǎo。
dāng wǒ zǒu zài dà jiē shàng xiǎng zhe jiē dēng de shí hòu， wǒ bù shí wàng wàng tiān kōng。 tiān kōng hēi dé kě pà， bù guò hái néng qīng xī dì fēn biàn chū bèi sī suì de yún kuài， yún kuài zhī jiān shì yī gè gè wú dǐ de hēi bān。 zài yī gè hēi bān shàng， wǒ tū rán fā xiàn yī kē xiǎo xīng xīng， yú shì jiù zǎi xì dì guān chá qǐ lái。 zhè shì yīn wéi nà kē xiǎo xīng xīng tí shì wǒ： wǒ jué dìng zài jīn yè zì shā。 zǎo zài liǎng gè yuè qián wǒ jiù guǒ duàn dì xià liǎo zhè yī jué xīn， jìn guǎn wǒ hěn qióng， hái shì mǎi liǎo yī zhī piào liàng de shǒu qiāng， bìng qiě zài dāng tiān jiù zhuāng shàng liǎo zǐ dàn。 dàn shì， liǎng gè yuè yǐ jīng guò qù， shǒu qiāng yǐ jiù fàng zài chōu tì lǐ。 kě wǒ wú suǒ wèi dì xiǎng zuì hòu zhǎo yī gè bù nà me wú suǒ wèi de shí jī， wèishénme yào zhè yàng， wǒ zì jǐ yě bù zhī dào。 yīn cǐ， zhè liǎng gè yuè lái， wǒ měi wǎn huí jiā dū xiǎng zì shā。 wǒ yī zhí zài děng dài nà gè jī huì。 ér xiàn zài zhè kē xiǎo xīng xīng tí shì liǎo wǒ， wǒ jué dìng jīn wǎn · yī · dìng zì shā。 nà kē xiǎo xīng xīng wèishénme yào tí shì wǒ ní， wǒ yě bù míng bái。
wǒ zhèng zài yǎng wàng yè kōng， tū rán yòu gè xiǎo nǚ hái yī bǎ zhuā zhù wǒ de yī xiù。 jiē dào shàng yǐ shì kōng luò luò de， jīhū bù jiàn rén yǐng。 yuǎn chù yòu gè chē fū zài qīng biàn mǎ chē lǐ shuì jué。 xiǎo nǚ hái yuē mò bā suì， guǒ zhe tóu jīn， chuān jiàn duǎn wài yī， hún shēn shī lín lín de。 dàn wǒ tè bié jì dé de shì tā nà shuāng shī lù lù de pò pí xié， ér qiě xiàn zài yě hái jì dé。 tā nà shuāng xié zǐ gé wài yǐn wǒ zhù mù。 tā zhòu rán chě zhù wǒ de yī xiù jiào hǎn。 tā méi yòu kū， dàn sì hū zài duàn duàn xù xù dì hǎn zhe shénme， yóu yú lěngde quán shēn dǎ zhàn， wèi néng bǎ huà shuō qīng chǔ。 tā bèi shénme shì 'ér xià huài liǎo， jué wàng dì jiào zhe：“ hǎo mā mā！ hǎo mā mā！” wǒ xiàng tā niǔ guò tóu qù， bù guò shénme yě méi yòu shuō yòu jì xù zǒu lù， dàn tā páo shàng lái bǎ wǒ lā zhù。 tā de shēng yīn lǐ liú lù chū yī zhǒng xiǎo hái shòu liǎo jí dù jīng xià de jué wàng xīn qíng。 wǒ shú xī zhè zhǒng shēng yīn。 jìn guǎn tā méi yòu bǎ huà shuō wán， dàn wǒ míng bái， huò zhě shì tā mǔ qīn zài shénme dì fāng kuài yào sǐ qù， huò zhě shì tā men zài nà lǐ chū liǎo shénme shì， suǒ yǐ tā páo chū lái jiào rén， xiǎng zhǎo diǎn shénme， qù bāng zhù tā mǔ qīn。 kě shì， wǒ méi yòu gēn zhe tā qù， xiāng fǎn， què dǒu rán qǐ liǎo gǎn zǒu tā de niàn tóu。 qǐ xiān， wǒ yào tā qù zhǎo， tā què sōng kāi shǒu， wū wūyè yān， qì chuǎn xū xū， lǎo gēn zài wǒ shēn biān páo， bù kěn lí kāi。 yú shì， wǒ chōng tā duǒ jiǎo， hǒu yī shēng。 tā zhǐ shì hǎn zhe：“ lǎo yé！ lǎo yé！……” tā tū rán lí kāi liǎo wǒ， fēi kuài dì héng guò jiē qù： jiē nà biān lái liǎo yī gè xíng rén。 kàn lái， tā bù zài gēn zhe wǒ， ér qù zhǎo nà gè xíng rén liǎo。
wǒ dēng shàng wǔ lóu wǒ de zhù chù。 wǒ méi yòu hé dōng jiā zhù zài yī qǐ， wǒ yòu zì jǐ de fáng jiān。 wǒ de fáng jiān xiǎo 'ér jiǎn lòu， yòu yī gè gé lóu shàng cháng yòu de nà zhǒng bàn yuán xíng chuāng hù。 wū lǐ yòu yī gè qī pí miàn shā fā， yī zhāng zhuō zǐ， zhuō shàng fàng zhe shū， liǎng bǎ yǐ zǐ， hái yòu yī bǎ shū shì de 'ān lè yǐ， suī rán shí fēn chén jiù， dàn què shì yī bǎ fú 'ěr tài shì de gāo bèi shēn zuò yǐ。 wǒ zuò xià lái， diǎn rán là zhú， kāi shǐ sī kǎo。 gé bì fáng lǐ yī piàn cáo zá chǎo nào shēng， jìn sān tiān láidōu shì rú cǐ。 nà lǐ zhù zhe yī gè tuì wǔ dà wèi jūn guān， tā yāo lái yī dà qún kè rén héng héng wǔ、 liù gè jiǔ ròu péng yǒu， zhèng zài hē jiǔ、 wán pái dǔ bó。 zuó wǎn shàng tā men jìng rán dǎ qǐ lái liǎo， wǒ zhī dào， tā men yòu liǎng rén hù xiāng jiū zhù duì fāng de tóu fā jiǔ jiǔ bù fàng。 nǚ fáng dōng xiǎng shǔshuō tā men， dàn jù pà nà dà wèi。 zhù zài wǒ men zhè 'ér de hái yòu lìng yī jiā fáng kè： yī wèi shēn cái shòu xiǎo de tuán cháng tài tài， dài zhe sān gè yòu xiǎo de hái zǐ。 tā men zhù jìn lái hòu xiǎo hái dū bìng dǎo liǎo。 tài tài hé hái zǐ mendōu hài pà dà wèi， pà dé hūn jué guò qù， zhěng yè dǎ duō suo， huà shí zì， tā de yòu zǐ bèi xià dé huàn liǎo diān xián bìng。 wǒ què qiē zhī dào， dà wèi yòu shí hòu zài niè wǎ dà jiē shàng lán lù qǐ tǎo。 tā méi yòu zhǎo dào zhí yè， dàn qí guài de shì（ wǒ zhèng yào shuō cǐ shì）， tā zhù jìn lái zhěng zhěng yī gè yuè dōuméi yòu gěi wǒ zhì zào guò má fán。 zì rán luó， cóng yī kāi shǐ wǒ jiù huí bì tóng tā jié shí， ér tā duì wǒ cóng yī kāi tóu yě bù gǎn xīng qù。 bù guò， tā men zài yī qiáng zhī gé de nà biān， bù lùn zěn me hǎn jiào， yě bù lùn tā men shì jǐ gè rén héng héng wǒ yī zhí dōubù zài hū。 wǒ zhěng yè zuò zhe， què shí méi yòu tīng dào tā men zhēng chǎo、 dǎ jià héng héng shèn zhì bǎ tā men wàng liǎo。 wǒ měi wǎn chè yè bù mián， zhè yàng yǐ jīng yòu yī nián liǎo。 wǒ tōng yè zuò zài zhuō bàng 'ān lè yǐ lǐ shénme shì yě bù zuò， zhǐ zài bái tiān dú dú shū。 wǒ zhè yàng zuò zhe shénme yě bù qù sī kǎo， ruò shì yòu shénme niàn tóu zài nǎo zǐ lǐ shǎn xiàn， wǒ yě tīng qí zì rán。 měi wǎn yào diǎn wán yī zhī là zhú。 wǒ jìng jìng dì zài zhuō bàng zuò xià， bǎ shǒu qiāng ná chū lái fàng zài miàn qián。 dāng wǒ fàng xià shǒu qiāng shí， wǒ jì dé wèn guò zì jǐ：“ shì zhè yàng má？” jiē zhe jiù zhǎn dīng jié tiě dì huí dá zì jǐ：“ shì zhè yàng de。” yě jiù shì zì shā。 wǒ zhī dào， wǒ jīn wǎn yī dìng huì zì shā， ér zài zhè zhuō bàng hái yào zuò duō jiǔ héng héng wǒ yě shuō bù shàng。 yào bù shì nà gè xiǎo nǚ hái chū xiàn， wǒ kěn dìng zǎo yǐ zì shā liǎo。
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nín yào zhī dào： wǒ suī rán quán wú suǒ wèi， dàn yào shì ná téng tòng lái shuō wǒ hái shì gǎn jué dé chū lái de。 rú guǒ yòu rén dǎ liǎo wǒ， wǒ jiù huì gǎn jué dé tòng de。 jīng shén shàng yě shì zhè yàng： rú guǒ fā shēng liǎo shénme kě lián de shì， wǒ jiù huì jué dé kě lián de， jiù xiàng guò qù shēng huó shàng wǒ hái méi yòu duì rèn hé shìdōu jué dé wú suǒ wèi shí nà yàng。 duì nà gè xiǎo nǚ hái wǒ yě yòu guò lián mǐn xīn： wǒ yī dìng yào qù bāng zhù tā。 kě shì wǒ wèishénme méi yòu qù bāng ní？ shì yīn wéi dāng shí chǎn shēng liǎo yī gè niàn tóu： dāng tā lā zhù wǒ， hū hǎn wǒ de shí hòu， wǒ miàn qián tū rán chū xiàn yī gè yí wèn， ér qiě wú fǎ jiā yǐ jiě jué。 wèn tí hěn wú liáo， dàn wǒ hěn shēng qì。 wǒ shēng qì shì yóu yú yòu liǎo zhè me yī gè jié lùn： wǒ jì rán yǐ jīng jué dìng jīn yè zì shā， nà me， wǒ xiàn zài duì shì jiān de yī qiē bǐ guò qù rèn hé shí hòu dū gèng jiā wú suǒ wèi liǎo。 wǒ wèishénme tū rán gǎn dào wǒ bù shì quán wú suǒ wèi， ér qù kě lián yī gè xiǎo nǚ hái ní？ wǒ jì dé， wǒ shí fēn tóng qíng tā， shèn zhì yú yòu guò yī zhǒng qí guài de xīn téng gǎn， zài wǒ zhè zhǒng chǔjìng xià， zhè zhǒng gǎn jué shèn zhì lìng rén nán yǐ xiāng xìn。 díquè， wǒ wú fǎ gèng hǎo dì bǎ wǒ dāng shí nà zhǒng zhuǎn shùn jí shì de gǎn jué zhuǎn shù chū lái， bù guò， zhè gè gǎn jué zhí zhì wǒ huí dào jiā zài zhuō bàng zuò xià lái réng wèi xiāo shì， yǐ zhì wǒ fēi cháng shēng qì， zhè shì hěn jiǔ yǐ lái bù céng yòu guò de。 tuī lùn yī gè gè fēn zhì tà lái。 hěn xiǎn rán， jì rán wǒ shì rén， ér bù shì zǐ xū， zàn shí yě méi yòu huà wéi wū yòu， nà me wǒ jiù hái huó zhe， yīn cǐ jiù huì yòu kǔ nǎo， yòu fèn nù， yòu wéi zì jǐ de jǔ zhǐ 'ér gǎn dào xiū chǐ de xīn。 jiù suàn shì zhè yàng bā。 dàn shì， jì rán wǒ jiāng zì shā， bǐ fāng shuō， zài yòu liǎng gè xiǎo shí wǒ jiù yào sǐ qù liǎo， nà me xiǎo nǚ hái yú wǒ yòu shénme xiāng gān ní？ xiū chǐ xīn、 shì jiān de yī qiē yǔ wǒ yòu yòu shénme xiāng gān ní？ wǒ xíng jiāng huà wéi wū yòu， chè dǐ xiāo wáng。 wǒ zhī dào， wǒ jí jiāng · wán · quán xiāo shī， yīn 'ér yī qiē yě jiāng bù fù cún zài， nà me， zhè zhǒng rèn shí duì yú wǒ duì xiǎo nǚ hái de 'ài lián zhī xīn， duì yú zuò liǎo bēi bǐ shì yǐ hòu de xiū chǐ xīn， bù néng méi yòu sī háo yǐng xiǎng bā？ xū zhī， zhèng yīn wéi rú cǐ， wǒ cái huì duì bù xìng de xiǎo nǚ hái duǒ jiǎo， xiàng tā cū yě dì hǒu jiào， hǎo xiàng zài shuō，“ wǒ bù jǐn méi yòu tóng qíng xīn， ér qiě rú guǒ yào wǒ qù gān háo wú rén xìng de chǒu xíng， xiàn zài wǒdōu kě yǐ qù gān de， yīn wéi liǎng gè xiǎo shí zhī hòu yī qiē dū jiāng shì qù liǎo。” nín néng xiāng xìn má？ zhè jiù shì wǒ duì tā hǒu jiào de yuán yīn。 duì zhè yī diǎn wǒ xiàn zài jīhū shēn xìn bù yí。 shí fēn xiǎn rán， shēng mìng hé shì jiè xiàn zài fǎng fó dōuyào qǔ jué yú wǒ， shèn zhì kě yǐ zhè me shuō， xiàn zài zhè shì jiè fǎng fó yě shì wèiwǒ yī gè rén 'ér chuàng zào de： wǒ zì shā liǎo， shì jiè yě jiù bù zài yòu liǎo， zhì shǎo duì yú wǒ lái shuō shì rú cǐ。 wǒ de zhī jué yī dàn xiāo shī， zhěng gè shì jiè yě jiù suí jí xiāo wáng， jiù xiàng yōu líng yī yàng， jiù xiàng yǐ fù yú wǒ de zhī jué yī yàng， yīn wéi zhè zhěng gè shì jiè hé quán rén lèi yě xǔ jiù shì wǒ zì jǐ yī gè rén。 zhì yú wǒ sǐ hòu， duì rèn hé rén lái shuō yě xǔ zhēn de shénme dōubù zài cún zài liǎo， zhè yī diǎn yǐ bù bì qù tán liǎo。 wǒ jì dé， wǒ zuò zài nà 'ér fǎn fǎn fù fù dì sī kǎo zhe suǒ yòu zhè xiē jiē zhǒng 'ér lái de xīn wèn tí， shèn zhì shēng chū yì niàn， yì xiǎng tiān kāi qǐ lái。 bǐ fāng， wǒ tū fā qí xiǎng， jiǎ rú wǒ yǐ qián shēng huó zài yuè qiú shàng huò huǒ xīng shàng， zài nà lǐ zuò liǎo zuì wú chǐ de shì qíng bìng qiě zāo dào chì zé hé xiū rǔ， zhè chú fēi yòu shí zài mèng jìng zhōng huò zài 'è mèng zhōng cái néng gǎn jué hé xiǎng xiàng dé dào； yòu jiǎ rú， wǒ hòu lái lái dào liǎo dì qiú shàng， ér yòu jì dé zì jǐ zài bié de xīng qiú shàng de suǒ zuò suǒ wéi， cǐ wài， hái zhī dào wǒ zài yě bù huì huí dào yuè qiú shàng， nà me， dāng wǒ cóng dì qiú shàng yǎng wàng yuè qiú shí， héng héng shì fǒu huì jué dé · wú · suǒ · wèi ní？ shì fǒu huì wéi zì jǐ de chǒu xíng 'ér gǎn dào xiū kuì ní？ sī kǎo zhè xiē wèn tí shì wú yì de、 duō yú de， yīn wéi shǒu qiāng yǐ bǎi zài wǒ de miàn qián， wǒ de zhěng gè shēn xīn yě gǎn jué dào liǎo · zhè · shì bì jiāng fā shēng。 dàn shì， zhè xiē wèn tí cì jī zhe wǒ， shǐ wǒ fèn nù。 bù xiān bǎ wèn tí nòng míng bái， wǒ sì hū zàn shí hái bù néng sǐ qù。 zǒng zhī， zhè gè xiǎo nǚ hái jiù liǎo wǒ， yóu yú zhè xiē wèn tí wǒ chí yán liǎo zì shā。 zhè shí， dà wèi fáng lǐ de cáo zá shēng kāi shǐ píng xī xià lái： tā men wán guò pái hòu zài zhǔn bèi shuì jué， bù guò zàn shí hái yòu rén zài dū dū nāng nāng shuō hú huà， lǎn yáng yáng dì qīng shēng jiào mà。 jiù zài zhè shí， wǒ zuò zài zhuō bàng 'ān lè yǐ lǐ hū rán shuì zhe liǎo， zhè shì cóng lái méi yòu guò de。 wǒ wán quán shì zài bù zhī bù jué zhōng shuì zhe de。 dà jiā zhī dào， mèng shì yī zhǒng xī qí gǔ guài de dōng xī： yòu de shí fēn qīng xī， xì jié dū sì zhū bǎo shì wù nà yàng jīng měi； yòu de nǐ huì jué dé yīhuǎng 'ér guò， fǎng fó chāo yuè liǎo shí kōng quán wú gǎn jué。 yǐn qǐ mèng jìng de sì hū bù shì lǐ zhì， ér shì yuàn wàng， bù shì dà nǎo， ér shì xīn líng； rán 'ér， wǒ de lǐ zhì zài mèng zhōng yòu shí yòu duō qiǎo miào， ér qiě huì shēng chū yī xiē wán quán bù kě sī yì de shì qíng lái。 lì rú， wǒ gē gē qù shì yǐ jīng wǔ nián， wǒ yòu shí hái mèng jiàn tā： tā bāng wǒ zuò shì， wǒ men hù xiāng guān xīn， ér wǒ zài mèng zhōng yī zhí shí fēn qīng chǔ hé jì dé， wǒ gē gē yǐ jīng sǐ liǎo， mái liǎo。 tā suī rán shì sǐ rén， réng zài wǒ shēn biān wèiwǒ máng lù， wèishénme wǒ de lǐ zhì huì wán quán róng rěn fā shēng zhè yī qiē ní？ hǎo， bù tán zhè gè， shuō shuō wǒ de nà gè mèng bā。 shì de， wǒ dāng shí zuò liǎo yī gè mèng， jiù shì shí yī yuè sān rì de nà gè mèng！ tā men xiàn zài hái zài shuǎ xiào wǒ， shuō nà zhǐ bù guò shì yīcháng mèng 'ér yǐ。 bù guò， jì rán nà gè mèng néng gào sù wǒ zhēn lǐ， shì mèng bù shì mèng nán dào bù shì dōuwú suǒ wèi má？ nǐ yào shì fā xiàn hé rèn qīng liǎo zhēn lǐ， nà me， bù lùn nǐ shì shuì zhe hái shì xǐng zhe de shí hòu dōuzhī dào， zhè jiù shì zhēn lǐ， méi yòu yě bù kě néng yòu bié de zhēn lǐ liǎo。 hǎo bā， jiù suàn zhè shì zuò mèng， jiù suàn zhè yàng， dàn shì， bèi nǐ men shuō dé tiān huā luàn zhuì de nà zhǒng shēng huó， wǒ què yào yòng zì shā lái jié shù tā liǎo， ér wǒ de mèng， wǒ de mèng héng héng 'ā， zé gěi wǒ zhǎn shì liǎo yī zhǒng zhǎn xīn de guāng huī càn làn、 huàn rán yī xīn、 chōng mǎn huó lì de shēng huó！
qǐng tīng wǒ jì xù shuō bā。
sān
wǒ shuō guò， wǒ zài bù zhī bù jué zhōng shuì zhe liǎo， fǎng fó hái zài sī kǎo zhe nà xiē wèn tí。 wǒ hū rán mèng jiàn， wǒ zuò zài nà lǐ ná qǐ shǒu qiāng lái zhí duì zhe xīn zàng héng héng shì xīn zàng， bù shì nǎo dài； yǐ qián wǒ shì dǎ suàn yī dìng duì zhǔn nǎo dài， zhèng duì yòu tài yáng xué kāi qiāng de。 wǒ duì zhǔn xiōng táng děng liǎo yī、 èr miǎo zhōng， hū rán fáng lǐ de là zhú、 zhuō zǐ hé qiáng bì quándōu zài wǒ yǎn qián huàng dòng、 xuánzhuàn qǐ lái。 wǒ lián máng kāi liǎo yī qiāng。
nín yòu shí huì mèng jiàn cóng gāo chù diào xià lái， huò shì bèi rén kǎn shā， dàn shì nín cóng bù huì gǎn dào téng tòng， chú fēi nín zì jǐ zhēn de zhuàng zài liǎo chuáng shàng， cái huì gǎn dào tòng， bìng qiě wǎng wǎng huì tòng dé xǐng guò lái。 wǒ zhè cì zuò mèng shí yě shì zhè yàng： wǒ bù gǎn dào tòng， dàn jué dé yī qiāng bǎ quán shēn dū zhèn hàn liǎo， yī qiēdōu dùn shí xiāo shī， sì zhōu yī tuán qī hēi。 wǒ fǎng fó yòu xiā yòu lóng， jiāng zhí dì yǎng wò zài yī jiàn yìng bāng bāng de dōng xī shàng， shénme yě kàn bù jiàn， yī dòng yě bù néng dòng。 rén men zài wǒ bàng biān zǒu lái zǒu qù， jiào zhe hǎn zhe， dà wèi zài dī shēng shuō huà， nǚ fáng dōng zài jiān shēng jiào rǎng， héng héng tū rán jiān xuān 'áo shēng tíng xī xià lái， yuán lái tā men zài yòng yī kǒu jǐn bì de guān cái tái zhe wǒ zǒu。 wǒ gǎn dào guān cái zài huàng dòng， xún sī zhe yuán yīn， dùn shí shǐ wǒ dà chī yī jīng： yuán lái wǒ yǐ jīng sǐ liǎo， zhēn de sǐ liǎo。 wǒ míng bái liǎo， háo bù huái yí， wǒ kàn bù jiàn， yě dòng bù liǎo， rán 'ér hái yòu gǎn jué， yě néng sī wéi。 bù guò， wǒ mǎ shàng jiù tīng qí zì rán， xiàng wǎng cháng zuò mèng nà yàng， píng xīn jìng qì dì jiē shòu zhè gè xiàn shí。
yú shì， tā men bǎ wǒ mái rù tǔ zhōng。 tā mendōu zǒu liǎo， shèng xià wǒ yī gè rén， gū líng líng de yī gè rén。 wǒ bù néng huó dòng。 guò qù bù shì zài mèng zhōng shí， wǒ cháng xiǎng wǒ huì zěn yàng bèi mái rù fén mù， yóu fén mù lián xiǎng dào de bù guò shì cháo shī hé hán lěng 'ér yǐ， yǎn xià wǒ kě zhēn de gǎn dào liǎo hán lěng， yóu qí shì jiǎo zhǐ jiān， bù guò zài méi yòu bié de shénme gǎn jué liǎo。 wǒ tǎng zhe， qí guài de shì wú suǒ qī dài， xīn píng qì hé dì chéng rèn sǐ rén shì méi yòu shénme kě pàn wàng de liǎo。 kě jiù shì gǎn dào cháo shī。 wǒ bù zhī tǎng liǎo duō jiǔ， héng héng yī gè xiǎo shí， huò zhě jǐ tiān， yě xǔ yòu hǎo duō tiān liǎo。 dàn hū rán jiān， cóng guān gài shàng shèn jìn lái yī dī shuǐ luò dào wǒ bì zhe de zuǒ yǎn shàng， yī fēn zhōng hòu yòu yī dī， yòu yī fēn zhōng hòu dì sān dī， jiù zhè yàng lián lián bù duàn， měi fēn zhōng làxià lái yī dī。 yī gǔ wú bǐ de fèn mèn cóng wǒ xīn dǐ shēng qǐ， wǒ gǎn dào xīn dǐ yī zhèn téng tòng。“ zhè shì shāng kǒu”， wǒ xiǎng liǎo xiǎng。“ shì qiāng shāng， lǐ miàn hái yòu yī lì zǐ dàn……” shuǐ hái zài dī luò， měi fēn zhōng yī dī， jìng zhí diào dào wǒ nà zhǐ bì zhe de yǎn jīng shàng。 wǒ tū rán qí qiú qǐ lái， dàn bù shì yòng shēng yīn， yīn wéi wǒ shì bù néng dòng dàn de， ér shì yòng wǒ de zhěng gè shēn xīn， xiàng zhe shǐ wǒ biàn chéng zhè yàng de zhù zǎi zhě qí qiú：
“ bù guǎn nǐ shì shénme rén， dàn rú guǒ yòu nǐ zài， rú guǒ yòu bǐ yǎn xià fā shēng de gèng hé hū qíng lǐ de shì， nà me nǐ jiù ràng tā yě zài zhè 'ér chū xiàn bā。 ér rú guǒ yīn wéi wǒ quē fá lǐ zhì 'ér zì shā， nǐ yào bào fù wǒ， ràng wǒ wǎng hòu de rì zǐ guò dé nán kān、 huāng táng， nà me jiù qǐng zhù yì， wǒ zài rèn hé shí hòu suǒ zāo shòu de rèn hé kǔ nán dū jiāng wú fǎ yǔ wǒ yào mò mò dì chéng shòu de nà zhǒng xiū kuì xiāng bǐ， nǎ pà nà kǔ nán yào mián yán qiān bǎi wàn nián！……”
wǒ qí qiú zhī hòu bù zài shuō huà， shēn shēn de chén mò jīhū chí xù liǎo zhěng zhěng yī fēn zhōng。 yòu diào xià yī dī shuǐ， dàn wǒ zhī dào， ér qiě shēn zhī hé què xìn， yī qiē dū jiāng mǎ shàng fā shēng biàn huà。 zhè bù， wǒ de fén mù zhēn de tū rán liè kāi liǎo。 yě jiù shì shuō wǒ bù zhī dào fén mù dào dǐ shì bèi dǎ kāi de hái shì bèi jué kāi de， bù guò， wǒ bèi yī gè méi yòu jiàn guò de hēi guài wù zhuā zhù， yú shì wǒ men bù zhī bù jué dì lái dào liǎo tiān kōng zhōng。 wǒ mò dì fā xiàn： zhè shì yī gè shēn yè， yī gè qián suǒ wèi yòu de qī hēi qī hēi de yè wǎn！ wǒ men zài yuǎn lí dì qiú de tài kōng zhōng jí fēi。 wǒ duì zhuā wǒ de guài wù shénme yě bù wèn， wǒ zài děng dài zhe， wǒ fēi cháng gāo 'ào。 wǒ shēn xìn zì jǐ bù huì hài pà， ér qiě yī xiǎng dào bù huì hài pà shí， wǒ biàn xīng fèn bù yǐ。 wǒ jì bù qǐ fēi xíng liǎo duō cháng shí jiān， ér qiě yě xiǎng xiàng bù chū lái， yīn wéi yī qiēdōu xiàng píng cháng zuò mèng shí yī yàng， dāng nǐ kuà yuè shí kōng， chāo yuè cún zài hé lǐ zhì de guī lǜ shí， nǐ jiù zhǐ huì zài xīn líng de chōng jǐng diǎn shàng tíng xià lái。 wǒ jì dé， wǒ zài qī hēi zhōng hū rán kàn jiàn yī kē xiǎo xīng xīng。“ zhè shì tiān láng xīng bā？” wǒ zhòu rán rěn bù zhù wèn dào， yīn wéi wǒ běn lái shì shénme yě bù xiǎng dǎ tīng de。“ bù， zhè jiù shì nǐ huí jiā shí cóng yún céng jiān kàn dào de nà kē xīng xīng。” nà gè zhuā wǒ de guài wù dá dào。 zhè shí wǒ cái kàn dào， zhè guài wù yòu yī zhāng fǎng fó yǔ rén yī yàng de miàn kǒng。 qí guài de shì， wǒ què bù xǐ huān zhè guài wù， shèn zhì duì tā gǎn dào shí fēn yàn 'è。 wǒ suǒ qī dài de shì chè dǐ de xū wú， zhèng yīn wéi rú cǐ， wǒ cái duì zhe zì jǐ de xīn zàng kāi qiāng。 ér jīn wǒ luò zài liǎo guài wù de shǒu zhōng， tā dāng rán bù shì rén， dàn tā shì · cún · zài · zhe · de， shì huó zhe de：“ ā， yuán lái fén mù de wài miàn yě hái yòu shēng mìng li！” wǒ xiàng zuò mèng shìde hú sī luàn xiǎng， bù guò wǒ de xīn dǐ yǐ rán rú gù。“ rú guǒ · fù · shēng，” wǒ xiǎng，“ zhòng yòu shēng huó zài mǒu rén de zhǐ yì xià， nà me， wǒ shì bù huì qù jiē shòu bié rén de kòng zhì yǔ de！”“ nǐ zhī dào wǒ hài pà nǐ， suǒ yǐ nǐ kàn bù qǐ wǒ。” wǒ hū rán bù gù tǐ miàn dì duì wǒ de lǚ bàn tí chū wèn tí shuō， zhè wèn tí hán yòu zì wǒ biǎo bái de yì wèi， yīn 'ér wǒ de xīn dǐ xiàng bèi zhēn cì yī yàng gǎn dào qū rǔ。 tā méi yòu huí dá wǒ， dàn wǒ mǎ shàng jué dé， bìng méi yòu rén bǐ shì wǒ， chǐ xiào wǒ， yě méi yòu rén kě lián wǒ， tóng shí yě fā jué， wǒ men lǚ xíng de mùdì bù qīng chǔ 'ér qiě shén mì mò cè， bù guò zhǐ yǔ wǒ yī rén yòu guān。 yī zhǒng kǒng jù gǎn zài wǒ xīn zhōng màn màn shēng qǐ。 mò bù zuò shēng de lǚ bàn shēn shàng de yī zhǒng dōng xī zài wú shēng dì dàn què tòng kǔ dì gǎn rǎn zhe wǒ， fǎng fó zài wǒ shēn shàng yǒng dòng。 wǒ men zài hūn 'àn 'ér shén mì de tài kōng zhōng jí fēi。 wǒ yǐ jīng hěn jiǔ méi yòu jiàn dào nà xiē shú xī de xīng xīng liǎo。 wǒ zhī dào， tài kōng zhōng yòu xiē xīng xīng de guāng yào shù qiān nián shèn zhì shù bǎi wàn nián cái néng dào dá dì qiú shàng， wǒ men yě xǔ yǐ jīng fēi guò liǎo zhè yī gè jù lí。 zài jí dù jiū xīn de kǔ mèn zhōng wǒ sì hū zài qī dài zhe mǒu zhǒng dōng xī。 chà nà jiān， yī zhǒng shú xī de kòu rén xīn xián de gǎn jué shǐ wǒ zhèn dàng： wǒ hū rán kàn jiàn liǎo wǒ men de tài yáng。 wǒ zhī dào， zhè bù kě néng shì nà gè yǎng yù guò wǒ men dì qiú de tài yáng， wǒ men jù lí wǒ men de tài yáng wú xiàn de yuǎn， dàn bù zhī wèishénme， wǒ de zhěng gè shēn xīn què gǎn dào， zhè gè tài yáng hé wǒ men de nà gè tài yáng yī mó yī yàng， shì wǒ men tài yáng de fù zhì pǐn， shì wǒ men tài yáng de luán shēng xiōng dì。 dòng rén xīn xián de tián měi gǎn zài wǒ xīn dǐ jī qǐ yī zhèn xīn wèi： gěi wǒ shēng mìng de qīnqiè de yáng guāng de wēi lì zài wǒ xīn zhōng huí dàng， shǐ wǒ xīn líng fù sū， wǒ bèi mái jìn fén mù hòu， dì yī cì gǎn dào yòu liǎo shēng jī， yuán xiān de nà zhǒng shēng jī。
“ ér rú guǒ zhè jiù shì tài yáng， rú guǒ zhè què shí jiù shì wǒ men de nà gè tài yáng，” wǒ gāo hū qǐ lái，“ nà me， dì qiú yòu zài nǎ 'ér ní？” lǚ bàn jiù bǎ yī kē xiǎo xīng xīng zhǐ gěi wǒ kàn， nà xiǎo xīng xīng zài hēi 'àn zhōng shǎn shuò zhe lǜ guāng。 wǒ men jìng zhí cháo tā fēi qù。
“ yǔ zhòu zhōng mò fēi zhēn yòu yī mó yī yàng de dōng xī？ dà zì rán de guī lǜ guǒ zhēn shì zhè yàng？…… rú guǒ zhè shì lìng yī gè dì qiú， nà me tā nán dào hé wǒ men de dì qiú wán quán yī yàng…… hé wǒ men nà gè bù xìng de、 kě lián de， dàn yòu bǎo guì、 yǒng yuǎn kě 'ài de dì qiú， hé wǒ men nà gè jí shǐ zài zuì wàng 'ēn fù yì de 'ér nǚ xīn zhōng yě néng huàn qǐ duì tā kǔ 'ài de dì qiú wán quán yī yàng má？……” wǒ wú bǐ jī dòng dì hū hǎn qǐ lái， duì bèi wǒ lí kāi de yuán xiān de nà gè dì qiú yòu zhe nán yǐ yì zhì de juàn liàn。 nà gè bèi wǒ jù jué de kě lián de xiǎo nǚ hái de shēn yǐng zài wǒ miàn qián yī shǎn 'ér guò。
“ yī qiē nǐ dū huì kàn dào de，” wǒ de lǚ bàn huí dá shuō。 tīng dé chū lái， tā de huà zhōng jiā dài zhe yōu shāng。 wǒ men zài xùn sù dì kào jìn nà kē xíng xīng， xíng xīng zài wǒ yǎn zhōng yuè biàn yuè dà， wǒ yǐ jīng fēn biàn chū liǎo hǎi yáng hé 'ōu zhōu de lún kuò， yī zhǒng qí tè de wěi dà 'ér chún jié de dù yì tū rán zài wǒ xīn jiān yǒng qǐ：“ zěn me kě néng yòu yī mó yī yàng de dōng xī ní？ ér qiě yòu wèile shénme ní？ wǒ 'ài， zhǐ néng 'ài wǒ lí kāi de nà gè dì qiú， wǒ zhè gè wàng 'ēn fù yì de rén xiàng xīn fáng kāi qiāng jié shù shēng mìng shí， wǒ de xuè jiù sǎ zài liǎo nà shàng miàn。 dàn shì rèn hé shí hòu， rèn hé shí hòu wǒdōu méi yòu zhōng duàn guò wǒ duì nà gè dì qiú de 'ài， jiù shì zài lí kāi tā de nà gè wǎn shàng， wǒ yě xǔ bǐ rèn hé shí hòu dū 'ài dé gèng kǔ。 zài zhè xīn de dì qiú shàng yě yòu tòng kǔ má？ zài wǒ men nà gè dì qiú shàng， wǒ men díquè zhǐ néng huái zhe tòng kǔ qù 'ài， bìng qiě yě bù zhī dào hái yòu bié de shénme fāng shì qù 'ài tā。 wèile 'ài， wǒ gān yuàn shòu kǔ。 wǒ yuàn yì， wǒ kě wàng jiù zài cǐ kè hán zhe rè lèi qù qīn wěn wǒ lí qù de nà yī gè dì qiú， wǒ bù yuàn yì， yě bù jiē shòu zài rèn hé bié de dì qiú shàng fù shēng！……”
kě shì， wǒ de lǚ bàn yǐ jīng bǎ wǒ rēng xià。 wǒ hǎo xiàng háo wú gǎn jué dì shà shí jiān jiù lái dào liǎo lìng yī gè dì qiú shàng héng héng yī gè qíng tiān lì rì xià de rén jiān tiān táng。 wǒ hǎo xiàng zhàn zài wǒ men dì qiú shàng xī là qún dǎo zhōng de yī gè xiǎo dǎo shàng， yòu hǎo xiàng shì yǔ zhè xiē dǎo yǔ pí lián de dà lù yán hǎi de mǒu gè dì fāng。 ā， yī qiē de yī qiēdōu wán quán xiàng wǒ men dì qiú shàng yī yàng， kě jiù shì zhè 'ér sì hū dào chù shì yī pài jié rì de qì fēn， yáng yì zhe wěi dà、 shèng jié、 zuì hòu shèng lì de huān lè。 wēn róu、 bì lǜ de dà hǎi qīng qīng dì pāi dǎzháo dī 'àn， huán bào zhe háo bù yǎn shì de jīhū shì zhǔyì zhuān yī de 'ài liàn qīn wěn zhe hǎi 'àn。 shù mù cān tiān， juān xiù cōng lóng， piàn piàn lǜ yè qīng róu、 qīn nì dì shā shā xiǎng， wǒ gǎn jué tā men xiàng shì zài sù shuō qíng huà yíng jiē wǒ de dào lái。 mào mì de yě cǎo kāi mǎn xiān huā， xīn xiāng sì yì。 yī qún qún de niǎo 'ér zài tiān kōng zhōng fēi guò， háo bù wèi jù dì luò zài wǒ de jiān shàng、 shǒu shàng， dǒu dòng zhe kě 'ài de xiǎo chì bǎng， xǐ zī zī dì pāi dǎ wǒ。 wǒ zhōng yú jiàn dào hé rèn shí liǎo zhè piàn lè tǔ shàng de rén men。 tā men zhù dòng dì zǒu guò lái， yōng zhe wǒ， qīn wěn wǒ。 tā men shì tài yáng de 'ér nǚ， zì jǐ nà gè tài yáng de 'ér nǚ， héng héng 'ā， tā men cháng dé duō me jùn měi！ zài wǒ men dì qiú shàng， wǒ cóng lái méi yòu jiàn guò rén yòu zhè me měi。 yě xǔ zhǐ yòu zài wǒ men de hái zǐ shēn shàng， zài tā men de hái tí shí dài， cái néng zhǎo dào zhè zhǒng měi de jiǔ yuǎn de suī rán shì mó hú de hén jì。 zhè xiē xìng fú de rén men yǎn jīng fàng shè zhe míng liàng de guāng máng， tā men de liǎn shàng shǎn xiàn zhe zhì huì de guāng cǎi hé tài rán zì ruò de shén sè， ér rén réndōu mǎn miàn chūn fēng； tā men de huà yǔ hé shēng yīn chōng yì zhe tiān zhēn làn màn de yú yuè。 ā， sǎo shì tā men yī yǎn， yī qiē yī qiē wǒ mǎ shàng jiù yī mù liǎo rán！ zhè shì méi yòu bèi 'è xíng diàn wū de yī fāng jìng tǔ， shēng xī zài tā shàng miàn de shì yī xiē qīng qīng bái bái de rén， tā men shēng huó zài zhè tiān táng lǐ， jù zǔ bèi xiāng chuán， zhè yě shì wǒ men huò zuì de xiān rén céng jīng jū zhù guò de dì fāng， suǒ bù tóng de zhǐ shì zhè 'ér chù chù shì tiān táng。 rén men huān xiào zhe， yǒng xiàng wǒ， duì wǒ qīn qīn rè rè， bǎ wǒ lǐng dào jiā qù， gè gèdōu jǐyǔ wǒ 'ān fǔ。 ā， tā men shénme yě bù wèn wǒ， dàn tā men sì hū shénme dōuzhī dào， wǒ jué dé tā men xiǎng de shì jìn kuài qū zǒu wǒ liǎn shàng de tòng kǔ。
sì
rán 'ér， nín yào zhī dào， āi， zhè zhǐ shì yīcháng mèng！ dàn shì， zhè xiē chún jié、 měi lì de rén men de shèng qíng gěi wǒ de gǎn shòu， yǐ yǒng yuǎn liú zài wǒ de xīn jiān， ér qiě wǒ jué dé， tā men de zhè zhǒng shèng qíng zhì jīn réng zài bù duàn dì gǎn rǎn zhe wǒ。 wǒ qīn shēn jiàn dào tā men， liǎo jiě tā men bìng qiě xiāng xìn tā men。 wǒ xǐ huān tā men， hòu lái hái wèitā men méng shòu guò kǔ nán。 ā， shèn zhì zài dāng shí wǒ mǎ shàng jiù míng bái guò lái， zài hěn duō fāng miàn wǒ bìng bù wán quán liǎo jiě tā men； wǒ zuò wéi dāng dài jìn bù rén shì jí bēi wēi de bǐ dé bǎo rén sì hū méi yòu jiě jué zhè gè wèn tí， jí tā men méi yòu shòu guò wǒ men nà yàng de jiào yù què dǒng dé nà me duō de shì qíng。 bù guò， wǒ hěn kuài jiù míng bái liǎo， tā men zhī shí de chōng shí yǔ xī shōu， yòng de shì lìng yī zhǒng yǔ wǒ men dì qiú shàng bù tóng de fāng fǎ， ér qiě tā men de zhuī qiú yě wán quán bù tóng。 tā men yǔ shì wú zhēng， dàn bó míng lì， tā men bù xiàng wǒ men nà yàng jié lì qù xún qiú shēng huó， yīn wéi tā men shēng huó dé hěn chōng shí。 kě shì， tā men de zhī shí yào bǐ wǒ men de gāo shēn dé duō， yīn wéi wǒ men de zhī shí lì tú shuō míng shēng huó shì shénme， lì tú qù rèn shí shēng huó， yǐ biàn qù jiào huì bié rén shēng huó； tā men ní， tā men bù xué kē xué jiù dǒng dé gāi rú hé shēng huó。 zhè yī diǎn wǒ míng bái， dàn wǒ bù dǒng dé tā men de zhī shí。 tā men zhǐ diǎn wǒ guān shǎng tā men de shù mù， wǒ què bù néng tǐ huì tā men xīn shǎng shù mù shí de nà fèn qíng sù： tā men fǎng fó tóng lèi xiāng tōng， xīn xīn xiāng yìn。 nín kě zhī dào， rú guǒ wǒ shuō tā men néng tóng shù mù jiāo tán， dà gài wǒ méi yòu shuō cuò bā！ shì de， tā men zhǎo dào liǎo shù mù de yǔ yán， wǒ yě què xìn， shù mù yě dǒng tā men de huà yǔ。 tā men jiù shì zhè yàng kàn dài zhěng gè dà zì rán bāo kuò dòng wù de。 dòng wù tóng tā men hé píng xiāng chù， bù xiàng tā men fā qǐ jìn gōng， ér qiě xǐ huān tā men， wèitā men de 'ài xīn suǒ xùn fú。 tā men zhǐ yǐn wǒ guān kàn xīng xīng， bìng tóng wǒ tán xīng xīng de shì 'ér， wǒ tīng bù míng bái， dàn wǒ xiāng xìn， tā men xiàng shì yòu mǒu zhǒng fāng fǎ tóng tiān shàng de xīng chén jìn xíng jiāo wǎng， bù zhǐ shì sī xiǎng shàng de， ér shì yòu yī zhǒng shēng dòng huó pō de tú jìng。 ā， zhè xiē rén méi yòu qiǎngqiú wǒ liǎo jiě tā men， wǒ bù liǎo jiě， tā men yě hái shì 'ài wǒ， dàn shì wǒ zhī dào， tā men yǒng yuǎn yě wú fǎ lǐ jiě wǒ de， yīn cǐ， wǒ jīhū bù gēn tā men tán wǒ men dì qiú shàng de shì。 zài tā men miàn qián wǒ zhǐ shì pín pín qīn wěn tā men shēng xī de tǔ dì， yǐ biǎo dá duì tā men wú yán de chóng jìng。 tā men jiàn liǎo， rèn píng wǒ qù biǎo shì， bù yīn wǒ de chóng jìng 'ér xiū kuì， yīn wéi tā men zì jǐ yě hěn zūn chóng。 wǒ yòu shí mǎn liǎn lèi hén dì qù wěn tā men de jiǎo， tā men méi yòu yīn wèiwǒ 'ér nán guò， dāng wǒ zhī dào tā men jiāng yòng duō me chì rè de 'ài lái huí bào wǒ shí， wǒ xīn tóu yòu duō xīng fèn！ wǒ yòu shí jīng qí dì zì wèn： tā men zěn me shǐ zhōng bù qù qī líng wǒ zhè yàng de rén， yī cì yě méi yòu jī qǐ xiàng wǒ zhè yàng de rén de cù yì hé jí dù ní？ wǒ duō cì zì wèn： wǒ zhè gè 'ài chuī niú shuō huǎng de rén， zěn me néng bù duì tā men shuō shuō zì jǐ suǒ zhī dào de shì qíng， héng héng zhè xiē shì qíng tā men dāng rán shì yī wú suǒ zhī de， zěn me néng bù xiǎng yǐ cǐ shǐ tā men zhèn jīng， huò zhě nǎ pà zhǐ shì chū yú duì tā men de 'ài mù ní？ tā mendōu xiàng hái zǐ men nà yàng huān bèng luàn tiào、 xīng gāo cǎi liè。 tā men zài zì jǐ měi lì de yuán lín zhōng hé shù lín lǐ màn yóu， chàng zhe zì jǐ yōu měi de gē 'ér， shí yòng róng yì xiāo huà de shí wù、 zì jǐ shù shàng de guǒ shí、 zì jǐ sēn lín lǐ de fēng mì， yǐ jí nà xiē xǐ huān tā men de dòng wù de rǔ zhī。 tā men zhǐ xū cóng shì qīng wēi de láo dòng jiù néng qīng 'ér yì jǔ dì jiě jué zì shēn de yī shí wèn tí。 tā men nán huān nǚ 'ài， shēng 'ér yù nǚ， dàn wǒ cóng wèi fā xiàn tā men · tān · yín · hǎo · sè。 zài wǒ men dì qiú shàng jīhū suǒ yòu de réndōu nán táo de jié shù， yín yù shì rén lèi wàn 'è zhī yuán。 tā men wéi xīn shēng mìng de jiàng lín 'ér huān tiān xǐ dì， zhè shì tā men xìng fú lè yuán de xīn rén。 tā men xiāng hù jiān méi yòu zhēng chǎo， méi yòu dù jì， shèn zhì bù zhī dào zhēng chǎo yǔ jí dù wèihé wù。 tā men de hái zǐ shì dà jiā de， yīn wéi dà jiā zǔ chéng yī gè jiā tíng。 tā men chàbù duō wán quán méi yòu jí bìng， suī rán yě yòu sǐ wáng； tā men de lǎo rén sǐde 'ān xiáng， hǎo xiàng shuì zhe liǎo shìde， rén men wéi zài shēn bàng wèitā sòng zhōng， tā hán xiào dì xiàng rén men zhù fú， rén men yě bào yǐ yú yuè de wēi xiào sòng bié。 cǐ shí， wǒ méi yòu kàn jiàn rén men bēi shāng、 liú lèi， yòu de zhǐ shì jiā bèi de huǎng ruò kuáng xǐ de 'ài， dàn què shì yī zhǒng tài rán、 chōng shí、 chén jìng de kuáng xǐ。 kě yǐ rèn wéi， tā men hé shì zhě zhī jiān， shèn zhì zài tā sǐ hòu réng rán hù xiāng jiāo wǎng， sǐ wáng yě gē bù duàn bǐ cǐ de chén shì lián xì。 dāng wǒ wèn jí tā men yòu wú yǒng héng de shēng mìng shí， tā men jìn hū bù dǒng wǒ de yì sī， dàn hěn xiǎn rán， tā men jiān xìn bù yí， duì tā men 'ér yán zhè bù chéng wéi wèn tí。 tā men zhè lǐ méi yòu sì miào， dàn tā men yǔ zhěng gè yǔ zhòu yòu zhe xiū qī xiāng guān、 shēng qì bó bó、 fēn gē bù kāi de lián xì； tā men bù xìn zōng jiào， dàn tā men què xìn， dāng rén jiān de huān lè dá dào chén shì de jí xiàn shí， nà me， duì tā men héng héng shēng zhě hé sǐ zhě lái shuō， tóng zhěng gè yǔ zhòu gèng wéi guǎng fàn de jiāo wǎng jiù huì dào lái。 tā men xīng wèi 'àng rán dì pàn wàng zhe zhè yī shí kè， bù huāng bù máng， wú yōu wú lǜ， sì hū zǎo yǐ xiōng yòu chéng zhú， hù tōng xìn xī。 měi wǎn shuì jué yǐ qián， tā mendōu 'ài tóng shēng hé chàng hé xié yuè 'ěr de gēqǔ。 tā men yòng zhè xiē gēqǔ biǎo dá yī tiān de zhǒng zhǒng gǎn shòu， ōu gē hé gào bié jí jiāng shì qù de yī tiān。 tā men zàn měi dà zì rán， zàn měi dà dì， zàn měi hǎi yáng， zàn měi sēn lín。 tā men xǐ hǎo chuàng zuò miáo xiě duì fāng de gēqǔ， xiàng xiǎo hái nà yàng hù xiāng kuā zàn； zhè shì yī xiē zhì pǔ wú huá de gē， dàn tā men fā zì nèi xīn， gǎn rén fèi fǔ。 bù zhǐ zài gē qū zhōng， kàn lái yě zài dù guò zhěng gè yī shēng zhōng， tā mendōu shì hù xiāng zàn shǎng de。 zhè shì wú suǒ bù bāo、 pǔ pǔ tōng tōng de yī zhǒng 'ài mù。 lìng yòu yī xiē gēqǔ zhuāng yán bēn fàng， wǒ chàbù duō quán tīng bù dǒng。 wǒ rèn shí gē cí， dàn lǎo shì pǐn wèi bù chū qí zhōng de quán bù hán yì。 wǒ de nǎo zǐ sì hū nán yú lǐ jiě， dàn wǒ de xīn líng què sì hū zài bù zhī bù jué zhōng yù lái yù lǐng wù dé dào。 wǒ cháng cháng duì tā men shuō， zhè yī qiē wǒ guò qù zǎo yòu yù gǎn， suǒ yòu zhè xiē huān lè hé zàn gē zài wǒ men dì qiú shàng duì wǒ lái shuō què shì wú biān de yōu fán， yòu shí jìng shì nán yǐ rěn shòu de tòng kǔ； dāng wǒ de xīn líng jìn rù mèng huàn， nǎo hǎi zhōng chū xiàn chōng jǐng shí， wǒ jiù yù gǎn dào huì yòu tā men zhè xiē rén， huì yòu tā men de zàn gē； zài wǒ men dì qiú shàng， miàn duì xī xié de cán yáng wǒ cháng cháng rè lèi cén cén…… wǒ hèn wǒ men dì qiú shàng de rén， dàn hèn zhōng zǒng bāo hán zhe kǔ mèn： wǒ wèishénme hèn tā men 'ér yòu bù néng bù 'ài tā men ní？ wǒ wèishénme bù néng bù kuān shù tā men ní？ wǒ 'ài tā men， dàn 'ài zhōng yě zǒng shì yòu zhe kǔ mèn： wǒ wèishénme 'ài tā men yòu tóng shí yào hèn tā men ní？ kàn dé chū lái， zhè lǐ de rén tīng liǎo zhī hòu， bù lǐ jiě wǒ shuō de shénme， dàn wǒ bù huì yīn wèiwǒ tóng tā men shuō guò yī xí huà 'ér gǎn dào yí hàn， yīn wéi wǒ zhī dào， tā men lǐ jiě wǒ wú xiàn sī niàn wǒ bié lí de nà xiē rén。 shì 'ā， dāng tā men yòng chōng yíng 'ài fǔ de qīnqiè mù guāng qiáo zhe wǒ de shí hòu， dāng wǒ zài tā men miàn qián， gǎn dào wǒ de xīn líng yě zhú jiàn biàn dé xiàng tā men de yī yàng chún jié、 chéng shí de shí hòu， wǒ jiù bù zài yīn wéi bù lǐ jiě tā men 'ér yòu suǒ yí hàn liǎo。 shēng huó jìng shì rú cǐ chōng shí、 fēng mǎn。 shēn lín qí jìng de yī fān gǎn shòu shǐ wǒ jīng shén jī fèn， yú shì wǒ mò mò dì zhù fú tā men。
ā， suǒ yòu de rén xiàn zài dū dāng miàn cháo xiào wǒ， yī kǒu yǎo dìng shuō， mèng lǐ de dōng xī bù kě néng xiàng wǒ xiàn zài suǒ miáo shù de nà yàng xì zhì rù wēi， wǒ zài mèng zhōng de suǒ jiàn huò gǎn shòu bù guò shì mèng jìng chǎn shēng de huàn xiàng， ér nà xiē xì jié shì wǒ mèng xǐng hòu zì jǐ dù zhuàn chū lái de。 dāng wǒ xiàng tā men tǎn yán， shuō shí jì shàng yě xǔ shì rú cǐ shí héng héng tiān 'ā， tā men dāng zhe wǒ de miàn xiàode yòu duō huān， tā men yòu duō kuài huó 'ā！ shì 'ā， zhēn de rú cǐ， wǒ wán quán bèi mèng huàn de gǎn shòu táo zuì liǎo， ér qiě zhǐ yòu zhè zhǒng gǎn shòu cái wán zhěng dì bǎo liú zài wǒ bèi shòuchuāng shāng de xīn zhōng： kě shì， mèng zhōng zhēn shí de xíng tǐ hé zhēn shí de xíng tài， jí mèng jìng zhōng shí jì suǒ jiàn de nà xiē xíng xiàng， fēng mǎn dé rú cǐ hé xié， rú cǐ měi miào， rú cǐ shēng dòng， yǐ zhì wǒ mèng xǐng hòu zì rán wú fǎ yòng wǒ men pín fá de yǔ yán qù biǎo dá chū lái， yīn 'ér tā men zài wǒ de nǎo hǎi lǐ bì rán biàn dé dàn mò qǐ lái， yú shì zài hòu lái， wǒ yě xǔ zhēn de bù zì jué dì biān zào chū yī xiē xì jié， yóu qí zài qíng jí zhī xià xiǎng yī tù wéi kuài， shī shí zhī shì zì rán nán miǎn liǎo。 bù guò， wǒ zěn néng bù xiāng xìn zhè dū shì shí yòu de ní？ shì shí yě xǔ bǐ wǒ shuō de hái yào wán měi、 qīng xī hé xīng wèi qiān bèi ní？ jiù suàn zhè shì yīcháng mèng， rán 'ér， zhè yī qièbù kě néng shì méi yòu de。 nín tīng wǒ shuō gè mì mì bā： yě xǔ suǒ yòu zhè yī qiē gēn běn jiù bù shì mèng ní！ yīn wéi dāng shí fā shēng de shì bī zhēn dé rú cǐ jīng rén， mèng zhōng shì bù néng gòu xiǎng chū lái de。 zàn qiě shuō， zhè mèng shì wǒ xīn lǐ xiǎng chéng de， dàn shì， wǒ de xīn nán dào néng xū gòu chū hòu lái yù dào de nà zhǒng jīng xīn dòng bó de zhēn lǐ má？ wǒ zì gè 'ér zài xīn lǐ zěn me kě néng yì zào huò huàn xiǎng chū nà zhǒng zhēn lǐ ní？ wǒ nà miǎo xiǎo de xīn zàng hé kōng xū、 duō biàn de tóu nǎo， zěn me néng dá dào nà zhēn lǐ de líng gǎn ní！ ā， nín zì jǐ píng píng bā。 wǒ yī zhí yǐn mán dào xiàn zài， dàn rú jīn wǒ yào bǎ zhè zhēn lǐ hé pán tuō chū lái。 wèn tí shì wǒ…… bǎ tā men quándōu jiào huài lā！
wǔ
shì 'ā， shì 'ā， jiēguǒ shì wǒ bǎ tā men quán jiào huài lā！ zhè zěn me huì fā shēng de héng héng wǒ bù míng bái， dàn wǒ jì dé qīng qīng chǔ chǔ。 mèng jìng chuān yuè shù qiān nián， zài wǒ xīn lǐ jǐn jǐn liú xià zhěng tǐ de gǎn shòu。 wǒ zhǐ zhī dào， tā men duò luò de yuán yīn shì wǒ。 wǒ xiàng yī tiáo kě zēng de máo chóng， yòu xiàng chuán rǎn liǎo xǔ duō guó jiā de shǔ yì gǎnjūn， bǎ zhè kuài wǒ lái zhī qián méi yòu zuì 'è de lè tǔ quán diàn wū liǎo。 tā men xué huì liǎo sǎ huǎng， ài shàng liǎo xū wěi， cháng dào liǎo huǎng yán de tián tóu。 āi， qǐ chū tā men yě xǔ · běn · wú · xié · niàn， zhǐ shì chū yú xì xuè、 mài nòng、 hǎo wán， yě xǔ zhēn yòu diǎn 'ér dòng xīn， kě shì zhè yī dòng xīn jìng shēn rù xīn dǐ， zhèng hé tā men de xīn yì。 suí hòu jiù chū xiàn liǎo yín yù， yín yù zī shēng jì dù， jì dù dǎo zhì cán bào…… āi， wǒ bù míng bái， yě jì bù qǐ liǎo， dàn hěn kuài jiù fā shēng liǎo dì yī cì liúxiě： tā men jīng yà、 kǒng jù， kāi shǐ chū xiàn fēn qí， suí hòu jiù fēn dào yáng biāo。 pài bié chū xiàn liǎo， tā men hù xiāng dí shì， màn mà、 zhǐ zé。 tā men cháng dào liǎo xiū rǔ de zī wèi， bìng jiāng tā shì wéi yī zhǒng měi dé。 yòu liǎo róng yù de guān niàn， gè pài zì lì qí hào。 tā men kāi shǐ dòng wù， dòng wù duǒ bì tā men táo rù sēn lín， bìng chéng liǎo tā men de chóu dí。 wèile lā shān tóu， lì mén hù， zhēng míng duó lì， hù xiāng dǒu 'ōu。 tā men shì bù liǎng lì， shì duì fāng ruò kòu chóu。 tā men pǐn cháng liǎo zāinàn， bìng qiě 'ài shàng liǎo zāinàn。 tā men kě wàng kǔ nán， shuō zhǐ yòu jīng guò kǔ nán cái huì yíng lái zhēn lǐ。 zhè shí， tā men fā míng liǎo xué wèn。 tā men 'è guàn mǎn yíng shí， què shuō shénme shǒu zú qīn qíng、 rén dào zhù yì， ér qiě hěn liǎo jiě zhè xiē zì yǎn de hán yì。 tā men zuì xíng lěi lěi shí， què xiǎng chū shénme zhèng yì lái， bìng qiě zhì dìng yī tào tào de fǎ diǎn wéi hù zhèng yì， ér wéi liǎo fǎ diǎn de zhí xíng jià qǐ liǎo duàn tóu tái。 tā men duì wǎng shì yǐ jīng jì yì mó hú， shèn zhì bù yuàn xiāng xìn zì jǐ céng jīng shì chún jié、 xìng fú de， lián guò qù shì fǒu xìng fú yě yī xiào zhì zhī， shuō nà shì mèng huàn bà liǎo。 tā men shèn zhì wú fǎ xiǎng xiàng chū xìng fú de múyàng， ér qí guài de shì： tā men jué bù xiāng xìn wǎng rì yòu guò xìng fú， rèn wéi nà shì yī zhǒng shén huà。 tā men kě wàng chóngxīn zuò gè chún jié、 xìng fú zhě， xiàng hái tóng nà yàng xīn xì yuàn wàng， bǎ tā fèng ruò shén míng， xiū jiàn shén miào， wéi zì jǐ de lǐ xiǎng hé“ xī wàng” qí dǎo， tóng shí yòu shēn zhī hǎo mèng nán yuán， xī wàng wú fǎ shí xiàn， què yòu yǎn lèi wāng wāng dì duì tā dǐng lǐ mó bài， jìng ruò shén míng。 kě shì， cháng ruò tā men néng gòu huí dào tā men shī qù de nà kuài chún jié wú xiá de fú dì qù， cháng ruò yòu rén tū rán bǎ zhè dì fāng chóngxīn zhǎn xiàn gěi tā men， wèn tā men shì fǒu yuàn yì fǎn huí gù tǔ， nà tā men yī dìng huì yú yǐ jù jué。 tā men huí dá shuō：“ jí shǐ wǒ men xū wěi、 xiōng 'è、 xíng wéi bù guǐ， zhè yī diǎn wǒ men · qīng · chǔ， bìng wéi cǐ 'ér tòng kū、 kǔ nǎo、 zì wǒ zhé mó、 zì wǒ chéng fá， qí chéng dù yě xǔ gèng shèn yú shàng bù zhī xìng shì de rén cí fǎ guānjiàng yào duì wǒ men de shěn pàn。 dàn wǒ men yòu xué wèn， xué wèn jiāng shǐ wǒ men chóngxīn zhǎo dào zhēn lǐ， wǒ men huì zì jué jiē shòu zhēn lǐ， rèn shí zhòng yú gǎn jué， duì shēng huó de liǎo jiě zhòng yú shēng huó běn shēn。 xué wèn jiāng gěi wǒ men cōng huì， cōng huì jiāng fā xiàn guī lǜ， ér rèn shí xìng fú de guī lǜ zhòng yú xìng fú。” tā men jiù shì zhè me shuō， shuō guò zhī hòu gèng shì zhǐ gù zì jǐ， zài shuō， tā men yě bù kě néng yòu bié de xuǎn zé。 měi gè rén dū sǐ bào sī lì， wā kōng xīn sī qù sǔn hài hé jiǎn shǎo bié rén de lì yì， rèn wéi shēng cún jiù shì rú cǐ。 yú shì， chū xiàn liǎo nú yì， shèn zhì shì zì yuàn de nú yì： ruò zhě gān xīn qū fú yú qiáng zhě， yǐ biàn qiáng zhě bāng zhù tā men qù yā pò gèng ruò zhě。 chū xiàn liǎo xián dá zhī shì。 xián dá huī lèi jìn jiàn， héng héng shǔshuō tā men wàng zì zūn dà、 sì wú jì dá、 shī què hé xié yǐ jí guǎ lián xiān chǐ。 xián dá zāo dào cháo fěng hé dǎ jī， tā men de xiān xuè sǎ zài shèng diàn de mén shàng。 kě shì， chū xiàn liǎo lìng yī xiē rén， tā men kāi shǐ kǎo lǜ： rú hé bǎ suǒ yòu de rén chóngxīn lián hé qǐ lái， ràng měi gè rén zhào jiù zhǐ gù zì jǐ， tóng shí yòu bù fáng 'ài tā rén， cóng 'ér shǐ dà jiā rú tóng shēng huó zài yī gè yǒu hǎo de shè huì zhōng。 wèile zhè yī lǐ xiǎng， bào fā liǎo yī cì yòu yī cì de zhàn zhēng。 suǒ yòu cān zhàn zhě zhè shí dū jiān xìn， xué wèn、 zhì huì hé zì wǒ bǎo quán yì shí， zuì zhōng bì jiāng shǐ rén men lián jié chéng wéi yī gè hé mù gòng chù、 yòu lǐ xìng de shè huì， ér yǎn xià wèile jiā kuài shì yè de jìn chéng，“ zhì zhě” zài jié lì jìn kuài bǎ“ yú rén” hé bù liǎo jiě tā men lǐ xiǎng de rén quándōu xiāo miè， yǐ miǎn fáng 'ài lǐ xiǎng de shí xiàn。 dàn shì， zì wǒ bǎo quán yì shí kāi shǐ xùn sù jiǎn ruò， chū xiàn liǎo jiāo héng zhě hé tān yín zhě， tā men gōng rán yào qiú zhàn yòu yī qiē huò pāo qì yī qiē。 wèile zhàn yòu yī qiē， tā men wéi fēi zuò dǎi， rú ruò bù néng dé chěng héng héng biàn zì shā shēn wáng。 chū xiàn liǎo gè zhǒng zōng jiào， chóng bài xū wú hé zì qiāng， yǐ qī zài xū wú piāomiǎo zhōng qiú qǔ yǒng héng de 'ān xī。 zhè xiē rén zài tú láo zhōng zhōng yú pí bèi bù kān， mǎn liǎn kǔ xiāng， ér tā men hái xuān chēng shòu kǔ shì yī zhǒng xiǎng shòu， yīn wéi zài shòu kǔ zhōng cái yòu sī xiǎng。 tā men biān zhuàn gēqǔ sòng yáng kǔ nán。 wǒ tòng xīn jí shǒu dì lái dào tā men zhōng jiān， wèitā men wǎn xī， bù guò， wǒ yě xǔ bǐ guò qù gèng 'ài tā men， nà shí tā men de liǎn shàng hái méi yòu tòng kǔ， tā men hái shì chún jié、 měi lì de。 tā men de zhè kuài tǔ dì yuán běn shì tiān táng， ér jīn bèi tā men diàn wū liǎo， yòu liǎo zāinàn， wǒ cái gèng 'ài tā。 āi， wǒ lǎo shì xǐ huān zāinàn hé tòng kǔ， dàn zhǐ shì wèile zì wǒ dān dài， ér duì yú tā men wǒ lián mǐn dé tòng kū liú tì。 wǒ qí qiú tā men yuán liàng， wǒ wú xiàn zì zé、 zì zhòu hé zì wǒ bǐ bó。 wǒ duì tā men shuō， zhè yī qiēdōu shì wǒ gān de， shì wǒ yī gè rén gān de； shì wǒ gěi tā men dài lái liǎo shāng fēng bài sú、 dào dé lún sàng yǔ nòng xū zuò jiǎ， wǒ kěn qiú tā men bǎ wǒ dīng zài shí zì jià shàng， wǒ jiào tā men zuò shí zì jià。 wǒ bù néng， yě wú lì zì shā， dàn wǒ qíng yuàn jiē shòu tā men de zhé mó， wǒ kě wàng tòng kǔ， kě wàng zài tòng kǔ zhōng sǎ jìn wǒ zuì hòu de yī dī xuè。 kě shì， tā men zhǐ shì cháo xiào wǒ， zuì hòu jìng bǎ wǒ kàn zuò fēng zǐ。 tā men bù rèn wéi wǒ yòu zuì， biǎo shì zhǐ jiē shòu fú hé tā men yì yuàn de shì， zhěng gè xiàn zhuàng zé bù néng gǎi biàn。 zuì hòu， tā men xiàng wǒ xuān bù， wǒ duì tā men gòu chéng liǎo wēi hài， rú guǒ wǒ bù bì shàng zuǐ de huà， jiù yào bǎ wǒ guān jìn fēng rén yuàn。 dāng shí wǒ xīn rú dāo gē， tòng bù yù shēng， jué dé kuài yào sǐ liǎo， zhè shí…… zhèng zài zhè shí wǒ xǐng guò lái liǎo。
cǐ shí yǐ shì qīng chén， yě jiù shì tiān sè shàng wèi pò xiǎo， dàn yě yòu wǔ diǎn zhōng zuǒ yòu liǎo。 wǒ shì zuò zài 'ān lè yǐ lǐ xǐng guò lái de， là zhú yǐ jīng rán wán， dà wèi fáng lǐ de réndōu yǐ jìn rù mèng xiāng， sì zhōu jìng qiāoqiāo de， wǒ men zhù zhái lǐ hěn shǎo shì zhè yàng。 shǒu xiān， wǒ yì cháng chī jīng dì tiào jiāng qǐ lái； guò qù， wǒ cóng wèi fā shēng lèi shìde qíng kuàng， nǎ pà shì jī máo suàn pí de shì： bǐ rú， wǒ jiù cóng lái méi yòu zài 'ān lè yǐ lǐ zhè yàng shuì zhe guò。 tū rán jiān，
dāng wǒ zhàn zhe màn màn qīng xǐng guò lái shí， héng héng nà zhī zǐ dàn shàng liǎo táng zhǔn bèi hǎo de shǒu qiāng shū dì pū rù wǒ de yǎn lián， kě wǒ yī bǎ jiāng tā tuī kāi liǎo！ ā， wǒ xiàn zài yào huó xià qù， huó xià qù！ wǒ jǔ qǐ shuāng shǒu jí hū yǒng héng de zhēn lǐ； bù shì jí hū， ér shì kū qì； wǒ hún shēn chōng mǎn kuáng rè， wú bǐ de kuáng rè。 duì， huó xià qù， jiù héng héng chuán dào qù！ cǐ kè wǒ jué xīn qù chuán dào， ér qiě shǐ zhōng bù yú！ wǒ yào qù chuán dào， qù chuán dào héng héng chuán shénme dào？ chuán bō zhēn lǐ， yīn wéi wǒ kàn dào liǎo zhēn lǐ， wǒ qīn yǎn kàn jiàn zhēn lǐ de guāng huá sì shè！
yú shì， cóng nà shí qǐ wǒ jiù chuán qǐ dào lái liǎo！ hái yòu héng héng wǒ 'ài suǒ yòu cháo xiào wǒ de rén， shèng sì qí tā suǒ yòu de rén。 wèishénme shì zhè yàng héng héng wǒ bù míng bái， yě wú fǎ jiě shì qīng chǔ， bù guò， jiù ràng tā zhè yàng bā。 tā mendōu shuō wǒ hú tú liǎo， jiù shì shuō， yào shì yǎn xià dū zhè me hú tú， nà me wǎng hòu kě zěn me bàn ní？ shì shí díquè rú cǐ： wǒ shì hú tú liǎo， wǎng hòu yě xǔ gèng zāo。 wú yí， dāng wǒ yào gǎo qīng zěn yàng qù chuán dào shí， yě jiù shì gāi shuō xiē shénme huà， gāi zuò xiē shénme shì de shí hòu， wǒ yī dìng huì yòu hěn duō cuò， yīn wéi chuán dào zhè jiàn shì shì hěn nán zuò hǎo de。 qiáo， wǒ xiàn zài bǎ yī qiēdōu nòng qīng chǔ liǎo， bù guò， qǐng tīng wǒ shuō： shuí néng bù chū cuò ní！ rán 'ér yào zhī dào， shàng zhì shèng xián， xià zhì dào fěi， dà jiā qǐ mǎ dū cháo zhe tóng yī fāng xiàng， bēn xiàng tóng yī mù biāo， zhǐ shì gè rén de lù zǐ bù tóng 'ér yǐ。 zhè shì yī gè gǔ lǎo de zhēn lǐ， bù guò， zhè lǐ yě yòu xīn qíng kuàng： wǒ bù kě néng wán quán hú tú， yīn wéi wǒ kàn dào liǎo zhēn lǐ， wǒ kàn chū bìng qiě zhī dào， rén shì huì biàn dé měi lì、 xìng fú， bù huì sàng shī shēng cún néng lì de。 wǒ bù yuàn yì yě bù huì xiāng xìn， shì rén lèi de cháng tài。 nǐ zhī dào， tā men dà jiā cháo xiào de zhèng shì wǒ de zhè zhǒng xìn niàn。 kě wǒ zěn me néng méi yòu zhè gè xìn niàn ní： wǒ kàn dào liǎo zhēn lǐ， héng héng nà bù shì wǒ nǎo zǐ lǐ yì zào chū lái de， ér shì wǒ kàn dào de， kàn dào de， tā nà xǔ xǔ rú shēng de xíng xiàng yǒng yuǎn chōng yì wǒ xīn jiān。 wǒ kàn dào de zhēn lǐ shì rú cǐ de wán měi， yǐ zhì wǒ bù kě néng xiāng xìn rén lèi huì méi yòu zhēn lǐ。 zǒng zhī， wǒ zěn me huì hú tú ní？ dāng rán lā， fā shēng piān chā， shèn zhì kě néng hǎo duō cì， yě hái kě néng shuō chū yī xiē jiàn wài de huà， dàn zhè bù huì wéi shí tài jiǔ， yīn wéi wǒ suǒ kàn dào de huó shēng shēng de xíng xiàng jiāng yǒng yuǎn yǔ wǒ tóng zài， bìng yǒng yuǎn kuāng zhèng wǒ， zhǐ yǐn wǒ。 ā， wǒ jīng shén zhèn fèn， zhāoqì péng bó， xiàng qián， xiàng qián， nǎ pà zǒu tā yī qiān nián。 nín zhī dào， wǒ bǎ tā men quán jiào huài liǎo， qǐ chū wǒ shèn zhì xiǎng yǐn mán， dàn zhè shì cuò wù de héng héng shì wǒ de dì yī gè cuò wù！ bù guò， zhēn lǐ duì wǒ 'ěr yǔ， shuō wǒ zài sǎ huǎng， què yòu hù wèi wǒ， yǐn dǎo wǒ。 kě shì， tiān táng shì rú hé jiàn zào qǐ lái de héng héng wǒ bù zhī dào， yīn wéi wǒ bù shàn yú yòng yán cí qù miáo shù。 mèng xǐng hòu wǒ yí wàng liǎo xǔ duō， zhì shǎo bǎ yī xiē zhù yào de、 zhòng yào de cí yǔ gěi wàng liǎo。 bù guò， jí shǐ rú cǐ， wǒ hái shì yào qù shuō， bù tíng dì shuō， yīn wéi bì jìng shì wǒ qīn yǎn suǒ jiàn， nǎ pà wǒ bù shàn yú miáo huì wǒ de suǒ jiàn suǒ wén。 rán 'ér cháo xiào wǒ de rén bìng bù liǎo jiě zhè yī diǎn， tā men shuō：“ nǐ jiàn dào de shì mèng huàn、 huàn jué、 huàn xiàng，” hāi！ nán dào zhè shì shénme cōng míng tòu dǐng？ tā men jìng shì nà me zì míng dé yì！ mèng？ shénme shì mèng ní？ wǒ men de yī shēng bù jiù shì yīcháng mèng má？ wǒ yào zài shuō yī biàn： nǎ pà zhè mèng yǒng yuǎn bù néng shí xiàn， nǎ pà bù huì yòu shénme tiān táng（ zhè yī diǎn wǒ yǐ jīng míng liǎo！） héng héng kě wǒ hái shì yào qù chuán dào。 qí shí， zhè hěn jiǎn dān： zhǐ xiāo yī tiān， · yī · gè · xiǎo · shí， yī qiē biàn huì yī cù 'ér jiù de！ zhòng yào de shì nǐ yào xiàng 'ài zì jǐ nà yàng qù 'ài bié rén， zhè shì guān jiàn suǒ zài， zhè yě jiù shì yī qiē， bié de shénme dōuwú suǒ wèi， yīn wéi nǐ mǎ shàng jiù huì zhī dào rú hé jiàn lì qǐ tiān táng liǎo。 qí shí， zhè bù guò shì gè gǔ lǎo de zhēn lǐ， bèi rén men chóngfù、 bèi sòng guò bù zhī duō shǎo biàn， kě tā què méi yòu shēng cún xià lái！ suǒ wèi“ duì shēng huó de liǎo jiě zhòng yú shēng huó běn shēn， rèn shí xìng fú de guī lǜ zhòng yú xìng fú” héng héng bì xū yǔ zhī jìn xíng dǒu zhēng！ wǒ jiāng cān jiā dǒu zhēng。 zhǐ yào dà jiā yòu cǐ xīn yuàn， nà me biàn huì mǎ dào chéng gōng！
wǒ yī dìng yào zhǎo dào nà gè xiǎo nǚ hái…… wǒ zhè jiù qù！ jiù qù！
yī
wǒ shì yī gè huāng táng kě xiào de rén。 xiàn zài tā men jiào wǒ fēng zǐ。 zài tā men kàn lái， rú guǒ wǒ yǐ rán bù xiàng xiān qián nà yàng huāng táng de huà， nà me zhè yī chēng hū dǎo shì shēng liǎo yī jí。 bù guò， wǒ xiàn zài yǐ jīng bù shēng qì liǎo， xiàn zài wǒ jué dé tā men quándōu hěn kě 'ài， shèn zhì dāng tā men cháo xiào wǒ de shí hòu héng héng wǒ fǎn 'ér jué dé tā men tè bié kě 'ài。 jiǎ ruò wàng zhe tā men wǒ xīn lǐ bù shì nà me yōu shāng de huà， wǒ huì tóng tā men yī dào xiào de， héng héng bù shì xiào wǒ zì jǐ， ér shì yóu yú xǐ huān tā men。 wǒ zhī suǒ yǐ gǎn dào yōu shāng， shì yīn wéi tā men bù dǒng dé zhēn lǐ， ér wǒ què dǒng。 āi， yī gè rén dǒng dé zhēn lǐ yòu duō me nán 'ā！ dàn shì zhè yī diǎn tā men shì lǐ jiě bù dào de。
bù， tā men shì bù huì lǐ jiě de。
guò qù wǒ gǎn dào fēi cháng shāng xīn de， shì yīn wéi wǒ hǎo xiàng hěn huāng táng kě xiào。 bù shì hǎo xiàng， ér shì què shí huāng táng。 wǒ yī xiàng shì fēi cháng huāng táng kě xiào de， zhè yī diǎn yě xǔ wǒ yī shēng xià lái jiù shì rú cǐ。 yě xǔ shì qī suì de shí hòu， wǒ jiù yǐ jīng zhī dào zì jǐ shì gè huāng táng de rén liǎo。 hòu lái wǒ shàng zhōng xué， jìn dà xué， jiēguǒ ní héng héng xué dé yuè duō， yuè jué dé zì jǐ huāng táng。 yīn cǐ， duì yú wǒ lái shuō， dà xué lǐ xué dào de quán bù zhī shí fǎng fó zhǐ shì zuì zhōng xiàng wǒ zhèng shí hé shuō míng： wǒ xué xí yuè shēn rù yuè huāng táng。 xué xí rú cǐ， shēng huó yě shì rú cǐ。 shí jiān yī nián nián guò qù， wǒ rèn shí dào wǒ zài gè fāng miàn dōuhěn huāng táng， zhè gè rèn shí zài wǒ shēn shàng yě yǔ nián jù zēng。 suǒ yòu de rén zǒng shì cháo xiào wǒ， dàn shì， tā men shuí yě bù zhī dào， shuí yě cāi bù chū， rú guǒ shuō rén shì jiān yòu gè shénme rén zuì liǎo jiě wǒ shì huāng táng rén de huà， nà me zhè gè rén jiù shì wǒ zì jǐ。 shǐ wǒ yí hàn bù guò de zhèng shì tā men bù míng liǎo zhè yī diǎn。 bù guò， zài zhè jiàn shì qíng shàng wǒ zì gè 'ér yòu cuò： wǒ lǎo shì nà me gāo 'ào， cóng bù yuàn yì xiàng rèn hé rén chéng rèn zì jǐ huāng táng。 wǒ shēn shàng de zhè zhǒng 'ào màn zài yǔ nián jù zēng， cháng ruò wǒ ràng zì jǐ xiàng rèn hé rén chéng rèn zì jǐ huāng táng， nà me dāng wǎn wǒ jiù huì yòng shǒu qiāng dǎ suì zì jǐ de nǎo dài。 ā， wǒ xiǎo shí hòu yòu duō tòng kǔ， shēng pà rěn nài bù zhù 'ér tū rán xiàng huǒ bàn men tǎn bái chéng rèn。 rán 'ér， dāng wǒ chéngzhǎng wéi qīng nián hòu， suī rán duì zì jǐ hěn huài de pǐn xìng yī nián bǐ yī nián yòu gēngshēn de rèn shí， dàn bù zhī wèishénme xīn qíng què fǎn 'ér biàn dé píng jìng duō liǎo。 díquè shì bù zhī dào wèishénme， yīn wéi wǒ zhì jīn hái bù néng duàn dìng qí yuán yīn。 zhè yuán yīn yě xǔ shì yóu yú mǒu zhǒng jí dà dì yǐng xiǎng wǒ de qíng kuàng， shǐ wǒ xīn tóu jī jù zhe jí dù de kǔ mèn， zhè jiù shǐ wǒ méng fā liǎo yī zhǒng xìn niàn： shì jiè shàng dào chù dōushì · wú · suǒ · wèi。 wǒ zǎo jiù yù gǎn dào liǎo zhè yī diǎn， dàn shì， wán zhěng de xìn niàn sì hū shì zuì jìn yī nián tū rán chū xiàn de。 wǒ hū rán gǎn dào， shì jiè de yòu wú， duì yú wǒ lái shuō dū · wú · suǒ · wèi。 wǒ kāi shǐ gǎn dào bìng qiě zhēn zhèng dì gǎn dào， · wǒ · shēn · biān · kōng · wú · yī · wù。 qǐ chū， wǒ zǒng yǐ wéi， xǔ duō dōng xī guò qù shì yòu de， dàn shì hòu lái wǒ cái wù chū lái， guò qù yě shì yī wú suǒ yòu， zhǐ shì bù zhī yīn wèishénme cái fǎng fó nà yàng。 wǒ zhú jiàn què xìn， jiāng lái yě yǒng yuǎn shì yī wú suǒ yòu。 yú shì， wǒ mǎ shàng jiù bù zài duì bié rén shēng qì， yě jīhū bù zài duì bié rén liú yì。 shuō shí zài de， zhè zhǒng biàn huà shèn zhì zài yī xiē wēi bù zú dào de shì qíng shàng yě huì biǎo xiàn chū lái。 bǐ rú， yòu shí hòu wǒ zài jiē shàng zǒu zhe zǒu zhe jiù zhuàng zhe liǎo rén jiā。 zhè bù shì yóu yú chén sī de yuán gù， wǒ yòu shénme yào chén sī de ní， wǒ dāng shí jiù gēn běn méi yòu xiǎng shénme， yīn wéi wǒ duì shénme dōuwú suǒ wèi。 wǒ yào shì jiě jué liǎo yī xiē wèn tí yòu duō hǎo， āi， yī gè wèn tí yě méi yòu jiě jué， ér yòu duō shǎo wèn tí yào jiě jué 'ā？ kě shì， wǒ yī xiǎng dào · quán · wú · suǒ · wèi， yī qiē wèn tí biàn bù fù cún zài liǎo。
jiù zài nà zhī hòu wǒ nòng qīng liǎo。 wǒ shì qù nián shí yī yuè， què qiē dì shuō shì qù nián shí yī yuè sān rì nòng qīng de。 dǎ nà yǐ hòu wǒ de měi yī shùn jiān wǒdōu jì dé qīng qīng chǔ chǔ。 zhè shì fā shēng zài yī gè qī hēi qī hēi de yè wǎn， kǒng pà zhǐ yòu zhè gè yè wǎn cái zhè me hēi。 dāng shí shì shí diǎn duō zhōng， wǒ zhèng huí jiā qù。 jì dé， wǒ zhèng zài xiǎng zhe méi yòu bǐ zhè gèng yīn 'àn de shí hòu， shèn zhì zài ròu tǐ shàng yě gǎn jué dé dào。 qīng pén dà yǔ xià liǎo yī zhěng tiān， nà shì yīcháng zuì hán lěng、 zuì yīn yù shèn zhì jiào rén kě pà de dà yǔ。 wǒ jì dé， zhè yǔ shèn zhì hái duì rén huái zhe yī zhǒng gōng rán de dí yì。 ér zài shí diǎn duō zhōng tā què zhòu rán tíng liǎo， sàn fā chū yī gǔ lìng rén jué dé kě pà de cháo qì， bǐ xià yǔ shí hái yào cháo shī， hái yào hán lěng。 jiē dào lù miàn shàng de měi yī kuài shí bǎn， měi yī tiáo hú tóng， chù chù dōuzài sàn fā zhe wù qì。 rú guǒ cóng jiē shàng wǎng hú tóng lǐ wàng qù， nà lǐ miàn yě shì wù qì téng téng de。 wǒ tū fā qí xiǎng， rú guǒ jiē dēng quán bù xī miè， huì shǐ rén yú kuài xiē， yīn wéi tā bǎ shí me dū zhào dé tōng míng tòu liàng， fǎn 'ér lìng rén gǎn dào yōu shāng。 zhè yī tiān wǒ jīhū méi yòu chī dōng xī， wǎn shàng zǎo zǎo dì dào liǎo yī wèi gōng chéng shī jiā， dāng shí zài zuò de hái yòu tā de liǎng wèi péng yǒu。 wǒ yī zhí mò bù zuò shēng， sì hū hěn jiào tā men shēng yàn。 tā men tán kàn xī yǐn rén de shénme shì qíng， shèn zhì tū rán fā qǐ huǒ lái。 dàn shì zài wǒ kàn lái， tā men quán wú suǒ wèi， tā men jī dòng zhǐ bù guò shì zuò zuò yàng zǐ 'ér yǐ。 wǒ hū rán bǎ wǒ de zhè yī xiǎng fǎ duì tā men shuō liǎo chū lái：“ xiān shēng men， wǒ shuō nǐ men běn lái shì wú suǒ wèi de má。” tā men tīng liǎo méi yòu shēng qì， fǎn 'ér xiào qǐ wǒ lái。 zhè shì yīn wǒ de huà bìng wú zé bèi yì wèi， ér zhǐ shì wǒ jué dé quándōu wú suǒ wèi 'ér yǐ。 tā men kàn chū wǒ zhè quán wú suǒ wèi zhī hòu yě jiù kuài huó qǐ lái liǎo。
dāng wǒ zǒu zài dà jiē shàng xiǎng zhe jiē dēng de shí hòu， wǒ bù shí wàng wàng tiān kōng。 tiān kōng hēi dé kě pà， bù guò hái néng qīng xī dì fēn biàn chū bèi sī suì de yún kuài， yún kuài zhī jiān shì yī gè gè wú dǐ de hēi bān。 zài yī gè hēi bān shàng， wǒ tū rán fā xiàn yī kē xiǎo xīng xīng， yú shì jiù zǎi xì dì guān chá qǐ lái。 zhè shì yīn wéi nà kē xiǎo xīng xīng tí shì wǒ： wǒ jué dìng zài jīn yè zì shā。 zǎo zài liǎng gè yuè qián wǒ jiù guǒ duàn dì xià liǎo zhè yī jué xīn， jìn guǎn wǒ hěn qióng， hái shì mǎi liǎo yī zhī piào liàng de shǒu qiāng， bìng qiě zài dāng tiān jiù zhuāng shàng liǎo zǐ dàn。 dàn shì， liǎng gè yuè yǐ jīng guò qù， shǒu qiāng yǐ jiù fàng zài chōu tì lǐ。 kě wǒ wú suǒ wèi dì xiǎng zuì hòu zhǎo yī gè bù nà me wú suǒ wèi de shí jī， wèishénme yào zhè yàng， wǒ zì jǐ yě bù zhī dào。 yīn cǐ， zhè liǎng gè yuè lái， wǒ měi wǎn huí jiā dū xiǎng zì shā。 wǒ yī zhí zài děng dài nà gè jī huì。 ér xiàn zài zhè kē xiǎo xīng xīng tí shì liǎo wǒ， wǒ jué dìng jīn wǎn · yī · dìng zì shā。 nà kē xiǎo xīng xīng wèishénme yào tí shì wǒ ní， wǒ yě bù míng bái。
wǒ zhèng zài yǎng wàng yè kōng， tū rán yòu gè xiǎo nǚ hái yī bǎ zhuā zhù wǒ de yī xiù。 jiē dào shàng yǐ shì kōng luò luò de， jīhū bù jiàn rén yǐng。 yuǎn chù yòu gè chē fū zài qīng biàn mǎ chē lǐ shuì jué。 xiǎo nǚ hái yuē mò bā suì， guǒ zhe tóu jīn， chuān jiàn duǎn wài yī， hún shēn shī lín lín de。 dàn wǒ tè bié jì dé de shì tā nà shuāng shī lù lù de pò pí xié， ér qiě xiàn zài yě hái jì dé。 tā nà shuāng xié zǐ gé wài yǐn wǒ zhù mù。 tā zhòu rán chě zhù wǒ de yī xiù jiào hǎn。 tā méi yòu kū， dàn sì hū zài duàn duàn xù xù dì hǎn zhe shénme， yóu yú lěngde quán shēn dǎ zhàn， wèi néng bǎ huà shuō qīng chǔ。 tā bèi shénme shì 'ér xià huài liǎo， jué wàng dì jiào zhe：“ hǎo mā mā！ hǎo mā mā！” wǒ xiàng tā niǔ guò tóu qù， bù guò shénme yě méi yòu shuō yòu jì xù zǒu lù， dàn tā páo shàng lái bǎ wǒ lā zhù。 tā de shēng yīn lǐ liú lù chū yī zhǒng xiǎo hái shòu liǎo jí dù jīng xià de jué wàng xīn qíng。 wǒ shú xī zhè zhǒng shēng yīn。 jìn guǎn tā méi yòu bǎ huà shuō wán， dàn wǒ míng bái， huò zhě shì tā mǔ qīn zài shénme dì fāng kuài yào sǐ qù， huò zhě shì tā men zài nà lǐ chū liǎo shénme shì， suǒ yǐ tā páo chū lái jiào rén， xiǎng zhǎo diǎn shénme， qù bāng zhù tā mǔ qīn。 kě shì， wǒ méi yòu gēn zhe tā qù， xiāng fǎn， què dǒu rán qǐ liǎo gǎn zǒu tā de niàn tóu。 qǐ xiān， wǒ yào tā qù zhǎo， tā què sōng kāi shǒu， wū wūyè yān， qì chuǎn xū xū， lǎo gēn zài wǒ shēn biān páo， bù kěn lí kāi。 yú shì， wǒ chōng tā duǒ jiǎo， hǒu yī shēng。 tā zhǐ shì hǎn zhe：“ lǎo yé！ lǎo yé！……” tā tū rán lí kāi liǎo wǒ， fēi kuài dì héng guò jiē qù： jiē nà biān lái liǎo yī gè xíng rén。 kàn lái， tā bù zài gēn zhe wǒ， ér qù zhǎo nà gè xíng rén liǎo。
wǒ dēng shàng wǔ lóu wǒ de zhù chù。 wǒ méi yòu hé dōng jiā zhù zài yī qǐ， wǒ yòu zì jǐ de fáng jiān。 wǒ de fáng jiān xiǎo 'ér jiǎn lòu， yòu yī gè gé lóu shàng cháng yòu de nà zhǒng bàn yuán xíng chuāng hù。 wū lǐ yòu yī gè qī pí miàn shā fā， yī zhāng zhuō zǐ， zhuō shàng fàng zhe shū， liǎng bǎ yǐ zǐ， hái yòu yī bǎ shū shì de 'ān lè yǐ， suī rán shí fēn chén jiù， dàn què shì yī bǎ fú 'ěr tài shì de gāo bèi shēn zuò yǐ。 wǒ zuò xià lái， diǎn rán là zhú， kāi shǐ sī kǎo。 gé bì fáng lǐ yī piàn cáo zá chǎo nào shēng， jìn sān tiān láidōu shì rú cǐ。 nà lǐ zhù zhe yī gè tuì wǔ dà wèi jūn guān， tā yāo lái yī dà qún kè rén héng héng wǔ、 liù gè jiǔ ròu péng yǒu， zhèng zài hē jiǔ、 wán pái dǔ bó。 zuó wǎn shàng tā men jìng rán dǎ qǐ lái liǎo， wǒ zhī dào， tā men yòu liǎng rén hù xiāng jiū zhù duì fāng de tóu fā jiǔ jiǔ bù fàng。 nǚ fáng dōng xiǎng shǔshuō tā men， dàn jù pà nà dà wèi。 zhù zài wǒ men zhè 'ér de hái yòu lìng yī jiā fáng kè： yī wèi shēn cái shòu xiǎo de tuán cháng tài tài， dài zhe sān gè yòu xiǎo de hái zǐ。 tā men zhù jìn lái hòu xiǎo hái dū bìng dǎo liǎo。 tài tài hé hái zǐ mendōu hài pà dà wèi， pà dé hūn jué guò qù， zhěng yè dǎ duō suo， huà shí zì， tā de yòu zǐ bèi xià dé huàn liǎo diān xián bìng。 wǒ què qiē zhī dào， dà wèi yòu shí hòu zài niè wǎ dà jiē shàng lán lù qǐ tǎo。 tā méi yòu zhǎo dào zhí yè， dàn qí guài de shì（ wǒ zhèng yào shuō cǐ shì）， tā zhù jìn lái zhěng zhěng yī gè yuè dōuméi yòu gěi wǒ zhì zào guò má fán。 zì rán luó， cóng yī kāi shǐ wǒ jiù huí bì tóng tā jié shí， ér tā duì wǒ cóng yī kāi tóu yě bù gǎn xīng qù。 bù guò， tā men zài yī qiáng zhī gé de nà biān， bù lùn zěn me hǎn jiào， yě bù lùn tā men shì jǐ gè rén héng héng wǒ yī zhí dōubù zài hū。 wǒ zhěng yè zuò zhe， què shí méi yòu tīng dào tā men zhēng chǎo、 dǎ jià héng héng shèn zhì bǎ tā men wàng liǎo。 wǒ měi wǎn chè yè bù mián， zhè yàng yǐ jīng yòu yī nián liǎo。 wǒ tōng yè zuò zài zhuō bàng 'ān lè yǐ lǐ shénme shì yě bù zuò， zhǐ zài bái tiān dú dú shū。 wǒ zhè yàng zuò zhe shénme yě bù qù sī kǎo， ruò shì yòu shénme niàn tóu zài nǎo zǐ lǐ shǎn xiàn， wǒ yě tīng qí zì rán。 měi wǎn yào diǎn wán yī zhī là zhú。 wǒ jìng jìng dì zài zhuō bàng zuò xià， bǎ shǒu qiāng ná chū lái fàng zài miàn qián。 dāng wǒ fàng xià shǒu qiāng shí， wǒ jì dé wèn guò zì jǐ：“ shì zhè yàng má？” jiē zhe jiù zhǎn dīng jié tiě dì huí dá zì jǐ：“ shì zhè yàng de。” yě jiù shì zì shā。 wǒ zhī dào， wǒ jīn wǎn yī dìng huì zì shā， ér zài zhè zhuō bàng hái yào zuò duō jiǔ héng héng wǒ yě shuō bù shàng。 yào bù shì nà gè xiǎo nǚ hái chū xiàn， wǒ kěn dìng zǎo yǐ zì shā liǎo。
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nín yào zhī dào： wǒ suī rán quán wú suǒ wèi， dàn yào shì ná téng tòng lái shuō wǒ hái shì gǎn jué dé chū lái de。 rú guǒ yòu rén dǎ liǎo wǒ， wǒ jiù huì gǎn jué dé tòng de。 jīng shén shàng yě shì zhè yàng： rú guǒ fā shēng liǎo shénme kě lián de shì， wǒ jiù huì jué dé kě lián de， jiù xiàng guò qù shēng huó shàng wǒ hái méi yòu duì rèn hé shìdōu jué dé wú suǒ wèi shí nà yàng。 duì nà gè xiǎo nǚ hái wǒ yě yòu guò lián mǐn xīn： wǒ yī dìng yào qù bāng zhù tā。 kě shì wǒ wèishénme méi yòu qù bāng ní？ shì yīn wéi dāng shí chǎn shēng liǎo yī gè niàn tóu： dāng tā lā zhù wǒ， hū hǎn wǒ de shí hòu， wǒ miàn qián tū rán chū xiàn yī gè yí wèn， ér qiě wú fǎ jiā yǐ jiě jué。 wèn tí hěn wú liáo， dàn wǒ hěn shēng qì。 wǒ shēng qì shì yóu yú yòu liǎo zhè me yī gè jié lùn： wǒ jì rán yǐ jīng jué dìng jīn yè zì shā， nà me， wǒ xiàn zài duì shì jiān de yī qiē bǐ guò qù rèn hé shí hòu dū gèng jiā wú suǒ wèi liǎo。 wǒ wèishénme tū rán gǎn dào wǒ bù shì quán wú suǒ wèi， ér qù kě lián yī gè xiǎo nǚ hái ní？ wǒ jì dé， wǒ shí fēn tóng qíng tā， shèn zhì yú yòu guò yī zhǒng qí guài de xīn téng gǎn， zài wǒ zhè zhǒng chǔjìng xià， zhè zhǒng gǎn jué shèn zhì lìng rén nán yǐ xiāng xìn。 díquè， wǒ wú fǎ gèng hǎo dì bǎ wǒ dāng shí nà zhǒng zhuǎn shùn jí shì de gǎn jué zhuǎn shù chū lái， bù guò， zhè gè gǎn jué zhí zhì wǒ huí dào jiā zài zhuō bàng zuò xià lái réng wèi xiāo shì， yǐ zhì wǒ fēi cháng shēng qì， zhè shì hěn jiǔ yǐ lái bù céng yòu guò de。 tuī lùn yī gè gè fēn zhì tà lái。 hěn xiǎn rán， jì rán wǒ shì rén， ér bù shì zǐ xū， zàn shí yě méi yòu huà wéi wū yòu， nà me wǒ jiù hái huó zhe， yīn cǐ jiù huì yòu kǔ nǎo， yòu fèn nù， yòu wéi zì jǐ de jǔ zhǐ 'ér gǎn dào xiū chǐ de xīn。 jiù suàn shì zhè yàng bā。 dàn shì， jì rán wǒ jiāng zì shā， bǐ fāng shuō， zài yòu liǎng gè xiǎo shí wǒ jiù yào sǐ qù liǎo， nà me xiǎo nǚ hái yú wǒ yòu shénme xiāng gān ní？ xiū chǐ xīn、 shì jiān de yī qiē yǔ wǒ yòu yòu shénme xiāng gān ní？ wǒ xíng jiāng huà wéi wū yòu， chè dǐ xiāo wáng。 wǒ zhī dào， wǒ jí jiāng · wán · quán xiāo shī， yīn 'ér yī qiē yě jiāng bù fù cún zài， nà me， zhè zhǒng rèn shí duì yú wǒ duì xiǎo nǚ hái de 'ài lián zhī xīn， duì yú zuò liǎo bēi bǐ shì yǐ hòu de xiū chǐ xīn， bù néng méi yòu sī háo yǐng xiǎng bā？ xū zhī， zhèng yīn wéi rú cǐ， wǒ cái huì duì bù xìng de xiǎo nǚ hái duǒ jiǎo， xiàng tā cū yě dì hǒu jiào， hǎo xiàng zài shuō，“ wǒ bù jǐn méi yòu tóng qíng xīn， ér qiě rú guǒ yào wǒ qù gān háo wú rén xìng de chǒu xíng， xiàn zài wǒdōu kě yǐ qù gān de， yīn wéi liǎng gè xiǎo shí zhī hòu yī qiē dū jiāng shì qù liǎo。” nín néng xiāng xìn má？ zhè jiù shì wǒ duì tā hǒu jiào de yuán yīn。 duì zhè yī diǎn wǒ xiàn zài jīhū shēn xìn bù yí。 shí fēn xiǎn rán， shēng mìng hé shì jiè xiàn zài fǎng fó dōuyào qǔ jué yú wǒ， shèn zhì kě yǐ zhè me shuō， xiàn zài zhè shì jiè fǎng fó yě shì wèiwǒ yī gè rén 'ér chuàng zào de： wǒ zì shā liǎo， shì jiè yě jiù bù zài yòu liǎo， zhì shǎo duì yú wǒ lái shuō shì rú cǐ。 wǒ de zhī jué yī dàn xiāo shī， zhěng gè shì jiè yě jiù suí jí xiāo wáng， jiù xiàng yōu líng yī yàng， jiù xiàng yǐ fù yú wǒ de zhī jué yī yàng， yīn wéi zhè zhěng gè shì jiè hé quán rén lèi yě xǔ jiù shì wǒ zì jǐ yī gè rén。 zhì yú wǒ sǐ hòu， duì rèn hé rén lái shuō yě xǔ zhēn de shénme dōubù zài cún zài liǎo， zhè yī diǎn yǐ bù bì qù tán liǎo。 wǒ jì dé， wǒ zuò zài nà 'ér fǎn fǎn fù fù dì sī kǎo zhe suǒ yòu zhè xiē jiē zhǒng 'ér lái de xīn wèn tí， shèn zhì shēng chū yì niàn， yì xiǎng tiān kāi qǐ lái。 bǐ fāng， wǒ tū fā qí xiǎng， jiǎ rú wǒ yǐ qián shēng huó zài yuè qiú shàng huò huǒ xīng shàng， zài nà lǐ zuò liǎo zuì wú chǐ de shì qíng bìng qiě zāo dào chì zé hé xiū rǔ， zhè chú fēi yòu shí zài mèng jìng zhōng huò zài 'è mèng zhōng cái néng gǎn jué hé xiǎng xiàng dé dào； yòu jiǎ rú， wǒ hòu lái lái dào liǎo dì qiú shàng， ér yòu jì dé zì jǐ zài bié de xīng qiú shàng de suǒ zuò suǒ wéi， cǐ wài， hái zhī dào wǒ zài yě bù huì huí dào yuè qiú shàng， nà me， dāng wǒ cóng dì qiú shàng yǎng wàng yuè qiú shí， héng héng shì fǒu huì jué dé · wú · suǒ · wèi ní？ shì fǒu huì wéi zì jǐ de chǒu xíng 'ér gǎn dào xiū kuì ní？ sī kǎo zhè xiē wèn tí shì wú yì de、 duō yú de， yīn wéi shǒu qiāng yǐ bǎi zài wǒ de miàn qián， wǒ de zhěng gè shēn xīn yě gǎn jué dào liǎo · zhè · shì bì jiāng fā shēng。 dàn shì， zhè xiē wèn tí cì jī zhe wǒ， shǐ wǒ fèn nù。 bù xiān bǎ wèn tí nòng míng bái， wǒ sì hū zàn shí hái bù néng sǐ qù。 zǒng zhī， zhè gè xiǎo nǚ hái jiù liǎo wǒ， yóu yú zhè xiē wèn tí wǒ chí yán liǎo zì shā。 zhè shí， dà wèi fáng lǐ de cáo zá shēng kāi shǐ píng xī xià lái： tā men wán guò pái hòu zài zhǔn bèi shuì jué， bù guò zàn shí hái yòu rén zài dū dū nāng nāng shuō hú huà， lǎn yáng yáng dì qīng shēng jiào mà。 jiù zài zhè shí， wǒ zuò zài zhuō bàng 'ān lè yǐ lǐ hū rán shuì zhe liǎo， zhè shì cóng lái méi yòu guò de。 wǒ wán quán shì zài bù zhī bù jué zhōng shuì zhe de。 dà jiā zhī dào， mèng shì yī zhǒng xī qí gǔ guài de dōng xī： yòu de shí fēn qīng xī， xì jié dū sì zhū bǎo shì wù nà yàng jīng měi； yòu de nǐ huì jué dé yīhuǎng 'ér guò， fǎng fó chāo yuè liǎo shí kōng quán wú gǎn jué。 yǐn qǐ mèng jìng de sì hū bù shì lǐ zhì， ér shì yuàn wàng， bù shì dà nǎo， ér shì xīn líng； rán 'ér， wǒ de lǐ zhì zài mèng zhōng yòu shí yòu duō qiǎo miào， ér qiě huì shēng chū yī xiē wán quán bù kě sī yì de shì qíng lái。 lì rú， wǒ gē gē qù shì yǐ jīng wǔ nián， wǒ yòu shí hái mèng jiàn tā： tā bāng wǒ zuò shì， wǒ men hù xiāng guān xīn， ér wǒ zài mèng zhōng yī zhí shí fēn qīng chǔ hé jì dé， wǒ gē gē yǐ jīng sǐ liǎo， mái liǎo。 tā suī rán shì sǐ rén， réng zài wǒ shēn biān wèiwǒ máng lù， wèishénme wǒ de lǐ zhì huì wán quán róng rěn fā shēng zhè yī qiē ní？ hǎo， bù tán zhè gè， shuō shuō wǒ de nà gè mèng bā。 shì de， wǒ dāng shí zuò liǎo yī gè mèng， jiù shì shí yī yuè sān rì de nà gè mèng！ tā men xiàn zài hái zài shuǎ xiào wǒ， shuō nà zhǐ bù guò shì yīcháng mèng 'ér yǐ。 bù guò， jì rán nà gè mèng néng gào sù wǒ zhēn lǐ， shì mèng bù shì mèng nán dào bù shì dōuwú suǒ wèi má？ nǐ yào shì fā xiàn hé rèn qīng liǎo zhēn lǐ， nà me， bù lùn nǐ shì shuì zhe hái shì xǐng zhe de shí hòu dōuzhī dào， zhè jiù shì zhēn lǐ， méi yòu yě bù kě néng yòu bié de zhēn lǐ liǎo。 hǎo bā， jiù suàn zhè shì zuò mèng， jiù suàn zhè yàng， dàn shì， bèi nǐ men shuō dé tiān huā luàn zhuì de nà zhǒng shēng huó， wǒ què yào yòng zì shā lái jié shù tā liǎo， ér wǒ de mèng， wǒ de mèng héng héng 'ā， zé gěi wǒ zhǎn shì liǎo yī zhǒng zhǎn xīn de guāng huī càn làn、 huàn rán yī xīn、 chōng mǎn huó lì de shēng huó！
qǐng tīng wǒ jì xù shuō bā。
sān
wǒ shuō guò， wǒ zài bù zhī bù jué zhōng shuì zhe liǎo， fǎng fó hái zài sī kǎo zhe nà xiē wèn tí。 wǒ hū rán mèng jiàn， wǒ zuò zài nà lǐ ná qǐ shǒu qiāng lái zhí duì zhe xīn zàng héng héng shì xīn zàng， bù shì nǎo dài； yǐ qián wǒ shì dǎ suàn yī dìng duì zhǔn nǎo dài， zhèng duì yòu tài yáng xué kāi qiāng de。 wǒ duì zhǔn xiōng táng děng liǎo yī、 èr miǎo zhōng， hū rán fáng lǐ de là zhú、 zhuō zǐ hé qiáng bì quándōu zài wǒ yǎn qián huàng dòng、 xuánzhuàn qǐ lái。 wǒ lián máng kāi liǎo yī qiāng。
nín yòu shí huì mèng jiàn cóng gāo chù diào xià lái， huò shì bèi rén kǎn shā， dàn shì nín cóng bù huì gǎn dào téng tòng， chú fēi nín zì jǐ zhēn de zhuàng zài liǎo chuáng shàng， cái huì gǎn dào tòng， bìng qiě wǎng wǎng huì tòng dé xǐng guò lái。 wǒ zhè cì zuò mèng shí yě shì zhè yàng： wǒ bù gǎn dào tòng， dàn jué dé yī qiāng bǎ quán shēn dū zhèn hàn liǎo， yī qiēdōu dùn shí xiāo shī， sì zhōu yī tuán qī hēi。 wǒ fǎng fó yòu xiā yòu lóng， jiāng zhí dì yǎng wò zài yī jiàn yìng bāng bāng de dōng xī shàng， shénme yě kàn bù jiàn， yī dòng yě bù néng dòng。 rén men zài wǒ bàng biān zǒu lái zǒu qù， jiào zhe hǎn zhe， dà wèi zài dī shēng shuō huà， nǚ fáng dōng zài jiān shēng jiào rǎng， héng héng tū rán jiān xuān 'áo shēng tíng xī xià lái， yuán lái tā men zài yòng yī kǒu jǐn bì de guān cái tái zhe wǒ zǒu。 wǒ gǎn dào guān cái zài huàng dòng， xún sī zhe yuán yīn， dùn shí shǐ wǒ dà chī yī jīng： yuán lái wǒ yǐ jīng sǐ liǎo， zhēn de sǐ liǎo。 wǒ míng bái liǎo， háo bù huái yí， wǒ kàn bù jiàn， yě dòng bù liǎo， rán 'ér hái yòu gǎn jué， yě néng sī wéi。 bù guò， wǒ mǎ shàng jiù tīng qí zì rán， xiàng wǎng cháng zuò mèng nà yàng， píng xīn jìng qì dì jiē shòu zhè gè xiàn shí。
yú shì， tā men bǎ wǒ mái rù tǔ zhōng。 tā mendōu zǒu liǎo， shèng xià wǒ yī gè rén， gū líng líng de yī gè rén。 wǒ bù néng huó dòng。 guò qù bù shì zài mèng zhōng shí， wǒ cháng xiǎng wǒ huì zěn yàng bèi mái rù fén mù， yóu fén mù lián xiǎng dào de bù guò shì cháo shī hé hán lěng 'ér yǐ， yǎn xià wǒ kě zhēn de gǎn dào liǎo hán lěng， yóu qí shì jiǎo zhǐ jiān， bù guò zài méi yòu bié de shénme gǎn jué liǎo。 wǒ tǎng zhe， qí guài de shì wú suǒ qī dài， xīn píng qì hé dì chéng rèn sǐ rén shì méi yòu shénme kě pàn wàng de liǎo。 kě jiù shì gǎn dào cháo shī。 wǒ bù zhī tǎng liǎo duō jiǔ， héng héng yī gè xiǎo shí， huò zhě jǐ tiān， yě xǔ yòu hǎo duō tiān liǎo。 dàn hū rán jiān， cóng guān gài shàng shèn jìn lái yī dī shuǐ luò dào wǒ bì zhe de zuǒ yǎn shàng， yī fēn zhōng hòu yòu yī dī， yòu yī fēn zhōng hòu dì sān dī， jiù zhè yàng lián lián bù duàn， měi fēn zhōng làxià lái yī dī。 yī gǔ wú bǐ de fèn mèn cóng wǒ xīn dǐ shēng qǐ， wǒ gǎn dào xīn dǐ yī zhèn téng tòng。“ zhè shì shāng kǒu”， wǒ xiǎng liǎo xiǎng。“ shì qiāng shāng， lǐ miàn hái yòu yī lì zǐ dàn……” shuǐ hái zài dī luò， měi fēn zhōng yī dī， jìng zhí diào dào wǒ nà zhǐ bì zhe de yǎn jīng shàng。 wǒ tū rán qí qiú qǐ lái， dàn bù shì yòng shēng yīn， yīn wéi wǒ shì bù néng dòng dàn de， ér shì yòng wǒ de zhěng gè shēn xīn， xiàng zhe shǐ wǒ biàn chéng zhè yàng de zhù zǎi zhě qí qiú：
“ bù guǎn nǐ shì shénme rén， dàn rú guǒ yòu nǐ zài， rú guǒ yòu bǐ yǎn xià fā shēng de gèng hé hū qíng lǐ de shì， nà me nǐ jiù ràng tā yě zài zhè 'ér chū xiàn bā。 ér rú guǒ yīn wéi wǒ quē fá lǐ zhì 'ér zì shā， nǐ yào bào fù wǒ， ràng wǒ wǎng hòu de rì zǐ guò dé nán kān、 huāng táng， nà me jiù qǐng zhù yì， wǒ zài rèn hé shí hòu suǒ zāo shòu de rèn hé kǔ nán dū jiāng wú fǎ yǔ wǒ yào mò mò dì chéng shòu de nà zhǒng xiū kuì xiāng bǐ， nǎ pà nà kǔ nán yào mián yán qiān bǎi wàn nián！……”
wǒ qí qiú zhī hòu bù zài shuō huà， shēn shēn de chén mò jīhū chí xù liǎo zhěng zhěng yī fēn zhōng。 yòu diào xià yī dī shuǐ， dàn wǒ zhī dào， ér qiě shēn zhī hé què xìn， yī qiē dū jiāng mǎ shàng fā shēng biàn huà。 zhè bù， wǒ de fén mù zhēn de tū rán liè kāi liǎo。 yě jiù shì shuō wǒ bù zhī dào fén mù dào dǐ shì bèi dǎ kāi de hái shì bèi jué kāi de， bù guò， wǒ bèi yī gè méi yòu jiàn guò de hēi guài wù zhuā zhù， yú shì wǒ men bù zhī bù jué dì lái dào liǎo tiān kōng zhōng。 wǒ mò dì fā xiàn： zhè shì yī gè shēn yè， yī gè qián suǒ wèi yòu de qī hēi qī hēi de yè wǎn！ wǒ men zài yuǎn lí dì qiú de tài kōng zhōng jí fēi。 wǒ duì zhuā wǒ de guài wù shénme yě bù wèn， wǒ zài děng dài zhe， wǒ fēi cháng gāo 'ào。 wǒ shēn xìn zì jǐ bù huì hài pà， ér qiě yī xiǎng dào bù huì hài pà shí， wǒ biàn xīng fèn bù yǐ。 wǒ jì bù qǐ fēi xíng liǎo duō cháng shí jiān， ér qiě yě xiǎng xiàng bù chū lái， yīn wéi yī qiēdōu xiàng píng cháng zuò mèng shí yī yàng， dāng nǐ kuà yuè shí kōng， chāo yuè cún zài hé lǐ zhì de guī lǜ shí， nǐ jiù zhǐ huì zài xīn líng de chōng jǐng diǎn shàng tíng xià lái。 wǒ jì dé， wǒ zài qī hēi zhōng hū rán kàn jiàn yī kē xiǎo xīng xīng。“ zhè shì tiān láng xīng bā？” wǒ zhòu rán rěn bù zhù wèn dào， yīn wéi wǒ běn lái shì shénme yě bù xiǎng dǎ tīng de。“ bù， zhè jiù shì nǐ huí jiā shí cóng yún céng jiān kàn dào de nà kē xīng xīng。” nà gè zhuā wǒ de guài wù dá dào。 zhè shí wǒ cái kàn dào， zhè guài wù yòu yī zhāng fǎng fó yǔ rén yī yàng de miàn kǒng。 qí guài de shì， wǒ què bù xǐ huān zhè guài wù， shèn zhì duì tā gǎn dào shí fēn yàn 'è。 wǒ suǒ qī dài de shì chè dǐ de xū wú， zhèng yīn wéi rú cǐ， wǒ cái duì zhe zì jǐ de xīn zàng kāi qiāng。 ér jīn wǒ luò zài liǎo guài wù de shǒu zhōng， tā dāng rán bù shì rén， dàn tā shì · cún · zài · zhe · de， shì huó zhe de：“ ā， yuán lái fén mù de wài miàn yě hái yòu shēng mìng li！” wǒ xiàng zuò mèng shìde hú sī luàn xiǎng， bù guò wǒ de xīn dǐ yǐ rán rú gù。“ rú guǒ · fù · shēng，” wǒ xiǎng，“ zhòng yòu shēng huó zài mǒu rén de zhǐ yì xià， nà me， wǒ shì bù huì qù jiē shòu bié rén de kòng zhì yǔ de！”“ nǐ zhī dào wǒ hài pà nǐ， suǒ yǐ nǐ kàn bù qǐ wǒ。” wǒ hū rán bù gù tǐ miàn dì duì wǒ de lǚ bàn tí chū wèn tí shuō， zhè wèn tí hán yòu zì wǒ biǎo bái de yì wèi， yīn 'ér wǒ de xīn dǐ xiàng bèi zhēn cì yī yàng gǎn dào qū rǔ。 tā méi yòu huí dá wǒ， dàn wǒ mǎ shàng jué dé， bìng méi yòu rén bǐ shì wǒ， chǐ xiào wǒ， yě méi yòu rén kě lián wǒ， tóng shí yě fā jué， wǒ men lǚ xíng de mùdì bù qīng chǔ 'ér qiě shén mì mò cè， bù guò zhǐ yǔ wǒ yī rén yòu guān。 yī zhǒng kǒng jù gǎn zài wǒ xīn zhōng màn màn shēng qǐ。 mò bù zuò shēng de lǚ bàn shēn shàng de yī zhǒng dōng xī zài wú shēng dì dàn què tòng kǔ dì gǎn rǎn zhe wǒ， fǎng fó zài wǒ shēn shàng yǒng dòng。 wǒ men zài hūn 'àn 'ér shén mì de tài kōng zhōng jí fēi。 wǒ yǐ jīng hěn jiǔ méi yòu jiàn dào nà xiē shú xī de xīng xīng liǎo。 wǒ zhī dào， tài kōng zhōng yòu xiē xīng xīng de guāng yào shù qiān nián shèn zhì shù bǎi wàn nián cái néng dào dá dì qiú shàng， wǒ men yě xǔ yǐ jīng fēi guò liǎo zhè yī gè jù lí。 zài jí dù jiū xīn de kǔ mèn zhōng wǒ sì hū zài qī dài zhe mǒu zhǒng dōng xī。 chà nà jiān， yī zhǒng shú xī de kòu rén xīn xián de gǎn jué shǐ wǒ zhèn dàng： wǒ hū rán kàn jiàn liǎo wǒ men de tài yáng。 wǒ zhī dào， zhè bù kě néng shì nà gè yǎng yù guò wǒ men dì qiú de tài yáng， wǒ men jù lí wǒ men de tài yáng wú xiàn de yuǎn， dàn bù zhī wèishénme， wǒ de zhěng gè shēn xīn què gǎn dào， zhè gè tài yáng hé wǒ men de nà gè tài yáng yī mó yī yàng， shì wǒ men tài yáng de fù zhì pǐn， shì wǒ men tài yáng de luán shēng xiōng dì。 dòng rén xīn xián de tián měi gǎn zài wǒ xīn dǐ jī qǐ yī zhèn xīn wèi： gěi wǒ shēng mìng de qīnqiè de yáng guāng de wēi lì zài wǒ xīn zhōng huí dàng， shǐ wǒ xīn líng fù sū， wǒ bèi mái jìn fén mù hòu， dì yī cì gǎn dào yòu liǎo shēng jī， yuán xiān de nà zhǒng shēng jī。
“ ér rú guǒ zhè jiù shì tài yáng， rú guǒ zhè què shí jiù shì wǒ men de nà gè tài yáng，” wǒ gāo hū qǐ lái，“ nà me， dì qiú yòu zài nǎ 'ér ní？” lǚ bàn jiù bǎ yī kē xiǎo xīng xīng zhǐ gěi wǒ kàn， nà xiǎo xīng xīng zài hēi 'àn zhōng shǎn shuò zhe lǜ guāng。 wǒ men jìng zhí cháo tā fēi qù。
“ yǔ zhòu zhōng mò fēi zhēn yòu yī mó yī yàng de dōng xī？ dà zì rán de guī lǜ guǒ zhēn shì zhè yàng？…… rú guǒ zhè shì lìng yī gè dì qiú， nà me tā nán dào hé wǒ men de dì qiú wán quán yī yàng…… hé wǒ men nà gè bù xìng de、 kě lián de， dàn yòu bǎo guì、 yǒng yuǎn kě 'ài de dì qiú， hé wǒ men nà gè jí shǐ zài zuì wàng 'ēn fù yì de 'ér nǚ xīn zhōng yě néng huàn qǐ duì tā kǔ 'ài de dì qiú wán quán yī yàng má？……” wǒ wú bǐ jī dòng dì hū hǎn qǐ lái， duì bèi wǒ lí kāi de yuán xiān de nà gè dì qiú yòu zhe nán yǐ yì zhì de juàn liàn。 nà gè bèi wǒ jù jué de kě lián de xiǎo nǚ hái de shēn yǐng zài wǒ miàn qián yī shǎn 'ér guò。
“ yī qiē nǐ dū huì kàn dào de，” wǒ de lǚ bàn huí dá shuō。 tīng dé chū lái， tā de huà zhōng jiā dài zhe yōu shāng。 wǒ men zài xùn sù dì kào jìn nà kē xíng xīng， xíng xīng zài wǒ yǎn zhōng yuè biàn yuè dà， wǒ yǐ jīng fēn biàn chū liǎo hǎi yáng hé 'ōu zhōu de lún kuò， yī zhǒng qí tè de wěi dà 'ér chún jié de dù yì tū rán zài wǒ xīn jiān yǒng qǐ：“ zěn me kě néng yòu yī mó yī yàng de dōng xī ní？ ér qiě yòu wèile shénme ní？ wǒ 'ài， zhǐ néng 'ài wǒ lí kāi de nà gè dì qiú， wǒ zhè gè wàng 'ēn fù yì de rén xiàng xīn fáng kāi qiāng jié shù shēng mìng shí， wǒ de xuè jiù sǎ zài liǎo nà shàng miàn。 dàn shì rèn hé shí hòu， rèn hé shí hòu wǒdōu méi yòu zhōng duàn guò wǒ duì nà gè dì qiú de 'ài， jiù shì zài lí kāi tā de nà gè wǎn shàng， wǒ yě xǔ bǐ rèn hé shí hòu dū 'ài dé gèng kǔ。 zài zhè xīn de dì qiú shàng yě yòu tòng kǔ má？ zài wǒ men nà gè dì qiú shàng， wǒ men díquè zhǐ néng huái zhe tòng kǔ qù 'ài， bìng qiě yě bù zhī dào hái yòu bié de shénme fāng shì qù 'ài tā。 wèile 'ài， wǒ gān yuàn shòu kǔ。 wǒ yuàn yì， wǒ kě wàng jiù zài cǐ kè hán zhe rè lèi qù qīn wěn wǒ lí qù de nà yī gè dì qiú， wǒ bù yuàn yì， yě bù jiē shòu zài rèn hé bié de dì qiú shàng fù shēng！……”
kě shì， wǒ de lǚ bàn yǐ jīng bǎ wǒ rēng xià。 wǒ hǎo xiàng háo wú gǎn jué dì shà shí jiān jiù lái dào liǎo lìng yī gè dì qiú shàng héng héng yī gè qíng tiān lì rì xià de rén jiān tiān táng。 wǒ hǎo xiàng zhàn zài wǒ men dì qiú shàng xī là qún dǎo zhōng de yī gè xiǎo dǎo shàng， yòu hǎo xiàng shì yǔ zhè xiē dǎo yǔ pí lián de dà lù yán hǎi de mǒu gè dì fāng。 ā， yī qiē de yī qiēdōu wán quán xiàng wǒ men dì qiú shàng yī yàng， kě jiù shì zhè 'ér sì hū dào chù shì yī pài jié rì de qì fēn， yáng yì zhe wěi dà、 shèng jié、 zuì hòu shèng lì de huān lè。 wēn róu、 bì lǜ de dà hǎi qīng qīng dì pāi dǎzháo dī 'àn， huán bào zhe háo bù yǎn shì de jīhū shì zhǔyì zhuān yī de 'ài liàn qīn wěn zhe hǎi 'àn。 shù mù cān tiān， juān xiù cōng lóng， piàn piàn lǜ yè qīng róu、 qīn nì dì shā shā xiǎng， wǒ gǎn jué tā men xiàng shì zài sù shuō qíng huà yíng jiē wǒ de dào lái。 mào mì de yě cǎo kāi mǎn xiān huā， xīn xiāng sì yì。 yī qún qún de niǎo 'ér zài tiān kōng zhōng fēi guò， háo bù wèi jù dì luò zài wǒ de jiān shàng、 shǒu shàng， dǒu dòng zhe kě 'ài de xiǎo chì bǎng， xǐ zī zī dì pāi dǎ wǒ。 wǒ zhōng yú jiàn dào hé rèn shí liǎo zhè piàn lè tǔ shàng de rén men。 tā men zhù dòng dì zǒu guò lái， yōng zhe wǒ， qīn wěn wǒ。 tā men shì tài yáng de 'ér nǚ， zì jǐ nà gè tài yáng de 'ér nǚ， héng héng 'ā， tā men cháng dé duō me jùn měi！ zài wǒ men dì qiú shàng， wǒ cóng lái méi yòu jiàn guò rén yòu zhè me měi。 yě xǔ zhǐ yòu zài wǒ men de hái zǐ shēn shàng， zài tā men de hái tí shí dài， cái néng zhǎo dào zhè zhǒng měi de jiǔ yuǎn de suī rán shì mó hú de hén jì。 zhè xiē xìng fú de rén men yǎn jīng fàng shè zhe míng liàng de guāng máng， tā men de liǎn shàng shǎn xiàn zhe zhì huì de guāng cǎi hé tài rán zì ruò de shén sè， ér rén réndōu mǎn miàn chūn fēng； tā men de huà yǔ hé shēng yīn chōng yì zhe tiān zhēn làn màn de yú yuè。 ā， sǎo shì tā men yī yǎn， yī qiē yī qiē wǒ mǎ shàng jiù yī mù liǎo rán！ zhè shì méi yòu bèi 'è xíng diàn wū de yī fāng jìng tǔ， shēng xī zài tā shàng miàn de shì yī xiē qīng qīng bái bái de rén， tā men shēng huó zài zhè tiān táng lǐ， jù zǔ bèi xiāng chuán， zhè yě shì wǒ men huò zuì de xiān rén céng jīng jū zhù guò de dì fāng， suǒ bù tóng de zhǐ shì zhè 'ér chù chù shì tiān táng。 rén men huān xiào zhe， yǒng xiàng wǒ， duì wǒ qīn qīn rè rè， bǎ wǒ lǐng dào jiā qù， gè gèdōu jǐyǔ wǒ 'ān fǔ。 ā， tā men shénme yě bù wèn wǒ， dàn tā men sì hū shénme dōuzhī dào， wǒ jué dé tā men xiǎng de shì jìn kuài qū zǒu wǒ liǎn shàng de tòng kǔ。
sì
rán 'ér， nín yào zhī dào， āi， zhè zhǐ shì yīcháng mèng！ dàn shì， zhè xiē chún jié、 měi lì de rén men de shèng qíng gěi wǒ de gǎn shòu， yǐ yǒng yuǎn liú zài wǒ de xīn jiān， ér qiě wǒ jué dé， tā men de zhè zhǒng shèng qíng zhì jīn réng zài bù duàn dì gǎn rǎn zhe wǒ。 wǒ qīn shēn jiàn dào tā men， liǎo jiě tā men bìng qiě xiāng xìn tā men。 wǒ xǐ huān tā men， hòu lái hái wèitā men méng shòu guò kǔ nán。 ā， shèn zhì zài dāng shí wǒ mǎ shàng jiù míng bái guò lái， zài hěn duō fāng miàn wǒ bìng bù wán quán liǎo jiě tā men； wǒ zuò wéi dāng dài jìn bù rén shì jí bēi wēi de bǐ dé bǎo rén sì hū méi yòu jiě jué zhè gè wèn tí， jí tā men méi yòu shòu guò wǒ men nà yàng de jiào yù què dǒng dé nà me duō de shì qíng。 bù guò， wǒ hěn kuài jiù míng bái liǎo， tā men zhī shí de chōng shí yǔ xī shōu， yòng de shì lìng yī zhǒng yǔ wǒ men dì qiú shàng bù tóng de fāng fǎ， ér qiě tā men de zhuī qiú yě wán quán bù tóng。 tā men yǔ shì wú zhēng， dàn bó míng lì， tā men bù xiàng wǒ men nà yàng jié lì qù xún qiú shēng huó， yīn wéi tā men shēng huó dé hěn chōng shí。 kě shì， tā men de zhī shí yào bǐ wǒ men de gāo shēn dé duō， yīn wéi wǒ men de zhī shí lì tú shuō míng shēng huó shì shénme， lì tú qù rèn shí shēng huó， yǐ biàn qù jiào huì bié rén shēng huó； tā men ní， tā men bù xué kē xué jiù dǒng dé gāi rú hé shēng huó。 zhè yī diǎn wǒ míng bái， dàn wǒ bù dǒng dé tā men de zhī shí。 tā men zhǐ diǎn wǒ guān shǎng tā men de shù mù， wǒ què bù néng tǐ huì tā men xīn shǎng shù mù shí de nà fèn qíng sù： tā men fǎng fó tóng lèi xiāng tōng， xīn xīn xiāng yìn。 nín kě zhī dào， rú guǒ wǒ shuō tā men néng tóng shù mù jiāo tán， dà gài wǒ méi yòu shuō cuò bā！ shì de， tā men zhǎo dào liǎo shù mù de yǔ yán， wǒ yě què xìn， shù mù yě dǒng tā men de huà yǔ。 tā men jiù shì zhè yàng kàn dài zhěng gè dà zì rán bāo kuò dòng wù de。 dòng wù tóng tā men hé píng xiāng chù， bù xiàng tā men fā qǐ jìn gōng， ér qiě xǐ huān tā men， wèitā men de 'ài xīn suǒ xùn fú。 tā men zhǐ yǐn wǒ guān kàn xīng xīng， bìng tóng wǒ tán xīng xīng de shì 'ér， wǒ tīng bù míng bái， dàn wǒ xiāng xìn， tā men xiàng shì yòu mǒu zhǒng fāng fǎ tóng tiān shàng de xīng chén jìn xíng jiāo wǎng， bù zhǐ shì sī xiǎng shàng de， ér shì yòu yī zhǒng shēng dòng huó pō de tú jìng。 ā， zhè xiē rén méi yòu qiǎngqiú wǒ liǎo jiě tā men， wǒ bù liǎo jiě， tā men yě hái shì 'ài wǒ， dàn shì wǒ zhī dào， tā men yǒng yuǎn yě wú fǎ lǐ jiě wǒ de， yīn cǐ， wǒ jīhū bù gēn tā men tán wǒ men dì qiú shàng de shì。 zài tā men miàn qián wǒ zhǐ shì pín pín qīn wěn tā men shēng xī de tǔ dì， yǐ biǎo dá duì tā men wú yán de chóng jìng。 tā men jiàn liǎo， rèn píng wǒ qù biǎo shì， bù yīn wǒ de chóng jìng 'ér xiū kuì， yīn wéi tā men zì jǐ yě hěn zūn chóng。 wǒ yòu shí mǎn liǎn lèi hén dì qù wěn tā men de jiǎo， tā men méi yòu yīn wèiwǒ 'ér nán guò， dāng wǒ zhī dào tā men jiāng yòng duō me chì rè de 'ài lái huí bào wǒ shí， wǒ xīn tóu yòu duō xīng fèn！ wǒ yòu shí jīng qí dì zì wèn： tā men zěn me shǐ zhōng bù qù qī líng wǒ zhè yàng de rén， yī cì yě méi yòu jī qǐ xiàng wǒ zhè yàng de rén de cù yì hé jí dù ní？ wǒ duō cì zì wèn： wǒ zhè gè 'ài chuī niú shuō huǎng de rén， zěn me néng bù duì tā men shuō shuō zì jǐ suǒ zhī dào de shì qíng， héng héng zhè xiē shì qíng tā men dāng rán shì yī wú suǒ zhī de， zěn me néng bù xiǎng yǐ cǐ shǐ tā men zhèn jīng， huò zhě nǎ pà zhǐ shì chū yú duì tā men de 'ài mù ní？ tā mendōu xiàng hái zǐ men nà yàng huān bèng luàn tiào、 xīng gāo cǎi liè。 tā men zài zì jǐ měi lì de yuán lín zhōng hé shù lín lǐ màn yóu， chàng zhe zì jǐ yōu měi de gē 'ér， shí yòng róng yì xiāo huà de shí wù、 zì jǐ shù shàng de guǒ shí、 zì jǐ sēn lín lǐ de fēng mì， yǐ jí nà xiē xǐ huān tā men de dòng wù de rǔ zhī。 tā men zhǐ xū cóng shì qīng wēi de láo dòng jiù néng qīng 'ér yì jǔ dì jiě jué zì shēn de yī shí wèn tí。 tā men nán huān nǚ 'ài， shēng 'ér yù nǚ， dàn wǒ cóng wèi fā xiàn tā men · tān · yín · hǎo · sè。 zài wǒ men dì qiú shàng jīhū suǒ yòu de réndōu nán táo de jié shù， yín yù shì rén lèi wàn 'è zhī yuán。 tā men wéi xīn shēng mìng de jiàng lín 'ér huān tiān xǐ dì， zhè shì tā men xìng fú lè yuán de xīn rén。 tā men xiāng hù jiān méi yòu zhēng chǎo， méi yòu dù jì， shèn zhì bù zhī dào zhēng chǎo yǔ jí dù wèihé wù。 tā men de hái zǐ shì dà jiā de， yīn wéi dà jiā zǔ chéng yī gè jiā tíng。 tā men chàbù duō wán quán méi yòu jí bìng， suī rán yě yòu sǐ wáng； tā men de lǎo rén sǐde 'ān xiáng， hǎo xiàng shuì zhe liǎo shìde， rén men wéi zài shēn bàng wèitā sòng zhōng， tā hán xiào dì xiàng rén men zhù fú， rén men yě bào yǐ yú yuè de wēi xiào sòng bié。 cǐ shí， wǒ méi yòu kàn jiàn rén men bēi shāng、 liú lèi， yòu de zhǐ shì jiā bèi de huǎng ruò kuáng xǐ de 'ài， dàn què shì yī zhǒng tài rán、 chōng shí、 chén jìng de kuáng xǐ。 kě yǐ rèn wéi， tā men hé shì zhě zhī jiān， shèn zhì zài tā sǐ hòu réng rán hù xiāng jiāo wǎng， sǐ wáng yě gē bù duàn bǐ cǐ de chén shì lián xì。 dāng wǒ wèn jí tā men yòu wú yǒng héng de shēng mìng shí， tā men jìn hū bù dǒng wǒ de yì sī， dàn hěn xiǎn rán， tā men jiān xìn bù yí， duì tā men 'ér yán zhè bù chéng wéi wèn tí。 tā men zhè lǐ méi yòu sì miào， dàn tā men yǔ zhěng gè yǔ zhòu yòu zhe xiū qī xiāng guān、 shēng qì bó bó、 fēn gē bù kāi de lián xì； tā men bù xìn zōng jiào， dàn tā men què xìn， dāng rén jiān de huān lè dá dào chén shì de jí xiàn shí， nà me， duì tā men héng héng shēng zhě hé sǐ zhě lái shuō， tóng zhěng gè yǔ zhòu gèng wéi guǎng fàn de jiāo wǎng jiù huì dào lái。 tā men xīng wèi 'àng rán dì pàn wàng zhe zhè yī shí kè， bù huāng bù máng， wú yōu wú lǜ， sì hū zǎo yǐ xiōng yòu chéng zhú， hù tōng xìn xī。 měi wǎn shuì jué yǐ qián， tā mendōu 'ài tóng shēng hé chàng hé xié yuè 'ěr de gēqǔ。 tā men yòng zhè xiē gēqǔ biǎo dá yī tiān de zhǒng zhǒng gǎn shòu， ōu gē hé gào bié jí jiāng shì qù de yī tiān。 tā men zàn měi dà zì rán， zàn měi dà dì， zàn měi hǎi yáng， zàn měi sēn lín。 tā men xǐ hǎo chuàng zuò miáo xiě duì fāng de gēqǔ， xiàng xiǎo hái nà yàng hù xiāng kuā zàn； zhè shì yī xiē zhì pǔ wú huá de gē， dàn tā men fā zì nèi xīn， gǎn rén fèi fǔ。 bù zhǐ zài gē qū zhōng， kàn lái yě zài dù guò zhěng gè yī shēng zhōng， tā mendōu shì hù xiāng zàn shǎng de。 zhè shì wú suǒ bù bāo、 pǔ pǔ tōng tōng de yī zhǒng 'ài mù。 lìng yòu yī xiē gēqǔ zhuāng yán bēn fàng， wǒ chàbù duō quán tīng bù dǒng。 wǒ rèn shí gē cí， dàn lǎo shì pǐn wèi bù chū qí zhōng de quán bù hán yì。 wǒ de nǎo zǐ sì hū nán yú lǐ jiě， dàn wǒ de xīn líng què sì hū zài bù zhī bù jué zhōng yù lái yù lǐng wù dé dào。 wǒ cháng cháng duì tā men shuō， zhè yī qiē wǒ guò qù zǎo yòu yù gǎn， suǒ yòu zhè xiē huān lè hé zàn gē zài wǒ men dì qiú shàng duì wǒ lái shuō què shì wú biān de yōu fán， yòu shí jìng shì nán yǐ rěn shòu de tòng kǔ； dāng wǒ de xīn líng jìn rù mèng huàn， nǎo hǎi zhōng chū xiàn chōng jǐng shí， wǒ jiù yù gǎn dào huì yòu tā men zhè xiē rén， huì yòu tā men de zàn gē； zài wǒ men dì qiú shàng， miàn duì xī xié de cán yáng wǒ cháng cháng rè lèi cén cén…… wǒ hèn wǒ men dì qiú shàng de rén， dàn hèn zhōng zǒng bāo hán zhe kǔ mèn： wǒ wèishénme hèn tā men 'ér yòu bù néng bù 'ài tā men ní？ wǒ wèishénme bù néng bù kuān shù tā men ní？ wǒ 'ài tā men， dàn 'ài zhōng yě zǒng shì yòu zhe kǔ mèn： wǒ wèishénme 'ài tā men yòu tóng shí yào hèn tā men ní？ kàn dé chū lái， zhè lǐ de rén tīng liǎo zhī hòu， bù lǐ jiě wǒ shuō de shénme， dàn wǒ bù huì yīn wèiwǒ tóng tā men shuō guò yī xí huà 'ér gǎn dào yí hàn， yīn wéi wǒ zhī dào， tā men lǐ jiě wǒ wú xiàn sī niàn wǒ bié lí de nà xiē rén。 shì 'ā， dāng tā men yòng chōng yíng 'ài fǔ de qīnqiè mù guāng qiáo zhe wǒ de shí hòu， dāng wǒ zài tā men miàn qián， gǎn dào wǒ de xīn líng yě zhú jiàn biàn dé xiàng tā men de yī yàng chún jié、 chéng shí de shí hòu， wǒ jiù bù zài yīn wéi bù lǐ jiě tā men 'ér yòu suǒ yí hàn liǎo。 shēng huó jìng shì rú cǐ chōng shí、 fēng mǎn。 shēn lín qí jìng de yī fān gǎn shòu shǐ wǒ jīng shén jī fèn， yú shì wǒ mò mò dì zhù fú tā men。
ā， suǒ yòu de rén xiàn zài dū dāng miàn cháo xiào wǒ， yī kǒu yǎo dìng shuō， mèng lǐ de dōng xī bù kě néng xiàng wǒ xiàn zài suǒ miáo shù de nà yàng xì zhì rù wēi， wǒ zài mèng zhōng de suǒ jiàn huò gǎn shòu bù guò shì mèng jìng chǎn shēng de huàn xiàng， ér nà xiē xì jié shì wǒ mèng xǐng hòu zì jǐ dù zhuàn chū lái de。 dāng wǒ xiàng tā men tǎn yán， shuō shí jì shàng yě xǔ shì rú cǐ shí héng héng tiān 'ā， tā men dāng zhe wǒ de miàn xiàode yòu duō huān， tā men yòu duō kuài huó 'ā！ shì 'ā， zhēn de rú cǐ， wǒ wán quán bèi mèng huàn de gǎn shòu táo zuì liǎo， ér qiě zhǐ yòu zhè zhǒng gǎn shòu cái wán zhěng dì bǎo liú zài wǒ bèi shòuchuāng shāng de xīn zhōng： kě shì， mèng zhōng zhēn shí de xíng tǐ hé zhēn shí de xíng tài， jí mèng jìng zhōng shí jì suǒ jiàn de nà xiē xíng xiàng， fēng mǎn dé rú cǐ hé xié， rú cǐ měi miào， rú cǐ shēng dòng， yǐ zhì wǒ mèng xǐng hòu zì rán wú fǎ yòng wǒ men pín fá de yǔ yán qù biǎo dá chū lái， yīn 'ér tā men zài wǒ de nǎo hǎi lǐ bì rán biàn dé dàn mò qǐ lái， yú shì zài hòu lái， wǒ yě xǔ zhēn de bù zì jué dì biān zào chū yī xiē xì jié， yóu qí zài qíng jí zhī xià xiǎng yī tù wéi kuài， shī shí zhī shì zì rán nán miǎn liǎo。 bù guò， wǒ zěn néng bù xiāng xìn zhè dū shì shí yòu de ní？ shì shí yě xǔ bǐ wǒ shuō de hái yào wán měi、 qīng xī hé xīng wèi qiān bèi ní？ jiù suàn zhè shì yīcháng mèng， rán 'ér， zhè yī qièbù kě néng shì méi yòu de。 nín tīng wǒ shuō gè mì mì bā： yě xǔ suǒ yòu zhè yī qiē gēn běn jiù bù shì mèng ní！ yīn wéi dāng shí fā shēng de shì bī zhēn dé rú cǐ jīng rén， mèng zhōng shì bù néng gòu xiǎng chū lái de。 zàn qiě shuō， zhè mèng shì wǒ xīn lǐ xiǎng chéng de， dàn shì， wǒ de xīn nán dào néng xū gòu chū hòu lái yù dào de nà zhǒng jīng xīn dòng bó de zhēn lǐ má？ wǒ zì gè 'ér zài xīn lǐ zěn me kě néng yì zào huò huàn xiǎng chū nà zhǒng zhēn lǐ ní？ wǒ nà miǎo xiǎo de xīn zàng hé kōng xū、 duō biàn de tóu nǎo， zěn me néng dá dào nà zhēn lǐ de líng gǎn ní！ ā， nín zì jǐ píng píng bā。 wǒ yī zhí yǐn mán dào xiàn zài， dàn rú jīn wǒ yào bǎ zhè zhēn lǐ hé pán tuō chū lái。 wèn tí shì wǒ…… bǎ tā men quándōu jiào huài lā！
wǔ
shì 'ā， shì 'ā， jiēguǒ shì wǒ bǎ tā men quán jiào huài lā！ zhè zěn me huì fā shēng de héng héng wǒ bù míng bái， dàn wǒ jì dé qīng qīng chǔ chǔ。 mèng jìng chuān yuè shù qiān nián， zài wǒ xīn lǐ jǐn jǐn liú xià zhěng tǐ de gǎn shòu。 wǒ zhǐ zhī dào， tā men duò luò de yuán yīn shì wǒ。 wǒ xiàng yī tiáo kě zēng de máo chóng， yòu xiàng chuán rǎn liǎo xǔ duō guó jiā de shǔ yì gǎnjūn， bǎ zhè kuài wǒ lái zhī qián méi yòu zuì 'è de lè tǔ quán diàn wū liǎo。 tā men xué huì liǎo sǎ huǎng， ài shàng liǎo xū wěi， cháng dào liǎo huǎng yán de tián tóu。 āi， qǐ chū tā men yě xǔ · běn · wú · xié · niàn， zhǐ shì chū yú xì xuè、 mài nòng、 hǎo wán， yě xǔ zhēn yòu diǎn 'ér dòng xīn， kě shì zhè yī dòng xīn jìng shēn rù xīn dǐ， zhèng hé tā men de xīn yì。 suí hòu jiù chū xiàn liǎo yín yù， yín yù zī shēng jì dù， jì dù dǎo zhì cán bào…… āi， wǒ bù míng bái， yě jì bù qǐ liǎo， dàn hěn kuài jiù fā shēng liǎo dì yī cì liúxiě： tā men jīng yà、 kǒng jù， kāi shǐ chū xiàn fēn qí， suí hòu jiù fēn dào yáng biāo。 pài bié chū xiàn liǎo， tā men hù xiāng dí shì， màn mà、 zhǐ zé。 tā men cháng dào liǎo xiū rǔ de zī wèi， bìng jiāng tā shì wéi yī zhǒng měi dé。 yòu liǎo róng yù de guān niàn， gè pài zì lì qí hào。 tā men kāi shǐ dòng wù， dòng wù duǒ bì tā men táo rù sēn lín， bìng chéng liǎo tā men de chóu dí。 wèile lā shān tóu， lì mén hù， zhēng míng duó lì， hù xiāng dǒu 'ōu。 tā men shì bù liǎng lì， shì duì fāng ruò kòu chóu。 tā men pǐn cháng liǎo zāinàn， bìng qiě 'ài shàng liǎo zāinàn。 tā men kě wàng kǔ nán， shuō zhǐ yòu jīng guò kǔ nán cái huì yíng lái zhēn lǐ。 zhè shí， tā men fā míng liǎo xué wèn。 tā men 'è guàn mǎn yíng shí， què shuō shénme shǒu zú qīn qíng、 rén dào zhù yì， ér qiě hěn liǎo jiě zhè xiē zì yǎn de hán yì。 tā men zuì xíng lěi lěi shí， què xiǎng chū shénme zhèng yì lái， bìng qiě zhì dìng yī tào tào de fǎ diǎn wéi hù zhèng yì， ér wéi liǎo fǎ diǎn de zhí xíng jià qǐ liǎo duàn tóu tái。 tā men duì wǎng shì yǐ jīng jì yì mó hú， shèn zhì bù yuàn xiāng xìn zì jǐ céng jīng shì chún jié、 xìng fú de， lián guò qù shì fǒu xìng fú yě yī xiào zhì zhī， shuō nà shì mèng huàn bà liǎo。 tā men shèn zhì wú fǎ xiǎng xiàng chū xìng fú de múyàng， ér qí guài de shì： tā men jué bù xiāng xìn wǎng rì yòu guò xìng fú， rèn wéi nà shì yī zhǒng shén huà。 tā men kě wàng chóngxīn zuò gè chún jié、 xìng fú zhě， xiàng hái tóng nà yàng xīn xì yuàn wàng， bǎ tā fèng ruò shén míng， xiū jiàn shén miào， wéi zì jǐ de lǐ xiǎng hé“ xī wàng” qí dǎo， tóng shí yòu shēn zhī hǎo mèng nán yuán， xī wàng wú fǎ shí xiàn， què yòu yǎn lèi wāng wāng dì duì tā dǐng lǐ mó bài， jìng ruò shén míng。 kě shì， cháng ruò tā men néng gòu huí dào tā men shī qù de nà kuài chún jié wú xiá de fú dì qù， cháng ruò yòu rén tū rán bǎ zhè dì fāng chóngxīn zhǎn xiàn gěi tā men， wèn tā men shì fǒu yuàn yì fǎn huí gù tǔ， nà tā men yī dìng huì yú yǐ jù jué。 tā men huí dá shuō：“ jí shǐ wǒ men xū wěi、 xiōng 'è、 xíng wéi bù guǐ， zhè yī diǎn wǒ men · qīng · chǔ， bìng wéi cǐ 'ér tòng kū、 kǔ nǎo、 zì wǒ zhé mó、 zì wǒ chéng fá， qí chéng dù yě xǔ gèng shèn yú shàng bù zhī xìng shì de rén cí fǎ guānjiàng yào duì wǒ men de shěn pàn。 dàn wǒ men yòu xué wèn， xué wèn jiāng shǐ wǒ men chóngxīn zhǎo dào zhēn lǐ， wǒ men huì zì jué jiē shòu zhēn lǐ， rèn shí zhòng yú gǎn jué， duì shēng huó de liǎo jiě zhòng yú shēng huó běn shēn。 xué wèn jiāng gěi wǒ men cōng huì， cōng huì jiāng fā xiàn guī lǜ， ér rèn shí xìng fú de guī lǜ zhòng yú xìng fú。” tā men jiù shì zhè me shuō， shuō guò zhī hòu gèng shì zhǐ gù zì jǐ， zài shuō， tā men yě bù kě néng yòu bié de xuǎn zé。 měi gè rén dū sǐ bào sī lì， wā kōng xīn sī qù sǔn hài hé jiǎn shǎo bié rén de lì yì， rèn wéi shēng cún jiù shì rú cǐ。 yú shì， chū xiàn liǎo nú yì， shèn zhì shì zì yuàn de nú yì： ruò zhě gān xīn qū fú yú qiáng zhě， yǐ biàn qiáng zhě bāng zhù tā men qù yā pò gèng ruò zhě。 chū xiàn liǎo xián dá zhī shì。 xián dá huī lèi jìn jiàn， héng héng shǔshuō tā men wàng zì zūn dà、 sì wú jì dá、 shī què hé xié yǐ jí guǎ lián xiān chǐ。 xián dá zāo dào cháo fěng hé dǎ jī， tā men de xiān xuè sǎ zài shèng diàn de mén shàng。 kě shì， chū xiàn liǎo lìng yī xiē rén， tā men kāi shǐ kǎo lǜ： rú hé bǎ suǒ yòu de rén chóngxīn lián hé qǐ lái， ràng měi gè rén zhào jiù zhǐ gù zì jǐ， tóng shí yòu bù fáng 'ài tā rén， cóng 'ér shǐ dà jiā rú tóng shēng huó zài yī gè yǒu hǎo de shè huì zhōng。 wèile zhè yī lǐ xiǎng， bào fā liǎo yī cì yòu yī cì de zhàn zhēng。 suǒ yòu cān zhàn zhě zhè shí dū jiān xìn， xué wèn、 zhì huì hé zì wǒ bǎo quán yì shí， zuì zhōng bì jiāng shǐ rén men lián jié chéng wéi yī gè hé mù gòng chù、 yòu lǐ xìng de shè huì， ér yǎn xià wèile jiā kuài shì yè de jìn chéng，“ zhì zhě” zài jié lì jìn kuài bǎ“ yú rén” hé bù liǎo jiě tā men lǐ xiǎng de rén quándōu xiāo miè， yǐ miǎn fáng 'ài lǐ xiǎng de shí xiàn。 dàn shì， zì wǒ bǎo quán yì shí kāi shǐ xùn sù jiǎn ruò， chū xiàn liǎo jiāo héng zhě hé tān yín zhě， tā men gōng rán yào qiú zhàn yòu yī qiē huò pāo qì yī qiē。 wèile zhàn yòu yī qiē， tā men wéi fēi zuò dǎi， rú ruò bù néng dé chěng héng héng biàn zì shā shēn wáng。 chū xiàn liǎo gè zhǒng zōng jiào， chóng bài xū wú hé zì qiāng， yǐ qī zài xū wú piāomiǎo zhōng qiú qǔ yǒng héng de 'ān xī。 zhè xiē rén zài tú láo zhōng zhōng yú pí bèi bù kān， mǎn liǎn kǔ xiāng， ér tā men hái xuān chēng shòu kǔ shì yī zhǒng xiǎng shòu， yīn wéi zài shòu kǔ zhōng cái yòu sī xiǎng。 tā men biān zhuàn gēqǔ sòng yáng kǔ nán。 wǒ tòng xīn jí shǒu dì lái dào tā men zhōng jiān， wèitā men wǎn xī， bù guò， wǒ yě xǔ bǐ guò qù gèng 'ài tā men， nà shí tā men de liǎn shàng hái méi yòu tòng kǔ， tā men hái shì chún jié、 měi lì de。 tā men de zhè kuài tǔ dì yuán běn shì tiān táng， ér jīn bèi tā men diàn wū liǎo， yòu liǎo zāinàn， wǒ cái gèng 'ài tā。 āi， wǒ lǎo shì xǐ huān zāinàn hé tòng kǔ， dàn zhǐ shì wèile zì wǒ dān dài， ér duì yú tā men wǒ lián mǐn dé tòng kū liú tì。 wǒ qí qiú tā men yuán liàng， wǒ wú xiàn zì zé、 zì zhòu hé zì wǒ bǐ bó。 wǒ duì tā men shuō， zhè yī qiēdōu shì wǒ gān de， shì wǒ yī gè rén gān de； shì wǒ gěi tā men dài lái liǎo shāng fēng bài sú、 dào dé lún sàng yǔ nòng xū zuò jiǎ， wǒ kěn qiú tā men bǎ wǒ dīng zài shí zì jià shàng， wǒ jiào tā men zuò shí zì jià。 wǒ bù néng， yě wú lì zì shā， dàn wǒ qíng yuàn jiē shòu tā men de zhé mó， wǒ kě wàng tòng kǔ， kě wàng zài tòng kǔ zhōng sǎ jìn wǒ zuì hòu de yī dī xuè。 kě shì， tā men zhǐ shì cháo xiào wǒ， zuì hòu jìng bǎ wǒ kàn zuò fēng zǐ。 tā men bù rèn wéi wǒ yòu zuì， biǎo shì zhǐ jiē shòu fú hé tā men yì yuàn de shì， zhěng gè xiàn zhuàng zé bù néng gǎi biàn。 zuì hòu， tā men xiàng wǒ xuān bù， wǒ duì tā men gòu chéng liǎo wēi hài， rú guǒ wǒ bù bì shàng zuǐ de huà， jiù yào bǎ wǒ guān jìn fēng rén yuàn。 dāng shí wǒ xīn rú dāo gē， tòng bù yù shēng， jué dé kuài yào sǐ liǎo， zhè shí…… zhèng zài zhè shí wǒ xǐng guò lái liǎo。
cǐ shí yǐ shì qīng chén， yě jiù shì tiān sè shàng wèi pò xiǎo， dàn yě yòu wǔ diǎn zhōng zuǒ yòu liǎo。 wǒ shì zuò zài 'ān lè yǐ lǐ xǐng guò lái de， là zhú yǐ jīng rán wán， dà wèi fáng lǐ de réndōu yǐ jìn rù mèng xiāng， sì zhōu jìng qiāoqiāo de， wǒ men zhù zhái lǐ hěn shǎo shì zhè yàng。 shǒu xiān， wǒ yì cháng chī jīng dì tiào jiāng qǐ lái； guò qù， wǒ cóng wèi fā shēng lèi shìde qíng kuàng， nǎ pà shì jī máo suàn pí de shì： bǐ rú， wǒ jiù cóng lái méi yòu zài 'ān lè yǐ lǐ zhè yàng shuì zhe guò。 tū rán jiān，
dāng wǒ zhàn zhe màn màn qīng xǐng guò lái shí， héng héng nà zhī zǐ dàn shàng liǎo táng zhǔn bèi hǎo de shǒu qiāng shū dì pū rù wǒ de yǎn lián， kě wǒ yī bǎ jiāng tā tuī kāi liǎo！ ā， wǒ xiàn zài yào huó xià qù， huó xià qù！ wǒ jǔ qǐ shuāng shǒu jí hū yǒng héng de zhēn lǐ； bù shì jí hū， ér shì kū qì； wǒ hún shēn chōng mǎn kuáng rè， wú bǐ de kuáng rè。 duì， huó xià qù， jiù héng héng chuán dào qù！ cǐ kè wǒ jué xīn qù chuán dào， ér qiě shǐ zhōng bù yú！ wǒ yào qù chuán dào， qù chuán dào héng héng chuán shénme dào？ chuán bō zhēn lǐ， yīn wéi wǒ kàn dào liǎo zhēn lǐ， wǒ qīn yǎn kàn jiàn zhēn lǐ de guāng huá sì shè！
yú shì， cóng nà shí qǐ wǒ jiù chuán qǐ dào lái liǎo！ hái yòu héng héng wǒ 'ài suǒ yòu cháo xiào wǒ de rén， shèng sì qí tā suǒ yòu de rén。 wèishénme shì zhè yàng héng héng wǒ bù míng bái， yě wú fǎ jiě shì qīng chǔ， bù guò， jiù ràng tā zhè yàng bā。 tā mendōu shuō wǒ hú tú liǎo， jiù shì shuō， yào shì yǎn xià dū zhè me hú tú， nà me wǎng hòu kě zěn me bàn ní？ shì shí díquè rú cǐ： wǒ shì hú tú liǎo， wǎng hòu yě xǔ gèng zāo。 wú yí， dāng wǒ yào gǎo qīng zěn yàng qù chuán dào shí， yě jiù shì gāi shuō xiē shénme huà， gāi zuò xiē shénme shì de shí hòu， wǒ yī dìng huì yòu hěn duō cuò， yīn wéi chuán dào zhè jiàn shì shì hěn nán zuò hǎo de。 qiáo， wǒ xiàn zài bǎ yī qiēdōu nòng qīng chǔ liǎo， bù guò， qǐng tīng wǒ shuō： shuí néng bù chū cuò ní！ rán 'ér yào zhī dào， shàng zhì shèng xián， xià zhì dào fěi， dà jiā qǐ mǎ dū cháo zhe tóng yī fāng xiàng， bēn xiàng tóng yī mù biāo， zhǐ shì gè rén de lù zǐ bù tóng 'ér yǐ。 zhè shì yī gè gǔ lǎo de zhēn lǐ， bù guò， zhè lǐ yě yòu xīn qíng kuàng： wǒ bù kě néng wán quán hú tú， yīn wéi wǒ kàn dào liǎo zhēn lǐ， wǒ kàn chū bìng qiě zhī dào， rén shì huì biàn dé měi lì、 xìng fú， bù huì sàng shī shēng cún néng lì de。 wǒ bù yuàn yì yě bù huì xiāng xìn， shì rén lèi de cháng tài。 nǐ zhī dào， tā men dà jiā cháo xiào de zhèng shì wǒ de zhè zhǒng xìn niàn。 kě wǒ zěn me néng méi yòu zhè gè xìn niàn ní： wǒ kàn dào liǎo zhēn lǐ， héng héng nà bù shì wǒ nǎo zǐ lǐ yì zào chū lái de， ér shì wǒ kàn dào de， kàn dào de， tā nà xǔ xǔ rú shēng de xíng xiàng yǒng yuǎn chōng yì wǒ xīn jiān。 wǒ kàn dào de zhēn lǐ shì rú cǐ de wán měi， yǐ zhì wǒ bù kě néng xiāng xìn rén lèi huì méi yòu zhēn lǐ。 zǒng zhī， wǒ zěn me huì hú tú ní？ dāng rán lā， fā shēng piān chā， shèn zhì kě néng hǎo duō cì， yě hái kě néng shuō chū yī xiē jiàn wài de huà， dàn zhè bù huì wéi shí tài jiǔ， yīn wéi wǒ suǒ kàn dào de huó shēng shēng de xíng xiàng jiāng yǒng yuǎn yǔ wǒ tóng zài， bìng yǒng yuǎn kuāng zhèng wǒ， zhǐ yǐn wǒ。 ā， wǒ jīng shén zhèn fèn， zhāoqì péng bó， xiàng qián， xiàng qián， nǎ pà zǒu tā yī qiān nián。 nín zhī dào， wǒ bǎ tā men quán jiào huài liǎo， qǐ chū wǒ shèn zhì xiǎng yǐn mán， dàn zhè shì cuò wù de héng héng shì wǒ de dì yī gè cuò wù！ bù guò， zhēn lǐ duì wǒ 'ěr yǔ， shuō wǒ zài sǎ huǎng， què yòu hù wèi wǒ， yǐn dǎo wǒ。 kě shì， tiān táng shì rú hé jiàn zào qǐ lái de héng héng wǒ bù zhī dào， yīn wéi wǒ bù shàn yú yòng yán cí qù miáo shù。 mèng xǐng hòu wǒ yí wàng liǎo xǔ duō， zhì shǎo bǎ yī xiē zhù yào de、 zhòng yào de cí yǔ gěi wàng liǎo。 bù guò， jí shǐ rú cǐ， wǒ hái shì yào qù shuō， bù tíng dì shuō， yīn wéi bì jìng shì wǒ qīn yǎn suǒ jiàn， nǎ pà wǒ bù shàn yú miáo huì wǒ de suǒ jiàn suǒ wén。 rán 'ér cháo xiào wǒ de rén bìng bù liǎo jiě zhè yī diǎn， tā men shuō：“ nǐ jiàn dào de shì mèng huàn、 huàn jué、 huàn xiàng，” hāi！ nán dào zhè shì shénme cōng míng tòu dǐng？ tā men jìng shì nà me zì míng dé yì！ mèng？ shénme shì mèng ní？ wǒ men de yī shēng bù jiù shì yīcháng mèng má？ wǒ yào zài shuō yī biàn： nǎ pà zhè mèng yǒng yuǎn bù néng shí xiàn， nǎ pà bù huì yòu shénme tiān táng（ zhè yī diǎn wǒ yǐ jīng míng liǎo！） héng héng kě wǒ hái shì yào qù chuán dào。 qí shí， zhè hěn jiǎn dān： zhǐ xiāo yī tiān， · yī · gè · xiǎo · shí， yī qiē biàn huì yī cù 'ér jiù de！ zhòng yào de shì nǐ yào xiàng 'ài zì jǐ nà yàng qù 'ài bié rén， zhè shì guān jiàn suǒ zài， zhè yě jiù shì yī qiē， bié de shénme dōuwú suǒ wèi， yīn wéi nǐ mǎ shàng jiù huì zhī dào rú hé jiàn lì qǐ tiān táng liǎo。 qí shí， zhè bù guò shì gè gǔ lǎo de zhēn lǐ， bèi rén men chóngfù、 bèi sòng guò bù zhī duō shǎo biàn， kě tā què méi yòu shēng cún xià lái！ suǒ wèi“ duì shēng huó de liǎo jiě zhòng yú shēng huó běn shēn， rèn shí xìng fú de guī lǜ zhòng yú xìng fú” héng héng bì xū yǔ zhī jìn xíng dǒu zhēng！ wǒ jiāng cān jiā dǒu zhēng。 zhǐ yào dà jiā yòu cǐ xīn yuàn， nà me biàn huì mǎ dào chéng gōng！
wǒ yī dìng yào zhǎo dào nà gè xiǎo nǚ hái…… wǒ zhè jiù qù！ jiù qù！
《 hàn ní bá》 shì dāng dài měi guó zuò jiā tuō mǎ sī · hā lǐ sī de《 chén mò de gāo yáng》 de xù jí。
《 chén mò de gāo yáng》 19?? nián chū bǎn， chū bǎn hòu fēngmǐ yī shí， wěn jū chàng xiāo shū páiháng bǎng gāo wèi， dào 1998 nián shí nián zhī jiān xiāo shòu liàng yǐ dá 500 wàn cè。 ér gēn jù tā gǎi biān de diàn yǐng《 chén mò de gāo yáng》 gèng shì yī míng jīng rén， huò dé liǎo zuì jiā yǐngpiān、 zuì jiā nán yǎn yuán、 zuì jiā nǚ yǎn yuán、 zuì jiā dǎo yǎn hé zuì jiā gǎi biān jù běn wǔ xiàng 'ào sī kǎ jīn xiàng jiǎng， zài wǒ guó yě hěn shòu huān yíng。
běn shū《 hàn ní bá》 1999 nián 6 yuè chū bǎn， chū bǎn hòu yě wěn jū chàng xiāo shū páiháng bǎng gāo wèi， gōng [ rén zhù mù， zhì jīn bù guò bàn nián， yǐ yòu pāi chéng diàn yǐng de jìhuà。
zhè shū suī shàng chéng《 chén mò de gāo yáng》， gù shì què jī běn dú lì， méi yòu dú guò《 chén mò de gāo yáng》 de dú zhě yě kě yǐ shùn lì dì dú xià qù。
běn shū miáo xiě liǎo lián bāng diào chá jú yī gè nǚ tàn yuán shǐ dá lín yīn wéi zhàn gōng zhuó zhù、 shì fēi fēn míng， rě rén jí dù， yī zài shòu rén xiàn hài， zhōng yú tuō lí liǎo zì jǐ zhōng chéng xiàn shēn de shì yè， biàn chéng tā suǒ zhuī zōng de jīng shén bìng shā rén zhě de qíng rén de gù shì。 qíng jié jí qí qū zhé， xuán niàn dié qǐ， dà qǐ dà luò， bō guǐ yún jué， shí fēn yǐn rén rù shèng。
Synopsis
Seven years after Hannibal Lecter escaped from secure confinement, Clarice Starling witnesses her career crumble around her when a drug raid goes dreadfully wrong and she shoots and kills Evelda Drumgo, an armed meth dealer who was also carrying her child at the time, in self-defense. However, when Lecter sends her a letter offering condolence and requesting more information about her personal life, the F.B.I. finds a use for her once again.
Meanwhile Mason Verger, a horribly disfigured, crippled child molester and one of Lecter's few surviving victims, has been plotting gruesome revenge against the fugitive serial killer, which involves using Clarice as bait.
Reception
Although the ending was controversial, reaction to the novel was generally very positive. Robert McCrum, writing in The Guardian, called it "the exquisite satisfaction of a truly great melodrama". Martin Amis writing in Talk (in an essay later reprinted in The War Against Cliche) said that Hannibal was a work of "profound and virtuoso vulgarity", stating Harris "has become a serial murderer of English sentences and Hannibal is a necropolis of prose".
Author Stephen King, an admitted fan of the series, has said that he considers Hannibal to be one of the two greatest popular horror novels of all time, the other being The Exorcist.
Characters in Hannibal
* Hannibal Lecter
* Clarice Starling
* Mason Verger
* Margot Verger
* Rinaldo Pazzi
* Paul Krendler
* Barney Matthews
* Cordell
* Oreste Pini
* Dr. Doemling
* Carlo Deogracias
* Romula Cjesku
* Gnocco
* Jack Crawford
* Ardelia Mapp
* Evelda Drumgo
《 chén mò de gāo yáng》 19?? nián chū bǎn， chū bǎn hòu fēngmǐ yī shí， wěn jū chàng xiāo shū páiháng bǎng gāo wèi， dào 1998 nián shí nián zhī jiān xiāo shòu liàng yǐ dá 500 wàn cè。 ér gēn jù tā gǎi biān de diàn yǐng《 chén mò de gāo yáng》 gèng shì yī míng jīng rén， huò dé liǎo zuì jiā yǐngpiān、 zuì jiā nán yǎn yuán、 zuì jiā nǚ yǎn yuán、 zuì jiā dǎo yǎn hé zuì jiā gǎi biān jù běn wǔ xiàng 'ào sī kǎ jīn xiàng jiǎng， zài wǒ guó yě hěn shòu huān yíng。
běn shū《 hàn ní bá》 1999 nián 6 yuè chū bǎn， chū bǎn hòu yě wěn jū chàng xiāo shū páiháng bǎng gāo wèi， gōng [ rén zhù mù， zhì jīn bù guò bàn nián， yǐ yòu pāi chéng diàn yǐng de jìhuà。
zhè shū suī shàng chéng《 chén mò de gāo yáng》， gù shì què jī běn dú lì， méi yòu dú guò《 chén mò de gāo yáng》 de dú zhě yě kě yǐ shùn lì dì dú xià qù。
běn shū miáo xiě liǎo lián bāng diào chá jú yī gè nǚ tàn yuán shǐ dá lín yīn wéi zhàn gōng zhuó zhù、 shì fēi fēn míng， rě rén jí dù， yī zài shòu rén xiàn hài， zhōng yú tuō lí liǎo zì jǐ zhōng chéng xiàn shēn de shì yè， biàn chéng tā suǒ zhuī zōng de jīng shén bìng shā rén zhě de qíng rén de gù shì。 qíng jié jí qí qū zhé， xuán niàn dié qǐ， dà qǐ dà luò， bō guǐ yún jué， shí fēn yǐn rén rù shèng。
Synopsis
Seven years after Hannibal Lecter escaped from secure confinement, Clarice Starling witnesses her career crumble around her when a drug raid goes dreadfully wrong and she shoots and kills Evelda Drumgo, an armed meth dealer who was also carrying her child at the time, in self-defense. However, when Lecter sends her a letter offering condolence and requesting more information about her personal life, the F.B.I. finds a use for her once again.
Meanwhile Mason Verger, a horribly disfigured, crippled child molester and one of Lecter's few surviving victims, has been plotting gruesome revenge against the fugitive serial killer, which involves using Clarice as bait.
Reception
Although the ending was controversial, reaction to the novel was generally very positive. Robert McCrum, writing in The Guardian, called it "the exquisite satisfaction of a truly great melodrama". Martin Amis writing in Talk (in an essay later reprinted in The War Against Cliche) said that Hannibal was a work of "profound and virtuoso vulgarity", stating Harris "has become a serial murderer of English sentences and Hannibal is a necropolis of prose".
Author Stephen King, an admitted fan of the series, has said that he considers Hannibal to be one of the two greatest popular horror novels of all time, the other being The Exorcist.
Characters in Hannibal
* Hannibal Lecter
* Clarice Starling
* Mason Verger
* Margot Verger
* Rinaldo Pazzi
* Paul Krendler
* Barney Matthews
* Cordell
* Oreste Pini
* Dr. Doemling
* Carlo Deogracias
* Romula Cjesku
* Gnocco
* Jack Crawford
* Ardelia Mapp
* Evelda Drumgo
kè lā lì sī shì lián bāng diào chá jú de jiàn xí tè gōng。 tā suǒ zài de chéng shì fā shēng liǎo yī xì liè de mìng 'àn， xiōng shǒu shì yī míng zhuān bō nǚ xìng de pí de biàn tài shā rén fàn“ yě niú” bǐ 'ěr， qì jīn wéi zhǐ， shòu hài de nǚ xìng yǐ dá ５ rén。 kè lā lì sī de rèn wù shì qù yī suǒ jiè bèi sēn yán de jiān yù fǎng wèn jīng shén bìng zhuān jiā hàn ní bá bó shì， tóng tā jìn xíng miàn duì miàn de jiāo tán， yǐ cǐ huò qǔ zuì fàn de xīn lǐ xíng wéi zī liào lái bāng zhù pò 'àn。
hàn ní bá bèi guān zài dì láo lǐ， tā shì yī wèi zhì shāng jí gāo、 sī wéi mǐn jié dàn yòu xiē jīng shén biàn tài de zhōng nián nán zǐ， bìng qiě shì gè shí rén kuáng， tā yào qiú kè lā lì sī shuō chū gè rén jīng lì gōng zì jǐ fēn xī yǐ huàn qǔ tā de xié zhù。 kè lā lì sī de sī wéi néng lì wán quán bù shì bó shì de duì shǒu， tā lín zhèn bài táo liǎo。 bù jiǔ， jǐng fāng yòu fā xiàn liǎo yī jù nǚ shī。 gēn jù yàn shī fēn xī： xiōng shǒu shǐ shòu hài rén huó liǎo ３ tiān， sǐ qián méi yòu qiáng bào huò nüè dài de jì xiàng， xiōng shǒu xǐ huān shēn cái jiào pàng de nǚ zǐ， cháng cháng bǎ tā men 'è dé pí fū sōng chí zhī hòu cái shā sǐ。 kè lā lì sī yòu fā xiàn liǎo liǎng gè xīn de xiàn suǒ： qí yī， sǐ zhě bèi bù bèi bō qù liǎo liǎng kuài líng xíng de pí； qí 'èr， sǐ zhě hóu lóng lǐ yòu gè xiǎo shǒu zhǐ dà de chóng jiǎn。 jù kūn chóng zhuān jiā fēn xī， zhè shì yuán yú yà zhōu de yī zhǒng 'é， bèi chēng wéi“ dì yù kūn chóng”。
yòu yòu yī wèi nǚ zǐ bèi bǎng jià liǎo， zhè yī cì shì cān yì yuán de nǚ 'ér。 kè lā lì sī xiàng bó shì qiú zhù， bó shì réng duì tā jìn xíng xīn lǐ fēn xī， kè lā lì sī shuō chū tóng nián de zuì tòng kǔ de huí yì shì fù qīn qù shì hòu de yī duàn rì zǐ， tā jì zhù zài bàn mù chǎng de yí mǔ jiā lǐ， kě shì liǎng gè yuè hòu jiù táo zǒu liǎo， dàn cóng cǐ cháng cháng tīng dào gāo yáng de cǎn jiào。
bó shì tí shì kè lā lì sī， é de tè zhēng shì biàn， yóu chóng biàn chéng yǒng， yòu yóu yǒng biàn chéng 'é，“ yě niú” bǐ 'ěr yě xiǎng biàn， yóu yú tóng nián shí zāo dào guò jì mǔ de nüè dài， bǐ 'ěr chǎn shēng liǎo yī zhǒng biàn tài xīn lǐ， tā qù guò biàn xìng shǒu shù zhōng xīn， dàn shì zāo dào liǎo jù jué…… tā men de tán huà bèi zhù zhì yī shēng qí dùn qiè tīng qù， tā xiǎng qiǎng tóu gōng， yú shì duì hàn ní bá jìn xíng yán kù de shěn xùn， rán 'ér yī wú suǒ huò。 kè lā lì sī wén xùn gǎn lái， jīng guò yī fān xīn lǐ fēn xī， hàn ní bá liǎo jiě liǎo kè lā lì sī wèishénme zǒng huì tīng dào gāo yáng de cǎn jiào， kě zhèng dāng bó shì yào shuō chū xiōng shǒu de míng zì shí， qí dùn dài wèi bīng gǎn lái bǎ kè lā lì sī jià zǒu liǎo。 bù jiǔ， bó shì lì yòng qí dùn diū xià de yuán zhū bǐ zuò chéng yàoshì dǎ kāi liǎo shǒu liào， shā sǐ liǎo wèi bīng， táo zhī yāo yāo。 kè lā lì sī yī gè rén jì xù xún zhǎo xiàn suǒ， zhú jiàn bǎ duì xiàng suǒ dìng zài yī gè jiào zhān mǐ · gāng de rén shēn shàng， yīn wéi tā céng zài hǎi guān tí guò yī xiāng lái zì sū lǐ nán de huó máo máo chóng， hái qù guò biàn xìng zhōng xīn。
kè lā lì sī zhǎo dào liǎo“ yě niú” bǐ 'ěr de zhù chù， tā hé xiōng shǒu zài yīn sēn de dì xià shì lǐ fā shēng liǎo jī liè jiào liàng， zuì hòu kè lā lì sī jī zhōng liǎo bǐ 'ěr， jiù chū liǎo cān yì yuán de nǚ 'ér。“ yě niú” bǐ 'ěr bèi jī bì liǎo， rán 'ér gèng wēi xiǎn de rén wù què yòu chū xiàn liǎo。 zài qìng gōng huì shàng， kè lā lì sī jiē dào liǎo hàn ní bá bó shì de diàn huà， diàn huà guà duàn hòu， hàn ní bá dài zhe mò jìng， wú shēng dì jìn rù rén liú， xún zhǎo tā de liè wù héng héng qí dùn qù liǎo。
《 chén mò de gāo yáng》 - juésè jiè shào jí xīn lǐ fēn xī
kè lā lì sī： yáng gāo héng héng jiàn xí tè gōng
jiàn xí nǚ tè gōng kè lā lì sī hé biàn tài de jīng shén bìng zhuān jiā hàn ní bā 'ěr bó shì de jiāo wǎng， shì kè lā lì sī lǎo shī gěi de rèn wù， ér qiě zhī qián huò dé xiǎo xīn de tí shì， yīn cǐ tā zài jiāo wǎng zhōng de yù fáng zhī xīn shì bǐ jiào zhòng de， yù fáng de rén bù guǎn rú hé jiǎ zhuāng， qí shí zǒng shì wú fǎ cóng shí jì shàng yǎn bì qí qíng xù de。
kè lā lì sī zài hé hàn ní bā 'ěr jiāo wǎng zhī chū， fǎn jī hàn ní bā 'ěr de yī xiē cì jī xìng de tiǎo xìn。 bào lù chū qí fáng yù zhōng de jī liè de tè xìng。 tā bù xiǎng gěi rén jǐyǔ qīng shì。 zhè dāng rán hé tā tóng nián jīng lì xiāng guān。 hàn ní bā 'ěr bó shì zài jiāo wǎng zhī chū jǐyǔ kè lā lì sī yī xiē yòu yì de zhǐ dǎo。 zhè lǐ miàn cún zài yī xiē jiāo huàn tiáo jiàn。 ér zhè yī jiāo huàn tiáo jiàn shì hàn ní bā 'ěr zài zhì liáo kè lā lì sī。 tā men de zhè yī hù dòng shì fēi zhèng cháng de。 yīn wéi zài shí jì zī xún zhōng shì yù bù dào zhè lèi qíng kuàng de。 zhè shuō míng hàn ní bā 'ěr de nèi xīn kě néng cún zài mǒu xiē méi yòu shì fàng de qíng jié， dāng rán diàn yǐng méi yòu gěi wǒ men gèng duō de xiàn suǒ。
zhì shǎo shì kè lā lì sī de tǎn chéng xiāng dài gěi liǎo hàn ní bā 'ěr yī xiē cì jī。 zhè dāng rán yě hé yī gè jīng shén bìng dà fū zài jiān yù lǐ méi yòu huò dé bìng rén zhì liáo kě néng yòu guān。 fēn xī xīn lǐ xué zhǐ chū， xǔ duō xīn lǐ zhì liáo zhě běn shēn dōuyòu mǒu xiē yuán xíng hé qíng jié。 zhè dài biǎo tā men de gè xìng shǐ tā men jiē jìn tā men de zhí yè。 bù guò zhè bù shì shuō tā mendōu shì bìng tài de。 dàn néng lǐ jiě tā men xǐ huān zhè yī zhí yè běn shēn shì kě yǐ bèi fēn xī de， yīn wéi zhè shè jí yī gè xīn lǐ zhì liáo shī de fǎn yí qíng de kě néng。
kè lā lì sī zài hé hàn ní bā 'ěr jiāo wǎng hòu lái chǎn shēng liǎo yí qíng， quē xiàn de dōng xī zǒng xū yào bèi mǎn zú。 bù guò zhè xū yào dà jiā zǎi xì zài huí wèi nà diàn yǐng cái kě néng gǎn shòu dé dào。 zài mǒu zhǒng yì yì shàng， kè lā lì sī zài hé hàn ní bā 'ěr zhī jiān chū xiàn liǎo qīn mì de guān xì， zhè yī qián zài de qīn mì xìng bèi zuò wéi xīn lǐ zhì liáo zhuān jiā de hàn ní bā 'ěr suǒ gǎn shòu dào， zhè yī nǚ hái xū yào bāng zhù de qíng gǎn。 yú shì， zài zhè lǐ， kè lā lì sī zhè lǐ de nèi xīn wèn tí kāi shǐ fú xiàn liǎo。 nà shì hé tā tóng nián zuò wéi jǐng chá de fù qīn bèi shā yòu guān。 dāng wǒ men zài tóng nián sàng shī wǒ men de qīn mì gǎn shí， wǒ men hé suǒ qīn mì de kè tǐ de guò zǎo fēn lí huì chǎn shēng lì bǐ duō de wèi wán quán shì fàng。 bù guò sì hū zhè lǐ zhè lì liàng bèi shēng huá chéng lìng yī zhǒng jù yòu jiàn shè xìng de shì qíng。 zhè kě néng hé kè lā lì sī de xīn lǐ hé tè gōng zhí yè yòu guān。 yī gè rén guān xīn zì jǐ de nèi xīn yòu kě néng fǎn yìng chū tā nèi xīn yòu wèn tí xū yào bèi guān zhù。
hàn ní bā 'ěr yú shì xún wèn liǎo dì 'èr gè wèn tí， jiù shì kè lā lì sī de fù qīn bèi qiāng shā hòu de jīng lì， zhè yī qíng kuàng bèi zuò wéi jīng shén fēn xī jiā de hàn ní bā 'ěr suǒ bǎ wò。 rán hòu tā méi yòu lì jí zhǐ chū， ér shì jǐyǔ kè lā lì sī de qián yì shí fú chū de jī huì。 dāng rán zài zuì hòu jǐ cì jiāo wǎng zhōng， wèn tí bèi zhǐ chū， huí yì qǐ liǎo zuò yòng。 jiù shì zài nóng chǎng céng jīng xiǎng zhěng jiù de nà zhǐ gāo yáng de shī bài。 zhè zhí jiē gòu chéng liǎo tā méi yòu wán chéng de shì jiàn。 suǒ yǐ yòu shí hòu shuì jué shí hòu huì yòu lèi sì 'è mèng de qíng kuàng。 zhè yī wèn tí de bèi zhǐ chū sì hū kè lā lì sī yǐ jīng quán yù， yīn wéi tā de yì shí jiē shòu liǎo tā běn lái suǒ cuò wù yā yì de dōng xī。 zhè shì yī zhǒng lái zì qián yì shí de chōng dòng。
dàn wèn tí qí shí hái yuǎn bù shì zài zhè lǐ， kè lā lì sī duì yú nà jiàn biàn tài shā rén fàn“ yě niú bǐ 'ěr” àn jiàn de zhí zhe qí shí tóu shè liǎo tā nèi xīn nà méi yòu wán chéng de qíng jié。 nà zhǐ gāo yáng qí shí xiàng zhēng nà xiē bèi“ yě niú bǐ 'ěr” suǒ wēi xié shēng mìng de nǚ hái zǐ。 yīn wéi zhè zhèng shì chén mò de gāo yáng de xiàng zhēng。 xǔ duō nián qián， kè lā lì sī zài nóng chǎng céng jīng xiǎng zhěng jiù de nà zhǐ gāo yáng de shī bài zhí jiē dǎo zhì tā xiàn zài yào jiě jiù xiàn zài de gāo yáng héng héng nà yī gè kě néng bèi hài de nǚ hái。 zhè yī chōng dòng zhí jiē chū xiàn zài tā de xíng dòng zhōng， zhè wán quán shì wú yì shí de chōng dòng。 dāng rán tā zuì hòu wán chéng liǎo zhè yī shì jiàn， ér cóng xīn lǐ hé gǎn shòu liǎng fāng miàn chéng gōng dì shì fàng liǎo zì jǐ lì bǐ duō de gù zhe。 cóng 'ér shǐ bèi hài rén huò jiù yǐ jí zì jǐ huò dé quán yù。
bù guò cóng róng gé de fēn xī xīn lǐ xué wǒ men kě yǐ kàn jiàn lìng yī zhǒng xiàng zhēng yì yì， tā kě néng hé《 shèng jīng》 yà bó lā hǎn wèile gǎn xiè shàng dì 'ér shì tú jiāng zì jǐ de 'ér zǐ shā sǐ yǐ gòngxiàn gěi shàng dì yòu guān。 nà gè hái zǐ jù shuō zuì hòu yóu yú shàng dì de cí 'ài 'ér huò dé méi yòu bèi shā sǐ de xìng yùn jiēguǒ。
“ yě niú bǐ 'ěr”： biàn tài shā rén fàn
cóng jīng shén fēn xī de kè tǐ xīn lǐ xué fēn xī， biàn tài shā rén fàn“ yě niú bǐ 'ěr” de shā rén hé bō qǔ nǚ xìng rén pí yǐ wán chéng nǚ xìng fú zhuāng de shì jiàn zuì dà de kě néng lái zì qí yòu nián shí de chōng dòng， jiù shì“ yě niú bǐ 'ěr” de mǔ qīn duō shù zài yǎng yù shàng cún zài hěn dà wèn tí， shèn zhì kě néng shì jīng shén fēn liè zhèng huàn zhě。“ yě niú bǐ 'ěr” zài bèi guān huái hé xìng bié fēn huà shàng cún zài yán zhòng de wèn tí， zhè dǎo zhì tā de xīn lǐ fā yù gēn běn hái shì cún zài zài yòu zhì qī， ér shì tú tōng guò yī zhǒng yòu zhì de xíng wéi lái dǎo zhì qí nèi xīn de chōng dòng de mǎn zú。
tā zài bèi hài zhě zuǐ lǐ suǒ fàng de yǒng chōng fēn shuō míng shuō míng liǎo tā xī wàng zì jǐ biàn chéng nǚ xìng de yī zhǒng xī wàng。 qí shí biàn chéng nǚ xìng shì tā zì jǐ xī wàng huò dé mǔ qīn zhī 'ài de xiàng zhēng， tā tōng guò zì jǐ biàn chéng nǚ xìng lái mǎn zú qí zì tǐ yì xiàng de xū yào。 zhè jiǎ shè zì jǐ shì nǚ xìng de zì tǐ yì xiàng zé lái zì gèng zǎo qī de xīn lǐ fā yù wéi chéng shú。
tā de chōng dòng yǐ yī zhǒng fēi zhèng cháng fāng shì chū xiàn。 rú guǒ tóng nián néng gěi yú yī zhǒng luó jié sī shì de fēi tiáo jiàn guān huái， tā jiù bù kě néng chū xiàn nà zhǒng bìng tài hòu guǒ。
zài tā de yì xiàng zhōng， tā hé bèi hài rén shì yī tǐ de huò zhě zhì shǎo shì wú fǎ qīng chǔ qū fēn de。 suǒ yǐ dāng tā shā hài nà xiē bèi hài rén shí tā de zhù guān zhōng kě néng shì jué dé zài chù lǐ tā zì jǐ de wèn tí。
tā de fǎn shè huì de chū xiàn yī dìng dǎo zhì tā de biàn xíng zhǐ shì sǐ wáng， ér bù shì sǐ hòu de fù shēng。
hàn ní bā 'ěr bó shì： biàn tài de jīng shén bìng zhuān jiā
zhè shì gè xiàng zhēng yīn yǐng de juésè， tā jù yòu jiù shì de qíng jié。 zhì shǎo zài zuì hòu tā táo lí shí jiāng yī gè jǐng chá xiàng yé sū yī yàng zhā zài nà lǐ kě yǐ fǎn yìng chū mǒu xiē。
suǒ shuō tā de chī rén kě néng hé yī zhǒng yuán shǐ de lì liàng gǎn yòu guān， zài nán tài píng yáng shàng yǐ qián suǒ liú chuán de màn nà xìn yǎng xiàng zhēng yī lèi yì sī。 dāng yī gè rén shì tú qù huò dé lì liàng shí， nà xiē yuán shǐ rén jiù qù shā lìng yī gè qiáng zhuàng de rén。 zhè yàng tā kě yǐ huò dé nà gè qiáng zhuàng de rén shēn shàng de lì liàng hé zhì huì， zhè zhǒng lì liàng zài zōng jiào xué shàng jiù chēng wéi màn nà。
zhè wèi jīng shén bìng zhuān jiā hàn ní bā 'ěr yǐ qián huò xǔ shì yòu hěn qiáng liè zhì liáo bìng rén chōng dòng de rén。 zuò wéi yī gè tài yòu yuàn wàng xī wàng zhì liáo bié rén de xīn lǐ yī shēng， kě néng shì xū yào fǎnxǐng de。 yīn wéi zhè shì jù yòu liǎng miàn xìng de。 zhì liáo zhě de bèi miàn kě néng zhèng zhàn zhe yī gè mó guǐ。
《 chén mò de gāo yáng》 - yǐngpiān bèi jǐng
kǒng bù piàn shì hǎo lāi wù zuì lìng rén jī dòng de lèi xíng piàn， rán 'ér cháng jiǔ yǐ lái， tā què nán dēng dà yǎ zhī táng， yǔ 'ào sī kǎ děng diàn yǐng dà jiǎng yī zhí wú yuán， bù guò hǎo lāi wù de diàn yǐng dà shī cóng wèi fàng qì guò duì lǐ xiǎng kǒng bù piàn de zhuī qiú hé duì 'ào sī kǎ de chōng jī。 zhōng yú， zài dì 64 jiè 'ào sī kǎ bān jiǎng diǎn lǐ shàng， hǎo lāi wù diàn yǐng dǎo yǎn qiáo nà sēn · dài mǐ yǐ kǒng bù piàn《 chén mò de gāo yáng》 dāng zhī wú kuì dì yíng dé liǎo 5 xiàng 'ào sī kǎ dà jiǎng， shǐ hǎo lāi wù de kǒng bù piàn zài 'ào sī kǎ juézhú zhōng yáng méi tù qì， zhēng dé liǎo yīngyǒu de dì wèi。
《 chén mò de gāo yáng》 gēn jù zhù míng xiǎo shuō jiā hā lǐ sī · tuō mǎ sī de tóng míng xiǎo shuō gǎi biān 'ér chéng， shì 20 shì jì 90 nián dài yǐ lái shēn kè fǎn yìng měi guó shè huì fàn zuì wèn tí de jīng diǎn zhī zuò。 yǐngpiān gù shì jì chéng liǎo hǎo lāi wù kǒng bù piàn de chuán tǒng， rán 'ér yǐngpiān de xù shì fāng shì què tū pò liǎo kǒng bù piàn de mó shì， tā pō jù jiàng xīn dì jiāng kǒng bù piàn yǔ zhēn tàn piàn qiǎo miào dì jié hé chéng yī tǐ。 suī rán yǐngpiān de chǎng jǐng shè zhì yǐ fēng bì de shì nèi huán jìng wéi zhù， quē fá jī liè huǒ bào de dòng zuò xìng， dàn yóu yú cǎi yòng liǎo xī qū kē kè shì de xuán niàn shǒu fǎ hé xiàn dài kǒng bù piàn de xīn lǐ fēn xī fāng fǎ， shǐ dé zhěng bù yǐngpiān de qíng jié pū shuò mí lí， jiāng guān zhòng yǐn rù liǎo yī gè xiàng zhēng xìng de rén lèi qián yì shí de shì jiè。 yǐngpiān tōng guò tàn suǒ rén wù xīn lǐ jí huàn， shì tú tàn xún dāng dài měi guó shè huì kǒng bù de gēn yuán， zhè shǐ dé yǐngpiān de zhù tí dé yǐ shēn huà， yù shì liǎo hǎo lāi wù wén yǐ zài dào de cè lüè。
wèishénme shì gāo yáng
“ chén mò de gāo yáng” shí jì shàng yīngdāng yì zuò“ gāo yáng de chén mò”， yě xǔ cóng nǚ zhù rén gōng kè lā lì sī de shēn shì lái fēn xī“ gāo yáng” gèng wéi tuǒ tiē。 kè lā lì sī de fù qīn shì jiā xiāng xiǎo zhèn shàng de yī míng xún jǐng， hòu yǐ shēn xùn zhí。 yú shì， kè lā lì sī bèi sòng wǎng yí mǔ jiā zhōng jì yǎng， dāng shí tā zhǐ yòu １ ０ suì。 yí mǔ hé yí fù shì mù chǎng zhù， zhù yào sì yǎng yáng hé mǎ， kě zhè xiē shēng kǒu dà duō yòu xiē máo bìng， bù shì tuǐ qué jiù shì yǎn xiā， tā men zǎi shā hòu bèi zuò chéng jiāo huò féi liào， huó zhe lā zǒu de zé jiāng chéng wéi gǒu de shí pǐn。 kè lā lì sī fā xiàn zhè yī qiē hòu， yī kē tóng xīn shòu dào qiáng liè de cì jī， gāo yáng qī lì de jiào shēng cóng cǐ biàn cháng jiǔ dì yíng rào zài tā de 'ěr biān hé xīn lǐ。 zhè yī qíng jié zài quán shū suǒ zhàn de piān fú bìng bù duō， dàn tā què shì kè lā lì sī tóng nián shēng huó de yī gè chuāngshāng。
zài tóng bó shì hàn ní bá jiē chù de guò chéng zhōng， bó shì yào tā“ tóu táo bào lǐ”， jí yào tā tí gōng jīng lì gěi zì jǐ fēn xī， yǐ cǐ zuò wéi zhuī bǔ“ yě niú” bǐ 'ěr de tiáo jiàn， yú shì kè lā lì sī shēn mái zài xīn dǐ de nà duàn wǎng shì jiù zhè yàng bèi bó shì yī diǎn yī diǎn dì wā chū lái。 hàn ní bá shì xīn lǐ fēn xī de gāo shǒu， tā zhī dào kè lā lì sī xiàn zài xīn zhōng shí bù shí tīng dào de gāo yáng de jiān jiào shēng gèng duō de shì jù yòu liǎo xiàng zhēng de yì yì， tā dài biǎo liǎo ruò zhě、 shòu hài zhě， xiàng zhēng liǎo zhè xiē rén zài gū kǔ wú yuán zhōng suǒ fā chū de hūháo。 yóu qí dāng kè lā lì sī kàn dào bèi xiōng shǒu shā hài de nǚ xìng hòu， suǒ yòu de yī qiē biàn níng jù dào yī gè shēng yīn shàng： gāo yáng zài jiān jiào， jiān jiào， jiān jiào！ zhǐ yào zhè shēng yīn yī tiān bù zhǐ， kè lā lì sī jiù bù dé 'ān níng， jiù huì zuò 'è mèng。 zì rán， kè lā lì sī zuì zhōng chéng gōng liǎo， tā dài zhù bìng jī bì liǎo“ yě niú” bǐ 'ěr， suǒ yǐ tā zhōng yú kě yǐ“ shuì dé hěn chén， hěn tián， yīn wéi gāo yáng yǐ jīng 'ān jìng liǎo”。
《 chén mò de gāo yáng》 - zhù yǎn jiǎn jiè
zhū dí · fú sī tè zhū dí · fú sī tè
zhū dí · fú sī tè JodieFoster
nǚ， shēng yú 1962 nián 11 yuè 19 rì， měi guó jiā zhōu luò shān jī xīng zuò： tiān xiē zuò
《 bào jié lí huā》 zuì zhōng chéng wéi zhū dí yíng dé liǎo tā diàn yǐng shēng yá zhōng dì yī gè 'ào sī kǎ zuì jiā nǚ zhùjué jiǎng。 hòu lái de《 chén mò de gāo yáng》 shǐ tā dé liǎo dì 'èr gè 'ào sī kǎ yǐng hòu jiǎng zuò。 yóu yú jīng jì làng cháo，《 chì miàn shàxīng》 biàn chéng liǎo tā dì yī bù shāng yè dòng zuò dà piàn。
《 chén mò de gāo yáng》 de chéng gōng， zhè ràng tā yòu jī huì zhí dǎo zì jǐ de dǎo yǎn chǔnǚ zuò《 jǐn xiù tóng nián》， yǐngpiān jiǎng shù de shì yī gè gāo zhì shāng de nán hái yǔ dān shēn mǔ qīn zhī jiān de gù shì， zhè gè gù shì yě shì tā tóng nián jīng lì de xiě zhào。 ér tā běn rén cóng xiǎo yě shì gè tiān cái。
wèile yǐ hòu de chéng gōng， tā chéng lì liǎo zì jǐ de“ dàn” zhì piàn gōng sī， quán xīn shí jiàn dāng dǎo yǎn、 zhì piàn rén de mèng。 yóu tā zì jǐ zhì zuò bìng zhù yǎn、 huò dé 'ào sī kǎ zuì jiā nǚ yǎn yuán tí míng de《 dà dì de nǚ 'ér》， yǐ jí dì 'èr bù dǎo yǎn zuò pǐn《 yuān jiā yī zú》 dōushì zhè kē“ dàn” fū chū lái de dài biǎo zuò。
ān dōng ní · huò pǔ jīn sī 'ān dōng ní · huò pǔ jīn sī
ān dōng ní · huò pǔ jīn sī AnthonyHopkins
nán， shēng yú 1937 nián 12 yuè 31 rì， yīng guó wēi 'ěr shì
xīng zuò： mó jié zuò
yīng guó yǎn yuán， zǎo nián zài kǎ dì fú yīnyuè xì jù xué yuàn jiù dú， tuì yì hòu yòu jìn rù yīng guó huáng jiā yì shù xué yuàn， jì 'ér zài láo lún sī · ào lì fú lǐng dǎo de guó jiā jù yuàn zhōng zhú jiàn zhǎn lòutóu jiǎo， yě kāi shǐ zài yǐng shì fāng miàn fā zhǎn。 1992 nián tā yǐ《 chén mò de gāo yáng》 duó dé 'ào sī kǎ yǐng dì， chuàng shì yè diān fēng。 qí hòu zhù yǎn liǎo yī lián chuàn yōu xiù wén yì piàn。 wèile biǎo zhāng tā duì diàn yǐng de jié chū gòng xiàn， yīng guó nǚ wáng shòu yú tā jué shì tóu xián。 2000 nián 3 yuè jiā rù měi guó guó jí。
《 chén mò de gāo yáng》 - dǎo yǎn jiǎn jiè
qiáo nà sēn · dài mǐ JonathanDemme
qiáo nà sēn · dài mǐ qiáo nà sēn · dài mǐ
nán， shēng yú 1944 nián 2 yuè 22 rì， měi guó niǔ yuē
xīng zuò： shuāng yú zuò
1974 nián qǐ dāng dǎo yǎn， xiān wéi luó jié · kǎo màn pāi B jí piàn。 tā zhēn zhèng quán xīn chuàng zuò de dì yī bù diàn yǐng shì yī chū miáo xiě mín yòng diàn tái shēng huó de fěng cì jù《 Citizens'Band， 1977》。 1980 nián qiáo nà sēn · dé mǐ yīn《 méi 'ěr wén yǔ huò 'ěr huá》（ MelvinandHoward， 1980） ér huò dé 'ào sī kǎ jīn xiàng jiǎng zuì jiā biān jù jiǎng。 yǐngpiān yě bèi rèn wéi shì bā shí nián dài zuì hǎo de yǐngpiān zhī yī。 jiē lián pāi de《 sàn dàn lù lù》（ SomethingWild， 1986）、《 jià rù hēi bāng》（ MarriedtoTheMob， 1988）、《 wán zhuǎn mài 'ā mì》（ MiamiBlues， 1990） dōuyòu bù cuò de fǎn xiǎng。
ràng qiáo nà sēn · dé mǐ míng zhèn jiāng hú de shì yóu 'ān dōng ní · huò pǔ jīn sī hé zhū dí · fú sī tè lián mèi zhù yǎn de kǒng bù piàn《 chén mò de gāo yáng》（ TheSilenceOfTheLambs,1991 suī rán qiáo nà sēn · dé mǐ jù jué zhí dǎo xù jí， dàn qí xù jí《 Hannial》 duì yǐng mí yǐ rán shì wàn zhòng qī dài。
jiē xià lái qiáo nà sēn · dé mǐ yòu yòu lìng yī bù zhòng yào de zuò pǐn《 fèi chéng gù shì》（ Philadelphia， 1993）， zhè bù shǒu dù tàn jí mǐn gǎn huà tí héng héng 'ài zī bìng de zuò pǐn， yóu tānɡ mǔ · hàn kè sī zhù yǎn , miáo xiě yī wèi 'ài zī bìng huàn zhě wèitā suǒ shòu dào de qí shì 'ér sù qiú gōng zhèng de gù shì。 yǐngpiān jí jù rén dào guān huái， yě shǐ tānɡ mǔ · hàn kè sī píng cǐ piàn 'ér huò dé 'ào sī kǎ zuì jiā nán zhùjué， jīn qiú jiǎng zuì jiā nán zhùjué děng zhòng duō jiǎng xiàng。
《 chén mò de gāo yáng》 - yuán shēng yīnyuè
chén mò de gāo yáng chén mò de gāo yáng
yīn《 zhǐ huán wáng sān bù qū》 ér huò dé gé lāi měi hé 'ào sī kǎ jiǎng de diàn yǐng pèi lè dà shī HowardShore zhī qián sì hū gèng jiā piān hǎo yú wéi xīn lǐ jīng sǒng fēng gé de diàn yǐng pèi lè， xiàng tā de dài biǎo zuò héng héng huò dé yīng guó yǐng yì xué yuàn zuì jiā diàn yǐng yīnyuè jiǎng tí míng zuò《 chén mò de gāo yáng》，（ yǐ jí《 rù qīn nǎo xì bāo》 (theCell)、《 chì luǒ wǔ cān》 (NakedLunch)、《 zhànlì kōng jiān》 (PanicRoom)、《 yóu xì》 (theGame) děng děng）， qí zhōng de pèi lè duì yú xì jù de zhāng lì hé xīn lǐ miáo xiě jí jù biǎo xiàn lì， yā yì de fēn wéi wǎng wǎng tōng guò yīnyuè zhōng níng zhòng de qíng gǎn chuán dì chū lái， tè bié shì guān yú nǚ zhùjué Starling（ JodieFoster） de bù fēn（ yě shì diàn yǐng pèi lè de zhōng xīn）， fēi cháng de gǎn rén。
zhuān ji qū mù :
1.MainTitle(5:04)
2.TheAsylum(3:53)
3.Clarice(3:03)
4.ReturntotheAsylum(2:35)
5.TheAbduction(3:01)
6.QuidProQuo(4:41)
7.LecterinMemphis(5:41)
8.LambsScreaming(5:34)
9.LecterEscapes(5:06)
10.Belvedere,Ohio(3:32)
11.TheMoth(2:20)
12.TheCellar(7:02)
13.Finale(4:50)
《 chén mò de gāo yáng》 - yǐngpiān shì diǎn
zhè shì yī bù lìng rén máo gǔ sǒng rán de xīn lǐ xuán niàn piàn， liǎng wèi zhùjué de dǒu zhì xì kòu rén xīn xián， yī gè xiǎng lì yòng hòu zhě yuè yù， lìng yī gè xiǎng lì yòng duì fāng de xīn lǐ fēn xī qù sōu xún lìng yī míng shā shǒu。 nán nǚ zhùjué yòu jīng cǎi jué lún de biǎo yǎn。 běn piàn pài shēng chū 2001 nián de xù jí《 hàn ní bá》 hé 2002 nián de qiánzhuàn《 hóng lóng》。
1992 nián 3 yuè 30 rì zài dì 64 jiè 'ào sī kǎ jīn xiàng jiǎng bān jiǎng jiē xiǎo zhōng， jīng guò yī fān jī liè dì juézhú，《 chén mò de gāo yáng》 huò dé zuì jiā yǐngpiān jiǎng， qiáo nà sēn . dé mò huò zuì jiā dǎo yǎn jiǎng， nán zhùjué 'ān dōng ní . huò pǔ jīn sī huò dé zuì jiā nán zhùjué jiǎng， nǚ zhùjué zhū dí . fú sī tè huò zuì jiā nǚ zhùjué jiǎng， tè dé . tǎ lì huò zuì jiā biān jù jiǎng。
《 chén mò de gāo yáng》 yī piàn yǐng xiǎng chí jiǔ bù shuāi， yǐn qǐ liǎo gōng zhòng duì shè huì fàn zuì、 kǒng bù yǐ jí xié 'è shì lì de zēng 'è hé qiǎn zé。 gāi piàn zhōng lián bāng diào chá jú de tè gōng yǐ jí zuì fàn duō shù qǔ zì shēng huó yuán xíng。 pāi shè qián， zhù yào chuàng zuò rén yuán quán bù dào lián bāng diào chá jú shí dì tǐ yàn shēng huó， nǚ zhùjué kè lā lì sī de bàn yǎn zhě zhū dí . fú sī tè zài nà lǐ huì jiàn liǎo tā de yuán xíng， lián bāng tè gōng mǎ lì . kè láo sī； ér zhū dí . fú sī tè běn rén shì céng cì shā lǐ gēn de xiōng shǒu xīn kè lì zhuī zhú de mù biāo。 yóu yú duì fàn zuì de tòng hèn yǐ jí jié chū de yǎn jì， zhū dí chéng gōng dì sù zào liǎo yī gè bù wèi qiáng bào , yǒng gǎn 'ér bù shī wēn róu jīng dé zhù kǎo yàn de nǚ tè gōng xíng xiàng。
zài《 chén mò de gāo yáng》 zhè bù yǐngpiān lǐ， zuì shǐ rén jīng xīn dòng bó de chǎng miàn shì hàn ní bā 'ěr de bàn yǎn zhě 'ān dōng ní . huò fǔ jīn sī de biǎo yǎn， tā bù kuì shì yī wèi jié chū de yǎn yuán， qí biǎo yǎn cái néng ràng rén jīng tàn bù yǐ。 zài tán dào《 chén mò de gāo yáng》 shí huò fǔ jīn sī shuō： " wǒ de fāng fǎ shí fēn jiǎn dān， wǒ jì zhù duì bái， rán hòu fēn xī、 sī kǎo juésè， dāng wǒ zhǎo zhǔn liǎo juésè de jī diào shí yī qiēdōu yíng rèn 'ér jiě liǎo。 " dāng zhū dí . fú sī tè bàn yǎn de lián bāng jú tè gōng kè lā lì sī dì 'èr cì qù jīng shén bìng yuàn jiàn hàn ní bā 'ěr shí， zhǐ jiàn hàn ní bā 'ěr chén jìng dì zuò zài tiě lán hòu miàn， mù guāng dāi zhì 'ér shēn yuǎn dì jiǔ jiǔ níng shì zhe qián fāng。 tū rán tā shēn chū shé tóu， kǒu tóu fā chū " sī lū sī lū " de shēng yīn， fǎng fó zài tiǎn shí zhe shénme měi wèi。 zhè duàn biǎo yǎn jì wú duì bái yě jīhū méi yòu dòng zuò， què chǎn shēng liǎo lìng rén máo gǔ sǒng rán de qiáng liè xiào guǒ。 zài《 chén mò de gāo yáng》 zhōng， huò fǔ jīn sī píng jiè zhǐ yòu sān shí fēn zhōng què lìng rén zháomí de biǎo yǎn， bǎ hàn ní bā 'ěr zhè gè zhì shāng jí gāo、 sī wéi mǐn jié、 huàn yòu jīng shén fēn liè zhèng de shí rén mó de xíng xiàng kè huà dé fēi cháng chū sè。 zhè shì gè pō jù tiǎo zhàn xìng de juésè， fēi yī bān yǎn yuán suǒ néng jià yù。 huò fǔ jīn sī zhī suǒ yǐ rú cǐ chéng gōng， wán quán dé yì yú tā yǔ shēng jù lái de yī gè wěi dà yǎn yuán suǒ bì xū jù yòu de yì shù bǐng fù hé jǐ shí nián de wǔ tái jīng yàn。
gāi piàn shàng yìng hòu lián xù 5 zhōu jū piào fáng dì yī， jǐn dì yī zhōu de piào fáng shōu rù jiù dá 1500 wàn měi yuán。 jí biàn zhè yàng， yě wú fǎ niǔ zhuǎn 'ào lì 'ān (Orion） gōng sī pò chǎn de 'è yùn。《 chén mò de gāo yáng》 shì gāi gōng sī zhèng shì xuān gào pò chǎn qián pāi shè de zuì hòu yī bù yǐngpiān， yǐ hòu zài yě bù huì kàn dào 'ào lì 'ān (Orion） de míng zì liǎo。
xīn lǐ xué kàn diǎn
kuā zhāng de xīn lǐ xué， qián yì shí， rén gé fēn xī。 biàn tài xīn lǐ xué， yì xìng pǐ、 shí rén kuáng。《 chén mò de gāo yáng》 bèi rèn wéi shì jīng diǎn xīn lǐ xué diàn yǐng。
《 chén mò de gāo yáng》 - mù hòu zhì zuò yǔ huā xù
huā xù
chén mò de gāo yáng chén mò de gāo yáng
jí 'ēn · hā kè màn céng mǎi xià běn piàn pāi shè quán， bù dàn dǎ suàn qīn zì zhí dǎo， hái zhǔn bèi bàn yǎn jié kè · kè láo fú dé de juésè， dàn kàn dào dì 61 jiè 'ào sī kǎ bān jiǎng wǎn huì shàng fàng yìng de《 mì xī xī bǐ zài rán shāo》 zhōng yòu guān tā de piàn huā zhī hòu， tā kāi shǐ duì zì jǐ zài bàn yǎn bào lì juésè shēn gǎn dān yōu， yú shì fàng qì pāi shè。
mài kè 'ěr · jī dùn céng shì bàn yǎn jié kè · kè láo fú dé de rén xuǎn。
yuē hàn · hè tè、 xiǎo lù yì sī · gé sài tè (LouisGossettJr。 )、 luó bó tè · dù wǎ 'ěr、 jié kè · ní kē 'ěr sēn hé luó bó tè · dé ní luó dū céng yòu wàng bàn yǎn hàn ní bá。
piàn zhōng lián bāng diào chá jú jú cháng de bàn gōng shì yú dāng nián yī lì suō bái · duō 'ěr (ElizabethDole) zài láo gōng jú de bàn gōng shì zhōng pāi shè。
piàn zhōng chū xiàn de yān cǎo tiān 'é bèi shòu yōu dài。 tā men bèi fàng zài háng bān de tóu děng cāng zhōng lái dào piàn chǎng， jū zhù de fáng jiān kě diào jié wēn dù hé shī dù， shēn zhe de xì zhuāng yě yì cháng jīng měi。
yǐngpiān dà bù fēn zài pǐ cí bǎo pāi shè。
suī rán《 chén mò de gāo yáng》 shì《 niè yù shā rén yè》 de hòu xù zhī zuò， ér qiě liǎng gè gù shì zhōng chū xiàn liǎo hěn duō xiāng tóng rén wù， dàn zhǐ yòu liǎng wèi yǎn yuán zài liǎng bù yǐngpiān zhōng dū céng chū xiàn， jí biàn rú cǐ， liǎng rén de juésè yě fā shēng liǎo gēnggǎi。 fú lán qí · fèi sēn (FrankieFaison) zài《 niè yù shā rén yè》 zhōng bàn yǎn liǎo fěi sī kè shàowèi， ér zài běn piàn zhōng bàn yǎn de shì bā ní； dān · bā tè lè (DanButler) zài《 niè yù shā rén yè》 zhōng bàn yǎn liǎo lián bāng diào chá jú de zhǐ wén zhuān jiā， ér zài běn piàn zhōng bàn yǎn de shì kūn chóng xué jiā。
piàn zhōng jié kè · kè láo fú dé de yuán xíng shì tàn yuán yuē hàn · dào gé lā sī， dào gé lā sī hái céng qīn zì xùn liàn bàn yǎn kè láo fú dé de sī kē tè · gé lín。
yǐngpiān hǎi bào zhōng de hú dié shēn shàng chū xiàn liǎo yī zhǐ kū lóu， rú guǒ zǎi xì guān chá， kě yǐ fā xiàn kū lóu tóu qí shí shì 3 míng chì luǒ de nǚ zǐ ( zài lìng wài bǎn běn zhōng shì 7 míng )， yǔ fěi lì pǔ · hā 'ěr sī màn (PhilippeHalsman) shòu dá lì huì huà zuò pǐn qǐ fā、 pāi shè yú 1951 nián de shè yǐng zuò pǐn fēi cháng xiāng sì。
piàn zhōng shuǐ niú bǐ 'ěr yuán zì xiàn shí zhōng de sān wèi lián huán shā shǒu， fēn bié shì shì hǎo bō rén pí de 'ài dé · gài 'ēn、 jiāng bèi hài nǚ xìng yǐn yòu jìn huò chē de tè dé · bāng dí、 yǐ jí jiāng bèi bǎng jià de nǚ xìng qiú jìn zài dì jiào zhōng de jiā lǐ · hǎi dé ní kè。
xiǎo shuō《 chén mò de gāo yáng》 de zuò zhě tuō mǎ sī · hā lǐ sī (ThomasHarris) cóng wèi kàn guò běn piàn， yīn wéi wéi kǒng yǐng xiǎng zì jǐ de xiě zuò。
zhì shǎo yòu 6 wèi dǎo yǎn chū xiàn zài piàn zhōng， fēn bié shì zhū dí · fú sī tè、 ān dōng ní · huò pǔ jīn sī、 kǎ xī · lāi méng sī (KasiLemmons)、 luó jié · kǎo màn (RogerCorman)、 dān · bā tè lè (DanButler) hé qiáo zhì A· luó méi luó。
mǐ jī · luò kè hé kěn ní sī · bù lā nà dū céng shì bàn yǎn jié kè · kè láo fú dé de rén xuǎn。
bù lǔ kè · shǐ mì sī wéi bàn yǎn kǎi sè lín zēng zhòng 25 bàng。
hàn ní bá de juésè shì cóng lián huán shā shǒu 'ài bó tè · fěi shí de fàn zuì jīng lì zhōng huò dé líng gǎn。
zhū dí · fú sī tè、 qiáo nà sēn · dài mǐ (JonathanDemme) hé sī kē tè · gé lín yǔ yī xiē qí tā de jù zǔ rén yuán kǎo chá liǎo wèi yú fú jí ní yà zhōu Quantico de lián bāng diào chá jú tè gōng xùn liàn zhōng xīn， bìng xué xí liǎo hěn duō wǔ qì jí tè gōng kè chéng。
yǐngpiān yuán dìng yú 1990 nián qiū tiān shàng yìng， dàn fā xíng shāng wèile lì tǐng《 yǔ láng gòng wǔ》 juézhú 'ào sī kǎ， jué dìng jiāng běn piàn de shàng yìng rì qī tuī chí dào 1991 nián 1 yuè。
wèile bàn yǎn hǎo piàn zhōng de juésè， ān dōng ní · huò pǔ jīn sī yán dú liǎo hěn duō lián huán shā shǒu 'àn lì， zào fǎng liǎo jiān yù zhōng de fú xíng fàn， bìng dào fǎ yuàn bàng tīng shěn pàn。
ān dōng ní · huò pǔ jīn sī zài piàn zhōng zhǐ chū xiàn liǎo 16 fēn zhōng， chéng wéi huò dé 'ào sī kǎ zuì jiā nán yǎn yuán jiǎng de zuì jiǎn duǎn de biǎo yǎn。
tè dé · tǎ lì (TedTally) zài biān xiě běn piàn jù běn shí xī wàng yóu zhū dí · fú sī tè bàn yǎn kè lā lì sī， dàn qiáo nà sēn · dài mǐ jiē shǒu zhí dǎo běn piàn shí， rèn wéi zhū dí · fú sī tè bù shì hé zhè gè juésè， xī wàng yóu mǐ xiē 'ěr · fěi fó bàn yǎn， dàn mǐ xiē 'ěr · fěi fó yīn běn piàn guò yú xuè xīng 'ér jù jué。 qiáo nà sēn · dài mǐ suí jí yòu chóngxīn qǐ yòng liǎo zhū dí · fú sī tè。
ài mǎ · tānɡ pǔ sēn yě céng shì bàn yǎn kè lā lì sī de rén xuǎn。
yǐngpiān gù shì de líng gǎn yuán yú huá shèng dùn dà xué xíng shì xué zhuān jiā luó bó tè · kǎi pò 'ěr yǔ lián huán shā shǒu tè dé · bāng dí de zhēn shí jīng lì， bāng dí dāng shí bāng zhù kǎi pò 'ěr jiào shòu diào chá lǜ hé lián huán shā shǒu。 bāng dí 1989 nián 1 yuè bèi chǔsǐ， ér zhēn zhèng de lǜ hé shā shǒu zài 2001 nián cái bèi zhuā huò， móu hài de nǚ xìng duō dá 48 rén。
zài chóu pāi qī jiān， zhū dí · fú sī tè hé sī kē tè · gé lín kě yǐ qīn 'ěr tīng dào xiàn shí zhōng lián huán shā shǒu zài zhé mó hé móu shā bèi hài zhě shí lù zhì de cí dài， zhū dí · fú sī tè jù jué shōu tīng zhè xiē cí dài， ér tīng guò cí dài de sī kē tè · gé lín hòu huǐ zì jǐ zhè me zuò， yīn wéi nà xiē lìng rén jiū xīn de shēng yīn ràng tā wú fǎ yí wàng。
jìn guǎn dāng shí fù zé fā xíng běn piàn de Orion gōng sī yǐ jīng xuān gào pò chǎn， dàn réng chì zī 20 wàn měi yuán jiāng běn piàn sòng xuǎn 'ào sī kǎ。
zài běn piàn chéng wéi 'ào sī kǎ zuì jiā yǐng piàn shí， běn piàn de jiā tíng lù yǐng dài yǐ jīng pǔ jí， zhè zài dāng shí shì qián suǒ wèi yòu de。
“ Acensustakeroncetriedtotestme。 IatehisliverwithsomefavabeansandaniceChianti。” hàn ní bá de zhè jù huà zài měi guó diàn yǐng xué huì píng xuǎn de“ bǎi jiā tái cí” bǎng dān zhōng míng liè dì 21 wèi。
běn piàn róng huò zuì jiā nán yǎn yuán、 zuì jiā nǚ yǎn yuán、 zuì jiā dǎo yǎn、 zuì jiā yǐngpiān hé zuì jiā gǎi biān jù běn 5 xiàng 'ào sī kǎ jiǎng， zài yǐng shǐ shàng zhǐ yòu 3 bù yǐngpiān xiǎng cǐ shū róng， chú běn piàn zhī wài， hái yòu 1934 nián de《 yī yè fēng liú》 hé 1975 nián de《 fēi yuè fēng rén yuàn》。
piàn zhōng de kè lā lì sī rù wéi měi guó diàn yǐng xué huì píng xuǎn de“ 50 wèi zuì wěi dà de diàn yǐng yīng xióng”， zài bǎng dān zhōng míng liè dì liù， yě shì míng cì zuì gāo de nǚ xìng juésè。 hàn ní bá zé zài“ 50 wèi zuì jiā diàn yǐng 'è rén” zhōng róng dēng bǎng shǒu。
ān dōng ní · huò pǔ jīn sī zài piàn zhōng cháo xiào zhū dí · fú sī tè de nán fāng kǒu yīn shì xiàn chǎng fā huī de。
zài《 yú lè zhōu kān》 píng xuǎn de“ yǐng shǐ zuì kǒng bù yǐngpiān” de bǎng dān zhōng， běn piàn gāo jū dì sì wèi。
chuān bāng jìng tóu
piàn zhōng chēng kè lā lì sī zài fú jí ní yà dà xué zhù xiū fàn zuì xué hé xīn lǐ xué， dàn zài zhēn zhèng de fú jí ní yà dà xué lǐ cóng wèi yòu fàn zuì xué de zhù xiū kè。
yǐngpiān zài shī jiǎn qíng jié zhōng chū xiàn liǎo duō chù pí lòu， qí zhōng bāo kuò shōu jí bèi hài zhě zhǐ wén shí méi yòu tí qǔ bèi hài zhě zhǐ jiá nèi de cán liú wù， ér qiě mò shuǐ yīnggāi yǐ jīng xiāo huǐ liǎo zhèng jù。
piàn zhōng kè lā lì sī shǐ yòng de zì dòng qiān jīn dǐng bìng fēi shì fú tè bān mǎ chē de pèi jiàn， fú tè bān mǎ chē de pèi jiàn yīnggāi shì jiǎn shì qiān jīn dǐng。
《 chén mò de gāo yáng》 - yǐng píng
chén mò de gāo yáng chén mò de gāo yáng
《 chén mò de gāo yáng》 shì yī bù jù yòu fù zá de qíng jié hé jī liè de xì jù chōng tū de yǐngpiān， yě shì yī bù xiāng dāng chū sè de yú lè piàn。 tā de yì shù xìng yě hěn wéi rén chēng dào， nà zhǒng jīng shén shàng de duì kàng、 nà zhǒng“ tiān shǐ hé mó guǐ” de xiān míng duì bǐ、 nà zhǒng jiàn lì zài jiào huǎn màn jié zòu shàng de nèi zài zhé lǐ xìng gěi rén de yìn xiàng shì shēn kè de， suǒ yǐ tā néng zài diàn yǐng shǐ shàng liú xià yī bǐ。 héng héng dì 64 jiè 'ào sī kǎ jiǎng píng wěi huì
chú liǎo kǒng bù qì fēn de yíng zào， yǐngpiān de shè huì mìng tí yě hěn yòu jiáo tóu。 jǐng chá wèile zhuō yī míng shā rén kuáng mó 'ér bù dé bù qiú zhù yú lìng yī míng shā rén kuáng mó， zhè běn shēn jiù jù yòu qiáng liè de huāng dàn yǔ fěng cì yì wèi。 yǐngpiān yī zhí zài xún zhǎo rén lèi shè huì de kǒng bù zhī yuán， zuì hòu dé chū liǎo yī gè“ yóu yú zhì xù běn shēn de wèn tí zào chéng de， fǎn guò lái wēi jí zhì xù de fàn zuì bìng lì” de jié lùn， zhè shǐ dé yǐngpiān cóng lìng yī céng miàn shàng jiǎng yòu jù yòu liǎo yī dìng de shè huì yì yì。 héng héng《 huá shèng dùn yóu bào》
shuō《 chén mò de gāo yáng》 shì yī bù“ kǒng bù xiǎo shuō” bìng bùwèi guò， zài 100 duō tiān de fān yì zhōng， wǒ jiù lì jīng liǎo 'è mèng de zhé mó， jǐ dù zài bàn yè xǐng lái 'ér gǎn jué zhe kǒng jù de chán rào。 rén shì qí guài de dòng wù， wén suǒ wèi wén jiàn suǒ wèi jiàn de shì piān yào qù wén qù jiàn， zhè yě jiù shì dà jiā míng zhī qí wéi kǒng bù xiǎo shuō què yǐ rán yào lái yuè dú de yuán yīn bā， qí qíng xíng dà zhì yǔ xiǎo hái zǐ jì pà yòu kě wàng tīng guǐ guài gù shì xiāng fǎng fó， dōushì gǎn jué zhe yī zhǒng yì yàng de cì jī huò zhànlì。 héng héng《 chén mò de gāo yáng》 xiǎo shuō fān yì zhě yáng hào chéng
《 chén mò de gāo yáng》 - huò jiǎng jīng lì
běn piàn huò dì liù shí sì jiè 'ào sī kǎ zuì jiā yǐngpiān、 zuì jiā nán nǚ zhùjué、 zuì jiā dǎo yǎn、 zuì jiā jù běn gǎi biān wǔ xiàng dà jiǎng。
ào sī kǎ jiǎng /AcademyAwards,USA 1992 zuì jiā diàn yǐng /BestPicture huò jiǎng
ào sī kǎ jiǎng /AcademyAwards,USA 1992 zuì jiā nán yǎn yuán /BestActorinaLeadingRole huò jiǎng ān dōng ní · huò pǔ jīn sī
ào sī kǎ jiǎng /AcademyAwards,USA 1992 zuì jiā nǚ yǎn yuán /BestActressinaLeadingRole huò jiǎng zhū dì fú sī tè
ào sī kǎ jiǎng /AcademyAwards,USA 1992 zuì jiā dǎo yǎn /BestDirector huò jiǎng qiáo nà sēn · dé méi
ào sī kǎ jiǎng /AcademyAwards,USA 1992 zuì jiā biān jù /BestWriting,ScreenplayWrittenDirectlyfortheScreen huò jiǎng tè dé · tǎ lì
ào sī kǎ jiǎng /AcademyAwards,USA 1992 zuì jiā jiǎn ji /BestFilmEditing tí míng CraigMcKay
'ào sī kǎ jiǎng /AcademyAwards,USA 1992 zuì jiā yīn xiào /BestSound tí míng TomFleischman
'ào sī kǎ jiǎng /AcademyAwards,USA 1992 zuì jiā yīn xiào /BestSound tí míng ChristopherNewman
jīn qiú jiǎng /GoldenGlobes,USA 1992 zuì jiā diàn yǐng ( jù qíng lèi )/BestMotionPicture-Drama tí míng
jīn qiú jiǎng /GoldenGlobes,USA 1992 zuì jiā dǎo yǎn /BestDirector-MotionPicture tí míng qiáo nà sēn · dé méi
jīn qiú jiǎng /GoldenGlobes,USA 1992 zuì jiā biān jù /BestScreenplay-MotionPicture tí míng tè dé · tǎ lì
jīn qiú jiǎng /GoldenGlobes,USA 1992 zuì jiā nǚ yǎn yuán ( jù qíng lèi )/BestPerformancebyanActressinaMotionPicture-Drama huò jiǎng zhū dì fú sī tè
jīn qiú jiǎng /GoldenGlobes,USA 1992 zuì jiā nán yǎn yuán ( jù qíng lèi )/BestPerformancebyanActorinaMotionPicture-Drama tí míng ān dōng ní · huò pǔ jīn sī
yīng guó xué yuàn jiǎng /BritishAcademyAwards 1992 zuì jiā diàn yǐng /BestFilm tí míng
yīng guó xué yuàn jiǎng /BritishAcademyAwards 1992 zuì jiā nán yǎn yuán /BestPerformancebyanActorinaLeadingRole huò jiǎng ān dōng ní · huò pǔ jīn sī
yīng guó xué yuàn jiǎng /BritishAcademyAwards 1992 zuì jiā nǚ yǎn yuán /BestPerformancebyanActressinaLeadingRole huò jiǎng zhū dì fú sī tè
yīng guó xué yuàn jiǎng /BritishAcademyAwards 1992 zuì jiā dǎo yǎn /BestDirection tí míng qiáo nà sēn · dé méi
yīng guó xué yuàn jiǎng /BritishAcademyAwards 1992 zuì jiā biān jù /BestScreenplay tí míng tè dé · tǎ lì
yīng guó xué yuàn jiǎng /BritishAcademyAwards 1992 zuì jiā shè yǐng /BestCinematography tí míng TakFujimoto
yīng guó xué yuàn jiǎng /BritishAcademyAwards 1992 zuì jiā jiǎn ji /BestEditing tí míng CraigMcKay
yīng guó xué yuàn jiǎng /BritishAcademyAwards 1992 zuì jiā yīn xiǎng /BestSound tí míng SkipLievsay
yīng guó xué yuàn jiǎng /BritishAcademyAwards 1992 zuì jiā yīn xiǎng /BestSound tí míng ChristopherNewman
yīng guó xué yuàn jiǎng /BritishAcademyAwards 1992 zuì jiā yīn xiǎng /BestSound tí míng TomFleischman
yīng guó xué yuàn jiǎng /BritishAcademyAwards 1992 zuì jiā yīnyuè /BestMusic tí míng huò huá xiāo
fǎ guó kǎi sǎ jiǎng /CésarAwards,France 1992 zuì jiā wài yǔ piàn /BestForeignFilm tí míng qiáo nà sēn · dé méi
niǔ yuē yǐng píng rén xié huì jiǎng /NewYorkFilmCriticsCircleAwards 1991 zuì jiā yǐngpiān /BestFilm huò jiǎng
niǔ yuē yǐng píng rén xié huì jiǎng /NewYorkFilmCriticsCircleAwards 1991 zuì jiā nán yǎn yuán /BestActor huò jiǎng ān dōng ní · huò pǔ jīn sī
niǔ yuē yǐng píng rén xié huì jiǎng /NewYorkFilmCriticsCircleAwards 1991 zuì jiā nǚ yǎn yuán /BestActress huò jiǎng zhū dì fú sī tè
niǔ yuē yǐng píng rén xié huì jiǎng /NewYorkFilmCriticsCircleAwards 1991 zuì jiā dǎo yǎn /BestDirector huò jiǎng qiáo nà sēn · dé méi
guó jiā píng lùn xié huì jiǎng ( měi )/NationalBoardofReview,USA 1991 zuì jiā yǐngpiān /BestPicture huò jiǎng
guó jiā píng lùn xié huì jiǎng ( měi )/NationalBoardofReview,USA 1991 zuì jiā dǎo yǎn /BestDirector huò jiǎng qiáo nà sēn · dé méi
guó jiā píng lùn xié huì jiǎng ( měi )/NationalBoardofReview,USA 1991 zuì jiā nán pèijué /BestSupportingActor huò jiǎng ān dōng ní · huò pǔ jīn sī
bólín guó jì diàn yǐng jié /BerlinInternationalFilmFestival 1991 jīn bǎi lín xióng /GoldenBerlinBear tí míng qiáo nà sēn · dé méi
bólín guó jì diàn yǐng jié /BerlinInternationalFilmFestival 1991 yín bǎi lín xióng -- zuì jiā dǎo yǎn jiǎng /BestDirector huò jiǎng qiáo nà sēn · dé méi
Plot summary
The novel opens with Clarice Starling, a young FBI trainee, being asked to carry out an errand by Jack Crawford, the head of the FBI division that draws up psychological profiles of serial killers. Starling is asked to present a questionnaire to brilliant forensic psychiatrist and cannibalistic sociopath, Hannibal Lecter. Lecter is serving nine consecutive life sentences in a Maryland mental institution for his murders.
We also learn of Jack Crawford's hunt for a serial killer dubbed "Buffalo Bill", whose modus operandi involves kidnapping overweight women, starving them for about a week initially then killing and skinning them, before dumping the bodies in nearby rivers. The nickname was started by Kansas City Police Homicide Division, as a joke that "he likes to skin his humps."
When Bill's sixth victim is found in West Virginia, Starling helps Crawford perform the autopsy. Starling finds a moth pupa in the throat of the victim, and just as Lecter predicted, she has been scalped. Diamond-shaped patches of skin have also been taken from her shoulders. Furthermore, autopsy reports indicate that Bill killed her within four days of her capture, much faster than his earlier victims. On the basis of Lecter's prediction, Starling believes that he knows who Buffalo Bill really is. She also asks why she was sent to fish for information on Buffalo Bill without being told she was doing so; Crawford explains that if she had had an agenda, Lecter would never have spoken up.
Starling takes the pupa to the Smithsonian, where it is eventually identified as the Death's-head Hawkmoth, which would not naturally occur where the victim was found.
In Tennessee, Catherine Baker Martin, the daughter of Senator Ruth Martin, is kidnapped. Within six hours, her blouse is found on the roadside, slit up the back: Buffalo Bill's calling card. Crawford is advised that no less than the President of the United States has expressed "intense interest" in the case, and that a successful rescue is preferable. Crawford estimates they have three days before Catherine is killed.
After Starling leaves, Lecter reminisces on the past, recalling a conversation with Benjamin Raspail. Raspail, during that therapy session, explained Klaus's death at the hands of Raspail's jealous former lover, Jame Gumb, who then used Klaus's skin to make an apron. Raspail also revealed that Gumb had an epiphany upon watching a moth hatch. Lecter's pleasant ruminations are interrupted when Chilton steps in. A listening device allowed him to record Starling's conversation, and Chilton has found out that Crawford's deal is a lie. He offers one of his own: If Lecter reveals Buffalo Bill's identity, he will indeed get a transfer to another asylum, but only if Chilton gets credit for getting the information from him. Lecter insists that he'll only give the information to Senator Martin in person, in Tennessee. Chilton agrees. Unknown to Chilton, Lecter has previously hidden under his tongue a paperclip and some parts of a pen, both of which were mistakenly given to him by untrained orderlies during his stay at the asylum. He fashions the pen pieces and paperclip into an improvised lockpick, which he later uses to pick his handcuff locks.
In Tennessee, Lecter toys with Senator Martin briefly, enjoying the woman's anguish, but eventually gives her some information about Buffalo Bill: his name is William "Billy" Rubin, and he has suffered from elephant ivory anthrax, a knifemaker's disease. He also provides an accurate physical description. The information is a red herring: bilirubin is a pigment in human bile and a chief coloring agent in human excrement, which the forensic lab compares to the color of Chilton's hair.
Shortly after this, Lecter manages to escape by killing off his captors and eviscerating them, using the face of one as a mask to fool paramedics. Starling continues her search for Buffalo Bill, eventually tracking him down.
Characters
* Clarice Starling
* Dr. Hannibal Lecter
* Jack Crawford
* Jame Gumb/Buffalo Bill
* Barney Matthews
* Ardelia Mapp
* Dr. Frederick Chilton
* Catherine Baker Martin
* Senator Ruth Martin
* Paul Krendler
* Noble Pilcher
* Albert Roden
* I. J. Miggs
Influences
Jame Gumb was based on five real-life serial killers:
* Ed Gein, a Wisconsin man who robbed graves and murdered women in order to flay their bodies and make clothing out of them. Gein was also the inspiration for Norman Bates in the Alfred Hitchcock film Psycho and Leatherface in The Texas Chain Saw Massacre.
* Gary Ridgway, who like Gumb only murdered women and dumped his victims bodies' in rivers, often with objects inserted inside their bodies.
* Ted Bundy, who killed dozens of women in the 1970s, often luring victims by pretending he was injured with a cast on his arm, a technique Gumb used to lure Catherine Martin into his van. Similar to Lecter, Bundy also offered to help investigators find other serial murderers by "giving insights" into their psychology while he was in death row, specifically about the Green River Killer.
* Gary M. Heidnik, who held women captive in a deep hole in his basement.
* Edmund Kemper, a man who murdered women and had sex with his victims.
Film adaptation
Main article: The Silence of the Lambs (film)
Following the 1986 adaptation of Red Dragon (filmed as Manhunter), The Silence of the Lambs was adapted by Jonathan Demme in 1991. The Silence of the Lambs became the third film in Oscar history to win the five most prestigious Academy Awards - Actor in a leading role, Actress in a leading role, Director, Motion Picture and Screenplay. It stars Anthony Hopkins as Hannibal Lecter, Jodie Foster as Clarice Starling and Ted Levine as the serial killer Buffalo Bill. It continues to be listed among the best movies ever made to this day.
Literary significance
The novel was a great success and Craig Brown of the Mail on Sunday wrote, "No thriller writer is better attuned than Thomas Harris to the rhythms of suspense. No horror writer is more adept at making the stomach churn", The Independent wrote "Utterly gripping" and Amazon wrote "...driving suspense, compelling characters,...a well-executed thriller..." Children's novelist Roald Dahl also greatly enjoyed the novel, describing it as "subtle, horrific and splendid, the best book I have read in a long time."
Awards and nominations
* The novel won the 1988 Bram Stoker Award for Best Novel.
* It was nominated for the 1989 World Fantasy Award.
hàn ní bá bèi guān zài dì láo lǐ， tā shì yī wèi zhì shāng jí gāo、 sī wéi mǐn jié dàn yòu xiē jīng shén biàn tài de zhōng nián nán zǐ， bìng qiě shì gè shí rén kuáng， tā yào qiú kè lā lì sī shuō chū gè rén jīng lì gōng zì jǐ fēn xī yǐ huàn qǔ tā de xié zhù。 kè lā lì sī de sī wéi néng lì wán quán bù shì bó shì de duì shǒu， tā lín zhèn bài táo liǎo。 bù jiǔ， jǐng fāng yòu fā xiàn liǎo yī jù nǚ shī。 gēn jù yàn shī fēn xī： xiōng shǒu shǐ shòu hài rén huó liǎo ３ tiān， sǐ qián méi yòu qiáng bào huò nüè dài de jì xiàng， xiōng shǒu xǐ huān shēn cái jiào pàng de nǚ zǐ， cháng cháng bǎ tā men 'è dé pí fū sōng chí zhī hòu cái shā sǐ。 kè lā lì sī yòu fā xiàn liǎo liǎng gè xīn de xiàn suǒ： qí yī， sǐ zhě bèi bù bèi bō qù liǎo liǎng kuài líng xíng de pí； qí 'èr， sǐ zhě hóu lóng lǐ yòu gè xiǎo shǒu zhǐ dà de chóng jiǎn。 jù kūn chóng zhuān jiā fēn xī， zhè shì yuán yú yà zhōu de yī zhǒng 'é， bèi chēng wéi“ dì yù kūn chóng”。
yòu yòu yī wèi nǚ zǐ bèi bǎng jià liǎo， zhè yī cì shì cān yì yuán de nǚ 'ér。 kè lā lì sī xiàng bó shì qiú zhù， bó shì réng duì tā jìn xíng xīn lǐ fēn xī， kè lā lì sī shuō chū tóng nián de zuì tòng kǔ de huí yì shì fù qīn qù shì hòu de yī duàn rì zǐ， tā jì zhù zài bàn mù chǎng de yí mǔ jiā lǐ， kě shì liǎng gè yuè hòu jiù táo zǒu liǎo， dàn cóng cǐ cháng cháng tīng dào gāo yáng de cǎn jiào。
bó shì tí shì kè lā lì sī， é de tè zhēng shì biàn， yóu chóng biàn chéng yǒng， yòu yóu yǒng biàn chéng 'é，“ yě niú” bǐ 'ěr yě xiǎng biàn， yóu yú tóng nián shí zāo dào guò jì mǔ de nüè dài， bǐ 'ěr chǎn shēng liǎo yī zhǒng biàn tài xīn lǐ， tā qù guò biàn xìng shǒu shù zhōng xīn， dàn shì zāo dào liǎo jù jué…… tā men de tán huà bèi zhù zhì yī shēng qí dùn qiè tīng qù， tā xiǎng qiǎng tóu gōng， yú shì duì hàn ní bá jìn xíng yán kù de shěn xùn， rán 'ér yī wú suǒ huò。 kè lā lì sī wén xùn gǎn lái， jīng guò yī fān xīn lǐ fēn xī， hàn ní bá liǎo jiě liǎo kè lā lì sī wèishénme zǒng huì tīng dào gāo yáng de cǎn jiào， kě zhèng dāng bó shì yào shuō chū xiōng shǒu de míng zì shí， qí dùn dài wèi bīng gǎn lái bǎ kè lā lì sī jià zǒu liǎo。 bù jiǔ， bó shì lì yòng qí dùn diū xià de yuán zhū bǐ zuò chéng yàoshì dǎ kāi liǎo shǒu liào， shā sǐ liǎo wèi bīng， táo zhī yāo yāo。 kè lā lì sī yī gè rén jì xù xún zhǎo xiàn suǒ， zhú jiàn bǎ duì xiàng suǒ dìng zài yī gè jiào zhān mǐ · gāng de rén shēn shàng， yīn wéi tā céng zài hǎi guān tí guò yī xiāng lái zì sū lǐ nán de huó máo máo chóng， hái qù guò biàn xìng zhōng xīn。
kè lā lì sī zhǎo dào liǎo“ yě niú” bǐ 'ěr de zhù chù， tā hé xiōng shǒu zài yīn sēn de dì xià shì lǐ fā shēng liǎo jī liè jiào liàng， zuì hòu kè lā lì sī jī zhōng liǎo bǐ 'ěr， jiù chū liǎo cān yì yuán de nǚ 'ér。“ yě niú” bǐ 'ěr bèi jī bì liǎo， rán 'ér gèng wēi xiǎn de rén wù què yòu chū xiàn liǎo。 zài qìng gōng huì shàng， kè lā lì sī jiē dào liǎo hàn ní bá bó shì de diàn huà， diàn huà guà duàn hòu， hàn ní bá dài zhe mò jìng， wú shēng dì jìn rù rén liú， xún zhǎo tā de liè wù héng héng qí dùn qù liǎo。
《 chén mò de gāo yáng》 - juésè jiè shào jí xīn lǐ fēn xī
kè lā lì sī： yáng gāo héng héng jiàn xí tè gōng
jiàn xí nǚ tè gōng kè lā lì sī hé biàn tài de jīng shén bìng zhuān jiā hàn ní bā 'ěr bó shì de jiāo wǎng， shì kè lā lì sī lǎo shī gěi de rèn wù， ér qiě zhī qián huò dé xiǎo xīn de tí shì， yīn cǐ tā zài jiāo wǎng zhōng de yù fáng zhī xīn shì bǐ jiào zhòng de， yù fáng de rén bù guǎn rú hé jiǎ zhuāng， qí shí zǒng shì wú fǎ cóng shí jì shàng yǎn bì qí qíng xù de。
kè lā lì sī zài hé hàn ní bā 'ěr jiāo wǎng zhī chū， fǎn jī hàn ní bā 'ěr de yī xiē cì jī xìng de tiǎo xìn。 bào lù chū qí fáng yù zhōng de jī liè de tè xìng。 tā bù xiǎng gěi rén jǐyǔ qīng shì。 zhè dāng rán hé tā tóng nián jīng lì xiāng guān。 hàn ní bā 'ěr bó shì zài jiāo wǎng zhī chū jǐyǔ kè lā lì sī yī xiē yòu yì de zhǐ dǎo。 zhè lǐ miàn cún zài yī xiē jiāo huàn tiáo jiàn。 ér zhè yī jiāo huàn tiáo jiàn shì hàn ní bā 'ěr zài zhì liáo kè lā lì sī。 tā men de zhè yī hù dòng shì fēi zhèng cháng de。 yīn wéi zài shí jì zī xún zhōng shì yù bù dào zhè lèi qíng kuàng de。 zhè shuō míng hàn ní bā 'ěr de nèi xīn kě néng cún zài mǒu xiē méi yòu shì fàng de qíng jié， dāng rán diàn yǐng méi yòu gěi wǒ men gèng duō de xiàn suǒ。
zhì shǎo shì kè lā lì sī de tǎn chéng xiāng dài gěi liǎo hàn ní bā 'ěr yī xiē cì jī。 zhè dāng rán yě hé yī gè jīng shén bìng dà fū zài jiān yù lǐ méi yòu huò dé bìng rén zhì liáo kě néng yòu guān。 fēn xī xīn lǐ xué zhǐ chū， xǔ duō xīn lǐ zhì liáo zhě běn shēn dōuyòu mǒu xiē yuán xíng hé qíng jié。 zhè dài biǎo tā men de gè xìng shǐ tā men jiē jìn tā men de zhí yè。 bù guò zhè bù shì shuō tā mendōu shì bìng tài de。 dàn néng lǐ jiě tā men xǐ huān zhè yī zhí yè běn shēn shì kě yǐ bèi fēn xī de， yīn wéi zhè shè jí yī gè xīn lǐ zhì liáo shī de fǎn yí qíng de kě néng。
kè lā lì sī zài hé hàn ní bā 'ěr jiāo wǎng hòu lái chǎn shēng liǎo yí qíng， quē xiàn de dōng xī zǒng xū yào bèi mǎn zú。 bù guò zhè xū yào dà jiā zǎi xì zài huí wèi nà diàn yǐng cái kě néng gǎn shòu dé dào。 zài mǒu zhǒng yì yì shàng， kè lā lì sī zài hé hàn ní bā 'ěr zhī jiān chū xiàn liǎo qīn mì de guān xì， zhè yī qián zài de qīn mì xìng bèi zuò wéi xīn lǐ zhì liáo zhuān jiā de hàn ní bā 'ěr suǒ gǎn shòu dào， zhè yī nǚ hái xū yào bāng zhù de qíng gǎn。 yú shì， zài zhè lǐ， kè lā lì sī zhè lǐ de nèi xīn wèn tí kāi shǐ fú xiàn liǎo。 nà shì hé tā tóng nián zuò wéi jǐng chá de fù qīn bèi shā yòu guān。 dāng wǒ men zài tóng nián sàng shī wǒ men de qīn mì gǎn shí， wǒ men hé suǒ qīn mì de kè tǐ de guò zǎo fēn lí huì chǎn shēng lì bǐ duō de wèi wán quán shì fàng。 bù guò sì hū zhè lǐ zhè lì liàng bèi shēng huá chéng lìng yī zhǒng jù yòu jiàn shè xìng de shì qíng。 zhè kě néng hé kè lā lì sī de xīn lǐ hé tè gōng zhí yè yòu guān。 yī gè rén guān xīn zì jǐ de nèi xīn yòu kě néng fǎn yìng chū tā nèi xīn yòu wèn tí xū yào bèi guān zhù。
hàn ní bā 'ěr yú shì xún wèn liǎo dì 'èr gè wèn tí， jiù shì kè lā lì sī de fù qīn bèi qiāng shā hòu de jīng lì， zhè yī qíng kuàng bèi zuò wéi jīng shén fēn xī jiā de hàn ní bā 'ěr suǒ bǎ wò。 rán hòu tā méi yòu lì jí zhǐ chū， ér shì jǐyǔ kè lā lì sī de qián yì shí fú chū de jī huì。 dāng rán zài zuì hòu jǐ cì jiāo wǎng zhōng， wèn tí bèi zhǐ chū， huí yì qǐ liǎo zuò yòng。 jiù shì zài nóng chǎng céng jīng xiǎng zhěng jiù de nà zhǐ gāo yáng de shī bài。 zhè zhí jiē gòu chéng liǎo tā méi yòu wán chéng de shì jiàn。 suǒ yǐ yòu shí hòu shuì jué shí hòu huì yòu lèi sì 'è mèng de qíng kuàng。 zhè yī wèn tí de bèi zhǐ chū sì hū kè lā lì sī yǐ jīng quán yù， yīn wéi tā de yì shí jiē shòu liǎo tā běn lái suǒ cuò wù yā yì de dōng xī。 zhè shì yī zhǒng lái zì qián yì shí de chōng dòng。
dàn wèn tí qí shí hái yuǎn bù shì zài zhè lǐ， kè lā lì sī duì yú nà jiàn biàn tài shā rén fàn“ yě niú bǐ 'ěr” àn jiàn de zhí zhe qí shí tóu shè liǎo tā nèi xīn nà méi yòu wán chéng de qíng jié。 nà zhǐ gāo yáng qí shí xiàng zhēng nà xiē bèi“ yě niú bǐ 'ěr” suǒ wēi xié shēng mìng de nǚ hái zǐ。 yīn wéi zhè zhèng shì chén mò de gāo yáng de xiàng zhēng。 xǔ duō nián qián， kè lā lì sī zài nóng chǎng céng jīng xiǎng zhěng jiù de nà zhǐ gāo yáng de shī bài zhí jiē dǎo zhì tā xiàn zài yào jiě jiù xiàn zài de gāo yáng héng héng nà yī gè kě néng bèi hài de nǚ hái。 zhè yī chōng dòng zhí jiē chū xiàn zài tā de xíng dòng zhōng， zhè wán quán shì wú yì shí de chōng dòng。 dāng rán tā zuì hòu wán chéng liǎo zhè yī shì jiàn， ér cóng xīn lǐ hé gǎn shòu liǎng fāng miàn chéng gōng dì shì fàng liǎo zì jǐ lì bǐ duō de gù zhe。 cóng 'ér shǐ bèi hài rén huò jiù yǐ jí zì jǐ huò dé quán yù。
bù guò cóng róng gé de fēn xī xīn lǐ xué wǒ men kě yǐ kàn jiàn lìng yī zhǒng xiàng zhēng yì yì， tā kě néng hé《 shèng jīng》 yà bó lā hǎn wèile gǎn xiè shàng dì 'ér shì tú jiāng zì jǐ de 'ér zǐ shā sǐ yǐ gòngxiàn gěi shàng dì yòu guān。 nà gè hái zǐ jù shuō zuì hòu yóu yú shàng dì de cí 'ài 'ér huò dé méi yòu bèi shā sǐ de xìng yùn jiēguǒ。
“ yě niú bǐ 'ěr”： biàn tài shā rén fàn
cóng jīng shén fēn xī de kè tǐ xīn lǐ xué fēn xī， biàn tài shā rén fàn“ yě niú bǐ 'ěr” de shā rén hé bō qǔ nǚ xìng rén pí yǐ wán chéng nǚ xìng fú zhuāng de shì jiàn zuì dà de kě néng lái zì qí yòu nián shí de chōng dòng， jiù shì“ yě niú bǐ 'ěr” de mǔ qīn duō shù zài yǎng yù shàng cún zài hěn dà wèn tí， shèn zhì kě néng shì jīng shén fēn liè zhèng huàn zhě。“ yě niú bǐ 'ěr” zài bèi guān huái hé xìng bié fēn huà shàng cún zài yán zhòng de wèn tí， zhè dǎo zhì tā de xīn lǐ fā yù gēn běn hái shì cún zài zài yòu zhì qī， ér shì tú tōng guò yī zhǒng yòu zhì de xíng wéi lái dǎo zhì qí nèi xīn de chōng dòng de mǎn zú。
tā zài bèi hài zhě zuǐ lǐ suǒ fàng de yǒng chōng fēn shuō míng shuō míng liǎo tā xī wàng zì jǐ biàn chéng nǚ xìng de yī zhǒng xī wàng。 qí shí biàn chéng nǚ xìng shì tā zì jǐ xī wàng huò dé mǔ qīn zhī 'ài de xiàng zhēng， tā tōng guò zì jǐ biàn chéng nǚ xìng lái mǎn zú qí zì tǐ yì xiàng de xū yào。 zhè jiǎ shè zì jǐ shì nǚ xìng de zì tǐ yì xiàng zé lái zì gèng zǎo qī de xīn lǐ fā yù wéi chéng shú。
tā de chōng dòng yǐ yī zhǒng fēi zhèng cháng fāng shì chū xiàn。 rú guǒ tóng nián néng gěi yú yī zhǒng luó jié sī shì de fēi tiáo jiàn guān huái， tā jiù bù kě néng chū xiàn nà zhǒng bìng tài hòu guǒ。
zài tā de yì xiàng zhōng， tā hé bèi hài rén shì yī tǐ de huò zhě zhì shǎo shì wú fǎ qīng chǔ qū fēn de。 suǒ yǐ dāng tā shā hài nà xiē bèi hài rén shí tā de zhù guān zhōng kě néng shì jué dé zài chù lǐ tā zì jǐ de wèn tí。
tā de fǎn shè huì de chū xiàn yī dìng dǎo zhì tā de biàn xíng zhǐ shì sǐ wáng， ér bù shì sǐ hòu de fù shēng。
hàn ní bā 'ěr bó shì： biàn tài de jīng shén bìng zhuān jiā
zhè shì gè xiàng zhēng yīn yǐng de juésè， tā jù yòu jiù shì de qíng jié。 zhì shǎo zài zuì hòu tā táo lí shí jiāng yī gè jǐng chá xiàng yé sū yī yàng zhā zài nà lǐ kě yǐ fǎn yìng chū mǒu xiē。
suǒ shuō tā de chī rén kě néng hé yī zhǒng yuán shǐ de lì liàng gǎn yòu guān， zài nán tài píng yáng shàng yǐ qián suǒ liú chuán de màn nà xìn yǎng xiàng zhēng yī lèi yì sī。 dāng yī gè rén shì tú qù huò dé lì liàng shí， nà xiē yuán shǐ rén jiù qù shā lìng yī gè qiáng zhuàng de rén。 zhè yàng tā kě yǐ huò dé nà gè qiáng zhuàng de rén shēn shàng de lì liàng hé zhì huì， zhè zhǒng lì liàng zài zōng jiào xué shàng jiù chēng wéi màn nà。
zhè wèi jīng shén bìng zhuān jiā hàn ní bā 'ěr yǐ qián huò xǔ shì yòu hěn qiáng liè zhì liáo bìng rén chōng dòng de rén。 zuò wéi yī gè tài yòu yuàn wàng xī wàng zhì liáo bié rén de xīn lǐ yī shēng， kě néng shì xū yào fǎnxǐng de。 yīn wéi zhè shì jù yòu liǎng miàn xìng de。 zhì liáo zhě de bèi miàn kě néng zhèng zhàn zhe yī gè mó guǐ。
《 chén mò de gāo yáng》 - yǐngpiān bèi jǐng
kǒng bù piàn shì hǎo lāi wù zuì lìng rén jī dòng de lèi xíng piàn， rán 'ér cháng jiǔ yǐ lái， tā què nán dēng dà yǎ zhī táng， yǔ 'ào sī kǎ děng diàn yǐng dà jiǎng yī zhí wú yuán， bù guò hǎo lāi wù de diàn yǐng dà shī cóng wèi fàng qì guò duì lǐ xiǎng kǒng bù piàn de zhuī qiú hé duì 'ào sī kǎ de chōng jī。 zhōng yú， zài dì 64 jiè 'ào sī kǎ bān jiǎng diǎn lǐ shàng， hǎo lāi wù diàn yǐng dǎo yǎn qiáo nà sēn · dài mǐ yǐ kǒng bù piàn《 chén mò de gāo yáng》 dāng zhī wú kuì dì yíng dé liǎo 5 xiàng 'ào sī kǎ dà jiǎng， shǐ hǎo lāi wù de kǒng bù piàn zài 'ào sī kǎ juézhú zhōng yáng méi tù qì， zhēng dé liǎo yīngyǒu de dì wèi。
《 chén mò de gāo yáng》 gēn jù zhù míng xiǎo shuō jiā hā lǐ sī · tuō mǎ sī de tóng míng xiǎo shuō gǎi biān 'ér chéng， shì 20 shì jì 90 nián dài yǐ lái shēn kè fǎn yìng měi guó shè huì fàn zuì wèn tí de jīng diǎn zhī zuò。 yǐngpiān gù shì jì chéng liǎo hǎo lāi wù kǒng bù piàn de chuán tǒng， rán 'ér yǐngpiān de xù shì fāng shì què tū pò liǎo kǒng bù piàn de mó shì， tā pō jù jiàng xīn dì jiāng kǒng bù piàn yǔ zhēn tàn piàn qiǎo miào dì jié hé chéng yī tǐ。 suī rán yǐngpiān de chǎng jǐng shè zhì yǐ fēng bì de shì nèi huán jìng wéi zhù， quē fá jī liè huǒ bào de dòng zuò xìng， dàn yóu yú cǎi yòng liǎo xī qū kē kè shì de xuán niàn shǒu fǎ hé xiàn dài kǒng bù piàn de xīn lǐ fēn xī fāng fǎ， shǐ dé zhěng bù yǐngpiān de qíng jié pū shuò mí lí， jiāng guān zhòng yǐn rù liǎo yī gè xiàng zhēng xìng de rén lèi qián yì shí de shì jiè。 yǐngpiān tōng guò tàn suǒ rén wù xīn lǐ jí huàn， shì tú tàn xún dāng dài měi guó shè huì kǒng bù de gēn yuán， zhè shǐ dé yǐngpiān de zhù tí dé yǐ shēn huà， yù shì liǎo hǎo lāi wù wén yǐ zài dào de cè lüè。
wèishénme shì gāo yáng
“ chén mò de gāo yáng” shí jì shàng yīngdāng yì zuò“ gāo yáng de chén mò”， yě xǔ cóng nǚ zhù rén gōng kè lā lì sī de shēn shì lái fēn xī“ gāo yáng” gèng wéi tuǒ tiē。 kè lā lì sī de fù qīn shì jiā xiāng xiǎo zhèn shàng de yī míng xún jǐng， hòu yǐ shēn xùn zhí。 yú shì， kè lā lì sī bèi sòng wǎng yí mǔ jiā zhōng jì yǎng， dāng shí tā zhǐ yòu １ ０ suì。 yí mǔ hé yí fù shì mù chǎng zhù， zhù yào sì yǎng yáng hé mǎ， kě zhè xiē shēng kǒu dà duō yòu xiē máo bìng， bù shì tuǐ qué jiù shì yǎn xiā， tā men zǎi shā hòu bèi zuò chéng jiāo huò féi liào， huó zhe lā zǒu de zé jiāng chéng wéi gǒu de shí pǐn。 kè lā lì sī fā xiàn zhè yī qiē hòu， yī kē tóng xīn shòu dào qiáng liè de cì jī， gāo yáng qī lì de jiào shēng cóng cǐ biàn cháng jiǔ dì yíng rào zài tā de 'ěr biān hé xīn lǐ。 zhè yī qíng jié zài quán shū suǒ zhàn de piān fú bìng bù duō， dàn tā què shì kè lā lì sī tóng nián shēng huó de yī gè chuāngshāng。
zài tóng bó shì hàn ní bá jiē chù de guò chéng zhōng， bó shì yào tā“ tóu táo bào lǐ”， jí yào tā tí gōng jīng lì gěi zì jǐ fēn xī， yǐ cǐ zuò wéi zhuī bǔ“ yě niú” bǐ 'ěr de tiáo jiàn， yú shì kè lā lì sī shēn mái zài xīn dǐ de nà duàn wǎng shì jiù zhè yàng bèi bó shì yī diǎn yī diǎn dì wā chū lái。 hàn ní bá shì xīn lǐ fēn xī de gāo shǒu， tā zhī dào kè lā lì sī xiàn zài xīn zhōng shí bù shí tīng dào de gāo yáng de jiān jiào shēng gèng duō de shì jù yòu liǎo xiàng zhēng de yì yì， tā dài biǎo liǎo ruò zhě、 shòu hài zhě， xiàng zhēng liǎo zhè xiē rén zài gū kǔ wú yuán zhōng suǒ fā chū de hūháo。 yóu qí dāng kè lā lì sī kàn dào bèi xiōng shǒu shā hài de nǚ xìng hòu， suǒ yòu de yī qiē biàn níng jù dào yī gè shēng yīn shàng： gāo yáng zài jiān jiào， jiān jiào， jiān jiào！ zhǐ yào zhè shēng yīn yī tiān bù zhǐ， kè lā lì sī jiù bù dé 'ān níng， jiù huì zuò 'è mèng。 zì rán， kè lā lì sī zuì zhōng chéng gōng liǎo， tā dài zhù bìng jī bì liǎo“ yě niú” bǐ 'ěr， suǒ yǐ tā zhōng yú kě yǐ“ shuì dé hěn chén， hěn tián， yīn wéi gāo yáng yǐ jīng 'ān jìng liǎo”。
《 chén mò de gāo yáng》 - zhù yǎn jiǎn jiè
zhū dí · fú sī tè zhū dí · fú sī tè
zhū dí · fú sī tè JodieFoster
nǚ， shēng yú 1962 nián 11 yuè 19 rì， měi guó jiā zhōu luò shān jī xīng zuò： tiān xiē zuò
《 bào jié lí huā》 zuì zhōng chéng wéi zhū dí yíng dé liǎo tā diàn yǐng shēng yá zhōng dì yī gè 'ào sī kǎ zuì jiā nǚ zhùjué jiǎng。 hòu lái de《 chén mò de gāo yáng》 shǐ tā dé liǎo dì 'èr gè 'ào sī kǎ yǐng hòu jiǎng zuò。 yóu yú jīng jì làng cháo，《 chì miàn shàxīng》 biàn chéng liǎo tā dì yī bù shāng yè dòng zuò dà piàn。
《 chén mò de gāo yáng》 de chéng gōng， zhè ràng tā yòu jī huì zhí dǎo zì jǐ de dǎo yǎn chǔnǚ zuò《 jǐn xiù tóng nián》， yǐngpiān jiǎng shù de shì yī gè gāo zhì shāng de nán hái yǔ dān shēn mǔ qīn zhī jiān de gù shì， zhè gè gù shì yě shì tā tóng nián jīng lì de xiě zhào。 ér tā běn rén cóng xiǎo yě shì gè tiān cái。
wèile yǐ hòu de chéng gōng， tā chéng lì liǎo zì jǐ de“ dàn” zhì piàn gōng sī， quán xīn shí jiàn dāng dǎo yǎn、 zhì piàn rén de mèng。 yóu tā zì jǐ zhì zuò bìng zhù yǎn、 huò dé 'ào sī kǎ zuì jiā nǚ yǎn yuán tí míng de《 dà dì de nǚ 'ér》， yǐ jí dì 'èr bù dǎo yǎn zuò pǐn《 yuān jiā yī zú》 dōushì zhè kē“ dàn” fū chū lái de dài biǎo zuò。
ān dōng ní · huò pǔ jīn sī 'ān dōng ní · huò pǔ jīn sī
ān dōng ní · huò pǔ jīn sī AnthonyHopkins
nán， shēng yú 1937 nián 12 yuè 31 rì， yīng guó wēi 'ěr shì
xīng zuò： mó jié zuò
yīng guó yǎn yuán， zǎo nián zài kǎ dì fú yīnyuè xì jù xué yuàn jiù dú， tuì yì hòu yòu jìn rù yīng guó huáng jiā yì shù xué yuàn， jì 'ér zài láo lún sī · ào lì fú lǐng dǎo de guó jiā jù yuàn zhōng zhú jiàn zhǎn lòutóu jiǎo， yě kāi shǐ zài yǐng shì fāng miàn fā zhǎn。 1992 nián tā yǐ《 chén mò de gāo yáng》 duó dé 'ào sī kǎ yǐng dì， chuàng shì yè diān fēng。 qí hòu zhù yǎn liǎo yī lián chuàn yōu xiù wén yì piàn。 wèile biǎo zhāng tā duì diàn yǐng de jié chū gòng xiàn， yīng guó nǚ wáng shòu yú tā jué shì tóu xián。 2000 nián 3 yuè jiā rù měi guó guó jí。
《 chén mò de gāo yáng》 - dǎo yǎn jiǎn jiè
qiáo nà sēn · dài mǐ JonathanDemme
qiáo nà sēn · dài mǐ qiáo nà sēn · dài mǐ
nán， shēng yú 1944 nián 2 yuè 22 rì， měi guó niǔ yuē
xīng zuò： shuāng yú zuò
1974 nián qǐ dāng dǎo yǎn， xiān wéi luó jié · kǎo màn pāi B jí piàn。 tā zhēn zhèng quán xīn chuàng zuò de dì yī bù diàn yǐng shì yī chū miáo xiě mín yòng diàn tái shēng huó de fěng cì jù《 Citizens'Band， 1977》。 1980 nián qiáo nà sēn · dé mǐ yīn《 méi 'ěr wén yǔ huò 'ěr huá》（ MelvinandHoward， 1980） ér huò dé 'ào sī kǎ jīn xiàng jiǎng zuì jiā biān jù jiǎng。 yǐngpiān yě bèi rèn wéi shì bā shí nián dài zuì hǎo de yǐngpiān zhī yī。 jiē lián pāi de《 sàn dàn lù lù》（ SomethingWild， 1986）、《 jià rù hēi bāng》（ MarriedtoTheMob， 1988）、《 wán zhuǎn mài 'ā mì》（ MiamiBlues， 1990） dōuyòu bù cuò de fǎn xiǎng。
ràng qiáo nà sēn · dé mǐ míng zhèn jiāng hú de shì yóu 'ān dōng ní · huò pǔ jīn sī hé zhū dí · fú sī tè lián mèi zhù yǎn de kǒng bù piàn《 chén mò de gāo yáng》（ TheSilenceOfTheLambs,1991 suī rán qiáo nà sēn · dé mǐ jù jué zhí dǎo xù jí， dàn qí xù jí《 Hannial》 duì yǐng mí yǐ rán shì wàn zhòng qī dài。
jiē xià lái qiáo nà sēn · dé mǐ yòu yòu lìng yī bù zhòng yào de zuò pǐn《 fèi chéng gù shì》（ Philadelphia， 1993）， zhè bù shǒu dù tàn jí mǐn gǎn huà tí héng héng 'ài zī bìng de zuò pǐn， yóu tānɡ mǔ · hàn kè sī zhù yǎn , miáo xiě yī wèi 'ài zī bìng huàn zhě wèitā suǒ shòu dào de qí shì 'ér sù qiú gōng zhèng de gù shì。 yǐngpiān jí jù rén dào guān huái， yě shǐ tānɡ mǔ · hàn kè sī píng cǐ piàn 'ér huò dé 'ào sī kǎ zuì jiā nán zhùjué， jīn qiú jiǎng zuì jiā nán zhùjué děng zhòng duō jiǎng xiàng。
《 chén mò de gāo yáng》 - yuán shēng yīnyuè
chén mò de gāo yáng chén mò de gāo yáng
yīn《 zhǐ huán wáng sān bù qū》 ér huò dé gé lāi měi hé 'ào sī kǎ jiǎng de diàn yǐng pèi lè dà shī HowardShore zhī qián sì hū gèng jiā piān hǎo yú wéi xīn lǐ jīng sǒng fēng gé de diàn yǐng pèi lè， xiàng tā de dài biǎo zuò héng héng huò dé yīng guó yǐng yì xué yuàn zuì jiā diàn yǐng yīnyuè jiǎng tí míng zuò《 chén mò de gāo yáng》，（ yǐ jí《 rù qīn nǎo xì bāo》 (theCell)、《 chì luǒ wǔ cān》 (NakedLunch)、《 zhànlì kōng jiān》 (PanicRoom)、《 yóu xì》 (theGame) děng děng）， qí zhōng de pèi lè duì yú xì jù de zhāng lì hé xīn lǐ miáo xiě jí jù biǎo xiàn lì， yā yì de fēn wéi wǎng wǎng tōng guò yīnyuè zhōng níng zhòng de qíng gǎn chuán dì chū lái， tè bié shì guān yú nǚ zhùjué Starling（ JodieFoster） de bù fēn（ yě shì diàn yǐng pèi lè de zhōng xīn）， fēi cháng de gǎn rén。
zhuān ji qū mù :
1.MainTitle(5:04)
2.TheAsylum(3:53)
3.Clarice(3:03)
4.ReturntotheAsylum(2:35)
5.TheAbduction(3:01)
6.QuidProQuo(4:41)
7.LecterinMemphis(5:41)
8.LambsScreaming(5:34)
9.LecterEscapes(5:06)
10.Belvedere,Ohio(3:32)
11.TheMoth(2:20)
12.TheCellar(7:02)
13.Finale(4:50)
《 chén mò de gāo yáng》 - yǐngpiān shì diǎn
zhè shì yī bù lìng rén máo gǔ sǒng rán de xīn lǐ xuán niàn piàn， liǎng wèi zhùjué de dǒu zhì xì kòu rén xīn xián， yī gè xiǎng lì yòng hòu zhě yuè yù， lìng yī gè xiǎng lì yòng duì fāng de xīn lǐ fēn xī qù sōu xún lìng yī míng shā shǒu。 nán nǚ zhùjué yòu jīng cǎi jué lún de biǎo yǎn。 běn piàn pài shēng chū 2001 nián de xù jí《 hàn ní bá》 hé 2002 nián de qiánzhuàn《 hóng lóng》。
1992 nián 3 yuè 30 rì zài dì 64 jiè 'ào sī kǎ jīn xiàng jiǎng bān jiǎng jiē xiǎo zhōng， jīng guò yī fān jī liè dì juézhú，《 chén mò de gāo yáng》 huò dé zuì jiā yǐngpiān jiǎng， qiáo nà sēn . dé mò huò zuì jiā dǎo yǎn jiǎng， nán zhùjué 'ān dōng ní . huò pǔ jīn sī huò dé zuì jiā nán zhùjué jiǎng， nǚ zhùjué zhū dí . fú sī tè huò zuì jiā nǚ zhùjué jiǎng， tè dé . tǎ lì huò zuì jiā biān jù jiǎng。
《 chén mò de gāo yáng》 yī piàn yǐng xiǎng chí jiǔ bù shuāi， yǐn qǐ liǎo gōng zhòng duì shè huì fàn zuì、 kǒng bù yǐ jí xié 'è shì lì de zēng 'è hé qiǎn zé。 gāi piàn zhōng lián bāng diào chá jú de tè gōng yǐ jí zuì fàn duō shù qǔ zì shēng huó yuán xíng。 pāi shè qián， zhù yào chuàng zuò rén yuán quán bù dào lián bāng diào chá jú shí dì tǐ yàn shēng huó， nǚ zhùjué kè lā lì sī de bàn yǎn zhě zhū dí . fú sī tè zài nà lǐ huì jiàn liǎo tā de yuán xíng， lián bāng tè gōng mǎ lì . kè láo sī； ér zhū dí . fú sī tè běn rén shì céng cì shā lǐ gēn de xiōng shǒu xīn kè lì zhuī zhú de mù biāo。 yóu yú duì fàn zuì de tòng hèn yǐ jí jié chū de yǎn jì， zhū dí chéng gōng dì sù zào liǎo yī gè bù wèi qiáng bào , yǒng gǎn 'ér bù shī wēn róu jīng dé zhù kǎo yàn de nǚ tè gōng xíng xiàng。
zài《 chén mò de gāo yáng》 zhè bù yǐngpiān lǐ， zuì shǐ rén jīng xīn dòng bó de chǎng miàn shì hàn ní bā 'ěr de bàn yǎn zhě 'ān dōng ní . huò fǔ jīn sī de biǎo yǎn， tā bù kuì shì yī wèi jié chū de yǎn yuán， qí biǎo yǎn cái néng ràng rén jīng tàn bù yǐ。 zài tán dào《 chén mò de gāo yáng》 shí huò fǔ jīn sī shuō： " wǒ de fāng fǎ shí fēn jiǎn dān， wǒ jì zhù duì bái， rán hòu fēn xī、 sī kǎo juésè， dāng wǒ zhǎo zhǔn liǎo juésè de jī diào shí yī qiēdōu yíng rèn 'ér jiě liǎo。 " dāng zhū dí . fú sī tè bàn yǎn de lián bāng jú tè gōng kè lā lì sī dì 'èr cì qù jīng shén bìng yuàn jiàn hàn ní bā 'ěr shí， zhǐ jiàn hàn ní bā 'ěr chén jìng dì zuò zài tiě lán hòu miàn， mù guāng dāi zhì 'ér shēn yuǎn dì jiǔ jiǔ níng shì zhe qián fāng。 tū rán tā shēn chū shé tóu， kǒu tóu fā chū " sī lū sī lū " de shēng yīn， fǎng fó zài tiǎn shí zhe shénme měi wèi。 zhè duàn biǎo yǎn jì wú duì bái yě jīhū méi yòu dòng zuò， què chǎn shēng liǎo lìng rén máo gǔ sǒng rán de qiáng liè xiào guǒ。 zài《 chén mò de gāo yáng》 zhōng， huò fǔ jīn sī píng jiè zhǐ yòu sān shí fēn zhōng què lìng rén zháomí de biǎo yǎn， bǎ hàn ní bā 'ěr zhè gè zhì shāng jí gāo、 sī wéi mǐn jié、 huàn yòu jīng shén fēn liè zhèng de shí rén mó de xíng xiàng kè huà dé fēi cháng chū sè。 zhè shì gè pō jù tiǎo zhàn xìng de juésè， fēi yī bān yǎn yuán suǒ néng jià yù。 huò fǔ jīn sī zhī suǒ yǐ rú cǐ chéng gōng， wán quán dé yì yú tā yǔ shēng jù lái de yī gè wěi dà yǎn yuán suǒ bì xū jù yòu de yì shù bǐng fù hé jǐ shí nián de wǔ tái jīng yàn。
gāi piàn shàng yìng hòu lián xù 5 zhōu jū piào fáng dì yī， jǐn dì yī zhōu de piào fáng shōu rù jiù dá 1500 wàn měi yuán。 jí biàn zhè yàng， yě wú fǎ niǔ zhuǎn 'ào lì 'ān (Orion） gōng sī pò chǎn de 'è yùn。《 chén mò de gāo yáng》 shì gāi gōng sī zhèng shì xuān gào pò chǎn qián pāi shè de zuì hòu yī bù yǐngpiān， yǐ hòu zài yě bù huì kàn dào 'ào lì 'ān (Orion） de míng zì liǎo。
xīn lǐ xué kàn diǎn
kuā zhāng de xīn lǐ xué， qián yì shí， rén gé fēn xī。 biàn tài xīn lǐ xué， yì xìng pǐ、 shí rén kuáng。《 chén mò de gāo yáng》 bèi rèn wéi shì jīng diǎn xīn lǐ xué diàn yǐng。
《 chén mò de gāo yáng》 - mù hòu zhì zuò yǔ huā xù
huā xù
chén mò de gāo yáng chén mò de gāo yáng
jí 'ēn · hā kè màn céng mǎi xià běn piàn pāi shè quán， bù dàn dǎ suàn qīn zì zhí dǎo， hái zhǔn bèi bàn yǎn jié kè · kè láo fú dé de juésè， dàn kàn dào dì 61 jiè 'ào sī kǎ bān jiǎng wǎn huì shàng fàng yìng de《 mì xī xī bǐ zài rán shāo》 zhōng yòu guān tā de piàn huā zhī hòu， tā kāi shǐ duì zì jǐ zài bàn yǎn bào lì juésè shēn gǎn dān yōu， yú shì fàng qì pāi shè。
mài kè 'ěr · jī dùn céng shì bàn yǎn jié kè · kè láo fú dé de rén xuǎn。
yuē hàn · hè tè、 xiǎo lù yì sī · gé sài tè (LouisGossettJr。 )、 luó bó tè · dù wǎ 'ěr、 jié kè · ní kē 'ěr sēn hé luó bó tè · dé ní luó dū céng yòu wàng bàn yǎn hàn ní bá。
piàn zhōng lián bāng diào chá jú jú cháng de bàn gōng shì yú dāng nián yī lì suō bái · duō 'ěr (ElizabethDole) zài láo gōng jú de bàn gōng shì zhōng pāi shè。
piàn zhōng chū xiàn de yān cǎo tiān 'é bèi shòu yōu dài。 tā men bèi fàng zài háng bān de tóu děng cāng zhōng lái dào piàn chǎng， jū zhù de fáng jiān kě diào jié wēn dù hé shī dù， shēn zhe de xì zhuāng yě yì cháng jīng měi。
yǐngpiān dà bù fēn zài pǐ cí bǎo pāi shè。
suī rán《 chén mò de gāo yáng》 shì《 niè yù shā rén yè》 de hòu xù zhī zuò， ér qiě liǎng gè gù shì zhōng chū xiàn liǎo hěn duō xiāng tóng rén wù， dàn zhǐ yòu liǎng wèi yǎn yuán zài liǎng bù yǐngpiān zhōng dū céng chū xiàn， jí biàn rú cǐ， liǎng rén de juésè yě fā shēng liǎo gēnggǎi。 fú lán qí · fèi sēn (FrankieFaison) zài《 niè yù shā rén yè》 zhōng bàn yǎn liǎo fěi sī kè shàowèi， ér zài běn piàn zhōng bàn yǎn de shì bā ní； dān · bā tè lè (DanButler) zài《 niè yù shā rén yè》 zhōng bàn yǎn liǎo lián bāng diào chá jú de zhǐ wén zhuān jiā， ér zài běn piàn zhōng bàn yǎn de shì kūn chóng xué jiā。
piàn zhōng jié kè · kè láo fú dé de yuán xíng shì tàn yuán yuē hàn · dào gé lā sī， dào gé lā sī hái céng qīn zì xùn liàn bàn yǎn kè láo fú dé de sī kē tè · gé lín。
yǐngpiān hǎi bào zhōng de hú dié shēn shàng chū xiàn liǎo yī zhǐ kū lóu， rú guǒ zǎi xì guān chá， kě yǐ fā xiàn kū lóu tóu qí shí shì 3 míng chì luǒ de nǚ zǐ ( zài lìng wài bǎn běn zhōng shì 7 míng )， yǔ fěi lì pǔ · hā 'ěr sī màn (PhilippeHalsman) shòu dá lì huì huà zuò pǐn qǐ fā、 pāi shè yú 1951 nián de shè yǐng zuò pǐn fēi cháng xiāng sì。
piàn zhōng shuǐ niú bǐ 'ěr yuán zì xiàn shí zhōng de sān wèi lián huán shā shǒu， fēn bié shì shì hǎo bō rén pí de 'ài dé · gài 'ēn、 jiāng bèi hài nǚ xìng yǐn yòu jìn huò chē de tè dé · bāng dí、 yǐ jí jiāng bèi bǎng jià de nǚ xìng qiú jìn zài dì jiào zhōng de jiā lǐ · hǎi dé ní kè。
xiǎo shuō《 chén mò de gāo yáng》 de zuò zhě tuō mǎ sī · hā lǐ sī (ThomasHarris) cóng wèi kàn guò běn piàn， yīn wéi wéi kǒng yǐng xiǎng zì jǐ de xiě zuò。
zhì shǎo yòu 6 wèi dǎo yǎn chū xiàn zài piàn zhōng， fēn bié shì zhū dí · fú sī tè、 ān dōng ní · huò pǔ jīn sī、 kǎ xī · lāi méng sī (KasiLemmons)、 luó jié · kǎo màn (RogerCorman)、 dān · bā tè lè (DanButler) hé qiáo zhì A· luó méi luó。
mǐ jī · luò kè hé kěn ní sī · bù lā nà dū céng shì bàn yǎn jié kè · kè láo fú dé de rén xuǎn。
bù lǔ kè · shǐ mì sī wéi bàn yǎn kǎi sè lín zēng zhòng 25 bàng。
hàn ní bá de juésè shì cóng lián huán shā shǒu 'ài bó tè · fěi shí de fàn zuì jīng lì zhōng huò dé líng gǎn。
zhū dí · fú sī tè、 qiáo nà sēn · dài mǐ (JonathanDemme) hé sī kē tè · gé lín yǔ yī xiē qí tā de jù zǔ rén yuán kǎo chá liǎo wèi yú fú jí ní yà zhōu Quantico de lián bāng diào chá jú tè gōng xùn liàn zhōng xīn， bìng xué xí liǎo hěn duō wǔ qì jí tè gōng kè chéng。
yǐngpiān yuán dìng yú 1990 nián qiū tiān shàng yìng， dàn fā xíng shāng wèile lì tǐng《 yǔ láng gòng wǔ》 juézhú 'ào sī kǎ， jué dìng jiāng běn piàn de shàng yìng rì qī tuī chí dào 1991 nián 1 yuè。
wèile bàn yǎn hǎo piàn zhōng de juésè， ān dōng ní · huò pǔ jīn sī yán dú liǎo hěn duō lián huán shā shǒu 'àn lì， zào fǎng liǎo jiān yù zhōng de fú xíng fàn， bìng dào fǎ yuàn bàng tīng shěn pàn。
ān dōng ní · huò pǔ jīn sī zài piàn zhōng zhǐ chū xiàn liǎo 16 fēn zhōng， chéng wéi huò dé 'ào sī kǎ zuì jiā nán yǎn yuán jiǎng de zuì jiǎn duǎn de biǎo yǎn。
tè dé · tǎ lì (TedTally) zài biān xiě běn piàn jù běn shí xī wàng yóu zhū dí · fú sī tè bàn yǎn kè lā lì sī， dàn qiáo nà sēn · dài mǐ jiē shǒu zhí dǎo běn piàn shí， rèn wéi zhū dí · fú sī tè bù shì hé zhè gè juésè， xī wàng yóu mǐ xiē 'ěr · fěi fó bàn yǎn， dàn mǐ xiē 'ěr · fěi fó yīn běn piàn guò yú xuè xīng 'ér jù jué。 qiáo nà sēn · dài mǐ suí jí yòu chóngxīn qǐ yòng liǎo zhū dí · fú sī tè。
ài mǎ · tānɡ pǔ sēn yě céng shì bàn yǎn kè lā lì sī de rén xuǎn。
yǐngpiān gù shì de líng gǎn yuán yú huá shèng dùn dà xué xíng shì xué zhuān jiā luó bó tè · kǎi pò 'ěr yǔ lián huán shā shǒu tè dé · bāng dí de zhēn shí jīng lì， bāng dí dāng shí bāng zhù kǎi pò 'ěr jiào shòu diào chá lǜ hé lián huán shā shǒu。 bāng dí 1989 nián 1 yuè bèi chǔsǐ， ér zhēn zhèng de lǜ hé shā shǒu zài 2001 nián cái bèi zhuā huò， móu hài de nǚ xìng duō dá 48 rén。
zài chóu pāi qī jiān， zhū dí · fú sī tè hé sī kē tè · gé lín kě yǐ qīn 'ěr tīng dào xiàn shí zhōng lián huán shā shǒu zài zhé mó hé móu shā bèi hài zhě shí lù zhì de cí dài， zhū dí · fú sī tè jù jué shōu tīng zhè xiē cí dài， ér tīng guò cí dài de sī kē tè · gé lín hòu huǐ zì jǐ zhè me zuò， yīn wéi nà xiē lìng rén jiū xīn de shēng yīn ràng tā wú fǎ yí wàng。
jìn guǎn dāng shí fù zé fā xíng běn piàn de Orion gōng sī yǐ jīng xuān gào pò chǎn， dàn réng chì zī 20 wàn měi yuán jiāng běn piàn sòng xuǎn 'ào sī kǎ。
zài běn piàn chéng wéi 'ào sī kǎ zuì jiā yǐng piàn shí， běn piàn de jiā tíng lù yǐng dài yǐ jīng pǔ jí， zhè zài dāng shí shì qián suǒ wèi yòu de。
“ Acensustakeroncetriedtotestme。 IatehisliverwithsomefavabeansandaniceChianti。” hàn ní bá de zhè jù huà zài měi guó diàn yǐng xué huì píng xuǎn de“ bǎi jiā tái cí” bǎng dān zhōng míng liè dì 21 wèi。
běn piàn róng huò zuì jiā nán yǎn yuán、 zuì jiā nǚ yǎn yuán、 zuì jiā dǎo yǎn、 zuì jiā yǐngpiān hé zuì jiā gǎi biān jù běn 5 xiàng 'ào sī kǎ jiǎng， zài yǐng shǐ shàng zhǐ yòu 3 bù yǐngpiān xiǎng cǐ shū róng， chú běn piàn zhī wài， hái yòu 1934 nián de《 yī yè fēng liú》 hé 1975 nián de《 fēi yuè fēng rén yuàn》。
piàn zhōng de kè lā lì sī rù wéi měi guó diàn yǐng xué huì píng xuǎn de“ 50 wèi zuì wěi dà de diàn yǐng yīng xióng”， zài bǎng dān zhōng míng liè dì liù， yě shì míng cì zuì gāo de nǚ xìng juésè。 hàn ní bá zé zài“ 50 wèi zuì jiā diàn yǐng 'è rén” zhōng róng dēng bǎng shǒu。
ān dōng ní · huò pǔ jīn sī zài piàn zhōng cháo xiào zhū dí · fú sī tè de nán fāng kǒu yīn shì xiàn chǎng fā huī de。
zài《 yú lè zhōu kān》 píng xuǎn de“ yǐng shǐ zuì kǒng bù yǐngpiān” de bǎng dān zhōng， běn piàn gāo jū dì sì wèi。
chuān bāng jìng tóu
piàn zhōng chēng kè lā lì sī zài fú jí ní yà dà xué zhù xiū fàn zuì xué hé xīn lǐ xué， dàn zài zhēn zhèng de fú jí ní yà dà xué lǐ cóng wèi yòu fàn zuì xué de zhù xiū kè。
yǐngpiān zài shī jiǎn qíng jié zhōng chū xiàn liǎo duō chù pí lòu， qí zhōng bāo kuò shōu jí bèi hài zhě zhǐ wén shí méi yòu tí qǔ bèi hài zhě zhǐ jiá nèi de cán liú wù， ér qiě mò shuǐ yīnggāi yǐ jīng xiāo huǐ liǎo zhèng jù。
piàn zhōng kè lā lì sī shǐ yòng de zì dòng qiān jīn dǐng bìng fēi shì fú tè bān mǎ chē de pèi jiàn， fú tè bān mǎ chē de pèi jiàn yīnggāi shì jiǎn shì qiān jīn dǐng。
《 chén mò de gāo yáng》 - yǐng píng
chén mò de gāo yáng chén mò de gāo yáng
《 chén mò de gāo yáng》 shì yī bù jù yòu fù zá de qíng jié hé jī liè de xì jù chōng tū de yǐngpiān， yě shì yī bù xiāng dāng chū sè de yú lè piàn。 tā de yì shù xìng yě hěn wéi rén chēng dào， nà zhǒng jīng shén shàng de duì kàng、 nà zhǒng“ tiān shǐ hé mó guǐ” de xiān míng duì bǐ、 nà zhǒng jiàn lì zài jiào huǎn màn jié zòu shàng de nèi zài zhé lǐ xìng gěi rén de yìn xiàng shì shēn kè de， suǒ yǐ tā néng zài diàn yǐng shǐ shàng liú xià yī bǐ。 héng héng dì 64 jiè 'ào sī kǎ jiǎng píng wěi huì
chú liǎo kǒng bù qì fēn de yíng zào， yǐngpiān de shè huì mìng tí yě hěn yòu jiáo tóu。 jǐng chá wèile zhuō yī míng shā rén kuáng mó 'ér bù dé bù qiú zhù yú lìng yī míng shā rén kuáng mó， zhè běn shēn jiù jù yòu qiáng liè de huāng dàn yǔ fěng cì yì wèi。 yǐngpiān yī zhí zài xún zhǎo rén lèi shè huì de kǒng bù zhī yuán， zuì hòu dé chū liǎo yī gè“ yóu yú zhì xù běn shēn de wèn tí zào chéng de， fǎn guò lái wēi jí zhì xù de fàn zuì bìng lì” de jié lùn， zhè shǐ dé yǐngpiān cóng lìng yī céng miàn shàng jiǎng yòu jù yòu liǎo yī dìng de shè huì yì yì。 héng héng《 huá shèng dùn yóu bào》
shuō《 chén mò de gāo yáng》 shì yī bù“ kǒng bù xiǎo shuō” bìng bùwèi guò， zài 100 duō tiān de fān yì zhōng， wǒ jiù lì jīng liǎo 'è mèng de zhé mó， jǐ dù zài bàn yè xǐng lái 'ér gǎn jué zhe kǒng jù de chán rào。 rén shì qí guài de dòng wù， wén suǒ wèi wén jiàn suǒ wèi jiàn de shì piān yào qù wén qù jiàn， zhè yě jiù shì dà jiā míng zhī qí wéi kǒng bù xiǎo shuō què yǐ rán yào lái yuè dú de yuán yīn bā， qí qíng xíng dà zhì yǔ xiǎo hái zǐ jì pà yòu kě wàng tīng guǐ guài gù shì xiāng fǎng fó， dōushì gǎn jué zhe yī zhǒng yì yàng de cì jī huò zhànlì。 héng héng《 chén mò de gāo yáng》 xiǎo shuō fān yì zhě yáng hào chéng
《 chén mò de gāo yáng》 - huò jiǎng jīng lì
běn piàn huò dì liù shí sì jiè 'ào sī kǎ zuì jiā yǐngpiān、 zuì jiā nán nǚ zhùjué、 zuì jiā dǎo yǎn、 zuì jiā jù běn gǎi biān wǔ xiàng dà jiǎng。
ào sī kǎ jiǎng /AcademyAwards,USA 1992 zuì jiā diàn yǐng /BestPicture huò jiǎng
ào sī kǎ jiǎng /AcademyAwards,USA 1992 zuì jiā nán yǎn yuán /BestActorinaLeadingRole huò jiǎng ān dōng ní · huò pǔ jīn sī
ào sī kǎ jiǎng /AcademyAwards,USA 1992 zuì jiā nǚ yǎn yuán /BestActressinaLeadingRole huò jiǎng zhū dì fú sī tè
ào sī kǎ jiǎng /AcademyAwards,USA 1992 zuì jiā dǎo yǎn /BestDirector huò jiǎng qiáo nà sēn · dé méi
ào sī kǎ jiǎng /AcademyAwards,USA 1992 zuì jiā biān jù /BestWriting,ScreenplayWrittenDirectlyfortheScreen huò jiǎng tè dé · tǎ lì
ào sī kǎ jiǎng /AcademyAwards,USA 1992 zuì jiā jiǎn ji /BestFilmEditing tí míng CraigMcKay
'ào sī kǎ jiǎng /AcademyAwards,USA 1992 zuì jiā yīn xiào /BestSound tí míng TomFleischman
'ào sī kǎ jiǎng /AcademyAwards,USA 1992 zuì jiā yīn xiào /BestSound tí míng ChristopherNewman
jīn qiú jiǎng /GoldenGlobes,USA 1992 zuì jiā diàn yǐng ( jù qíng lèi )/BestMotionPicture-Drama tí míng
jīn qiú jiǎng /GoldenGlobes,USA 1992 zuì jiā dǎo yǎn /BestDirector-MotionPicture tí míng qiáo nà sēn · dé méi
jīn qiú jiǎng /GoldenGlobes,USA 1992 zuì jiā biān jù /BestScreenplay-MotionPicture tí míng tè dé · tǎ lì
jīn qiú jiǎng /GoldenGlobes,USA 1992 zuì jiā nǚ yǎn yuán ( jù qíng lèi )/BestPerformancebyanActressinaMotionPicture-Drama huò jiǎng zhū dì fú sī tè
jīn qiú jiǎng /GoldenGlobes,USA 1992 zuì jiā nán yǎn yuán ( jù qíng lèi )/BestPerformancebyanActorinaMotionPicture-Drama tí míng ān dōng ní · huò pǔ jīn sī
yīng guó xué yuàn jiǎng /BritishAcademyAwards 1992 zuì jiā diàn yǐng /BestFilm tí míng
yīng guó xué yuàn jiǎng /BritishAcademyAwards 1992 zuì jiā nán yǎn yuán /BestPerformancebyanActorinaLeadingRole huò jiǎng ān dōng ní · huò pǔ jīn sī
yīng guó xué yuàn jiǎng /BritishAcademyAwards 1992 zuì jiā nǚ yǎn yuán /BestPerformancebyanActressinaLeadingRole huò jiǎng zhū dì fú sī tè
yīng guó xué yuàn jiǎng /BritishAcademyAwards 1992 zuì jiā dǎo yǎn /BestDirection tí míng qiáo nà sēn · dé méi
yīng guó xué yuàn jiǎng /BritishAcademyAwards 1992 zuì jiā biān jù /BestScreenplay tí míng tè dé · tǎ lì
yīng guó xué yuàn jiǎng /BritishAcademyAwards 1992 zuì jiā shè yǐng /BestCinematography tí míng TakFujimoto
yīng guó xué yuàn jiǎng /BritishAcademyAwards 1992 zuì jiā jiǎn ji /BestEditing tí míng CraigMcKay
yīng guó xué yuàn jiǎng /BritishAcademyAwards 1992 zuì jiā yīn xiǎng /BestSound tí míng SkipLievsay
yīng guó xué yuàn jiǎng /BritishAcademyAwards 1992 zuì jiā yīn xiǎng /BestSound tí míng ChristopherNewman
yīng guó xué yuàn jiǎng /BritishAcademyAwards 1992 zuì jiā yīn xiǎng /BestSound tí míng TomFleischman
yīng guó xué yuàn jiǎng /BritishAcademyAwards 1992 zuì jiā yīnyuè /BestMusic tí míng huò huá xiāo
fǎ guó kǎi sǎ jiǎng /CésarAwards,France 1992 zuì jiā wài yǔ piàn /BestForeignFilm tí míng qiáo nà sēn · dé méi
niǔ yuē yǐng píng rén xié huì jiǎng /NewYorkFilmCriticsCircleAwards 1991 zuì jiā yǐngpiān /BestFilm huò jiǎng
niǔ yuē yǐng píng rén xié huì jiǎng /NewYorkFilmCriticsCircleAwards 1991 zuì jiā nán yǎn yuán /BestActor huò jiǎng ān dōng ní · huò pǔ jīn sī
niǔ yuē yǐng píng rén xié huì jiǎng /NewYorkFilmCriticsCircleAwards 1991 zuì jiā nǚ yǎn yuán /BestActress huò jiǎng zhū dì fú sī tè
niǔ yuē yǐng píng rén xié huì jiǎng /NewYorkFilmCriticsCircleAwards 1991 zuì jiā dǎo yǎn /BestDirector huò jiǎng qiáo nà sēn · dé méi
guó jiā píng lùn xié huì jiǎng ( měi )/NationalBoardofReview,USA 1991 zuì jiā yǐngpiān /BestPicture huò jiǎng
guó jiā píng lùn xié huì jiǎng ( měi )/NationalBoardofReview,USA 1991 zuì jiā dǎo yǎn /BestDirector huò jiǎng qiáo nà sēn · dé méi
guó jiā píng lùn xié huì jiǎng ( měi )/NationalBoardofReview,USA 1991 zuì jiā nán pèijué /BestSupportingActor huò jiǎng ān dōng ní · huò pǔ jīn sī
bólín guó jì diàn yǐng jié /BerlinInternationalFilmFestival 1991 jīn bǎi lín xióng /GoldenBerlinBear tí míng qiáo nà sēn · dé méi
bólín guó jì diàn yǐng jié /BerlinInternationalFilmFestival 1991 yín bǎi lín xióng -- zuì jiā dǎo yǎn jiǎng /BestDirector huò jiǎng qiáo nà sēn · dé méi
Plot summary
The novel opens with Clarice Starling, a young FBI trainee, being asked to carry out an errand by Jack Crawford, the head of the FBI division that draws up psychological profiles of serial killers. Starling is asked to present a questionnaire to brilliant forensic psychiatrist and cannibalistic sociopath, Hannibal Lecter. Lecter is serving nine consecutive life sentences in a Maryland mental institution for his murders.
We also learn of Jack Crawford's hunt for a serial killer dubbed "Buffalo Bill", whose modus operandi involves kidnapping overweight women, starving them for about a week initially then killing and skinning them, before dumping the bodies in nearby rivers. The nickname was started by Kansas City Police Homicide Division, as a joke that "he likes to skin his humps."
When Bill's sixth victim is found in West Virginia, Starling helps Crawford perform the autopsy. Starling finds a moth pupa in the throat of the victim, and just as Lecter predicted, she has been scalped. Diamond-shaped patches of skin have also been taken from her shoulders. Furthermore, autopsy reports indicate that Bill killed her within four days of her capture, much faster than his earlier victims. On the basis of Lecter's prediction, Starling believes that he knows who Buffalo Bill really is. She also asks why she was sent to fish for information on Buffalo Bill without being told she was doing so; Crawford explains that if she had had an agenda, Lecter would never have spoken up.
Starling takes the pupa to the Smithsonian, where it is eventually identified as the Death's-head Hawkmoth, which would not naturally occur where the victim was found.
In Tennessee, Catherine Baker Martin, the daughter of Senator Ruth Martin, is kidnapped. Within six hours, her blouse is found on the roadside, slit up the back: Buffalo Bill's calling card. Crawford is advised that no less than the President of the United States has expressed "intense interest" in the case, and that a successful rescue is preferable. Crawford estimates they have three days before Catherine is killed.
After Starling leaves, Lecter reminisces on the past, recalling a conversation with Benjamin Raspail. Raspail, during that therapy session, explained Klaus's death at the hands of Raspail's jealous former lover, Jame Gumb, who then used Klaus's skin to make an apron. Raspail also revealed that Gumb had an epiphany upon watching a moth hatch. Lecter's pleasant ruminations are interrupted when Chilton steps in. A listening device allowed him to record Starling's conversation, and Chilton has found out that Crawford's deal is a lie. He offers one of his own: If Lecter reveals Buffalo Bill's identity, he will indeed get a transfer to another asylum, but only if Chilton gets credit for getting the information from him. Lecter insists that he'll only give the information to Senator Martin in person, in Tennessee. Chilton agrees. Unknown to Chilton, Lecter has previously hidden under his tongue a paperclip and some parts of a pen, both of which were mistakenly given to him by untrained orderlies during his stay at the asylum. He fashions the pen pieces and paperclip into an improvised lockpick, which he later uses to pick his handcuff locks.
In Tennessee, Lecter toys with Senator Martin briefly, enjoying the woman's anguish, but eventually gives her some information about Buffalo Bill: his name is William "Billy" Rubin, and he has suffered from elephant ivory anthrax, a knifemaker's disease. He also provides an accurate physical description. The information is a red herring: bilirubin is a pigment in human bile and a chief coloring agent in human excrement, which the forensic lab compares to the color of Chilton's hair.
Shortly after this, Lecter manages to escape by killing off his captors and eviscerating them, using the face of one as a mask to fool paramedics. Starling continues her search for Buffalo Bill, eventually tracking him down.
Characters
* Clarice Starling
* Dr. Hannibal Lecter
* Jack Crawford
* Jame Gumb/Buffalo Bill
* Barney Matthews
* Ardelia Mapp
* Dr. Frederick Chilton
* Catherine Baker Martin
* Senator Ruth Martin
* Paul Krendler
* Noble Pilcher
* Albert Roden
* I. J. Miggs
Influences
Jame Gumb was based on five real-life serial killers:
* Ed Gein, a Wisconsin man who robbed graves and murdered women in order to flay their bodies and make clothing out of them. Gein was also the inspiration for Norman Bates in the Alfred Hitchcock film Psycho and Leatherface in The Texas Chain Saw Massacre.
* Gary Ridgway, who like Gumb only murdered women and dumped his victims bodies' in rivers, often with objects inserted inside their bodies.
* Ted Bundy, who killed dozens of women in the 1970s, often luring victims by pretending he was injured with a cast on his arm, a technique Gumb used to lure Catherine Martin into his van. Similar to Lecter, Bundy also offered to help investigators find other serial murderers by "giving insights" into their psychology while he was in death row, specifically about the Green River Killer.
* Gary M. Heidnik, who held women captive in a deep hole in his basement.
* Edmund Kemper, a man who murdered women and had sex with his victims.
Film adaptation
Main article: The Silence of the Lambs (film)
Following the 1986 adaptation of Red Dragon (filmed as Manhunter), The Silence of the Lambs was adapted by Jonathan Demme in 1991. The Silence of the Lambs became the third film in Oscar history to win the five most prestigious Academy Awards - Actor in a leading role, Actress in a leading role, Director, Motion Picture and Screenplay. It stars Anthony Hopkins as Hannibal Lecter, Jodie Foster as Clarice Starling and Ted Levine as the serial killer Buffalo Bill. It continues to be listed among the best movies ever made to this day.
Literary significance
The novel was a great success and Craig Brown of the Mail on Sunday wrote, "No thriller writer is better attuned than Thomas Harris to the rhythms of suspense. No horror writer is more adept at making the stomach churn", The Independent wrote "Utterly gripping" and Amazon wrote "...driving suspense, compelling characters,...a well-executed thriller..." Children's novelist Roald Dahl also greatly enjoyed the novel, describing it as "subtle, horrific and splendid, the best book I have read in a long time."
Awards and nominations
* The novel won the 1988 Bram Stoker Award for Best Novel.
* It was nominated for the 1989 World Fantasy Award.
《 hóng zì》 shì làng màn zhù yì zuò jiā huò sāng de cháng piān xiǎo shuō， chuàng zuò yú 1851 nián。 zuò pǐn yǐ 17 shì jì zhōng yè de běi měi zhí mín dì xīn yīng gé lán de yán kù jiào quán tǒng zhì wéi bèi jǐng， miáo xiě měi lì shàn liáng de hǎi sī tè zài zhàng fū qí líng wō sī shī zōng hòu dú jū de qíng kuàng xià， ài shàng liǎo qīng nián mù shī dīng méi sī dài 'ěr， bìng yǔ tā shēng liǎo yī gè nǚ hái…… zuò pǐn yòng céng céng shēn rù de shǒu fǎ， duì rén wù xīn lǐ jìn xíng zì rán、 xì nì、 bī zhēn de miáo xiě hé fēn xī， jù yòu qiáng liè de yì shù gǎn rǎn lì。
xiǎo shuō《 hóng zì》 - zuò pǐn jiǎn jiè
xiǎo shuō yǐ liǎng bǎi duō nián qián de zhí mín dì shí dài de měi zhōu wéi tí cái， dàn jiē lù de què shì 19 shì jì zī běn zhù yì fā zhǎn shí dài měi lì jiān hé zhòng guó shè huì diǎn fǎ de cán kù、 zōng jiào de qī piàn hé dào dé de xū wěi。 zhù rén gōng hǎi sī tè bèi xiě chéng liǎo chóng gāo dào dé de huà shēn。 tā bù dàn gǎn huà liǎo biǎo lǐ bù yī de dīng méi sī dài 'ěr， tóng shí yě zài gǎn huà zhe chōng mǎn zuì 'è de shè huì。 zhì yú tā de zhàng fū qí lín wò sī， xiǎo shuō zé bǎ tā xiě chéng liǎo yī gè yī xīn zhǐ xiǎng kuī mì fù chóu de yǐng zǐ shì de rén wù。 tā zài xiǎo shuō zhōng zhǐ qǐ qíng jié pū diàn de zuò yòng。
xiǎo shuō guàn yòng xiàng zhēng shǒu fǎ， rén wù、 qíng jié hé yǔ yán dū pō jù zhù guān xiǎng xiàng sè cǎi， zài miáo xiě zhōng yòu cháng bǎ rén de xīn lǐ huó dòng hé zhí jué fàng zài shǒu wèi。 yīn cǐ， tā bù jǐn shì měi lì jiān hé zhòng guó làng màn zhù yì xiǎo shuō de dài biǎo zuò， tóng shí yě bèi chēng zuò shì měi lì jiān hé zhòng guó xīn lǐ fēn xī xiǎo shuō de kāi chuàng piān。
xiǎo shuō《 hóng zì》 - nèi róng gěng gài
zài shí qī shì jì zhōng yè de yī gè xià tiān， yī tiān zǎo chén， yī dà qún bō shì dùn jū mín yōng jǐ zài jiān yù qián de cǎo dì shàng， zhuāng yán dì mù bù zhuǎn jīng dì dīng zhe láo fáng mén。
suí zhe láo mén de dǎ kāi， yī gè huái bào sān gè yuè dà de yīng 'ér de nián qīng nǚ rén huǎn huǎn dì zǒu dào liǎo rén qún qián， zài tā de xiōng qián pèi dài zhe yī gè xiān hóng de A zì， yào yǎn de hóng zì xī yǐn liǎo suǒ yòu rén de mù guāng， tā jiù shì hǎi sī tè bái lán tài tài。 tā yóu yú bèi rèn wéi fàn liǎo tōng jiān zuì 'ér shòu dào shěn pàn， bìng yào yǒng yuǎn pèi dài nà gè dài biǎo zhe chǐ rǔ de hóng zì。
zài jiǎo xíng tái shàng， miàn duì zhe zǒng dū bèi líng hàn hé yuē hàn wēi 'ěr xùn mù shī de wēi bī lì yòu， tā yǐ jí dà de yì lì rěn shòu zhe qū rǔ， rěn shòu zhe rén xìng suǒ néng chéng dān de yī qiē， ér zhàn zài tā shēn bàng de nián qīng mù shī dīng méi sī dài 'ěr què liú lù chū yī zhǒng yōu xīn chōng chōng、 jīng huāng shī cuò de shén sè， qià sì yī gè rén zài rén shēng dào lù shàng piān lí liǎo fāng xiàng， gǎn dào fēi cháng mí wǎng， zhǐ yòu bǎ zì jǐ fēng bì qǐ lái cái jué dé 'ān rán。 hǎi sī tè bái lán jiān dìng dì shuō：“ wǒ yǒng yuǎn bù huì shuō chū hái zǐ de fù qīn shì shuí de”， shuō zhè jù huà de shí hòu tā de yǎn jīng méi yòu qù kàn wēi 'ěr xùn mù shī， ér shì níng shì zhe nà nián qīng mù shī shēn chén 'ér yōu yù de yǎn jīng。“ zhè hóng zì lào dé tài shēn liǎo。 nǐ shì qǔ bù xià lái de。 dàn yuàn wǒ néng zài rěn shòu wǒ de tòng kǔ de tóng shí， yě rěn shòu zhù tā de tòng kǔ！” hǎi sī tè bái lán shuō。
zhè shí， zài rén qún zhōng， hǎi sī tè bái lán kàn dào liǎo yī gè xiàngmào qí tè de nán rén： ǎi xiǎo cāng lǎo， zuǒ jiān bǐ yòu jiān gāo， zhèng yòng zhe yīn huì de yǎn shén zhù shì zhe tā， zhè gè nán rén jiù shì tā shī sàn liǎo liǎng nián zhī jiǔ de zhàng fū qí líng wò sī héng héng yī gè cái zhì chū zhòng、 xué shí yuān bó de yī shēng。 dāng tā fā xiàn hǎi sī tè bái lán rèn chū liǎo tā shí， shì yì tā bù yào shēng zhāng。 zài qí líng wò sī de yǎn lǐ rán shāo zhe chóu hèn de nù huǒ， tā yào xiàng hǎi sī tè bái lán jí tā de qíng rén fù chóu， bìng qiě tā xiāng xìn yī dìng néng gòu chéng gōng。
hǎi sī tè bái lán bèi dài huí yù zhōng zhī hòu， qí líng wò sī yǐ yī shēng de shēn fèn jiàn dào liǎo tā， dàn hǎi sī tè bái lán bù kěn shuō chū hái zǐ de fù qīn shì shuí， bìng qiě xiàng qí líng wò sī tǎn yán tā cóng tā nà lǐ cóng lái méi yòu gǎn shòu dào guò 'ài qíng， qí líng wò sī wēi xié hǎi sī tè bái lán bù yào xiè lù tā men de fū qī guān xì， tā bù néng zāo shòu yī gè bù zhōng shí nǚ rén de zhàng fū suǒ yào méng shòu de chǐ rǔ， fǒu zé， tā huì ràng tā de qíng rén míng yù sǎo dì， huǐ diào de bù jǐn jǐn shì tā de míng yù， dì wèi， shèn zhì hái yòu tā de líng hún hé shēng mìng， hǎi sī tè bái lán dāyìng liǎo。
hǎi sī tè bái lán chū yù hòu， dài zhe zì jǐ de nǚ 'ér xiǎo zhū 'ér kào zhe zhēn xiàn jì yì wéi chí zhe shēng huó， tā men lí qún suǒ jū， nà xiān hóng de A zì jiāng qū rǔ shēn shēn lào zài liǎo hǎi sī tè bái lán de xīn lǐ。 xiǎo zhū 'ér cháng dé měi lì tuō sú， yòu zhe juéjiàng de xìng gé hé chōng pèi de jīng lì， tā hé nà hóng zì yī qǐ shǎn yào zài shì rén de miàn qián， zài nà gè qīng jiào tú de shè huì lǐ， tā men shì chǐ rǔ de xiàng zhēng， dàn yě zhǐ yòu tā men shì xiān liàng de。
dīng méi sī dài 'ěr mù shī bù jǐn nián qīng jùn měi， ér qiě xué shí yuān bó， shàn yú cí lìng， yòu zhe jí gāo de bǐng fù hé jí shēn de zào yì， zài jiào mín zhōng yòu zhe jí gāo de wēi wàng。 dàn shì， zì cóng hǎi sī tè bái lán shòu shěn yǐ lái， tā de jiàn kāng rì qū léi ruò， mǐn gǎn， yōu yù yǔ kǒng huāng mí màn liǎo tā de zhěng gè sī xù， tā cháng cháng yè bù chéng mèi de dǎo gào， měi féng lüè shòu jīng kǒng huò shì tū rán yù dào shénme yì wài shì jiàn shí， tā de shǒu jiù huì lǒng zài xīn shàng， xiān shì yī zhèn hóng cháo， rán hòu biàn shì mǎn miàn cāng bái， xiǎn dé shí fēn kǔ tòng。 zhè yī qiē dū ràng qí líng wò sī kàn zài yǎn lǐ， duì tā chǎn shēng liǎo nóng hòu de xīng qù， bìng yǐ yī shēng de shēn fèn yǔ tā xíng yǐng xiāng suí。
suí zhe shí jiān de tuī yí， xiǎo zhū 'ér jiàn jiàn de zhǎngdà liǎo， tā chuānzhuó mǔ qīn wéi tā zuò de hóng tiān 'é róng qún shān， bēn páo zhe， tiào yuè zhe， xiàng yī tuán xiǎo huǒ yàn zài rán shāo， zhè yào yǎn de hóng sè shǐ qīng jiào tú men jué dé hái zǐ shì lìng yī zhǒng xíng shì de hóng zì， shì bèi fù yú liǎo shēng mìng de hóng zì！ bèi líng hàn zǒng dū hé shén fǔ yuē hàn wēi 'ěr xùn rèn wéi xiǎo zhū 'ér yīnggāi yǔ mǔ qīn fēn kāi， yīn wéi tā de mǔ qīn shì gè zuì rén， méi yòu néng lì wán chéng shǐ hái zǐ chéng wéi qīng jiào tú de zhòng rèn。 dàn shì hǎi sī tè bái lán jiān jué bù tóng yì。 tā dà shēng shuō zhū 'ér shì shàng dì gěi tā de hái zǐ， zhū 'ér shì tā de xìng fú！ yě shì tā de zhé mó！ shì zhū 'ér jiào tā hái huó zài shì shàng！ yě shì zhū 'ér jiào tā shòu zhe chéng fá！ rú guǒ tā men duó zǒu zhū 'ér， hǎi sī tè bái lán qíng yuàn xiān sǐ gěi tā men kàn。 hǎi sī tè bái lán zhuànxiàng dīng méi sī dài 'ěr mù shī， xī wàng tā néng gòu fā biǎo yì jiàn。 dīng méi sī dài 'ěr mù shī miàn sè cāng bái， yī zhǐ shǒu wǔ zhù xīn kǒu， nà shuāng yòu dà yòu hēi de yǎn jīng shēn chù， zài fán nǎo hé yōu yù zhī zhōng hái yòu yī gè tòng kǔ de tiān dì， tā rèn wéi zhū 'ér shì shàng dì gěi hǎi sī tè bái lán de hái zǐ， yīnggāi tīng cóng shàng dì de 'ān pái， rú guǒ tā néng bǎ hái zǐ sòng shàng tiān guó， nà me hái zǐ yě jiù néng bǎ tā dài dào tiān guó， zhè shì shàng dì shén shèng de zhǐ yì。 zhè yàng zhū 'ér cái méi yòu bèi dài zǒu。
zhè yī qiē， dōubèi bǎo jīng shì gù de qí líng wò sī kàn zài yǎn lǐ， tā yī diǎn diǎn dì xiàng dīng méi sī dài 'ěr mù shī nèi xīn bī jìn， qí líng wò sī xiàng guān chá bìng rén yī yàng qù guān chá tā， yī fāng miàn guān chá dīng méi sī dài 'ěr mù shī de rì cháng shēng huó， kàn tā zěn yàng zài guàn yòu de sī lù zhōng qián jìn， lìng yī fāng miàn guān chá tā bèi tóu rù lìng yī zhǒng dào dé jìng jiè shí suǒ biǎo xiàn de xíng tài， tā jìn liàng fā jué mù shī nèi xīn de 'ào mì。 suí zhe shí jiān de tuī yí， qí líng wò sī jiàn jiàn dì zǒu jìn liǎo dīng méi sī dài 'ěr mù shī de xīn lǐ， bìng xiàng tā de líng hún shēn chù tàn jìn。
yī tiān， dīng méi sī dài 'ěr mù shī zhèng zài chén shuì， qí líng wò sī zǒu liǎo jìn lái， bō kāi liǎo tā de fǎ yī， zhōng yú fā xiàn liǎo dīng méi sī dài 'ěr mù shī yī zhí yǐn cáng de mì mì héng héng tā de xiōng kǒu shàng yòu zhe hé hǎi sī tè bái lán yī yàng de hóng sè biāo jì， tā xīn xǐ ruò kuáng， nà shì yī zhǒng kuáng yě de jīng qí、 huān lè hé kǒng jù de biǎo qíng！ nà zhǒng hài rén de kuáng xǐ， jué bù jǐn jǐn shì yóu yǎn jīng hé biǎo qíng suǒ biǎo dá de， shèn zhì shì cóng tā zhěng gè de chǒu lòu shēn qū bèng fā chū lái， tā jiāng liǎng bì shēn xiàng tiān huā bǎn， yī zhǐ jiǎo shǐ jìn duǒ zhe dì miàn， yǐ zhè zhǒng fēi tóng xún cháng de zī tài fàng zòng dì biǎo xiàn tā de kuáng xǐ！ dāng yī gè bǎo guì de rén lèi líng hún shī qù liǎo tiān guó， duò rù sǎ dàn de dì yù zhī zhōng shí， nà mó wáng zhī dào gāi rú hé jǔ dòng liǎo。
qí líng wò sī jīng xīn dì shí shī zhe tā de fù chóu jìhuà， tā lì yòng dīng méi sī dài 'ěr mù shī mǐn gǎn、 fù yú xiǎng xiàng de tè diǎn， zhuā zhù tā de fù zuì xīn lǐ， zhé mó tā de xīn líng， tā bǎ zì jǐ zhuāng bàn chéng kě xìn lài de péng yǒu， ràng duì fāng xiàng tā tù lù yī qièkǒng jù、 zì zé、 fán nǎo、 ào huǐ、 fù zuì gǎn， nà xiē xiàng shì jiè yǐn mán zhe de yī qiē nèi jiù， běn kě yǐ huò dé shì jiè de bó dà xīn xiōng de lián mǐn hé yuán liàng de， rú jīn què yào jiē shì gěi tā zhè gè nèi xīn chōng mǎn liǎo fù chóu huǒ yàn de rén， zuì zuì qiàrúqífèn dì ràng tā dé cháng fù chóu zhī sù zhài。 ér cǐ shí de dīng méi sī dài 'ěr mù shī duì qí líng wò sī què méi yòu rèn hé de huái yí， suī rán tā zǒng shì huì gǎn dào yòu yī zhǒng 'è shì lì zài jǐn jǐn de dīng zhe zì jǐ， zǒng yòu yī zhǒng bù xiáng de yù gǎn， yóu yú tā bù bǎ rèn hé rén shì wéi kě xìn lài de péng yǒu， gù cǐ dāng dí rén shí jì shàng yǐ chū xiàn shí， réng rán biàn rèn bù chū。 jiù zài dīng méi sī dài 'ěr mù shī bǎo cháng ròu tǐ shàng de jí bìng de tòng kǔ hé jīng shén shàng de cuī cán de tóng shí， tā zài shèng zhí shàng què dà fàng yì cǎi， qǔ dé liǎo huī huáng de chéng jiù。 gōng zhòng de jǐng yǎng gèng jiā jiā zhòng liǎo tā de zuì 'è gǎn， shǐ tā de xīn lǐ bù kān zhòng fù。
zhōng yú， zài yī tiān qī hēi de yè lǐ， dīng méi sī dài 'ěr mù shī mèng yóu bān zǒu dào liǎo shì chǎng shàng de jiǎo xíng tái shàng， fā chū yī shēng bēi tòng de sī hǎn。 hǎi sī tè bái lán hé xiǎo zhū 'ér gāng gāng shǒu hù zhe yī gè rén qù shì， qià qiǎo cóng zhè lǐ jīng guò， tā kàn dào dīng méi sī dài 'ěr mù shī yǐ chǔyú bēng kuì de biān yuán， jīng shén lì liàng yǐ jīng dào liǎo wú néng wéi lì de dì bù。 yī zhǒng huǐ zuì gǎn shǐ dīng méi sī dài 'ěr yāo qǐng tā men yī tóng dēng shàng liǎo jiǎo xíng tái：“ nǐ men mǔ nǚ liǎ yǐ qián yǐ jīng zài zhè 'ér zhàn guò liǎo， kě shì wǒ dāng shí méi hé nǐ men zài yī qǐ。 zài shàng lái yī cì bā， wǒ men sān gè rén yī qǐ zhàn zhe bā！” hǎi sī tè bái lán wò zhe hái zǐ de yī zhǐ shǒu， mù shī wò zhe hái zǐ de lìng yī zhǐ shǒu， tā men gòng tóng zhàn zài liǎo jiǎo xíng tái shàng。 jiù zài tā zhè me zuò de shùn jiān， sì yòu yī bān bù tóng yú tā zì jǐ shēng mìng de xīn shēng mìng de jī yuè zhī cháo， jí liú bān yǒng rù tā de xīn fáng， chōng guò tā zhōu shēn de xuè guǎn， fǎng fó nà mǔ nǚ liǎ zhèng bǎ tā men shēng mìng de wēn nuǎn chuán dì gěi tā bàn má mù de shēn qū， sān rén gòu chéng liǎo yī tiáo bì hé de diàn lù， cǐ shí， tiān kōng shǎn guò liǎo yī sī liàng guāng， dīng méi sī dài 'ěr fǎng fó kàn jiàn tiān kōng zhōng chū xiàn liǎo yī gè jù dà de zì mǔ“ A”。 rán 'ér， zhè yī qiē dū ràng gēn zōng 'ér zhì de qí líng wò sī kàn dào liǎo， zhè shǐ dé dīng méi sī dài 'ěr mù shī jí wéi kǒng huāng， dàn shì， qí líng wò sī què shuō dīng méi sī dài 'ěr xiān shēng huàn liǎo yè yóu zhèng， bìng bǎ tā dài huí liǎo jiā。 dīng méi sī dài 'ěr xiān shēng jiù xiàng yī gè gāng gāng cóng 'è mèng zhōng jīng xǐng de rén， xīn zhōng 'ào sàng dé fā lěng， biàn tīng píng nà yī shēng bǎ zì jǐ lǐng zǒu liǎo。
xǔ duō nián guò qù liǎo， xiǎo zhū 'ér yǐ jīng qī suì liǎo， hǎi sī tè bái lán cǐ shí suǒ chù de dì wèi yǐ tóng tā dāng chū shòu rǔ shí bù wán quán yī yàng liǎo。 rú guǒ yī gè rén zài dà jiā miàn qián yòu zhe yǔ zhòng bù tóng de tè shū dì wèi， ér tóng shí yòu bù gān shè rèn hé gōng gòng huò gè rén de lì yì， tā jiù zuì zhōng huì yíng dé pǔ biàn de zūn zhòng。 hǎi sī tè bái lán cóng lái yǔ shì wú zhēng， zhǐ shì háo wú yuàn yóu dì qū cóng yú shè huì de zuì bù gōng píng de dài yù； tā yě méi yòu yīn zì jǐ de bù xìng 'ér xī jì shénme bào cháng； tā tóng yàng bù yǐ zhòng yú rén men de tóng qíng。 yú shì， zài tā yīn fàn zuì 'ér sàng shī liǎo quán lì、 bèi pò dú chù yī yú de zhè xiē nián yuè lǐ， dà dà dì yíng dé liǎo rén xīn。 tā chú liǎo yī xīn yī yì de dǎ bàn xiǎo zhū 'ér wài， tā hái jìn zì jǐ suǒ néng qù bāng zhù qióng rén， yòng kuān dà de xīn qù bāo róng yī qiē， rén men kāi shǐ bù zài bǎ nà hóng zì kàn zuò shì zuì guò de biāo jì， ér shì dàngchéng zì nà shí qǐ de xǔ duō shàn xíng de xiàng zhēng。
zài zhè jǐ nián lǐ， xǔ duō réndōu fā shēng zhe biàn huà， qí líng wò sī biàn de gèng jiā cāng lǎo liǎo， hǎi sī tè bái lán yuán lái yìn xiàng zuì shēn de tā xiān qián nà zhǒng cōng huì hàoxué de pǐn gé， nà zhǒng píng hé 'ān xiáng de fēng dù， rú jīn yǐ jīng dàng rán wú cún， qǔ 'ér dài zhī de shì yī zhǒng jíqiè kuī cè de shén sè， jìn hū fēng kuáng 'ér yòu jié lì yǎn shì， ér zhè zhǒng yǎn shì shǐ bàng rén yì fā qīng chǔ dì kàn chū tā de yīn xiǎn。 hǎi sī tè bái lán qǐng qiú qí líng wò sī fàng guò dīng méi sī dài 'ěr mù shī， bù yào zài cuī cán tā de líng hún liǎo， dàn shì dīng méi sī dài 'ěr mù shī de tòng kǔ、 fù chóu de kuài lè yǐ jīng chōng hūn liǎo qí líng wò sī de tóu nǎo， tā jué dìng jì xù shí shī zì jǐ de yīn móu， tā yào màn màn dì zhé mó dīng méi sī dài 'ěr mù shī， fù chóu yǐ jīng chéng wéi tā shēng huó wéi yī de mùdì。 hǎi sī tè bái lán jué dìng jiāng qí líng wò sī de zhēn shí shēn fèn gào sù dīng méi sī dài 'ěr。
zài yī piàn nóng mì de sēn lín lǐ， hǎi sī tè bái lán jiàn dào liǎo dīng méi sī dài 'ěr， tā men hù sù zhōng cháng， shù shuō zhe jǐ nián lái xīn dǐ de mì mì， tā men shòu zhe tóng yàng de tòng kǔ hé jiān 'áo， tóng yàng shòu zhe liáng zhī hé dào dé de niè shì。 dīng méi sī dài 'ěr gào sù tā， suī rán tā de xiōng qián méi yòu pèi dài hóng zì， dàn shì， tóng yàng de hóng zì zài tā de shēng mìng lǐ yī zhí rán shāo zhe。 cǐ shí， hǎi sī tè bái lán cái yì shí dào xī shēng diào mù shī de hǎo míng shēng， shèn zhì ràng tā sǐ diào， dū bǐ tā yuán xiān suǒ xuǎn zé de tú jìng yào qiáng dé duō， tā gào sù dīng méi sī dài 'ěr qí líng wò sī jiù shì tā de zhàng fū， tā suǒ zuò de yī qiēdōu shì wèile tā de róng yù、 dì wèi jí shēng mìng cái yǐn mán liǎo zhè gè mì mì。 yīn 'àn xiōng měng de yǎn shén shùn jiān yǒng shàng liǎo dīng méi sī dài 'ěr de liǎn shàng， tā tòng chǔ de bǎ liǎn mái zài shuāng shǒu zhī zhōng。 hǎi sī tè bái lán quàn dīng méi sī dài 'ěr lí kāi zhè lǐ， dào yī gè méi yòu rén rèn shí de dì fāng qù， dào yī gè kě yǐ bì kāi qí líng wò sī shuāng yǎn de dì fāng qù， tā yuàn yì hé tā kāi shǐ yī duàn xīn de shēng huó， guò qù de yǐ jīng yī qù bù fù fǎn liǎo！ xiàn zài yòu hé bì qù liú liàn ní？ dīng méi sī dài 'ěr yóu yù zhe， tā yào me chéng rèn shì yī míng zuì fàn 'ér táo zǒu， yào me jì xù chōng dāng yī míng wěi jūn zǐ 'ér liú xià， dàn tā de liáng xīn yǐ nán yǐ cóng zhōng qǔ dé píng héng； wèile bì miǎn sǐ wáng hé chǐ rǔ de wēi xiǎn， yǐ jí yī gè dí rén de mò cè de guǐ jì， dīng méi sī dài 'ěr jué dìng chū zǒu。
hǎi sī tè bái lán de gǔ lì jí duì xīn shēng huó de chōng jǐng， shǐ dīng méi sī dài 'ěr chóngxīn yòu liǎo shēng huó de yǒng qì hé xī wàng。 gāng hǎo yòu yī sōu tíng bó zài gǎng wān de chuán sān tiān zhī hòu jiù yào dào yīng guó qù， tā men jué dìng zuò zhè sōu chuán fǎn huí 'ōu zhōu， yī qiēdōu zài shùn lì dì jìn xíng zhe。 tā men měi tiān dōubèi zhè zhǒng xīn de xī wàng jī lì zhe、 xīng fèn zhe， dīng méi sī dài 'ěr jué dìng yǎn jiǎng wán qìng zhù shuō jiào hòu jiù lí kāi。 xīn yīng gé lán de jié rì rú qī 'ér zhì， dīng méi sī dài 'ěr mù shī de yǎn jiǎng yě 'àn jìhuà jìn xíng zhe， hǎi sī tè bái lán hé xiǎo zhū 'ér lái dào shì chǎng， tā de liǎn shàng yòu yī zhǒng qián suǒ wèi jiàn de biǎo qíng， tè shū de bù 'ān hé xīng fèn，“ zài zuì hòu kàn yī yǎn zhè hóng zì hé pèi dài hóng zì de rén bā！” tā xiǎng，“ zài guò yī duàn shí jiān， tā jiù huì yuǎn zǒu gāo fēi liǎo！ nà shēn bù kě cè de dà hǎi jiāng bǎ nǐ men zài tā xiōng qián zhuó shāo de biāo jì yǒng yuǎn yānmò wú cún！” zhè shí， nà sōu zhǔn bèi kāi wǎng yīng guó chuán zhǐ de chuán cháng zǒu liǎo guò lái， tā gào sù hǎi sī tè bái lán， qí líng wò sī jiāng tóng tā men tóng xíng， hǎi sī tè bái lán chè dǐ jué wàng liǎo。
dīng méi sī dài 'ěr mù shī de xuān jiǎng qǔ dé liǎo kōng qián jué hòu de zuì huī huáng chéng gōng， dàn suí hòu tā biàn dé fēi cháng shuāi ruò hé cāng bái， tā bù lǚ liàngqiàng， nèi xīn de fù zuì gǎn jí liáng xīn de qiǎn zé zuì zhōng zhàn shèng liǎo tā chū táo de yì zhì， zài jīng guò jiǎo xíng tái de shí hòu， tā zhèng tuō qí líng wò sī de jī bàn， zài hǎi sī tè bái lán de chān fú xià dēng shàng liǎo jiǎo xíng tái， tā lā zhe zhū 'ér， zài zhòng rén miàn qián shuō chū liǎo zài xīn dǐ mái cáng liǎo qī nián de mì mì， tā jiù shì xiǎo zhū 'ér de fù qīn， tā chě kāi liǎo fǎ yī de shì dài， lù chū liǎo hóng zì， zài zhòng rén de jīng jù zhī shēng zhōng， zhè gè shòu jìn róu lìn de líng hún cí shì liǎo。
qí líng wò sī bǎ fù chóu dāng zuò tā shēng huó de wéi yī mùdì， kě shì dāng tā shèng lì hòu， tā niǔ qū de xīn líng zài yě zhǎo bù dào yǐ tuō， tā xùn sù kū wěi liǎo。 bù dào yī nián， tā sǐ liǎo， tā bǎ yí chǎn zèng gěi liǎo xiǎo zhū 'ér。 bù jiǔ， hǎi sī tè bái lán hé xiǎo zhū 'ér yě zǒu liǎo。 hóng zì de gù shì jiàn jiàn biàn chéng liǎo chuán shuō。 xǔ duō nián yǐ hòu， zài dà yáng de lìng yī biān， xiǎo zhū 'ér chū jià liǎo， guò zhe fēi cháng xìng fú de shēng huó， ér hǎi sī tè bái lán yòu huí dào liǎo bō shì dùn， xiōng qián yǐ jiù pèi dài zhe nà gè hóng zì， zhè lǐ yòu guò tā de zuì niè， zhè lǐ yòu guò tā de bēi shāng， zhè lǐ yě hái huì yòu tā de chàn huǐ。 yòu guò liǎo xǔ duō nián， zài yī zuò xià xiàn de lǎo fén fù jìn， yòu wā liǎo yī zuò xīn fén。 liǎng zuò fén gòng yòng yī kuài mù bēi。 shàng miàn kè zhe zhè me yīháng míng wén：“ yī piàn mò hēi de tǔ dì， yī gè xuè hóng de A zì。”
xiǎo shuō《 hóng zì》 - zuò pǐn fēn xī
《 hóng zì》 de gù shì yī kāi piān， yìng rù dú zhě yǎn lián de， xī xiān shì“ xīn zhí mín dì de kāi tuò zhě men” zài wàn shì cǎo chuàng zhī shí wàng bù liǎo yǔ mù dì tóng shí xiū jiàn de jiān yù， zhè zhū“ wén míng shè huì de hēi huā“ cóng lái bù céng jīng lì guò zì jǐ de qīng chūn sháo huá”， yīn wéi tā“ yǔ zuì 'è 'èr zì xī xī xiāng guān”， tā nà zhēng níng yīn sēn de wài mào， lián tóng mén qián cǎo dì shàng“ guò yú fán mào dì cù shēng zhe de bù kān rù mùdì zá gé”， dū zēng jiā liǎo huì 'àn qī chǔ de sè diào， rán 'ér zài zhè yī piàn huī hēi zhī zhōng， què 'ào rán tǐng lì zhe yī cóng méi hún，“ shèng kāi zhe bǎo shí chuán de huā duǒ”， xiàng zhēng zhe rén lèi de dào dé…… jiē xià lái， biàn chū guān liǎo nǚ zhù rén gōng hǎi sī tè bái lán， huái bào chū shēng de zhū 'ér，“ tā huàn fā de měi lì， jìng bǎ lóng jìn zhe tā de bù xìng hé chǐ rǔ níng chéng yī lún guāng huán”， lìng rén lián xiǎng qǐ“ shèng mǔ de xíng xiàng”。 zhè yàng yī duàn hú hú rú shēng de wén zì， bù dàn wèiwǒ men zhǎn xiàn liǎo rén wù huó dòng de wǔ tái bèi jǐng， ér qiě qǐ fā dú zhě qù sī kǎo zuò pǐn de zhù tí。
zhè zhǒng yòng lüè dài shén mì sè cǎi de zì rán jǐng xiàng hōng tuō huán jìng、 zhā rǎn qì fēn hé yìng chèn rén wù xīn lǐ de shǒu fǎ fǔ shí jiē shì， zuì tū chū de biàn shì dīng méi sī dài 'ěr mù shī hé hǎi sī tè jí zhū 'ér zài yè wǎn hé mì lín zhōng de liǎng cì huì jiàn： yóu hóng zì lián xì zài yī qǐ de jǐ gè zhù yào rén wù de tóng shí chū chǎng， rú tóng xì jù zhōng dié qǐ de gāo cháo， bǎ quán shū jǐn zhì zài yī gè yán mì de jié gòu zhī zhōng。
zuò zhě hái bǎ zhè zhǒng shǒu fǎ yòng yú kè huà rén wù yè tā de bǐ xià cì yào rén wù de shì fēi shàn 'è hé tā men zhī jiān de sī 'ēn yuàn yuàn xiěde shí fēn hán xù， ér jǐ gè zhù yào rén wù zé tōng guò gè bié de xīn lǐ wā jué、 chéng shuāng de zǔ hé de chōng tū hé tóng shí chū chǎng liàng xiāng de jiāo huì， jiāo dài chū gè rén yǔ hóng zì xiāng guān de xiàng zhēng。
quán shū xiě dào de rén wù bù guò shí duō gè， qí zhōng yòu xìng míng de bù chāo guò shí gè。 zhí dé zhù yì de shì bèi líng hàn zǒng dū、 wēi 'ěr xùn mù shī、 xī bīn sī lǎo fū rén hé nà wèi zuì nián qīng 'ér wéi yī yòu tóng qíng xīn de gū niàn zhè sì gè cì yào rén wù， tā men fēn bié shì zhū 'ér、 dīng méi sī dài 'ěr mù shī、 luó jié qí líng wò sī hé hǎi sī tè zhè sì gè zhù yào rén wù de fǎn chèn huò yǐng zǐ。 ér sì míng zhù yào rén wù yòu xíng chéng liǎng duì， shǐ tā men de gè xìng zài xiāng dé yì zhāng zhī zhōng yú yǐ hān chàng lín lí de biǎo xiàn。
xiǎo shuō《 hóng zì》 - hóng zì“ A” de xiàng zhēng yì yì
hǎi sī tè · bái lán shì yòu xíng de hóng zì。 tā chū shēn mòluò de shì jiā， fù mǔ pín qióng 'ér zhèng zhí。 tā de bù xìng de hūn yīn， jiā zhī liǎng nián zhōng zhàng fū yīn xùn jiē wú ． yáo chuán tā yǐ zàng shēn hǎi dǐ， zhè gè gū kǔ fū yǐ de shàofù yǔ cái mào xiāng dāng de dīng méi sī dài 'ěr de 'ài qíng biàn xiǎn dé hé qíng hé lǐ。 shì qíng bài lù hòu， tā bèi pò zhōng shēn pèi dài hóng zì， wèile 'ài rén de míng shēng， tā dú zì chéng dān liǎo quán bù zuì zé yǔ chǐ rǔ。 chū yú duì tā de juàn liàn zhī qíng， tā bù dàn zài tā shēng qián bù kěn yuǎn lí tā suǒ zài de jiào qū， jiù shì zài tā sǐ hòu， réng rán fàng qì liǎo yǔ nǚ 'ér gòng xiǎng tiān lún zhī lè de yōu yuè shēng huó， chóngfǎn mái yòu tā shī gǔ de gù dì， chóngxīn dài shàng hóng zì， zhí dào sǐ hòu zàng zài tā shēn biān， yǐ biàn yǒng yuǎn shǒu hù、 wēi yǐ zhe tā。 zhè gè yǒng gǎn de nǚ xìng hái jīng xīn cì xiù nà hóng zì， zhuóyì dǎ bàn tā de xiǎo zhū 'ér， bù jǐn chū miàn hàn wèi zì jǐ jiào yǎng tā de quán lì， ér qiě zūn zhòng hái zǐ kuáng yě de tiān xìng， nǔ lì péi yǎng tā chéng rén。 zài zuò zhě de bǐ xià， hǎi sī tè yuǎn bù zhǐ shì gè zhēng qǔ gè xìng jiě fàng de nǚ rén， tā hái jí qǔ liǎo“ bǐ hóng zì lào yìn suǒ dài biǎo de zuì 'è hái yào zhì mìng” de jīng shén， bǎ máo tóu zhǐ xiàng liǎo“ yǔ gǔ dài zhǔn zé mìqiè xiāng guān de gǔ dài piān jiàn de wán zhěng tǐ xì héng héng zhè shì nà xiē wáng shì guì zhòu zhēn zhèng de cáng shēn zhī dì”， chēng dé qǐ shì yī wèi xiàng yú mèi de chuán tǒng xuān zhàn de dǒu shì liǎo。 zhè yàng de gāo dù， shì hěn duō wén xué zuò pǐn zhōng de fù nǚ xíng xiàng suǒ nán yǐ qǐ jí de。 tā de zhè zhǒng jīng shén jìng jiè jìn guǎn méi yòu wéi tā de nà xiē qǐng jiào tú xiāng qīn hé yú bù kě jí de zhǎngguān men suǒ lǐ jiě ( fǒu zé， bù fēn yào hé lái hé děng hènghuò )， dàn wú lùn rú hé， yóu yú tā de hé xīn rú kǔ、 zhù rén wéi lè děng zhǒng liǎng měi dé， shǐ tā xiōng qián de hóng zì bù zài shì“ tōng jiān” ( rù dult“ y) de chǐ rǔ huī jì， miàn chéng liǎo“ néng gān” (Able)， shèn zhì“ zhí dé zūn jìng” (AdmiraLIe) de biāo zhì liǎo。
dīng méi sī dài 'ěr shì wú xíng de hóng zì。 yǔ hǎi sī tè xiāng bǐ， tā xiǎn dé qiè nuò， dàn zhè shì tā shòu zōng jiào shù fù mí zhòng de jiēguǒ。 tā bìng fēi bù xiǎng gōng kāi qiān huǐ zì jǐ de“ zuì niè”， dàn tā de zhè zhǒng yuàn wàng guò duō dì tóng“ shú zuì” ‘ nèixǐng” děng zōng jiào yì shí jiū chán zài yī qǐ， yīn cǐ xíng dòng shàng yě zhǐ néng chù chù shòu qí jú bàn。 tā jì yào shòu nèi xīn de qiǎn zé， yòu yào fáng wài jiè de kuī cè； tā míng míng yòu zì jǐ de 'ài， què piān piān yào bǎ zhè zhǒng gǎn qíng shì tóng xié mó。 tā zài tòng kǔ zhōng zhēngzhá liǎo qī nián， zuì zhōng suī rán yǐ tǎn lù xiōng táng shàng de“ zuì 'è” lào yìn， wán chéng liǎo dào dé de jìng huà yǔ líng hún de fēi shēng， dàn tā shǐ zhōng méi zài qì chéng rèn zì jǐ 'ài de zhèng dāng， gèng tán bù dào yǔ jiù de jīng shén tǐ xì chè dǐ jué liè， yǔ hǎi sī tè xiāng bǐ， sì hū gèng jiā yìng chèn chū hòu zhě de gāo dà。
qí líng wò sī shì hóng zì de zhì zào yīn。 tā nà chǒu lòu de wài mào hé jī xíng de qū tǐ， zhèng shì tā chǒu lòu hé jī xíng de líng hún de xiě zhào。 tā xuǎn zé liǎo ràng dīng méi sī dài 'ěr huàzhāo shòu jiān 'áo de fù chóu shǒu duàn， shí jì shàng chéng liǎo zǔ zhǐ tā shú zuì de 'è mó。 tā hé hǎi sī tè de jié hé suī rán chū yú tā zhuī qiú jiā tíng wēn nuǎnhuo gè rén xìng fú de yī yǐ zhī sī， dàn bì jìng shì yī zhǒng 'ài， yuán yě wú kě hòu fēi； dàn dāng zhè zhǒng 'ài zhuǎn biàn chéng hèn， bǎ fù chóu zuò wéi shēng huó mù biāo， bù xī pāo qì“ bó 'ài” de jī dū jīng shén， yǐ niè shì tā rén de líng hún wéi lè zhī hòu， fǎn dǎo yóu bèi hài zhě duò luò chéng“ zuì huài de zuì rén”， bù dàn zài shī qù fù chóu zhè yī shēng huó mù biāo shí jié shù liǎo zì jǐ de shēng mìng， ér qiě sǐ hòu yě bù huì dé dào xīn shēng。
xiǎo zhū 'ér zé shì huó de hóng zì，“ shì lìng yī zhǒng xíng shì de hóng zì， shì bèi fù yú liǎo shēng mìng de hóng zì！” zhè gè sī shēng de xiǎo jīng líng hé tā mǔ qīn xiōng qián de hóng zì jiāo xiāng huī yìng， jì shì“ zuì 'è” de chǎn wù yòu shì 'ài qíng de jié jīng。 hǎi sī tè bǎ hóng zì yòng jīn sè sī xiàn zhuāng shì dé shí fēn huá měi， xiǎo zhū 'ér yě gěi dǎ bàn dé xiān lì yì cháng。 tā de měi bó qí líng màn sī de chǒu xíng chéng qiáng liè duì bǐ： yī fāng miàn tǐ guān liǎo zuò zhě de làng màn zhù yì guān diǎn yī lǎo yī shēng de bó xué duō shí shǐ tā chéng wéi shēn shòu wén kā kuī rǎn de shè huì rén miàn xiǎo nǚ hái sì yuán jì dá de kuáng yě zé réng bǎo chí zhe zì rán rén de chún zhēn； lìng fāng miàn yòu biǎo míng liǎo zuò zhě de zōng jiào yì shí héng héng qí líng yá sī jì rán shì chè dàn， xiǎo zhū 'ér biàn shì“ tiān shǐ”（ Angel），“ A” zì zài tā shēn shàng， cóng 'ér jù bèi liǎo gèng jī jí de hé yì。 qià shí shì zài zhè gè hán yì shàng， jì tuō liǎo zuò zhě měi hǎo de lǐ xiǎng， yě tǐ xiàn liǎo tā duì zōng jiào de huàn xiǎng，
xiǎo shuō《 hóng zì》 - zuò zhě chuàng zuò《 hóng zì》 yuán yì
huò sāng shì yī wèi shì jiè guān xiāng dāng fù zá de zuò jiā， tā xuǎn zé 'ài qíng bēi jù zuò wéi《 hóng zì》 de zhù tí， shǐ zì jǐ shēn shēn xiàn rù nán jiě de máo dùn zhī zhōng。 ài qíng běn shì rén lèi de tiān xìng， dàn 'àn zhào jī dū jiào yì。 yà dāng hé xià wá tōu chī liǎo yī diàn yuán de zhì huì zhī guǒ， dǒng dé liǎo nán huān nǚ 'ài， bù zài kào shàng dì chuàng zào 'ér yóu zì yǐ fán yǎn rén lèi， zhè běn shēn zhèng shì“ yuán zuì”， zhì yú sī qíng， gèng chù fàn liǎo jī dū jiào de dì qī jiè。 huò sāng suī shēn shòu jiào huì yǐng xiǎng， dàn zì cóng 'ōu zhōu wén yì fù xīng yǐ lái， ài qíng zǎo yǐ chéng liǎo wén yì zuò pǐn yǒng héng de zhù tí， shí shí shòu dào gē sòng， tā jí shǐ zài bǎo shǒu， yě bù huì bù rèn wéi zhè shì tiān jīng dì yì de liǎo。 yú shì， shū zhōng biàn chù chù kě jiàn zuò zhě nán yán de kǔ zhōng： tā suī rán qiǎn zé bù hé lǐ de hūn yīn， shèn zhì bǎ nán nǚ zhù rén gōng de 'ài qíng shuō chéng shì“ shén shèng de gòng xiàn”， dàn bù gǎn kěn dìng bù hé“ fǎ” de gǎn qíng， gèng bù kěn shǐ yòu qíng rén zhōng chéng juàn shǔ。 tā zhǐ néng ràng qí líng wò sī zài sǐ qián“ liáng xīn fā xiàn”， bǎ yí chǎn quán bù liú gěi zhū 'ér。
shí jì shàng， huò sāng zài《 hóng zì》 zhōng yào biǎo dá de， shì shè huì xiàn zhuàng hé rén lèi mìng yùn， bìng jiè yǐ jìn yī bù tàn tǎo tā suǒ guān xīn de“ shàn” yǔ“ è” de zhé lǐ。 nà zuò gòu chéng《 hóng zì》 gù shì zhōng xīn chǎng jǐng de shì zhòng xíng tái， shí miàn bèi miáo shù chéng“ xiàng shì jiào táng de fù shǔ jiàn zhù”， sì shì yào bǎ shè huì de chǒu 'è jí bù rén dào guī jiù yú zōng jiào， dàn jì 'ér yòu bèi xiě zuò“ rú tóng fǎ guó dà gé mìng shí qī kǒng bù dǎng rén de duàn tóu tái”， biǎo míng liǎo tā duì shè huì biàn gé de bù jiě yǔ yí jù。 cóng zhè yī lì zhèng zhōng wǒ men bù nán kàn chū， zuò jiā yǐ mǐn ruì de mù guāng dòng xī liǎo shè huì de zhǒng zhǒng bì duān， dàn bìng bù zhī dào yīnggāi hé qù hé cóng。 tā cóng rén dào zhù yì chū fā， bǎ shè huì de bù hé lǐ xiàn zhuàng hé rén lèi de bēi cǎn mìng yùn， guī jié wéi“ shàn” yǔ“ è” zhī zhēng， dàn tā de shàn 'è guān yòu shēn shòu zōng jiào jiào tiáo de jìn rǎn， chéng liǎo chán jiā bù qīng de kōng fàn yì lùn， shuō shí me“ ài zǒng yào bǐ hèn lái dé róng yì， zhè zhèng shì rén lèi běn xìng zhī suǒ zài。…… hèn shèn zhì huì tōng guò qiāoqiāo jiàn jìn de guò chéng biàn chéng 'ài。” hái tí chū“ hèn hé 'ài， guī gēn jié dǐ shì bù shì tóng yī de dōng xī……”； ér shū zhōng nà zhǒng nóng zhòng de yīn yù sè cǎi， yě gěi rén yā yì duō yú zhèn fèn。
rán 'ér， wǒ men zài yuè dú hé xīn shǎng wén xué míng zhù shí， jì bù yìng kē qiú zuò jiā， yě bù gāi wéi yú tā de jú xiàn。 huò sāng běn rén yòu bǎo shǒu sī xiǎng hé shén mì zhù yì qīng xiàng， dú liǎo zhè bù zuò pǐn hòu， néng gòu kàn dào jiù zhì dù de hēi 'àn， bìng huàn qǐ biàn gé shè huì de lǐ xiǎng， yuàn yì wéi gèng měi hǎo de rén lèi mìng yùn qù fèn zhēng， bù yě shì jī jí de má？ chéng rú zuò zhě zài yǔ quán shū kāi piān yáo xiāng hū yìng de jié wěi níng suǒ xiě：“ zhè chuán shuō shí zài yīn cǎn， zhǐ yòu yī diǎn bǐ yīn yǐng hái yào yōu 'àn de yǒng héng de guāng bān shāo shāo gěi rén yī diǎn kuān wèi：“ yī piàn mò hēi de tǔ dì， yī gè xuè hóng de A zì。” huò sāng zuò pǐn de yī dà cháng chù shì yǐn rén shēn sī、 fā rén lián xiǎng。
《 hóng zì》 fā biǎo hòu huò dé jù dà chéng gōng， huò sāng jì 'ér chuàng zuò liǎo bù shǎo zuò pǐn。 qí zhōng《 dài yòu qī gè jiān jiǎo gé de fáng zǐ》（ 1851） miáo xiě pǐn 'ēn qīn jiā zú de zǔ xiān móu cái hài mìng 'ér shǐ hòu dài zāo dào bào yìng de gù shì， shuō míng cái fù shì huò huàn，“ yī dài rén de zuì niè yào yāng jí zǐ sūn”； zhè bù xiǎo shuō yě fǎn yìng liǎo zī běn zhù yì fā zhǎn chū qī de xuè xīng lüè duó。 lìng yī bù xiǎo shuō《 fú gǔ chuán qí》（ 1852） yǐ bù lǔ kè nóng chǎng shēng huó wéi tí cái， biǎo dá liǎo zuò zhě duì zhè zhǒng shè huì gǎi liáng de cháng shì shī wàng de xīn qíng yǐ jí duì kuáng rè de gǎi gé zhě de yàn 'è。
pí 'ěr sī dāng xuǎn wéi měi guó zǒng tǒng hòu， huò sāng yú 1853 nián bèi rèn mìng wéi zhù yīng guó lì wù pǔ de lǐng shì。 1857 nián hòu , huò sāng qiáo jū yì dà lì , chuàng zuò liǎo lìng yī bù tǎo lùn shàn 'è wèn tí de cháng piān xiǎo shuō《 yù shí diāo xiàng》 (1860)。 1860 nián huò sāng fǎn huí měi guó， zài kāng kē dé dìng jū， jiān chí xiě zuò。 1864 nián 5 yuè 19 rì qù shì， shēn hòu liú xià 4 bù wèi wán chéng de cháng piān xiǎo shuō。
huò sāng shì yī gè sī xiǎng shàng chōng mǎn máo dùn de zuò jiā， xīn yīng gé lán de qīng jiào zhù yì chuán tǒng duì tā yǐng xiǎng hěn shēn。 yī fāng miàn tā fǎn kàng zhè gè chuán tǒng， pēng jī zōng jiào kuáng rèhuo xiá 'ài、 xū wěi de zōng jiào xìn tiáo； lìng yī fāng miàn tā yòu shòu zhè gè chuán tǒng de shù fù， yǐ jiā 'ěr wén jiào pài de shàn 'è guān niàn lái rèn shí shè huì hé zhěng gè shì jiè。 zuò jiā hè méi 'ěr wéi 'ěr céng zhǐ chū， tā de zuò pǐn zhōng shèn tòu zhe“ jiā 'ěr wén jiào pài de‘ rén xìng běn zhì ’ hé‘ yuán zuì’ de guān niàn”。 huò sāng sī xiǎng bǎo shǒu， duì shēng chǎn de fā zhǎn hé jì shù jìn bù bào yòu dǐ chù qíng xù， duì shè huì gǎi gé chí huái yí tài dù， duì dāng shí péng bó kāi zhǎn de fèi nú yùn dòng bù hěn lǐ jiě。 zhè xiē zài tā de zuò pǐn zhōng dōuyòu suǒ liú lù。 zài yì shù shàng tā dú jù yī gé， shàn cháng xīn lǐ miáo xiě， shàn yú jiē shì rén wù de nèi xīn chōng tū。 tā bǎ zì jǐ de xiǎo shuō chēng wéi“ xīn lǐ luó màn shǐ”。 tā qián xīn wā jué yǐn cáng zài shì wù bèi hòu de bù yì jué chá de yì yì， zuò pǐn xiǎng xiàng fēng fù， jié gòu yán jǐn。
Plot summary
The novel takes place during the summer in 17th-century Boston, Massachusetts in a Puritan village. A young woman, named Hester Prynne, has been led from the town prison with her infant daughter in her arms and on the breast of her gown "a rag of scarlet cloth" that "assumed the shape of a letter." It was the uppercase letter "A". The Scarlet Letter "A" represents the act of adultery that she has committed and it is to be a symbol of her sin—a badge of shame—for all to see. A man, who was elderly and a stranger to the town, enters the crowd and asks another onlooker what's happening. He responds by explaining that Hester is being punished for adultery. Hester's husband, who is much older than she, and whose real name is unknown, has sent her ahead to America whilst settling affairs in Europe. However, her husband does not arrive in Boston, and the consensus is that he has been lost at sea. It is apparent that, while waiting for her husband, Hester has had an affair, leading to the birth of her daughter. She will not reveal her lover's identity, however, and the scarlet letter, along with her subsequent public shaming, is the punishment for her sin and secrecy. On this day Hester is led to the town scaffold and harangued by the town fathers, but she again refuses to identify her child's father.
The elderly onlooker is Hester's missing husband, who is now practicing medicine and calling himself Roger Chillingworth. He settles in Boston, intent on revenge. He reveals his true identity to no one but Hester, whom he has sworn to secrecy. Several years pass. Hester supports herself by working as a seamstress, and her daughter Pearl grows into a willful, impish child—in Hawthorne's work, Pearl is more of a symbol than an actual character—and is said to be the scarlet letter come to life as both Hester's love and her punishment. Shunned by the community, they live in a small cottage on the outskirts of Boston. Community officials attempt to take Pearl away from Hester, but with the help of Arthur Dimmesdale, an eloquent minister, the mother and daughter manage to stay together. Dimmesdale, however, appears to be wasting away and suffers from mysterious heart trouble, seemingly caused by psychological distress. Chillingworth attaches himself to the ailing minister and eventually moves in with him so that he can provide his patient with round-the-clock care. Chillingworth also suspects that there may be a connection between the minister's torments and Hester's secret, and he begins to test Dimmesdale to see what he can learn. One afternoon, while the minister sleeps, Chillingworth discovers something undescribed to the reader, supposedly an "A" burned into Dimmesdale's chest, which convinces him that his suspicions are correct.
The Scarlet Letter. Painting by T. H. Matteson. This 1860 oil-on-canvas may have been made with Hawthorne's advice.
Dimmesdale's psychological anguish deepens, and he invents new tortures for himself. In the meantime, Hester's charitable deeds and quiet humility have earned her a reprieve from the scorn of the community. One night, when Pearl is about seven years old, she and her mother are returning home from a visit to the deathbed of John Winthrop when they encounter Dimmesdale atop the town scaffold, trying to punish himself for his sins. Hester and Pearl join him, and the three link hands. Dimmesdale refuses Pearl's request that he acknowledge her publicly the next day, and a meteor marks a dull red "A" in the night sky. It is interpreted by the townsfolk to mean Angel, as a prominent figure in the community had died that night, but Dimmesdale sees it as meaning adultery. Hester can see that the minister's condition is worsening, and she resolves to intervene. She goes to Chillingworth and asks him to stop adding to Dimmesdale's self-torment. Chillingworth refuses. She suggests that she may reveal his true identity to Dimmesdale.
Later in the story, while walking through the forest, the sun would not shine on Hester, although Pearl could bask in it. They then encounter Dimmesdale, as he is taking a walk in the woods that day. Hester informs Dimmesdale of the true identity of Chillingworth and the former lovers decide to flee to Europe, where they can live with Pearl as a family. They will take a ship sailing from Boston in four days. Both feel a sense of release, and Hester removes her scarlet letter and lets down her hair. The sun immediately breaks through the clouds and trees to illuminate her release and joy. Pearl, playing nearby, does not recognize her mother without the letter. She is unnerved and expels a shriek until her mother points out the letter on the ground. Hester beckons Pearl to come to her, but Pearl will not go to her mother until Hester buttons the letter back onto her dress. Pearl then goes to her mother. Dimmesdale gives Pearl a kiss on the forehead, which Pearl immediately tries to wash off in the brook, because he again refuses to make known publicly their relationship. However, he too clearly feels a release from the pretense of his former life, and the laws and sins he has lived with.
The day before the ship is to sail, the townspeople gather for a holiday put on in honor of an election and Dimmesdale preaches his most eloquent sermon ever. Meanwhile, Hester has learned that Chillingworth knows of their plan and has booked passage on the same ship. Dimmesdale, leaving the church after his sermon, sees Hester and Pearl standing before the town scaffold. He impulsively mounts the scaffold with his lover and his daughter, and confesses publicly, exposing the mark supposedly seared into the flesh of his chest. He falls dead just after Pearl kisses him.
Frustrated in his revenge, Chillingworth dies a year later. Hester and Pearl leave Boston, and no one knows what has happened to them. Many years later, Hester returns alone, still wearing the scarlet letter, to live in her old cottage and resumes her charitable work. She receives occasional letters from Pearl, who was rumored to have married a European aristocrat and established a family of her own. Pearl also inherits all of Chillingworth's money even though he knows she is not his daughter. There is a sense of liberation in her and the townspeople, especially the women, who had finally begun to forgive Hester of her tragic indiscretion. When Hester dies, she is buried in "a new grave near an old and sunken one, in that burial ground beside which King's Chapel has since been built. It was near that old and sunken grave, yet with a space between, as if the dust of the two sleepers had no right to mingle. Yet one tombstone served for both." The tombstone was decorated with a letter "A", for Hester and Dimmesdale.
Major themes
Nathaniel Hawthorne
Sin
The experience of Hester and Dimmesdale recalls the story of Adam and Eve because, in both cases, sin results in expulsion and suffering. But it also results in knowledge—specifically, in knowledge of what it means to be human. For Hester, the scarlet letter functions as "her passport into regions where other women dared not tread", leading her to "speculate" about her society and herself more "boldly" than anyone else in New England.
As for Dimmesdale, the "cheating minister" of his sin gives him "sympathies so intimate with the sinful brotherhood of mankind, so that his chest vibrate[s] in unison with theirs." His eloquent and powerful sermons derive from this sense of empathy. The narrative of the Reverend Arthur Dimmesdale is quite in keeping with the oldest and most fully authorized principles in Christian thought. His "Fall" is a descent from apparent grace to his own damnation; he appears to begin in purity. He ends in corruption. The subtlety is that the minister is his own deceiver, convincing himself at every stage of his spiritual pilgrimage that he is saved.
The rosebush, its beauty a striking contrast to all that surrounds it—as later the beautifully embroidered scarlet A will be–is held out in part as an invitation to find "some sweet moral blossom" in the ensuing, tragic tale and in part as an image that "the deep heart of nature" (perhaps God) may look more kindly on the errant Hester and her child than her Puritan neighbors do. Throughout the work, the nature images contrast with the stark darkness of the Puritans and their systems.
Chillingworth's misshapen body reflects (or symbolizes) the anger in his soul, which builds as the novel progresses, similar to the way Dimmesdale's illness reveals his inner turmoil. The outward man reflects the condition of the heart.
Although Pearl is a complex character, her primary function within the novel is as a symbol. Pearl herself is the embodiment of the scarlet letter, and Hester rightly clothes her in a beautiful dress of scarlet, embroidered with gold thread, just like the scarlet letter upon Hester's bosom. Parallels can be drawn between Pearl and the character Beatrice in Rappaccini's Daughter. Both are studies in the same direction, though from different standpoints. Beatrice is nourished upon poisonous plants, until she herself becomes poisonous. Pearl, in the mysterious prenatal world, imbibes the poison of her parents' guilt.
Past and present
The clashing of past and present is explored in various ways. For example, the character of the old General, whose heroic qualities include a distinguished name, perseverance, integrity, compassion, and moral inner strength, is said to be "the soul and spirit of New England hardihood". Now put out to pasture, he sometimes presides over the Custom House run by corrupt public servants, who skip work to sleep, allow or overlook smuggling, and are supervised by an inspector with "no power of thought, nor depth of feeling, no troublesome sensibilities", who is honest enough but without a spiritual compass.
Hawthorne himself had ambivalent feelings about the role of his ancestors in his life. In his autobiographical sketch, Hawthorne described his ancestors as "dim and dusky", "grave, bearded, sable-cloaked, and steel crowned", "bitter persecutors" whose "better deeds" would be diminished by their bad ones. There can be little doubt of Hawthorne's disdain for the stern morality and rigidity of the Puritans, and he imagined his predecessors' disdainful view of him: unsuccessful in their eyes, worthless and disgraceful. "A writer of story books!" But even as he disagrees with his ancestors' viewpoint, he also feels an instinctual connection to them and, more importantly, a "sense of place" in Salem. Their blood remains in his veins, but their intolerance and lack of humanity becomes the subject of his novel.
Publication history
Hawthorne originally planned The Scarlet Letter to be a shorter novelette which was part of a collection to be named Old Time Legends. His publisher, James Thomas Fields, convinced him to expand the novelette to a full-length novel. Hawthorne's wife Sophia later disputed that Fields had a larger role than this, complaining that "he has made the absurd boast that he was the sole cause of the Scarlet Letter being published!" She noted that her husband's friend Edwin Percy Whipple, a critic, approached Fields to consider its publication.
The Scarlet Letter was published as a novel in the spring of 1850 by Ticknor & Fields, beginning Hawthorne's most lucrative period. When he delivered the final pages to Fields in February 1850, Hawthorne said that "some portions of the book are powerfully written" but doubted it would be popular. In fact, the book was an instant best-seller though, over fourteen years, it brought its author only $1,500. Its initial publication brought wide protest from natives of Salem, who did not approve of how Hawthorne had depicted them in his introduction "The Custom-House". A 2,500-copy second edition of The Scarlet Letter included a preface by Hawthorne dated March 30, 1850, that he had decided to reprint his introduction "without the change of a word... The only remarkable features of the sketch are its frank and genuine good-humor... As to enmity, or ill-feeling of any kind, personal or political, he utterly disclaims such motives".
The Scarlet Letter was also one of the first mass-produced books in America. Into the mid-nineteenth century, bookbinders of home-grown literature typically hand-made their books and sold them in small quantities. The first mechanized printing of The Scarlet Letter, 2,500 volumes, sold out within ten days, and was widely read and discussed to an extent not much experienced in the young country up until that time. Copies of the first edition are often sought by collectors as rare books, and may fetch up to around $6,000 USD.
Critical response
On its publication, critic Evert Augustus Duyckinck, a friend of Hawthorne's, said he preferred the author's Washington Irving-like tales. Another friend, critic Edwin Percy Whipple, objected to the novel's "morbid intensity" with dense psychological details, writing that the book "is therefore apt to become, like Hawthorne, too painfully anatomical in his exhibition of them". Orestes Brownson complained that Hawthorne did not understand Christianity, confession, and remorse. A review in the Church Review and Ecclesiastical Register concluded the author "perpetrates bad morals."
On the other hand, 20th century writer D. H. Lawrence said that there could be no more perfect work of the American imagination than The Scarlet Letter. Henry James once said of the novel, "It is beautiful, admirable, extraordinary; it has in the highest degree that merit which I have spoken of as the mark of Hawthorne's best things--an indefinable purity and lightness of conception...One can often return to it; it supports familiarity and has the inexhaustible charm and mystery of great works of art."
The book's immediate and lasting success are due to the way it addresses spiritual and moral issues from a uniquely American standpoint.[citation needed] In 1850, adultery was an extremely risqué subject, but because Hawthorne had the support of the New England literary establishment, it passed easily into the realm of appropriate reading. It has been said that this work represents the height of Hawthorne's literary genius; dense with terse descriptions. It remains relevant for its philosophical and psychological depth, and continues to be read as a classic tale on a universal theme.
Allusions
* Anne Hutchinson, mentioned in Chapter 1, The Prison Door, was a religious dissenter (1591–1643). In the 1630s she was excommunicated by the Puritans and exiled from Boston and moved to Rhode Island.
* Martin Luther (1483–1545) was a leader of the Protestant Reformation in Germany.
* Sir Thomas Overbury and Dr. Forman were the subjects of an adultery scandal in 1615 in England. Dr. Forman was charged with trying to poison his adulterous wife and her lover. Overbury was a friend of the lover and was perhaps poisoned.
* John Winthrop (1588–1649), first governor of the Massachusetts Bay Colony.
* King's Chapel Burying Ground in the final paragraph exists; the Elizabeth Pain gravestone is traditionally considered an inspiration for the protagonists' grave.
xiǎo shuō《 hóng zì》 - zuò pǐn jiǎn jiè
xiǎo shuō yǐ liǎng bǎi duō nián qián de zhí mín dì shí dài de měi zhōu wéi tí cái， dàn jiē lù de què shì 19 shì jì zī běn zhù yì fā zhǎn shí dài měi lì jiān hé zhòng guó shè huì diǎn fǎ de cán kù、 zōng jiào de qī piàn hé dào dé de xū wěi。 zhù rén gōng hǎi sī tè bèi xiě chéng liǎo chóng gāo dào dé de huà shēn。 tā bù dàn gǎn huà liǎo biǎo lǐ bù yī de dīng méi sī dài 'ěr， tóng shí yě zài gǎn huà zhe chōng mǎn zuì 'è de shè huì。 zhì yú tā de zhàng fū qí lín wò sī， xiǎo shuō zé bǎ tā xiě chéng liǎo yī gè yī xīn zhǐ xiǎng kuī mì fù chóu de yǐng zǐ shì de rén wù。 tā zài xiǎo shuō zhōng zhǐ qǐ qíng jié pū diàn de zuò yòng。
xiǎo shuō guàn yòng xiàng zhēng shǒu fǎ， rén wù、 qíng jié hé yǔ yán dū pō jù zhù guān xiǎng xiàng sè cǎi， zài miáo xiě zhōng yòu cháng bǎ rén de xīn lǐ huó dòng hé zhí jué fàng zài shǒu wèi。 yīn cǐ， tā bù jǐn shì měi lì jiān hé zhòng guó làng màn zhù yì xiǎo shuō de dài biǎo zuò， tóng shí yě bèi chēng zuò shì měi lì jiān hé zhòng guó xīn lǐ fēn xī xiǎo shuō de kāi chuàng piān。
xiǎo shuō《 hóng zì》 - nèi róng gěng gài
zài shí qī shì jì zhōng yè de yī gè xià tiān， yī tiān zǎo chén， yī dà qún bō shì dùn jū mín yōng jǐ zài jiān yù qián de cǎo dì shàng， zhuāng yán dì mù bù zhuǎn jīng dì dīng zhe láo fáng mén。
suí zhe láo mén de dǎ kāi， yī gè huái bào sān gè yuè dà de yīng 'ér de nián qīng nǚ rén huǎn huǎn dì zǒu dào liǎo rén qún qián， zài tā de xiōng qián pèi dài zhe yī gè xiān hóng de A zì， yào yǎn de hóng zì xī yǐn liǎo suǒ yòu rén de mù guāng， tā jiù shì hǎi sī tè bái lán tài tài。 tā yóu yú bèi rèn wéi fàn liǎo tōng jiān zuì 'ér shòu dào shěn pàn， bìng yào yǒng yuǎn pèi dài nà gè dài biǎo zhe chǐ rǔ de hóng zì。
zài jiǎo xíng tái shàng， miàn duì zhe zǒng dū bèi líng hàn hé yuē hàn wēi 'ěr xùn mù shī de wēi bī lì yòu， tā yǐ jí dà de yì lì rěn shòu zhe qū rǔ， rěn shòu zhe rén xìng suǒ néng chéng dān de yī qiē， ér zhàn zài tā shēn bàng de nián qīng mù shī dīng méi sī dài 'ěr què liú lù chū yī zhǒng yōu xīn chōng chōng、 jīng huāng shī cuò de shén sè， qià sì yī gè rén zài rén shēng dào lù shàng piān lí liǎo fāng xiàng， gǎn dào fēi cháng mí wǎng， zhǐ yòu bǎ zì jǐ fēng bì qǐ lái cái jué dé 'ān rán。 hǎi sī tè bái lán jiān dìng dì shuō：“ wǒ yǒng yuǎn bù huì shuō chū hái zǐ de fù qīn shì shuí de”， shuō zhè jù huà de shí hòu tā de yǎn jīng méi yòu qù kàn wēi 'ěr xùn mù shī， ér shì níng shì zhe nà nián qīng mù shī shēn chén 'ér yōu yù de yǎn jīng。“ zhè hóng zì lào dé tài shēn liǎo。 nǐ shì qǔ bù xià lái de。 dàn yuàn wǒ néng zài rěn shòu wǒ de tòng kǔ de tóng shí， yě rěn shòu zhù tā de tòng kǔ！” hǎi sī tè bái lán shuō。
zhè shí， zài rén qún zhōng， hǎi sī tè bái lán kàn dào liǎo yī gè xiàngmào qí tè de nán rén： ǎi xiǎo cāng lǎo， zuǒ jiān bǐ yòu jiān gāo， zhèng yòng zhe yīn huì de yǎn shén zhù shì zhe tā， zhè gè nán rén jiù shì tā shī sàn liǎo liǎng nián zhī jiǔ de zhàng fū qí líng wò sī héng héng yī gè cái zhì chū zhòng、 xué shí yuān bó de yī shēng。 dāng tā fā xiàn hǎi sī tè bái lán rèn chū liǎo tā shí， shì yì tā bù yào shēng zhāng。 zài qí líng wò sī de yǎn lǐ rán shāo zhe chóu hèn de nù huǒ， tā yào xiàng hǎi sī tè bái lán jí tā de qíng rén fù chóu， bìng qiě tā xiāng xìn yī dìng néng gòu chéng gōng。
hǎi sī tè bái lán bèi dài huí yù zhōng zhī hòu， qí líng wò sī yǐ yī shēng de shēn fèn jiàn dào liǎo tā， dàn hǎi sī tè bái lán bù kěn shuō chū hái zǐ de fù qīn shì shuí， bìng qiě xiàng qí líng wò sī tǎn yán tā cóng tā nà lǐ cóng lái méi yòu gǎn shòu dào guò 'ài qíng， qí líng wò sī wēi xié hǎi sī tè bái lán bù yào xiè lù tā men de fū qī guān xì， tā bù néng zāo shòu yī gè bù zhōng shí nǚ rén de zhàng fū suǒ yào méng shòu de chǐ rǔ， fǒu zé， tā huì ràng tā de qíng rén míng yù sǎo dì， huǐ diào de bù jǐn jǐn shì tā de míng yù， dì wèi， shèn zhì hái yòu tā de líng hún hé shēng mìng， hǎi sī tè bái lán dāyìng liǎo。
hǎi sī tè bái lán chū yù hòu， dài zhe zì jǐ de nǚ 'ér xiǎo zhū 'ér kào zhe zhēn xiàn jì yì wéi chí zhe shēng huó， tā men lí qún suǒ jū， nà xiān hóng de A zì jiāng qū rǔ shēn shēn lào zài liǎo hǎi sī tè bái lán de xīn lǐ。 xiǎo zhū 'ér cháng dé měi lì tuō sú， yòu zhe juéjiàng de xìng gé hé chōng pèi de jīng lì， tā hé nà hóng zì yī qǐ shǎn yào zài shì rén de miàn qián， zài nà gè qīng jiào tú de shè huì lǐ， tā men shì chǐ rǔ de xiàng zhēng， dàn yě zhǐ yòu tā men shì xiān liàng de。
dīng méi sī dài 'ěr mù shī bù jǐn nián qīng jùn měi， ér qiě xué shí yuān bó， shàn yú cí lìng， yòu zhe jí gāo de bǐng fù hé jí shēn de zào yì， zài jiào mín zhōng yòu zhe jí gāo de wēi wàng。 dàn shì， zì cóng hǎi sī tè bái lán shòu shěn yǐ lái， tā de jiàn kāng rì qū léi ruò， mǐn gǎn， yōu yù yǔ kǒng huāng mí màn liǎo tā de zhěng gè sī xù， tā cháng cháng yè bù chéng mèi de dǎo gào， měi féng lüè shòu jīng kǒng huò shì tū rán yù dào shénme yì wài shì jiàn shí， tā de shǒu jiù huì lǒng zài xīn shàng， xiān shì yī zhèn hóng cháo， rán hòu biàn shì mǎn miàn cāng bái， xiǎn dé shí fēn kǔ tòng。 zhè yī qiē dū ràng qí líng wò sī kàn zài yǎn lǐ， duì tā chǎn shēng liǎo nóng hòu de xīng qù， bìng yǐ yī shēng de shēn fèn yǔ tā xíng yǐng xiāng suí。
suí zhe shí jiān de tuī yí， xiǎo zhū 'ér jiàn jiàn de zhǎngdà liǎo， tā chuānzhuó mǔ qīn wéi tā zuò de hóng tiān 'é róng qún shān， bēn páo zhe， tiào yuè zhe， xiàng yī tuán xiǎo huǒ yàn zài rán shāo， zhè yào yǎn de hóng sè shǐ qīng jiào tú men jué dé hái zǐ shì lìng yī zhǒng xíng shì de hóng zì， shì bèi fù yú liǎo shēng mìng de hóng zì！ bèi líng hàn zǒng dū hé shén fǔ yuē hàn wēi 'ěr xùn rèn wéi xiǎo zhū 'ér yīnggāi yǔ mǔ qīn fēn kāi， yīn wéi tā de mǔ qīn shì gè zuì rén， méi yòu néng lì wán chéng shǐ hái zǐ chéng wéi qīng jiào tú de zhòng rèn。 dàn shì hǎi sī tè bái lán jiān jué bù tóng yì。 tā dà shēng shuō zhū 'ér shì shàng dì gěi tā de hái zǐ， zhū 'ér shì tā de xìng fú！ yě shì tā de zhé mó！ shì zhū 'ér jiào tā hái huó zài shì shàng！ yě shì zhū 'ér jiào tā shòu zhe chéng fá！ rú guǒ tā men duó zǒu zhū 'ér， hǎi sī tè bái lán qíng yuàn xiān sǐ gěi tā men kàn。 hǎi sī tè bái lán zhuànxiàng dīng méi sī dài 'ěr mù shī， xī wàng tā néng gòu fā biǎo yì jiàn。 dīng méi sī dài 'ěr mù shī miàn sè cāng bái， yī zhǐ shǒu wǔ zhù xīn kǒu， nà shuāng yòu dà yòu hēi de yǎn jīng shēn chù， zài fán nǎo hé yōu yù zhī zhōng hái yòu yī gè tòng kǔ de tiān dì， tā rèn wéi zhū 'ér shì shàng dì gěi hǎi sī tè bái lán de hái zǐ， yīnggāi tīng cóng shàng dì de 'ān pái， rú guǒ tā néng bǎ hái zǐ sòng shàng tiān guó， nà me hái zǐ yě jiù néng bǎ tā dài dào tiān guó， zhè shì shàng dì shén shèng de zhǐ yì。 zhè yàng zhū 'ér cái méi yòu bèi dài zǒu。
zhè yī qiē， dōubèi bǎo jīng shì gù de qí líng wò sī kàn zài yǎn lǐ， tā yī diǎn diǎn dì xiàng dīng méi sī dài 'ěr mù shī nèi xīn bī jìn， qí líng wò sī xiàng guān chá bìng rén yī yàng qù guān chá tā， yī fāng miàn guān chá dīng méi sī dài 'ěr mù shī de rì cháng shēng huó， kàn tā zěn yàng zài guàn yòu de sī lù zhōng qián jìn， lìng yī fāng miàn guān chá tā bèi tóu rù lìng yī zhǒng dào dé jìng jiè shí suǒ biǎo xiàn de xíng tài， tā jìn liàng fā jué mù shī nèi xīn de 'ào mì。 suí zhe shí jiān de tuī yí， qí líng wò sī jiàn jiàn dì zǒu jìn liǎo dīng méi sī dài 'ěr mù shī de xīn lǐ， bìng xiàng tā de líng hún shēn chù tàn jìn。
yī tiān， dīng méi sī dài 'ěr mù shī zhèng zài chén shuì， qí líng wò sī zǒu liǎo jìn lái， bō kāi liǎo tā de fǎ yī， zhōng yú fā xiàn liǎo dīng méi sī dài 'ěr mù shī yī zhí yǐn cáng de mì mì héng héng tā de xiōng kǒu shàng yòu zhe hé hǎi sī tè bái lán yī yàng de hóng sè biāo jì， tā xīn xǐ ruò kuáng， nà shì yī zhǒng kuáng yě de jīng qí、 huān lè hé kǒng jù de biǎo qíng！ nà zhǒng hài rén de kuáng xǐ， jué bù jǐn jǐn shì yóu yǎn jīng hé biǎo qíng suǒ biǎo dá de， shèn zhì shì cóng tā zhěng gè de chǒu lòu shēn qū bèng fā chū lái， tā jiāng liǎng bì shēn xiàng tiān huā bǎn， yī zhǐ jiǎo shǐ jìn duǒ zhe dì miàn， yǐ zhè zhǒng fēi tóng xún cháng de zī tài fàng zòng dì biǎo xiàn tā de kuáng xǐ！ dāng yī gè bǎo guì de rén lèi líng hún shī qù liǎo tiān guó， duò rù sǎ dàn de dì yù zhī zhōng shí， nà mó wáng zhī dào gāi rú hé jǔ dòng liǎo。
qí líng wò sī jīng xīn dì shí shī zhe tā de fù chóu jìhuà， tā lì yòng dīng méi sī dài 'ěr mù shī mǐn gǎn、 fù yú xiǎng xiàng de tè diǎn， zhuā zhù tā de fù zuì xīn lǐ， zhé mó tā de xīn líng， tā bǎ zì jǐ zhuāng bàn chéng kě xìn lài de péng yǒu， ràng duì fāng xiàng tā tù lù yī qièkǒng jù、 zì zé、 fán nǎo、 ào huǐ、 fù zuì gǎn， nà xiē xiàng shì jiè yǐn mán zhe de yī qiē nèi jiù， běn kě yǐ huò dé shì jiè de bó dà xīn xiōng de lián mǐn hé yuán liàng de， rú jīn què yào jiē shì gěi tā zhè gè nèi xīn chōng mǎn liǎo fù chóu huǒ yàn de rén， zuì zuì qiàrúqífèn dì ràng tā dé cháng fù chóu zhī sù zhài。 ér cǐ shí de dīng méi sī dài 'ěr mù shī duì qí líng wò sī què méi yòu rèn hé de huái yí， suī rán tā zǒng shì huì gǎn dào yòu yī zhǒng 'è shì lì zài jǐn jǐn de dīng zhe zì jǐ， zǒng yòu yī zhǒng bù xiáng de yù gǎn， yóu yú tā bù bǎ rèn hé rén shì wéi kě xìn lài de péng yǒu， gù cǐ dāng dí rén shí jì shàng yǐ chū xiàn shí， réng rán biàn rèn bù chū。 jiù zài dīng méi sī dài 'ěr mù shī bǎo cháng ròu tǐ shàng de jí bìng de tòng kǔ hé jīng shén shàng de cuī cán de tóng shí， tā zài shèng zhí shàng què dà fàng yì cǎi， qǔ dé liǎo huī huáng de chéng jiù。 gōng zhòng de jǐng yǎng gèng jiā jiā zhòng liǎo tā de zuì 'è gǎn， shǐ tā de xīn lǐ bù kān zhòng fù。
zhōng yú， zài yī tiān qī hēi de yè lǐ， dīng méi sī dài 'ěr mù shī mèng yóu bān zǒu dào liǎo shì chǎng shàng de jiǎo xíng tái shàng， fā chū yī shēng bēi tòng de sī hǎn。 hǎi sī tè bái lán hé xiǎo zhū 'ér gāng gāng shǒu hù zhe yī gè rén qù shì， qià qiǎo cóng zhè lǐ jīng guò， tā kàn dào dīng méi sī dài 'ěr mù shī yǐ chǔyú bēng kuì de biān yuán， jīng shén lì liàng yǐ jīng dào liǎo wú néng wéi lì de dì bù。 yī zhǒng huǐ zuì gǎn shǐ dīng méi sī dài 'ěr yāo qǐng tā men yī tóng dēng shàng liǎo jiǎo xíng tái：“ nǐ men mǔ nǚ liǎ yǐ qián yǐ jīng zài zhè 'ér zhàn guò liǎo， kě shì wǒ dāng shí méi hé nǐ men zài yī qǐ。 zài shàng lái yī cì bā， wǒ men sān gè rén yī qǐ zhàn zhe bā！” hǎi sī tè bái lán wò zhe hái zǐ de yī zhǐ shǒu， mù shī wò zhe hái zǐ de lìng yī zhǐ shǒu， tā men gòng tóng zhàn zài liǎo jiǎo xíng tái shàng。 jiù zài tā zhè me zuò de shùn jiān， sì yòu yī bān bù tóng yú tā zì jǐ shēng mìng de xīn shēng mìng de jī yuè zhī cháo， jí liú bān yǒng rù tā de xīn fáng， chōng guò tā zhōu shēn de xuè guǎn， fǎng fó nà mǔ nǚ liǎ zhèng bǎ tā men shēng mìng de wēn nuǎn chuán dì gěi tā bàn má mù de shēn qū， sān rén gòu chéng liǎo yī tiáo bì hé de diàn lù， cǐ shí， tiān kōng shǎn guò liǎo yī sī liàng guāng， dīng méi sī dài 'ěr fǎng fó kàn jiàn tiān kōng zhōng chū xiàn liǎo yī gè jù dà de zì mǔ“ A”。 rán 'ér， zhè yī qiē dū ràng gēn zōng 'ér zhì de qí líng wò sī kàn dào liǎo， zhè shǐ dé dīng méi sī dài 'ěr mù shī jí wéi kǒng huāng， dàn shì， qí líng wò sī què shuō dīng méi sī dài 'ěr xiān shēng huàn liǎo yè yóu zhèng， bìng bǎ tā dài huí liǎo jiā。 dīng méi sī dài 'ěr xiān shēng jiù xiàng yī gè gāng gāng cóng 'è mèng zhōng jīng xǐng de rén， xīn zhōng 'ào sàng dé fā lěng， biàn tīng píng nà yī shēng bǎ zì jǐ lǐng zǒu liǎo。
xǔ duō nián guò qù liǎo， xiǎo zhū 'ér yǐ jīng qī suì liǎo， hǎi sī tè bái lán cǐ shí suǒ chù de dì wèi yǐ tóng tā dāng chū shòu rǔ shí bù wán quán yī yàng liǎo。 rú guǒ yī gè rén zài dà jiā miàn qián yòu zhe yǔ zhòng bù tóng de tè shū dì wèi， ér tóng shí yòu bù gān shè rèn hé gōng gòng huò gè rén de lì yì， tā jiù zuì zhōng huì yíng dé pǔ biàn de zūn zhòng。 hǎi sī tè bái lán cóng lái yǔ shì wú zhēng， zhǐ shì háo wú yuàn yóu dì qū cóng yú shè huì de zuì bù gōng píng de dài yù； tā yě méi yòu yīn zì jǐ de bù xìng 'ér xī jì shénme bào cháng； tā tóng yàng bù yǐ zhòng yú rén men de tóng qíng。 yú shì， zài tā yīn fàn zuì 'ér sàng shī liǎo quán lì、 bèi pò dú chù yī yú de zhè xiē nián yuè lǐ， dà dà dì yíng dé liǎo rén xīn。 tā chú liǎo yī xīn yī yì de dǎ bàn xiǎo zhū 'ér wài， tā hái jìn zì jǐ suǒ néng qù bāng zhù qióng rén， yòng kuān dà de xīn qù bāo róng yī qiē， rén men kāi shǐ bù zài bǎ nà hóng zì kàn zuò shì zuì guò de biāo jì， ér shì dàngchéng zì nà shí qǐ de xǔ duō shàn xíng de xiàng zhēng。
zài zhè jǐ nián lǐ， xǔ duō réndōu fā shēng zhe biàn huà， qí líng wò sī biàn de gèng jiā cāng lǎo liǎo， hǎi sī tè bái lán yuán lái yìn xiàng zuì shēn de tā xiān qián nà zhǒng cōng huì hàoxué de pǐn gé， nà zhǒng píng hé 'ān xiáng de fēng dù， rú jīn yǐ jīng dàng rán wú cún， qǔ 'ér dài zhī de shì yī zhǒng jíqiè kuī cè de shén sè， jìn hū fēng kuáng 'ér yòu jié lì yǎn shì， ér zhè zhǒng yǎn shì shǐ bàng rén yì fā qīng chǔ dì kàn chū tā de yīn xiǎn。 hǎi sī tè bái lán qǐng qiú qí líng wò sī fàng guò dīng méi sī dài 'ěr mù shī， bù yào zài cuī cán tā de líng hún liǎo， dàn shì dīng méi sī dài 'ěr mù shī de tòng kǔ、 fù chóu de kuài lè yǐ jīng chōng hūn liǎo qí líng wò sī de tóu nǎo， tā jué dìng jì xù shí shī zì jǐ de yīn móu， tā yào màn màn dì zhé mó dīng méi sī dài 'ěr mù shī， fù chóu yǐ jīng chéng wéi tā shēng huó wéi yī de mùdì。 hǎi sī tè bái lán jué dìng jiāng qí líng wò sī de zhēn shí shēn fèn gào sù dīng méi sī dài 'ěr。
zài yī piàn nóng mì de sēn lín lǐ， hǎi sī tè bái lán jiàn dào liǎo dīng méi sī dài 'ěr， tā men hù sù zhōng cháng， shù shuō zhe jǐ nián lái xīn dǐ de mì mì， tā men shòu zhe tóng yàng de tòng kǔ hé jiān 'áo， tóng yàng shòu zhe liáng zhī hé dào dé de niè shì。 dīng méi sī dài 'ěr gào sù tā， suī rán tā de xiōng qián méi yòu pèi dài hóng zì， dàn shì， tóng yàng de hóng zì zài tā de shēng mìng lǐ yī zhí rán shāo zhe。 cǐ shí， hǎi sī tè bái lán cái yì shí dào xī shēng diào mù shī de hǎo míng shēng， shèn zhì ràng tā sǐ diào， dū bǐ tā yuán xiān suǒ xuǎn zé de tú jìng yào qiáng dé duō， tā gào sù dīng méi sī dài 'ěr qí líng wò sī jiù shì tā de zhàng fū， tā suǒ zuò de yī qiēdōu shì wèile tā de róng yù、 dì wèi jí shēng mìng cái yǐn mán liǎo zhè gè mì mì。 yīn 'àn xiōng měng de yǎn shén shùn jiān yǒng shàng liǎo dīng méi sī dài 'ěr de liǎn shàng， tā tòng chǔ de bǎ liǎn mái zài shuāng shǒu zhī zhōng。 hǎi sī tè bái lán quàn dīng méi sī dài 'ěr lí kāi zhè lǐ， dào yī gè méi yòu rén rèn shí de dì fāng qù， dào yī gè kě yǐ bì kāi qí líng wò sī shuāng yǎn de dì fāng qù， tā yuàn yì hé tā kāi shǐ yī duàn xīn de shēng huó， guò qù de yǐ jīng yī qù bù fù fǎn liǎo！ xiàn zài yòu hé bì qù liú liàn ní？ dīng méi sī dài 'ěr yóu yù zhe， tā yào me chéng rèn shì yī míng zuì fàn 'ér táo zǒu， yào me jì xù chōng dāng yī míng wěi jūn zǐ 'ér liú xià， dàn tā de liáng xīn yǐ nán yǐ cóng zhōng qǔ dé píng héng； wèile bì miǎn sǐ wáng hé chǐ rǔ de wēi xiǎn， yǐ jí yī gè dí rén de mò cè de guǐ jì， dīng méi sī dài 'ěr jué dìng chū zǒu。
hǎi sī tè bái lán de gǔ lì jí duì xīn shēng huó de chōng jǐng， shǐ dīng méi sī dài 'ěr chóngxīn yòu liǎo shēng huó de yǒng qì hé xī wàng。 gāng hǎo yòu yī sōu tíng bó zài gǎng wān de chuán sān tiān zhī hòu jiù yào dào yīng guó qù， tā men jué dìng zuò zhè sōu chuán fǎn huí 'ōu zhōu， yī qiēdōu zài shùn lì dì jìn xíng zhe。 tā men měi tiān dōubèi zhè zhǒng xīn de xī wàng jī lì zhe、 xīng fèn zhe， dīng méi sī dài 'ěr jué dìng yǎn jiǎng wán qìng zhù shuō jiào hòu jiù lí kāi。 xīn yīng gé lán de jié rì rú qī 'ér zhì， dīng méi sī dài 'ěr mù shī de yǎn jiǎng yě 'àn jìhuà jìn xíng zhe， hǎi sī tè bái lán hé xiǎo zhū 'ér lái dào shì chǎng， tā de liǎn shàng yòu yī zhǒng qián suǒ wèi jiàn de biǎo qíng， tè shū de bù 'ān hé xīng fèn，“ zài zuì hòu kàn yī yǎn zhè hóng zì hé pèi dài hóng zì de rén bā！” tā xiǎng，“ zài guò yī duàn shí jiān， tā jiù huì yuǎn zǒu gāo fēi liǎo！ nà shēn bù kě cè de dà hǎi jiāng bǎ nǐ men zài tā xiōng qián zhuó shāo de biāo jì yǒng yuǎn yānmò wú cún！” zhè shí， nà sōu zhǔn bèi kāi wǎng yīng guó chuán zhǐ de chuán cháng zǒu liǎo guò lái， tā gào sù hǎi sī tè bái lán， qí líng wò sī jiāng tóng tā men tóng xíng， hǎi sī tè bái lán chè dǐ jué wàng liǎo。
dīng méi sī dài 'ěr mù shī de xuān jiǎng qǔ dé liǎo kōng qián jué hòu de zuì huī huáng chéng gōng， dàn suí hòu tā biàn dé fēi cháng shuāi ruò hé cāng bái， tā bù lǚ liàngqiàng， nèi xīn de fù zuì gǎn jí liáng xīn de qiǎn zé zuì zhōng zhàn shèng liǎo tā chū táo de yì zhì， zài jīng guò jiǎo xíng tái de shí hòu， tā zhèng tuō qí líng wò sī de jī bàn， zài hǎi sī tè bái lán de chān fú xià dēng shàng liǎo jiǎo xíng tái， tā lā zhe zhū 'ér， zài zhòng rén miàn qián shuō chū liǎo zài xīn dǐ mái cáng liǎo qī nián de mì mì， tā jiù shì xiǎo zhū 'ér de fù qīn， tā chě kāi liǎo fǎ yī de shì dài， lù chū liǎo hóng zì， zài zhòng rén de jīng jù zhī shēng zhōng， zhè gè shòu jìn róu lìn de líng hún cí shì liǎo。
qí líng wò sī bǎ fù chóu dāng zuò tā shēng huó de wéi yī mùdì， kě shì dāng tā shèng lì hòu， tā niǔ qū de xīn líng zài yě zhǎo bù dào yǐ tuō， tā xùn sù kū wěi liǎo。 bù dào yī nián， tā sǐ liǎo， tā bǎ yí chǎn zèng gěi liǎo xiǎo zhū 'ér。 bù jiǔ， hǎi sī tè bái lán hé xiǎo zhū 'ér yě zǒu liǎo。 hóng zì de gù shì jiàn jiàn biàn chéng liǎo chuán shuō。 xǔ duō nián yǐ hòu， zài dà yáng de lìng yī biān， xiǎo zhū 'ér chū jià liǎo， guò zhe fēi cháng xìng fú de shēng huó， ér hǎi sī tè bái lán yòu huí dào liǎo bō shì dùn， xiōng qián yǐ jiù pèi dài zhe nà gè hóng zì， zhè lǐ yòu guò tā de zuì niè， zhè lǐ yòu guò tā de bēi shāng， zhè lǐ yě hái huì yòu tā de chàn huǐ。 yòu guò liǎo xǔ duō nián， zài yī zuò xià xiàn de lǎo fén fù jìn， yòu wā liǎo yī zuò xīn fén。 liǎng zuò fén gòng yòng yī kuài mù bēi。 shàng miàn kè zhe zhè me yīháng míng wén：“ yī piàn mò hēi de tǔ dì， yī gè xuè hóng de A zì。”
xiǎo shuō《 hóng zì》 - zuò pǐn fēn xī
《 hóng zì》 de gù shì yī kāi piān， yìng rù dú zhě yǎn lián de， xī xiān shì“ xīn zhí mín dì de kāi tuò zhě men” zài wàn shì cǎo chuàng zhī shí wàng bù liǎo yǔ mù dì tóng shí xiū jiàn de jiān yù， zhè zhū“ wén míng shè huì de hēi huā“ cóng lái bù céng jīng lì guò zì jǐ de qīng chūn sháo huá”， yīn wéi tā“ yǔ zuì 'è 'èr zì xī xī xiāng guān”， tā nà zhēng níng yīn sēn de wài mào， lián tóng mén qián cǎo dì shàng“ guò yú fán mào dì cù shēng zhe de bù kān rù mùdì zá gé”， dū zēng jiā liǎo huì 'àn qī chǔ de sè diào， rán 'ér zài zhè yī piàn huī hēi zhī zhōng， què 'ào rán tǐng lì zhe yī cóng méi hún，“ shèng kāi zhe bǎo shí chuán de huā duǒ”， xiàng zhēng zhe rén lèi de dào dé…… jiē xià lái， biàn chū guān liǎo nǚ zhù rén gōng hǎi sī tè bái lán， huái bào chū shēng de zhū 'ér，“ tā huàn fā de měi lì， jìng bǎ lóng jìn zhe tā de bù xìng hé chǐ rǔ níng chéng yī lún guāng huán”， lìng rén lián xiǎng qǐ“ shèng mǔ de xíng xiàng”。 zhè yàng yī duàn hú hú rú shēng de wén zì， bù dàn wèiwǒ men zhǎn xiàn liǎo rén wù huó dòng de wǔ tái bèi jǐng， ér qiě qǐ fā dú zhě qù sī kǎo zuò pǐn de zhù tí。
zhè zhǒng yòng lüè dài shén mì sè cǎi de zì rán jǐng xiàng hōng tuō huán jìng、 zhā rǎn qì fēn hé yìng chèn rén wù xīn lǐ de shǒu fǎ fǔ shí jiē shì， zuì tū chū de biàn shì dīng méi sī dài 'ěr mù shī hé hǎi sī tè jí zhū 'ér zài yè wǎn hé mì lín zhōng de liǎng cì huì jiàn： yóu hóng zì lián xì zài yī qǐ de jǐ gè zhù yào rén wù de tóng shí chū chǎng， rú tóng xì jù zhōng dié qǐ de gāo cháo， bǎ quán shū jǐn zhì zài yī gè yán mì de jié gòu zhī zhōng。
zuò zhě hái bǎ zhè zhǒng shǒu fǎ yòng yú kè huà rén wù yè tā de bǐ xià cì yào rén wù de shì fēi shàn 'è hé tā men zhī jiān de sī 'ēn yuàn yuàn xiěde shí fēn hán xù， ér jǐ gè zhù yào rén wù zé tōng guò gè bié de xīn lǐ wā jué、 chéng shuāng de zǔ hé de chōng tū hé tóng shí chū chǎng liàng xiāng de jiāo huì， jiāo dài chū gè rén yǔ hóng zì xiāng guān de xiàng zhēng。
quán shū xiě dào de rén wù bù guò shí duō gè， qí zhōng yòu xìng míng de bù chāo guò shí gè。 zhí dé zhù yì de shì bèi líng hàn zǒng dū、 wēi 'ěr xùn mù shī、 xī bīn sī lǎo fū rén hé nà wèi zuì nián qīng 'ér wéi yī yòu tóng qíng xīn de gū niàn zhè sì gè cì yào rén wù， tā men fēn bié shì zhū 'ér、 dīng méi sī dài 'ěr mù shī、 luó jié qí líng wò sī hé hǎi sī tè zhè sì gè zhù yào rén wù de fǎn chèn huò yǐng zǐ。 ér sì míng zhù yào rén wù yòu xíng chéng liǎng duì， shǐ tā men de gè xìng zài xiāng dé yì zhāng zhī zhōng yú yǐ hān chàng lín lí de biǎo xiàn。
xiǎo shuō《 hóng zì》 - hóng zì“ A” de xiàng zhēng yì yì
hǎi sī tè · bái lán shì yòu xíng de hóng zì。 tā chū shēn mòluò de shì jiā， fù mǔ pín qióng 'ér zhèng zhí。 tā de bù xìng de hūn yīn， jiā zhī liǎng nián zhōng zhàng fū yīn xùn jiē wú ． yáo chuán tā yǐ zàng shēn hǎi dǐ， zhè gè gū kǔ fū yǐ de shàofù yǔ cái mào xiāng dāng de dīng méi sī dài 'ěr de 'ài qíng biàn xiǎn dé hé qíng hé lǐ。 shì qíng bài lù hòu， tā bèi pò zhōng shēn pèi dài hóng zì， wèile 'ài rén de míng shēng， tā dú zì chéng dān liǎo quán bù zuì zé yǔ chǐ rǔ。 chū yú duì tā de juàn liàn zhī qíng， tā bù dàn zài tā shēng qián bù kěn yuǎn lí tā suǒ zài de jiào qū， jiù shì zài tā sǐ hòu， réng rán fàng qì liǎo yǔ nǚ 'ér gòng xiǎng tiān lún zhī lè de yōu yuè shēng huó， chóngfǎn mái yòu tā shī gǔ de gù dì， chóngxīn dài shàng hóng zì， zhí dào sǐ hòu zàng zài tā shēn biān， yǐ biàn yǒng yuǎn shǒu hù、 wēi yǐ zhe tā。 zhè gè yǒng gǎn de nǚ xìng hái jīng xīn cì xiù nà hóng zì， zhuóyì dǎ bàn tā de xiǎo zhū 'ér， bù jǐn chū miàn hàn wèi zì jǐ jiào yǎng tā de quán lì， ér qiě zūn zhòng hái zǐ kuáng yě de tiān xìng， nǔ lì péi yǎng tā chéng rén。 zài zuò zhě de bǐ xià， hǎi sī tè yuǎn bù zhǐ shì gè zhēng qǔ gè xìng jiě fàng de nǚ rén， tā hái jí qǔ liǎo“ bǐ hóng zì lào yìn suǒ dài biǎo de zuì 'è hái yào zhì mìng” de jīng shén， bǎ máo tóu zhǐ xiàng liǎo“ yǔ gǔ dài zhǔn zé mìqiè xiāng guān de gǔ dài piān jiàn de wán zhěng tǐ xì héng héng zhè shì nà xiē wáng shì guì zhòu zhēn zhèng de cáng shēn zhī dì”， chēng dé qǐ shì yī wèi xiàng yú mèi de chuán tǒng xuān zhàn de dǒu shì liǎo。 zhè yàng de gāo dù， shì hěn duō wén xué zuò pǐn zhōng de fù nǚ xíng xiàng suǒ nán yǐ qǐ jí de。 tā de zhè zhǒng jīng shén jìng jiè jìn guǎn méi yòu wéi tā de nà xiē qǐng jiào tú xiāng qīn hé yú bù kě jí de zhǎngguān men suǒ lǐ jiě ( fǒu zé， bù fēn yào hé lái hé děng hènghuò )， dàn wú lùn rú hé， yóu yú tā de hé xīn rú kǔ、 zhù rén wéi lè děng zhǒng liǎng měi dé， shǐ tā xiōng qián de hóng zì bù zài shì“ tōng jiān” ( rù dult“ y) de chǐ rǔ huī jì， miàn chéng liǎo“ néng gān” (Able)， shèn zhì“ zhí dé zūn jìng” (AdmiraLIe) de biāo zhì liǎo。
dīng méi sī dài 'ěr shì wú xíng de hóng zì。 yǔ hǎi sī tè xiāng bǐ， tā xiǎn dé qiè nuò， dàn zhè shì tā shòu zōng jiào shù fù mí zhòng de jiēguǒ。 tā bìng fēi bù xiǎng gōng kāi qiān huǐ zì jǐ de“ zuì niè”， dàn tā de zhè zhǒng yuàn wàng guò duō dì tóng“ shú zuì” ‘ nèixǐng” děng zōng jiào yì shí jiū chán zài yī qǐ， yīn cǐ xíng dòng shàng yě zhǐ néng chù chù shòu qí jú bàn。 tā jì yào shòu nèi xīn de qiǎn zé， yòu yào fáng wài jiè de kuī cè； tā míng míng yòu zì jǐ de 'ài， què piān piān yào bǎ zhè zhǒng gǎn qíng shì tóng xié mó。 tā zài tòng kǔ zhōng zhēngzhá liǎo qī nián， zuì zhōng suī rán yǐ tǎn lù xiōng táng shàng de“ zuì 'è” lào yìn， wán chéng liǎo dào dé de jìng huà yǔ líng hún de fēi shēng， dàn tā shǐ zhōng méi zài qì chéng rèn zì jǐ 'ài de zhèng dāng， gèng tán bù dào yǔ jiù de jīng shén tǐ xì chè dǐ jué liè， yǔ hǎi sī tè xiāng bǐ， sì hū gèng jiā yìng chèn chū hòu zhě de gāo dà。
qí líng wò sī shì hóng zì de zhì zào yīn。 tā nà chǒu lòu de wài mào hé jī xíng de qū tǐ， zhèng shì tā chǒu lòu hé jī xíng de líng hún de xiě zhào。 tā xuǎn zé liǎo ràng dīng méi sī dài 'ěr huàzhāo shòu jiān 'áo de fù chóu shǒu duàn， shí jì shàng chéng liǎo zǔ zhǐ tā shú zuì de 'è mó。 tā hé hǎi sī tè de jié hé suī rán chū yú tā zhuī qiú jiā tíng wēn nuǎnhuo gè rén xìng fú de yī yǐ zhī sī， dàn bì jìng shì yī zhǒng 'ài， yuán yě wú kě hòu fēi； dàn dāng zhè zhǒng 'ài zhuǎn biàn chéng hèn， bǎ fù chóu zuò wéi shēng huó mù biāo， bù xī pāo qì“ bó 'ài” de jī dū jīng shén， yǐ niè shì tā rén de líng hún wéi lè zhī hòu， fǎn dǎo yóu bèi hài zhě duò luò chéng“ zuì huài de zuì rén”， bù dàn zài shī qù fù chóu zhè yī shēng huó mù biāo shí jié shù liǎo zì jǐ de shēng mìng， ér qiě sǐ hòu yě bù huì dé dào xīn shēng。
xiǎo zhū 'ér zé shì huó de hóng zì，“ shì lìng yī zhǒng xíng shì de hóng zì， shì bèi fù yú liǎo shēng mìng de hóng zì！” zhè gè sī shēng de xiǎo jīng líng hé tā mǔ qīn xiōng qián de hóng zì jiāo xiāng huī yìng， jì shì“ zuì 'è” de chǎn wù yòu shì 'ài qíng de jié jīng。 hǎi sī tè bǎ hóng zì yòng jīn sè sī xiàn zhuāng shì dé shí fēn huá měi， xiǎo zhū 'ér yě gěi dǎ bàn dé xiān lì yì cháng。 tā de měi bó qí líng màn sī de chǒu xíng chéng qiáng liè duì bǐ： yī fāng miàn tǐ guān liǎo zuò zhě de làng màn zhù yì guān diǎn yī lǎo yī shēng de bó xué duō shí shǐ tā chéng wéi shēn shòu wén kā kuī rǎn de shè huì rén miàn xiǎo nǚ hái sì yuán jì dá de kuáng yě zé réng bǎo chí zhe zì rán rén de chún zhēn； lìng fāng miàn yòu biǎo míng liǎo zuò zhě de zōng jiào yì shí héng héng qí líng yá sī jì rán shì chè dàn， xiǎo zhū 'ér biàn shì“ tiān shǐ”（ Angel），“ A” zì zài tā shēn shàng， cóng 'ér jù bèi liǎo gèng jī jí de hé yì。 qià shí shì zài zhè gè hán yì shàng， jì tuō liǎo zuò zhě měi hǎo de lǐ xiǎng， yě tǐ xiàn liǎo tā duì zōng jiào de huàn xiǎng，
xiǎo shuō《 hóng zì》 - zuò zhě chuàng zuò《 hóng zì》 yuán yì
huò sāng shì yī wèi shì jiè guān xiāng dāng fù zá de zuò jiā， tā xuǎn zé 'ài qíng bēi jù zuò wéi《 hóng zì》 de zhù tí， shǐ zì jǐ shēn shēn xiàn rù nán jiě de máo dùn zhī zhōng。 ài qíng běn shì rén lèi de tiān xìng， dàn 'àn zhào jī dū jiào yì。 yà dāng hé xià wá tōu chī liǎo yī diàn yuán de zhì huì zhī guǒ， dǒng dé liǎo nán huān nǚ 'ài， bù zài kào shàng dì chuàng zào 'ér yóu zì yǐ fán yǎn rén lèi， zhè běn shēn zhèng shì“ yuán zuì”， zhì yú sī qíng， gèng chù fàn liǎo jī dū jiào de dì qī jiè。 huò sāng suī shēn shòu jiào huì yǐng xiǎng， dàn zì cóng 'ōu zhōu wén yì fù xīng yǐ lái， ài qíng zǎo yǐ chéng liǎo wén yì zuò pǐn yǒng héng de zhù tí， shí shí shòu dào gē sòng， tā jí shǐ zài bǎo shǒu， yě bù huì bù rèn wéi zhè shì tiān jīng dì yì de liǎo。 yú shì， shū zhōng biàn chù chù kě jiàn zuò zhě nán yán de kǔ zhōng： tā suī rán qiǎn zé bù hé lǐ de hūn yīn， shèn zhì bǎ nán nǚ zhù rén gōng de 'ài qíng shuō chéng shì“ shén shèng de gòng xiàn”， dàn bù gǎn kěn dìng bù hé“ fǎ” de gǎn qíng， gèng bù kěn shǐ yòu qíng rén zhōng chéng juàn shǔ。 tā zhǐ néng ràng qí líng wò sī zài sǐ qián“ liáng xīn fā xiàn”， bǎ yí chǎn quán bù liú gěi zhū 'ér。
shí jì shàng， huò sāng zài《 hóng zì》 zhōng yào biǎo dá de， shì shè huì xiàn zhuàng hé rén lèi mìng yùn， bìng jiè yǐ jìn yī bù tàn tǎo tā suǒ guān xīn de“ shàn” yǔ“ è” de zhé lǐ。 nà zuò gòu chéng《 hóng zì》 gù shì zhōng xīn chǎng jǐng de shì zhòng xíng tái， shí miàn bèi miáo shù chéng“ xiàng shì jiào táng de fù shǔ jiàn zhù”， sì shì yào bǎ shè huì de chǒu 'è jí bù rén dào guī jiù yú zōng jiào， dàn jì 'ér yòu bèi xiě zuò“ rú tóng fǎ guó dà gé mìng shí qī kǒng bù dǎng rén de duàn tóu tái”， biǎo míng liǎo tā duì shè huì biàn gé de bù jiě yǔ yí jù。 cóng zhè yī lì zhèng zhōng wǒ men bù nán kàn chū， zuò jiā yǐ mǐn ruì de mù guāng dòng xī liǎo shè huì de zhǒng zhǒng bì duān， dàn bìng bù zhī dào yīnggāi hé qù hé cóng。 tā cóng rén dào zhù yì chū fā， bǎ shè huì de bù hé lǐ xiàn zhuàng hé rén lèi de bēi cǎn mìng yùn， guī jié wéi“ shàn” yǔ“ è” zhī zhēng， dàn tā de shàn 'è guān yòu shēn shòu zōng jiào jiào tiáo de jìn rǎn， chéng liǎo chán jiā bù qīng de kōng fàn yì lùn， shuō shí me“ ài zǒng yào bǐ hèn lái dé róng yì， zhè zhèng shì rén lèi běn xìng zhī suǒ zài。…… hèn shèn zhì huì tōng guò qiāoqiāo jiàn jìn de guò chéng biàn chéng 'ài。” hái tí chū“ hèn hé 'ài， guī gēn jié dǐ shì bù shì tóng yī de dōng xī……”； ér shū zhōng nà zhǒng nóng zhòng de yīn yù sè cǎi， yě gěi rén yā yì duō yú zhèn fèn。
rán 'ér， wǒ men zài yuè dú hé xīn shǎng wén xué míng zhù shí， jì bù yìng kē qiú zuò jiā， yě bù gāi wéi yú tā de jú xiàn。 huò sāng běn rén yòu bǎo shǒu sī xiǎng hé shén mì zhù yì qīng xiàng， dú liǎo zhè bù zuò pǐn hòu， néng gòu kàn dào jiù zhì dù de hēi 'àn， bìng huàn qǐ biàn gé shè huì de lǐ xiǎng， yuàn yì wéi gèng měi hǎo de rén lèi mìng yùn qù fèn zhēng， bù yě shì jī jí de má？ chéng rú zuò zhě zài yǔ quán shū kāi piān yáo xiāng hū yìng de jié wěi níng suǒ xiě：“ zhè chuán shuō shí zài yīn cǎn， zhǐ yòu yī diǎn bǐ yīn yǐng hái yào yōu 'àn de yǒng héng de guāng bān shāo shāo gěi rén yī diǎn kuān wèi：“ yī piàn mò hēi de tǔ dì， yī gè xuè hóng de A zì。” huò sāng zuò pǐn de yī dà cháng chù shì yǐn rén shēn sī、 fā rén lián xiǎng。
《 hóng zì》 fā biǎo hòu huò dé jù dà chéng gōng， huò sāng jì 'ér chuàng zuò liǎo bù shǎo zuò pǐn。 qí zhōng《 dài yòu qī gè jiān jiǎo gé de fáng zǐ》（ 1851） miáo xiě pǐn 'ēn qīn jiā zú de zǔ xiān móu cái hài mìng 'ér shǐ hòu dài zāo dào bào yìng de gù shì， shuō míng cái fù shì huò huàn，“ yī dài rén de zuì niè yào yāng jí zǐ sūn”； zhè bù xiǎo shuō yě fǎn yìng liǎo zī běn zhù yì fā zhǎn chū qī de xuè xīng lüè duó。 lìng yī bù xiǎo shuō《 fú gǔ chuán qí》（ 1852） yǐ bù lǔ kè nóng chǎng shēng huó wéi tí cái， biǎo dá liǎo zuò zhě duì zhè zhǒng shè huì gǎi liáng de cháng shì shī wàng de xīn qíng yǐ jí duì kuáng rè de gǎi gé zhě de yàn 'è。
pí 'ěr sī dāng xuǎn wéi měi guó zǒng tǒng hòu， huò sāng yú 1853 nián bèi rèn mìng wéi zhù yīng guó lì wù pǔ de lǐng shì。 1857 nián hòu , huò sāng qiáo jū yì dà lì , chuàng zuò liǎo lìng yī bù tǎo lùn shàn 'è wèn tí de cháng piān xiǎo shuō《 yù shí diāo xiàng》 (1860)。 1860 nián huò sāng fǎn huí měi guó， zài kāng kē dé dìng jū， jiān chí xiě zuò。 1864 nián 5 yuè 19 rì qù shì， shēn hòu liú xià 4 bù wèi wán chéng de cháng piān xiǎo shuō。
huò sāng shì yī gè sī xiǎng shàng chōng mǎn máo dùn de zuò jiā， xīn yīng gé lán de qīng jiào zhù yì chuán tǒng duì tā yǐng xiǎng hěn shēn。 yī fāng miàn tā fǎn kàng zhè gè chuán tǒng， pēng jī zōng jiào kuáng rèhuo xiá 'ài、 xū wěi de zōng jiào xìn tiáo； lìng yī fāng miàn tā yòu shòu zhè gè chuán tǒng de shù fù， yǐ jiā 'ěr wén jiào pài de shàn 'è guān niàn lái rèn shí shè huì hé zhěng gè shì jiè。 zuò jiā hè méi 'ěr wéi 'ěr céng zhǐ chū， tā de zuò pǐn zhōng shèn tòu zhe“ jiā 'ěr wén jiào pài de‘ rén xìng běn zhì ’ hé‘ yuán zuì’ de guān niàn”。 huò sāng sī xiǎng bǎo shǒu， duì shēng chǎn de fā zhǎn hé jì shù jìn bù bào yòu dǐ chù qíng xù， duì shè huì gǎi gé chí huái yí tài dù， duì dāng shí péng bó kāi zhǎn de fèi nú yùn dòng bù hěn lǐ jiě。 zhè xiē zài tā de zuò pǐn zhōng dōuyòu suǒ liú lù。 zài yì shù shàng tā dú jù yī gé， shàn cháng xīn lǐ miáo xiě， shàn yú jiē shì rén wù de nèi xīn chōng tū。 tā bǎ zì jǐ de xiǎo shuō chēng wéi“ xīn lǐ luó màn shǐ”。 tā qián xīn wā jué yǐn cáng zài shì wù bèi hòu de bù yì jué chá de yì yì， zuò pǐn xiǎng xiàng fēng fù， jié gòu yán jǐn。
Plot summary
The novel takes place during the summer in 17th-century Boston, Massachusetts in a Puritan village. A young woman, named Hester Prynne, has been led from the town prison with her infant daughter in her arms and on the breast of her gown "a rag of scarlet cloth" that "assumed the shape of a letter." It was the uppercase letter "A". The Scarlet Letter "A" represents the act of adultery that she has committed and it is to be a symbol of her sin—a badge of shame—for all to see. A man, who was elderly and a stranger to the town, enters the crowd and asks another onlooker what's happening. He responds by explaining that Hester is being punished for adultery. Hester's husband, who is much older than she, and whose real name is unknown, has sent her ahead to America whilst settling affairs in Europe. However, her husband does not arrive in Boston, and the consensus is that he has been lost at sea. It is apparent that, while waiting for her husband, Hester has had an affair, leading to the birth of her daughter. She will not reveal her lover's identity, however, and the scarlet letter, along with her subsequent public shaming, is the punishment for her sin and secrecy. On this day Hester is led to the town scaffold and harangued by the town fathers, but she again refuses to identify her child's father.
The elderly onlooker is Hester's missing husband, who is now practicing medicine and calling himself Roger Chillingworth. He settles in Boston, intent on revenge. He reveals his true identity to no one but Hester, whom he has sworn to secrecy. Several years pass. Hester supports herself by working as a seamstress, and her daughter Pearl grows into a willful, impish child—in Hawthorne's work, Pearl is more of a symbol than an actual character—and is said to be the scarlet letter come to life as both Hester's love and her punishment. Shunned by the community, they live in a small cottage on the outskirts of Boston. Community officials attempt to take Pearl away from Hester, but with the help of Arthur Dimmesdale, an eloquent minister, the mother and daughter manage to stay together. Dimmesdale, however, appears to be wasting away and suffers from mysterious heart trouble, seemingly caused by psychological distress. Chillingworth attaches himself to the ailing minister and eventually moves in with him so that he can provide his patient with round-the-clock care. Chillingworth also suspects that there may be a connection between the minister's torments and Hester's secret, and he begins to test Dimmesdale to see what he can learn. One afternoon, while the minister sleeps, Chillingworth discovers something undescribed to the reader, supposedly an "A" burned into Dimmesdale's chest, which convinces him that his suspicions are correct.
The Scarlet Letter. Painting by T. H. Matteson. This 1860 oil-on-canvas may have been made with Hawthorne's advice.
Dimmesdale's psychological anguish deepens, and he invents new tortures for himself. In the meantime, Hester's charitable deeds and quiet humility have earned her a reprieve from the scorn of the community. One night, when Pearl is about seven years old, she and her mother are returning home from a visit to the deathbed of John Winthrop when they encounter Dimmesdale atop the town scaffold, trying to punish himself for his sins. Hester and Pearl join him, and the three link hands. Dimmesdale refuses Pearl's request that he acknowledge her publicly the next day, and a meteor marks a dull red "A" in the night sky. It is interpreted by the townsfolk to mean Angel, as a prominent figure in the community had died that night, but Dimmesdale sees it as meaning adultery. Hester can see that the minister's condition is worsening, and she resolves to intervene. She goes to Chillingworth and asks him to stop adding to Dimmesdale's self-torment. Chillingworth refuses. She suggests that she may reveal his true identity to Dimmesdale.
Later in the story, while walking through the forest, the sun would not shine on Hester, although Pearl could bask in it. They then encounter Dimmesdale, as he is taking a walk in the woods that day. Hester informs Dimmesdale of the true identity of Chillingworth and the former lovers decide to flee to Europe, where they can live with Pearl as a family. They will take a ship sailing from Boston in four days. Both feel a sense of release, and Hester removes her scarlet letter and lets down her hair. The sun immediately breaks through the clouds and trees to illuminate her release and joy. Pearl, playing nearby, does not recognize her mother without the letter. She is unnerved and expels a shriek until her mother points out the letter on the ground. Hester beckons Pearl to come to her, but Pearl will not go to her mother until Hester buttons the letter back onto her dress. Pearl then goes to her mother. Dimmesdale gives Pearl a kiss on the forehead, which Pearl immediately tries to wash off in the brook, because he again refuses to make known publicly their relationship. However, he too clearly feels a release from the pretense of his former life, and the laws and sins he has lived with.
The day before the ship is to sail, the townspeople gather for a holiday put on in honor of an election and Dimmesdale preaches his most eloquent sermon ever. Meanwhile, Hester has learned that Chillingworth knows of their plan and has booked passage on the same ship. Dimmesdale, leaving the church after his sermon, sees Hester and Pearl standing before the town scaffold. He impulsively mounts the scaffold with his lover and his daughter, and confesses publicly, exposing the mark supposedly seared into the flesh of his chest. He falls dead just after Pearl kisses him.
Frustrated in his revenge, Chillingworth dies a year later. Hester and Pearl leave Boston, and no one knows what has happened to them. Many years later, Hester returns alone, still wearing the scarlet letter, to live in her old cottage and resumes her charitable work. She receives occasional letters from Pearl, who was rumored to have married a European aristocrat and established a family of her own. Pearl also inherits all of Chillingworth's money even though he knows she is not his daughter. There is a sense of liberation in her and the townspeople, especially the women, who had finally begun to forgive Hester of her tragic indiscretion. When Hester dies, she is buried in "a new grave near an old and sunken one, in that burial ground beside which King's Chapel has since been built. It was near that old and sunken grave, yet with a space between, as if the dust of the two sleepers had no right to mingle. Yet one tombstone served for both." The tombstone was decorated with a letter "A", for Hester and Dimmesdale.
Major themes
Nathaniel Hawthorne
Sin
The experience of Hester and Dimmesdale recalls the story of Adam and Eve because, in both cases, sin results in expulsion and suffering. But it also results in knowledge—specifically, in knowledge of what it means to be human. For Hester, the scarlet letter functions as "her passport into regions where other women dared not tread", leading her to "speculate" about her society and herself more "boldly" than anyone else in New England.
As for Dimmesdale, the "cheating minister" of his sin gives him "sympathies so intimate with the sinful brotherhood of mankind, so that his chest vibrate[s] in unison with theirs." His eloquent and powerful sermons derive from this sense of empathy. The narrative of the Reverend Arthur Dimmesdale is quite in keeping with the oldest and most fully authorized principles in Christian thought. His "Fall" is a descent from apparent grace to his own damnation; he appears to begin in purity. He ends in corruption. The subtlety is that the minister is his own deceiver, convincing himself at every stage of his spiritual pilgrimage that he is saved.
The rosebush, its beauty a striking contrast to all that surrounds it—as later the beautifully embroidered scarlet A will be–is held out in part as an invitation to find "some sweet moral blossom" in the ensuing, tragic tale and in part as an image that "the deep heart of nature" (perhaps God) may look more kindly on the errant Hester and her child than her Puritan neighbors do. Throughout the work, the nature images contrast with the stark darkness of the Puritans and their systems.
Chillingworth's misshapen body reflects (or symbolizes) the anger in his soul, which builds as the novel progresses, similar to the way Dimmesdale's illness reveals his inner turmoil. The outward man reflects the condition of the heart.
Although Pearl is a complex character, her primary function within the novel is as a symbol. Pearl herself is the embodiment of the scarlet letter, and Hester rightly clothes her in a beautiful dress of scarlet, embroidered with gold thread, just like the scarlet letter upon Hester's bosom. Parallels can be drawn between Pearl and the character Beatrice in Rappaccini's Daughter. Both are studies in the same direction, though from different standpoints. Beatrice is nourished upon poisonous plants, until she herself becomes poisonous. Pearl, in the mysterious prenatal world, imbibes the poison of her parents' guilt.
Past and present
The clashing of past and present is explored in various ways. For example, the character of the old General, whose heroic qualities include a distinguished name, perseverance, integrity, compassion, and moral inner strength, is said to be "the soul and spirit of New England hardihood". Now put out to pasture, he sometimes presides over the Custom House run by corrupt public servants, who skip work to sleep, allow or overlook smuggling, and are supervised by an inspector with "no power of thought, nor depth of feeling, no troublesome sensibilities", who is honest enough but without a spiritual compass.
Hawthorne himself had ambivalent feelings about the role of his ancestors in his life. In his autobiographical sketch, Hawthorne described his ancestors as "dim and dusky", "grave, bearded, sable-cloaked, and steel crowned", "bitter persecutors" whose "better deeds" would be diminished by their bad ones. There can be little doubt of Hawthorne's disdain for the stern morality and rigidity of the Puritans, and he imagined his predecessors' disdainful view of him: unsuccessful in their eyes, worthless and disgraceful. "A writer of story books!" But even as he disagrees with his ancestors' viewpoint, he also feels an instinctual connection to them and, more importantly, a "sense of place" in Salem. Their blood remains in his veins, but their intolerance and lack of humanity becomes the subject of his novel.
Publication history
Hawthorne originally planned The Scarlet Letter to be a shorter novelette which was part of a collection to be named Old Time Legends. His publisher, James Thomas Fields, convinced him to expand the novelette to a full-length novel. Hawthorne's wife Sophia later disputed that Fields had a larger role than this, complaining that "he has made the absurd boast that he was the sole cause of the Scarlet Letter being published!" She noted that her husband's friend Edwin Percy Whipple, a critic, approached Fields to consider its publication.
The Scarlet Letter was published as a novel in the spring of 1850 by Ticknor & Fields, beginning Hawthorne's most lucrative period. When he delivered the final pages to Fields in February 1850, Hawthorne said that "some portions of the book are powerfully written" but doubted it would be popular. In fact, the book was an instant best-seller though, over fourteen years, it brought its author only $1,500. Its initial publication brought wide protest from natives of Salem, who did not approve of how Hawthorne had depicted them in his introduction "The Custom-House". A 2,500-copy second edition of The Scarlet Letter included a preface by Hawthorne dated March 30, 1850, that he had decided to reprint his introduction "without the change of a word... The only remarkable features of the sketch are its frank and genuine good-humor... As to enmity, or ill-feeling of any kind, personal or political, he utterly disclaims such motives".
The Scarlet Letter was also one of the first mass-produced books in America. Into the mid-nineteenth century, bookbinders of home-grown literature typically hand-made their books and sold them in small quantities. The first mechanized printing of The Scarlet Letter, 2,500 volumes, sold out within ten days, and was widely read and discussed to an extent not much experienced in the young country up until that time. Copies of the first edition are often sought by collectors as rare books, and may fetch up to around $6,000 USD.
Critical response
On its publication, critic Evert Augustus Duyckinck, a friend of Hawthorne's, said he preferred the author's Washington Irving-like tales. Another friend, critic Edwin Percy Whipple, objected to the novel's "morbid intensity" with dense psychological details, writing that the book "is therefore apt to become, like Hawthorne, too painfully anatomical in his exhibition of them". Orestes Brownson complained that Hawthorne did not understand Christianity, confession, and remorse. A review in the Church Review and Ecclesiastical Register concluded the author "perpetrates bad morals."
On the other hand, 20th century writer D. H. Lawrence said that there could be no more perfect work of the American imagination than The Scarlet Letter. Henry James once said of the novel, "It is beautiful, admirable, extraordinary; it has in the highest degree that merit which I have spoken of as the mark of Hawthorne's best things--an indefinable purity and lightness of conception...One can often return to it; it supports familiarity and has the inexhaustible charm and mystery of great works of art."
The book's immediate and lasting success are due to the way it addresses spiritual and moral issues from a uniquely American standpoint.[citation needed] In 1850, adultery was an extremely risqué subject, but because Hawthorne had the support of the New England literary establishment, it passed easily into the realm of appropriate reading. It has been said that this work represents the height of Hawthorne's literary genius; dense with terse descriptions. It remains relevant for its philosophical and psychological depth, and continues to be read as a classic tale on a universal theme.
Allusions
* Anne Hutchinson, mentioned in Chapter 1, The Prison Door, was a religious dissenter (1591–1643). In the 1630s she was excommunicated by the Puritans and exiled from Boston and moved to Rhode Island.
* Martin Luther (1483–1545) was a leader of the Protestant Reformation in Germany.
* Sir Thomas Overbury and Dr. Forman were the subjects of an adultery scandal in 1615 in England. Dr. Forman was charged with trying to poison his adulterous wife and her lover. Overbury was a friend of the lover and was perhaps poisoned.
* John Winthrop (1588–1649), first governor of the Massachusetts Bay Colony.
* King's Chapel Burying Ground in the final paragraph exists; the Elizabeth Pain gravestone is traditionally considered an inspiration for the protagonists' grave.
fù jiā nǚ yǔ fù xīn láng , yì shí liú wén xué xiān qū hēng lì · zhān mǔ sī de dài biǎo zuò。 tóng míng diàn yǐng céng huò niǔ yuē diàn yǐng jié yǐng píng jiǎng。 píng fán de nǚ hái kǎi sè lín yīn wéi kě jì chéng fù qīn yī bǐ kě guān de yí chǎn 'ér yòu liǎo bù píng fán de yī shēng。 tā yǔ yī wèi yīng jùn de làng zǐ sī dìng zhōng shēn， què wéi yán fù bù róng。 shí jì shàng tā de fù qīn、 ài guǎn xián shì de yí mā yǐ jí tā suǒ 'ài de réndōu wéi gè zì de lì yì 'ér xī shēng kǎi sè lín de xìng fú， kǎi sè lín de xīn jiù zhè yàng yīn tā men zì sī de xíng wéi 'ér pò suì liǎo。
Plot summary
Dr. Austin Sloper, a rich and intelligent widower, lives in Washington Square, New York with his only surviving child, Catherine, a sweet-natured woman who is a great disappointment to her father, being physically plain and, he believes, mentally dull. Sloper's beloved wife, along with a promising young son, died many years before. His silly busybody sister, the widowed Lavinia Penniman, is the only other member of the doctor's household.
One day, Catherine meets the charming Morris Townsend at a party and is swept off her feet. Morris courts Catherine, aided by Mrs. Penniman, who loves melodrama. Dr. Sloper strongly disapproves, believing him to be after Catherine's money alone. When Catherine and Morris announce their engagement, he checks into Morris's background and finds him to be penniless and parasitic. The doctor forbids his daughter to marry Townsend, and the loyal Catherine cannot bring herself to choose between her father and her fiancé.
Dr. Sloper understands Catherine's strait and pities her a little, but also finds an urbane entertainment in the situation. In an effort to resolve the matter, he announces that he will not leave any money to Catherine if she marries Morris; he then takes her on a twelve month grand tour of Europe. During their months abroad, he mentions Catherine's engagement only twice; once while they are alone together in the Alps, and again on the eve of their return voyage. On both occasions, Catherine holds firm in her desire to marry. After she refuses for a second time to give Morris up, Sloper sarcastically compares her to a sheep fattened up for slaughter. With this, he finally goes too far: Catherine recognises his contempt, withdraws from him, and prepares to bestow all her love and loyalty on Morris.
Upon her return, however, Morris breaks off the relationship when Catherine convinces him that her father will never relent. Catherine, devastated, eventually recovers her equanimity but is never able to forget the injury. Many years pass; Catherine refuses two respectable offers of marriage and grows into a middle aged spinster. Dr. Sloper finally dies and leaves her a sharply reduced income in his will out of fear that Townsend will reappear. In fact, Morris – now fat, balding, cold-eyed, but still somewhat attractive – does eventually pay a call on Catherine, hoping to reconcile; but she calmly rebuffs his overtures. In the last sentence, James tells us that "Catherine,... picking up her morsel of fancy-work, had seated herself with it again — for life, as it were."
Characters
The four principal characters are Catherine, Dr. Sloper, Mrs. Penniman, and Morris Townsend. Dr. Sloper's sister, Mrs. Almond, and Townsend's sister, Mrs. Montgomery, are significant but secondary.
Catherine Sloper, often referred to by the narrator as "poor Catherine", is Dr. Sloper's only surviving child; her brother died at the age of three, and her mother succumbed to complications of childbirth a week after Catherine was born. She is sweet-natured and honest; however, she is also shy, plain, and not considered 'clever'. This makes her a great disappointment to her father.
Dr. Austin Sloper, a man in his early fifties, has succeeded brilliantly in his profession. He has never recovered from the death of his wife, a beautiful and vivacious woman who died shortly after Catherine's birth. Dr. Sloper is clever, experienced, perceptive, satirical, and he is almost always certain he is right. He often speaks ironically to Catherine, who has no way to retaliate; however, she loves him anyway. She is also afraid of him, and defying his disapproval of Morris is a fearful step.
Lavinia Penniman, Sloper's childless, long-widowed sister, provides comic relief derived from her unrealistic romantic scheming, wild hyperbole, and duplicitousness. She takes a keen vicarious interest in Catherine's courtship, and later becomes infatuated with Morris as a tyrannical son, whose love affairs are of the greatest interest. She manipulates both Catherine and Morris, trying to shape their relationship into a romantic melodrama in which she plays a leading role; almost invariably, however, she makes matters worse.
Morris Townsend, a tall, handsome man of about thirty, has squandered a small inheritance travelling the world and now lives with his sister. He is a typical fortune-hunter, and Dr. Sloper immediately suspects his artificial nature. James also gives Townsend some intelligence and grace, however; as a result, Catherine is unable to resist his attentions. James describes Townsend as a "statue," an "apparition," and "a knight in a poem."
Mrs. Almond, Sloper's other sister, is sensible and clever, and has a large, blooming family. Sloper frequently confides in her about Catherine's entanglement with Morris, and his sarcastic view of the situation contrasts with hers, which is more sympathetic.
Marian Almond Mrs Almond's daughter, is an important contrast to Catherine. Marian is the conventional, flirtatious and confident young woman that Catherine isn't, who also marries "punctually".
Mrs. Montgomery is a widow living in genteel poverty with her five children. Dr. Sloper pays a call on her so they can discuss her brother, Morris. With some persuasion, he induces Mrs. Montgomery to admit that Morris takes money from her, returns very little, and makes her suffer.
Structure
The novel is told from a third-person omniscient point of view, although we don't know anything about the narrator. The narrator often offers his comments directly to the reader.
The novella begins at a distance from the characters, describing the background of the Sloper family. It then recounts in detail the story of Catherine's romance with Morris Townsend. When Morris jilts her, the focus shifts back to a long view. As James puts it: "Our story has hitherto moved with very short steps, but as it approaches its termination it must take a long stride." The final few chapters are taken once more in short steps, ending with the striking vignette of Catherine's refusal of Morris.
Major themes
The bitterest irony in the story is that Dr. Sloper, a brilliant and successful physician, is exactly right about Morris Townsend, and yet he shows cruelty to his defenseless and loving daughter. If the doctor had been incorrect in his appraisal of the worthless Townsend, he would only be a stock villain. As it is, the doctor's head works perfectly but his heart has grown cold after the death of his beautiful and gifted wife.
Catherine gradually grows throughout the story into right judgment of her situation. As James puts it simply but memorably: "From her point of view the great facts of her career were that Morris Townsend had trifled with her affection, and that her father had broken its spring. Nothing could ever alter these facts; they were always there, like her name, her age, her plain face. Nothing could ever undo the wrong or cure the pain that Morris had inflicted on her, and nothing could ever make her feel towards her father as she felt in her younger years." Catherine will never be brilliant, but she learns to be clear-sighted.
Literary significance & criticism
"Everybody likes Washington Square, even the denigrators of Henry James," wrote critic Donald Hall, and most other commentators have echoed the sentiment. Although James himself regarded the novel with near contempt, readers have enjoyed its linear narrative technique, its straightforward prose (far removed from the convoluted language of James's later career), and the sharply etched portraits of the four main characters. Even the rusty plot revolving around "the will" has charmed many critics with its old-fashioned simplicity.
Catherine's slow but unmistakable development into independence and wisdom is a notable success for James and has been much appreciated by critics and readers in general.
Film, TV or theatrical adaptations
Ruth and Augustus Goetz adapted the novel for a very successful play, The Heiress, originally performed on Broadway in 1947 with Wendy Hiller as Catherine and Basil Rathbone as Dr. Sloper, and revived a number of times since.
The play was adapted for film in 1949, and starred Olivia de Havilland as Catherine, Ralph Richardson as Dr. Sloper, and Montgomery Clift as Morris. William Wyler directed. Both play and movie hewed closely to the novel and cribbed many of the best lines directly from James' dialogue. However, the Goetz version does make a few changes to the story and to the character of Catherine, making her angry enough to refuse to see her father on his deathbed, and clever enough to devise a ruse to avenge herself on Morris.
Polish director Agnieszka Holland made another major movie version in 1997, starring Jennifer Jason Leigh, Albert Finney, and Ben Chaplin, with Maggie Smith as Mrs. Penniman. While this film also takes some liberties with the original text, it is in the main a more faithful adaptation.
Plot summary
Dr. Austin Sloper, a rich and intelligent widower, lives in Washington Square, New York with his only surviving child, Catherine, a sweet-natured woman who is a great disappointment to her father, being physically plain and, he believes, mentally dull. Sloper's beloved wife, along with a promising young son, died many years before. His silly busybody sister, the widowed Lavinia Penniman, is the only other member of the doctor's household.
One day, Catherine meets the charming Morris Townsend at a party and is swept off her feet. Morris courts Catherine, aided by Mrs. Penniman, who loves melodrama. Dr. Sloper strongly disapproves, believing him to be after Catherine's money alone. When Catherine and Morris announce their engagement, he checks into Morris's background and finds him to be penniless and parasitic. The doctor forbids his daughter to marry Townsend, and the loyal Catherine cannot bring herself to choose between her father and her fiancé.
Dr. Sloper understands Catherine's strait and pities her a little, but also finds an urbane entertainment in the situation. In an effort to resolve the matter, he announces that he will not leave any money to Catherine if she marries Morris; he then takes her on a twelve month grand tour of Europe. During their months abroad, he mentions Catherine's engagement only twice; once while they are alone together in the Alps, and again on the eve of their return voyage. On both occasions, Catherine holds firm in her desire to marry. After she refuses for a second time to give Morris up, Sloper sarcastically compares her to a sheep fattened up for slaughter. With this, he finally goes too far: Catherine recognises his contempt, withdraws from him, and prepares to bestow all her love and loyalty on Morris.
Upon her return, however, Morris breaks off the relationship when Catherine convinces him that her father will never relent. Catherine, devastated, eventually recovers her equanimity but is never able to forget the injury. Many years pass; Catherine refuses two respectable offers of marriage and grows into a middle aged spinster. Dr. Sloper finally dies and leaves her a sharply reduced income in his will out of fear that Townsend will reappear. In fact, Morris – now fat, balding, cold-eyed, but still somewhat attractive – does eventually pay a call on Catherine, hoping to reconcile; but she calmly rebuffs his overtures. In the last sentence, James tells us that "Catherine,... picking up her morsel of fancy-work, had seated herself with it again — for life, as it were."
Characters
The four principal characters are Catherine, Dr. Sloper, Mrs. Penniman, and Morris Townsend. Dr. Sloper's sister, Mrs. Almond, and Townsend's sister, Mrs. Montgomery, are significant but secondary.
Catherine Sloper, often referred to by the narrator as "poor Catherine", is Dr. Sloper's only surviving child; her brother died at the age of three, and her mother succumbed to complications of childbirth a week after Catherine was born. She is sweet-natured and honest; however, she is also shy, plain, and not considered 'clever'. This makes her a great disappointment to her father.
Dr. Austin Sloper, a man in his early fifties, has succeeded brilliantly in his profession. He has never recovered from the death of his wife, a beautiful and vivacious woman who died shortly after Catherine's birth. Dr. Sloper is clever, experienced, perceptive, satirical, and he is almost always certain he is right. He often speaks ironically to Catherine, who has no way to retaliate; however, she loves him anyway. She is also afraid of him, and defying his disapproval of Morris is a fearful step.
Lavinia Penniman, Sloper's childless, long-widowed sister, provides comic relief derived from her unrealistic romantic scheming, wild hyperbole, and duplicitousness. She takes a keen vicarious interest in Catherine's courtship, and later becomes infatuated with Morris as a tyrannical son, whose love affairs are of the greatest interest. She manipulates both Catherine and Morris, trying to shape their relationship into a romantic melodrama in which she plays a leading role; almost invariably, however, she makes matters worse.
Morris Townsend, a tall, handsome man of about thirty, has squandered a small inheritance travelling the world and now lives with his sister. He is a typical fortune-hunter, and Dr. Sloper immediately suspects his artificial nature. James also gives Townsend some intelligence and grace, however; as a result, Catherine is unable to resist his attentions. James describes Townsend as a "statue," an "apparition," and "a knight in a poem."
Mrs. Almond, Sloper's other sister, is sensible and clever, and has a large, blooming family. Sloper frequently confides in her about Catherine's entanglement with Morris, and his sarcastic view of the situation contrasts with hers, which is more sympathetic.
Marian Almond Mrs Almond's daughter, is an important contrast to Catherine. Marian is the conventional, flirtatious and confident young woman that Catherine isn't, who also marries "punctually".
Mrs. Montgomery is a widow living in genteel poverty with her five children. Dr. Sloper pays a call on her so they can discuss her brother, Morris. With some persuasion, he induces Mrs. Montgomery to admit that Morris takes money from her, returns very little, and makes her suffer.
Structure
The novel is told from a third-person omniscient point of view, although we don't know anything about the narrator. The narrator often offers his comments directly to the reader.
The novella begins at a distance from the characters, describing the background of the Sloper family. It then recounts in detail the story of Catherine's romance with Morris Townsend. When Morris jilts her, the focus shifts back to a long view. As James puts it: "Our story has hitherto moved with very short steps, but as it approaches its termination it must take a long stride." The final few chapters are taken once more in short steps, ending with the striking vignette of Catherine's refusal of Morris.
Major themes
The bitterest irony in the story is that Dr. Sloper, a brilliant and successful physician, is exactly right about Morris Townsend, and yet he shows cruelty to his defenseless and loving daughter. If the doctor had been incorrect in his appraisal of the worthless Townsend, he would only be a stock villain. As it is, the doctor's head works perfectly but his heart has grown cold after the death of his beautiful and gifted wife.
Catherine gradually grows throughout the story into right judgment of her situation. As James puts it simply but memorably: "From her point of view the great facts of her career were that Morris Townsend had trifled with her affection, and that her father had broken its spring. Nothing could ever alter these facts; they were always there, like her name, her age, her plain face. Nothing could ever undo the wrong or cure the pain that Morris had inflicted on her, and nothing could ever make her feel towards her father as she felt in her younger years." Catherine will never be brilliant, but she learns to be clear-sighted.
Literary significance & criticism
"Everybody likes Washington Square, even the denigrators of Henry James," wrote critic Donald Hall, and most other commentators have echoed the sentiment. Although James himself regarded the novel with near contempt, readers have enjoyed its linear narrative technique, its straightforward prose (far removed from the convoluted language of James's later career), and the sharply etched portraits of the four main characters. Even the rusty plot revolving around "the will" has charmed many critics with its old-fashioned simplicity.
Catherine's slow but unmistakable development into independence and wisdom is a notable success for James and has been much appreciated by critics and readers in general.
Film, TV or theatrical adaptations
Ruth and Augustus Goetz adapted the novel for a very successful play, The Heiress, originally performed on Broadway in 1947 with Wendy Hiller as Catherine and Basil Rathbone as Dr. Sloper, and revived a number of times since.
The play was adapted for film in 1949, and starred Olivia de Havilland as Catherine, Ralph Richardson as Dr. Sloper, and Montgomery Clift as Morris. William Wyler directed. Both play and movie hewed closely to the novel and cribbed many of the best lines directly from James' dialogue. However, the Goetz version does make a few changes to the story and to the character of Catherine, making her angry enough to refuse to see her father on his deathbed, and clever enough to devise a ruse to avenge herself on Morris.
Polish director Agnieszka Holland made another major movie version in 1997, starring Jennifer Jason Leigh, Albert Finney, and Ben Chaplin, with Maggie Smith as Mrs. Penniman. While this film also takes some liberties with the original text, it is in the main a more faithful adaptation.
sān wèi zhōng nián nǚ shì wéi zuò zài mò xī gē jiǔ diàn de zǎo cān zhuō bàng， wài tào sōng sàn dì pī zài tā men de jiān shàng， kàn dé chū lái，
tā men shì fèi chéng jiāo qū shàng céng shè huì zhù zhái qū de nà xiē nǚ shì men zhōng de yī bù fēn。
“ qǐng gěi wǒ yī diǎn kā fēi，” āi lún · yà nèi 'ěr xiǎo jiě yòng xī bān yá yǔ duì zhāo dài shuō。 tā céng zài guó wài lǚ yóu guò， zhī
dào rú hé yǔ wài guó fú wù yuán dǎ jiāo dào。
“ ǹg， kā fēi yào bàn rè de。” shuō huà de shì wéi lā · zhū lì tè fū rén， tā shì sān rén zhōng nián jì zuì cháng de， zhèng jué dé
mò xī gē de zǎo cān lěng sōu sōu de。 1 dì sān wèi nǚ shì lù qiàn xiǎo jiě méi shuō huà， zhǐ shì kàn liǎo kàn biǎo， mǎ ruì 'ōu gāi dào liǎo。 piàn
kè zhī hòu， zhāo dài bǎ yī hú bàn rè de kā fēi fàng dào liǎo tā men de zhuō shàng。
“ wǒ xiǎng， lù qiàn，” āi lún shuō，“ ràng mǎ ruì 'ōu zǎo diǎn lái， yě xǔ shì gè bù cuò de zhù yì。 zhè yàng wǒ men jiù néng dào
wài miàn zhǎo gè dì fāng chī shàng yī dùn rè diǎn de： gèng hǎo de zǎo fàn liǎo。”
“ mǎ ruì 'ōu yǐ jīng tì wǒ men zuò liǎo hěn duō shì liǎo。” lù qiàn shuō。 dāng tí dào zhè gè nián qīng xī gē dǎo yóu de míng zì， tā de
liǎn jiù jī dòng dé wēi wēi fā hóng。 tā gǎn dào jī dòng hé liǎn hóng shì yīn wéi tā de nǚ bàn tí dào tā， ér tā zhèng xiǎng xiàng zhe tā qiáng zhuàng shèn zhì
yòu xiē cū yě de mò xī gē rén de tuǐ。 zuó tiān， tā men de mò xī gē dǎo yóu huá chuán sòng tā men qù xuě qì mǐ kē shuǐ shàng huā yuán shí， tā
kàn dào liǎo nà shuāng tuǐ。
zài wǔ shí 'èr nián níng jìng de dú shēn shēng huó zhōng， lù qiàn · bù lǎng xiǎo jiě yě xǔ cóng wèi xiǎng dào guò yī gè nán rén de tuǐ（ dāng rán gèng
bù huì zài zǎo cān zhuō bàng）。 zhè shì dào dá mò xī gē yī gè yuè yǐ lái de yī gè lìng rén xīn fán yì luàn de biàn huà。 zhè lèi de biàn huà yě
xǔ zǎo jiù fā shēng liǎo， nà shí tā shēng bìng de fù qīn gāng gāng qù shì， què yòu chū rù yì liào dì liú gěi tā yī bǐ yí chǎn。 ér lù qiàn xiǎo jiě
zì jǐ zhí dào zài zhè lǐ pèng dào mǎ ruì 'ōu nà tiān cái fā xiàn zhè zhǒng biàn huà de cún zài。
nà tiān yī kāi shǐ， tā gǎn dào huì shì duō shì de yī tiān。 dāng zài chōng mǎn yáng guāng de jiǔ diàn wò fáng xǐng lái shí。 lù qiàn gǎn dào yī zhǒng
kě qiú zì yóu de gǎn jué yě sū xǐng liǎo。 zhè zhǒng gǎn jué yī zhí cún zài， yǐn yǐn dì hàn dòng tā zhuāng zhòng de líng hún。 chī zǎo fàn shí tā suǒ rào
zài bǎi fàng cān zhuō de yuàn zǐ lǐ。 cān zhuō shàng piāo dàng de， hái yòu tā de nǚ bàn dié dié bù xiū de tán huà（ lǚ tú de fèi yòng shí jì shàng shì
lù qiàn wéi tā men fù dān de）。 dàn wú lùn shì wéi lā duì qīng chén de lěng kōng qì de bào yuàn hái shì 'āi lún duì tǎ xī kè chéng shì lì de píng jià
dōubù néng zhōng duàn zhè zhǒng gǎn jué。
duì lù qiàn xiǎo jiě lái shuō， shēng huó zhōng sì hū zhǐ yòu fèi chéng， tǎ xī kè chéng tuì sè de fěn hóng wū dǐng hé gé lóu chéng yǔ máo xíng zhuàng de
jiào táng shì yī gè bù néng shí xiàn de mèng： yī gè méi guī hóng de chéng shì， jīhū yòu shí jiān nà yàng gǔ lǎo…… nà tiān， dāng tā kàn dào nà
méi jiè zhǐ shí yě xǔ jiù shì tā lǚ tú zhōng zuì kuài lè de yī kè。
zài shù yè guǎng chǎng de yī gè yín qì diàn lǐ， wéi lā hé 'āi lún zhèng zài wéi yī gè yín hú hé diàn zhù tǎo jià hái jià shí， lù qiàn fā xiàn
liǎo nà méi jiè zhǐ。 zài tā de yǎn lǐ， tā bìng bù gāo yǎ， jīhū kě yǐ shuō dé shàng cū sú， zhāo yáo jiè miàn shì yī kē shuò dà de dàn bù
zhí qián de lán bǎo shí， jiè tuō shì yín zhì de。 dàn zài jiè zhǐ zhōng sì hū shǎn shuò zhe yī zhǒng shén mì de guāng máng xī yǐn zhe lù qiàn。 tā bǎ jiè
zhǐ tào zài shǒu zhǐ shàng， ràng tā fǎn shè chū shàng wǔ de yáng guāng。 tā jué dé tā shǐ tā mǔ qīn de dìng hūn jiè zhǐ dū 'àn rán shī sè， jìn guǎn nà
dìng hūn jiè zhǐ de jià zhí zài zhè zhǐ bǎo shí jiè zhǐ de wǔ shí bèi zhī shàng。 lù qiàn xiǎo jiě gǎn dào yī zhǒng mò míng de xīng fèn。 piē liǎo yī yǎn wéi
lā hé 'āi lún lìng rén qì mèn de bèi yǐng， tā kāi shǐ bǎ jiè zhǐ cóng shǒu zhǐ shàng qǔ xià lái。
dàn jiè zhǐ zài shǒu zhǐ shàng wén sī bù dòng， zhè shí wéi lā hé 'āi lún zhuǎn guò shēn lái， kàn dào liǎo tā， qīng qīng jiào liǎo qǐ lái：“ lù
qiàn， tā zhēn piào liàng。”“ jiǎn zhí xiàng yī méi dìng hūn jiè zhǐ。”
lù qiàn xiǎo jiě de liǎn yòu hóng liǎo，“ bié fàn shǎ， wǒ zhǐ shì shì shì， tā duì wǒ lái shuō tài nián qīng liǎo。 dài shàng tā wǒ kàn shàng
qù……” tā jì xù xiǎng bǎ tā nòng xià lái。 mò xī gē diàn zhù zài bàng biān dī shēng gōng wéi zhe tā。
“ dé liǎo，” āi lún shuō，“ mǎi xià tā bā。”
“ zhēn shì tǎo yàn， bù guò kàn lái wǒ shì nòng bù xià lái liǎo， wǒ xiǎng wǒ dé……” lù qiàn xiǎo jiě yòng yuǎn chāo guò nà lán bǎo shí jiè
zhǐ jià zhí de qián bǎ tā mǎi xià lái。 jìn guǎn rú cǐ， nà bǐ qián duì tā réng shì wú zú qīng zhòng de， zhè cì lǚ xíng， jīng jì fāng miàn de shì
yóu 'āi lún fù zé， yīn wéi zài zhè fāng miàn tā hěn“ zài xíng”。 yīn wéi jiè zhǐ kǎ zài lù qiàn xiǎo jiě shǒu zhǐ shàng， tā hái xiǎng hé diàn zhù kǎn
kǎn jià， dàn lù qiàn xiǎo jiě shuō：“ huí jiǔ diàn wǒ huì yòng féi zào hé rè shuǐ bǎ tā nòng xià lái de。” bù guò tā yī zhí yě méi néng bǎ jiè
zhǐ cóng shǒu zhǐ shàng gěi nòng xià lái。
zài tǎ xī kè chéng， lù qiàn xiǎo jiě de jīng lì hǎo xiàng tè bié chōng pèi。 wǎn shàng chī fàn qián wéi lā hé 'āi lún dōuzài fáng jiān lǐ xiū xī，
xiǎng bǎ jiǎo de suān tòng jiǎn qīng yī diǎn， ér tā jué dìng zài qù yī tàng guǎng chǎng shàng de shèng tǎ · pǔ lǐ sī kǎ jiào táng。 dì yī cì cān guān zhè gè
jiào táng， hé tā de nǚ bàn zài yī qǐ tā zǒng jué dé bù tài zì zài， tā xiǎng dú zì zài lěng qīng、 huī 'àn、 jiǎn lòu de jiào táng lǐ tǐ huì tā
dú tè de qì fēn。 nà zhǒng qì fēn yǔ lù qiàn jiā xiāng de jiào táng de qì fēn shì bù tóng de。
chuān guò xiàng mù mén， lù qiàn xiǎo jiě bù rù jiào táng dà tīng， xiū shì zhe huáng jīn yè huā duǒ hé tiān shǐ xiàng de shèng tán zài tā miàn qián yǐn yuē
shǎn xiàn。 yī gè nián lǎo de nóng fù， shēn zhe hēi yī， shǒu lǐ de là zhú zhào zài shèng nǚ xiàng shàng。 yī tiáo gǒu páo jìn jiào táng， sì chù kàn liǎo
kàn， yòu páo chū qù liǎo。 zhè xiē xiǎo xiǎo de chǎng jǐng gěi lù qiàn xiǎo jiě yī zhǒng qí yì de gǎn shòu。 tā men dài zhe tiān zhù jiào de hé yì guó de
qíng diào， sì hū zài zhào huàn zhe tā。 yī zhǒng tā zì jǐ yě shuō bù qīng de chōng dòng shǐ tā qū xī guì xià， mó fǎng zhe nà gè nián lǎo de nóng
fù， kāi shǐ qí dǎo。 tā de lán bǎo shí jiè zhǐ zài huī 'àn de zhú guāng zhōng shǎn dòng zhe hé zhè jiào táng yī yàng qí yì de guāng máng。
lù qiàn xiǎo jiě zhǐ guì xià yī xiǎo huì 'ér， dāng zhàn qǐ lái shí， tā gǎn dào yòu biān yòu yī gè rén。 tā zhuǎn guò tóu kàn jiàn yī gè mò xī
gē xiǎo huǒ zǐ。 tā chuānzhuó yī chén bù rǎn de bái yī， guì zài fán mǎ wài de dì fāng， nóng mì de hēi fā zài tā qián chéng de 'é tóu shàng fǎn shè
chū diǎn diǎn wēi guāng。 lù qiàn xiǎo jiě zhàn qǐ shēn shí， tā men de mù guāng zhèng hǎo xiāng yù。 nà zhǐ shì duǎn duǎn yī piē， dàn tā de liǎn gěi tā liú
xià liǎo yī gè xiān míng de yìn xiàng。 lù qiàn xiǎo jiě kàn dào tā hè sè de pí fū， qí tè de shuāng yǎn， hái yòu yī zhǒng shēn chén wēn hé de nài
xīn。 zǒng zhī， jiǎn duǎn de xiāng yù ràng tā gǎn dào yǐ jīng kàn dào liǎo yī xiē zhè gè mò shēng chéng shì de mò shēng de rén men de nèi xīn。 jiǎn duǎn de
xiāng yù shǐ lù qiàn xiǎo jiě jì zhù liǎo nà gè mò xī gē xiǎo huǒ zǐ。 dāng rán tā bù huì bǎ zhè gè gào sù wéi lā hé 'āi lún de。
lù qiàn xiǎo jiě lí kāi jiào táng、 xīn qíng yú kuài dì xiàng jiǔ diàn zǒu qù。 huáng hūn de yáng guāng yǐ yuè lái yuè 'àn， dāng tā chuān guò yōng jǐ de
jí shì dào tōng xiàng jiǔ diàn de jiē shàng shí， yǐ jīng shì wǎn shàng liǎo。 jiē shàng méi jǐ gè rén， tā de jiǎo bù shēng huí xiǎng zài shí bǎn lù shàng， tīng
shàng qù xiǎn dé fènwài gū dú， yī gè nán rén de yǐng zǐ yáo yáo huàng huàng dì xiàng tā zǒu lái。 zhè shí jiē shàng chú liǎo tā men méi yòu dì sān gè xíng
rén， dàn lù qiàn xiǎo jiě bìng bù hài pà， zhǐ shì tí xǐng zì jǐ qián miàn shì gè zuì guǐ， yào lí tā yuǎn diǎn。 nà gè hē zuì de rén yáo yáo huàng
huàng dì yuè zǒu yuè jìn， lù qiàn xiǎo jiě yòu diǎn xiǎng zhé huí hòu miàn de jí shì， dàn tā hěn kuài dǎ xiāo liǎo zhè gè niàn tóu， tā shì měi guó rén，
shì bù huì bèi shāng hài de。 tā jì xù xiàng qián zǒu zhe。
dàn kǒng jù réng rán hái zài。 dāng tā zǒu dào nà nán rén miàn qián， tā dīng zhe tā， xiàng tā huī shǒu， yào qián。 nà shì gè mǎn liǎn hú zǐ
de liú làng jǐn， mǎn zuǐ jiǔ qì， shuō zhe tā tīng bù dǒng de xī bān yá yǔ。 lù qiàn xiǎo jiě shì cóng tā de shǒu shì hé biǎo qíng cāi chū tā zài qǐ
tǎo。 dàn tā duì zhè xiē jiē tóu liú làng hàn méi yòu shénme tóng qíng xīn。 tā yáo yáo tóu， zhǔn bèi jì xù xiàng qián zǒu。
yī zhǐ 'āng zàng de shǒu lā zhù tā de yī xiù， nán dǒng de xī bān yá yǔ yòu xiǎng qǐ lái。 tā yòng jìn shuǎi kāi nà zhǐ shǒu。 nà gè nán rén
yǎn lǐ shǎn xiàn chū fèn nù de shén qíng， tā nǎo huǒ dì jǔ qǐ shǒu bì。
xiǎn rán nà gè liú làng hàn bìng bù xiǎng shāng hài tā， dàn lù qiàn xiǎo jiě běn néng dì xiàng hòu yī tuì， tā de xié gēn kǎ zài lù miàn shàng de shí
bǎn féng xì zhōng， tā shuāi dǎo liǎo。 tā tǎng zài nà 'ér， zhàn bù qǐ lái， tā de jiǎo huái niǔ shāng liǎo。
liú làng hàn zhàn zài tā bàng biān。 zhè shí lù qiàn xiǎo jiě gǎn dào liǎo zhēn zhèng de kǒng jù。 yī zhǒng bù yóu zì zhù、 hū rán fā shēng de kǒng jù
yā dǎo liǎo tā。
hū rán zài jiē biān de yīn yǐng zhōng， lìng yī gè nán rén de shēn yǐng chū xiàn liǎo， yī gè zhěng jié de chuān bái yī de nán rén。 lù qiàn xiǎo jiě
kàn bù dào tā de liǎn， dàn tā zhī dào shì jiào táng lǐ de nà gè xiǎo huǒ zǐ。 tā kàn dào tā bǎ nà gè liú làng hàn tuī kāi， rán hòu yào tā
zǒu。 liú làng hàn huí tóu kàn liǎo kàn， yáo yáo huàng huàng dì zǒu kāi liǎo。
lù qiàn xiǎo jiě gǎn dào yī gè rén de liǎn lí zì jǐ de liǎn hěn jìn， jiē zhe yī zhǐ yòu lì de shǒu tuō zhù tā de bèi， fú tā qǐ lái。
tā tīng bù dǒng xiǎo huǒ zǐ shuō de huà， dàn tā de yǔ diào hěn wēn hé， chōng mǎn guān xīn。
“ nǚ shì，” tā shuō， kàn liǎo kàn liú làng hàn lí kāi de fāng xiàng，“ tā yǐ jīng zǒu liǎo。” zhè gè mò xī gē nián qīng rén de yá
zài yuè guāng xià fǎn shè chū jié bái de guāng。 tā jiē zhe shuō：“ wǒ jiào mǎ ruì 'ōu， cóng jiào táng nà biān guò lái。 ràng wǒ sòng nǐ huí jiǔ diàn，
hǎo má？”
lù qiàn xiǎo jiě de jiǎo huái hěn tòng， mǎ ruì 'ōu yī zhí bǎ tā sòng dào jiǔ diàn， zài bǎ tā sòng huí fáng jiān。 tā de qíng xíng zài wéi lā hé
āi lún zhī jiān yǐn qǐ liǎo yī zhèn huāng luàn。 kàn dào mǎ ruì 'ōu réng rán guān qiē dì zhàn zài yī bàng， āi lún ná qǐ tā de tí dài， wèn：“ wǒ
men gāi gěi tā duō shǎo qián， lù qiàn？” dàn lù qiàn xiǎo jiě bù xiǎng zhè yàng zuò， tā shuō：“ bù， qián duì zhè gè nián qīng rén huì shì yī zhǒng
wǔ rǔ。”
mǎ ruì 'ōu sì hū tīng dǒng liǎo tā de huà， tā yě shuō liǎo jǐ jù， dàn lù qiàn xiǎo jiě què bù zěn me néng tīng dǒng。 zuì hòu mǎ ruì 'ōu ná
qǐ tā dài lán bǎo shí jiè zhǐ de shǒu， wěn liǎo wěn， jū gōng， rán hòu lí kāi liǎo fáng jiān。
nà jiù shì mǎ ruì 'ōu rú hé zǒu rù liǎo zhè sān wèi nǚ shì de shēng huó， ér qiě xiǎn rán tā bìng bù xiǎng hěn kuài lí kāi tā men。 dì 'èr tiān
zǎo shàng， tā lái dào jiǔ diàn， zhǎo dào liǎo lù qiàn xiǎo jiě。
zhè cì lù qiàn xiǎo jiě dì yī cì zhèng miàn kàn dào tā de liǎn。 tā bìng bù shì hěn yīng jùn， tā de jié máo hěn cháng， dàn yǎn jīng kào dé tài
jìn liǎo。 hòu hòu de zuǐ chún shàng cháng zhe bā zì hú， dàn hú xū xī shū， bù dà hǎo kàn。 zhǐ shì tā de shǒu zhǐ yòu lì 'ér xiū cháng。 zǒng de
lái shuō， zhè gè xiǎo huǒ zǐ gěi rén mǒu zhǒng rè qíng hé kě xìn de gǎn jué。
tā jiě shì zì jǐ shì gè dà xué shēng， xiǎng zài jiàqī zhèng diǎn qián， suǒ yǐ xī wàng néng zuò nǚ shì men de dǎo yóu。 yóu yú lù qiàn xiǎo jiě
de jiǎo niǔ shāng liǎo， tā jiàn yì tì tā men gù liàng chē， sī jī yě yóu tā jiān rèn。 ér tā suǒ yào de bào chóu què lìng rén chī jīng de shǎo， ér
qiě jiān chí bù xū yào fù gèng duō。
dì 'èr tiān tā zū dào yī liàng chē， piányí de zū jīn shǐ jí shǐ jīng dǎ xì suàn de 'āi lún xiǎo jiě yě shí fēn mǎn yì。 yú shì mǎ ruì 'ōu
kāi shǐ rè qíng 'ér rèn zhēn dì dài zhe tā men zài gè gè jǐng diǎn zhī jiān yóu wán。
yī zhe zhěng jié de mǎ ruì 'ōu de péi bàn lìng lù qiàn nǚ shì hěn gāo xīng， qí shí sān wèi nǚ shì dōuhěn gāo xīng。 tā wéi tā men dìng liǎo bù
shǎo yóu lǎn jìhuà。 yī tiān， tā dài tā men pān dēng bō bǔ kǎ bèi tè shān， hǎo jǐ gè xiǎo shí zhī zhōng， tā men zài shì jiè shàng zuì měi zuì shén
mì de shān fēng qián， jī dòng bù yǐ。 yòu shí dāng mǎ ruì 'ōu hé lù qiú xiǎo jiě dān dú zài yī qǐ de shí hòu， mǎ ruì 'ōu zǒng shì bǎ lù qiàn xiǎo
jiě de shǒu wò zài zhǎng zhōng， qīng qīng dì fǔ mō。
nà shì mǎ ruì 'ōu yòng tā de fāng shì， rào guò yǔ yán de zhàng 'ài gào sù tā， tā fēi cháng gāo xīng néng hé tā yī qǐ fēn xiǎng zhè cì měi miào
de mò xī gē zhī lǚ。 bèi tā yòu lì de shǒu wò zhù， lù qiàn xiǎo jiě shǒu zhǐ shàng de jiè zhǐ yòu shōu jǐn liǎo， dàn tā bìng méi yòu gǎn dào tòng，
tā suǒ gǎn shòu dào de shì lìng yī zhǒng yǔ téng tòng wán quán bù tóng de gǎn jué。
zài bō bǔ kǎ bèi tè shān zhī xíng hòu， lù qiàn xiǎo jiě jué dìng yīnggāi lí kāi tǎ xī kè chéng， qù mò xī gē chéng liǎo。
tā ràng 'āi lún qù gào sù mǎ ruì 'ōu tā de shǐ mìng jié shù liǎo， hái ràng 'āi lún dài qù liǎo 'é wài de jǐ bǎi bǐ suǒ de chóu láo。 āi lún
zhuǎn gào liǎo mǎ ruì 'ōu， dàn mǎ ruì 'ōu méi yòu jiē shòu nà bǐ qián， ér shì zhǎo dào liǎo lù qiàn xiǎo jiě。 tā gào sù tā， mò xī gē chéng lǐ yòu
bù shǎo rén bìng bù yǒu hǎo， tā shēn chū tā qiáng zhuàng de gēbo shuō tā xiǎng jì xù zhào gù tā men， ér qiě wéi tā men jiè shào mò xī gē chéng lǐ de
fēng guāng。 tā qiáng zhuàng de gēbo huī dòng zhe， sì hū zài yōng bào zhe tiān kōng、 tài yáng hái yòu mò xī gē de qún shān。 tā hēi sè de yǎn jīng hé
cháng cháng de jié máo， què yōng bào zhe lù qiàn xiǎo jiě。
lù qiàn xiǎo jiě gǎn dào sì hū yòu yī zhǒng běn néng zài cù shǐ zhe tā tóng yì liǎo mǎ ruì 'ōu de yào qiú。 mǎ ruì 'ōu hé tā men yī qǐ lái dào
liǎo mò xī gē chéng。 dào dá mò xī gē chéng dì 'èr gè xīng qī， tā men jué dìng qù yóu lǎn mò xī gē jīn zì tǎ。
xiàng wǎng cháng yī yàng， lù qiàn xiǎo jiě hé mǎ ruì 'ōu zuò zài qián pái。 tā shì gè chū sè de sī jī， lù qiàn xiǎo jiě xǐ huān kàn tā quán shén
guàn zhù kāi chē shí de cè yǐng， yě xǐ huān tīng tā bù shí dì nán nán zì yǔ， dàn bù dà xǐ huān tā yòng mù guāng zhù shì tā de liǎn， rán hòu xiàng
xià huá dào tā de xiōng qián。
tā de níng zhù ràng tā yòu xiē bù zì zài， tā yòng yīng yǔ duì tā shuō：“ mǎ ruì 'ōu， nǐ shì měi guó rù shuō de nà zhònghuā huā gōng
zǐ。 nǐ kěn dìng rèn shí hěn duō nǚ hái。”
kāi shǐ tā sì hū méi tīng dǒng。 chén mò piàn kè， tā shuō：“ nǚ hái， huā huā gōng zǐ， nǐ shì shuō wǒ má？ bù。” tā bǎ shǒu
shēn jìn yī dài， ná chū yī zhāng zhào piàn，“ nǚ shì， zhè jiù shì wǒ de nǚ hái……” lù qiàn xiǎo jiě ná guò zhào piàn， fā xiàn shì yī gè
bǐ tā hái lǎo de fù rén。 tā tóu fā huā bái， yǎn jīng dà 'ér yōu shāng， suì yuè hé jí bìng zài tā de liǎn shàng liú xià tiáo tiáo xì wén。“ shì
nǐ mā mā！” lù qiàn xiǎo jiě shuō：“ gěi wǒ jiǎng jiǎng tā de shì， hǎo má？”
mǎ ruì 'ōu jìn liàng yòng tā néng tīng dǒng de cí huì gào sù tā tā mā mā de gù shì。 tā mā mā fēi cháng qióng， yī bèi zǐ zhù zài yī gè jiào
gǔ dé luó sī de xiǎo cūn zǐ lǐ， jiān nán dì fǔ yǎng zhe yī qún méi yòu fù qīn de hái zǐ， rú tóng rén jiān de shèng nǚ。 lù qiàn xiǎo jiě cóng tā
de huà lǐ tīng chū tā duì tā mǔ qīn jīhū shì yī zhǒng chóng bài de 'ài。
tīng dào mǎ ruì 'ōu de huà， lù qiàn xiǎo jiě jué dìng zài tā de lǚ xíng jié shù qián， tā yào xiàng mǎ ruì 'ōu wèn dào tā mǔ qīn de dì zhǐ，
rán hòu jì yī bǐ qián gěi tā， ràng tā néng bāng zhù mǎ ruì 'ōu shàng wán dà xué。 yě xǔ tā de 'ér zǐ huì yīn wéi guòfèn de zì zūn 'ér nán yǐ shuō
fú， dàn zuò wéi mǔ qīn， tā huì jiē shòu de。
“ nà shì jīn zì tǎ má？” āi lún de shēng yīn dǎ duàn liǎo lù qiàn xiǎo jiě de sī suǒ。“ ǹg， tā men bǐ bù shàng 'āi jí de jīn zì
tǎ。” āi lún jì xù shuō。
dàn lù qiàn xiǎo jiě bèi nà liǎng zuò tài yáng jīn zì tǎ hé yuè liàng jīn zì tǎ dǎ dòng liǎo。 tā níng shì zhe yōu 'àn、 gǔ lǎo de jīn zì tǎ，
xīn zhōng gǎn dào yī zhǒng qí tè de xīng fèn gǎn jué。 zhè zhǒng gǎn jué zài tǎ xī kè chéng de jiào táng lǐ tā yě tóng yàng pèng dào guò。“ zhè xiē shí jiē
wǒ shì pá bù shàng qù liǎo，“ āi lún xiè qì dì shuō：“ wǒ tài lǎo liǎo， tiān qì yě tài rè。”
wéi lā jìn guǎn méi jué dé rè， dàn tā yě lǎo liǎo。 tā zhàn zài jīn zì tǎ dǐ， yī fú pī zài jiān shàng， shǒu lǐ ná zhe cóng bù lí shǒu
de xiāng yān， shuō：“ nǐ qù bā， lù qiàn， nǐ hái nián qīng， ér qiě yě hàodòng。”
yú shì lù qiàn hé mǎ ruì 'ōu kāi shǐ xiàng shàng pá。
zài mǎ ruì 'ōu de bāng zhù xià， tā pá dào liǎo tài yáng jīn zì tǎ de dǐng shàng。 suī rán dǒu qiào de shí jiē lìng tā lěi dé chuǎn bù guò qì
lái， dàn dēng shàng tǎ dǐng de gǎn jué zhēn shì hǎo jí liǎo。
tǎ dǐng zhǐ yòu tā men liǎng gè rén， tā men zuò zài yī qǐ。 yī gè shì fèi chéng lái de fù yòu de xiǎo jiě， yī gè shì piān pì xiǎo cūn lǐ
zǒu chū de xiǎo huǒ zǐ， jǐn 'āi zhe zuò zài yī qǐ。 tā men kàn zhe jù dà de píng yuán， gǔ lǎo de cūn luò hé tā men de miào zì sǎnluò qí
jiān， xiàng xià wàng qù kě yǐ kàn dào cóng miào zì tōng xiàng yuè liàng jīn zì tǎ de bèi chēng wéi sǐ wáng zhī tú de lù。 mǎ ruì 'ōu kāi shǐ gěi tā jiǎng jì
bǎ yí shì de gù shì。 zài guò qù， zhè zhǒng yí shì měi nián dōuyòu yī cì。
lù qiàn xiǎo jiě bàn bì zhe yǎn jīng， yī biān tīng zhe tā de huà yī biān xiǎng xiàng zhe dāng shí de qíng xíng： rén qún yǒng xiàng tā men jiǎo xià de píng
yuán； wū shī zhàn zài zhǐ dìng de mǒu jí shí jiē shàng； tǎ dǐng shì yī wèi yī fú yī chén bù rǎn de qīng nián， nà dāng rán jiù shì mǎ ruì 'ōu。
mǎ ruì 'ōu shì cūn mín men fèng xiàn de jì pǐn， tā jiāng bèi fèng xiàn gěi shén líng。 tā gǎn dào duì tā de lián mǐn， tā shēn chū liǎo tā de shǒu
héng héng nà zhī dài zhe wú fǎ zhāi xià de jiè zhǐ de zuǒ shǒu， tā de shǒu zhǎo dào liǎo tā de， bèi tā wēn nuǎn yòu lì de shǒu zhǐ qīng qīng dì wò
zhuàn… lù qiàn xiǎo jiě jīhū bù zhī dào mǎ ruì 'ōu shí me shí hòu bào zhù liǎo tā， tā de tóu chuí dào tā de xiōng qián。 zhí dào tā wén dào tā pí
fū de tián xiāng wèi hé tóu fā jiān xiāng bō de qì wèi， tā cái měng rán qīng xǐng guò lái。 tā měng dì tiào qǐ lái， sì hū cóng jǐ gè shì jì de shí
guāng zhōng huí dào yǎn qián， xiǎng qǐ hái yòu liǎng gè nǚ bàn zài tǎ xià děng zhe， xiǎng qǐ hái yòu xǔ duō de shí jiē yào xià。
zài fǎn huí mò xī gē chéng de lù shàng， lù qiàn xiǎo jiě jué dìng zì jǐ hé wéi lā zuò zài hòu miàn de zuò wèi shàng， bǎ 'āi lún huàn dào qián miàn
hé mǎ ruì 'ōu zuò zài yī qǐ。
huí dào jiǔ diàn shí， lù qiàn xiǎo jiě shuō：“ míng tiān shì xīng qī tiān， mǎ ruì 'ōu， nǐ zuì hǎo xiū xī yī xià， bù yòng lái péi wǒ men
liǎo。”
tā kāi shǐ fǎn duì zhè gè jiàn yì。 dāng lù qiàn chóngfù dào：“ bù， míng tiān bù xíng， mǎ ruì 'ōu。“ tā liǎn shàng de biǎo qíng jiù xiàng
yī gè shī wàng de hái zǐ。 dàn hěn kuài tā de biǎo qíng biàn liǎo， tā de yǎn jīng tiǎo zhàn bān dì zhí shì tā de shuāng yǎn。
huí dào fáng jiān， lù qiàn xiǎo jiě gǎn dào xīn měng liè dì tiào gè bù tíng。 nà yǎn shén suǒ dài biǎo de dōng xī shì tā yǐ wǎng cóng bù gǎn wàng xiǎng
de dōng xī。 tā míng bái， nà shì yī zhǒng kě wàng de yǎn shén。
yóu yú mǒu zhǒng yuán yīn， tā bù néng lǐ jiě， ér tā de xīn zhōng yě cóng wèi mèng xiǎng guò， mǎ ruì 'ōu zài zhuī qiú tā。
tā zài rè liè dì zhuī qiú tā。 wǎn shàng zài shàng chuáng zhī qián， lù qiàn xiǎo jiě zuò liǎo jǐ jiàn yǐ qián tā cóng wèi zuò guò de shì。
tā chuānzhuó shuì yī cháng shí jiān dì zhàn zài wò shì lǐ de cháng jìng qián， zhēn qiē dì gǎn dào， zì jǐ shì yī gè nǚ rén。
tā méi yòu kàn dào zì jǐ yòu shénme xīn de jīng rén de dōng xī。 dàn zhè zhǐ shì tā de wài biǎo méi yòu jiāng tā nèi xīn jiāng yào fā shēng de hé
yǐ jīng fā shēng de jīng rén de biàn huà biǎo xiàn chū lái 'ér yǐ。
tā bìng bù měi lì， jí shǐ nián qīng de shí hòu yě bù céng měi lì guò， ér xiàn zài yǐ rén dào zhōng nián liǎo。 tā de tóu fā kuài bái liǎo，
sōng sàn de dā zài 'é qián。 tā de yǎn jīng réng rán qīng chè， ér qiě zhèng chōng mǎn liǎo huān lè， dàn zài tā men zhōu wéi què shì suì yuè liú gěi tā de
yīn yǐng yǔ zhòu wén。
zài shuì yī xià miàn， tā de xiōng yǐ rán tǐng shí， dàn shēn cái què yǐ jīng bù xíng liǎo。 shì shí shàng， wú lùn tā de miàn kǒng hái shì shēn
cái， dōuméi yòu shénme dì fāng néng gòu xī yǐn rén liǎo。 ér tā què bèi rén zhuī qiú。 tā zhī dào， yī gè mò xī gē de yīng jùn nián qīng rén gǎn
dào liǎo tā shēn shàng mǒu zhǒng xī yǐn rén de dōng xī。
lù qiàn xiǎo jiě duì hěn duō shì bìng fēi yī wú suǒ zhī， tā zhī dào bù shàonián qīng rén zhuī qiú nián lǎo de nǚ rén 'ér shì shí shàng xī wàng zuì hòu
jì chéng tā men de cái chǎn。 dàn mǎ ruì 'ōu chú liǎo jù jué rèn hé 'é wài de bào chóu yǐ wài， shèn zhì bù zhī dào lù qiàn xiǎo jiě shì tā men sān rén
zhōng zuì fù yòu de yī gè。 zhǐ yòu fèi chéng de yī gè lǜ shī hé tā jiā zú de yī xiē rén zhī dào tā zhēn zhèng yōng yòu duō shǎo cái chǎn。 bù， rú
guǒ mǎ ruì 'ōu shì wéi liǎo qián， tā jiù gāi bǎ yǎn guāng fàng dào 'āi lún shēn shàng。 āi lún zhǎng wò zhe tā men de qián dài， ér qiě zài rèn hé shí hòu
dōubù ràng rèn hé rén zhī dào tā shǒu lǐ de qián shí jì shàng shǔ yú lù qiàn。
miàn mào pǔ tōng、 yī zhe dān diào de lù qiàn xiǎo jiě shēn shàng méi yòu rèn hé dì fāng xiǎn shì chū fù yòu。 tā mǔ qīn de dìng hūn jiè zhǐ shàng yòu
yī kē zhí qián de zuàn shí， dàn yě zhǐ yòu zhuān yè de zhū bǎo shāng rén cái néng kàn chū lái。 ér nà gè lán bǎo shí jiè zhǐ yě bù zhí dé rèn hé rén
wéi tā huā fèi jīng lì yǔ shí jiān。 rú guǒ tā néng bǎ tā cóng shǒu zhǐ shàng nòng xià lái， zuò wéi gǎn xiè， tā huì hěn gāo xīng bǎ zhè jiè zhǐ sòng gěi
tā。
bù， mò xī gē chéng lǐ yòu shàng qiān de nǚ rén bǐ tā xiǎn dé gèng fù yòu， hái yòu gèng duō de nǚ rén nián qīng měi lì， zhí dé mǎ ruì 'ōu
wéi zhī qīng dǎo， hái yòu…… měng rán jiān， lù qiàn xiǎo jiě wéi zhè shì de bù hé luó ji gǎn dào yī sī kǒng jù。
yě xǔ shì wèi hūn nǚ xìng de běn néng chù dòng liǎo tā de shén jīng， shǐ tā jǐng tì dào yī zhǒng mò míng de wēi xiǎn。
lù qiàn xiǎo jiě jué xīn tā bì xū liǎo jié zhè jiàn shì， tā jìng jìng dì tǎng zài chuáng shàng， zuò chū liǎo lù qiàn xiǎo jiě hé wéi lā zài cháng tú chē
zhàn děng hòu。 tā mendōu jǐn jǐn yōng zhe zì jǐ de wài yī， sì hū hěn lěng。 wéi lā què shí yòu diǎn zháoliáng， tā yě zǒng shì rú cǐ。 ér jīn
tiān suī rán yòu chūn rì de yáng guāng zài zhào yào， lù qiàn xiǎo jiě què yě gǎn jué dào liǎo zhèn zhèn de lěng yì。 tā de shuāng yǎn， hái yòu bí zǐ dōushì
hóng hóng de。
tā men děng de shì 'āi lún， tā luò zài hòu miàn shì wéi liǎo bǎ chóu láo fù gěi mǎ ruì 'ōu， ér qù pà cí kǎo luó de qì chē 20 fēn zhōng
hòu qǐ chéng。 āi lún lái liǎo， tā de bí zǐ yě shì hóng hóng de。
“ nǐ bù néng nà yàng gān， lù qiàn，” tā bào yuàn shuō，“ nà yàng tài hěn xīn liǎo。” tā bǎ liǎng zhāng yī bǎi bǐ suǒ de chāo piào jiāo
dào lù qiàn shǒu lǐ。“ wǒ jué dé bǎ zhè gè gěi tā shí tā jiù xiàng yào dǎ rén。 tā jiě shì shuō，“ ér qiě tā dú dào nǐ de xìn shí jiù xiàng
hái zǐ nà yàng dì kū qǐ lái。”
lù qiàn xiǎo jiě tīng liǎo mò bù zuò shēng。 zài qù pà cí kǎo luó de zhěng gè lù shàng tā dū jīhū yī yán bù fā。
níng jìng de pà cí kǎo luó hú bàng de yī jiā lǚ diàn de zǒu láng shàng， sān wèi nǚ shì wéi zuò zhuō bàng kāi shǐ chī wǎn fàn。 cóng bù yuàn 'ān jìng
de 'āi lún zài tǎo lùn zhe dì 'èr tiān de jìhuà。 lù qiàn xiǎo jiě què xiǎn rán xīn bù zài yān。 tā de mù guāng zhuànxiàng mò lǜ sè de hú miàn， yán
jiū zhe hú shàng yī chuàn chuàn de xiǎo dǎo hái yòu zài hú miàn lüè guò de tū yīng， tā men fā chū cū cāo de jiào shēng， tān lán de xún zhǎo zhe dòng wù de
shī tǐ。 guò liǎo yī huì， tā zhàn qǐ lái shuō：“ yòu yī diǎn lěng liǎo， wǒ yào huí fáng jiān qù liǎo， wǎn 'ān。” lù qiàn xiǎo jiě de fáng jiān
yòu gè xiǎo yáng tái， kě yǐ cóng lìng yī gè jiǎo dù kàn dào hú miàn。
yáng tái xià miàn jiù shì chén rén hēi 'àn de hú miàn， wǎn guī de yú fū men yòng mó hú de shēng yīn jiāo liú zhe yī tiān de shōu huò， ǒu 'ěr jiù
chàng shàng yī duàn dāng dì de mín gē。
lù qiàn xiǎo jiě jìng jìng dì zuò zhe， kàn zhe tā men， xīn zhōng xiǎng zhe mǎ ruì 'ōu。 zì dǎ lí kāi mò xī gē chéng， tā jiù zài xiǎng niàn mǎ
ruì 'ōu， xiàn zài tā wéi zì jǐ lǔ mǎng de gǎn zǒu mǎ ruì 'ōu 'ér hòu huǐ bù yǐ。 tā yīnggāi zì jǐ hé tā shuō。 tā nán guò dì cāi cè tā huì
zěn yàng cāi yí…… zhè xiē xiǎng fǎ shēn shēn dì cì tòng zhe tā， tā shāng hài liǎo tā…… tā de hú sī luàn xiǎng bèi dǎ duàn liǎo， yīn wéi tā zài
xià miàn de yú fū zhōng kàn dào liǎo yī gè xuě bái xiū cháng de shēn yǐng。 lù qiàn mù bù zhuǎn jīng dì dīng zhe tā， xīn kāi shǐ kuáng tiào qǐ lái。 tā fú
zhe lán gān， jí lì xiàng qián tàn， xiàng hēi 'àn zhōng wàng qù。 díquè， lù qiàn kàn dào yī gè shú xī de yǐng zǐ zài nà lǐ mǐn jié、 yōu yǎ dì
shǎn dòng zhe。
dàn nà bù huì shì mǎ ruì 'ōu， tā bèi liú zài shù bǎi yīng lǐ wài de mò xī gē chéng liǎo， ér qiě lù qiú hái tè yì fēn fù 'āi lún bù yào
gào sù tā tā men de qù xiàng。
chuān bái yī de rén yǐng cóng yuǎn chù xiàng tā chuāng hù suǒ zài de hú 'àn piāo lái。 cóng hú 'àn shàng shè chū de yī piàn dēng guāng zhào zài tā de shēn
shàng， shǐ rén néng gòu kàn qīng chǔ。 nà shì mǎ ruì 'ōu。
tā tàn xià shēn qù， xīn jiù xiàng yī zhǐ bù zhī suǒ cuò de niǎo 'ér tiào gè bù tíng。 tā jiù zài tā xià miàn， tā men zhī jiān zhǐ yòu shí wǔ
yīng chǐ。
“ lù qiàn xiǎo jiě， wǒ zhōng yú zhǎo dào nǐ liǎo，” tā yòng xī bān yá yǔ shuō：“ wǒ zhī dào， wǒ huì zhǎo dào nǐ de。”
“ dàn， mǎ ruì 'ōu， nǐ shì zěn me……？”“ cháng tú qì chē gōng sī gào sù wǒ nǐ men dào zhè lǐ lái liǎo， wǒ yě mǎi liǎo yī
zhāng piào， jiù lái liǎo。”
tā kàn jiàn tā gāo xīng dì xiào zhe， xuě bái de yá hū yǐn hū xiàn。“ lù qiàn xiǎo jiě， wèishénme nǐ yī shēng bù xiǎng dì jiù lí kāi liǎo
ní？ shèn zhì méi yòu shuō yī shēng zài jiàn。” tā méi yòu huí dá。
“ dàn wǒ xiàn zài lái liǎo， wǒ réng rán wéi nǐ xiào láo。 míng tiān nǐ hé wǒ dào hú shàng qù， hǎo má？ zài qí tā liǎng gè nǚ shì xǐng lái
zhī qián， jiù nǐ hé wǒ。 hú shàng yòu yuè liàng， wǒ men hái néng kàn jiàn rì chū。”“ hǎo bā……”
“ míng zǎo wǔ diǎn wǒ lái jiē nǐ， wǒ huì nòng tiáo chuán。 niǎo 'ér men hái méi xǐng， wǒ jiù huì zài zhè lǐ děng nǐ liǎo。”
“ hǎo bā……”“ wǎn 'ān， wǒ de xiǎo jiě。”
lù qiàn xiǎo jiě huí dào fáng jiān， dāng tā huàn shàng yī fú tǎng dào chuáng shàng， tā gǎn dào zì jǐ de shǒu zài chàn dǒu。
zhí dào líng chén， tā hái méi yòu píng jìng xià lái， zhí dào chuāng hù xià chuán lái dī dī de kǒu shào gào sù tā mǎ ruì 'ōu yǐ jīng dào liǎo， tā
gǎn dào zì jǐ réng zài chàn dǒu。
tā fēi kuài dì chuān shàng yī fú， lǐ lǐ tóu fā， pī shàng jiàn yī fú， páo xià lóu qù。 lǚ diàn lǐ hěn 'ān jìng， méi rén kàn jiàn tā chuān
guò zǒu láng， yě méi rén kàn jiàn tā shùn zhe xié pō lái zhì“ mǎ ruì 'ōu de chuán bàng。
tā tái qǐ tā de shǒu， bǎ tā fàng dào chún biān， rán hòu qīng qīng dì bǎ tā fú shàng chuán。
tā méi yòu yī diǎn fǎn duì， jiù xiàng shén fù jiāng tā yǐn xiàng měi gè réndōu yào jīng lì de nà gè shén shèng zhī dì。
mǎ ruì 'ōu shuō dé duì， tiān shàng guà zhe yuè liàng， shì níng méng sè de mǎn yuè。 bù tòu guāng de hú miàn shàng fǎn shè chū yī lǚ lǚ de yuè guāng。
lù qiú xiǎo jiě zuò zài chuán lǐ， suī rán hěn liáng， què sì hū wán quán méi yòu zhù yì dào。 tā zhù shì zhe mǎ ruì 'ōu， tā zhàn zài chuán
wěi， huá zhe chuán xiàng hú lǐ shēn chù huá qù。 tā bǎ kù zǐ wǎn qǐ lái， yī zhí zhì“ xī gài yǐ shàng。 yuè guāng xià tā de tuǐ qiáng zhuàng， cū
yě。 tā hái chàng zhe gē。
lù qiàn xiǎo jiě yǐ qián wèi céng xiǎng dào tā de sǎng yīn rú cǐ yōu měi。 gē shēng tīng shàng qù hěn tián， hái dài zhe yī zhǒng shuō bù chū de yōu
shāng。 mǎ ruì 'ōu zhù shì zhe tā， mù guāng cóng tā de liǎn xiàng xià yí dòng， yī zhí dào tā fàng zài xī shàng de shuāng shǒu。 shǒu zhǐ shàng nà méi piányí
de lán bǎo shí jiè zhǐ zài yè sè zhōng yōu yōu dì fǎn shè zhe yuè guāng。
xiǎo chuán xiàng duō dǎo yǔ de hú xīn shēn chù huá qù， lù qiàn xiǎo jiě yǐ jīng wàng jì liǎo qí tā de yī qiē， bāo kuò tā shēn chù hé shí， hé
dì。 shǎn shuò de xīng chén hé yuán rùn de yuè liàng tā dōuyǐ shì 'ér bù jiàn。 tā suǒ gǎn shòu dào de zhǐ yòu yī zhǒng shēn chén de níng jìng， sì hū zhè
zhǒng jīhū nán yǐ jué chá de gǎn jué yào chí xù dào shí jiān de jìn tóu。
tā tīng dào liǎo mǎ ruì 'ōu de shēng yīn：“ tīng， shì niǎo 'ér men zài jiào。”
tā tīng dào liǎo zhè yī qún qún dǎo yǔ zhōng de wū míng， dàn mù guāng suǒ jí de dì fāng què zhǐ néng kàn dào zài tiān kōng zhōng wú shēng xī pán xuán de
tū yīng。
mǎ ruì 'ōu tíng xià lái， ná chū tā men de zǎo fàn。 yòu niú ròu， miàn bāo， huáng yóu， hái yòu nǎi lào， tā hái dài liǎo yī píng hóng jiǔ。
tā yòng yī bǎ dà zhé dié dāobà huáng yóu mǒ zài miàn bāo shàng， dì gěi lù qiàn xiǎo jiě。 tā zhè shí cái gǎn dào zhēn de shì hěn 'è。 tā chī
miàn bāo， hē zhe hóng jiǔ。 jiǔ jīng jìn rù dào tā de xuè yè zhōng， lìng tā gǎn dào zhèn zhèn rú shàonǚ bān de kuài lè。 wú lùn mǎ ruì 'ōu shuō shí
me tā dū huì fā xiào， mǎ ruì 'ōu yě zài xiào， tā de mù guāng yě tíng liú zài tā de shēn shàng。
tā men chī zhe zǎo fàn， jiù xiàng mì yuè zhōng de fū fù。 tài yáng jiàn jiàn qǔ dài liǎo yuè liàng de wèi zhì， bǎ jīn hóng sè de guāng máng sǎ xiàng
hú miàn。 zài jǐ yīng lǐ zhī nèi， tā suǒ néng kàn dào de zhǐ yòu tū yīng， hái yòu jiù shì yuǎn chù piāo lái de zhèn zhèn gē shēng。
zuì hòu yī piàn miàn bāo chī wán liǎo， jiǔ yě hē wán liǎo， mǎ ruì 'ōu yòu ná qǐ jiǎng， xiàng hú xīn gēngshēn chù huá qù。 tā bù tíng dì
huá， zài bù shuō yī jù huà。
dāng tā yī kàn dào nà gè dǎo， lù qiàn xiǎo jiě jiù zhī dào tā shì mǎ ruì 'ōu suǒ xuǎn de nà yī gè， tā kàn shàng qù rén jì hǎn zhì， yě
yuǎn lí qí tā dǎo yǔ， àn biān cǎozhǎng dé hěn gāo， hěn mì， jiù xiàng dǎo de liú sū。
tā bǎ chuán kào shàng qù， cǎo lì kè jiāng tā men bāo wéi qǐ lái， jiù xiàng jìn rù liǎo lìng yī gè xiǎo dé duō de shì jiè， tā men zì jǐ de
shì jiè。 tā wò zhù tā de shǒu， qīng qīng tā shuō liǎo liǎng gè zì：“ lái bā。”
tā gēn zhe tā rú tóng yī gè tīng huà de hái zǐ。 tā zhǎo dào yī kuài gān de dì fāng， tā wéi tā pū shàng yī jiàn yī fú， ràng tā zuò
xià。 rán hòu tā jǐn 'āi zhe tā yě zuò xià lái， jiāng tā lǒu zài huái zhōng。 tā néng kàn dào tā de liǎn， lí tā hěn jìn， hái kàn jiàn tā hēi sè
de yǎn jīng， sì hū gèng jìn， hái néng gǎn dào tā wēn nuǎn de， dài zhe jiǔ wèi de hū xī。
tā bì shàng yǎn， zhī dào zì cóng yù dào mǎ ruì 'ōu nà tiān qǐ jiù zhù dìng huì yòu de yī kè jiù yào dào lái。 cóng jiào táng xiāng yù de nà yī
tiān qǐ， jīhū měi yī jiàn shìdōu zài 'àn shì zhe zhè yī kè zhōng huì dào lái。 tā néng gǎn dào tā de shǒu qīng qīng fǔ mō zhe tā de tóu fā， tā
de liǎn， hái gǎn dào tā de shǒu wò zhe tā de shǒu， wò dào liǎo nà méi lán bǎo shí jiè zhǐ。
tā gǎn dào tā fǔ nòng zhe nà méi jiè zhǐ， tā de shǒu zhǐ dū liú lù chū nà zhǒng qīng mù。 zhěng gè guò chéng kàn shàng qù hěn fù zá， què yě
bìng bù duō me qí tè。
tā de shǒu kāi shǐ xiàng shàng yí dòng， tā de shǒu zhǐ yí dào tā de hóu lóng， qīng qīng dì tíng xià lái， tā méi yòu jiào， gèng méi yòu gǎn dào
kǒng jù。
tā de shuāng shǒu kāi shǐ yòng lì dì shōu jǐn， tā de zuǐ chún xiàng tā de zuǐ chún yā xià qù， tā men shēn shēn dì wěn zhe， dì yī cì yě shì
wéi yī de yī cì wěn zhe。
mǎ ruì 'ōu rēng kāi zhān xuè de zhé dāo。 tā tǎo yàn kàn dào xuè， wèile ná dào nà gè jiè zhǐ tā yào kǎn xià yī gēn shǒu zhǐ gèng ràng tā jué
dé 'ěxīn。
zhì yú tā shǒu shàng nà méi tā mǔ qīn de dìng hūn jiè zhǐ tā kàn yě méi kàn。 nà méi pǔ tōng， piányí de lán bǎo shí jiè zhǐ jǐ gè xīng qī
yǐ lái shǐ tā duì qí tā rèn hé shì wù dū shú shì wú dǔ liǎo。
tā bǎ yī fú gài zài lù qiàn xiǎo jiě de shī tǐ shàng。 běn lái tā xiǎng bǎ tā fàng dào yòu cǎo de shuǐ miàn xià， dàn yòu jué dé huì piāo fú chū
qù， ràng yú fū fā xiàn。
zhè gè dǎo jǐ nián yě bù huì yòu rén lái， ér zhēn de yòu rén lái de shí hòu héng héng tā tái tóu kàn liǎo kàn sì hū yǒng yuǎn dōuzài pán xuán de
tū yīng。
zài méi yòu huí tóu kàn yī yǎn， mǎ ruì 'ōu xiàng xiǎo chuán zǒu qù， huá xiàng lù dì。 dào 'àn biān zhī hòu， tā bǎ xiǎo chuán fān guò lái， ràng
tā shùn shuǐ piāo zǒu。 zhè yàng， tā jiù huì yī zhí piāo dào hú de zhōng xīn dì dài。
yī gè měi guó fù nǚ hé yī gè jīng yàn bù zú de chuán fū jià chuán jìn rù hú zhōng。 tā men tú zhōng luò shuǐ， dōubèi yān sǐ liǎo。 jǐng chá
men bù huì zài zhè gè jù dà de hú zhōng sōu xún tā men de shī tǐ de。
mǎ ruì 'ōu dā shàng yī liàng fǎn huí fāng xiàng de yùn huò chē。 míng tiān， rú guǒ néng dā shàng lìng yī liàng chē， tā yě xǔ jiù huì zài gǔ dé luó
sī cūn liǎo。 tā xiǎng tā de mǔ qīn kěn dìng huì xǐ huān nà jiè zhǐ de。
tā men shì fèi chéng jiāo qū shàng céng shè huì zhù zhái qū de nà xiē nǚ shì men zhōng de yī bù fēn。
“ qǐng gěi wǒ yī diǎn kā fēi，” āi lún · yà nèi 'ěr xiǎo jiě yòng xī bān yá yǔ duì zhāo dài shuō。 tā céng zài guó wài lǚ yóu guò， zhī
dào rú hé yǔ wài guó fú wù yuán dǎ jiāo dào。
“ ǹg， kā fēi yào bàn rè de。” shuō huà de shì wéi lā · zhū lì tè fū rén， tā shì sān rén zhōng nián jì zuì cháng de， zhèng jué dé
mò xī gē de zǎo cān lěng sōu sōu de。 1 dì sān wèi nǚ shì lù qiàn xiǎo jiě méi shuō huà， zhǐ shì kàn liǎo kàn biǎo， mǎ ruì 'ōu gāi dào liǎo。 piàn
kè zhī hòu， zhāo dài bǎ yī hú bàn rè de kā fēi fàng dào liǎo tā men de zhuō shàng。
“ wǒ xiǎng， lù qiàn，” āi lún shuō，“ ràng mǎ ruì 'ōu zǎo diǎn lái， yě xǔ shì gè bù cuò de zhù yì。 zhè yàng wǒ men jiù néng dào
wài miàn zhǎo gè dì fāng chī shàng yī dùn rè diǎn de： gèng hǎo de zǎo fàn liǎo。”
“ mǎ ruì 'ōu yǐ jīng tì wǒ men zuò liǎo hěn duō shì liǎo。” lù qiàn shuō。 dāng tí dào zhè gè nián qīng xī gē dǎo yóu de míng zì， tā de
liǎn jiù jī dòng dé wēi wēi fā hóng。 tā gǎn dào jī dòng hé liǎn hóng shì yīn wéi tā de nǚ bàn tí dào tā， ér tā zhèng xiǎng xiàng zhe tā qiáng zhuàng shèn zhì
yòu xiē cū yě de mò xī gē rén de tuǐ。 zuó tiān， tā men de mò xī gē dǎo yóu huá chuán sòng tā men qù xuě qì mǐ kē shuǐ shàng huā yuán shí， tā
kàn dào liǎo nà shuāng tuǐ。
zài wǔ shí 'èr nián níng jìng de dú shēn shēng huó zhōng， lù qiàn · bù lǎng xiǎo jiě yě xǔ cóng wèi xiǎng dào guò yī gè nán rén de tuǐ（ dāng rán gèng
bù huì zài zǎo cān zhuō bàng）。 zhè shì dào dá mò xī gē yī gè yuè yǐ lái de yī gè lìng rén xīn fán yì luàn de biàn huà。 zhè lèi de biàn huà yě
xǔ zǎo jiù fā shēng liǎo， nà shí tā shēng bìng de fù qīn gāng gāng qù shì， què yòu chū rù yì liào dì liú gěi tā yī bǐ yí chǎn。 ér lù qiàn xiǎo jiě
zì jǐ zhí dào zài zhè lǐ pèng dào mǎ ruì 'ōu nà tiān cái fā xiàn zhè zhǒng biàn huà de cún zài。
nà tiān yī kāi shǐ， tā gǎn dào huì shì duō shì de yī tiān。 dāng zài chōng mǎn yáng guāng de jiǔ diàn wò fáng xǐng lái shí。 lù qiàn gǎn dào yī zhǒng
kě qiú zì yóu de gǎn jué yě sū xǐng liǎo。 zhè zhǒng gǎn jué yī zhí cún zài， yǐn yǐn dì hàn dòng tā zhuāng zhòng de líng hún。 chī zǎo fàn shí tā suǒ rào
zài bǎi fàng cān zhuō de yuàn zǐ lǐ。 cān zhuō shàng piāo dàng de， hái yòu tā de nǚ bàn dié dié bù xiū de tán huà（ lǚ tú de fèi yòng shí jì shàng shì
lù qiàn wéi tā men fù dān de）。 dàn wú lùn shì wéi lā duì qīng chén de lěng kōng qì de bào yuàn hái shì 'āi lún duì tǎ xī kè chéng shì lì de píng jià
dōubù néng zhōng duàn zhè zhǒng gǎn jué。
duì lù qiàn xiǎo jiě lái shuō， shēng huó zhōng sì hū zhǐ yòu fèi chéng， tǎ xī kè chéng tuì sè de fěn hóng wū dǐng hé gé lóu chéng yǔ máo xíng zhuàng de
jiào táng shì yī gè bù néng shí xiàn de mèng： yī gè méi guī hóng de chéng shì， jīhū yòu shí jiān nà yàng gǔ lǎo…… nà tiān， dāng tā kàn dào nà
méi jiè zhǐ shí yě xǔ jiù shì tā lǚ tú zhōng zuì kuài lè de yī kè。
zài shù yè guǎng chǎng de yī gè yín qì diàn lǐ， wéi lā hé 'āi lún zhèng zài wéi yī gè yín hú hé diàn zhù tǎo jià hái jià shí， lù qiàn fā xiàn
liǎo nà méi jiè zhǐ。 zài tā de yǎn lǐ， tā bìng bù gāo yǎ， jīhū kě yǐ shuō dé shàng cū sú， zhāo yáo jiè miàn shì yī kē shuò dà de dàn bù
zhí qián de lán bǎo shí， jiè tuō shì yín zhì de。 dàn zài jiè zhǐ zhōng sì hū shǎn shuò zhe yī zhǒng shén mì de guāng máng xī yǐn zhe lù qiàn。 tā bǎ jiè
zhǐ tào zài shǒu zhǐ shàng， ràng tā fǎn shè chū shàng wǔ de yáng guāng。 tā jué dé tā shǐ tā mǔ qīn de dìng hūn jiè zhǐ dū 'àn rán shī sè， jìn guǎn nà
dìng hūn jiè zhǐ de jià zhí zài zhè zhǐ bǎo shí jiè zhǐ de wǔ shí bèi zhī shàng。 lù qiàn xiǎo jiě gǎn dào yī zhǒng mò míng de xīng fèn。 piē liǎo yī yǎn wéi
lā hé 'āi lún lìng rén qì mèn de bèi yǐng， tā kāi shǐ bǎ jiè zhǐ cóng shǒu zhǐ shàng qǔ xià lái。
dàn jiè zhǐ zài shǒu zhǐ shàng wén sī bù dòng， zhè shí wéi lā hé 'āi lún zhuǎn guò shēn lái， kàn dào liǎo tā， qīng qīng jiào liǎo qǐ lái：“ lù
qiàn， tā zhēn piào liàng。”“ jiǎn zhí xiàng yī méi dìng hūn jiè zhǐ。”
lù qiàn xiǎo jiě de liǎn yòu hóng liǎo，“ bié fàn shǎ， wǒ zhǐ shì shì shì， tā duì wǒ lái shuō tài nián qīng liǎo。 dài shàng tā wǒ kàn shàng
qù……” tā jì xù xiǎng bǎ tā nòng xià lái。 mò xī gē diàn zhù zài bàng biān dī shēng gōng wéi zhe tā。
“ dé liǎo，” āi lún shuō，“ mǎi xià tā bā。”
“ zhēn shì tǎo yàn， bù guò kàn lái wǒ shì nòng bù xià lái liǎo， wǒ xiǎng wǒ dé……” lù qiàn xiǎo jiě yòng yuǎn chāo guò nà lán bǎo shí jiè
zhǐ jià zhí de qián bǎ tā mǎi xià lái。 jìn guǎn rú cǐ， nà bǐ qián duì tā réng shì wú zú qīng zhòng de， zhè cì lǚ xíng， jīng jì fāng miàn de shì
yóu 'āi lún fù zé， yīn wéi zài zhè fāng miàn tā hěn“ zài xíng”。 yīn wéi jiè zhǐ kǎ zài lù qiàn xiǎo jiě shǒu zhǐ shàng， tā hái xiǎng hé diàn zhù kǎn
kǎn jià， dàn lù qiàn xiǎo jiě shuō：“ huí jiǔ diàn wǒ huì yòng féi zào hé rè shuǐ bǎ tā nòng xià lái de。” bù guò tā yī zhí yě méi néng bǎ jiè
zhǐ cóng shǒu zhǐ shàng gěi nòng xià lái。
zài tǎ xī kè chéng， lù qiàn xiǎo jiě de jīng lì hǎo xiàng tè bié chōng pèi。 wǎn shàng chī fàn qián wéi lā hé 'āi lún dōuzài fáng jiān lǐ xiū xī，
xiǎng bǎ jiǎo de suān tòng jiǎn qīng yī diǎn， ér tā jué dìng zài qù yī tàng guǎng chǎng shàng de shèng tǎ · pǔ lǐ sī kǎ jiào táng。 dì yī cì cān guān zhè gè
jiào táng， hé tā de nǚ bàn zài yī qǐ tā zǒng jué dé bù tài zì zài， tā xiǎng dú zì zài lěng qīng、 huī 'àn、 jiǎn lòu de jiào táng lǐ tǐ huì tā
dú tè de qì fēn。 nà zhǒng qì fēn yǔ lù qiàn jiā xiāng de jiào táng de qì fēn shì bù tóng de。
chuān guò xiàng mù mén， lù qiàn xiǎo jiě bù rù jiào táng dà tīng， xiū shì zhe huáng jīn yè huā duǒ hé tiān shǐ xiàng de shèng tán zài tā miàn qián yǐn yuē
shǎn xiàn。 yī gè nián lǎo de nóng fù， shēn zhe hēi yī， shǒu lǐ de là zhú zhào zài shèng nǚ xiàng shàng。 yī tiáo gǒu páo jìn jiào táng， sì chù kàn liǎo
kàn， yòu páo chū qù liǎo。 zhè xiē xiǎo xiǎo de chǎng jǐng gěi lù qiàn xiǎo jiě yī zhǒng qí yì de gǎn shòu。 tā men dài zhe tiān zhù jiào de hé yì guó de
qíng diào， sì hū zài zhào huàn zhe tā。 yī zhǒng tā zì jǐ yě shuō bù qīng de chōng dòng shǐ tā qū xī guì xià， mó fǎng zhe nà gè nián lǎo de nóng
fù， kāi shǐ qí dǎo。 tā de lán bǎo shí jiè zhǐ zài huī 'àn de zhú guāng zhōng shǎn dòng zhe hé zhè jiào táng yī yàng qí yì de guāng máng。
lù qiàn xiǎo jiě zhǐ guì xià yī xiǎo huì 'ér， dāng zhàn qǐ lái shí， tā gǎn dào yòu biān yòu yī gè rén。 tā zhuǎn guò tóu kàn jiàn yī gè mò xī
gē xiǎo huǒ zǐ。 tā chuānzhuó yī chén bù rǎn de bái yī， guì zài fán mǎ wài de dì fāng， nóng mì de hēi fā zài tā qián chéng de 'é tóu shàng fǎn shè
chū diǎn diǎn wēi guāng。 lù qiàn xiǎo jiě zhàn qǐ shēn shí， tā men de mù guāng zhèng hǎo xiāng yù。 nà zhǐ shì duǎn duǎn yī piē， dàn tā de liǎn gěi tā liú
xià liǎo yī gè xiān míng de yìn xiàng。 lù qiàn xiǎo jiě kàn dào tā hè sè de pí fū， qí tè de shuāng yǎn， hái yòu yī zhǒng shēn chén wēn hé de nài
xīn。 zǒng zhī， jiǎn duǎn de xiāng yù ràng tā gǎn dào yǐ jīng kàn dào liǎo yī xiē zhè gè mò shēng chéng shì de mò shēng de rén men de nèi xīn。 jiǎn duǎn de
xiāng yù shǐ lù qiàn xiǎo jiě jì zhù liǎo nà gè mò xī gē xiǎo huǒ zǐ。 dāng rán tā bù huì bǎ zhè gè gào sù wéi lā hé 'āi lún de。
lù qiàn xiǎo jiě lí kāi jiào táng、 xīn qíng yú kuài dì xiàng jiǔ diàn zǒu qù。 huáng hūn de yáng guāng yǐ yuè lái yuè 'àn， dāng tā chuān guò yōng jǐ de
jí shì dào tōng xiàng jiǔ diàn de jiē shàng shí， yǐ jīng shì wǎn shàng liǎo。 jiē shàng méi jǐ gè rén， tā de jiǎo bù shēng huí xiǎng zài shí bǎn lù shàng， tīng
shàng qù xiǎn dé fènwài gū dú， yī gè nán rén de yǐng zǐ yáo yáo huàng huàng dì xiàng tā zǒu lái。 zhè shí jiē shàng chú liǎo tā men méi yòu dì sān gè xíng
rén， dàn lù qiàn xiǎo jiě bìng bù hài pà， zhǐ shì tí xǐng zì jǐ qián miàn shì gè zuì guǐ， yào lí tā yuǎn diǎn。 nà gè hē zuì de rén yáo yáo huàng
huàng dì yuè zǒu yuè jìn， lù qiàn xiǎo jiě yòu diǎn xiǎng zhé huí hòu miàn de jí shì， dàn tā hěn kuài dǎ xiāo liǎo zhè gè niàn tóu， tā shì měi guó rén，
shì bù huì bèi shāng hài de。 tā jì xù xiàng qián zǒu zhe。
dàn kǒng jù réng rán hái zài。 dāng tā zǒu dào nà nán rén miàn qián， tā dīng zhe tā， xiàng tā huī shǒu， yào qián。 nà shì gè mǎn liǎn hú zǐ
de liú làng jǐn， mǎn zuǐ jiǔ qì， shuō zhe tā tīng bù dǒng de xī bān yá yǔ。 lù qiàn xiǎo jiě shì cóng tā de shǒu shì hé biǎo qíng cāi chū tā zài qǐ
tǎo。 dàn tā duì zhè xiē jiē tóu liú làng hàn méi yòu shénme tóng qíng xīn。 tā yáo yáo tóu， zhǔn bèi jì xù xiàng qián zǒu。
yī zhǐ 'āng zàng de shǒu lā zhù tā de yī xiù， nán dǒng de xī bān yá yǔ yòu xiǎng qǐ lái。 tā yòng jìn shuǎi kāi nà zhǐ shǒu。 nà gè nán rén
yǎn lǐ shǎn xiàn chū fèn nù de shén qíng， tā nǎo huǒ dì jǔ qǐ shǒu bì。
xiǎn rán nà gè liú làng hàn bìng bù xiǎng shāng hài tā， dàn lù qiàn xiǎo jiě běn néng dì xiàng hòu yī tuì， tā de xié gēn kǎ zài lù miàn shàng de shí
bǎn féng xì zhōng， tā shuāi dǎo liǎo。 tā tǎng zài nà 'ér， zhàn bù qǐ lái， tā de jiǎo huái niǔ shāng liǎo。
liú làng hàn zhàn zài tā bàng biān。 zhè shí lù qiàn xiǎo jiě gǎn dào liǎo zhēn zhèng de kǒng jù。 yī zhǒng bù yóu zì zhù、 hū rán fā shēng de kǒng jù
yā dǎo liǎo tā。
hū rán zài jiē biān de yīn yǐng zhōng， lìng yī gè nán rén de shēn yǐng chū xiàn liǎo， yī gè zhěng jié de chuān bái yī de nán rén。 lù qiàn xiǎo jiě
kàn bù dào tā de liǎn， dàn tā zhī dào shì jiào táng lǐ de nà gè xiǎo huǒ zǐ。 tā kàn dào tā bǎ nà gè liú làng hàn tuī kāi， rán hòu yào tā
zǒu。 liú làng hàn huí tóu kàn liǎo kàn， yáo yáo huàng huàng dì zǒu kāi liǎo。
lù qiàn xiǎo jiě gǎn dào yī gè rén de liǎn lí zì jǐ de liǎn hěn jìn， jiē zhe yī zhǐ yòu lì de shǒu tuō zhù tā de bèi， fú tā qǐ lái。
tā tīng bù dǒng xiǎo huǒ zǐ shuō de huà， dàn tā de yǔ diào hěn wēn hé， chōng mǎn guān xīn。
“ nǚ shì，” tā shuō， kàn liǎo kàn liú làng hàn lí kāi de fāng xiàng，“ tā yǐ jīng zǒu liǎo。” zhè gè mò xī gē nián qīng rén de yá
zài yuè guāng xià fǎn shè chū jié bái de guāng。 tā jiē zhe shuō：“ wǒ jiào mǎ ruì 'ōu， cóng jiào táng nà biān guò lái。 ràng wǒ sòng nǐ huí jiǔ diàn，
hǎo má？”
lù qiàn xiǎo jiě de jiǎo huái hěn tòng， mǎ ruì 'ōu yī zhí bǎ tā sòng dào jiǔ diàn， zài bǎ tā sòng huí fáng jiān。 tā de qíng xíng zài wéi lā hé
āi lún zhī jiān yǐn qǐ liǎo yī zhèn huāng luàn。 kàn dào mǎ ruì 'ōu réng rán guān qiē dì zhàn zài yī bàng， āi lún ná qǐ tā de tí dài， wèn：“ wǒ
men gāi gěi tā duō shǎo qián， lù qiàn？” dàn lù qiàn xiǎo jiě bù xiǎng zhè yàng zuò， tā shuō：“ bù， qián duì zhè gè nián qīng rén huì shì yī zhǒng
wǔ rǔ。”
mǎ ruì 'ōu sì hū tīng dǒng liǎo tā de huà， tā yě shuō liǎo jǐ jù， dàn lù qiàn xiǎo jiě què bù zěn me néng tīng dǒng。 zuì hòu mǎ ruì 'ōu ná
qǐ tā dài lán bǎo shí jiè zhǐ de shǒu， wěn liǎo wěn， jū gōng， rán hòu lí kāi liǎo fáng jiān。
nà jiù shì mǎ ruì 'ōu rú hé zǒu rù liǎo zhè sān wèi nǚ shì de shēng huó， ér qiě xiǎn rán tā bìng bù xiǎng hěn kuài lí kāi tā men。 dì 'èr tiān
zǎo shàng， tā lái dào jiǔ diàn， zhǎo dào liǎo lù qiàn xiǎo jiě。
zhè cì lù qiàn xiǎo jiě dì yī cì zhèng miàn kàn dào tā de liǎn。 tā bìng bù shì hěn yīng jùn， tā de jié máo hěn cháng， dàn yǎn jīng kào dé tài
jìn liǎo。 hòu hòu de zuǐ chún shàng cháng zhe bā zì hú， dàn hú xū xī shū， bù dà hǎo kàn。 zhǐ shì tā de shǒu zhǐ yòu lì 'ér xiū cháng。 zǒng de
lái shuō， zhè gè xiǎo huǒ zǐ gěi rén mǒu zhǒng rè qíng hé kě xìn de gǎn jué。
tā jiě shì zì jǐ shì gè dà xué shēng， xiǎng zài jiàqī zhèng diǎn qián， suǒ yǐ xī wàng néng zuò nǚ shì men de dǎo yóu。 yóu yú lù qiàn xiǎo jiě
de jiǎo niǔ shāng liǎo， tā jiàn yì tì tā men gù liàng chē， sī jī yě yóu tā jiān rèn。 ér tā suǒ yào de bào chóu què lìng rén chī jīng de shǎo， ér
qiě jiān chí bù xū yào fù gèng duō。
dì 'èr tiān tā zū dào yī liàng chē， piányí de zū jīn shǐ jí shǐ jīng dǎ xì suàn de 'āi lún xiǎo jiě yě shí fēn mǎn yì。 yú shì mǎ ruì 'ōu
kāi shǐ rè qíng 'ér rèn zhēn dì dài zhe tā men zài gè gè jǐng diǎn zhī jiān yóu wán。
yī zhe zhěng jié de mǎ ruì 'ōu de péi bàn lìng lù qiàn nǚ shì hěn gāo xīng， qí shí sān wèi nǚ shì dōuhěn gāo xīng。 tā wéi tā men dìng liǎo bù
shǎo yóu lǎn jìhuà。 yī tiān， tā dài tā men pān dēng bō bǔ kǎ bèi tè shān， hǎo jǐ gè xiǎo shí zhī zhōng， tā men zài shì jiè shàng zuì měi zuì shén
mì de shān fēng qián， jī dòng bù yǐ。 yòu shí dāng mǎ ruì 'ōu hé lù qiú xiǎo jiě dān dú zài yī qǐ de shí hòu， mǎ ruì 'ōu zǒng shì bǎ lù qiàn xiǎo
jiě de shǒu wò zài zhǎng zhōng， qīng qīng dì fǔ mō。
nà shì mǎ ruì 'ōu yòng tā de fāng shì， rào guò yǔ yán de zhàng 'ài gào sù tā， tā fēi cháng gāo xīng néng hé tā yī qǐ fēn xiǎng zhè cì měi miào
de mò xī gē zhī lǚ。 bèi tā yòu lì de shǒu wò zhù， lù qiàn xiǎo jiě shǒu zhǐ shàng de jiè zhǐ yòu shōu jǐn liǎo， dàn tā bìng méi yòu gǎn dào tòng，
tā suǒ gǎn shòu dào de shì lìng yī zhǒng yǔ téng tòng wán quán bù tóng de gǎn jué。
zài bō bǔ kǎ bèi tè shān zhī xíng hòu， lù qiàn xiǎo jiě jué dìng yīnggāi lí kāi tǎ xī kè chéng， qù mò xī gē chéng liǎo。
tā ràng 'āi lún qù gào sù mǎ ruì 'ōu tā de shǐ mìng jié shù liǎo， hái ràng 'āi lún dài qù liǎo 'é wài de jǐ bǎi bǐ suǒ de chóu láo。 āi lún
zhuǎn gào liǎo mǎ ruì 'ōu， dàn mǎ ruì 'ōu méi yòu jiē shòu nà bǐ qián， ér shì zhǎo dào liǎo lù qiàn xiǎo jiě。 tā gào sù tā， mò xī gē chéng lǐ yòu
bù shǎo rén bìng bù yǒu hǎo， tā shēn chū tā qiáng zhuàng de gēbo shuō tā xiǎng jì xù zhào gù tā men， ér qiě wéi tā men jiè shào mò xī gē chéng lǐ de
fēng guāng。 tā qiáng zhuàng de gēbo huī dòng zhe， sì hū zài yōng bào zhe tiān kōng、 tài yáng hái yòu mò xī gē de qún shān。 tā hēi sè de yǎn jīng hé
cháng cháng de jié máo， què yōng bào zhe lù qiàn xiǎo jiě。
lù qiàn xiǎo jiě gǎn dào sì hū yòu yī zhǒng běn néng zài cù shǐ zhe tā tóng yì liǎo mǎ ruì 'ōu de yào qiú。 mǎ ruì 'ōu hé tā men yī qǐ lái dào
liǎo mò xī gē chéng。 dào dá mò xī gē chéng dì 'èr gè xīng qī， tā men jué dìng qù yóu lǎn mò xī gē jīn zì tǎ。
xiàng wǎng cháng yī yàng， lù qiàn xiǎo jiě hé mǎ ruì 'ōu zuò zài qián pái。 tā shì gè chū sè de sī jī， lù qiàn xiǎo jiě xǐ huān kàn tā quán shén
guàn zhù kāi chē shí de cè yǐng， yě xǐ huān tīng tā bù shí dì nán nán zì yǔ， dàn bù dà xǐ huān tā yòng mù guāng zhù shì tā de liǎn， rán hòu xiàng
xià huá dào tā de xiōng qián。
tā de níng zhù ràng tā yòu xiē bù zì zài， tā yòng yīng yǔ duì tā shuō：“ mǎ ruì 'ōu， nǐ shì měi guó rù shuō de nà zhònghuā huā gōng
zǐ。 nǐ kěn dìng rèn shí hěn duō nǚ hái。”
kāi shǐ tā sì hū méi tīng dǒng。 chén mò piàn kè， tā shuō：“ nǚ hái， huā huā gōng zǐ， nǐ shì shuō wǒ má？ bù。” tā bǎ shǒu
shēn jìn yī dài， ná chū yī zhāng zhào piàn，“ nǚ shì， zhè jiù shì wǒ de nǚ hái……” lù qiàn xiǎo jiě ná guò zhào piàn， fā xiàn shì yī gè
bǐ tā hái lǎo de fù rén。 tā tóu fā huā bái， yǎn jīng dà 'ér yōu shāng， suì yuè hé jí bìng zài tā de liǎn shàng liú xià tiáo tiáo xì wén。“ shì
nǐ mā mā！” lù qiàn xiǎo jiě shuō：“ gěi wǒ jiǎng jiǎng tā de shì， hǎo má？”
mǎ ruì 'ōu jìn liàng yòng tā néng tīng dǒng de cí huì gào sù tā tā mā mā de gù shì。 tā mā mā fēi cháng qióng， yī bèi zǐ zhù zài yī gè jiào
gǔ dé luó sī de xiǎo cūn zǐ lǐ， jiān nán dì fǔ yǎng zhe yī qún méi yòu fù qīn de hái zǐ， rú tóng rén jiān de shèng nǚ。 lù qiàn xiǎo jiě cóng tā
de huà lǐ tīng chū tā duì tā mǔ qīn jīhū shì yī zhǒng chóng bài de 'ài。
tīng dào mǎ ruì 'ōu de huà， lù qiàn xiǎo jiě jué dìng zài tā de lǚ xíng jié shù qián， tā yào xiàng mǎ ruì 'ōu wèn dào tā mǔ qīn de dì zhǐ，
rán hòu jì yī bǐ qián gěi tā， ràng tā néng bāng zhù mǎ ruì 'ōu shàng wán dà xué。 yě xǔ tā de 'ér zǐ huì yīn wéi guòfèn de zì zūn 'ér nán yǐ shuō
fú， dàn zuò wéi mǔ qīn， tā huì jiē shòu de。
“ nà shì jīn zì tǎ má？” āi lún de shēng yīn dǎ duàn liǎo lù qiàn xiǎo jiě de sī suǒ。“ ǹg， tā men bǐ bù shàng 'āi jí de jīn zì
tǎ。” āi lún jì xù shuō。
dàn lù qiàn xiǎo jiě bèi nà liǎng zuò tài yáng jīn zì tǎ hé yuè liàng jīn zì tǎ dǎ dòng liǎo。 tā níng shì zhe yōu 'àn、 gǔ lǎo de jīn zì tǎ，
xīn zhōng gǎn dào yī zhǒng qí tè de xīng fèn gǎn jué。 zhè zhǒng gǎn jué zài tǎ xī kè chéng de jiào táng lǐ tā yě tóng yàng pèng dào guò。“ zhè xiē shí jiē
wǒ shì pá bù shàng qù liǎo，“ āi lún xiè qì dì shuō：“ wǒ tài lǎo liǎo， tiān qì yě tài rè。”
wéi lā jìn guǎn méi jué dé rè， dàn tā yě lǎo liǎo。 tā zhàn zài jīn zì tǎ dǐ， yī fú pī zài jiān shàng， shǒu lǐ ná zhe cóng bù lí shǒu
de xiāng yān， shuō：“ nǐ qù bā， lù qiàn， nǐ hái nián qīng， ér qiě yě hàodòng。”
yú shì lù qiàn hé mǎ ruì 'ōu kāi shǐ xiàng shàng pá。
zài mǎ ruì 'ōu de bāng zhù xià， tā pá dào liǎo tài yáng jīn zì tǎ de dǐng shàng。 suī rán dǒu qiào de shí jiē lìng tā lěi dé chuǎn bù guò qì
lái， dàn dēng shàng tǎ dǐng de gǎn jué zhēn shì hǎo jí liǎo。
tǎ dǐng zhǐ yòu tā men liǎng gè rén， tā men zuò zài yī qǐ。 yī gè shì fèi chéng lái de fù yòu de xiǎo jiě， yī gè shì piān pì xiǎo cūn lǐ
zǒu chū de xiǎo huǒ zǐ， jǐn 'āi zhe zuò zài yī qǐ。 tā men kàn zhe jù dà de píng yuán， gǔ lǎo de cūn luò hé tā men de miào zì sǎnluò qí
jiān， xiàng xià wàng qù kě yǐ kàn dào cóng miào zì tōng xiàng yuè liàng jīn zì tǎ de bèi chēng wéi sǐ wáng zhī tú de lù。 mǎ ruì 'ōu kāi shǐ gěi tā jiǎng jì
bǎ yí shì de gù shì。 zài guò qù， zhè zhǒng yí shì měi nián dōuyòu yī cì。
lù qiàn xiǎo jiě bàn bì zhe yǎn jīng， yī biān tīng zhe tā de huà yī biān xiǎng xiàng zhe dāng shí de qíng xíng： rén qún yǒng xiàng tā men jiǎo xià de píng
yuán； wū shī zhàn zài zhǐ dìng de mǒu jí shí jiē shàng； tǎ dǐng shì yī wèi yī fú yī chén bù rǎn de qīng nián， nà dāng rán jiù shì mǎ ruì 'ōu。
mǎ ruì 'ōu shì cūn mín men fèng xiàn de jì pǐn， tā jiāng bèi fèng xiàn gěi shén líng。 tā gǎn dào duì tā de lián mǐn， tā shēn chū liǎo tā de shǒu
héng héng nà zhī dài zhe wú fǎ zhāi xià de jiè zhǐ de zuǒ shǒu， tā de shǒu zhǎo dào liǎo tā de， bèi tā wēn nuǎn yòu lì de shǒu zhǐ qīng qīng dì wò
zhuàn… lù qiàn xiǎo jiě jīhū bù zhī dào mǎ ruì 'ōu shí me shí hòu bào zhù liǎo tā， tā de tóu chuí dào tā de xiōng qián。 zhí dào tā wén dào tā pí
fū de tián xiāng wèi hé tóu fā jiān xiāng bō de qì wèi， tā cái měng rán qīng xǐng guò lái。 tā měng dì tiào qǐ lái， sì hū cóng jǐ gè shì jì de shí
guāng zhōng huí dào yǎn qián， xiǎng qǐ hái yòu liǎng gè nǚ bàn zài tǎ xià děng zhe， xiǎng qǐ hái yòu xǔ duō de shí jiē yào xià。
zài fǎn huí mò xī gē chéng de lù shàng， lù qiàn xiǎo jiě jué dìng zì jǐ hé wéi lā zuò zài hòu miàn de zuò wèi shàng， bǎ 'āi lún huàn dào qián miàn
hé mǎ ruì 'ōu zuò zài yī qǐ。
huí dào jiǔ diàn shí， lù qiàn xiǎo jiě shuō：“ míng tiān shì xīng qī tiān， mǎ ruì 'ōu， nǐ zuì hǎo xiū xī yī xià， bù yòng lái péi wǒ men
liǎo。”
tā kāi shǐ fǎn duì zhè gè jiàn yì。 dāng lù qiàn chóngfù dào：“ bù， míng tiān bù xíng， mǎ ruì 'ōu。“ tā liǎn shàng de biǎo qíng jiù xiàng
yī gè shī wàng de hái zǐ。 dàn hěn kuài tā de biǎo qíng biàn liǎo， tā de yǎn jīng tiǎo zhàn bān dì zhí shì tā de shuāng yǎn。
huí dào fáng jiān， lù qiàn xiǎo jiě gǎn dào xīn měng liè dì tiào gè bù tíng。 nà yǎn shén suǒ dài biǎo de dōng xī shì tā yǐ wǎng cóng bù gǎn wàng xiǎng
de dōng xī。 tā míng bái， nà shì yī zhǒng kě wàng de yǎn shén。
yóu yú mǒu zhǒng yuán yīn， tā bù néng lǐ jiě， ér tā de xīn zhōng yě cóng wèi mèng xiǎng guò， mǎ ruì 'ōu zài zhuī qiú tā。
tā zài rè liè dì zhuī qiú tā。 wǎn shàng zài shàng chuáng zhī qián， lù qiàn xiǎo jiě zuò liǎo jǐ jiàn yǐ qián tā cóng wèi zuò guò de shì。
tā chuānzhuó shuì yī cháng shí jiān dì zhàn zài wò shì lǐ de cháng jìng qián， zhēn qiē dì gǎn dào， zì jǐ shì yī gè nǚ rén。
tā méi yòu kàn dào zì jǐ yòu shénme xīn de jīng rén de dōng xī。 dàn zhè zhǐ shì tā de wài biǎo méi yòu jiāng tā nèi xīn jiāng yào fā shēng de hé
yǐ jīng fā shēng de jīng rén de biàn huà biǎo xiàn chū lái 'ér yǐ。
tā bìng bù měi lì， jí shǐ nián qīng de shí hòu yě bù céng měi lì guò， ér xiàn zài yǐ rén dào zhōng nián liǎo。 tā de tóu fā kuài bái liǎo，
sōng sàn de dā zài 'é qián。 tā de yǎn jīng réng rán qīng chè， ér qiě zhèng chōng mǎn liǎo huān lè， dàn zài tā men zhōu wéi què shì suì yuè liú gěi tā de
yīn yǐng yǔ zhòu wén。
zài shuì yī xià miàn， tā de xiōng yǐ rán tǐng shí， dàn shēn cái què yǐ jīng bù xíng liǎo。 shì shí shàng， wú lùn tā de miàn kǒng hái shì shēn
cái， dōuméi yòu shénme dì fāng néng gòu xī yǐn rén liǎo。 ér tā què bèi rén zhuī qiú。 tā zhī dào， yī gè mò xī gē de yīng jùn nián qīng rén gǎn
dào liǎo tā shēn shàng mǒu zhǒng xī yǐn rén de dōng xī。
lù qiàn xiǎo jiě duì hěn duō shì bìng fēi yī wú suǒ zhī， tā zhī dào bù shàonián qīng rén zhuī qiú nián lǎo de nǚ rén 'ér shì shí shàng xī wàng zuì hòu
jì chéng tā men de cái chǎn。 dàn mǎ ruì 'ōu chú liǎo jù jué rèn hé 'é wài de bào chóu yǐ wài， shèn zhì bù zhī dào lù qiàn xiǎo jiě shì tā men sān rén
zhōng zuì fù yòu de yī gè。 zhǐ yòu fèi chéng de yī gè lǜ shī hé tā jiā zú de yī xiē rén zhī dào tā zhēn zhèng yōng yòu duō shǎo cái chǎn。 bù， rú
guǒ mǎ ruì 'ōu shì wéi liǎo qián， tā jiù gāi bǎ yǎn guāng fàng dào 'āi lún shēn shàng。 āi lún zhǎng wò zhe tā men de qián dài， ér qiě zài rèn hé shí hòu
dōubù ràng rèn hé rén zhī dào tā shǒu lǐ de qián shí jì shàng shǔ yú lù qiàn。
miàn mào pǔ tōng、 yī zhe dān diào de lù qiàn xiǎo jiě shēn shàng méi yòu rèn hé dì fāng xiǎn shì chū fù yòu。 tā mǔ qīn de dìng hūn jiè zhǐ shàng yòu
yī kē zhí qián de zuàn shí， dàn yě zhǐ yòu zhuān yè de zhū bǎo shāng rén cái néng kàn chū lái。 ér nà gè lán bǎo shí jiè zhǐ yě bù zhí dé rèn hé rén
wéi tā huā fèi jīng lì yǔ shí jiān。 rú guǒ tā néng bǎ tā cóng shǒu zhǐ shàng nòng xià lái， zuò wéi gǎn xiè， tā huì hěn gāo xīng bǎ zhè jiè zhǐ sòng gěi
tā。
bù， mò xī gē chéng lǐ yòu shàng qiān de nǚ rén bǐ tā xiǎn dé gèng fù yòu， hái yòu gèng duō de nǚ rén nián qīng měi lì， zhí dé mǎ ruì 'ōu
wéi zhī qīng dǎo， hái yòu…… měng rán jiān， lù qiàn xiǎo jiě wéi zhè shì de bù hé luó ji gǎn dào yī sī kǒng jù。
yě xǔ shì wèi hūn nǚ xìng de běn néng chù dòng liǎo tā de shén jīng， shǐ tā jǐng tì dào yī zhǒng mò míng de wēi xiǎn。
lù qiàn xiǎo jiě jué xīn tā bì xū liǎo jié zhè jiàn shì， tā jìng jìng dì tǎng zài chuáng shàng， zuò chū liǎo lù qiàn xiǎo jiě hé wéi lā zài cháng tú chē
zhàn děng hòu。 tā mendōu jǐn jǐn yōng zhe zì jǐ de wài yī， sì hū hěn lěng。 wéi lā què shí yòu diǎn zháoliáng， tā yě zǒng shì rú cǐ。 ér jīn
tiān suī rán yòu chūn rì de yáng guāng zài zhào yào， lù qiàn xiǎo jiě què yě gǎn jué dào liǎo zhèn zhèn de lěng yì。 tā de shuāng yǎn， hái yòu bí zǐ dōushì
hóng hóng de。
tā men děng de shì 'āi lún， tā luò zài hòu miàn shì wéi liǎo bǎ chóu láo fù gěi mǎ ruì 'ōu， ér qù pà cí kǎo luó de qì chē 20 fēn zhōng
hòu qǐ chéng。 āi lún lái liǎo， tā de bí zǐ yě shì hóng hóng de。
“ nǐ bù néng nà yàng gān， lù qiàn，” tā bào yuàn shuō，“ nà yàng tài hěn xīn liǎo。” tā bǎ liǎng zhāng yī bǎi bǐ suǒ de chāo piào jiāo
dào lù qiàn shǒu lǐ。“ wǒ jué dé bǎ zhè gè gěi tā shí tā jiù xiàng yào dǎ rén。 tā jiě shì shuō，“ ér qiě tā dú dào nǐ de xìn shí jiù xiàng
hái zǐ nà yàng dì kū qǐ lái。”
lù qiàn xiǎo jiě tīng liǎo mò bù zuò shēng。 zài qù pà cí kǎo luó de zhěng gè lù shàng tā dū jīhū yī yán bù fā。
níng jìng de pà cí kǎo luó hú bàng de yī jiā lǚ diàn de zǒu láng shàng， sān wèi nǚ shì wéi zuò zhuō bàng kāi shǐ chī wǎn fàn。 cóng bù yuàn 'ān jìng
de 'āi lún zài tǎo lùn zhe dì 'èr tiān de jìhuà。 lù qiàn xiǎo jiě què xiǎn rán xīn bù zài yān。 tā de mù guāng zhuànxiàng mò lǜ sè de hú miàn， yán
jiū zhe hú shàng yī chuàn chuàn de xiǎo dǎo hái yòu zài hú miàn lüè guò de tū yīng， tā men fā chū cū cāo de jiào shēng， tān lán de xún zhǎo zhe dòng wù de
shī tǐ。 guò liǎo yī huì， tā zhàn qǐ lái shuō：“ yòu yī diǎn lěng liǎo， wǒ yào huí fáng jiān qù liǎo， wǎn 'ān。” lù qiàn xiǎo jiě de fáng jiān
yòu gè xiǎo yáng tái， kě yǐ cóng lìng yī gè jiǎo dù kàn dào hú miàn。
yáng tái xià miàn jiù shì chén rén hēi 'àn de hú miàn， wǎn guī de yú fū men yòng mó hú de shēng yīn jiāo liú zhe yī tiān de shōu huò， ǒu 'ěr jiù
chàng shàng yī duàn dāng dì de mín gē。
lù qiàn xiǎo jiě jìng jìng dì zuò zhe， kàn zhe tā men， xīn zhōng xiǎng zhe mǎ ruì 'ōu。 zì dǎ lí kāi mò xī gē chéng， tā jiù zài xiǎng niàn mǎ
ruì 'ōu， xiàn zài tā wéi zì jǐ lǔ mǎng de gǎn zǒu mǎ ruì 'ōu 'ér hòu huǐ bù yǐ。 tā yīnggāi zì jǐ hé tā shuō。 tā nán guò dì cāi cè tā huì
zěn yàng cāi yí…… zhè xiē xiǎng fǎ shēn shēn dì cì tòng zhe tā， tā shāng hài liǎo tā…… tā de hú sī luàn xiǎng bèi dǎ duàn liǎo， yīn wéi tā zài
xià miàn de yú fū zhōng kàn dào liǎo yī gè xuě bái xiū cháng de shēn yǐng。 lù qiàn mù bù zhuǎn jīng dì dīng zhe tā， xīn kāi shǐ kuáng tiào qǐ lái。 tā fú
zhe lán gān， jí lì xiàng qián tàn， xiàng hēi 'àn zhōng wàng qù。 díquè， lù qiàn kàn dào yī gè shú xī de yǐng zǐ zài nà lǐ mǐn jié、 yōu yǎ dì
shǎn dòng zhe。
dàn nà bù huì shì mǎ ruì 'ōu， tā bèi liú zài shù bǎi yīng lǐ wài de mò xī gē chéng liǎo， ér qiě lù qiú hái tè yì fēn fù 'āi lún bù yào
gào sù tā tā men de qù xiàng。
chuān bái yī de rén yǐng cóng yuǎn chù xiàng tā chuāng hù suǒ zài de hú 'àn piāo lái。 cóng hú 'àn shàng shè chū de yī piàn dēng guāng zhào zài tā de shēn
shàng， shǐ rén néng gòu kàn qīng chǔ。 nà shì mǎ ruì 'ōu。
tā tàn xià shēn qù， xīn jiù xiàng yī zhǐ bù zhī suǒ cuò de niǎo 'ér tiào gè bù tíng。 tā jiù zài tā xià miàn， tā men zhī jiān zhǐ yòu shí wǔ
yīng chǐ。
“ lù qiàn xiǎo jiě， wǒ zhōng yú zhǎo dào nǐ liǎo，” tā yòng xī bān yá yǔ shuō：“ wǒ zhī dào， wǒ huì zhǎo dào nǐ de。”
“ dàn， mǎ ruì 'ōu， nǐ shì zěn me……？”“ cháng tú qì chē gōng sī gào sù wǒ nǐ men dào zhè lǐ lái liǎo， wǒ yě mǎi liǎo yī
zhāng piào， jiù lái liǎo。”
tā kàn jiàn tā gāo xīng dì xiào zhe， xuě bái de yá hū yǐn hū xiàn。“ lù qiàn xiǎo jiě， wèishénme nǐ yī shēng bù xiǎng dì jiù lí kāi liǎo
ní？ shèn zhì méi yòu shuō yī shēng zài jiàn。” tā méi yòu huí dá。
“ dàn wǒ xiàn zài lái liǎo， wǒ réng rán wéi nǐ xiào láo。 míng tiān nǐ hé wǒ dào hú shàng qù， hǎo má？ zài qí tā liǎng gè nǚ shì xǐng lái
zhī qián， jiù nǐ hé wǒ。 hú shàng yòu yuè liàng， wǒ men hái néng kàn jiàn rì chū。”“ hǎo bā……”
“ míng zǎo wǔ diǎn wǒ lái jiē nǐ， wǒ huì nòng tiáo chuán。 niǎo 'ér men hái méi xǐng， wǒ jiù huì zài zhè lǐ děng nǐ liǎo。”
“ hǎo bā……”“ wǎn 'ān， wǒ de xiǎo jiě。”
lù qiàn xiǎo jiě huí dào fáng jiān， dāng tā huàn shàng yī fú tǎng dào chuáng shàng， tā gǎn dào zì jǐ de shǒu zài chàn dǒu。
zhí dào líng chén， tā hái méi yòu píng jìng xià lái， zhí dào chuāng hù xià chuán lái dī dī de kǒu shào gào sù tā mǎ ruì 'ōu yǐ jīng dào liǎo， tā
gǎn dào zì jǐ réng zài chàn dǒu。
tā fēi kuài dì chuān shàng yī fú， lǐ lǐ tóu fā， pī shàng jiàn yī fú， páo xià lóu qù。 lǚ diàn lǐ hěn 'ān jìng， méi rén kàn jiàn tā chuān
guò zǒu láng， yě méi rén kàn jiàn tā shùn zhe xié pō lái zhì“ mǎ ruì 'ōu de chuán bàng。
tā tái qǐ tā de shǒu， bǎ tā fàng dào chún biān， rán hòu qīng qīng dì bǎ tā fú shàng chuán。
tā méi yòu yī diǎn fǎn duì， jiù xiàng shén fù jiāng tā yǐn xiàng měi gè réndōu yào jīng lì de nà gè shén shèng zhī dì。
mǎ ruì 'ōu shuō dé duì， tiān shàng guà zhe yuè liàng， shì níng méng sè de mǎn yuè。 bù tòu guāng de hú miàn shàng fǎn shè chū yī lǚ lǚ de yuè guāng。
lù qiú xiǎo jiě zuò zài chuán lǐ， suī rán hěn liáng， què sì hū wán quán méi yòu zhù yì dào。 tā zhù shì zhe mǎ ruì 'ōu， tā zhàn zài chuán
wěi， huá zhe chuán xiàng hú lǐ shēn chù huá qù。 tā bǎ kù zǐ wǎn qǐ lái， yī zhí zhì“ xī gài yǐ shàng。 yuè guāng xià tā de tuǐ qiáng zhuàng， cū
yě。 tā hái chàng zhe gē。
lù qiàn xiǎo jiě yǐ qián wèi céng xiǎng dào tā de sǎng yīn rú cǐ yōu měi。 gē shēng tīng shàng qù hěn tián， hái dài zhe yī zhǒng shuō bù chū de yōu
shāng。 mǎ ruì 'ōu zhù shì zhe tā， mù guāng cóng tā de liǎn xiàng xià yí dòng， yī zhí dào tā fàng zài xī shàng de shuāng shǒu。 shǒu zhǐ shàng nà méi piányí
de lán bǎo shí jiè zhǐ zài yè sè zhōng yōu yōu dì fǎn shè zhe yuè guāng。
xiǎo chuán xiàng duō dǎo yǔ de hú xīn shēn chù huá qù， lù qiàn xiǎo jiě yǐ jīng wàng jì liǎo qí tā de yī qiē， bāo kuò tā shēn chù hé shí， hé
dì。 shǎn shuò de xīng chén hé yuán rùn de yuè liàng tā dōuyǐ shì 'ér bù jiàn。 tā suǒ gǎn shòu dào de zhǐ yòu yī zhǒng shēn chén de níng jìng， sì hū zhè
zhǒng jīhū nán yǐ jué chá de gǎn jué yào chí xù dào shí jiān de jìn tóu。
tā tīng dào liǎo mǎ ruì 'ōu de shēng yīn：“ tīng， shì niǎo 'ér men zài jiào。”
tā tīng dào liǎo zhè yī qún qún dǎo yǔ zhōng de wū míng， dàn mù guāng suǒ jí de dì fāng què zhǐ néng kàn dào zài tiān kōng zhōng wú shēng xī pán xuán de
tū yīng。
mǎ ruì 'ōu tíng xià lái， ná chū tā men de zǎo fàn。 yòu niú ròu， miàn bāo， huáng yóu， hái yòu nǎi lào， tā hái dài liǎo yī píng hóng jiǔ。
tā yòng yī bǎ dà zhé dié dāobà huáng yóu mǒ zài miàn bāo shàng， dì gěi lù qiàn xiǎo jiě。 tā zhè shí cái gǎn dào zhēn de shì hěn 'è。 tā chī
miàn bāo， hē zhe hóng jiǔ。 jiǔ jīng jìn rù dào tā de xuè yè zhōng， lìng tā gǎn dào zhèn zhèn rú shàonǚ bān de kuài lè。 wú lùn mǎ ruì 'ōu shuō shí
me tā dū huì fā xiào， mǎ ruì 'ōu yě zài xiào， tā de mù guāng yě tíng liú zài tā de shēn shàng。
tā men chī zhe zǎo fàn， jiù xiàng mì yuè zhōng de fū fù。 tài yáng jiàn jiàn qǔ dài liǎo yuè liàng de wèi zhì， bǎ jīn hóng sè de guāng máng sǎ xiàng
hú miàn。 zài jǐ yīng lǐ zhī nèi， tā suǒ néng kàn dào de zhǐ yòu tū yīng， hái yòu jiù shì yuǎn chù piāo lái de zhèn zhèn gē shēng。
zuì hòu yī piàn miàn bāo chī wán liǎo， jiǔ yě hē wán liǎo， mǎ ruì 'ōu yòu ná qǐ jiǎng， xiàng hú xīn gēngshēn chù huá qù。 tā bù tíng dì
huá， zài bù shuō yī jù huà。
dāng tā yī kàn dào nà gè dǎo， lù qiàn xiǎo jiě jiù zhī dào tā shì mǎ ruì 'ōu suǒ xuǎn de nà yī gè， tā kàn shàng qù rén jì hǎn zhì， yě
yuǎn lí qí tā dǎo yǔ， àn biān cǎozhǎng dé hěn gāo， hěn mì， jiù xiàng dǎo de liú sū。
tā bǎ chuán kào shàng qù， cǎo lì kè jiāng tā men bāo wéi qǐ lái， jiù xiàng jìn rù liǎo lìng yī gè xiǎo dé duō de shì jiè， tā men zì jǐ de
shì jiè。 tā wò zhù tā de shǒu， qīng qīng tā shuō liǎo liǎng gè zì：“ lái bā。”
tā gēn zhe tā rú tóng yī gè tīng huà de hái zǐ。 tā zhǎo dào yī kuài gān de dì fāng， tā wéi tā pū shàng yī jiàn yī fú， ràng tā zuò
xià。 rán hòu tā jǐn 'āi zhe tā yě zuò xià lái， jiāng tā lǒu zài huái zhōng。 tā néng kàn dào tā de liǎn， lí tā hěn jìn， hái kàn jiàn tā hēi sè
de yǎn jīng， sì hū gèng jìn， hái néng gǎn dào tā wēn nuǎn de， dài zhe jiǔ wèi de hū xī。
tā bì shàng yǎn， zhī dào zì cóng yù dào mǎ ruì 'ōu nà tiān qǐ jiù zhù dìng huì yòu de yī kè jiù yào dào lái。 cóng jiào táng xiāng yù de nà yī
tiān qǐ， jīhū měi yī jiàn shìdōu zài 'àn shì zhe zhè yī kè zhōng huì dào lái。 tā néng gǎn dào tā de shǒu qīng qīng fǔ mō zhe tā de tóu fā， tā
de liǎn， hái gǎn dào tā de shǒu wò zhe tā de shǒu， wò dào liǎo nà méi lán bǎo shí jiè zhǐ。
tā gǎn dào tā fǔ nòng zhe nà méi jiè zhǐ， tā de shǒu zhǐ dū liú lù chū nà zhǒng qīng mù。 zhěng gè guò chéng kàn shàng qù hěn fù zá， què yě
bìng bù duō me qí tè。
tā de shǒu kāi shǐ xiàng shàng yí dòng， tā de shǒu zhǐ yí dào tā de hóu lóng， qīng qīng dì tíng xià lái， tā méi yòu jiào， gèng méi yòu gǎn dào
kǒng jù。
tā de shuāng shǒu kāi shǐ yòng lì dì shōu jǐn， tā de zuǐ chún xiàng tā de zuǐ chún yā xià qù， tā men shēn shēn dì wěn zhe， dì yī cì yě shì
wéi yī de yī cì wěn zhe。
mǎ ruì 'ōu rēng kāi zhān xuè de zhé dāo。 tā tǎo yàn kàn dào xuè， wèile ná dào nà gè jiè zhǐ tā yào kǎn xià yī gēn shǒu zhǐ gèng ràng tā jué
dé 'ěxīn。
zhì yú tā shǒu shàng nà méi tā mǔ qīn de dìng hūn jiè zhǐ tā kàn yě méi kàn。 nà méi pǔ tōng， piányí de lán bǎo shí jiè zhǐ jǐ gè xīng qī
yǐ lái shǐ tā duì qí tā rèn hé shì wù dū shú shì wú dǔ liǎo。
tā bǎ yī fú gài zài lù qiàn xiǎo jiě de shī tǐ shàng。 běn lái tā xiǎng bǎ tā fàng dào yòu cǎo de shuǐ miàn xià， dàn yòu jué dé huì piāo fú chū
qù， ràng yú fū fā xiàn。
zhè gè dǎo jǐ nián yě bù huì yòu rén lái， ér zhēn de yòu rén lái de shí hòu héng héng tā tái tóu kàn liǎo kàn sì hū yǒng yuǎn dōuzài pán xuán de
tū yīng。
zài méi yòu huí tóu kàn yī yǎn， mǎ ruì 'ōu xiàng xiǎo chuán zǒu qù， huá xiàng lù dì。 dào 'àn biān zhī hòu， tā bǎ xiǎo chuán fān guò lái， ràng
tā shùn shuǐ piāo zǒu。 zhè yàng， tā jiù huì yī zhí piāo dào hú de zhōng xīn dì dài。
yī gè měi guó fù nǚ hé yī gè jīng yàn bù zú de chuán fū jià chuán jìn rù hú zhōng。 tā men tú zhōng luò shuǐ， dōubèi yān sǐ liǎo。 jǐng chá
men bù huì zài zhè gè jù dà de hú zhōng sōu xún tā men de shī tǐ de。
mǎ ruì 'ōu dā shàng yī liàng fǎn huí fāng xiàng de yùn huò chē。 míng tiān， rú guǒ néng dā shàng lìng yī liàng chē， tā yě xǔ jiù huì zài gǔ dé luó
sī cūn liǎo。 tā xiǎng tā de mǔ qīn kěn dìng huì xǐ huān nà jiè zhǐ de。
“ ān nà！ shénme fēng bǎ nǐ chuī lái de？” tā lā wǒ jìn wū zǐ， tuō liǎo bǎ pí yǐ fàng dào tā zhuō biān。“ míng wǎn nǐ yī dìng
yào lái fù yàn， wǒ qī zǐ zuó tiān dǎ diàn huà gěi nǐ shí， nǐ shēng yīn hǎo guài。”
“ chú fēi nǐ bǎ wǒ dài bǔ， fǒu zé wǒ yī dìng dào。” wǒ shuō，“ lǐ 'ēn， wǒ zhè cì lái kě bù shì shè jiāo xìng de bài fǎng。”
pí yǐ róu ruǎn 'ér shū shì， dàn wǒ wú fǎ qīng sōng。 wǒ bù dào sān shí wǔ suì， shuāng tuǐ xiū cháng bái xī， hēi pí yǐ chèn tuō chū wǒ měi
lì de tóu fā hé jīn huáng sè de yáng pí wài yī。 rán 'ér wǒ hé nán rén zài yī qǐ hěn shǎo jué dé zì rán。 shèn zhì hé lǐ 'ēn， wǒ de lǎo péng
yǒu， zài yī qǐ wǒ réng gǎn dào zhōu shēn fā yìng。
lǐ 'ēn zài zhuō zǐ hòu miàn zuò xià lái， wēi xiào shuō，“ bié gào sù wǒ nǐ chuǎng liǎo hóng dēng。 wǒ zài měi qī jǐng yuán xùn liàn bān shàng kè
shí， biāo zhǔn de xùn cí yòu yī duàn jiù shì：“ bù lùn jiē jí， bǐng gōng chǔlǐ， méi yòu quán， dàn 'ān nà · kǎi 'ēn chú wài。”
“ nà shì jiāng lái de shì，” wǒ wēi xiào shuō，“ rú guǒ wǒ jì dé bù cuò， lì shǐ shàng wéi yī lán zhù xiān fù de chē， hái fá kuǎn
de jǐng yuán jiù shì nǐ。”
tā gē gē yī xiào，“ dāng shí fǎ guān zǒng shuō wǒ nà yàng zuò shì wéi liǎo chū míng。”
“ nán dào bù shì má？” wǒ qǔ xiào tā， yīn wéi nà gè chāqǔ shǐ lǐ 'ēn huò dé liǎo chéng shí jìn zé de zhí fǎ zhě de měi míng。 wǒ
fù qīn yī shēng cóng wèi lì yòng tā de dì wèi hé wēi wàng wéi zì jǐ gǎo tè quán。 zhí dào wǎn nián tā duì yī xiē jìn zhǐ tíng chē qū biàn dé yòu diǎn 'ào
màn， ér chū chū máo lú de lǐ 'ēn gěi tā kāi chū liǎo fá dān。 zhè yī qiēdōu suí shí guāng yuǎn qù， xiàn zài de lǐ 'ēn shì běn chéng de dì fāng jiǎn
chá guān， zhèng zài bàn lǐ 'ào dīng de mìng 'àn。
ào dīng shì wéi yī zài jiā xiāng bái shǒu qǐ jiā de bǎi wàn fù wēng， shì zhēn zhèng cóng yī qióng 'èr bái 'ér chéng fù wēng de。 xiàn zài tā sǐ liǎo，
shì bèi tā jiā de tóng bō huǒ gùn dǎ sǐ de。
xīng qī sān wǎn shàng shì běn chéng chuán tǒng de chú zǐ xiūjià rì， ào dīng tài tài qiē lán yě fàng liǎo jiǎ， yīn wéi tā mǔ qīn zhǔn bèi wéi nǚ 'ér
nǚ xù kāi gè wǎn huì qìng hè tā men de jié hūn shí wǔ zhōu nián。 qiē lán qī diǎn jiù bèi jiē dào tā mǔ qīn nà 'ér qù kàn kàn hái yòu shénme yào zhǔn
bèi de， yīn wéi tā mǔ qīn bàn shēn bùsuí。 ào dīng zé yī rén zài jiā chuān yī dǎ bàn， tóng shí chǔlǐ yī xiē wén jiàn。
wǎn huì 'ān pái zài jiǔ diǎn kāi shǐ。 bā diǎn bàn shí 'ào dīng jiā méi rén jiē diàn huà， tā tài tài bù jiàn 'ào dīng dào chǎng， jiù pài sī jī huí
qù kàn kàn。 sī jī fā xiàn mén kāi zhe， ào dīng pā zài zhuō shàng， tóu bù shāng dé hěn zhòng。
dì 'èr tiān yī míng yí fàn bèi bǔ， dàn wǒ hái shì huā liǎo liǎng tiān shí jiān cái gǔ zú yǒng qì lái miàn duì lǐ 'ēn。 gāng jìn tā bàn gōng shì shí
wǒ jiù xiǎng zhuǎn shēn lí kāi， dàn wǒ tiān xìng zhōng de zhèng zhí qū shǐ zhe wǒ， shǐ wǒ wèn tā：“ lǐ 'ēn， nǐ néng kěn dìng nǐ men zhuā dào de nà
rén jiù shì shā sǐ 'ào dīng de xiōng shǒu？”
yǒu yì， mí huò， hái yòu guān yuán de jǐn shèn kāi shǐ zài tā liǎn shàng jiāo tì chū xiàn。
“ lǐ 'ēn， qǐng huí dá wǒ， wǒ bù jǐn jǐn shì hàoqí dì wèn wèn， huò zhě 'ào dīng shì wǒ men de péng yǒu。 nà gè shǐ jié fū yǐ jīng
bèi tí shěn， dàn wǒ cóng bào shàng hé tīng bié rén shuō， méi yòu zhēn zhèng de zhèng jù zhèng míng shì tā gān de。”
lǐ 'ēn tù chū yī kǒu qì， guān yuán tè yòu de jǐn shèn kāi shǐ xiāo shī。“ hǎo de， ān nà， nǐ zài bào shàng yǐ jīng kàn dào gòu duō
liǎo， bù guò wǒ duì shǐ jié fū de chǔjìng bìng bù lè guān， tā sì hū shì wéi yī yòu dòng jī de rén。 tā hèn 'ào dīng， yòu méi yòu bù zài chǎng
de zhèng jù。 hái yòu， nà tiān xià wǔ tā hái kǒnghè 'ào dīng， shuō tā yào shā 'ào dīng”“ shì qíng bìng bù shì jiǎn jiǎn dān dān de jiě gù，”
lǐ 'ēn jiě shì shuō，“ shǐ jié fū shuō 'ào dīng huǐ yuē， tā kě néng yě yòu zì jǐ de dào lǐ。 wǒ mendōu zhī dào 'ào dīng chéng gōng dì lì yòng nà
gè pò nóng chǎng cái fā dá chéng běn zhōu diàn zǐ gōng yè jù zǐ， qí zhōng hái zuò liǎo yī xiē wéi bèi dào dé de shì。 jǐ gè yuè qián zài yī cì shāng yè
huì yì shàng tā rèn shí liǎo shǐ jié fū， rèn shí dào shǐ jié fū de qián lì， jiù yòng gěi gǔ fèn bǎ tā yòu lái liǎo， bù xìng de shì 'ào dīng de yǔn
nuò dōuméi yòu xiě zài qì yuē shàng， kōng kǒu wú píng。”
“ tā kě néng bù xiǎng yǐ bào lì shōu wěi， dàn tā chéng rèn dāng wǎn jiǔ hē duō liǎo。 huò xǔ tā zhǐ xiǎng shuō fú 'ào ràng tā duì xiàn nuò yán，
huò xǔ tā tīng dào wǎn huì de shì， xiǎng chèn 'ào dīng hé qiē lán dū bù zài qù xǐ jié yī fān。”
“ nǐ yòu méi yòu kǎo lǜ guò， xiōng shǒu kě néng shì zhēn zhèng de qiè zéi， tā zài bào shàng de shè jiāo lán lǐ kàn dào xīn wén， yǐ wéi 'ào dīng
jiā kōng wú yī rén。 ér 'ào dīng de chū xiàn shǐ tā gǎn dào yì wài， zài jīng huāng zhōng xià liǎo shǒu。”
“ bù kě néng， mén shàng méi yòu qiáng xíng jìn rù de hén jì， bǎo xiǎn xiāng lǐ hái yòu bā bǎi duō yuán xiàn jīn。 cǐ wài wǒ men fā xiàn yī bēi
hē liǎo yī bàn de yǐn liào， hái yòu yī bēi xīn dǎo de， méi yòu pèng guò， kě jiàn shì dǎo gěi fǎng kè de。 nà yī dìng shì tā rèn shí de rén，
ér qiě tā bù pà nà rén。”
lǐ 'ēn hū rán xiǎng qǐ， wǒ yī dù céng hé 'ào dīng dìng guò hūn。 yīn cǐ tā yòu shuō：“ duì bù qǐ， ān nà， wǒ wú yì shuō sǐ zhě
de huài huà， bì jìng nà shí jiě chú hūn yuē de shì nǐ， nǐ yī dìng shì kàn qīng liǎo tā de lìng yī miàn。”
“ tā yī xiàng zì gāo zì dà， zhǐ gù zì jǐ， bù kǎo lǜ bié rén。 tā rèn wéi wǒ men dāng miàn zhào gù tā， zài bèi hòu cháo xiào tā，
dǎ zhōng xué qǐ， tā jiù xiǎng zài wǒ men miàn qián xiǎn yī xiǎn。”
“ tā bàn dào liǎo， bù shì má？” lǐ 'ēn shuō。
“ nǐ nán dào bù rèn wéi 'ào dīng shì gè shì lì xiǎo rén？” wǒ lěng lěng tā shuō，“ bù guò wǒ jīn tiān lái bù shì lái wā huī jìn de，
wǒ guān xīn de shì zhè wèi jiào shǐ jié fū de rén。”
duì zhè huà lǐ 'ēn zhòu liǎo zhòu méi tóu。 dàn tā jiē zhe shuō：“ méi rén jì dé liù diǎn bàn yǐ hòu kàn jiàn guò tā， ér 'ào dīng yù hài de
shí jiān shì qī diǎn bàn dào bā diǎn bàn。 shǐ jié fū shuō tā huí jiā shuì jué liǎo， kě yī yàng méi rén zhèng míng。”
wǒ shēn xī yī kǒu qì。“ yòu de， tā hé wǒ zài yī qǐ。 wǒ kě yǐ gǎn dào xuè yè cóng wǒ liǎn shàng liú shì。 yòu yī huì 'ér wǒ yǐ
wéi zì jǐ huì hūn guò qù。 lǐ 'ēn bù xìn：“ hé nǐ？”
wǒ diǎn diǎn tóu，“ wǒ xiāng xìn tā men huì jì dé wǒ zài jiǔ bā lǐ， nà tiān wǒ de chú niàn fàngjià， wǒ lǎn dé zuò fàn， jiù dào wài
miàn chī。 cān tīng lǐ rén hěn duō， dàn wǒ zhù yì dào shǐ jié fū， dāng tā zài qī diǎn zuǒ yòu lí kāi shí， wǒ gēn zhe tā chū qù， zài wài miàn
jiē tā shàng chē， yǐ hòu dào wǔ yè， tā yī zhí hé wǒ zài yī qǐ。”
lǐ 'ēn níng shì zhe wǒ， xiǎng bǎ zhè xiē huà hé wǒ de xíng xiàng lián xì zài yī qǐ。 tā hé quán chéng de réndōu rèn wéi wǒ shì shén shèng zhēn jié
de， chú liǎo 'ào dīng hé gāo dēng wǒ céng hé tā men dìng guò hūn wài， cóng méi nán rén pèng guò wǒ。 wǒ zhī dào lǐ 'ēn zhèng zài huí yì hěn jiǔ yǐ qián
zài yī cì xiāng cūn jù lè bù de wǔ huì shàng， tā xiǎng zài hòu yuàn lǐ wěn wǒ 'ér 'āi de yī 'ěr guāng， rú jīn wǒ jìng qīn kǒu shuō céng gān guò“ zhè
yàng” de shì。
“ qiū tiān zǒng shì hěn qī liáng，” wǒ xiǎo xīn dì yòng zhe zì yǎn，“ xià wèi chū qiū， rú guǒ bù shì gāo dēng yīn chē huò sǐ wáng de
huà、 wǒ yǐ jīng hé tā jié hūn liǎo。 wǒ yī zhí xiǎo xīn jǐn shèn。 bié nà yàng kàn wǒ， lǐ 'ēn！ wǒ bù shì bīng kuài， bù lùn dà jiā zěn me
xiǎng， wǒ zǒng shì xuè ròu zhī qū， nǐ néng gòu liǎo jiě má？”
“ dāng rán。” tā bù 'ān tā shuō， dàn wǒ zhī dào tā bìng méi yòu liǎo jiě。
“ shǐ jié fū sì hū hěn kě kào， cóng dào tīng tú shuō zhōng， wǒ tīng dào guān yú tā hé 'ào dīng de zhēng chǎo， wǒ yǐ wéi tā yǐ jīng lí kāi
zhè chéng shì liǎo。 xiàng nǐ shuō de， tā kàn lái gāo shàng， zhōng chéng。”
“ bǐ wǒ rèn wéi de gèng hǎo，” lǐ 'ēn tóng yì wǒ de kàn fǎ，“ dāng rán， tā bì xū míng bái， rú guǒ nǐ fǒu rèn shì shí de
huà， méi rén huì xiāng xìn tā。 dàn tā kě néng yǐ wéi lóng fáng dōng shì gè hǎo jiè kǒu， miǎn dé héng héng”“ miǎn dé tuō lěng ruò bīng shuāng、 jiā yǐ
jiē jìn de kǎi 'ēn xiǎo jiě xià shuǐ？ wǒ nán guò dì shuō。
“ ān nà， bù yào zì zé，” lǐ 'ēn yán bù yóu zhōng dì shuō，“ shǐ jié fū zài zhè lǐ zhǐ zhù jǐ gè yuè， tā bù huì liǎo jiě，
kǎi 'ēn jiā zú zài zhè lǐ dài biǎo chéng shí gōng zhèng， bù lùn rèn hé dài jià。” dāng tā xiǎng dào dài jià shí， tā zhòu qǐ méi tóu， lù chū bù yuè
de shén sè， wǒ chàbù duō kě yǐ kàn jiàn tā bù gù yī qiē， yī dìng yào bǎo hù wǒ de míng yù de yàng zǐ。
“ dāng rán， wǒ men yào qiān yī fèn kǒugòng。 bù guò nǐ kě yǐ jiǎn dān diǎn， zhǐ shuō nǐ hé shǐ jié fū qī diǎn lí kāi cān tīng， liǎng rén
zài yī qǐ， zhí dào…… ǹg， ràng wǒ men jiù shuō， nǐ men cóng qī diǎn dào qī diǎn bàn yī zhí zài yī qǐ， nà duàn shí jiān hé xiōng shā 'àn zuì
yòu guān。 wǒ zài hé pí mǔ tán tán， ràng tā zài yán lùn shàng huǎn hé yī xiē。 zhè yī lái dì fāng shàng huò xǔ huì yòu wēi cí， dàn bù yòng dān
xīn， ān nà， zài kǎi 'ēn chéng， nǐ shì shòu zūn jìng hé 'ài dài de。 yòu guān xì de rén men huì jì dé gāo dēng， tā men huì yuán liàng nǐ。”
yī wèi sù jì yuán jì xià wǒ de gòngcí， wǒ qiān liǎo zì zhī hòu， wǒ wèn lǐ 'ēn kě fǒu jiàn jiàn shǐ jié fū。 tā bù tài lè yì， dàn
hái shì pài rén dào kānshǒu suǒ bǎ rén dài lái liǎo。
shǐ jié fū xiǎo xīn dì jìn rù lǐ 'ēn de bàn gōng shì， tā mào bù jīng rén， dàn yòu yī zhāng kāi lǎng chún hòu de liǎn hé chōng mǎn zhì huì de lán
yǎn jīng。
“ tā men shuō yǐ jīng yòu yī wèi zhèng rén chū miàn wèiwǒ zuò zhèng。” shuō wán， zhuàntóu kàn dào wǒ， tā liǎng yǎn mī qǐ lái shuō：“ kǎi
ēn xiǎo jiě！”
“ méi guān xì，” wǒ xiàng tā bǎo zhèng，“ wǒ yǐ jīng gào sù jiǎn chá guān， xīng qī sān wǒ jiē nǐ shàng chē yǐ jí wǒ men zài yī qǐ de
shì。 nǐ zì jǐ bù qīn zì shuō， shì nǐ cuò wù de xiá yì jǔ dòng。”
shǐ jié fū kàn wǒ hěn jiǔ， rán hòu zhuǎn shēn xiàng lǐ 'ēn，“ nǐ shì bù shì xiāng xìn wǒ lā！”
“ dàn bái shuō， bù xiāng xìn，” lǐ 'ēn shuō，“ dàn zhì shǎo wǒ yǐ xiàng kǎi 'ēn xiǎo jiě tí guò。 tā yǐ xiàng wǒ shuō chū shì shí， xiàn
zài nǐ bù yòng zài dāi zài kānshǒu suǒ liǎo。”
jìn guǎn lǐ 'ēn fǎn duì， wǒ hái shì tí yì kāi chē sòng shǐ jié fū qù jī cháng chā bù duō kuài dào jī chǎng shí， tā zhōng yú kāi kǒu shuō：
“ nǐ shì gè liǎo bù qǐ de nǚ rén， kǎi 'ēn xiǎo jiě。 wǒ rěn bù zhù zài xiǎng， zài nǐ měi lì、 bīng lěng de biǎo miàn xià， shì shénme yàng de
huǒ， nà shǐ wǒ xī wàng xīng qī sān de wǎn shàng zhēn de shì hé nǐ zài yī qǐ。 ér qiě nǐ yě hěn cōng míng， jiǎn chá guān kě néng bèi nǐ zhì qì de
tǎn bái xià huài liǎo， cái wù bù dào zhè yàng nǐ yě wéi zì jǐ zhǎo dào liǎo bù zài chǎng de zhèng jù。 nǐ wèishénme yào shā 'ào dīng？” wǒ zhí shì
lù miàn， bì kǒu bù dá。
“ dāng rán， rèn shí 'ào dīng， bìng bù 'ài tā。 shǐ jié fū chén sī，“ chuán wén nǐ hé tā dìng guò hūn， dàn nà yǐ shì shí wǔ nián qián
de shì。 wèishénme xiàn zài cái shā tā， chú fēi héng héng dāng rán， tā men fā xiàn tā de shí hòu， bǎo xiǎn xiāng kāi zhe， nǐ ná zǒu liǎo shí
me？ kǎi 'ēn xiǎo jiě， jiù qíng shū？ huò zhě nǐ yǐ qián bù zūn shǒu jiāo tōng guī zé qiān de gòngrèn shū。”
“ zhào piàn。” wǒ bǎ chē tíng zài jī chǎng dà lóu bàng。 wǒ shuō，“ wǔ zhāng hěn qīng xī de zhào piàn， sì nián qián tā zài wǒ men lǚ shè
de fáng lǐ pāi de。”
“ wǒ huā liǎo shí yī nián shí jiān cái fā xiàn 'ào dīng gěi wǒ diǎn rán de huǒ bìng wèi xī miè， zhǐ shì gài zhe huī 'ér yǐ。 sì nián qián， wǒ
men wú yì zhōng zài niǔ yuē xiāng yù， wǒ men zhī jiān yī qiē yòu chóngxīn rán qǐ。 wǒ men qíng yù huǒ rè， shǐ wǒ bié wú suǒ qiú， zhǐ yào tā ràng
wǒ 'ài tā。 tā xiǎo xīn dì shǐ wǒ men de liàn qíng dé yǐ bǎo mì， ér bù shì wǒ。 hé tā zài yī qǐ wǒ wán quán bù zhī xiū chǐ。 yòu yī nián
duō shí jiān， zhǐ yào tā ná qǐ diàn huà， gào sù wǒ shí jiān hé dì diǎn， tādōu kě yǐ rú yuàn， hǎo xiàng wǒ de dào dé wán quán má mù liǎo。
“ rán 'ér， jiàn jiàn de， wǒ kāi shǐ duì qiē lán gǎn dào nèi jiù， wǒ fēi dào 'ōu zhōu， shì zhe kòng zhì zì jǐ de gǎn qíng。 ào dīng ràng
wǒ 'ān dìng liǎo yī gè yuè， rán hòu jì liǎo yī zhāng zhào piàn dào wǒ de lǚ guǎn， tā zài zhào piàn bèi hòu xiě dào：‘ wǒ hái yòu sì zhāng lèi sì de
zhào piàn， nà jǐ zhāng gèng néng biǎo xiàn nǐ de mí rén zhī chù。 jì zhù， rú guǒ nǐ yī zhōu zhī nèi bù huí lái de huà， wǒ jiù bǎ tā men dēng zài
bào shàng。’ wǒ běn lái kě néng zì jǐ huì huí lái， kě shōu dào nà fēng xìn hòu， wǒ hèn tā。
“ chàbù duō yī nián， tā méi yòu rě wǒ， wǒ yǐ wéi wǒ huò dé zì yóu liǎo。 dàn nǐ hé tā yī chǎo， jiē kāi tā de jiù chuāng bā。
nǐ zhī dào， zài tā xīn zhōng wǒ dài biǎo zhèn shàng de zhōng xīn rén wù， nà huǒ rén zhī dào tā de‘ dǐ xì’， ér qiě yǒng yuǎn bù huì duì tā de
qián dòng xīn， yě bù huì xiàng chéng wài de nà xiē rén duì tā biǎo shì zūn zhòng。 tā jiù bǎ chóu hèn fā xiè dào wǒ shēn shàng。 měi dāng yòu rén mà tā mǔ
qīn shì bù jiǎn diǎn de shì nǚ， tā fù qīn shì xù jiǔ de nóng fū shí， tā jiù zhé mó wǒ。 nǐ de xíng wéi míng xiǎn dì chù nù liǎo tā， hái yòu
nǐ mà tā de yī xiē huà。
“ xīng qī sān xià wǔ tā dǎ diàn huà gěi wǒ， yào wǒ qī diǎn bàn qù tā nà 'ér。 wǒ dào shí tā yǐ jīng bàn zuì liǎo， shuō tā bù xū yào
qiē lán liǎo， tā yào lí hūn， hé wǒ jié hūn。 rán hòu jiào wǒ tuō guāng yī fú。 dāng wǒ kàng jù shí， tā dǎ wǒ， rán hòu dǎ kāi bǎo xiǎn
xiāng， zài wǒ miàn qián zhǎn shì nà xiē zhào piàn。 wǒ xiǎng qiǎng guò lái rēng jìn huǒ lǐ， dàn tā yòu dǎ wǒ， hái bǎ zhào piàn xiàng shàn zǐ yī yàng tān zài
zhuō zǐ shàng， ràng wǒ rěn wú kě rěn。 hū rán jiān， bō huǒ gùn jiù zài wǒ shǒu zhōng， yú shì， yú shì……” shǐ jié fū yōng zhù wǒ， jǐn
jǐn dì bào zhù， zhí dào wǒ de quán shēn chàn dǒu tíng zhǐ。 tā nà nà tā shuō：“ wǒ dào zhè 'ér de dì yī gè xīng qī， jiù yòu rén zhǐ zhe nǐ
gào sù wǒ nǐ zài wèi hūn fū sǐ hòu jiù méi zài kàn nán rén yī yǎn。 zhī dào má？ nǐ chàbù duō shì gè chuán qí rén wù。 yǐ hòu wǒ jīng cháng tīng
dào kǎi 'ēn jiā zú de měi dé： dài dài shì gāng zhèng bù 'ā de shì cháng， fǎ guān， xiàn zài shì yī wèi měi lì、 zhēn jié de chǔnǚ， tā chóng bài
jiā zú de róng yù。 rán 'ér jīn tiān nǐ bǎ yī qiēdōu rēng jìn ní tán zhōng， wéi de shì nǐ huāng táng de zhèng yì gǎn， bù rěn xīn ràng yī wèi mò shēng
rén lái tì nǐ dǐng zuì。”
“ bù shì mò shēng rén，” wǒ fā dòng chē zǐ， tóng shí chàn dǒu dì duì tā wēi xiào，“ nǐ hé 'ào dīng zhēng chǎo hòu jiù bù shì liǎo， wǒ
dí rén de dí rén， jiù shì wǒ de péng yǒu。”
tā lie zuǐ xiào xiào， dǎ kāi chē mén yóu yù liǎo yī xià， rán hòu fǔ xià shēn wěn wǒ miàn jiá：“ xiè xiè nǐ， péng yǒu。”
yào lái fù yàn， wǒ qī zǐ zuó tiān dǎ diàn huà gěi nǐ shí， nǐ shēng yīn hǎo guài。”
“ chú fēi nǐ bǎ wǒ dài bǔ， fǒu zé wǒ yī dìng dào。” wǒ shuō，“ lǐ 'ēn， wǒ zhè cì lái kě bù shì shè jiāo xìng de bài fǎng。”
pí yǐ róu ruǎn 'ér shū shì， dàn wǒ wú fǎ qīng sōng。 wǒ bù dào sān shí wǔ suì， shuāng tuǐ xiū cháng bái xī， hēi pí yǐ chèn tuō chū wǒ měi
lì de tóu fā hé jīn huáng sè de yáng pí wài yī。 rán 'ér wǒ hé nán rén zài yī qǐ hěn shǎo jué dé zì rán。 shèn zhì hé lǐ 'ēn， wǒ de lǎo péng
yǒu， zài yī qǐ wǒ réng gǎn dào zhōu shēn fā yìng。
lǐ 'ēn zài zhuō zǐ hòu miàn zuò xià lái， wēi xiào shuō，“ bié gào sù wǒ nǐ chuǎng liǎo hóng dēng。 wǒ zài měi qī jǐng yuán xùn liàn bān shàng kè
shí， biāo zhǔn de xùn cí yòu yī duàn jiù shì：“ bù lùn jiē jí， bǐng gōng chǔlǐ， méi yòu quán， dàn 'ān nà · kǎi 'ēn chú wài。”
“ nà shì jiāng lái de shì，” wǒ wēi xiào shuō，“ rú guǒ wǒ jì dé bù cuò， lì shǐ shàng wéi yī lán zhù xiān fù de chē， hái fá kuǎn
de jǐng yuán jiù shì nǐ。”
tā gē gē yī xiào，“ dāng shí fǎ guān zǒng shuō wǒ nà yàng zuò shì wéi liǎo chū míng。”
“ nán dào bù shì má？” wǒ qǔ xiào tā， yīn wéi nà gè chāqǔ shǐ lǐ 'ēn huò dé liǎo chéng shí jìn zé de zhí fǎ zhě de měi míng。 wǒ
fù qīn yī shēng cóng wèi lì yòng tā de dì wèi hé wēi wàng wéi zì jǐ gǎo tè quán。 zhí dào wǎn nián tā duì yī xiē jìn zhǐ tíng chē qū biàn dé yòu diǎn 'ào
màn， ér chū chū máo lú de lǐ 'ēn gěi tā kāi chū liǎo fá dān。 zhè yī qiēdōu suí shí guāng yuǎn qù， xiàn zài de lǐ 'ēn shì běn chéng de dì fāng jiǎn
chá guān， zhèng zài bàn lǐ 'ào dīng de mìng 'àn。
ào dīng shì wéi yī zài jiā xiāng bái shǒu qǐ jiā de bǎi wàn fù wēng， shì zhēn zhèng cóng yī qióng 'èr bái 'ér chéng fù wēng de。 xiàn zài tā sǐ liǎo，
shì bèi tā jiā de tóng bō huǒ gùn dǎ sǐ de。
xīng qī sān wǎn shàng shì běn chéng chuán tǒng de chú zǐ xiūjià rì， ào dīng tài tài qiē lán yě fàng liǎo jiǎ， yīn wéi tā mǔ qīn zhǔn bèi wéi nǚ 'ér
nǚ xù kāi gè wǎn huì qìng hè tā men de jié hūn shí wǔ zhōu nián。 qiē lán qī diǎn jiù bèi jiē dào tā mǔ qīn nà 'ér qù kàn kàn hái yòu shénme yào zhǔn
bèi de， yīn wéi tā mǔ qīn bàn shēn bùsuí。 ào dīng zé yī rén zài jiā chuān yī dǎ bàn， tóng shí chǔlǐ yī xiē wén jiàn。
wǎn huì 'ān pái zài jiǔ diǎn kāi shǐ。 bā diǎn bàn shí 'ào dīng jiā méi rén jiē diàn huà， tā tài tài bù jiàn 'ào dīng dào chǎng， jiù pài sī jī huí
qù kàn kàn。 sī jī fā xiàn mén kāi zhe， ào dīng pā zài zhuō shàng， tóu bù shāng dé hěn zhòng。
dì 'èr tiān yī míng yí fàn bèi bǔ， dàn wǒ hái shì huā liǎo liǎng tiān shí jiān cái gǔ zú yǒng qì lái miàn duì lǐ 'ēn。 gāng jìn tā bàn gōng shì shí
wǒ jiù xiǎng zhuǎn shēn lí kāi， dàn wǒ tiān xìng zhōng de zhèng zhí qū shǐ zhe wǒ， shǐ wǒ wèn tā：“ lǐ 'ēn， nǐ néng kěn dìng nǐ men zhuā dào de nà
rén jiù shì shā sǐ 'ào dīng de xiōng shǒu？”
yǒu yì， mí huò， hái yòu guān yuán de jǐn shèn kāi shǐ zài tā liǎn shàng jiāo tì chū xiàn。
“ lǐ 'ēn， qǐng huí dá wǒ， wǒ bù jǐn jǐn shì hàoqí dì wèn wèn， huò zhě 'ào dīng shì wǒ men de péng yǒu。 nà gè shǐ jié fū yǐ jīng
bèi tí shěn， dàn wǒ cóng bào shàng hé tīng bié rén shuō， méi yòu zhēn zhèng de zhèng jù zhèng míng shì tā gān de。”
lǐ 'ēn tù chū yī kǒu qì， guān yuán tè yòu de jǐn shèn kāi shǐ xiāo shī。“ hǎo de， ān nà， nǐ zài bào shàng yǐ jīng kàn dào gòu duō
liǎo， bù guò wǒ duì shǐ jié fū de chǔjìng bìng bù lè guān， tā sì hū shì wéi yī yòu dòng jī de rén。 tā hèn 'ào dīng， yòu méi yòu bù zài chǎng
de zhèng jù。 hái yòu， nà tiān xià wǔ tā hái kǒnghè 'ào dīng， shuō tā yào shā 'ào dīng”“ shì qíng bìng bù shì jiǎn jiǎn dān dān de jiě gù，”
lǐ 'ēn jiě shì shuō，“ shǐ jié fū shuō 'ào dīng huǐ yuē， tā kě néng yě yòu zì jǐ de dào lǐ。 wǒ mendōu zhī dào 'ào dīng chéng gōng dì lì yòng nà
gè pò nóng chǎng cái fā dá chéng běn zhōu diàn zǐ gōng yè jù zǐ， qí zhōng hái zuò liǎo yī xiē wéi bèi dào dé de shì。 jǐ gè yuè qián zài yī cì shāng yè
huì yì shàng tā rèn shí liǎo shǐ jié fū， rèn shí dào shǐ jié fū de qián lì， jiù yòng gěi gǔ fèn bǎ tā yòu lái liǎo， bù xìng de shì 'ào dīng de yǔn
nuò dōuméi yòu xiě zài qì yuē shàng， kōng kǒu wú píng。”
“ tā kě néng bù xiǎng yǐ bào lì shōu wěi， dàn tā chéng rèn dāng wǎn jiǔ hē duō liǎo。 huò xǔ tā zhǐ xiǎng shuō fú 'ào ràng tā duì xiàn nuò yán，
huò xǔ tā tīng dào wǎn huì de shì， xiǎng chèn 'ào dīng hé qiē lán dū bù zài qù xǐ jié yī fān。”
“ nǐ yòu méi yòu kǎo lǜ guò， xiōng shǒu kě néng shì zhēn zhèng de qiè zéi， tā zài bào shàng de shè jiāo lán lǐ kàn dào xīn wén， yǐ wéi 'ào dīng
jiā kōng wú yī rén。 ér 'ào dīng de chū xiàn shǐ tā gǎn dào yì wài， zài jīng huāng zhōng xià liǎo shǒu。”
“ bù kě néng， mén shàng méi yòu qiáng xíng jìn rù de hén jì， bǎo xiǎn xiāng lǐ hái yòu bā bǎi duō yuán xiàn jīn。 cǐ wài wǒ men fā xiàn yī bēi
hē liǎo yī bàn de yǐn liào， hái yòu yī bēi xīn dǎo de， méi yòu pèng guò， kě jiàn shì dǎo gěi fǎng kè de。 nà yī dìng shì tā rèn shí de rén，
ér qiě tā bù pà nà rén。”
lǐ 'ēn hū rán xiǎng qǐ， wǒ yī dù céng hé 'ào dīng dìng guò hūn。 yīn cǐ tā yòu shuō：“ duì bù qǐ， ān nà， wǒ wú yì shuō sǐ zhě
de huài huà， bì jìng nà shí jiě chú hūn yuē de shì nǐ， nǐ yī dìng shì kàn qīng liǎo tā de lìng yī miàn。”
“ tā yī xiàng zì gāo zì dà， zhǐ gù zì jǐ， bù kǎo lǜ bié rén。 tā rèn wéi wǒ men dāng miàn zhào gù tā， zài bèi hòu cháo xiào tā，
dǎ zhōng xué qǐ， tā jiù xiǎng zài wǒ men miàn qián xiǎn yī xiǎn。”
“ tā bàn dào liǎo， bù shì má？” lǐ 'ēn shuō。
“ nǐ nán dào bù rèn wéi 'ào dīng shì gè shì lì xiǎo rén？” wǒ lěng lěng tā shuō，“ bù guò wǒ jīn tiān lái bù shì lái wā huī jìn de，
wǒ guān xīn de shì zhè wèi jiào shǐ jié fū de rén。”
duì zhè huà lǐ 'ēn zhòu liǎo zhòu méi tóu。 dàn tā jiē zhe shuō：“ méi rén jì dé liù diǎn bàn yǐ hòu kàn jiàn guò tā， ér 'ào dīng yù hài de
shí jiān shì qī diǎn bàn dào bā diǎn bàn。 shǐ jié fū shuō tā huí jiā shuì jué liǎo， kě yī yàng méi rén zhèng míng。”
wǒ shēn xī yī kǒu qì。“ yòu de， tā hé wǒ zài yī qǐ。 wǒ kě yǐ gǎn dào xuè yè cóng wǒ liǎn shàng liú shì。 yòu yī huì 'ér wǒ yǐ
wéi zì jǐ huì hūn guò qù。 lǐ 'ēn bù xìn：“ hé nǐ？”
wǒ diǎn diǎn tóu，“ wǒ xiāng xìn tā men huì jì dé wǒ zài jiǔ bā lǐ， nà tiān wǒ de chú niàn fàngjià， wǒ lǎn dé zuò fàn， jiù dào wài
miàn chī。 cān tīng lǐ rén hěn duō， dàn wǒ zhù yì dào shǐ jié fū， dāng tā zài qī diǎn zuǒ yòu lí kāi shí， wǒ gēn zhe tā chū qù， zài wài miàn
jiē tā shàng chē， yǐ hòu dào wǔ yè， tā yī zhí hé wǒ zài yī qǐ。”
lǐ 'ēn níng shì zhe wǒ， xiǎng bǎ zhè xiē huà hé wǒ de xíng xiàng lián xì zài yī qǐ。 tā hé quán chéng de réndōu rèn wéi wǒ shì shén shèng zhēn jié
de， chú liǎo 'ào dīng hé gāo dēng wǒ céng hé tā men dìng guò hūn wài， cóng méi nán rén pèng guò wǒ。 wǒ zhī dào lǐ 'ēn zhèng zài huí yì hěn jiǔ yǐ qián
zài yī cì xiāng cūn jù lè bù de wǔ huì shàng， tā xiǎng zài hòu yuàn lǐ wěn wǒ 'ér 'āi de yī 'ěr guāng， rú jīn wǒ jìng qīn kǒu shuō céng gān guò“ zhè
yàng” de shì。
“ qiū tiān zǒng shì hěn qī liáng，” wǒ xiǎo xīn dì yòng zhe zì yǎn，“ xià wèi chū qiū， rú guǒ bù shì gāo dēng yīn chē huò sǐ wáng de
huà、 wǒ yǐ jīng hé tā jié hūn liǎo。 wǒ yī zhí xiǎo xīn jǐn shèn。 bié nà yàng kàn wǒ， lǐ 'ēn！ wǒ bù shì bīng kuài， bù lùn dà jiā zěn me
xiǎng， wǒ zǒng shì xuè ròu zhī qū， nǐ néng gòu liǎo jiě má？”
“ dāng rán。” tā bù 'ān tā shuō， dàn wǒ zhī dào tā bìng méi yòu liǎo jiě。
“ shǐ jié fū sì hū hěn kě kào， cóng dào tīng tú shuō zhōng， wǒ tīng dào guān yú tā hé 'ào dīng de zhēng chǎo， wǒ yǐ wéi tā yǐ jīng lí kāi
zhè chéng shì liǎo。 xiàng nǐ shuō de， tā kàn lái gāo shàng， zhōng chéng。”
“ bǐ wǒ rèn wéi de gèng hǎo，” lǐ 'ēn tóng yì wǒ de kàn fǎ，“ dāng rán， tā bì xū míng bái， rú guǒ nǐ fǒu rèn shì shí de
huà， méi rén huì xiāng xìn tā。 dàn tā kě néng yǐ wéi lóng fáng dōng shì gè hǎo jiè kǒu， miǎn dé héng héng”“ miǎn dé tuō lěng ruò bīng shuāng、 jiā yǐ
jiē jìn de kǎi 'ēn xiǎo jiě xià shuǐ？ wǒ nán guò dì shuō。
“ ān nà， bù yào zì zé，” lǐ 'ēn yán bù yóu zhōng dì shuō，“ shǐ jié fū zài zhè lǐ zhǐ zhù jǐ gè yuè， tā bù huì liǎo jiě，
kǎi 'ēn jiā zú zài zhè lǐ dài biǎo chéng shí gōng zhèng， bù lùn rèn hé dài jià。” dāng tā xiǎng dào dài jià shí， tā zhòu qǐ méi tóu， lù chū bù yuè
de shén sè， wǒ chàbù duō kě yǐ kàn jiàn tā bù gù yī qiē， yī dìng yào bǎo hù wǒ de míng yù de yàng zǐ。
“ dāng rán， wǒ men yào qiān yī fèn kǒugòng。 bù guò nǐ kě yǐ jiǎn dān diǎn， zhǐ shuō nǐ hé shǐ jié fū qī diǎn lí kāi cān tīng， liǎng rén
zài yī qǐ， zhí dào…… ǹg， ràng wǒ men jiù shuō， nǐ men cóng qī diǎn dào qī diǎn bàn yī zhí zài yī qǐ， nà duàn shí jiān hé xiōng shā 'àn zuì
yòu guān。 wǒ zài hé pí mǔ tán tán， ràng tā zài yán lùn shàng huǎn hé yī xiē。 zhè yī lái dì fāng shàng huò xǔ huì yòu wēi cí， dàn bù yòng dān
xīn， ān nà， zài kǎi 'ēn chéng， nǐ shì shòu zūn jìng hé 'ài dài de。 yòu guān xì de rén men huì jì dé gāo dēng， tā men huì yuán liàng nǐ。”
yī wèi sù jì yuán jì xià wǒ de gòngcí， wǒ qiān liǎo zì zhī hòu， wǒ wèn lǐ 'ēn kě fǒu jiàn jiàn shǐ jié fū。 tā bù tài lè yì， dàn
hái shì pài rén dào kānshǒu suǒ bǎ rén dài lái liǎo。
shǐ jié fū xiǎo xīn dì jìn rù lǐ 'ēn de bàn gōng shì， tā mào bù jīng rén， dàn yòu yī zhāng kāi lǎng chún hòu de liǎn hé chōng mǎn zhì huì de lán
yǎn jīng。
“ tā men shuō yǐ jīng yòu yī wèi zhèng rén chū miàn wèiwǒ zuò zhèng。” shuō wán， zhuàntóu kàn dào wǒ， tā liǎng yǎn mī qǐ lái shuō：“ kǎi
ēn xiǎo jiě！”
“ méi guān xì，” wǒ xiàng tā bǎo zhèng，“ wǒ yǐ jīng gào sù jiǎn chá guān， xīng qī sān wǒ jiē nǐ shàng chē yǐ jí wǒ men zài yī qǐ de
shì。 nǐ zì jǐ bù qīn zì shuō， shì nǐ cuò wù de xiá yì jǔ dòng。”
shǐ jié fū kàn wǒ hěn jiǔ， rán hòu zhuǎn shēn xiàng lǐ 'ēn，“ nǐ shì bù shì xiāng xìn wǒ lā！”
“ dàn bái shuō， bù xiāng xìn，” lǐ 'ēn shuō，“ dàn zhì shǎo wǒ yǐ xiàng kǎi 'ēn xiǎo jiě tí guò。 tā yǐ xiàng wǒ shuō chū shì shí， xiàn
zài nǐ bù yòng zài dāi zài kānshǒu suǒ liǎo。”
jìn guǎn lǐ 'ēn fǎn duì， wǒ hái shì tí yì kāi chē sòng shǐ jié fū qù jī cháng chā bù duō kuài dào jī chǎng shí， tā zhōng yú kāi kǒu shuō：
“ nǐ shì gè liǎo bù qǐ de nǚ rén， kǎi 'ēn xiǎo jiě。 wǒ rěn bù zhù zài xiǎng， zài nǐ měi lì、 bīng lěng de biǎo miàn xià， shì shénme yàng de
huǒ， nà shǐ wǒ xī wàng xīng qī sān de wǎn shàng zhēn de shì hé nǐ zài yī qǐ。 ér qiě nǐ yě hěn cōng míng， jiǎn chá guān kě néng bèi nǐ zhì qì de
tǎn bái xià huài liǎo， cái wù bù dào zhè yàng nǐ yě wéi zì jǐ zhǎo dào liǎo bù zài chǎng de zhèng jù。 nǐ wèishénme yào shā 'ào dīng？” wǒ zhí shì
lù miàn， bì kǒu bù dá。
“ dāng rán， rèn shí 'ào dīng， bìng bù 'ài tā。 shǐ jié fū chén sī，“ chuán wén nǐ hé tā dìng guò hūn， dàn nà yǐ shì shí wǔ nián qián
de shì。 wèishénme xiàn zài cái shā tā， chú fēi héng héng dāng rán， tā men fā xiàn tā de shí hòu， bǎo xiǎn xiāng kāi zhe， nǐ ná zǒu liǎo shí
me？ kǎi 'ēn xiǎo jiě， jiù qíng shū？ huò zhě nǐ yǐ qián bù zūn shǒu jiāo tōng guī zé qiān de gòngrèn shū。”
“ zhào piàn。” wǒ bǎ chē tíng zài jī chǎng dà lóu bàng。 wǒ shuō，“ wǔ zhāng hěn qīng xī de zhào piàn， sì nián qián tā zài wǒ men lǚ shè
de fáng lǐ pāi de。”
“ wǒ huā liǎo shí yī nián shí jiān cái fā xiàn 'ào dīng gěi wǒ diǎn rán de huǒ bìng wèi xī miè， zhǐ shì gài zhe huī 'ér yǐ。 sì nián qián， wǒ
men wú yì zhōng zài niǔ yuē xiāng yù， wǒ men zhī jiān yī qiē yòu chóngxīn rán qǐ。 wǒ men qíng yù huǒ rè， shǐ wǒ bié wú suǒ qiú， zhǐ yào tā ràng
wǒ 'ài tā。 tā xiǎo xīn dì shǐ wǒ men de liàn qíng dé yǐ bǎo mì， ér bù shì wǒ。 hé tā zài yī qǐ wǒ wán quán bù zhī xiū chǐ。 yòu yī nián
duō shí jiān， zhǐ yào tā ná qǐ diàn huà， gào sù wǒ shí jiān hé dì diǎn， tādōu kě yǐ rú yuàn， hǎo xiàng wǒ de dào dé wán quán má mù liǎo。
“ rán 'ér， jiàn jiàn de， wǒ kāi shǐ duì qiē lán gǎn dào nèi jiù， wǒ fēi dào 'ōu zhōu， shì zhe kòng zhì zì jǐ de gǎn qíng。 ào dīng ràng
wǒ 'ān dìng liǎo yī gè yuè， rán hòu jì liǎo yī zhāng zhào piàn dào wǒ de lǚ guǎn， tā zài zhào piàn bèi hòu xiě dào：‘ wǒ hái yòu sì zhāng lèi sì de
zhào piàn， nà jǐ zhāng gèng néng biǎo xiàn nǐ de mí rén zhī chù。 jì zhù， rú guǒ nǐ yī zhōu zhī nèi bù huí lái de huà， wǒ jiù bǎ tā men dēng zài
bào shàng。’ wǒ běn lái kě néng zì jǐ huì huí lái， kě shōu dào nà fēng xìn hòu， wǒ hèn tā。
“ chàbù duō yī nián， tā méi yòu rě wǒ， wǒ yǐ wéi wǒ huò dé zì yóu liǎo。 dàn nǐ hé tā yī chǎo， jiē kāi tā de jiù chuāng bā。
nǐ zhī dào， zài tā xīn zhōng wǒ dài biǎo zhèn shàng de zhōng xīn rén wù， nà huǒ rén zhī dào tā de‘ dǐ xì’， ér qiě yǒng yuǎn bù huì duì tā de
qián dòng xīn， yě bù huì xiàng chéng wài de nà xiē rén duì tā biǎo shì zūn zhòng。 tā jiù bǎ chóu hèn fā xiè dào wǒ shēn shàng。 měi dāng yòu rén mà tā mǔ
qīn shì bù jiǎn diǎn de shì nǚ， tā fù qīn shì xù jiǔ de nóng fū shí， tā jiù zhé mó wǒ。 nǐ de xíng wéi míng xiǎn dì chù nù liǎo tā， hái yòu
nǐ mà tā de yī xiē huà。
“ xīng qī sān xià wǔ tā dǎ diàn huà gěi wǒ， yào wǒ qī diǎn bàn qù tā nà 'ér。 wǒ dào shí tā yǐ jīng bàn zuì liǎo， shuō tā bù xū yào
qiē lán liǎo， tā yào lí hūn， hé wǒ jié hūn。 rán hòu jiào wǒ tuō guāng yī fú。 dāng wǒ kàng jù shí， tā dǎ wǒ， rán hòu dǎ kāi bǎo xiǎn
xiāng， zài wǒ miàn qián zhǎn shì nà xiē zhào piàn。 wǒ xiǎng qiǎng guò lái rēng jìn huǒ lǐ， dàn tā yòu dǎ wǒ， hái bǎ zhào piàn xiàng shàn zǐ yī yàng tān zài
zhuō zǐ shàng， ràng wǒ rěn wú kě rěn。 hū rán jiān， bō huǒ gùn jiù zài wǒ shǒu zhōng， yú shì， yú shì……” shǐ jié fū yōng zhù wǒ， jǐn
jǐn dì bào zhù， zhí dào wǒ de quán shēn chàn dǒu tíng zhǐ。 tā nà nà tā shuō：“ wǒ dào zhè 'ér de dì yī gè xīng qī， jiù yòu rén zhǐ zhe nǐ
gào sù wǒ nǐ zài wèi hūn fū sǐ hòu jiù méi zài kàn nán rén yī yǎn。 zhī dào má？ nǐ chàbù duō shì gè chuán qí rén wù。 yǐ hòu wǒ jīng cháng tīng
dào kǎi 'ēn jiā zú de měi dé： dài dài shì gāng zhèng bù 'ā de shì cháng， fǎ guān， xiàn zài shì yī wèi měi lì、 zhēn jié de chǔnǚ， tā chóng bài
jiā zú de róng yù。 rán 'ér jīn tiān nǐ bǎ yī qiēdōu rēng jìn ní tán zhōng， wéi de shì nǐ huāng táng de zhèng yì gǎn， bù rěn xīn ràng yī wèi mò shēng
rén lái tì nǐ dǐng zuì。”
“ bù shì mò shēng rén，” wǒ fā dòng chē zǐ， tóng shí chàn dǒu dì duì tā wēi xiào，“ nǐ hé 'ào dīng zhēng chǎo hòu jiù bù shì liǎo， wǒ
dí rén de dí rén， jiù shì wǒ de péng yǒu。”
tā lie zuǐ xiào xiào， dǎ kāi chē mén yóu yù liǎo yī xià， rán hòu fǔ xià shēn wěn wǒ miàn jiá：“ xiè xiè nǐ， péng yǒu。”
zhè shì yī bù qí tè de xiǎo shuō。 tā yǐ zhēn rén zhēn shì wéi tí cái， miáo xiě liǎo xiǎnwéirénzhī de duō zhòng rén gé， jiē shì liǎo shēng dòng qí huàn de biàn tài xīn lǐ。 běn shū qī shí nián dài zài měi guó chū bǎn hòu lì jí yǐn qǐ hōng dòng， dāng nián liè wéi《 shí dài》 zá zhì chàng xiāo shū mù zhī shǒu， jǐ nián nèi chū bǎn liǎo wǔ bǎi duō wàn cè， qì jīn yǐng xiǎng bù shuāi。
běn shū zhù rén gōng xī bì 'ěr cháng shī qù jì yì， měi dāng shī qù jì yì zhī shí tā jiù biàn chéng liǎo yī gè huà shēn， qián hòu duō dá shí wǔ gè huà shēn。 měi gè huà shēn dōuyòu bù tóng de xìng míng、 nián líng、 xìng gé、 àihào hé chǔshì tài dù， tā mendōu zài tè dìng de xū yào zhōng suí shí xiàn shēn。 xī bì 'ěr běn rén gànbù chū lái de shì jiù yóu huà shēn tì tā lái gān。 tā zhè zhǒng rén gé fēn liè qǐ yuán yú tóng nián shí dài de jīng shén chuāngshāng。 yòu xiǎo de xī bì 'ěr zāo dào lìng rén fàzhǐ de cán hài。 zhè lèi xiǎo shuō zài wǒ guó chū bǎn jiè hái jí wéi hǎn jiàn。
yì zhě de huà
yuán xù
dì yī bù xiàn zhuàng
1. tíng bǎi de zhōng
2. nèi xīn shì jiè de zhàn zhēng
3. shòu xué hé jù shé
4. huà shēn
5. pèi jí · lú · bào dé wēn
6. wéi duō lì yà · ān tuō wàn nèi tè · shā lǔ
7. wèishénme
dì 'èr bù lái yóu
8. wēi luò · kē nà sī
9. bù cún zài de zuó tiān
10. tōu qiè shí jiān de zéi
11. xún zhǎo zhōng xīn
12. chén mò de mù jī zhě
13. kǒng bù de xiào shēng
14. hǎi dì
15. bèi róu lìn de hái zǐ
16. fēng kuáng zhī jiā
17. wēi lā dé
dì sān bù jiě tuō
18. hé shí hé kàng zhēng
19. nán hái zǐ men
20. zhèng tǒng de huà yǔ
21. shén qiǎn de jiǔ
22. tián bǔ shí jiān de kòngbái
dì sì bù chóngjiàn
23. tuì suō de bái dà guà
24. zì shā
25. kāi shǐ huī fù jì yì
26. gè bēn qián chéng
27. qū tǐ zhōng de qiú tú
28. róng hé de lì chéng
29. tā men yě shì wǒ yā
30. bù lǚ wéi jiān
31. lā méng
32. hé 'ér wéi yī
wěi shēng
fù lù
běn shū zhù rén gōng xī bì 'ěr cháng shī qù jì yì， měi dāng shī qù jì yì zhī shí tā jiù biàn chéng liǎo yī gè huà shēn， qián hòu duō dá shí wǔ gè huà shēn。 měi gè huà shēn dōuyòu bù tóng de xìng míng、 nián líng、 xìng gé、 àihào hé chǔshì tài dù， tā mendōu zài tè dìng de xū yào zhōng suí shí xiàn shēn。 xī bì 'ěr běn rén gànbù chū lái de shì jiù yóu huà shēn tì tā lái gān。 tā zhè zhǒng rén gé fēn liè qǐ yuán yú tóng nián shí dài de jīng shén chuāngshāng。 yòu xiǎo de xī bì 'ěr zāo dào lìng rén fàzhǐ de cán hài。 zhè lèi xiǎo shuō zài wǒ guó chū bǎn jiè hái jí wéi hǎn jiàn。
yì zhě de huà
yuán xù
dì yī bù xiàn zhuàng
1. tíng bǎi de zhōng
2. nèi xīn shì jiè de zhàn zhēng
3. shòu xué hé jù shé
4. huà shēn
5. pèi jí · lú · bào dé wēn
6. wéi duō lì yà · ān tuō wàn nèi tè · shā lǔ
7. wèishénme
dì 'èr bù lái yóu
8. wēi luò · kē nà sī
9. bù cún zài de zuó tiān
10. tōu qiè shí jiān de zéi
11. xún zhǎo zhōng xīn
12. chén mò de mù jī zhě
13. kǒng bù de xiào shēng
14. hǎi dì
15. bèi róu lìn de hái zǐ
16. fēng kuáng zhī jiā
17. wēi lā dé
dì sān bù jiě tuō
18. hé shí hé kàng zhēng
19. nán hái zǐ men
20. zhèng tǒng de huà yǔ
21. shén qiǎn de jiǔ
22. tián bǔ shí jiān de kòngbái
dì sì bù chóngjiàn
23. tuì suō de bái dà guà
24. zì shā
25. kāi shǐ huī fù jì yì
26. gè bēn qián chéng
27. qū tǐ zhōng de qiú tú
28. róng hé de lì chéng
29. tā men yě shì wǒ yā
30. bù lǚ wéi jiān
31. lā méng
32. hé 'ér wéi yī
wěi shēng
fù lù
wǒ bù zhī dào zěn me bàn。 wǒ bù zhī dào， yě méi yòu rén kě wèn。 tā men shuō， shǎn diàn bù huì liǎng cì jī zài tóng yī gè dì fāng， kě shì， nǐ zěn me néng nà me què dìng ní？
yī gè guǎ fù dài zhe yī gè xiǎo gū niàn， zū xià liǎo yōu gǔ wū， tīng dào zhè gè xiāo xī， wǒ fēi cháng gāo xīng， zhè xià wǒ kě yòu wán bàn liǎo。 wǒ men jiā quán shì xiē lǎo rén， nǎi nǎi、 ā jiā suō gū mā hái yòu shū shū nài dé， tā zhǐ zài zhōu mò lái zhè lǐ。 lián tā yě hěn lǎo liǎo héng héng dà yuē 30 suì。 wǒ yòu sān gè jiě jiě， kě shì tā mendōu hěn dà liǎo， bù yuàn yì gēn wǒ wán， tā men rèn wéi wǒ shì gè shǎ yā tóu。
suǒ yǐ wǒ pò bù jí dài dì děng nǎi nǎi qù bài fǎng kè lā dé tài tài， zhǐ yòu zài tā bài fǎng zhī hòu， wǒ cái néng yāo qǐng xiǎo gū niàn lái wán。 wǒ kě wàng zǎo diǎn yòu gè xiǎo huǒ bàn。
dàn shì， zài cǐ zhī qián， wǒ què xiān yù dào liǎo hā lì tè。
shí jì shàng， nǎi nǎi gēn běn méi yòu qù bài fǎng yōu gǔ wū， ér wǒ gēn hā lì tè de huì miàn yě chún shǔ 'ǒu rán。
nà tiān xià wǔ， wǒ de nǎi mā mǎ lì pài wǒ tì tā qù jì yī fēng xìn。 zài huí jiā de lù shàng， wǒ kàn dào liǎng gè mò shēng rén yíng miàn zǒu lái。 zài wǒ men zhè gè xiǎo cūn zǐ lǐ， dà jiā hù xiāng dū rèn shí， suǒ yǐ yī kàn dào mò shēng rén， wǒ mǎ shàng cāi chū tā men yī dìng shì kè lā dé tài tài hé tā de nǚ 'ér。
wǒ xiān kàn liǎo hā lì tè yī yǎn， bù jìn dà chī yī jīng。 tā bǐ wǒ 'ǎi， xiàng tā mǔ qīn yī yàng yōu yǎ， tā men liǎ chuān de yī fú fēi cháng piào liàng， wǒ men zhè lǐ cóng lái méi rén chuān guò。 tā shì gè fēi cháng yǐn rén zhù mùdì nǚ hái zǐ， pí fū jié bái rú xuě， yī duì zōng sè yǎn jīng tè bié dà， hái yòu nóng mì de jié máo。
dàn shì， wǒ dì yī yǎn jiù zhī dào， tā jué duì bù huì shì wǒ de wán bàn。 yīn wéi， suī rán tā bǐ wǒ xiǎo liǎng gè yuè， dàn tā yǐ jīng bù shì hái zǐ liǎo。 tā xiàng gè xiǎo dà rén， shèn zhì tā de jǔ zhǐ yě xiǎn dé cóng róng bù pò。 wǒ zhī dào， tā jué bù huì xiàng wǒ nà yàng lǔ mǎng bèn zhuō， dòng bù dòng jiǔ dǎ pò dōng xī。 bù guò， dāng wǒ men zǒu jìn shí， wǒ hái shì chōng tā lù chū wēi xiào， wǒ xiǎng xiàng tā biǎo míng， nǎi nǎi bù qù bài fǎng tā men， kě bù shì wǒ de cuò。
tā zhí gòu gòu dì dīng zhe wǒ， ràng wǒ jué dé zì jǐ jiù xiàng gè yōu líng yī yàng。 zài bù 'ān zhōng， wǒ zhuǎn 'ér qù kàn kè lā dé tài tài， yú shì yòu dà chī yī jīng。 wǒ tīng nài dé shū shū shuō， lì lì shì gè jué dài jiā rén， tā zǒu guò shí， dà jiā fēn fēn chōng dào chuāng hù biān kàn tā。
kè lā dé tài tài jiù shì nà yàng de jué dài jiā rén。 tā kàn dào wǒ zài zhù shì tā， jiù chōng wǒ wēi wēi yī xiào， wǒ yī xià zǐ mù dèng kǒu dāi dì zhèng zài nà lǐ。 tā de xiào róng zhēn shì tài càn làn liǎo。
tā méi yòu shuō huà， tā zhī dào zhè lǐ de shè jiāo guīju。 wǒ men cā shēn 'ér guò hòu， wǒ tīng dào hā lì tè shuō：“ méi bì yào lǐ cǎi， wǒ men bù rèn shí tā。”
kè lā dé tài tài de shēng yīn xiàng tā de rén yī yàng kě 'ài。“ wǒ xī wàng wǒ men rèn shí， hā lì tè。 wèile nǐ de yuán gù， wǒ xī wàng wǒ men rèn shí。”
“ wǒ yù jiàn kè lā dé tài tài hé tā nǚ 'ér liǎo，” wǒ huí dào jiā hòu， gào sù mǎ lì，“ wèishénme nǎi nǎi bù bài fǎng tā men ní？”
“ bié wèn liǎo！” mǎ lì shuō， wǒ jué dé tā zì jǐ qí shí yě bù zhī dào。 dàn shì， hòu lái wǒ tīng dào tā wèn nǚ pú：“ wǒ dǎo xiǎng zhī dào， kè lā dé xiān shēng shì shuí？”
wǒ pā dào lán gān shàng。“ tā sǐ liǎo，” wǒ hǎn dào。 wǒ cāi xiǎng tā yī dìng shì gè fēi cháng xié 'è de rén。 kè lā dé tài tài jiù shì yīn wéi tā cái biàn dé bù shòu huān yíng de。
nǎi nǎi réng rán méi yòu qù bài fǎng tā men。 dà yuē yī gè yuè hòu， wǒ zài cì yù dào kè lā dé mǔ nǚ。 mǎ lì dài wǒ dào luó bīn xùn xiān shēng de diàn lǐ qù mǎi yī fù shǒu tào。 luó bīn xùn xiān shēng zǒng shì zhàn zài diàn mén kǒu， yíng jiē kè rén， tā de liǎng gè nǚ 'ér lǔ xī hé 'ài 'ěr xī zài diàn lǐ fú wù。
wǒ men mǎi hǎo liǎo wǒ de shǒu tào， mǎ lì hé lǔ xī zài shāng diàn de zuì lǐ miàn dī shēng liáo tiān， zhè shí， kè lā dé tài tài hé hā lì tè zǒu liǎo jìn lái。 kè lā dé tài tài yào gěi tā nǚ 'ér mǎi yī fù pí shǒu tǒng。 wǒ men dà jiādōu dài pí shǒu tǒng， dà bù fēn shì dài hēi wěi bā de bái tù pí de， yòng yī gēn sī dài guà dào bó zǐ shàng。
ài 'ěr xī shuō bái tù shǒu tǒng yǐ jīng mài wán liǎo， tā ná chū yī fù fēi cháng piào liàng de zōng sè pí shǒu tǒng。 ài 'ěr xī shuō， zhè bǐ bái de gèng nài yòng。
hā lì tè bó rán dà nù。“ wǒ bù yào zōng sè de，” tā hǎn dào，“ zhè me zàng de yán sè。”
tā páo dào wǒ zhàn de zhè biān， wǒ zhèng zài nà lǐ kàn xiōng zhēn， yòu yī gè māo xíng xiōng zhēn， wǒ jué dé tā fēi cháng piào liàng。
“ zhè xiē dōushì lā jī，” hā lì tè yòng yī zhǒng qīng miè de kǒu qì shuō。 tā ná qǐ yī gè xiǎo jīn hé， yòu bǎ tā rēng xià。“ zhè bù shì zhēn de，” tā qīng miè dì hēng liǎo yī shēng。
tā zì jǐ jiù dài zhe yī gè fēi cháng piào liàng de xiǎo jīn hé， tā kāi shǐ zài wǒ miàn qián huàng yōu tā。 tā kě néng 'ǒu rán pèng dào liǎo lǐ miàn de tánhuáng， liàn tiáo fēn kāi， hé zǐ diào dào dì shàng。 wǒ wān xià yāo bǎ tā jiǎn qǐ lái。 hé zǐ de yī miàn yòu sān kē zhēn zhū， lìng yī miàn kè zhe H． W. liǎng gè zì mǔ。
“ zhè shì nǐ nǎi nǎi de má？” wǒ shuō。 wǒ nǎi nǎi jiù gěi guò wǒ yī gè。
“ dāng rán bù shì，” hā lì tè shuō， dī xià tóu， zhè yàng wǒ kě yǐ gěi tā chóngxīn guà shàng。“ bié chě wǒ de tóu fā。 zhè shì wǒ 6 suì shí gěi wǒ de。”
“ dàn shì， zhè shàng miàn de zì mǔ bù shì nǐ de míng zì 'ā，” wǒ jiān chí shuō。
“ nà shì yīn wéi wǒ fù qīn zǒu liǎo，” tā shuō。 wǒ zhī dào tā de yì sī shì shuō tā qù shì liǎo。“ yǐ qián wǒ jiào hā lì tè · wēn tè， wǒ men zài hǎi biān yòu yī dòng fáng zǐ， wǒ nǎi nǎi de fáng zǐ bǐ nǐ nǎi nǎi de dà dé duō。 wǒ yě yòu yī gè gū mā， gé léi sī gū mā。”
“ wǒ jiù yào zhè gè zōng sè de shǒu tǒng bā，” wǒ men tīng dào kè lā dé tài tài shuō。
hā lì tè huí guò tóu， xiào liǎo qǐ lái。“ nǐ yòng nà me xiǎo de shǒu tǒng， kàn shàng qù yī dìng hěn kě xiào，” tā shuō。“ rú guǒ nǐ bǎ tā gěi wǒ， wǒ jué bù huì yòng tā de。 wǒ huì bǎ tā cóng chuāng kǒu rēng chū qù de。” tā shǐ jìn duǒ liǎo duǒ jiǎo。
ài 'ěr xī bāo shǒu tǒng shí， kè lā dé tài tài zhuǎn guò tóu lái shuō：“ nǐ shì dào 'ěr wū de xiǎo gū niàn， duì má？”
mǎ lì yī dìng shì tīng dào tā de wèn huà liǎo。“ wèi， wéi qí xiǎo jiě，” tā shuō，“ wǒ gào sù guò nǐ， bié dǎ rǎo bié rén。” tā shēn chū shǒu， wǒ hěn bù qíng yuàn dì zǒu guò qù， lā zhù tā de shǒu。 kè lā dé tài tài jiē guò bāo hǎo de shǒu tǒng， zǒu chū shāng diàn， hā lì tè gēn zài tā shēn hòu。
“ tā zhǐ shì gè xiǎo wá wá，” wǒ tīng dào hā lì tè qīng miè dì shuō，“ tā xǐ huān xiǎo māo xiōng zhēn。”
“ wǒ zhī dào yòu rén yīnggāi hǎohǎo jiào xùn yī xià，” mǎ lì zài huí jiā de lù shàng shuō，“ nà gè dà xiǎo jiě！”
“ mǎ lì，” wǒ bìng bù xiǎng gēn tā shuō， kě shì shí zài méi shí me rén kě shuō liǎo， wǒ wèn，“ rú guǒ wǒ fù qīn sǐ liǎo， wǒ xū yào gǎi zì jǐ de xìng míng má？”
“ shénme？” mǎ lì jiào dào，“ wéi qí， nǐ shuō dé zhēn hǎo xiào， nǐ zěn me huì yòu zhè zhǒng xiǎng fǎ ní？”
“ hā lì tè · kè lā dé guò qù jiào hā lì tè · wēn tè， nà shì zài tā fù qīn qù shì qián，” wǒ shuō，“ tā zhù zài yī dòng kào hǎi de fáng zǐ lǐ， tā yě yòu yī gè nǎi nǎi， hái yòu yī gè jiào gé léi sī de shū shū。”
piàn kè de chén mò。 rán hòu mǎ lì shēng yīn hěn qí guài dì shuō：“ zhè shì tā gào sù nǐ de má？ tiān nǎ， wǒ zǎo gāi xiǎng dào liǎo！”
“ xiǎng dào shénme？” wǒ wèn。
tā lā liǎo wǒ yī xià， cuī wǒ kuài diǎn zǒu。“ nǐ zhī dào nǐ nǎi nǎi bù xǐ huān bié rén chuán xián huà，” tā jǐng gào wǒ shuō，“ nà shì hěn yōng sú de。”
wǔ fàn yòu kè rén， suǒ yǐ wǒ zài zì jǐ guò qù de yīng 'ér shì chī fàn。 dà rén bù yǔn xǔ wǒ dào chú fáng chī fàn， wǒ qí shí hěn xǐ huān nà lǐ。 fàn hòu， wǒ ná zhe wǒ de shū， lái dào huā yuán。 nà běn shū fēi cháng fá wèi， wǒ xī wàng nài dé shū shū cóng lún dūn gěi wǒ dài yī běn xīn de lái， tā zài lún dūn gōng zuò。
wǒ xiǎng dào huā yuán zhuā qīng wā， dàn shì méi yòu zhǎo dào， yú shì wǒ jué dìng xiàng chú zǐ yào yī bēi shuǐ， jí shǐ wǒ zhuā bù dào qīng wā， zhì shǎo wǒ kě yǐ huà yī zhǐ。
wǒ jīng guò chú fáng chuāng kǒu shí， kàn dào chú zǐ hé yī qún nǚ pú wéi zuò zài yī zhāng zhuō zǐ biān， tóu kào zhe tóu。
“ zhè shì qiān zhēn wàn què de，” mǎ lì shuō，“ tā bù kě néng biān nà me yī gè gù shì！”
“ tā dào zhè lǐ lái， jìng rán hái zhǐ wàng zhe tǐ miàn rén huì qù bài fǎng tā！” yī gè nǚ pú shuō。
“ wǒ jué dé zhè fēi cháng yòu yì sī，” lìng yī gè nǚ pú shuō，“ yī gè zhēn zhèng de xiōng shǒu。”
“ tā bù shì，” chú zǐ shuō，“ fǎ tíng shuō bù shì。 zhè kě lián de rén zǒng dé zhǎo gè dì fāng zhù 'ā。”
“ guài bù dé nà gè xiǎo gū niàn nà me guāi lì。” mǎ lì shuō，“ wǒ bù néng yuán liàng tā de， jiù shì zhè yī diǎn： bǎ hā lì tè juàn jìn qù。”
“ tā shì bèi juàn jìn qù de，” chú zǐ shuō，“ bèi dú sǐ de shì tā fù qīn。”
wǒ dūn zài chuāng hù xià， xīng fèn dé quán shēn fā dǒu。
“ zhēn qí guài， wǒ jìng rán méi yòu zǎo xiǎng dào，” mǎ lì chén sī dào，“ wǒ de yì sī shì shuō， tā jiào hā lì tè， zhào piàn yòu shàng liǎo bào zhǐ。”
yī gè nǚ pú shuō：“ bào zhǐ？ nà shì sì gè yuè qián de shì bā？ kē cí xiān shēng zuì jìn lái guò má？”
wǒ men jiā de jiù bào zhǐ dū fàng zài dì xià shì， kē cí xiān shēng gé jǐ gè yuè lái yī cì， shōu gòu jiù bào zhǐ。
wǒ tīng dào dì xià shì de mén dǎ kāi liǎo， wǒ zhī dào nǚ pú xià qù chá liǎo。 wǒ qīng qīng zhàn qǐ shēn， dàn shì， wǒ xiāng xìn， jí shǐ wǒ zhàn zài chuāng tái shàng， tā men yě bù huì zhù yì dào wǒ。 tā men dū tài zhuān zhù liǎo。
nǚ pú huí lái hòu， wǒ tīng dào fān bào zhǐ de shēng yīn， guò liǎo hěn cháng yī duàn shí jiān， chú zǐ shuō dào：“ zhǎo dào lā！ zhè lǐ yòu hā lì tè zài fǎ tíng shàng de zhào piàn。”
tā mendōu máng zhe kàn bào zhǐ， méi yòu zhù yì dào nài dé shū shū zǒu jìn qù。 tā bǐ píng cháng lái dé zǎo， ér qiě yī lái jiù zhíbèn chú fáng。 tā shì jiā lǐ zuì shòu huān yíng de rén。 zhè bù jǐn shì yīn wéi tā cháng dé yīng jùn， hái yīn wéi tā zǒng shì nà me chén jìng， yù shì cóng bù huāng luàn。
“ wǒ dǎ duàn liǎo tǎo lùn huì má？” wǒ tīng dào tā shuō，“ yī zhāng duō me kě 'ài de liǎn 'ā！ wǒ hǎo xiàng jiàn guò tā， ā， xiǎng qǐ lái liǎo。 wèishénme nǐ men yòu bǎ wēn tè 'àn zǐ fān chū lái？ tā yǐ jīng jié shù liǎo。”
mǎ lì gào sù tā shuō：“ zhè shì yōu gǔ wū xīn lái de nà wèi nǚ shì， tā de nǚ 'ér jīn tiān zǎo chén zài luó bīn xùn shāng diàn gēn wéi qí xiǎo jiě shuō guò huà。”
dāng nài dé shū shū zài cì kāi kǒu shuō huà shí， wǒ jīhū tīng bù chū shì tā de shēng yīn。“ tiān nǎ，” tā shuō，“ jiù shì chóngtí。 wǒ xiǎng měi gè réndōu bù xiǎng ràng tā wàng jì。 tā zài nǎ 'ér？ wǒ shì shuō wéi qí？”
“ zài huā yuán lǐ，” mǎ lì shuō。
wǒ cóng chuāng hù biān liù dào wū jiǎo， rán hòu páo dào huā yuán， dǎ kāi shū běn， děng zhe tā de dào lái。
“ dú dé hěn gāo xīng， shì má？” nài dé shū shū shuō，“ nǐ shénme shí hòu kāi shǐ dǎo zhe kàn shū liǎo？”
“ nǐ gěi wǒ dài xīn shū liǎo má？” wǒ wèn，“ zhè běn shū wǒ yǐ jīng dú wán liǎo。”
“ nǐ zài zhè 'ér duō cháng shí jiān liǎo？” nài dé shū shū wèn。“ wéi qí， bié sǎ huǎng。”
“ wǒ bìng bù shì gù yì yào tīng de，” wǒ tuō kǒu 'ér chū， bù zhī dào nài dé shū shū huì zěn me chǔlǐ zhè shì。“ wǒ qù yào shuǐ， tā men gāng hǎo zài shuō huà， wǒ tīng dào hā lì tè de míng zì。”
“ nǐ tīng dào shénme？” shū shū wèn。
“ kè lā dé tài tài héng héng dú sǐ liǎo tā zhàng fū。” wǒ jié jiēbā bā dì shuō。
“ bù duì。 péi shěn tuán yǐ jīng xǐ qīng liǎo tā de zuì míng， tā méi yòu dú sǐ tā zhàng fū， tā bèi shì fàng liǎo。”
“ rú guǒ tā méi yòu zuò，” wǒ shuō，“ nà tā wèishénme yào gǎi míng huàn xìng ní？”
“ yīn wéi wú zuì shì bù gòu de， dà jiā bì xū xiāng xìn nǐ shì wú zuì de。 nǐ míng bái má？”
wǒ diǎn diǎn tóu。“ wǒ xiǎng wǒ míng bái。 qù nián shèng dàn jié， ā jiā suō gū mā shuō wǒ dǎ pò liǎo kè tīng de huā píng。 qí shí wǒ méi yòu， yī dìng shì fēng chuī de。 dàn shì， tā bù xiāng xìn wǒ de huà。”
wǒ jì dé， dāng shí wǒ hěn chī jīng， fā xiàn nǐ shuō liǎo shí huà， què bù bèi bié rén xiāng xìn， yīn wéi nǐ wú fǎ zhèng míng。 zhǐ yòu wǒ zì jǐ zhī dào， wǒ méi yòu dǎ pò huā píng。 yòu shí hòu， wǒ qí guài shàng dì zěn me chén mò bù yǔ ní？ wèishénme bù chū miàn bāng zhù nà xiē má fán chán shēn de rén ní？ bù guò， rú guǒ zhēn shì nà yàng de huà， rén jiān bù jiù shì wán quán gōng píng de liǎo？ nà yòu yào tiān táng gànshénme？
“ kè lā dé tài tài yě shì zhè yàng de má？” wǒ wèn。
nài dé shū shū diǎn diǎn tóu。“ shì de， wéi qí，” tā shuō，“ tā yě shì tóng yàng de qíng kuàng。”
nà tiān wǎn shàng， wǒ zǒu guò kè tīng shí， kàn dào 'ā jiā suō gū mā zài wǎng yī zhāng niú pí zhǐ shàng tiē bào zhǐ。 wǒ mǎ shàng cāi dào nà shì yòu guān shěn xùn kè lā dé tài tài de bào dào。 ā jiā suō gū mā hǎo xiàng nǎo dài hòu miàn cháng liǎo yǎn jīng yī yàng， tóu yě bù huí dì jiào dào：“ wéi qí， wǒ yǐ qián gào sù guò nǐ， bù yào sì chù luàn dǎ tīng， zhè hěn bù hǎo。”
wǒ kuài bù páo huí zì jǐ de chuáng shàng， wǒ xià liǎo jué xīn， yī dìng yào gǎo dào nà xiē bào zhǐ， dú wán suǒ yòu de bào dào。
wǒ bù dé bù děng liǎo yī gè duō xīng qī。 nài dé shū shū yǐ jīng huí lún dūn liǎo， wǒ jiǎn zhí jiù shì zì jǐ jiā lǐ de qiú tú。 dà rén shèn zhì bù ràng wǒ yī gè rén qù jì xìn。
yī tiān xià wǔ， gù lái de yī liàng mǎ chē sòng nǎi nǎi hé 'ā jiā suō gū mā chū qù chuàn mén。 wǒ tīng dào 'ā jiā suō gū mā dà shēng shuō， tā men kě néng wǎn diǎn 'ér huí lái。 wǒ cāi tā men jué dé yòu zé rèn bǎ kè lā dé tài tài de shì gào sù suǒ yòu de rén。
wǒ hěn xìng yùn， mǎ lì yá téng， bù dé bù qù bá yá， wū lǐ zhǐ shèng xià chú zǐ。 tā gào sù wǒ bié táo qì， guāi guāi dì zài huā yuán wán。
yī děng dào sì zhōu méi rén， wǒ mǎ shàng liù jìn shū fáng。 wǒ què xìn bào zhǐ zài nài dé shū shū de guì zǐ lǐ。 guì zǐ shì suǒ zhe de， kě shì wǒ zài tā de shū zhuō chōu tì lǐ zhǎo dào liǎo yàoshì。 wǒ cóng guì zǐ lǐ ná chū bào zhǐ， hòu hòu de yī dà luò， shàng miàn yòu kè lā dé tài tài、 hā lì tè hé wēn tè xiān shēng de zhào piàn， bào zhǐ shàng chēng wēn tè xiān shēng wéi“ sǐ zhě”， chēng kè lā dé tài tài wéi“ wēn tè tài tài”。
wǒ zhuā qǐ bào zhǐ， fēi kuài dì páo dào gé lóu， nà lǐ bù huì yòu rén dǎ rǎo wǒ。 wǒ zuò zài yī zhāng jiù yǐ zǐ shàng， kāi shǐ dú nà xiē bào zhǐ。
yòu xiē cí wǒ gǎo bù dǒng， bù dé bù dú hǎo jǐ biàn， bù guò， dà zhì de guò chéng wǒ hái shì kàn dǒng liǎo， xià miàn shì wǒ dú dào de gù shì。
dà yuē 10 nián qián， mǎ gé lì tè · kè lā dé 18 suì， tā gēn bǐ tā dà xǔ duō de chá 'ěr sī · wēn tè jié hūn， tā men shēng liǎo yī gè nǚ 'ér， hā lì tè， tā mǔ qīn fēi cháng chǒng 'ài tā。
zài tā sǐ qián yī gè yuè， wēn tè xiān shēng de gōng zuò fā shēng biàn dòng， tā yào dào guó wài qù gōng zuò， yóu yú nà lǐ de qì hòu， bù néng dài xiǎo hái yī qǐ qù。 tā tí chū bǎ hā lì tè liú gěi tā de mǔ qīn hé wèi hūn de mèi mèi gé léi sī zhào guǎn。 wēn tè tài tài shuō， wú lùn rú hé tā dōubù yuàn yì hé tā de nǚ 'ér fēn kāi。 hā lì tè shì gè bèi chǒng huài liǎo de hái zǐ， tā dà chǎo dà nào， shēng chēng rú guǒ tā mǔ qīn lí kāi tā， tā jiù yào tiào shuǐ zì shā。
shuāng fāng shuí yě bù ràng bù。 wēn tè tài tài shuō， rú guǒ tā zhàng fū jiān chí yào qù hǎi wài gōng zuò， nà tā jiù liú zài guó nèi， bù suí tā yī qǐ qù。 shì qíng xiàn rù liǎo jiāng jú， zhè zhǒng qíng kuàng yī zhí chí xù dào wēn tè xiān shēng sǐ qián yī xīng qī， jiù zài zhè shí， wēn tè xiān shēng tū rán bìng dǎo liǎo， fā gāo shāo。 suī rán wēn tè tài tài zài gēn tā zhàng fū nào máo dùn， dàn tā hái shì fēi cháng jìn xīn dì zhào gù tā。 wēn tè jiā zhǐ yòu yī gè pú rén， lìng yī gè yǐ jīng cí diào liǎo， yīn wéi wēn tè xiān shēng yào lí kāi zhè lǐ。 suǒ yǐ， dà bù fēn fàn cài dōushì yóu wēn tè tài tài zì jǐ zuò de， bìng rén yě zhù yào yóu tā zhào gù。 yī shēng shuō， bìng qíng bìng bù yán zhòng， gāo shāo hěn kuài jiù huì tuì， bù huì yòu shénme dà wèn tí。
wēn tè xiān shēng réng rán jiān chí yào lí kāi zhè lǐ， qù guó wài gōng zuò， tā yě réng rán jiān chí yào tā qī zǐ péi tā yī qǐ qù。
zài zhì mìng de nà tiān xià wǔ， pú rén chū qù kàn wàng tā fù mǔ， nà tiān yīn wéi tū rán xià qǐ yǔ lái， suǒ yǐ hā lì tè jiù zài bìng fáng wài miàn de lóu tī píng tái shàng wán， tā wán de shì wán jù chá huì， zhè shì tīng shàng qù sì hū wú guān jǐn yào， qí shí què guān xì zhòng dà。
dà yuē 4 diǎn zhōng shí， wēn tè tài tài gào sù hā lì tè， tā yào qù lóu xià zhǔn bèi chá diǎn。
“ péi nǐ fù qīn zuò zhe， děng wǒ huí lái，” tā shuō，“ tā yào shénme jiù gěi tā， bié rě tā shēng qì， tā de bìng hái hěn yán zhòng ní。”
zhè yǔ yī shēng de kàn fǎ dà xiāng jìng tíng， yī shēng rèn wéi tā yǐ jīng kāi shǐ kāng fù liǎo。
dà yuē 15 fēn zhōng hòu， wēn tè tài tài duān zhe chá pán huí lái， hā lì tè yòu qù wán tā de wán jù chá huì。 piàn kè zhī hòu， bìng fáng lǐ chuán lái shēn yín hé 'ǒu tù de shēng yīn。 hā lì tè réng rán zài yuán dì wán yóu xì， yī zhí dào tā mǔ qīn lái dào mén kǒu， shuō：“ nǐ fù qīn bìng qíng tū rán 'è huà， wǒ men yīnggāi qù jiào bù lāi 'ěr yī shēng， dàn shì shuí qù jiào tā ní？ ā lì sī chū qù liǎo， tā bìng dé zhè me yán zhòng， wǒ bù xiǎng ràng nǐ dān dú gēn tā zài yī qǐ。”
hā lì tè shuō：“ wǒ kě yǐ qù jiào yī shēng。” wài miàn xià zhe yǔ， wēn tè tài tài hěn bù yuàn yì ràng hā lì tè yī gè rén chū qù， bù guò tā jué dé bié wú xuǎn zé。 yú shì tā gěi liǎo hā lì tè yī zhāng zì tiáo， bù jiǔ yǐ hòu， gé léi sī gū mā zài chéng chē huí jiā de lù shàng， kàn dào hā lì tè。
gé léi sī gū mā tíng xià chē， wèn hā lì tè wèishénme yī gè rén zài wài miàn luàn páo。 hā lì tè yǐ jīng mí liǎo lù， tā jiě shì tā fù qīn bìng qíng tū rán 'è huà， gé léi sī gū mā mǎ shàng kāi chē dào yī shēng jiā， bìng péi zhe yī shēng hé hái zǐ huí dào tā gē gē jiā。
wēn tè tài dà kāi de mén， tā shuō：“ ā， yī shēng， kuài diǎn jìn lái bā， tā hǎo xiàng bù xíng liǎo。 wǒ bù zhī dào shì shénme yǐn qǐ bìng qíng 'è huà de， bù kě néng shì yīn wéi chī liǎo shénme bù hǎo de dōng xī， yīn wéi tā chī de suǒ yòu dōng xī dōushì wǒ qīn shǒu zuò de。”
tā lǐng tā men shàng liǎo lóu， bìng fáng de mén kāi zhe。 wēn tè xiān shēng yī jiàn dào tā mèi mèi， jiù yòng wēi ruò de shēng yīn shuō：“ gé léi sī， wǒ bèi xià liǎo dú。”
gé léi sī xiǎng yào liú xià， dàn yī shēng yào zuò jiǎn chá， jiù bǎ tā hé hā lì tè gǎn chū bìng fáng。
duì wēn tè tài tài hěn bù lì de yī jiàn shì shì， tā méi yòu liú xià rèn hé 'ǒu tù wù。 hòu lái， gé léi sī bèi yǔn xǔ huí dào bìng fáng zhōng， tā zuò zài chuáng biān， wò zhe tā gē gē de shǒu， wèn tā：“ hēng lì， shì shuí xià de dú？” dàn tā yǐ jīng hūn mí guò qù liǎo， shuō bù chū huà liǎo。
hòu lái， gé léi sī dài zhe hā lì tè huí dào jiā， hā lì tè fēi cháng bù yuàn yì gēn tā huí jiā。
yī shēng liú xià lái， dà yuē líng chén 4 diǎn zhōng shí， zài hūn mí liǎo hěn cháng yī duàn shí jiān zhī hòu， wēn tè sǐ liǎo。
yī shēng gēn jù sǐ zhě suǒ shuō de huà， jiān chí zài jiě pōu shī tǐ qián， bù qiān fā sǐ wáng zhèng shū。
gé léi sī bù néng huí jiā， tā xiě liǎo yī zhāng zì tiáo， pài 'ā lì sī sòng huí jiā。
bù jiǔ， jǐng chá lái dào hā lì tè nǎi nǎi jiā， yào qiú jiàn hā lì tè。 tā sì hū fēi cháng zhèn jìng dì wèn：“ tā sǐ liǎo？ shì bèi dú sǐ de má？ huì bù huì shì niú nǎi lǐ yòu shénme dōng xī？”
jǐng chá shuō， dào mù qián wéi zhǐ， tā men hái bù zhī dào niú nǎi de shì。 yú shì hā lì tè jiǎng liǎo yī jiàn shì。 zài tā mǔ qīn xià lóu hòu， tā fù qīn shuō：“ wǒ hěn kě。 nǐ néng gěi wǒ yī diǎn hē de dōng xī de má？”
shuǐ bēi bèi wēn tè tài tài ná dào lóu xià， dào chú fáng jiē rè shuǐ qù liǎo。 hā lì tè shǒu biān méi yòu shuǐ， tā shuō， tā yòu xiē wán chá huì yòng de niú nǎi， wèn nà xíng bù xíng。
tā fù qīn shuō：“ nà yě xíng。” yú shì hā lì tè bǎ niú nǎi dǎo jìn bō lí bēi， zhè shí tā shuō：“ cóng yào guì lǐ bǎ wǒ de yào píng ná gěi wǒ。” tā yòng niú nǎi chī liǎo yī piàn yào。
tā bǎ bō lí bēi hái gěi tā， shuō：“ bié gào sù nǐ mǔ qīn zhè shì， tā bù xǐ huān wǒ chī yào。” rán hòu tā yòu zì yán zì yǔ dì shuō，“ yòu shí hòu wǒ jué dé， wǒ sǐ liǎo tā huì hěn gāo xīng de。”
jǐng chá wèn hā lì tè：“ wèishénme yǐ qián nǐ bù shuō zhè shì ní？”
hā lì tè shuō：“ yīn wéi wǒ fù qīn bù ràng wǒ shuō。”
“ nǐ shénme shí hòu gào sù nǐ mǔ qīn de？”
“ wǒ méi yòu gào sù tā。 wǒ méi yòu zài jiàn dào tā。”
“ nǐ gào sù guò bié rén má？”
“ méi yòu rén kě gào sù de。”
“ nǐ hái yòu nǎi nǎi hé gū mā má。”
“ wǒ jué bù huì gào sù tā men wǒ men jiā de shì，” hā lì tè shuō。
jiǎn chá guān yào péi shěn tuán xiāng xìn， niú nǎi de gù shì shì biān zào de， shì wéi liǎo bāng zhù wēn tè tài tài， dàn shì， hā lì tè jiān chí shuō zhè shì zhēn de。 tā méi yòu jī huì hé tā mǔ qīn yī qǐ biān zào zhè yàng yī gè gù shì， yě méi yòu rén xiāng xìn tā huì zì jǐ biān zhè me yī gè gù shì chū lái。
bō lí bēi hé chá pán shàng de chá bēi dōubèi xǐ gān jìng liǎo， nà shì wēn tè tài tài děng yī shēng shí xǐ de， zhè yàng jiù wú fǎ nòng qīng chǔ dú yào shì zěn me jìn lái de。 chú liǎo chá zhī wài． wēn tè xiān shēng hái chī liǎo jǐ kǒu tián bǐng， qí tā de tián bǐng hái zài chá pán shàng， kě shì wēn tè xiān shēng yǎo guò de nà kuài yǐ jīng rēng diào liǎo。 wēn tè tài tài shuō tā xiǎng ràng bìng fáng xiǎn dé zhěng jié gān jìng， tā méi yòu lǐ yóu huái yí tā zhàng fū bèi xià liǎo dú。
shī tǐ jiě pōu biǎo míng， tā chī de dú yào lái zì yī gè tiě guàn， nà shì mǎi lái shā huā yuán lǐ lǎo shǔ de。 tiě guàn fàng zài huā yuán péng zǐ lǐ de jià zǐ shàng。 huā jiàng gào sù fǎ tíng， zhè tiě guàn shì wēn tè xiān shēng gěi tā de。 tā zhǐ jiàn guò wēn tè tài tài yī cì， nà cì tā xiàng tā yào xiān huā fàng zài wū lǐ。
wēn tè xiān shēng bù xǐ huān bǎ huā kǎn xià lái bǎi dào wū lǐ。 huā jiàng shuō tā hǎo jǐ cì tīng dào tā men wèicǐ zhēng chǎo。 tā cóng lái méi yòu jìn guò wū， tā zǒng shì bǎ shū cài hé xiān huā sòng dào chú fáng mén kǒu， rú guǒ tā xiǎng hē chá， zǒng shì yóu yī gè pú rén cóng chú fáng chuāng kǒu dì gěi tā。
zài fǎ tíng shàng， tā men xiǎng ràng rén men xiāng xìn， wēn tè tài tài xǐ huān nà gè huā jiàng， huā jiàng 30 suì zuǒ yòu， cháng dé bù cuò。 bù guò， wǒ jué dé zhè shì hěn kě xiào de， tā zhǐ shì gè huā jiàng， yòu méi yòu shénme qián。
hā lì tè bèi jiào dào fǎ tíng shàng， jiǎn chá guān shuō tā shì yī gè zhòng yào de zhèng rén。 wǒ kě yǐ xiǎng xiàng tā fēi cháng zhèn jìng dì shuō，“ wǒ bù zhī dào”，“ wǒ bù jì dé liǎo”。 tā shuō tā mǔ qīn nà tiān gēn běn méi yòu qù huā yuán， tā zì jǐ xià yǔ qián dǎo shì zài huā yuán cǎo dì shàng wán zhe。 tā mǔ qīn xià lóu zhǔn bèi chá diǎn shí， tā zhèng wàng zhe chuāng wài， rú guǒ tā mǔ qīn qù huā péng， tā huì kàn jiàn de。 méi yòu fā xiàn shī de xié zǐ hé qún zǐ， jǐng chá zài wū lǐ yě zhǎo bù dào gèng duō de dú yào。
guān yú zhè gè 'àn jiàn de bào dào tài duō liǎo， wǒ méi fǎ quán bù dú wán， bù guò， zuì hòu， péi shěn tuán rèn dìng wēn tè tài tài méi yòu tóu dú。 tā men shuō méi yòu chōng fēn de zhèng jù biǎo míng shì gù yì tóu dú。 wǒ cāi tā men de yì sī shì， kě néng shì tā zì jǐ chī de。
yòu yī zhāng jiǎn bào shàng shuō， wēn tè tài tài dài zhe tā de hái zǐ lí kāi tā de zhù dì， dào bié chù kāi shǐ xīn de shēng huó。 wǒ jué dé zhè hěn kě xiào。 nǐ guò liǎo 30 suì， jiù hěn lǎo liǎo， bù kě néng kāi shǐ xīn de shēng huó。
wǒ de zhù yào gǎn jué jiù shì fēi cháng xiàn mù hā lì tè。 tā zài 10 suì qián jiù chéng liǎo nǚ zhùjué！ bào zhǐ shàng yòu tā de zhào piàn。 wǒ kāi shǐ zuò bái rì mèng， mèng xiǎng zì jǐ yě zhàn zài fǎ tíng shàng， wéi nài dé shū shū zuò zhèng。 dāng rán， tā bù huì bèi zhǐ kòng móu shā， bù guò tā kě néng bèi kòng qiǎng yínháng， huò zhě shuō， rén men rèn wéi tā qiǎng jié liǎo yínháng。
wǒ chén nì yú zì jǐ de huàn xiǎng zhōng， zài fàng huí bào zhǐ shí， chàdiǎn bèi nǎi nǎi zhuā zhù。
“ jīn tiān xià wǔ nǐ zài gànshénme？” ā jiā suō gū mā wèn， wǒ gào sù tā wǒ zài dú shū。 wǒ yè xià xié zhe nài dé shū shū sòng wǒ de xīn shū。 wǒ kāi shǐ jué dé zì jǐ xiàng hā lì tè yī yàng jiǎo huá。
xiàn zài， wǒ kě wàng zài cì jiàn dào tā， dàn shì， tā hé tā mǔ qīn jiù xiàng yī duì zuàn dào dì xià de hú lí yī yàng， gēn běn jiàn bù zhe。 wǒ jué dìng qīn zì bǎ tā zhǎo chū lái。 yī tiān xià wǔ， wǒ bǎ wǒ de pí qiú cóng qián mén dàn chū qù， rán hòu wǒ zì jǐ gēn zhe xiàng shān pō xià páo qù。
yōu gǔ wū jiù zài shān pō xià， tā zhī suǒ yǐ zǒng shì kōng zhe， yuán yīn zhī yī jiù shì nà lǐ fēi cháng cháo shī。 dāng wǒ zǒu jìn mén kǒu shí， kě yǐ tīng dào hā lì tè zài shuō huà， wǒ qí guài shuí nà me dà dǎn， jìng rán qù zhǎo tā wán。
wǒ gù yì bǎ pí qiú rēng jìn tā de huā yuán， rán hòu cóng mén kǒu xiàng lǐ zhāng wàng， zhè shí， wǒ fā xiàn tā de tóng bàn shì xiǎng xiàng de。 tā zhèng zuò zài cǎo dì shàng， nà tào zhù míng de chá jù tān kāi zài yī zhāng bái bù shàng。 tā kàn dào wǒ hòu， jiù yán lì dì wèn：“ nǐ xiǎng gànshénme？”
“ wǒ de pí qiú diào dào nǐ de huā yuán liǎo，” wǒ shuō。
tā xiǎng liǎo yī xià， rán hòu shuō：“ nǐ zuì hǎo guò lái， bǎ tā jiǎn zǒu。”
wǒ fēi cháng xǐ huān nà tào chá jù， zuòde fēi cháng bī zhēn。 hā lì tè yòng cǎi sè shí zǐ、 shù yè hé shù zhī lái dāng bǐng gān huómiàn bāo。
“ rú guǒ nǐ yuàn yì， kě yǐ liú xià hē chá，” tā màn bù jīng xīn dì shuō，“ wǒ fǎn zhèng yǐ jīng gěi nǐ liú xià yī gè kòngwèi。”
“ nǐ zěn me zhī dào wǒ yào lái？” wǒ wèn，“ qí tā rén lái dé fēi cháng wǎn， shì má？”
tā qīng miè dì kàn liǎo wǒ yī yǎn。“ tā men yǐ jīng lái liǎo，” tā shuō，“ nǐ kàn bù jiàn tā men， nà kě bù néng guài wǒ。”
tā ná qǐ yī gè chá hú， dǎo chū kàn bù jiàn de chá。
“ nǐ zì jǐ jiā nǎi yóu bā，” tā shuō， zhǐ zhǐ guàn zǐ。
wǒ xiǎo xīn dì bǎ tā dǎo chū lái。 rán hòu wǒ ná qǐ táng guàn， yáo chū jǐ kuài táng， fàng jìn chá bēi zhōng。 ràng wǒ dà chī yī jīng de shì， hā lì tè zhuā zhù wǒ de shǒu。
“ bù jīng yāo qǐng， nǐ bù yīnggāi zì jǐ dòng shǒu，” tā shuō。 wǒ xiǎng shàn zì dòng shǒu ná dàn gāo shí， wǒ nǎi nǎi yě zǒng shì dǎ wǒ de shǒu。
“ dàn shì wǒ yǐ jīng ná liǎo táng，” wǒ shuō。
“ nà bēi chá bù shì gěi nǐ de， shì gěi nǐ nǎi nǎi de，” hā lì tè zhǐ zhe cǎo dì shàng de yī gè dì fāng， wǒ shùn cóng dì bǎ bēi zǐ fàng xià。
“ xiàn zài gěi nǐ gū mǔ，” tā dì gěi wǒ yī gè chá bēi，“ hái yòu dí kè xùn tài tài， tā yě bù jiā táng。”
“ nài dé shū shū de ní？” wǒ cuī cù dào。
“ ā， wǒ men bù yāo qǐng nán rén，” hā lì tè shuō，“ rú guǒ nǐ shì gè dú jū de nǚ rén， nǐ bù néng yāo qǐng tā men。 zài shuō， wǒ men bù xiǎng yào tā men。”
“ wǒ zǒng shì yào nài dé shū shū，” wǒ shuō， bìng qiě cán kù dì bǔ chōng liǎo yī jù，“ nǐ bù xiǎng niàn nǐ fù qīn má？”
“ ò， tā cóng lái bù gēn wǒ wán， tā zǒng shì hěn máng，” tā yòng zuì lěng jìng de shēng yīn huí dá shuō，“ fù qīn men bù wán， tā men sì chù lǚ xíng。” tā hěn hěn dèng liǎo wǒ yī yǎn，“ nǐ de fù qīn ní？ tā yě zǒu liǎo？”
“ tā qù yìn dù liǎo， tā xiàn zài yǐ jīng yòu lìng wài yī gè qī zǐ liǎo。 wǒ xiǎng zhè lǐ jiù shì wǒ de jiā。”
“ nà me tā zǒu liǎo，” tā tīng shàng qù hěn dé yì，“ wǒ jiàn guò nǐ de gū mā 'ā jiā suō。 wǒ mǔ qīn shuō tā shì gè lǎo chǔnǚ。” wǒ bù zhī dào zhè shì shénme yì sī， bù guò tīng qǐ lái bù shì shénme hǎo shì。 wǒ hái lái bù jí huí dá， jiù tīng dào yòu rén jiào wǒ de míng zì， yī huí tóu， fā xiàn nài dé shū shū zhàn zài mén kǒu。
“ nǐ nǎi nǎi zhèng wéi nǐ dān xīn ní， wéi qí，” tā shuō，“ nǐ yīnggāi gào sù dà jiā， nǐ bèi yāo qǐng lái hē chá。”
tā chōng hā lì tè diǎn diǎn tóu， zhāi xià mào zǐ。
“ tā zì jǐ xiǎng liú xià de，” hā lì tè màn bù jīng xīn dì shuō。
wǒ kāi shǐ xiàng tā jiě shì shì qíng de lái lóng qù mài， zhè shí， wǒ fā xiàn tā bù zài kàn wǒ liǎo。
tā zài níng shì gāng gāng dǎ kāi de qián mén。 kè lā dé tài tài zhèng zǒu guò lái。
“ wǒ lái zì wǒ jiè shào yī xià，” tā shuō，“ wǒ shì wéi qí de shū shū， ài dé huá · ào hā 'ěr。 wéi qí wàng jì gào sù wǒ men tā qù nǎ 'ér liǎo。”
“ hěn gāo xīng hā lì tè yòu gè xiǎo huǒ bàn，” kè lā dé tài tài shuō，“ zhè lǐ xiǎo hái zǐ bù duō。”
hā lì tè qì fèn dì shuō：“ wǒ yǐ jīng 9 suì， bù shì xiǎo hái liǎo， ér qiě wǒ méi yòu yāo qǐng tā， tā zì jǐ xiǎng yào lái de， tā gù yì bǎ tā de pí qiú cóng qiáng shàng rēng jìn lái！”
“ nà tā zhēn shì tài tái jǔ wǒ men liǎo。” tā mǔ qīn shuō。 tā zhuànxiàng nài dé shū shū，“ wǒ hěn lè yì zài cì yāo qǐng tā， bù guò， wǒ men hěn kuài jiù yào lí kāi zhè lǐ liǎo。”
“ nà zhēn shì tài yí hàn liǎo，” nài dé shū shū shuō，“ tā men shuō zhè fáng zǐ……”
“ hěn cháo shī。 duì， dàn bù shì yīn wéi zhè yī diǎn。 zhù yào shì wǒ bù xǐ huān gōng yè chéng shì， shèn zhì bù xǐ huān kǎo wén chuí。”
“ rú guǒ yòu jìn chéng de mén， nà me yīnggāi yě yòu chū chéng de mén，” wǒ shū shū shuō。
“ yī shàn mì mì de mén，” kè lā dé tài tài shuō， wǒ zài cì kàn dào tā nà càn làn de xiào róng。 wǒ xiǎng， tā yīnggāi duō xiào xiào， tā de xiào róng huì zhào liàng zhěng gè shì jiè。
“ rú guǒ nǐ zhǎo bù dào yàoshì， nà me yòu rén huì wéi nǐ zhǎo dào de。”
“ rú guǒ tā zhǐ xiàng yī gè fāng xiàng kāi fàng ní？”
“ kě yǐ zǒu jìn qù。”
tā men jiù xiàng liǎng gè dǎ wǎng qiú de rén， bǎ qiú dǎ lái dǎ qù， bù lǐ cǎi bàng rén。 wǒ bù míng bái tā men zài shuō shí me， dàn shì， wǒ zháomí dì tīng zhe。
“ zhè shì yī gè gū dú de dì fāng，” kè lā dé tài tài shuō。
“ nà yào kàn nǐ gēn shuí zài yī qǐ liǎo。 ér qiě nǐ yào zhī dào，” wǒ shū shū shuō，“ rén bù bì yào bèi dà zhòng zuǒ yòu。 zhè jiù shì shuō， yī gè rén bù bì tīng xìn liú yán fēi yǔ。”
“ nǐ shì dì yī gè duì wǒ shuō zhè huà de rén。”
wǒ kàn dé chū， tā men liǎ dū wàng jì liǎo wǒ men de cún zài， rú guǒ bù shì hā lì tè chā jìn lái， zhè zhǒng jiāo tán kě néng huì wú xiū zhǐ dì jìn xíng xià qù， tā shuō：“ rú guǒ wéi qí de nǎi nǎi hěn wéi tā dān xīn， tā shì bù shì yīnggāi huí jiā liǎo？”
“ yě xǔ nǐ zuì hòu huì gǎi biàn zhù yì de，” nài dé shū shū cuī cù shuō，“ hěn bào qiàn dǎ duàn nǐ de chá huì， hā lì tè。”
“ ò， hěn duō rén hái liú zhe ní，” hā lì tè xiàng gè dà rén yī yàng shuō。 tā kàn zhe wǒ，“ wǒ gào sù guò nǐ， wǒ men bù yào nán rén。 tā men yī lái jiù nòng dé luàn qī bā zāo， rán hòu jiù zǒu liǎo。”
“ kè lā dé tài tài shuō dào kǎo wén chuí， nà shì shénme yì sī 'ā？” huí jiā shàng pō de lù shàng， wǒ wèn nài dé shū shū。
“ nà gè dì fāng dà jiādōu bù shuō huà。”
“ nà wèishénme hái qù nà 'ér ní？”
“ rén men bù shì qù nà lǐ， rén men shì bèi gǎn dào nà lǐ de。 tā men bié wú xuǎn zé。”
zài shān pō dǐng shàng， ā jiā suō gū mā zhàn zài nà lǐ děng。“ nǐ qù nǎ 'ér liǎo？” tā xùn chì dào。
“ tā de pí qiú diào dào shān pō xià liǎo， tā qù shí qiú，” nài dé shū shū shuō。
tā zhǐ zì bù tí kè lā dé tài tài huò hā lì tè……
tū rán， wǒ duì kè lā dé mǔ nǚ shī qù liǎo xīng qù。 wéi sī dùn yī jiā lái fù jìn jū zhù， tā men de nǚ 'ér xīn xī yà gēn wǒ men yī qǐ dú shū。 wǒ yù jiàn tā de dì yī tiān， jiù zhī dào tā shì wǒ děng dài yǐ jiǔ de rén。 xiàng wǒ yī yàng， tā hái shì gè hái zǐ， wǒ men lì kè chéng wéi hǎo péng yǒu。
zài nà yán rè màn cháng de xià tiān， wǒ men xíng yǐng bù lí。 nǎi nǎi hěn kuài jiù qù bài fǎng tā jiā， suǒ yǐ wǒ kě yǐ suí yì yāo qǐng xīn xī yà lái wǒ men jiā wán， lián mǎ lì yě hěn xǐ huān tā。 wǒ yī xiǎng dào hā lì tè， jiù jué dé tā tè bié 'ào màn rèn xìng。 wǒ 'ǒu 'ěr hái huì kàn dào tā， suǒ yǐ wǒ zhī dào tā men hái méi yòu lí kāi yōu gǔ wū， dàn shì， tā duì wǒ lái shuō， zài yě bù zhòng yào liǎo， huò zhě shuō， wǒ zhè me rèn wéi。
8 yuè fèn， wéi sī dùn yī jiā qù hǎi biān。 wǒ men cóng lái bù chū qù， nǎi nǎi shuō xiāng xià de kōng qì fēi cháng hǎo。 wǒ fēi cháng huái niàn xīn xī yà。 wǒ cháng cháng tǎng zài guǒ yuán cháng cháng de cǎo cóng zhōng， biān zào yī xiē wǒ shè shēn jiù tā de gù shì。
ā jiā suō gū mā zǒng shì xùn chì wǒ：“ rú guǒ nǐ zhěng tiān bí zǐ jǐn 'āi zhe shū běn， nǐ huì huǐ liǎo nǐ de yǎn jīng hé nǎo dài。”
nài dé shū shū xīng qī wǔ hái shì guò lái， dàn shì， shèn zhì tā yě bù nà me yòu xī yǐn lì liǎo。 wǒ měi tiān dū pàn wàng zhe xīn xī yà zǎo rì guī lái。
nà tiān xià wǔ， wǒ de shì jiè dāng zhe wǒ de miàn bào zhà liǎo。
wǒ dú shū dú dé hěn fán， yú shì xiǎng zhǎo diǎn lè zǐ。 wǒ sì chù zhāng wàng， kàn dào yī gè cì wèi zài huā yuán biān dǎ dòng。 wǒ páo dào huā yuán wài miàn， kě shì cì wèi yǐ jīng bù jiàn liǎo。 wǒ xiǎng qù kàn kàn， fù jìn yòu méi yòu jí pǔ sài rén。 kě shì， wǒ què kàn dào liǎng gè rén zài sàn bù， yī gè shì nán de， lìng yī gè shì nǚ de， tū rán， nà gè nán de bǎ nǚ de lǒu dào tā de huái lǐ， tā men xiàng yī gè rén nà yàng zhàn zhe。
tā men shì kè lā dé tài tài hé nài dé shū shū。
wǒ bù jì dé zì jǐ shì bù shì jiào chū shēng， fǎn zhèng tā men fēi cháng tóu rù， gēn běn méi yòu tīng dào wǒ de shēng yīn。 wǒ kè yì kàn chū， tā men bù shì dì yī cì zài zhè lǐ xiāng huì。 tā tóu xiàng tā de huái bào， jiù xiàng xiǎo niǎo jìn cháo yī yàng zì rán。 xīn xī yà hé wǒ yòu shí tán dào 'ài qíng hé hūn yīn， zǒng shì rèn wéi tā men shì bù kě fēn lí de， kě shì， nài dé shū shū zěn me kě yǐ gēn kè lā dé tài tài jié hūn ní？
kě shì， tā hǎo xiàng zhēn de yào nà me zuò。 tóng yī tiān wǎn shàng， tā yào bǎ zhè jiàn shì gào sù liǎo nǎi nǎi。 wǒ huí guò shén lái hòu． jiù jí jí máng máng dì páo huí wū lǐ， yī tóu zhā dào nǎi nǎi de huái lǐ。
“ shénme shì bǎ nǐ xià chéng zhè yàng？” tā wèn。 tā yòu shí hòu huì biàn dé fēi cháng wēn róu。“ nǐ méi shì bā？”
tā bǎ wǒ lǐng dào kè tīng， bǎ yé yé 40 nián qián dài huí lái de zhōng guó wán jù wá wá gěi wǒ。 zhè kě shì bù tóng xún cháng de dài yù。 wǒ duǒ dào shā fā hòu miàn， bì kāi nǎi nǎi ruì lì de yǎn jīng。 tā hé 'ā jiā suō gū mā zuò zài cháng shā fā de liǎng tóu， yī qǐ xiù yī kuài jì tán de bù。 zhè shí， nài dé shū shū zǒu liǎo jìn lái。
“ nǐ tīng dào zuì jìn de yáo yán liǎo má？” ā jiā suō gū mā wèn tā。“ tā men shuō kè lā dé tài tài zhōng yú zhǔn bèi lí kāi yōu gǔ wū liǎo。 wǒ zhēn bù míng bái， tā zěn me huì zhù nà me cháng shí jiān。”
“ yī gè rén huì yàn juàn bēn bō de，” nài dé shū shū shuō。
“ xiàn zài tā yòu yào dào bié chù qù liǎo，” ā jiā suō gū mā hěn dé yì dì shuō。
“ dàn zhè cì tā bù shì dān dú yī rén， yě bù shì méi yòu bǎo hù de。 wǒ jiāng gēn tā yī qǐ lí qù。”
“ nǐ bù yīnggāi kāi zhè zhǒng wán xiào，” ā jiā suō gū mā jiào dào，“ jí shǐ kāi wán xiào， yě bù néng kāi zhè yàng de wán xiào， tā shì yī wèi nà me bēi jiàn de nǚ rén。”
“ mǎ gé lì tè bù shì bēi jiàn de nǚ rén，” nài dé shū shū shuō，“ bù jiǔ tā jiāng chéng wéi wǒ de qī zǐ。”
nǎi nǎi wèn dào：“ nǐ fā fēng liǎo má？ hé zhè yàng yī gè nǚ rén jié hūn， nǐ huì huǐ liǎo nǐ zì jǐ de。 shuí hái huì gēn nǐ zuò shēng yì ní？”
“ ò， wǒ men bù huì lián lěi nǐ men de，” nài dé shū shū shuō，“ wǒ yào dào jiā ná dà qù gōng zuò。 nǐ men zhī dào， wǒ yī zhí hěn xǐ huān lǚ xíng， hěn xiǎng dào yī gè xīn de dì fāng， nà gè dì fāng de rén bù huì zhěng tiān wú suǒ shì shì， zǒng shì chuán xián huà。”
“ nǐ bù zài yì nǐ hái zǐ de mǔ qīn céng jīng bèi kòng móu shā qián fū， shòu dào guò shěn xùn？”
“ tā bèi pàn wú zuì，” nài dé shuō。
“ yīn wéi quē fá zhèng jù。”
“ yīn wéi fā xiàn tā shì wú gū de。”
“ bù duì，” nǎi nǎi shuō，“ tā méi yòu bàn fǎ bèi dìng zuì， zhè shì jié rán bù tóng de liǎng mǎ shì。 ài dé huá， rú guǒ nǐ zhè me zuò de huà， nà wǒ men jiù duàn jué yī qiē lái wǎng。”
“ wǒ bù xiāng xìn nǐ zhè huà shì dāng zhēn de，” nài dé shū shū shuō，“ dàn shì， wú lùn rú hé wǒ yě bù huì fàng qì mǎ gé lì tè。 wǒ quán shēn xīn dì 'ài tā。”
wǒ yī dìng shì dòng liǎo yī xià， yīn wéi tū rán tā men yì shí dào wǒ zài shā fā hòu miàn。 ā jiā suō gū mā zhuā zhù wǒ， gào sù wǒ tōu tīng shì fēi cháng kě chǐ de。
“ bié xùn tā liǎo，” nài dé shū shū nù qì chōng chōng dì shuō，“ wǒ hěn lè yì dài tā gēn wǒ men yī qǐ zǒu。 bù guǎn zěn me shuō， wéi qí， wǒ xī wàng bù jiǔ de jiāng lái， nǐ huì lái kàn wàng wǒ men。”
dàn shì， wǒ tuī kāi tā。“ nǐ jiāng shǔ yú tā men，” wǒ hǎn dào，“ nǐ huì wàng diào wǒ men。 zài shuō， nǐ yě bù zhī dào tā méi yòu fàn zuì。”
wǒ měng dì chōng chū kè tīng。
jǐ tiān hòu， wǒ zài lù shàng yù jiàn hā lì tè。 xiāo xī yǐ jīng chuán biàn liǎo quán cūn， yōu gǔ wū yī fù jiāng bèi yí qì de yàng zǐ。
“ wèishénme nǐ men yào rě tā？” wǒ tuō kǒu jiào dào，“ nǐ men dào lái zhī qián， wǒ men shì hěn kuài lè de。”
“ shì tā rě wǒ men，” tā fǎn bó dào，“ wǒ men shuí yě bù xū yào。”
“ nǐ mǔ qīn kě bù zhè me xiǎng。 wǒ kàn dào tā men zài yī qǐ。”
“ tā shǔ yú wǒ，” hā lì tè jiān jiào dào。
“ zài yě bù shì liǎo，” wǒ xiàng tā yī yàng cán kù dì shuō，“ xiàn zài tā zuì zhòng yào liǎo。”
tū rán， tā bù shēng qì liǎo， tā sì hū zài jǐ yīng lǐ zhī wài， suī rán wǒ men miàn duì miàn zhàn zhe。
“ tā zuì hǎo dāng xīn diǎn，” tā shuō，“ wǒ gào sù guò nǐ， wǒ shì gè nǚ wū， wǒ xiǎng yào shénme shì fā shēng， tā jiù huì fā shēng。”
“ nǐ bìng bù xiǎng yào zhè shì fā shēng，” wǒ cháo fěng dì shuō。
dàn tā zhǐ shì xiào xiào， páo kāi liǎo。
nà tiān wǎn shàng， kuáng fēng dà zuò， léi shēng hōng míng。 wǒ tǎng zài chuáng shàng， quán shēn fā dǒu， tòng hèn wài miàn de fēng yǔ shēng。 wǒ xiǎng qǐ hā lì hé tā de huà。“ wǒ xiǎng yào shénme shì fā shēng， tā jiù huì fā shēng。” tā xiǎng yào de， jiù shì wán quán zhàn yòu tā mǔ qīn， yǐ qián yòu rén xiǎng fēn kāi tā men， tā yǐ jīng sǐ liǎo。
zhè jiù xiàng hēi yè zhōng de yī dào shǎn diàn。
jiù zài nà yī kè， wǒ zhī dào liǎo wēn tè xiān shēng zhī sǐ de zhēn xiāng。
wǒ bìng bù zé guài jǐng chá méi yòu xiǎng dào zhè yī diǎn héng héng shuí huì huái yí yī gè 9 suì de xiǎo hái ní？ zài wǒ de yǎn qián， fú xiàn chū yī fú tú jǐng： tā gù yì bǎ dú yào fàng jìn niú nǎi zhōng， nà tiān zǎo chén， tā zài huā yuán wán， kàn dào huā jiàng bǎ dú yào fàng zài wài miàn shā lǎo shǔ， shuí huì zhù yì yī gè xiǎo nǚ hái de xíng zōng ní？ tā yī dìng shì ná liǎo dú yào， děng dài shí jī yòng tā， tā méi yòu xiǎng dào jī huì dāng tiān jiù lái liǎo。 dàn shì， bù guǎn zěn me shuō， tā dū jué dìng yào tóu dú， yīn wéi tā zhī dào zuì zhōng tā mǔ qīn huì lí kāi tā héng héng zuò wéi qī zǐ， tā bié wú xuǎn zé。
wǒ qí guài tā wèishénme bù ná zhe bō lí bēi dào chú fáng jiē shuǐ， dàn shì， dú yào fàng zài niú nǎi zhōng gèng bù róng yì kàn chū。 tā rán hòu bǎ bō lí bēi xǐ gān jìng， bù liú xià rèn hé hén jì。
wǒ zhī dào， wǒ gào sù nǐ wǒ zhī dào， dàn shì， wǒ bù zhī dào zěn me zhèng míng。 méi yòu yī gè rén huì xiāng xìn wǒ de huà， wǒ shèn zhì huì yīn cǐ 'ér shòu dào biān dǎ。
zhè shí， wǒ xiǎng qǐ nà tiān zài yōu gǔ wū huā yuán de chá huì。 nà gè táng guàn！ jǐng chá kě néng huì sōu chá zhěng gè wū zǐ， xún zhǎo dú yào de hén jì， dàn shì， tā men bù huì xiǎng dào shì yī gè xiǎo hái gān de。 tā men bù zhī dào， hā lì tè cóng lái jiù bù shì yī gè xiǎo hái。
xiàn zài bì xū jǐng gào nài dé shū shū， shèng xià de shí jiān bù duō liǎo， dàn shì， wǒ shǒu xiān yīnggāi gǎo dào táng guàn。 méi yòu zhèng jù de zhǐ kòng shì làng fèi shí jiān。
dì 'èr tiān， wǒ dà yáo dà bǎi dì qù yōu gǔ wū。 nà lǐ yī piàn qī liáng de yàng zǐ， qiáng shàng de huà dū qǔ xià lái liǎo， dì tǎn yědōu juàn liǎo qǐ lái。
kè lā dé tài tài chū lái yíng jiē wǒ。 ài qíng shǐ tā gèng piào liàng liǎo， suī rán wǒ rèn wéi nà shì bù kě néng de。 wǒ zhī dào wǒ yào pò huài nà zhǒng xìng fú： wǒ rèn wéi tā yī diǎn yě bù zhī dào hā lì tè de suǒ zuò suǒ wéi。
“ wǒ lái kàn hā lì tè，” wǒ gào sù tā。
“ tā zhèng zài bāng wǒ shōu shí dōng xī，” kè lā dé tài tài shuō。 rán hòu tā hǎn dào，“ hā lì tè， wéi qí xiàng nǐ gào bié lái liǎo。” hā lì tè màn màn dì zǒu chū lái， tíng zài lóu tī zhōng jiān。“ zài jiàn，” tā shuō。 tā de liǎn yīn chén chén de， hěn bù yǒu hǎo。
“ bù néng zhè me shuō zài jiàn，” kè lā dé tài tài xiào zhe gào sù tā。“ jìn lái， wéi qí。 nǐ méi yòu shào lái nǐ nǎi nǎi de kǒu xìn bā？ qiáo， wǒ wèn liǎo yī gè yú chǔn de wèn tí。 nǐ xiǎng zài zhè 'ér gànshénme？”
“ wǒ xiǎng zài wán yī cì chá jù，” wǒ shuō，“ wǒ cóng lái méi yòu jiàn guò nà me piào liàng de dōng xī。”
“ ò， nà yǐ jīng dǎ bāo liǎo，” hā lì tè màn bù jīng xīn dì shuō，“ nǐ lái dé tài wǎn liǎo。”
“ wǒ men zhèng zài xǐ tā men ní，” kè lā dé tài tài shuō。
hā lì tè diǎn diǎn tóu，“ yī jiàn yī jiàn dì xǐ。”
tā de yǎn jīng jǐn dīng zhe wǒ de， wǒ míng bái tā zhī dào wǒ zài huái yí shénme， tā zhèng zài cháo xiào wǒ， yīn wéi wǒ xiàn zài yǐ wú néng wéi lì。
wǒ shuō：“ táng guàn lǐ yòu táng。”
hā lì tè shuō：“ rú guǒ méi yòu， jiù bù hǎo liǎo。”
“ wèishénme nǐ bù bǎ tā sòng gěi wéi qí ní？” kè lā dé tài tài cuī cù dào，“ liú gè jì niàn má。”
“ méi yòu nà dōng xī， tā jiù bù jì dé wǒ men liǎo？” hā lì tè shuō， dàn tā hái shì shùn cóng dì qù qǔ zhuāng chá jù de hé zǐ。 wǒ zhī dào wǒ jué bù huì wán tā de， wǒ hèn tā， wǒ huì bǎ tā cǎi dé xī làn， dàn shì， wǒ bù yòng fèi lì liǎo。
kè lā dé tài tài shuō：“ hā lì tè zì jǐ huì xiǎng niàn tā de，” jiù zài zhè shí， chuán lái yī shēng jù xiǎng。 wǒ men gǎn kuài páo guò qù， kàn dào chá jù yǐ jīng diào zài dì shàng shuāi huài liǎo， hā lì tè zhèng fǔ shēn kàn zhe nà xiē suì piàn。
“ dāng xīn，” kè lā dé tài tài jǐng gào shuō，“ bié gē shāng liǎo nǐ zì jǐ。 zěn me huí shì？”
“ wǒ bù dāng xīn diào zài dì shàng liǎo，” hā lì tè zhèn jìng dì shuō，“ wǒ bù dé bù sōng shǒu， fǒu zé jiù huì shāng liǎo wǒ zì jǐ。”
“ wǒ men huì zài sòng nǐ yī tào de， wéi qí，” tā mǔ qīn bǎo zhèng shuō，“ zhè xiē yǐ jīng huài liǎo， zhǐ néng rēng dào lā jī xiāng qù。” tā ná lái yī bǎ sǎo zhǒu， bǎ suì piàn sǎo qǐ lái， bāo dào zhǐ lǐ。 wǒ zhī dào， wǒ zuì hòu de jī huì cóng wǒ shǒu zhōng liù zǒu liǎo。 xiàn zài， méi yòu zhèng jù liǎo， yī diǎn zhèng jù yě méi yòu liǎo。
“ hē yī bēi zhēn de chá zěn me yàng？” kè lā dé tài tài shuō，“ gāng hǎo wǒ men hái yòu xiē dàn gāo。 wéi qí， nǐ yào jiā táng má？” wǒ xīn xiǎng：“ dāng wǒ lǎo liǎo， xiě huí yì lù shí， wǒ kě yǐ shuō wǒ céng jīng gēn yī gè shā rén fàn hē guò chá。”
nà shì 5 tiān qián de shì。 míng tiān kè lā dé tài tài hé hā lì tè yào qù lún dūn， nài dé shū shū zài nà lǐ děng tā men， kè lā dé tài tài hé nài dé shū shū huì jié hūn， cǐ hòu jiù tài wǎn liǎo。
xiàn zài shì líng chén sān diǎn zhōng， hái shèng xià 4 gè xiǎo shí。 hái yòu shí jiān chǎn shēng qí jì： léi diàn bǎ yōu gǔ wū shāo chéng huī jìn， shāo sǐ lǐ miàn de zhù hù……
wǒ zuò zhe děng dài lí míng， tiān màn màn liàng liǎo。
wǒ bù zhī dào zěn me bàn。
wǒ bù zhī dào， yě méi yòu rén kě yǐ wèn……
yī gè guǎ fù dài zhe yī gè xiǎo gū niàn， zū xià liǎo yōu gǔ wū， tīng dào zhè gè xiāo xī， wǒ fēi cháng gāo xīng， zhè xià wǒ kě yòu wán bàn liǎo。 wǒ men jiā quán shì xiē lǎo rén， nǎi nǎi、 ā jiā suō gū mā hái yòu shū shū nài dé， tā zhǐ zài zhōu mò lái zhè lǐ。 lián tā yě hěn lǎo liǎo héng héng dà yuē 30 suì。 wǒ yòu sān gè jiě jiě， kě shì tā mendōu hěn dà liǎo， bù yuàn yì gēn wǒ wán， tā men rèn wéi wǒ shì gè shǎ yā tóu。
suǒ yǐ wǒ pò bù jí dài dì děng nǎi nǎi qù bài fǎng kè lā dé tài tài， zhǐ yòu zài tā bài fǎng zhī hòu， wǒ cái néng yāo qǐng xiǎo gū niàn lái wán。 wǒ kě wàng zǎo diǎn yòu gè xiǎo huǒ bàn。
dàn shì， zài cǐ zhī qián， wǒ què xiān yù dào liǎo hā lì tè。
shí jì shàng， nǎi nǎi gēn běn méi yòu qù bài fǎng yōu gǔ wū， ér wǒ gēn hā lì tè de huì miàn yě chún shǔ 'ǒu rán。
nà tiān xià wǔ， wǒ de nǎi mā mǎ lì pài wǒ tì tā qù jì yī fēng xìn。 zài huí jiā de lù shàng， wǒ kàn dào liǎng gè mò shēng rén yíng miàn zǒu lái。 zài wǒ men zhè gè xiǎo cūn zǐ lǐ， dà jiā hù xiāng dū rèn shí， suǒ yǐ yī kàn dào mò shēng rén， wǒ mǎ shàng cāi chū tā men yī dìng shì kè lā dé tài tài hé tā de nǚ 'ér。
wǒ xiān kàn liǎo hā lì tè yī yǎn， bù jìn dà chī yī jīng。 tā bǐ wǒ 'ǎi， xiàng tā mǔ qīn yī yàng yōu yǎ， tā men liǎ chuān de yī fú fēi cháng piào liàng， wǒ men zhè lǐ cóng lái méi rén chuān guò。 tā shì gè fēi cháng yǐn rén zhù mùdì nǚ hái zǐ， pí fū jié bái rú xuě， yī duì zōng sè yǎn jīng tè bié dà， hái yòu nóng mì de jié máo。
dàn shì， wǒ dì yī yǎn jiù zhī dào， tā jué duì bù huì shì wǒ de wán bàn。 yīn wéi， suī rán tā bǐ wǒ xiǎo liǎng gè yuè， dàn tā yǐ jīng bù shì hái zǐ liǎo。 tā xiàng gè xiǎo dà rén， shèn zhì tā de jǔ zhǐ yě xiǎn dé cóng róng bù pò。 wǒ zhī dào， tā jué bù huì xiàng wǒ nà yàng lǔ mǎng bèn zhuō， dòng bù dòng jiǔ dǎ pò dōng xī。 bù guò， dāng wǒ men zǒu jìn shí， wǒ hái shì chōng tā lù chū wēi xiào， wǒ xiǎng xiàng tā biǎo míng， nǎi nǎi bù qù bài fǎng tā men， kě bù shì wǒ de cuò。
tā zhí gòu gòu dì dīng zhe wǒ， ràng wǒ jué dé zì jǐ jiù xiàng gè yōu líng yī yàng。 zài bù 'ān zhōng， wǒ zhuǎn 'ér qù kàn kè lā dé tài tài， yú shì yòu dà chī yī jīng。 wǒ tīng nài dé shū shū shuō， lì lì shì gè jué dài jiā rén， tā zǒu guò shí， dà jiā fēn fēn chōng dào chuāng hù biān kàn tā。
kè lā dé tài tài jiù shì nà yàng de jué dài jiā rén。 tā kàn dào wǒ zài zhù shì tā， jiù chōng wǒ wēi wēi yī xiào， wǒ yī xià zǐ mù dèng kǒu dāi dì zhèng zài nà lǐ。 tā de xiào róng zhēn shì tài càn làn liǎo。
tā méi yòu shuō huà， tā zhī dào zhè lǐ de shè jiāo guīju。 wǒ men cā shēn 'ér guò hòu， wǒ tīng dào hā lì tè shuō：“ méi bì yào lǐ cǎi， wǒ men bù rèn shí tā。”
kè lā dé tài tài de shēng yīn xiàng tā de rén yī yàng kě 'ài。“ wǒ xī wàng wǒ men rèn shí， hā lì tè。 wèile nǐ de yuán gù， wǒ xī wàng wǒ men rèn shí。”
“ wǒ yù jiàn kè lā dé tài tài hé tā nǚ 'ér liǎo，” wǒ huí dào jiā hòu， gào sù mǎ lì，“ wèishénme nǎi nǎi bù bài fǎng tā men ní？”
“ bié wèn liǎo！” mǎ lì shuō， wǒ jué dé tā zì jǐ qí shí yě bù zhī dào。 dàn shì， hòu lái wǒ tīng dào tā wèn nǚ pú：“ wǒ dǎo xiǎng zhī dào， kè lā dé xiān shēng shì shuí？”
wǒ pā dào lán gān shàng。“ tā sǐ liǎo，” wǒ hǎn dào。 wǒ cāi xiǎng tā yī dìng shì gè fēi cháng xié 'è de rén。 kè lā dé tài tài jiù shì yīn wéi tā cái biàn dé bù shòu huān yíng de。
nǎi nǎi réng rán méi yòu qù bài fǎng tā men。 dà yuē yī gè yuè hòu， wǒ zài cì yù dào kè lā dé mǔ nǚ。 mǎ lì dài wǒ dào luó bīn xùn xiān shēng de diàn lǐ qù mǎi yī fù shǒu tào。 luó bīn xùn xiān shēng zǒng shì zhàn zài diàn mén kǒu， yíng jiē kè rén， tā de liǎng gè nǚ 'ér lǔ xī hé 'ài 'ěr xī zài diàn lǐ fú wù。
wǒ men mǎi hǎo liǎo wǒ de shǒu tào， mǎ lì hé lǔ xī zài shāng diàn de zuì lǐ miàn dī shēng liáo tiān， zhè shí， kè lā dé tài tài hé hā lì tè zǒu liǎo jìn lái。 kè lā dé tài tài yào gěi tā nǚ 'ér mǎi yī fù pí shǒu tǒng。 wǒ men dà jiādōu dài pí shǒu tǒng， dà bù fēn shì dài hēi wěi bā de bái tù pí de， yòng yī gēn sī dài guà dào bó zǐ shàng。
ài 'ěr xī shuō bái tù shǒu tǒng yǐ jīng mài wán liǎo， tā ná chū yī fù fēi cháng piào liàng de zōng sè pí shǒu tǒng。 ài 'ěr xī shuō， zhè bǐ bái de gèng nài yòng。
hā lì tè bó rán dà nù。“ wǒ bù yào zōng sè de，” tā hǎn dào，“ zhè me zàng de yán sè。”
tā páo dào wǒ zhàn de zhè biān， wǒ zhèng zài nà lǐ kàn xiōng zhēn， yòu yī gè māo xíng xiōng zhēn， wǒ jué dé tā fēi cháng piào liàng。
“ zhè xiē dōushì lā jī，” hā lì tè yòng yī zhǒng qīng miè de kǒu qì shuō。 tā ná qǐ yī gè xiǎo jīn hé， yòu bǎ tā rēng xià。“ zhè bù shì zhēn de，” tā qīng miè dì hēng liǎo yī shēng。
tā zì jǐ jiù dài zhe yī gè fēi cháng piào liàng de xiǎo jīn hé， tā kāi shǐ zài wǒ miàn qián huàng yōu tā。 tā kě néng 'ǒu rán pèng dào liǎo lǐ miàn de tánhuáng， liàn tiáo fēn kāi， hé zǐ diào dào dì shàng。 wǒ wān xià yāo bǎ tā jiǎn qǐ lái。 hé zǐ de yī miàn yòu sān kē zhēn zhū， lìng yī miàn kè zhe H． W. liǎng gè zì mǔ。
“ zhè shì nǐ nǎi nǎi de má？” wǒ shuō。 wǒ nǎi nǎi jiù gěi guò wǒ yī gè。
“ dāng rán bù shì，” hā lì tè shuō， dī xià tóu， zhè yàng wǒ kě yǐ gěi tā chóngxīn guà shàng。“ bié chě wǒ de tóu fā。 zhè shì wǒ 6 suì shí gěi wǒ de。”
“ dàn shì， zhè shàng miàn de zì mǔ bù shì nǐ de míng zì 'ā，” wǒ jiān chí shuō。
“ nà shì yīn wéi wǒ fù qīn zǒu liǎo，” tā shuō。 wǒ zhī dào tā de yì sī shì shuō tā qù shì liǎo。“ yǐ qián wǒ jiào hā lì tè · wēn tè， wǒ men zài hǎi biān yòu yī dòng fáng zǐ， wǒ nǎi nǎi de fáng zǐ bǐ nǐ nǎi nǎi de dà dé duō。 wǒ yě yòu yī gè gū mā， gé léi sī gū mā。”
“ wǒ jiù yào zhè gè zōng sè de shǒu tǒng bā，” wǒ men tīng dào kè lā dé tài tài shuō。
hā lì tè huí guò tóu， xiào liǎo qǐ lái。“ nǐ yòng nà me xiǎo de shǒu tǒng， kàn shàng qù yī dìng hěn kě xiào，” tā shuō。“ rú guǒ nǐ bǎ tā gěi wǒ， wǒ jué bù huì yòng tā de。 wǒ huì bǎ tā cóng chuāng kǒu rēng chū qù de。” tā shǐ jìn duǒ liǎo duǒ jiǎo。
ài 'ěr xī bāo shǒu tǒng shí， kè lā dé tài tài zhuǎn guò tóu lái shuō：“ nǐ shì dào 'ěr wū de xiǎo gū niàn， duì má？”
mǎ lì yī dìng shì tīng dào tā de wèn huà liǎo。“ wèi， wéi qí xiǎo jiě，” tā shuō，“ wǒ gào sù guò nǐ， bié dǎ rǎo bié rén。” tā shēn chū shǒu， wǒ hěn bù qíng yuàn dì zǒu guò qù， lā zhù tā de shǒu。 kè lā dé tài tài jiē guò bāo hǎo de shǒu tǒng， zǒu chū shāng diàn， hā lì tè gēn zài tā shēn hòu。
“ tā zhǐ shì gè xiǎo wá wá，” wǒ tīng dào hā lì tè qīng miè dì shuō，“ tā xǐ huān xiǎo māo xiōng zhēn。”
“ wǒ zhī dào yòu rén yīnggāi hǎohǎo jiào xùn yī xià，” mǎ lì zài huí jiā de lù shàng shuō，“ nà gè dà xiǎo jiě！”
“ mǎ lì，” wǒ bìng bù xiǎng gēn tā shuō， kě shì shí zài méi shí me rén kě shuō liǎo， wǒ wèn，“ rú guǒ wǒ fù qīn sǐ liǎo， wǒ xū yào gǎi zì jǐ de xìng míng má？”
“ shénme？” mǎ lì jiào dào，“ wéi qí， nǐ shuō dé zhēn hǎo xiào， nǐ zěn me huì yòu zhè zhǒng xiǎng fǎ ní？”
“ hā lì tè · kè lā dé guò qù jiào hā lì tè · wēn tè， nà shì zài tā fù qīn qù shì qián，” wǒ shuō，“ tā zhù zài yī dòng kào hǎi de fáng zǐ lǐ， tā yě yòu yī gè nǎi nǎi， hái yòu yī gè jiào gé léi sī de shū shū。”
piàn kè de chén mò。 rán hòu mǎ lì shēng yīn hěn qí guài dì shuō：“ zhè shì tā gào sù nǐ de má？ tiān nǎ， wǒ zǎo gāi xiǎng dào liǎo！”
“ xiǎng dào shénme？” wǒ wèn。
tā lā liǎo wǒ yī xià， cuī wǒ kuài diǎn zǒu。“ nǐ zhī dào nǐ nǎi nǎi bù xǐ huān bié rén chuán xián huà，” tā jǐng gào wǒ shuō，“ nà shì hěn yōng sú de。”
wǔ fàn yòu kè rén， suǒ yǐ wǒ zài zì jǐ guò qù de yīng 'ér shì chī fàn。 dà rén bù yǔn xǔ wǒ dào chú fáng chī fàn， wǒ qí shí hěn xǐ huān nà lǐ。 fàn hòu， wǒ ná zhe wǒ de shū， lái dào huā yuán。 nà běn shū fēi cháng fá wèi， wǒ xī wàng nài dé shū shū cóng lún dūn gěi wǒ dài yī běn xīn de lái， tā zài lún dūn gōng zuò。
wǒ xiǎng dào huā yuán zhuā qīng wā， dàn shì méi yòu zhǎo dào， yú shì wǒ jué dìng xiàng chú zǐ yào yī bēi shuǐ， jí shǐ wǒ zhuā bù dào qīng wā， zhì shǎo wǒ kě yǐ huà yī zhǐ。
wǒ jīng guò chú fáng chuāng kǒu shí， kàn dào chú zǐ hé yī qún nǚ pú wéi zuò zài yī zhāng zhuō zǐ biān， tóu kào zhe tóu。
“ zhè shì qiān zhēn wàn què de，” mǎ lì shuō，“ tā bù kě néng biān nà me yī gè gù shì！”
“ tā dào zhè lǐ lái， jìng rán hái zhǐ wàng zhe tǐ miàn rén huì qù bài fǎng tā！” yī gè nǚ pú shuō。
“ wǒ jué dé zhè fēi cháng yòu yì sī，” lìng yī gè nǚ pú shuō，“ yī gè zhēn zhèng de xiōng shǒu。”
“ tā bù shì，” chú zǐ shuō，“ fǎ tíng shuō bù shì。 zhè kě lián de rén zǒng dé zhǎo gè dì fāng zhù 'ā。”
“ guài bù dé nà gè xiǎo gū niàn nà me guāi lì。” mǎ lì shuō，“ wǒ bù néng yuán liàng tā de， jiù shì zhè yī diǎn： bǎ hā lì tè juàn jìn qù。”
“ tā shì bèi juàn jìn qù de，” chú zǐ shuō，“ bèi dú sǐ de shì tā fù qīn。”
wǒ dūn zài chuāng hù xià， xīng fèn dé quán shēn fā dǒu。
“ zhēn qí guài， wǒ jìng rán méi yòu zǎo xiǎng dào，” mǎ lì chén sī dào，“ wǒ de yì sī shì shuō， tā jiào hā lì tè， zhào piàn yòu shàng liǎo bào zhǐ。”
yī gè nǚ pú shuō：“ bào zhǐ？ nà shì sì gè yuè qián de shì bā？ kē cí xiān shēng zuì jìn lái guò má？”
wǒ men jiā de jiù bào zhǐ dū fàng zài dì xià shì， kē cí xiān shēng gé jǐ gè yuè lái yī cì， shōu gòu jiù bào zhǐ。
wǒ tīng dào dì xià shì de mén dǎ kāi liǎo， wǒ zhī dào nǚ pú xià qù chá liǎo。 wǒ qīng qīng zhàn qǐ shēn， dàn shì， wǒ xiāng xìn， jí shǐ wǒ zhàn zài chuāng tái shàng， tā men yě bù huì zhù yì dào wǒ。 tā men dū tài zhuān zhù liǎo。
nǚ pú huí lái hòu， wǒ tīng dào fān bào zhǐ de shēng yīn， guò liǎo hěn cháng yī duàn shí jiān， chú zǐ shuō dào：“ zhǎo dào lā！ zhè lǐ yòu hā lì tè zài fǎ tíng shàng de zhào piàn。”
tā mendōu máng zhe kàn bào zhǐ， méi yòu zhù yì dào nài dé shū shū zǒu jìn qù。 tā bǐ píng cháng lái dé zǎo， ér qiě yī lái jiù zhíbèn chú fáng。 tā shì jiā lǐ zuì shòu huān yíng de rén。 zhè bù jǐn shì yīn wéi tā cháng dé yīng jùn， hái yīn wéi tā zǒng shì nà me chén jìng， yù shì cóng bù huāng luàn。
“ wǒ dǎ duàn liǎo tǎo lùn huì má？” wǒ tīng dào tā shuō，“ yī zhāng duō me kě 'ài de liǎn 'ā！ wǒ hǎo xiàng jiàn guò tā， ā， xiǎng qǐ lái liǎo。 wèishénme nǐ men yòu bǎ wēn tè 'àn zǐ fān chū lái？ tā yǐ jīng jié shù liǎo。”
mǎ lì gào sù tā shuō：“ zhè shì yōu gǔ wū xīn lái de nà wèi nǚ shì， tā de nǚ 'ér jīn tiān zǎo chén zài luó bīn xùn shāng diàn gēn wéi qí xiǎo jiě shuō guò huà。”
dāng nài dé shū shū zài cì kāi kǒu shuō huà shí， wǒ jīhū tīng bù chū shì tā de shēng yīn。“ tiān nǎ，” tā shuō，“ jiù shì chóngtí。 wǒ xiǎng měi gè réndōu bù xiǎng ràng tā wàng jì。 tā zài nǎ 'ér？ wǒ shì shuō wéi qí？”
“ zài huā yuán lǐ，” mǎ lì shuō。
wǒ cóng chuāng hù biān liù dào wū jiǎo， rán hòu páo dào huā yuán， dǎ kāi shū běn， děng zhe tā de dào lái。
“ dú dé hěn gāo xīng， shì má？” nài dé shū shū shuō，“ nǐ shénme shí hòu kāi shǐ dǎo zhe kàn shū liǎo？”
“ nǐ gěi wǒ dài xīn shū liǎo má？” wǒ wèn，“ zhè běn shū wǒ yǐ jīng dú wán liǎo。”
“ nǐ zài zhè 'ér duō cháng shí jiān liǎo？” nài dé shū shū wèn。“ wéi qí， bié sǎ huǎng。”
“ wǒ bìng bù shì gù yì yào tīng de，” wǒ tuō kǒu 'ér chū， bù zhī dào nài dé shū shū huì zěn me chǔlǐ zhè shì。“ wǒ qù yào shuǐ， tā men gāng hǎo zài shuō huà， wǒ tīng dào hā lì tè de míng zì。”
“ nǐ tīng dào shénme？” shū shū wèn。
“ kè lā dé tài tài héng héng dú sǐ liǎo tā zhàng fū。” wǒ jié jiēbā bā dì shuō。
“ bù duì。 péi shěn tuán yǐ jīng xǐ qīng liǎo tā de zuì míng， tā méi yòu dú sǐ tā zhàng fū， tā bèi shì fàng liǎo。”
“ rú guǒ tā méi yòu zuò，” wǒ shuō，“ nà tā wèishénme yào gǎi míng huàn xìng ní？”
“ yīn wéi wú zuì shì bù gòu de， dà jiā bì xū xiāng xìn nǐ shì wú zuì de。 nǐ míng bái má？”
wǒ diǎn diǎn tóu。“ wǒ xiǎng wǒ míng bái。 qù nián shèng dàn jié， ā jiā suō gū mā shuō wǒ dǎ pò liǎo kè tīng de huā píng。 qí shí wǒ méi yòu， yī dìng shì fēng chuī de。 dàn shì， tā bù xiāng xìn wǒ de huà。”
wǒ jì dé， dāng shí wǒ hěn chī jīng， fā xiàn nǐ shuō liǎo shí huà， què bù bèi bié rén xiāng xìn， yīn wéi nǐ wú fǎ zhèng míng。 zhǐ yòu wǒ zì jǐ zhī dào， wǒ méi yòu dǎ pò huā píng。 yòu shí hòu， wǒ qí guài shàng dì zěn me chén mò bù yǔ ní？ wèishénme bù chū miàn bāng zhù nà xiē má fán chán shēn de rén ní？ bù guò， rú guǒ zhēn shì nà yàng de huà， rén jiān bù jiù shì wán quán gōng píng de liǎo？ nà yòu yào tiān táng gànshénme？
“ kè lā dé tài tài yě shì zhè yàng de má？” wǒ wèn。
nài dé shū shū diǎn diǎn tóu。“ shì de， wéi qí，” tā shuō，“ tā yě shì tóng yàng de qíng kuàng。”
nà tiān wǎn shàng， wǒ zǒu guò kè tīng shí， kàn dào 'ā jiā suō gū mā zài wǎng yī zhāng niú pí zhǐ shàng tiē bào zhǐ。 wǒ mǎ shàng cāi dào nà shì yòu guān shěn xùn kè lā dé tài tài de bào dào。 ā jiā suō gū mā hǎo xiàng nǎo dài hòu miàn cháng liǎo yǎn jīng yī yàng， tóu yě bù huí dì jiào dào：“ wéi qí， wǒ yǐ qián gào sù guò nǐ， bù yào sì chù luàn dǎ tīng， zhè hěn bù hǎo。”
wǒ kuài bù páo huí zì jǐ de chuáng shàng， wǒ xià liǎo jué xīn， yī dìng yào gǎo dào nà xiē bào zhǐ， dú wán suǒ yòu de bào dào。
wǒ bù dé bù děng liǎo yī gè duō xīng qī。 nài dé shū shū yǐ jīng huí lún dūn liǎo， wǒ jiǎn zhí jiù shì zì jǐ jiā lǐ de qiú tú。 dà rén shèn zhì bù ràng wǒ yī gè rén qù jì xìn。
yī tiān xià wǔ， gù lái de yī liàng mǎ chē sòng nǎi nǎi hé 'ā jiā suō gū mā chū qù chuàn mén。 wǒ tīng dào 'ā jiā suō gū mā dà shēng shuō， tā men kě néng wǎn diǎn 'ér huí lái。 wǒ cāi tā men jué dé yòu zé rèn bǎ kè lā dé tài tài de shì gào sù suǒ yòu de rén。
wǒ hěn xìng yùn， mǎ lì yá téng， bù dé bù qù bá yá， wū lǐ zhǐ shèng xià chú zǐ。 tā gào sù wǒ bié táo qì， guāi guāi dì zài huā yuán wán。
yī děng dào sì zhōu méi rén， wǒ mǎ shàng liù jìn shū fáng。 wǒ què xìn bào zhǐ zài nài dé shū shū de guì zǐ lǐ。 guì zǐ shì suǒ zhe de， kě shì wǒ zài tā de shū zhuō chōu tì lǐ zhǎo dào liǎo yàoshì。 wǒ cóng guì zǐ lǐ ná chū bào zhǐ， hòu hòu de yī dà luò， shàng miàn yòu kè lā dé tài tài、 hā lì tè hé wēn tè xiān shēng de zhào piàn， bào zhǐ shàng chēng wēn tè xiān shēng wéi“ sǐ zhě”， chēng kè lā dé tài tài wéi“ wēn tè tài tài”。
wǒ zhuā qǐ bào zhǐ， fēi kuài dì páo dào gé lóu， nà lǐ bù huì yòu rén dǎ rǎo wǒ。 wǒ zuò zài yī zhāng jiù yǐ zǐ shàng， kāi shǐ dú nà xiē bào zhǐ。
yòu xiē cí wǒ gǎo bù dǒng， bù dé bù dú hǎo jǐ biàn， bù guò， dà zhì de guò chéng wǒ hái shì kàn dǒng liǎo， xià miàn shì wǒ dú dào de gù shì。
dà yuē 10 nián qián， mǎ gé lì tè · kè lā dé 18 suì， tā gēn bǐ tā dà xǔ duō de chá 'ěr sī · wēn tè jié hūn， tā men shēng liǎo yī gè nǚ 'ér， hā lì tè， tā mǔ qīn fēi cháng chǒng 'ài tā。
zài tā sǐ qián yī gè yuè， wēn tè xiān shēng de gōng zuò fā shēng biàn dòng， tā yào dào guó wài qù gōng zuò， yóu yú nà lǐ de qì hòu， bù néng dài xiǎo hái yī qǐ qù。 tā tí chū bǎ hā lì tè liú gěi tā de mǔ qīn hé wèi hūn de mèi mèi gé léi sī zhào guǎn。 wēn tè tài tài shuō， wú lùn rú hé tā dōubù yuàn yì hé tā de nǚ 'ér fēn kāi。 hā lì tè shì gè bèi chǒng huài liǎo de hái zǐ， tā dà chǎo dà nào， shēng chēng rú guǒ tā mǔ qīn lí kāi tā， tā jiù yào tiào shuǐ zì shā。
shuāng fāng shuí yě bù ràng bù。 wēn tè tài tài shuō， rú guǒ tā zhàng fū jiān chí yào qù hǎi wài gōng zuò， nà tā jiù liú zài guó nèi， bù suí tā yī qǐ qù。 shì qíng xiàn rù liǎo jiāng jú， zhè zhǒng qíng kuàng yī zhí chí xù dào wēn tè xiān shēng sǐ qián yī xīng qī， jiù zài zhè shí， wēn tè xiān shēng tū rán bìng dǎo liǎo， fā gāo shāo。 suī rán wēn tè tài tài zài gēn tā zhàng fū nào máo dùn， dàn tā hái shì fēi cháng jìn xīn dì zhào gù tā。 wēn tè jiā zhǐ yòu yī gè pú rén， lìng yī gè yǐ jīng cí diào liǎo， yīn wéi wēn tè xiān shēng yào lí kāi zhè lǐ。 suǒ yǐ， dà bù fēn fàn cài dōushì yóu wēn tè tài tài zì jǐ zuò de， bìng rén yě zhù yào yóu tā zhào gù。 yī shēng shuō， bìng qíng bìng bù yán zhòng， gāo shāo hěn kuài jiù huì tuì， bù huì yòu shénme dà wèn tí。
wēn tè xiān shēng réng rán jiān chí yào lí kāi zhè lǐ， qù guó wài gōng zuò， tā yě réng rán jiān chí yào tā qī zǐ péi tā yī qǐ qù。
zài zhì mìng de nà tiān xià wǔ， pú rén chū qù kàn wàng tā fù mǔ， nà tiān yīn wéi tū rán xià qǐ yǔ lái， suǒ yǐ hā lì tè jiù zài bìng fáng wài miàn de lóu tī píng tái shàng wán， tā wán de shì wán jù chá huì， zhè shì tīng shàng qù sì hū wú guān jǐn yào， qí shí què guān xì zhòng dà。
dà yuē 4 diǎn zhōng shí， wēn tè tài tài gào sù hā lì tè， tā yào qù lóu xià zhǔn bèi chá diǎn。
“ péi nǐ fù qīn zuò zhe， děng wǒ huí lái，” tā shuō，“ tā yào shénme jiù gěi tā， bié rě tā shēng qì， tā de bìng hái hěn yán zhòng ní。”
zhè yǔ yī shēng de kàn fǎ dà xiāng jìng tíng， yī shēng rèn wéi tā yǐ jīng kāi shǐ kāng fù liǎo。
dà yuē 15 fēn zhōng hòu， wēn tè tài tài duān zhe chá pán huí lái， hā lì tè yòu qù wán tā de wán jù chá huì。 piàn kè zhī hòu， bìng fáng lǐ chuán lái shēn yín hé 'ǒu tù de shēng yīn。 hā lì tè réng rán zài yuán dì wán yóu xì， yī zhí dào tā mǔ qīn lái dào mén kǒu， shuō：“ nǐ fù qīn bìng qíng tū rán 'è huà， wǒ men yīnggāi qù jiào bù lāi 'ěr yī shēng， dàn shì shuí qù jiào tā ní？ ā lì sī chū qù liǎo， tā bìng dé zhè me yán zhòng， wǒ bù xiǎng ràng nǐ dān dú gēn tā zài yī qǐ。”
hā lì tè shuō：“ wǒ kě yǐ qù jiào yī shēng。” wài miàn xià zhe yǔ， wēn tè tài tài hěn bù yuàn yì ràng hā lì tè yī gè rén chū qù， bù guò tā jué dé bié wú xuǎn zé。 yú shì tā gěi liǎo hā lì tè yī zhāng zì tiáo， bù jiǔ yǐ hòu， gé léi sī gū mā zài chéng chē huí jiā de lù shàng， kàn dào hā lì tè。
gé léi sī gū mā tíng xià chē， wèn hā lì tè wèishénme yī gè rén zài wài miàn luàn páo。 hā lì tè yǐ jīng mí liǎo lù， tā jiě shì tā fù qīn bìng qíng tū rán 'è huà， gé léi sī gū mā mǎ shàng kāi chē dào yī shēng jiā， bìng péi zhe yī shēng hé hái zǐ huí dào tā gē gē jiā。
wēn tè tài dà kāi de mén， tā shuō：“ ā， yī shēng， kuài diǎn jìn lái bā， tā hǎo xiàng bù xíng liǎo。 wǒ bù zhī dào shì shénme yǐn qǐ bìng qíng 'è huà de， bù kě néng shì yīn wéi chī liǎo shénme bù hǎo de dōng xī， yīn wéi tā chī de suǒ yòu dōng xī dōushì wǒ qīn shǒu zuò de。”
tā lǐng tā men shàng liǎo lóu， bìng fáng de mén kāi zhe。 wēn tè xiān shēng yī jiàn dào tā mèi mèi， jiù yòng wēi ruò de shēng yīn shuō：“ gé léi sī， wǒ bèi xià liǎo dú。”
gé léi sī xiǎng yào liú xià， dàn yī shēng yào zuò jiǎn chá， jiù bǎ tā hé hā lì tè gǎn chū bìng fáng。
duì wēn tè tài tài hěn bù lì de yī jiàn shì shì， tā méi yòu liú xià rèn hé 'ǒu tù wù。 hòu lái， gé léi sī bèi yǔn xǔ huí dào bìng fáng zhōng， tā zuò zài chuáng biān， wò zhe tā gē gē de shǒu， wèn tā：“ hēng lì， shì shuí xià de dú？” dàn tā yǐ jīng hūn mí guò qù liǎo， shuō bù chū huà liǎo。
hòu lái， gé léi sī dài zhe hā lì tè huí dào jiā， hā lì tè fēi cháng bù yuàn yì gēn tā huí jiā。
yī shēng liú xià lái， dà yuē líng chén 4 diǎn zhōng shí， zài hūn mí liǎo hěn cháng yī duàn shí jiān zhī hòu， wēn tè sǐ liǎo。
yī shēng gēn jù sǐ zhě suǒ shuō de huà， jiān chí zài jiě pōu shī tǐ qián， bù qiān fā sǐ wáng zhèng shū。
gé léi sī bù néng huí jiā， tā xiě liǎo yī zhāng zì tiáo， pài 'ā lì sī sòng huí jiā。
bù jiǔ， jǐng chá lái dào hā lì tè nǎi nǎi jiā， yào qiú jiàn hā lì tè。 tā sì hū fēi cháng zhèn jìng dì wèn：“ tā sǐ liǎo？ shì bèi dú sǐ de má？ huì bù huì shì niú nǎi lǐ yòu shénme dōng xī？”
jǐng chá shuō， dào mù qián wéi zhǐ， tā men hái bù zhī dào niú nǎi de shì。 yú shì hā lì tè jiǎng liǎo yī jiàn shì。 zài tā mǔ qīn xià lóu hòu， tā fù qīn shuō：“ wǒ hěn kě。 nǐ néng gěi wǒ yī diǎn hē de dōng xī de má？”
shuǐ bēi bèi wēn tè tài tài ná dào lóu xià， dào chú fáng jiē rè shuǐ qù liǎo。 hā lì tè shǒu biān méi yòu shuǐ， tā shuō， tā yòu xiē wán chá huì yòng de niú nǎi， wèn nà xíng bù xíng。
tā fù qīn shuō：“ nà yě xíng。” yú shì hā lì tè bǎ niú nǎi dǎo jìn bō lí bēi， zhè shí tā shuō：“ cóng yào guì lǐ bǎ wǒ de yào píng ná gěi wǒ。” tā yòng niú nǎi chī liǎo yī piàn yào。
tā bǎ bō lí bēi hái gěi tā， shuō：“ bié gào sù nǐ mǔ qīn zhè shì， tā bù xǐ huān wǒ chī yào。” rán hòu tā yòu zì yán zì yǔ dì shuō，“ yòu shí hòu wǒ jué dé， wǒ sǐ liǎo tā huì hěn gāo xīng de。”
jǐng chá wèn hā lì tè：“ wèishénme yǐ qián nǐ bù shuō zhè shì ní？”
hā lì tè shuō：“ yīn wéi wǒ fù qīn bù ràng wǒ shuō。”
“ nǐ shénme shí hòu gào sù nǐ mǔ qīn de？”
“ wǒ méi yòu gào sù tā。 wǒ méi yòu zài jiàn dào tā。”
“ nǐ gào sù guò bié rén má？”
“ méi yòu rén kě gào sù de。”
“ nǐ hái yòu nǎi nǎi hé gū mā má。”
“ wǒ jué bù huì gào sù tā men wǒ men jiā de shì，” hā lì tè shuō。
jiǎn chá guān yào péi shěn tuán xiāng xìn， niú nǎi de gù shì shì biān zào de， shì wéi liǎo bāng zhù wēn tè tài tài， dàn shì， hā lì tè jiān chí shuō zhè shì zhēn de。 tā méi yòu jī huì hé tā mǔ qīn yī qǐ biān zào zhè yàng yī gè gù shì， yě méi yòu rén xiāng xìn tā huì zì jǐ biān zhè me yī gè gù shì chū lái。
bō lí bēi hé chá pán shàng de chá bēi dōubèi xǐ gān jìng liǎo， nà shì wēn tè tài tài děng yī shēng shí xǐ de， zhè yàng jiù wú fǎ nòng qīng chǔ dú yào shì zěn me jìn lái de。 chú liǎo chá zhī wài． wēn tè xiān shēng hái chī liǎo jǐ kǒu tián bǐng， qí tā de tián bǐng hái zài chá pán shàng， kě shì wēn tè xiān shēng yǎo guò de nà kuài yǐ jīng rēng diào liǎo。 wēn tè tài tài shuō tā xiǎng ràng bìng fáng xiǎn dé zhěng jié gān jìng， tā méi yòu lǐ yóu huái yí tā zhàng fū bèi xià liǎo dú。
shī tǐ jiě pōu biǎo míng， tā chī de dú yào lái zì yī gè tiě guàn， nà shì mǎi lái shā huā yuán lǐ lǎo shǔ de。 tiě guàn fàng zài huā yuán péng zǐ lǐ de jià zǐ shàng。 huā jiàng gào sù fǎ tíng， zhè tiě guàn shì wēn tè xiān shēng gěi tā de。 tā zhǐ jiàn guò wēn tè tài tài yī cì， nà cì tā xiàng tā yào xiān huā fàng zài wū lǐ。
wēn tè xiān shēng bù xǐ huān bǎ huā kǎn xià lái bǎi dào wū lǐ。 huā jiàng shuō tā hǎo jǐ cì tīng dào tā men wèicǐ zhēng chǎo。 tā cóng lái méi yòu jìn guò wū， tā zǒng shì bǎ shū cài hé xiān huā sòng dào chú fáng mén kǒu， rú guǒ tā xiǎng hē chá， zǒng shì yóu yī gè pú rén cóng chú fáng chuāng kǒu dì gěi tā。
zài fǎ tíng shàng， tā men xiǎng ràng rén men xiāng xìn， wēn tè tài tài xǐ huān nà gè huā jiàng， huā jiàng 30 suì zuǒ yòu， cháng dé bù cuò。 bù guò， wǒ jué dé zhè shì hěn kě xiào de， tā zhǐ shì gè huā jiàng， yòu méi yòu shénme qián。
hā lì tè bèi jiào dào fǎ tíng shàng， jiǎn chá guān shuō tā shì yī gè zhòng yào de zhèng rén。 wǒ kě yǐ xiǎng xiàng tā fēi cháng zhèn jìng dì shuō，“ wǒ bù zhī dào”，“ wǒ bù jì dé liǎo”。 tā shuō tā mǔ qīn nà tiān gēn běn méi yòu qù huā yuán， tā zì jǐ xià yǔ qián dǎo shì zài huā yuán cǎo dì shàng wán zhe。 tā mǔ qīn xià lóu zhǔn bèi chá diǎn shí， tā zhèng wàng zhe chuāng wài， rú guǒ tā mǔ qīn qù huā péng， tā huì kàn jiàn de。 méi yòu fā xiàn shī de xié zǐ hé qún zǐ， jǐng chá zài wū lǐ yě zhǎo bù dào gèng duō de dú yào。
guān yú zhè gè 'àn jiàn de bào dào tài duō liǎo， wǒ méi fǎ quán bù dú wán， bù guò， zuì hòu， péi shěn tuán rèn dìng wēn tè tài tài méi yòu tóu dú。 tā men shuō méi yòu chōng fēn de zhèng jù biǎo míng shì gù yì tóu dú。 wǒ cāi tā men de yì sī shì， kě néng shì tā zì jǐ chī de。
yòu yī zhāng jiǎn bào shàng shuō， wēn tè tài tài dài zhe tā de hái zǐ lí kāi tā de zhù dì， dào bié chù kāi shǐ xīn de shēng huó。 wǒ jué dé zhè hěn kě xiào。 nǐ guò liǎo 30 suì， jiù hěn lǎo liǎo， bù kě néng kāi shǐ xīn de shēng huó。
wǒ de zhù yào gǎn jué jiù shì fēi cháng xiàn mù hā lì tè。 tā zài 10 suì qián jiù chéng liǎo nǚ zhùjué！ bào zhǐ shàng yòu tā de zhào piàn。 wǒ kāi shǐ zuò bái rì mèng， mèng xiǎng zì jǐ yě zhàn zài fǎ tíng shàng， wéi nài dé shū shū zuò zhèng。 dāng rán， tā bù huì bèi zhǐ kòng móu shā， bù guò tā kě néng bèi kòng qiǎng yínháng， huò zhě shuō， rén men rèn wéi tā qiǎng jié liǎo yínháng。
wǒ chén nì yú zì jǐ de huàn xiǎng zhōng， zài fàng huí bào zhǐ shí， chàdiǎn bèi nǎi nǎi zhuā zhù。
“ jīn tiān xià wǔ nǐ zài gànshénme？” ā jiā suō gū mā wèn， wǒ gào sù tā wǒ zài dú shū。 wǒ yè xià xié zhe nài dé shū shū sòng wǒ de xīn shū。 wǒ kāi shǐ jué dé zì jǐ xiàng hā lì tè yī yàng jiǎo huá。
xiàn zài， wǒ kě wàng zài cì jiàn dào tā， dàn shì， tā hé tā mǔ qīn jiù xiàng yī duì zuàn dào dì xià de hú lí yī yàng， gēn běn jiàn bù zhe。 wǒ jué dìng qīn zì bǎ tā zhǎo chū lái。 yī tiān xià wǔ， wǒ bǎ wǒ de pí qiú cóng qián mén dàn chū qù， rán hòu wǒ zì jǐ gēn zhe xiàng shān pō xià páo qù。
yōu gǔ wū jiù zài shān pō xià， tā zhī suǒ yǐ zǒng shì kōng zhe， yuán yīn zhī yī jiù shì nà lǐ fēi cháng cháo shī。 dāng wǒ zǒu jìn mén kǒu shí， kě yǐ tīng dào hā lì tè zài shuō huà， wǒ qí guài shuí nà me dà dǎn， jìng rán qù zhǎo tā wán。
wǒ gù yì bǎ pí qiú rēng jìn tā de huā yuán， rán hòu cóng mén kǒu xiàng lǐ zhāng wàng， zhè shí， wǒ fā xiàn tā de tóng bàn shì xiǎng xiàng de。 tā zhèng zuò zài cǎo dì shàng， nà tào zhù míng de chá jù tān kāi zài yī zhāng bái bù shàng。 tā kàn dào wǒ hòu， jiù yán lì dì wèn：“ nǐ xiǎng gànshénme？”
“ wǒ de pí qiú diào dào nǐ de huā yuán liǎo，” wǒ shuō。
tā xiǎng liǎo yī xià， rán hòu shuō：“ nǐ zuì hǎo guò lái， bǎ tā jiǎn zǒu。”
wǒ fēi cháng xǐ huān nà tào chá jù， zuòde fēi cháng bī zhēn。 hā lì tè yòng cǎi sè shí zǐ、 shù yè hé shù zhī lái dāng bǐng gān huómiàn bāo。
“ rú guǒ nǐ yuàn yì， kě yǐ liú xià hē chá，” tā màn bù jīng xīn dì shuō，“ wǒ fǎn zhèng yǐ jīng gěi nǐ liú xià yī gè kòngwèi。”
“ nǐ zěn me zhī dào wǒ yào lái？” wǒ wèn，“ qí tā rén lái dé fēi cháng wǎn， shì má？”
tā qīng miè dì kàn liǎo wǒ yī yǎn。“ tā men yǐ jīng lái liǎo，” tā shuō，“ nǐ kàn bù jiàn tā men， nà kě bù néng guài wǒ。”
tā ná qǐ yī gè chá hú， dǎo chū kàn bù jiàn de chá。
“ nǐ zì jǐ jiā nǎi yóu bā，” tā shuō， zhǐ zhǐ guàn zǐ。
wǒ xiǎo xīn dì bǎ tā dǎo chū lái。 rán hòu wǒ ná qǐ táng guàn， yáo chū jǐ kuài táng， fàng jìn chá bēi zhōng。 ràng wǒ dà chī yī jīng de shì， hā lì tè zhuā zhù wǒ de shǒu。
“ bù jīng yāo qǐng， nǐ bù yīnggāi zì jǐ dòng shǒu，” tā shuō。 wǒ xiǎng shàn zì dòng shǒu ná dàn gāo shí， wǒ nǎi nǎi yě zǒng shì dǎ wǒ de shǒu。
“ dàn shì wǒ yǐ jīng ná liǎo táng，” wǒ shuō。
“ nà bēi chá bù shì gěi nǐ de， shì gěi nǐ nǎi nǎi de，” hā lì tè zhǐ zhe cǎo dì shàng de yī gè dì fāng， wǒ shùn cóng dì bǎ bēi zǐ fàng xià。
“ xiàn zài gěi nǐ gū mǔ，” tā dì gěi wǒ yī gè chá bēi，“ hái yòu dí kè xùn tài tài， tā yě bù jiā táng。”
“ nài dé shū shū de ní？” wǒ cuī cù dào。
“ ā， wǒ men bù yāo qǐng nán rén，” hā lì tè shuō，“ rú guǒ nǐ shì gè dú jū de nǚ rén， nǐ bù néng yāo qǐng tā men。 zài shuō， wǒ men bù xiǎng yào tā men。”
“ wǒ zǒng shì yào nài dé shū shū，” wǒ shuō， bìng qiě cán kù dì bǔ chōng liǎo yī jù，“ nǐ bù xiǎng niàn nǐ fù qīn má？”
“ ò， tā cóng lái bù gēn wǒ wán， tā zǒng shì hěn máng，” tā yòng zuì lěng jìng de shēng yīn huí dá shuō，“ fù qīn men bù wán， tā men sì chù lǚ xíng。” tā hěn hěn dèng liǎo wǒ yī yǎn，“ nǐ de fù qīn ní？ tā yě zǒu liǎo？”
“ tā qù yìn dù liǎo， tā xiàn zài yǐ jīng yòu lìng wài yī gè qī zǐ liǎo。 wǒ xiǎng zhè lǐ jiù shì wǒ de jiā。”
“ nà me tā zǒu liǎo，” tā tīng shàng qù hěn dé yì，“ wǒ jiàn guò nǐ de gū mā 'ā jiā suō。 wǒ mǔ qīn shuō tā shì gè lǎo chǔnǚ。” wǒ bù zhī dào zhè shì shénme yì sī， bù guò tīng qǐ lái bù shì shénme hǎo shì。 wǒ hái lái bù jí huí dá， jiù tīng dào yòu rén jiào wǒ de míng zì， yī huí tóu， fā xiàn nài dé shū shū zhàn zài mén kǒu。
“ nǐ nǎi nǎi zhèng wéi nǐ dān xīn ní， wéi qí，” tā shuō，“ nǐ yīnggāi gào sù dà jiā， nǐ bèi yāo qǐng lái hē chá。”
tā chōng hā lì tè diǎn diǎn tóu， zhāi xià mào zǐ。
“ tā zì jǐ xiǎng liú xià de，” hā lì tè màn bù jīng xīn dì shuō。
wǒ kāi shǐ xiàng tā jiě shì shì qíng de lái lóng qù mài， zhè shí， wǒ fā xiàn tā bù zài kàn wǒ liǎo。
tā zài níng shì gāng gāng dǎ kāi de qián mén。 kè lā dé tài tài zhèng zǒu guò lái。
“ wǒ lái zì wǒ jiè shào yī xià，” tā shuō，“ wǒ shì wéi qí de shū shū， ài dé huá · ào hā 'ěr。 wéi qí wàng jì gào sù wǒ men tā qù nǎ 'ér liǎo。”
“ hěn gāo xīng hā lì tè yòu gè xiǎo huǒ bàn，” kè lā dé tài tài shuō，“ zhè lǐ xiǎo hái zǐ bù duō。”
hā lì tè qì fèn dì shuō：“ wǒ yǐ jīng 9 suì， bù shì xiǎo hái liǎo， ér qiě wǒ méi yòu yāo qǐng tā， tā zì jǐ xiǎng yào lái de， tā gù yì bǎ tā de pí qiú cóng qiáng shàng rēng jìn lái！”
“ nà tā zhēn shì tài tái jǔ wǒ men liǎo。” tā mǔ qīn shuō。 tā zhuànxiàng nài dé shū shū，“ wǒ hěn lè yì zài cì yāo qǐng tā， bù guò， wǒ men hěn kuài jiù yào lí kāi zhè lǐ liǎo。”
“ nà zhēn shì tài yí hàn liǎo，” nài dé shū shū shuō，“ tā men shuō zhè fáng zǐ……”
“ hěn cháo shī。 duì， dàn bù shì yīn wéi zhè yī diǎn。 zhù yào shì wǒ bù xǐ huān gōng yè chéng shì， shèn zhì bù xǐ huān kǎo wén chuí。”
“ rú guǒ yòu jìn chéng de mén， nà me yīnggāi yě yòu chū chéng de mén，” wǒ shū shū shuō。
“ yī shàn mì mì de mén，” kè lā dé tài tài shuō， wǒ zài cì kàn dào tā nà càn làn de xiào róng。 wǒ xiǎng， tā yīnggāi duō xiào xiào， tā de xiào róng huì zhào liàng zhěng gè shì jiè。
“ rú guǒ nǐ zhǎo bù dào yàoshì， nà me yòu rén huì wéi nǐ zhǎo dào de。”
“ rú guǒ tā zhǐ xiàng yī gè fāng xiàng kāi fàng ní？”
“ kě yǐ zǒu jìn qù。”
tā men jiù xiàng liǎng gè dǎ wǎng qiú de rén， bǎ qiú dǎ lái dǎ qù， bù lǐ cǎi bàng rén。 wǒ bù míng bái tā men zài shuō shí me， dàn shì， wǒ zháomí dì tīng zhe。
“ zhè shì yī gè gū dú de dì fāng，” kè lā dé tài tài shuō。
“ nà yào kàn nǐ gēn shuí zài yī qǐ liǎo。 ér qiě nǐ yào zhī dào，” wǒ shū shū shuō，“ rén bù bì yào bèi dà zhòng zuǒ yòu。 zhè jiù shì shuō， yī gè rén bù bì tīng xìn liú yán fēi yǔ。”
“ nǐ shì dì yī gè duì wǒ shuō zhè huà de rén。”
wǒ kàn dé chū， tā men liǎ dū wàng jì liǎo wǒ men de cún zài， rú guǒ bù shì hā lì tè chā jìn lái， zhè zhǒng jiāo tán kě néng huì wú xiū zhǐ dì jìn xíng xià qù， tā shuō：“ rú guǒ wéi qí de nǎi nǎi hěn wéi tā dān xīn， tā shì bù shì yīnggāi huí jiā liǎo？”
“ yě xǔ nǐ zuì hòu huì gǎi biàn zhù yì de，” nài dé shū shū cuī cù shuō，“ hěn bào qiàn dǎ duàn nǐ de chá huì， hā lì tè。”
“ ò， hěn duō rén hái liú zhe ní，” hā lì tè xiàng gè dà rén yī yàng shuō。 tā kàn zhe wǒ，“ wǒ gào sù guò nǐ， wǒ men bù yào nán rén。 tā men yī lái jiù nòng dé luàn qī bā zāo， rán hòu jiù zǒu liǎo。”
“ kè lā dé tài tài shuō dào kǎo wén chuí， nà shì shénme yì sī 'ā？” huí jiā shàng pō de lù shàng， wǒ wèn nài dé shū shū。
“ nà gè dì fāng dà jiādōu bù shuō huà。”
“ nà wèishénme hái qù nà 'ér ní？”
“ rén men bù shì qù nà lǐ， rén men shì bèi gǎn dào nà lǐ de。 tā men bié wú xuǎn zé。”
zài shān pō dǐng shàng， ā jiā suō gū mā zhàn zài nà lǐ děng。“ nǐ qù nǎ 'ér liǎo？” tā xùn chì dào。
“ tā de pí qiú diào dào shān pō xià liǎo， tā qù shí qiú，” nài dé shū shū shuō。
tā zhǐ zì bù tí kè lā dé tài tài huò hā lì tè……
tū rán， wǒ duì kè lā dé mǔ nǚ shī qù liǎo xīng qù。 wéi sī dùn yī jiā lái fù jìn jū zhù， tā men de nǚ 'ér xīn xī yà gēn wǒ men yī qǐ dú shū。 wǒ yù jiàn tā de dì yī tiān， jiù zhī dào tā shì wǒ děng dài yǐ jiǔ de rén。 xiàng wǒ yī yàng， tā hái shì gè hái zǐ， wǒ men lì kè chéng wéi hǎo péng yǒu。
zài nà yán rè màn cháng de xià tiān， wǒ men xíng yǐng bù lí。 nǎi nǎi hěn kuài jiù qù bài fǎng tā jiā， suǒ yǐ wǒ kě yǐ suí yì yāo qǐng xīn xī yà lái wǒ men jiā wán， lián mǎ lì yě hěn xǐ huān tā。 wǒ yī xiǎng dào hā lì tè， jiù jué dé tā tè bié 'ào màn rèn xìng。 wǒ 'ǒu 'ěr hái huì kàn dào tā， suǒ yǐ wǒ zhī dào tā men hái méi yòu lí kāi yōu gǔ wū， dàn shì， tā duì wǒ lái shuō， zài yě bù zhòng yào liǎo， huò zhě shuō， wǒ zhè me rèn wéi。
8 yuè fèn， wéi sī dùn yī jiā qù hǎi biān。 wǒ men cóng lái bù chū qù， nǎi nǎi shuō xiāng xià de kōng qì fēi cháng hǎo。 wǒ fēi cháng huái niàn xīn xī yà。 wǒ cháng cháng tǎng zài guǒ yuán cháng cháng de cǎo cóng zhōng， biān zào yī xiē wǒ shè shēn jiù tā de gù shì。
ā jiā suō gū mā zǒng shì xùn chì wǒ：“ rú guǒ nǐ zhěng tiān bí zǐ jǐn 'āi zhe shū běn， nǐ huì huǐ liǎo nǐ de yǎn jīng hé nǎo dài。”
nài dé shū shū xīng qī wǔ hái shì guò lái， dàn shì， shèn zhì tā yě bù nà me yòu xī yǐn lì liǎo。 wǒ měi tiān dū pàn wàng zhe xīn xī yà zǎo rì guī lái。
nà tiān xià wǔ， wǒ de shì jiè dāng zhe wǒ de miàn bào zhà liǎo。
wǒ dú shū dú dé hěn fán， yú shì xiǎng zhǎo diǎn lè zǐ。 wǒ sì chù zhāng wàng， kàn dào yī gè cì wèi zài huā yuán biān dǎ dòng。 wǒ páo dào huā yuán wài miàn， kě shì cì wèi yǐ jīng bù jiàn liǎo。 wǒ xiǎng qù kàn kàn， fù jìn yòu méi yòu jí pǔ sài rén。 kě shì， wǒ què kàn dào liǎng gè rén zài sàn bù， yī gè shì nán de， lìng yī gè shì nǚ de， tū rán， nà gè nán de bǎ nǚ de lǒu dào tā de huái lǐ， tā men xiàng yī gè rén nà yàng zhàn zhe。
tā men shì kè lā dé tài tài hé nài dé shū shū。
wǒ bù jì dé zì jǐ shì bù shì jiào chū shēng， fǎn zhèng tā men fēi cháng tóu rù， gēn běn méi yòu tīng dào wǒ de shēng yīn。 wǒ kè yì kàn chū， tā men bù shì dì yī cì zài zhè lǐ xiāng huì。 tā tóu xiàng tā de huái bào， jiù xiàng xiǎo niǎo jìn cháo yī yàng zì rán。 xīn xī yà hé wǒ yòu shí tán dào 'ài qíng hé hūn yīn， zǒng shì rèn wéi tā men shì bù kě fēn lí de， kě shì， nài dé shū shū zěn me kě yǐ gēn kè lā dé tài tài jié hūn ní？
kě shì， tā hǎo xiàng zhēn de yào nà me zuò。 tóng yī tiān wǎn shàng， tā yào bǎ zhè jiàn shì gào sù liǎo nǎi nǎi。 wǒ huí guò shén lái hòu． jiù jí jí máng máng dì páo huí wū lǐ， yī tóu zhā dào nǎi nǎi de huái lǐ。
“ shénme shì bǎ nǐ xià chéng zhè yàng？” tā wèn。 tā yòu shí hòu huì biàn dé fēi cháng wēn róu。“ nǐ méi shì bā？”
tā bǎ wǒ lǐng dào kè tīng， bǎ yé yé 40 nián qián dài huí lái de zhōng guó wán jù wá wá gěi wǒ。 zhè kě shì bù tóng xún cháng de dài yù。 wǒ duǒ dào shā fā hòu miàn， bì kāi nǎi nǎi ruì lì de yǎn jīng。 tā hé 'ā jiā suō gū mā zuò zài cháng shā fā de liǎng tóu， yī qǐ xiù yī kuài jì tán de bù。 zhè shí， nài dé shū shū zǒu liǎo jìn lái。
“ nǐ tīng dào zuì jìn de yáo yán liǎo má？” ā jiā suō gū mā wèn tā。“ tā men shuō kè lā dé tài tài zhōng yú zhǔn bèi lí kāi yōu gǔ wū liǎo。 wǒ zhēn bù míng bái， tā zěn me huì zhù nà me cháng shí jiān。”
“ yī gè rén huì yàn juàn bēn bō de，” nài dé shū shū shuō。
“ xiàn zài tā yòu yào dào bié chù qù liǎo，” ā jiā suō gū mā hěn dé yì dì shuō。
“ dàn zhè cì tā bù shì dān dú yī rén， yě bù shì méi yòu bǎo hù de。 wǒ jiāng gēn tā yī qǐ lí qù。”
“ nǐ bù yīnggāi kāi zhè zhǒng wán xiào，” ā jiā suō gū mā jiào dào，“ jí shǐ kāi wán xiào， yě bù néng kāi zhè yàng de wán xiào， tā shì yī wèi nà me bēi jiàn de nǚ rén。”
“ mǎ gé lì tè bù shì bēi jiàn de nǚ rén，” nài dé shū shū shuō，“ bù jiǔ tā jiāng chéng wéi wǒ de qī zǐ。”
nǎi nǎi wèn dào：“ nǐ fā fēng liǎo má？ hé zhè yàng yī gè nǚ rén jié hūn， nǐ huì huǐ liǎo nǐ zì jǐ de。 shuí hái huì gēn nǐ zuò shēng yì ní？”
“ ò， wǒ men bù huì lián lěi nǐ men de，” nài dé shū shū shuō，“ wǒ yào dào jiā ná dà qù gōng zuò。 nǐ men zhī dào， wǒ yī zhí hěn xǐ huān lǚ xíng， hěn xiǎng dào yī gè xīn de dì fāng， nà gè dì fāng de rén bù huì zhěng tiān wú suǒ shì shì， zǒng shì chuán xián huà。”
“ nǐ bù zài yì nǐ hái zǐ de mǔ qīn céng jīng bèi kòng móu shā qián fū， shòu dào guò shěn xùn？”
“ tā bèi pàn wú zuì，” nài dé shuō。
“ yīn wéi quē fá zhèng jù。”
“ yīn wéi fā xiàn tā shì wú gū de。”
“ bù duì，” nǎi nǎi shuō，“ tā méi yòu bàn fǎ bèi dìng zuì， zhè shì jié rán bù tóng de liǎng mǎ shì。 ài dé huá， rú guǒ nǐ zhè me zuò de huà， nà wǒ men jiù duàn jué yī qiē lái wǎng。”
“ wǒ bù xiāng xìn nǐ zhè huà shì dāng zhēn de，” nài dé shū shū shuō，“ dàn shì， wú lùn rú hé wǒ yě bù huì fàng qì mǎ gé lì tè。 wǒ quán shēn xīn dì 'ài tā。”
wǒ yī dìng shì dòng liǎo yī xià， yīn wéi tū rán tā men yì shí dào wǒ zài shā fā hòu miàn。 ā jiā suō gū mā zhuā zhù wǒ， gào sù wǒ tōu tīng shì fēi cháng kě chǐ de。
“ bié xùn tā liǎo，” nài dé shū shū nù qì chōng chōng dì shuō，“ wǒ hěn lè yì dài tā gēn wǒ men yī qǐ zǒu。 bù guǎn zěn me shuō， wéi qí， wǒ xī wàng bù jiǔ de jiāng lái， nǐ huì lái kàn wàng wǒ men。”
dàn shì， wǒ tuī kāi tā。“ nǐ jiāng shǔ yú tā men，” wǒ hǎn dào，“ nǐ huì wàng diào wǒ men。 zài shuō， nǐ yě bù zhī dào tā méi yòu fàn zuì。”
wǒ měng dì chōng chū kè tīng。
jǐ tiān hòu， wǒ zài lù shàng yù jiàn hā lì tè。 xiāo xī yǐ jīng chuán biàn liǎo quán cūn， yōu gǔ wū yī fù jiāng bèi yí qì de yàng zǐ。
“ wèishénme nǐ men yào rě tā？” wǒ tuō kǒu jiào dào，“ nǐ men dào lái zhī qián， wǒ men shì hěn kuài lè de。”
“ shì tā rě wǒ men，” tā fǎn bó dào，“ wǒ men shuí yě bù xū yào。”
“ nǐ mǔ qīn kě bù zhè me xiǎng。 wǒ kàn dào tā men zài yī qǐ。”
“ tā shǔ yú wǒ，” hā lì tè jiān jiào dào。
“ zài yě bù shì liǎo，” wǒ xiàng tā yī yàng cán kù dì shuō，“ xiàn zài tā zuì zhòng yào liǎo。”
tū rán， tā bù shēng qì liǎo， tā sì hū zài jǐ yīng lǐ zhī wài， suī rán wǒ men miàn duì miàn zhàn zhe。
“ tā zuì hǎo dāng xīn diǎn，” tā shuō，“ wǒ gào sù guò nǐ， wǒ shì gè nǚ wū， wǒ xiǎng yào shénme shì fā shēng， tā jiù huì fā shēng。”
“ nǐ bìng bù xiǎng yào zhè shì fā shēng，” wǒ cháo fěng dì shuō。
dàn tā zhǐ shì xiào xiào， páo kāi liǎo。
nà tiān wǎn shàng， kuáng fēng dà zuò， léi shēng hōng míng。 wǒ tǎng zài chuáng shàng， quán shēn fā dǒu， tòng hèn wài miàn de fēng yǔ shēng。 wǒ xiǎng qǐ hā lì hé tā de huà。“ wǒ xiǎng yào shénme shì fā shēng， tā jiù huì fā shēng。” tā xiǎng yào de， jiù shì wán quán zhàn yòu tā mǔ qīn， yǐ qián yòu rén xiǎng fēn kāi tā men， tā yǐ jīng sǐ liǎo。
zhè jiù xiàng hēi yè zhōng de yī dào shǎn diàn。
jiù zài nà yī kè， wǒ zhī dào liǎo wēn tè xiān shēng zhī sǐ de zhēn xiāng。
wǒ bìng bù zé guài jǐng chá méi yòu xiǎng dào zhè yī diǎn héng héng shuí huì huái yí yī gè 9 suì de xiǎo hái ní？ zài wǒ de yǎn qián， fú xiàn chū yī fú tú jǐng： tā gù yì bǎ dú yào fàng jìn niú nǎi zhōng， nà tiān zǎo chén， tā zài huā yuán wán， kàn dào huā jiàng bǎ dú yào fàng zài wài miàn shā lǎo shǔ， shuí huì zhù yì yī gè xiǎo nǚ hái de xíng zōng ní？ tā yī dìng shì ná liǎo dú yào， děng dài shí jī yòng tā， tā méi yòu xiǎng dào jī huì dāng tiān jiù lái liǎo。 dàn shì， bù guǎn zěn me shuō， tā dū jué dìng yào tóu dú， yīn wéi tā zhī dào zuì zhōng tā mǔ qīn huì lí kāi tā héng héng zuò wéi qī zǐ， tā bié wú xuǎn zé。
wǒ qí guài tā wèishénme bù ná zhe bō lí bēi dào chú fáng jiē shuǐ， dàn shì， dú yào fàng zài niú nǎi zhōng gèng bù róng yì kàn chū。 tā rán hòu bǎ bō lí bēi xǐ gān jìng， bù liú xià rèn hé hén jì。
wǒ zhī dào， wǒ gào sù nǐ wǒ zhī dào， dàn shì， wǒ bù zhī dào zěn me zhèng míng。 méi yòu yī gè rén huì xiāng xìn wǒ de huà， wǒ shèn zhì huì yīn cǐ 'ér shòu dào biān dǎ。
zhè shí， wǒ xiǎng qǐ nà tiān zài yōu gǔ wū huā yuán de chá huì。 nà gè táng guàn！ jǐng chá kě néng huì sōu chá zhěng gè wū zǐ， xún zhǎo dú yào de hén jì， dàn shì， tā men bù huì xiǎng dào shì yī gè xiǎo hái gān de。 tā men bù zhī dào， hā lì tè cóng lái jiù bù shì yī gè xiǎo hái。
xiàn zài bì xū jǐng gào nài dé shū shū， shèng xià de shí jiān bù duō liǎo， dàn shì， wǒ shǒu xiān yīnggāi gǎo dào táng guàn。 méi yòu zhèng jù de zhǐ kòng shì làng fèi shí jiān。
dì 'èr tiān， wǒ dà yáo dà bǎi dì qù yōu gǔ wū。 nà lǐ yī piàn qī liáng de yàng zǐ， qiáng shàng de huà dū qǔ xià lái liǎo， dì tǎn yědōu juàn liǎo qǐ lái。
kè lā dé tài tài chū lái yíng jiē wǒ。 ài qíng shǐ tā gèng piào liàng liǎo， suī rán wǒ rèn wéi nà shì bù kě néng de。 wǒ zhī dào wǒ yào pò huài nà zhǒng xìng fú： wǒ rèn wéi tā yī diǎn yě bù zhī dào hā lì tè de suǒ zuò suǒ wéi。
“ wǒ lái kàn hā lì tè，” wǒ gào sù tā。
“ tā zhèng zài bāng wǒ shōu shí dōng xī，” kè lā dé tài tài shuō。 rán hòu tā hǎn dào，“ hā lì tè， wéi qí xiàng nǐ gào bié lái liǎo。” hā lì tè màn màn dì zǒu chū lái， tíng zài lóu tī zhōng jiān。“ zài jiàn，” tā shuō。 tā de liǎn yīn chén chén de， hěn bù yǒu hǎo。
“ bù néng zhè me shuō zài jiàn，” kè lā dé tài tài xiào zhe gào sù tā。“ jìn lái， wéi qí。 nǐ méi yòu shào lái nǐ nǎi nǎi de kǒu xìn bā？ qiáo， wǒ wèn liǎo yī gè yú chǔn de wèn tí。 nǐ xiǎng zài zhè 'ér gànshénme？”
“ wǒ xiǎng zài wán yī cì chá jù，” wǒ shuō，“ wǒ cóng lái méi yòu jiàn guò nà me piào liàng de dōng xī。”
“ ò， nà yǐ jīng dǎ bāo liǎo，” hā lì tè màn bù jīng xīn dì shuō，“ nǐ lái dé tài wǎn liǎo。”
“ wǒ men zhèng zài xǐ tā men ní，” kè lā dé tài tài shuō。
hā lì tè diǎn diǎn tóu，“ yī jiàn yī jiàn dì xǐ。”
tā de yǎn jīng jǐn dīng zhe wǒ de， wǒ míng bái tā zhī dào wǒ zài huái yí shénme， tā zhèng zài cháo xiào wǒ， yīn wéi wǒ xiàn zài yǐ wú néng wéi lì。
wǒ shuō：“ táng guàn lǐ yòu táng。”
hā lì tè shuō：“ rú guǒ méi yòu， jiù bù hǎo liǎo。”
“ wèishénme nǐ bù bǎ tā sòng gěi wéi qí ní？” kè lā dé tài tài cuī cù dào，“ liú gè jì niàn má。”
“ méi yòu nà dōng xī， tā jiù bù jì dé wǒ men liǎo？” hā lì tè shuō， dàn tā hái shì shùn cóng dì qù qǔ zhuāng chá jù de hé zǐ。 wǒ zhī dào wǒ jué bù huì wán tā de， wǒ hèn tā， wǒ huì bǎ tā cǎi dé xī làn， dàn shì， wǒ bù yòng fèi lì liǎo。
kè lā dé tài tài shuō：“ hā lì tè zì jǐ huì xiǎng niàn tā de，” jiù zài zhè shí， chuán lái yī shēng jù xiǎng。 wǒ men gǎn kuài páo guò qù， kàn dào chá jù yǐ jīng diào zài dì shàng shuāi huài liǎo， hā lì tè zhèng fǔ shēn kàn zhe nà xiē suì piàn。
“ dāng xīn，” kè lā dé tài tài jǐng gào shuō，“ bié gē shāng liǎo nǐ zì jǐ。 zěn me huí shì？”
“ wǒ bù dāng xīn diào zài dì shàng liǎo，” hā lì tè zhèn jìng dì shuō，“ wǒ bù dé bù sōng shǒu， fǒu zé jiù huì shāng liǎo wǒ zì jǐ。”
“ wǒ men huì zài sòng nǐ yī tào de， wéi qí，” tā mǔ qīn bǎo zhèng shuō，“ zhè xiē yǐ jīng huài liǎo， zhǐ néng rēng dào lā jī xiāng qù。” tā ná lái yī bǎ sǎo zhǒu， bǎ suì piàn sǎo qǐ lái， bāo dào zhǐ lǐ。 wǒ zhī dào， wǒ zuì hòu de jī huì cóng wǒ shǒu zhōng liù zǒu liǎo。 xiàn zài， méi yòu zhèng jù liǎo， yī diǎn zhèng jù yě méi yòu liǎo。
“ hē yī bēi zhēn de chá zěn me yàng？” kè lā dé tài tài shuō，“ gāng hǎo wǒ men hái yòu xiē dàn gāo。 wéi qí， nǐ yào jiā táng má？” wǒ xīn xiǎng：“ dāng wǒ lǎo liǎo， xiě huí yì lù shí， wǒ kě yǐ shuō wǒ céng jīng gēn yī gè shā rén fàn hē guò chá。”
nà shì 5 tiān qián de shì。 míng tiān kè lā dé tài tài hé hā lì tè yào qù lún dūn， nài dé shū shū zài nà lǐ děng tā men， kè lā dé tài tài hé nài dé shū shū huì jié hūn， cǐ hòu jiù tài wǎn liǎo。
xiàn zài shì líng chén sān diǎn zhōng， hái shèng xià 4 gè xiǎo shí。 hái yòu shí jiān chǎn shēng qí jì： léi diàn bǎ yōu gǔ wū shāo chéng huī jìn， shāo sǐ lǐ miàn de zhù hù……
wǒ zuò zhe děng dài lí míng， tiān màn màn liàng liǎo。
wǒ bù zhī dào zěn me bàn。
wǒ bù zhī dào， yě méi yòu rén kě yǐ wèn……
《 yīn wéi 'ài nǐ cái hài nǐ》 wéi rào zhe“ ān dùn nǚ xìng wǎng” de jiàn lì jiǎng shù liǎo yī gè zhuī xún shuō huǎng zhě de pū shuò mí lí de gù shì。 běn shū shì 'ān dùn jìhuà chū bǎn de xì liè“ xīn lǐ diào chá bǐ jì xiǎo shuō” zhōng de dì yī bù。 zài zhè gè xì liè zuò pǐn zhōng， ān dùn jiāng yǐ xiǎo shuō dì yī zhù rén gōng de shēn fèn chū xiàn zài měi yī gè gù shì zhōng， chéng dān diào chá zhě hé jiǎng shù zhě de gōng néng。“ xīn lǐ diào chá bǐ jì xiǎo shuō” yòu bié yú tōng cháng yì yì shàng de xiǎo shuō xiě zuò， dà liàng shǐ yòng liǎo fàn zuì xué tōng cháng shǐ yòng de“ shēng píng diào chá” fāng shì， tōng guò bù tóng juésè zhàn zài bù tóng lì chǎng duì tóng yī shì jiàn huò rén wù de miáo shù lái duō cè miàn dì wán shàn duì yī gè gù shì de jiǎng shù， gěi dú zhě dài lái pīn tú shì de yuè dú kuài gǎn。 ān dùn zài chéng gōng chuàng jiàn liǎo“ ## shí lù” wén tǐ 10 nián hòu， shǒu cì tí chū“ xīn lǐ diào chá bǐ jì xiǎo shuō” gài niàn， yǐn qǐ liǎo píng lùn jiè、 yǐng shì jiè hé wén xué 'àihào zhě de guǎng fàn guān zhù。
zhēng yǎn dì yù bì yǎn tiān táng， dà běn zhōng hūn rán shuì qù， hēi 'àn zhōng de zhù zǎi jiāng wéi wǒ kāi qǐ dì yù tiān táng de xuánzhuàn mén。 zhēn 'ài de jù dà néng liàng zài zhōng jí zhī mén de guāng sù xuánzhuàn zhōng， gǎi biàn shí jiān， chāo yuè shēng sǐ……