《 sān jiàn kè》 shì yǐ 17 shì jì chū qī fǎ guó guó wáng lù yì shí sān hé shǒu wò zhòng bīng、 quán qīng cháo yě de shǒuxiàng lí sài liú hóng yī zhù jiào de máo dùn wéi bèi jǐng， chuān chā qún chén pài xì de míng zhēng 'àn dǒu， wéi rào gōng tíng lǐ de mì shǐ yì wén， zhǎn kāi liǎo jí ráo qù wèi de gù shì。 shū zhōng de zhù rén gōng shàonián yǒng shì dá dá ní 'áng， huái chuài qí fù liú gěi tā de shí wǔ gè 'āi jū， qí yī pǐ cháng máo shòu mǎ， gào bié jí qīn， yuǎn fù bā lí， xī wàng zài tóng xiāng fù zhí de tè léi wéi 'ěr wéi duì cháng de guó wáng huǒ qiāng duì lǐ dāng yī míng huǒ qiāng shǒu。 zài duì cháng fǔ shàng， tā yù shàng 'ā tuō sī， bō tuō sī hé 'ā lā mǐ sī sān gè huǒ qiāng shǒu， tōng guò 'ōu zhōu qí shì fēng xíng de jué dǒu， sì rén jié chéng shēng sǐ yǔ gòng de zhī jǐ。
qí shí， guó wáng lù yì shí sān， wáng hòu 'ān nà · ào dì lì， yǐ jí shǒuxiàng lí sài liú sān fēn guó quán， bǐ cǐ yòu xì。 guó wáng duì dá dá ní 'áng jǐ cì dǎ bài shǒuxiàng bù xià 'àn zì bāo jiǎng， ér shǒuxiàng què huái hèn zài xīn。 qià féng 'ān nà · ào dì lì wáng hòu de jiù shí qíng rén yīng guó bái jīn hàn gōng jué duì tā qíng sī wèi duàn， wáng hòu biàn yǐ jīn gāng zuàn zhuì xiāng zèng yǐ biǎo huái niàn。 zhù jiào suì lì yòng qì jī gòu xiàn， xiàng guó wáng lǚ jìn chán yán， yào guó wáng pài rén zǔ zhì gōng tíng wǔ huì， ràng wáng hòu pèi dài guó wáng sòng gěi tā de nà tiáo jīn gāng zuàn zhuì yǐ zhèng xū shí。 wáng hòu yǎn jiàn wǔ huì rì qī bī jìn， huáng rán wú jì， xìng dé xīn fù shì nǚ bō nà sè xiàn jì shè fǎ， qǐng dá dá ní 'áng bāng máng xiāng zhù。 dá dá ní 'áng duì bō nà sè yī jiàn zhōng qíng， pō xiāng jiàn hèn wǎn， biàn bù gù gè rén 'ān wēi， mǎn kǒu dāyìng， zài sān gè péng yǒu de quán lì zhī chí xià， sì rén fēn tóu fù yīng。 jīng guò yī lù qū zhé lí qí de mó nán， wéi yòu dá dá ní 'áng rú qī dǐ dá， xiàng bái jīn hàn shuō míng yuán wěi， jí shí suǒ huí jīn gāng zuàn zhuì， jiě jiù liǎo wáng hòu de rán méi zhī jí， fěn suì liǎo hóng yī zhù jiào de yīn móu guǐ jì。
hóng yī zhù jiào lí sài liú duì 'ān nà · ào dì lì yě zǎo yǐ yòu yì， dàn yī zhí wèi huò wáng hòu chuí qīng。 yú shì tā dù huǒ zhōng shāo， yí hèn yú qíng dí bái jīn hàn gōng jué， lì yòng xīn jiù jiào tú de máo dùn yǐn fā de fǎ yīng zhàn zhēng， wàng tú chú diào bái jīn hàn yǐ jiě xīn tóu zhī hèn。 wéi dá cǐ mùdì， tā wǎng luó yī pī xīn fù dǎng yǔ， qí zhōng zuì dé lì de qīn xìn biàn shì jiā lì mǐ lā dí。 cǐ nǚ tiān shēng lì zhì， yàn ruò táo lǐ， dàn què liǎng miàn sān dāo， kǒu mì fù jiàn， xīn hěn shǒu là， dú rú shé xiē。 dá dá ní 'áng wéi qí měi mào suǒ dòng， qiǎo gòu jì móu， qián rù nèi shì， yòu tā shī shēn。 jiù zài yún yǔ jiāo huān zhī zhōng， dá dá ní 'áng 'ǒu rán fā xiàn mǐ lā dí jiān lào yī duǒ bǎi hé huā， nà shì dāng shí 'ōu zhōu nǚ zǐ fàn zuì de chǐ rǔ xíng jì。 yǐn cáng shù nián de zhè gè jī mì de bào lù， shǐ tā duì dá dá ní 'áng hèn zhī rù gǔ， bù gòng dài tiān， jǐ cì shè xiàn jǐng 'àn hài， dàn jūn wèi chéng gōng。
zài yǐ wéi kùn lā luó shè 'ěr chéng wéi zhàn shì jiāo diǎn de fǎ yīng duì lěi zhōng， lí sài liú hé bái jīn hàn gè wéi liǎng guó pī guà shàng zhèn de zhù shuài。 lí sài liú 'àn pài mǐ lā dí fù yīng wò dǐ， chéng jī xíng cì bái jīn hàn； mǐ lā dí tí chū yǐ shā sǐ dá dá ní 'áng wéi jiāo huàn tiáo jiàn。 tā yī tà shàng yīng guó de tǔ dì， jí bèi yù xiān dé dào dá dá ní 'áng tōng zhī de wēn tè xūn jué zhuā huò， suì zāo qí ruǎn jìn。 qiú jìn zhōng， tā jí jìn mài nòng fēng sāo hé huā yán qiǎo yǔ zhī néng shì， yòu huò liǎo wēn tè xūn jué de xīn fù kānshǒu fèi 'ěr dùn， hòu zhě zì gào fèn yǒng jiù mǐ lā dí chū huò， bìng jiǎo xìng cì sǐ liǎo bái jīn hàn。 mǐ lā dí zài guī fǎ tú zhōng， qiǎo jìn xiū dào yuàn， zhǎo dào liǎo shòu wáng hòu pài rén bì hù de dá dá ní 'áng de qíng fù bō nà sè， jiāng tā dú sǐ。 dá dá ní 'áng、 ā tuō sī、 bō tuō sī、 ā lā mǐ sī sì wèi péng yǒu zhòu yè jiān chéng， kǔ kǔ zhuī zōng， huì tóng wēn tè xūn jué hé yī míng guì zǐ shǒu， zhōng yú zài lì sī hé pàn zhuā dào qǐ tú qián táo bǐ lì shí de mǐ lā dí。 liù wèi chóu rén qí tǎo gòng zhū， jiē kāi liǎo mǐ lā dí de lǎo dǐ： yuán lái tā zǎo yǐ dùn rù kōng mén， dàn tā bù gān qīng chūn jì mò， yòu huò liǎo yī gè xiǎo jiào shì yǔ qí tóng jū。 yīn bài huài jiào mén qīng guī， jiào shì shēn xiàn líng yǔ， tā yě bèi guì zǐ shǒu héng héng xiǎo jiào shì de bāo xiōng lào xià liǎo yī duǒ bǎi hé huā。 jiào shì yuè yù táo páo， xié dài mǐ lā dí sī bēn tā xiāng， guì zǐ shǒu yīn shòu zhū lián rù yù， tì dì dǐng zuì。 zài yì xiāng， mǐ lā dí xián pín 'ài fù， yòu pāo qì liǎo xiǎo jiào shì， hé dāng dì yī wèi shàonián lā fèi 'ěr bó jué jié hūn， nòng dé hòu zhě qīng jiā dàng chǎn yòu qì tā 'ér qù。 lā fèi 'ěr bó jué hèn zhī qièqiè， biàn huà míng 'ā tuō sī tóu jūn， jìn liǎo guó wáng huǒ qiāng duì， yǐ wèi shī liàn shòu piàn zhī kǔ。 mǐ lā dí táo dào yīng guó， piàn qǔ wēn tè xūn jué bó xiōng zhī 'ài chéng hūn， bìng shēng yòu yī zǐ。 dàn wèile dú zhàn zhàng fū jí xiōng dì zhī yí chǎn， tā yòu móu hài liǎo dì 'èr gè zhàng fū。 tā zuì 'è lěi lěi， tiān nù rén yuàn， dāng jí zài lì sī hé pàn bèi shā zhèng fǎ。 zhì cǐ， dá dá ní 'áng、 ā tuō sī、 bō tuō sī、 ā lā mǐ sī、 wēn tè xūn jué hé guì zǐ shǒu gè zì dū bào chóu xuě hèn， liǎo què sù yuàn。
lí sài liú dé zhī xīn fù mǐ lā dí yù hài yī shì zhōng， dá dá ní 'áng shì zhù móu， biàn mìng qīn xìn luó shí fú 'ěr jiāng tā zhuō ná。 dá dá ní 'áng bù bēi bù kàng， tǎn yán xiāng chén， míng shì yuán wěi。 lí sài liú jiàn tā shì sǐ rú guī， yì yǒng wú shuāng， shàonián yòu wéi， shēn wéi gǎn dòng， fēi dàn bù jiā zuì xíng zhū， fǎn 'ér zhuó shēng qí huǒ qiāng duì fù guān。 ā tuō sī、 bō tuō sī、 ā lā mǐ sī sān rén huò guī xiāng lǐ， huò qǔ shuāng fù， huò guī jiào mén， píng piāo xù fēi， quán shū jiù cǐ jié jú。
《 sān jiàn kè》 shì yī bù lì shǐ xiǎo shuō， dàn zuò zhě dà zhòng mǎ bù jū ní yú lì shǐ， zài cǐ jī chǔ shàng tiān jiā zì jǐ fēng fù de xiǎng xiàng lì， shǐ tā chéng wéi yī bù yǐn rén rù shèng de xiá shì xiǎo shuō， zhì jīn réng wéi rén men suǒ xǐ 'ài。
The story of d'Artagnan is continued in Twenty Years After and The Vicomte of Bragelonne: Ten Years Later. Those three novels by Dumas are together known as the d'Artagnan Romances.
The Three Musketeers was first published in serial form in the magazine Le Siècle between March and July 1844.
Origin
In the very first sentences of his preface Alexandre Dumas indicated as his source Mémoires de Monsieur d'Artagnan, printed by Pierre Rouge in Amsterdam. It was in this book, he said, that d'Artagnan relates his first visit to M. de Tréville, captain of the Musketeers, where in the antechamber he met three young men with the names Athos, Porthos and Aramis. This information struck the imagination of Dumas so much—he tells us—that he continued his investigation and finally encountered once more the names of the three musketeers in a manuscript with the title Mémoire de M. le comte de la Fère, etc.. Elated—so continues his yarn—he asked permission to reprint the manuscript. Permission granted:
"Well, it is the first part of this precious manuscript that we offer today to our readers, while giving it back its more convenient title and under the engagement to publish immediately the second part should this first part be successful. In the meantime, as the godfather is as good as a second father, we invite the reader to address himself to us, and not to the Comte de La Fère, about his pleasure or boredom. This being said, let's get on with our story."
The book he referred to was Mémoires de M .d'Artagnan, capitaine lieutenant de la première compagnie des Mousquetaires du Roi (Memoirs of Mister d'Artagnan, Lieutenant Captain of the first company of the King's Musketeers) by Gatien de Courtilz de Sandras (Cologne, 1700). The book was borrowed from the Marseille public library, and the card-index remains to this day; Dumas kept the book when he went back to Paris.
Attention to the extent of Dumas' preface is called for when compared with the recent analysis (2008) of the book's origin by Roger MacDonald in his The Man in the Iron Mask:The True Story of the Most Famous Prisoner in History and the Four Musketeers where the identity of the man in the iron mask is presented as real history.
Following Dumas's lead in his preface, Eugène d'Auriac (de la Bibliothèque Royale) in 1847 was able to write the biography of d'Artagnan: d'Artagnan, Capitaine-Lieutenant des Mousquetaires – Sa vie aventureuse – Ses duels – etc. based on Courtilz de Sandras. This work and especially its introduction with reference to the preface is uncited by MacDonald.
Plot summary
Plot brief
The poor d'Artagnan travels to Paris to join the Musketeers. He suffers misadventure and is challenged to a duel by each of three musketeers (Athos, Aramis and Porthos). Attacked by the Cardinal's guards, the four unite and escape.
D'Artagnan and his new love interest, Constance, help the French queen give a particular piece of jewellery to her paramour, the Duke of Buckingham. The Cardinal learns of this and coaxes the French king to hold a ball where the queen must wear the jewellery; its absence will reveal her infidelity. The four companions retrieve the jewellery from England.
The Cardinal kidnaps Constance who is later rescued by the queen. D'Artagnan meets Milady de Winter and discovers she is a felon, the ex-wife of Athos and the widow of Count de Winter. The Cardinal recruits Milady to kill Buckingham, also granting her a hand-written pardon for the future killing of d'Artagnan. Athos learns of this, takes the pardon but is unable to warn Buckingham. He sends word to Lord de Winter that Milady is arriving; Lord de Winter arrests her on suspicion of killing Count de Winter, his brother.
She seduces her guard and escapes to the monastery in France where the queen secreted Constance. Milady kills Constance. The four companions arrive and Athos identifies her as a multiple murderess. She is tried and beheaded.
On the road, d'Artagnan is arrested. Taken before the Cardinal, d'Artagnan relates recent events and reveals the Cardinal’s pardon. Impressed, the Cardinal offers him a blank musketeer officer's commission. D’Artagnan’s friends refuse the commission, each retiring to a new life, telling him to take it himself.
Detailed plot summary
The main character, d'Artagnan, born into an impoverished noble family of Gascony, leaves home for Paris to fulfill his greatest dream: becoming a Musketeer of the Guard. Fortunately his father knows Monsieur De Treville, Captain of the Company of Musketeers (and fellow Gascon) and has written a letter of introduction. On the road to Paris, the young Gascon soon gets in a quarrel with a mysterious gentleman and is set upon by the servants of the nearby inn. When d'Artagnan regains consciousness he realizes that the gentleman has stolen his letter of introduction. The innkeeper manages to get his hands on much of d'Artagnan's limited money as he recuperates.
In Paris d'Artagnan goes straight to M. De Treville's hôtel, but lacking his father's letter is received somewhat coolly. In a series of incidents at the hôtel, d'Artagnan is challenged to duels by three musketeers: Athos, Porthos, and Aramis. The four men meet and d'Artagnan begins to fight Athos (the first challenger). They are interrupted by Cardinal Richelieu's guards who threaten to arrest them because duels are forbidden by royal decree. The three musketeers and d'Artagnan unite to defeat the cardinal's guards. In this manner the young Gascon earns the respect and friendship of Athos, Porthos and Aramis and soon becomes a soldier in a regiment of the Royal Guard.
After obtaining lodging and hiring a servant (Planchet), he meets his aging landlord's pretty young wife, Constance Bonacieux, with whom he falls instantly in love. Constance and d'Artagnan help the Queen Consort of France, Anne of Austria, and the Duke of Buckingham have a rendezvous and the Queen presents her lover with a wooden box containing a set of diamond jewels originally given to her by her husband Louis XIII. Cardinal Richelieu, informed by his spies of the gift, persuades the King to invite the Queen to a ball where she would be expected to wear the diamonds; in hopes of uncovering her love affair.
Constance attempts to get her husband to go to London and retrieve the diamonds, but he has been recruited as an agent by the cardinal and refuses. D'Artagnan and his friends are convinced to take on the mission instead. After a series of adventures, they retrieve the jewels and return them to Queen Anne, just in time to save her façade of honour. Athos, Porthos and Aramis are all badly wounded by the cardinal's agents in this endeavor.
The cardinal's revenge comes swiftly: the next evening, Constance is kidnapped. D'Artagnan brings his friends back to Paris and tries to find her, but fails. Meanwhile, he befriends the Lord de Winter, an English nobleman who introduces him to his sister-in-law, Milady de Winter. D'Artagnan quickly develops a crush on the pretty noblewoman, but soon learns that she has no love for him, being an agent for the cardinal. He manages to sleep with her and learns that Milady has a fleur-de-lis burned into her shoulder, marking her as a felon. She had apparently been married to both Athos and the Count de Winter at different times in her wicked life and was livid that the young musketeer knew her secret. D'Artagnan is able to escape her home but is relieved when all the King's guards are ordered to La Rochelle where a siege of the Protestant-held town is taking place.
Milady makes several attempts to kill d'Artagnan in and around La Rochelle, but fails. At the same time, d'Artagnan finds out that the Queen has managed to save Constance from the prison where the cardinal and Milady had thrown her and that his beloved is now hidden somewhere safe.
The Musketeers stake out the inn and overhear a conversation between the cardinal and Milady, during which the cardinal asks her to assassinate the Duke of Buckingham (a supporter of the Protestant Rochellais rebels). The churchman then writes out a blanket pardon to Milady, effectively giving her permission to kill d'Artagnan. Athos quickly confronts his former wife and forces her to relinquish the cardinal's pardon. Because of the war between France and England, any attempt by the musketeers to warn the Duke of Buckingham about Milady would be considered treason, but they are able to send Planchet with a letter to Milady's brother-in-law (Lord de Winter) who suspects Milady killed his brother.
Milady is imprisoned on arrival in England, but soon seduces her hard-hearted Puritan jailer Felton and convinces him not only to help her escape, but also to assassinate the Duke of Buckingham. While the naive Felton shanks the prime minister, Milady sails to France. Milady sends a message to the cardinal and hides in the same North French monastery where Constance had been sent by the Queen. The trusting Constance bares her soul to Milady and the evil woman realizes that her enemy d'Artagnan is expected to arrive at the monastery at any moment. She escapes just before his arrival, but not before taking her revenge: she poisons Constance who dies minutes later in the arms of her beloved d'Artagnan.
They arrange to track down the whereabouts of Milady to exact punishment, joined by the Lord de Winter. The noblemen find her and try the countess on numerous charges: the poisoning of Madame Bonacieux; the assassination attempts on d'Artagnan; accomplice to the assassination of the Duke of Buckingham; the corruption of the Lord de Winter's servant, Felton; and the assassination of her late husband, Count de Winter. The most damning charge comes when Athos states that Milady, his wife, is a marked criminal with a brand on her shoulder. When the countess demands that Athos present the one who branded her, a man in a red cloak steps forward. She immediately recognizes him as the executioner of Lille and he recounts Milady's early misdeeds that led to the brand.
After Milady is beheaded the musketeers return to La Rochelle. On their way they encounter the Count of Rochefort, who was traveling to Milady to pay her. Rochefort also has an order to arrest d'Artagnan. He decides to postpone his trip to Milady in order to take d'Artagnan directly to the cardinal. When the young Gascon is presented before him the entire story about Milady's assassination attempts, her poisoning of Madame Bonacieux, etc. is told. The cardinal states that if Milady is indeed guilty, the courts will deal harshly with her. D'Artagnan frankly admits that he and his friends have already dealt with this evil woman. He then presents Richelieu with the blanket pardon written in the cardinal's own hand. The cardinal, impressed by d'Artagnan's resourcefulness and having already gotten what he wanted from Milady, offers the young man a lieutenant's commission with the musketeers — with the name left blank. The cardinal then presents Rochefort and asks both men to be on good terms.
The book ends with d'Artagnan offering the officer's commission to each of his friends, but he is told that he should insert his own name. Athos intends to retire to his estates, Porthos has decided to marry the widow of a rich lawyer and Aramis will soon fulfill his dream of entering the priesthood. Their lives will cross again, in Twenty Years After.
Important characters
Musketeers
* Athos
* Porthos
* Aramis
D'Artagnan was not one of the titular "three musketeers." The novel recounts his becoming a musketeer.
Musketeers' servants
* Planchet (d'Artagnan) – A clever fellow whom Porthos found to serve d'Artagnan.
* Grimaud (Athos) – A Breton, trained to speak only in emergencies and mostly communicates through sign language.
* Mousqueton (Porthos) – A would-be dandy, just as vain as his master, whose only pay is his master's old clothes
* Bazin (Aramis) – Waits for the day his master will join the church, as Bazin has always dreamed to serve a priest.
Others
* Milady de Winter
* Cardinal Richelieu
* Comte de Rochefort
* Louis XIII of France
* M. de Tréville
* Constance Bonacieux
* Monsieur Bonacieux
* Queen Anne of Austria
* George Villiers, 1st Duke of Buckingham
Editions
Les Trois Mousquetaires was translated into three English versions by 1846. One of these, by William Barrow, is still in print and fairly faithful to the original, available in the Oxford World's Classics 1999 edition. However, all of the explicit and many of the implicit references to sexuality had been removed to conform to 19th-century English standards, thereby making the scenes between d'Artagnan and Milady, for example, confusing and strange. The most recent and now standard English translation is by Richard Pevear (2006), who in his introduction notes that most of the modern translations available today are "textbook examples of bad translation practices" which "give their readers an extremely distorted notion of Dumas' writing."
Adaptations
Musical theatre
The Three Musketeers is a musical with a book by William Anthony McGuire, lyrics by Clifford Grey and P. G. Wodehouse, and music by Rudolf Friml. The original 1928 production ran on Broadway for 318 performances. A 1984 revival ran for 15 previews and 9 performances. In 2003 a Dutch musical 3 Musketiers premiered, which went on to open in Germany (both the Dutch and German production starring Pia Douwes as Milady De Winter) and Hungary. Composer George Stiles, lyricist Paul Leigh and playwright Peter Raby have produced another version (under the title The 3 Musketeers, One Musical For All), which opened at the American Musical Theatre of San José on 10 March 2001.
Films
See The Three Musketeers (film) for a list of film adaptations.
Games
1995 saw the release by publisher U.S. Gold of Touché: The Adventures of the Fifth Musketeer by video game developers Clipper Software, a classic point-and-click adventure game using the SCUMM engine.
In 2005, Swedish developer Legendo Entertainment published the side-scrolling platform game The Three Musketeers for Windows XP and Windows Vista. In July 2009, a version of the game was released for WiiWare in North America and Europe under the title The Three Musketeers: One for All!.
In 2009, Canadian developer Dingo Games self-published The Three Musketeers: The Game for Windows and Mac OS X. It is the first game to be truly based on the novel (in that it closely follows the novel's story).
2009 also saw the publication of the asymmetric team board game The Three Musketeers "The Queen's Pendants" (Настольная игра «Три мушкетера») from French designer Pascal Bernard by the Russian publisher Zvezda.
Television
* Dogtanian and the Three Muskehounds is an anthropomorphic animated series adaptation
* Albert the Fifth Musketeer, animated series which is a sequel to the novel
* Young Blades, television series which is a sequel to the novels, centered on the son of d'Artagnan
* Three Musketeers is an anime series adaption
* The Three Musketeers, an animated adaption that aired as part of Hanna-Barbera's "The Banana Splits Comedy-Adventure Hour" & "The Banana Splits & Friends" show.
Influence on later works
In 1939, American author Tiffany Thayer published a book entitled Three Musketeers (Thayer, 1939). This is a re-telling of the story in Thayer's words, true to the original plot but told in a different order and with different points of view and emphasis from the original. For example, the book opens with the scene of Milady's youth and how she came to be branded, and more development of her early character, making her later scheming more believable and understandable. Thayer's treatment of sex and sexual politics is more explicit than typical English translations of the original, occasionally leading to consternation when this book found its way to library children's sections and school libraries.
qí shí， guó wáng lù yì shí sān， wáng hòu 'ān nà · ào dì lì， yǐ jí shǒuxiàng lí sài liú sān fēn guó quán， bǐ cǐ yòu xì。 guó wáng duì dá dá ní 'áng jǐ cì dǎ bài shǒuxiàng bù xià 'àn zì bāo jiǎng， ér shǒuxiàng què huái hèn zài xīn。 qià féng 'ān nà · ào dì lì wáng hòu de jiù shí qíng rén yīng guó bái jīn hàn gōng jué duì tā qíng sī wèi duàn， wáng hòu biàn yǐ jīn gāng zuàn zhuì xiāng zèng yǐ biǎo huái niàn。 zhù jiào suì lì yòng qì jī gòu xiàn， xiàng guó wáng lǚ jìn chán yán， yào guó wáng pài rén zǔ zhì gōng tíng wǔ huì， ràng wáng hòu pèi dài guó wáng sòng gěi tā de nà tiáo jīn gāng zuàn zhuì yǐ zhèng xū shí。 wáng hòu yǎn jiàn wǔ huì rì qī bī jìn， huáng rán wú jì， xìng dé xīn fù shì nǚ bō nà sè xiàn jì shè fǎ， qǐng dá dá ní 'áng bāng máng xiāng zhù。 dá dá ní 'áng duì bō nà sè yī jiàn zhōng qíng， pō xiāng jiàn hèn wǎn， biàn bù gù gè rén 'ān wēi， mǎn kǒu dāyìng， zài sān gè péng yǒu de quán lì zhī chí xià， sì rén fēn tóu fù yīng。 jīng guò yī lù qū zhé lí qí de mó nán， wéi yòu dá dá ní 'áng rú qī dǐ dá， xiàng bái jīn hàn shuō míng yuán wěi， jí shí suǒ huí jīn gāng zuàn zhuì， jiě jiù liǎo wáng hòu de rán méi zhī jí， fěn suì liǎo hóng yī zhù jiào de yīn móu guǐ jì。
hóng yī zhù jiào lí sài liú duì 'ān nà · ào dì lì yě zǎo yǐ yòu yì， dàn yī zhí wèi huò wáng hòu chuí qīng。 yú shì tā dù huǒ zhōng shāo， yí hèn yú qíng dí bái jīn hàn gōng jué， lì yòng xīn jiù jiào tú de máo dùn yǐn fā de fǎ yīng zhàn zhēng， wàng tú chú diào bái jīn hàn yǐ jiě xīn tóu zhī hèn。 wéi dá cǐ mùdì， tā wǎng luó yī pī xīn fù dǎng yǔ， qí zhōng zuì dé lì de qīn xìn biàn shì jiā lì mǐ lā dí。 cǐ nǚ tiān shēng lì zhì， yàn ruò táo lǐ， dàn què liǎng miàn sān dāo， kǒu mì fù jiàn， xīn hěn shǒu là， dú rú shé xiē。 dá dá ní 'áng wéi qí měi mào suǒ dòng， qiǎo gòu jì móu， qián rù nèi shì， yòu tā shī shēn。 jiù zài yún yǔ jiāo huān zhī zhōng， dá dá ní 'áng 'ǒu rán fā xiàn mǐ lā dí jiān lào yī duǒ bǎi hé huā， nà shì dāng shí 'ōu zhōu nǚ zǐ fàn zuì de chǐ rǔ xíng jì。 yǐn cáng shù nián de zhè gè jī mì de bào lù， shǐ tā duì dá dá ní 'áng hèn zhī rù gǔ， bù gòng dài tiān， jǐ cì shè xiàn jǐng 'àn hài， dàn jūn wèi chéng gōng。
zài yǐ wéi kùn lā luó shè 'ěr chéng wéi zhàn shì jiāo diǎn de fǎ yīng duì lěi zhōng， lí sài liú hé bái jīn hàn gè wéi liǎng guó pī guà shàng zhèn de zhù shuài。 lí sài liú 'àn pài mǐ lā dí fù yīng wò dǐ， chéng jī xíng cì bái jīn hàn； mǐ lā dí tí chū yǐ shā sǐ dá dá ní 'áng wéi jiāo huàn tiáo jiàn。 tā yī tà shàng yīng guó de tǔ dì， jí bèi yù xiān dé dào dá dá ní 'áng tōng zhī de wēn tè xūn jué zhuā huò， suì zāo qí ruǎn jìn。 qiú jìn zhōng， tā jí jìn mài nòng fēng sāo hé huā yán qiǎo yǔ zhī néng shì， yòu huò liǎo wēn tè xūn jué de xīn fù kānshǒu fèi 'ěr dùn， hòu zhě zì gào fèn yǒng jiù mǐ lā dí chū huò， bìng jiǎo xìng cì sǐ liǎo bái jīn hàn。 mǐ lā dí zài guī fǎ tú zhōng， qiǎo jìn xiū dào yuàn， zhǎo dào liǎo shòu wáng hòu pài rén bì hù de dá dá ní 'áng de qíng fù bō nà sè， jiāng tā dú sǐ。 dá dá ní 'áng、 ā tuō sī、 bō tuō sī、 ā lā mǐ sī sì wèi péng yǒu zhòu yè jiān chéng， kǔ kǔ zhuī zōng， huì tóng wēn tè xūn jué hé yī míng guì zǐ shǒu， zhōng yú zài lì sī hé pàn zhuā dào qǐ tú qián táo bǐ lì shí de mǐ lā dí。 liù wèi chóu rén qí tǎo gòng zhū， jiē kāi liǎo mǐ lā dí de lǎo dǐ： yuán lái tā zǎo yǐ dùn rù kōng mén， dàn tā bù gān qīng chūn jì mò， yòu huò liǎo yī gè xiǎo jiào shì yǔ qí tóng jū。 yīn bài huài jiào mén qīng guī， jiào shì shēn xiàn líng yǔ， tā yě bèi guì zǐ shǒu héng héng xiǎo jiào shì de bāo xiōng lào xià liǎo yī duǒ bǎi hé huā。 jiào shì yuè yù táo páo， xié dài mǐ lā dí sī bēn tā xiāng， guì zǐ shǒu yīn shòu zhū lián rù yù， tì dì dǐng zuì。 zài yì xiāng， mǐ lā dí xián pín 'ài fù， yòu pāo qì liǎo xiǎo jiào shì， hé dāng dì yī wèi shàonián lā fèi 'ěr bó jué jié hūn， nòng dé hòu zhě qīng jiā dàng chǎn yòu qì tā 'ér qù。 lā fèi 'ěr bó jué hèn zhī qièqiè， biàn huà míng 'ā tuō sī tóu jūn， jìn liǎo guó wáng huǒ qiāng duì， yǐ wèi shī liàn shòu piàn zhī kǔ。 mǐ lā dí táo dào yīng guó， piàn qǔ wēn tè xūn jué bó xiōng zhī 'ài chéng hūn， bìng shēng yòu yī zǐ。 dàn wèile dú zhàn zhàng fū jí xiōng dì zhī yí chǎn， tā yòu móu hài liǎo dì 'èr gè zhàng fū。 tā zuì 'è lěi lěi， tiān nù rén yuàn， dāng jí zài lì sī hé pàn bèi shā zhèng fǎ。 zhì cǐ， dá dá ní 'áng、 ā tuō sī、 bō tuō sī、 ā lā mǐ sī、 wēn tè xūn jué hé guì zǐ shǒu gè zì dū bào chóu xuě hèn， liǎo què sù yuàn。
lí sài liú dé zhī xīn fù mǐ lā dí yù hài yī shì zhōng， dá dá ní 'áng shì zhù móu， biàn mìng qīn xìn luó shí fú 'ěr jiāng tā zhuō ná。 dá dá ní 'áng bù bēi bù kàng， tǎn yán xiāng chén， míng shì yuán wěi。 lí sài liú jiàn tā shì sǐ rú guī， yì yǒng wú shuāng， shàonián yòu wéi， shēn wéi gǎn dòng， fēi dàn bù jiā zuì xíng zhū， fǎn 'ér zhuó shēng qí huǒ qiāng duì fù guān。 ā tuō sī、 bō tuō sī、 ā lā mǐ sī sān rén huò guī xiāng lǐ， huò qǔ shuāng fù， huò guī jiào mén， píng piāo xù fēi， quán shū jiù cǐ jié jú。
《 sān jiàn kè》 shì yī bù lì shǐ xiǎo shuō， dàn zuò zhě dà zhòng mǎ bù jū ní yú lì shǐ， zài cǐ jī chǔ shàng tiān jiā zì jǐ fēng fù de xiǎng xiàng lì， shǐ tā chéng wéi yī bù yǐn rén rù shèng de xiá shì xiǎo shuō， zhì jīn réng wéi rén men suǒ xǐ 'ài。
The story of d'Artagnan is continued in Twenty Years After and The Vicomte of Bragelonne: Ten Years Later. Those three novels by Dumas are together known as the d'Artagnan Romances.
The Three Musketeers was first published in serial form in the magazine Le Siècle between March and July 1844.
Origin
In the very first sentences of his preface Alexandre Dumas indicated as his source Mémoires de Monsieur d'Artagnan, printed by Pierre Rouge in Amsterdam. It was in this book, he said, that d'Artagnan relates his first visit to M. de Tréville, captain of the Musketeers, where in the antechamber he met three young men with the names Athos, Porthos and Aramis. This information struck the imagination of Dumas so much—he tells us—that he continued his investigation and finally encountered once more the names of the three musketeers in a manuscript with the title Mémoire de M. le comte de la Fère, etc.. Elated—so continues his yarn—he asked permission to reprint the manuscript. Permission granted:
"Well, it is the first part of this precious manuscript that we offer today to our readers, while giving it back its more convenient title and under the engagement to publish immediately the second part should this first part be successful. In the meantime, as the godfather is as good as a second father, we invite the reader to address himself to us, and not to the Comte de La Fère, about his pleasure or boredom. This being said, let's get on with our story."
The book he referred to was Mémoires de M .d'Artagnan, capitaine lieutenant de la première compagnie des Mousquetaires du Roi (Memoirs of Mister d'Artagnan, Lieutenant Captain of the first company of the King's Musketeers) by Gatien de Courtilz de Sandras (Cologne, 1700). The book was borrowed from the Marseille public library, and the card-index remains to this day; Dumas kept the book when he went back to Paris.
Attention to the extent of Dumas' preface is called for when compared with the recent analysis (2008) of the book's origin by Roger MacDonald in his The Man in the Iron Mask:The True Story of the Most Famous Prisoner in History and the Four Musketeers where the identity of the man in the iron mask is presented as real history.
Following Dumas's lead in his preface, Eugène d'Auriac (de la Bibliothèque Royale) in 1847 was able to write the biography of d'Artagnan: d'Artagnan, Capitaine-Lieutenant des Mousquetaires – Sa vie aventureuse – Ses duels – etc. based on Courtilz de Sandras. This work and especially its introduction with reference to the preface is uncited by MacDonald.
Plot summary
Plot brief
The poor d'Artagnan travels to Paris to join the Musketeers. He suffers misadventure and is challenged to a duel by each of three musketeers (Athos, Aramis and Porthos). Attacked by the Cardinal's guards, the four unite and escape.
D'Artagnan and his new love interest, Constance, help the French queen give a particular piece of jewellery to her paramour, the Duke of Buckingham. The Cardinal learns of this and coaxes the French king to hold a ball where the queen must wear the jewellery; its absence will reveal her infidelity. The four companions retrieve the jewellery from England.
The Cardinal kidnaps Constance who is later rescued by the queen. D'Artagnan meets Milady de Winter and discovers she is a felon, the ex-wife of Athos and the widow of Count de Winter. The Cardinal recruits Milady to kill Buckingham, also granting her a hand-written pardon for the future killing of d'Artagnan. Athos learns of this, takes the pardon but is unable to warn Buckingham. He sends word to Lord de Winter that Milady is arriving; Lord de Winter arrests her on suspicion of killing Count de Winter, his brother.
She seduces her guard and escapes to the monastery in France where the queen secreted Constance. Milady kills Constance. The four companions arrive and Athos identifies her as a multiple murderess. She is tried and beheaded.
On the road, d'Artagnan is arrested. Taken before the Cardinal, d'Artagnan relates recent events and reveals the Cardinal’s pardon. Impressed, the Cardinal offers him a blank musketeer officer's commission. D’Artagnan’s friends refuse the commission, each retiring to a new life, telling him to take it himself.
Detailed plot summary
The main character, d'Artagnan, born into an impoverished noble family of Gascony, leaves home for Paris to fulfill his greatest dream: becoming a Musketeer of the Guard. Fortunately his father knows Monsieur De Treville, Captain of the Company of Musketeers (and fellow Gascon) and has written a letter of introduction. On the road to Paris, the young Gascon soon gets in a quarrel with a mysterious gentleman and is set upon by the servants of the nearby inn. When d'Artagnan regains consciousness he realizes that the gentleman has stolen his letter of introduction. The innkeeper manages to get his hands on much of d'Artagnan's limited money as he recuperates.
In Paris d'Artagnan goes straight to M. De Treville's hôtel, but lacking his father's letter is received somewhat coolly. In a series of incidents at the hôtel, d'Artagnan is challenged to duels by three musketeers: Athos, Porthos, and Aramis. The four men meet and d'Artagnan begins to fight Athos (the first challenger). They are interrupted by Cardinal Richelieu's guards who threaten to arrest them because duels are forbidden by royal decree. The three musketeers and d'Artagnan unite to defeat the cardinal's guards. In this manner the young Gascon earns the respect and friendship of Athos, Porthos and Aramis and soon becomes a soldier in a regiment of the Royal Guard.
After obtaining lodging and hiring a servant (Planchet), he meets his aging landlord's pretty young wife, Constance Bonacieux, with whom he falls instantly in love. Constance and d'Artagnan help the Queen Consort of France, Anne of Austria, and the Duke of Buckingham have a rendezvous and the Queen presents her lover with a wooden box containing a set of diamond jewels originally given to her by her husband Louis XIII. Cardinal Richelieu, informed by his spies of the gift, persuades the King to invite the Queen to a ball where she would be expected to wear the diamonds; in hopes of uncovering her love affair.
Constance attempts to get her husband to go to London and retrieve the diamonds, but he has been recruited as an agent by the cardinal and refuses. D'Artagnan and his friends are convinced to take on the mission instead. After a series of adventures, they retrieve the jewels and return them to Queen Anne, just in time to save her façade of honour. Athos, Porthos and Aramis are all badly wounded by the cardinal's agents in this endeavor.
The cardinal's revenge comes swiftly: the next evening, Constance is kidnapped. D'Artagnan brings his friends back to Paris and tries to find her, but fails. Meanwhile, he befriends the Lord de Winter, an English nobleman who introduces him to his sister-in-law, Milady de Winter. D'Artagnan quickly develops a crush on the pretty noblewoman, but soon learns that she has no love for him, being an agent for the cardinal. He manages to sleep with her and learns that Milady has a fleur-de-lis burned into her shoulder, marking her as a felon. She had apparently been married to both Athos and the Count de Winter at different times in her wicked life and was livid that the young musketeer knew her secret. D'Artagnan is able to escape her home but is relieved when all the King's guards are ordered to La Rochelle where a siege of the Protestant-held town is taking place.
Milady makes several attempts to kill d'Artagnan in and around La Rochelle, but fails. At the same time, d'Artagnan finds out that the Queen has managed to save Constance from the prison where the cardinal and Milady had thrown her and that his beloved is now hidden somewhere safe.
The Musketeers stake out the inn and overhear a conversation between the cardinal and Milady, during which the cardinal asks her to assassinate the Duke of Buckingham (a supporter of the Protestant Rochellais rebels). The churchman then writes out a blanket pardon to Milady, effectively giving her permission to kill d'Artagnan. Athos quickly confronts his former wife and forces her to relinquish the cardinal's pardon. Because of the war between France and England, any attempt by the musketeers to warn the Duke of Buckingham about Milady would be considered treason, but they are able to send Planchet with a letter to Milady's brother-in-law (Lord de Winter) who suspects Milady killed his brother.
Milady is imprisoned on arrival in England, but soon seduces her hard-hearted Puritan jailer Felton and convinces him not only to help her escape, but also to assassinate the Duke of Buckingham. While the naive Felton shanks the prime minister, Milady sails to France. Milady sends a message to the cardinal and hides in the same North French monastery where Constance had been sent by the Queen. The trusting Constance bares her soul to Milady and the evil woman realizes that her enemy d'Artagnan is expected to arrive at the monastery at any moment. She escapes just before his arrival, but not before taking her revenge: she poisons Constance who dies minutes later in the arms of her beloved d'Artagnan.
They arrange to track down the whereabouts of Milady to exact punishment, joined by the Lord de Winter. The noblemen find her and try the countess on numerous charges: the poisoning of Madame Bonacieux; the assassination attempts on d'Artagnan; accomplice to the assassination of the Duke of Buckingham; the corruption of the Lord de Winter's servant, Felton; and the assassination of her late husband, Count de Winter. The most damning charge comes when Athos states that Milady, his wife, is a marked criminal with a brand on her shoulder. When the countess demands that Athos present the one who branded her, a man in a red cloak steps forward. She immediately recognizes him as the executioner of Lille and he recounts Milady's early misdeeds that led to the brand.
After Milady is beheaded the musketeers return to La Rochelle. On their way they encounter the Count of Rochefort, who was traveling to Milady to pay her. Rochefort also has an order to arrest d'Artagnan. He decides to postpone his trip to Milady in order to take d'Artagnan directly to the cardinal. When the young Gascon is presented before him the entire story about Milady's assassination attempts, her poisoning of Madame Bonacieux, etc. is told. The cardinal states that if Milady is indeed guilty, the courts will deal harshly with her. D'Artagnan frankly admits that he and his friends have already dealt with this evil woman. He then presents Richelieu with the blanket pardon written in the cardinal's own hand. The cardinal, impressed by d'Artagnan's resourcefulness and having already gotten what he wanted from Milady, offers the young man a lieutenant's commission with the musketeers — with the name left blank. The cardinal then presents Rochefort and asks both men to be on good terms.
The book ends with d'Artagnan offering the officer's commission to each of his friends, but he is told that he should insert his own name. Athos intends to retire to his estates, Porthos has decided to marry the widow of a rich lawyer and Aramis will soon fulfill his dream of entering the priesthood. Their lives will cross again, in Twenty Years After.
Important characters
Musketeers
* Athos
* Porthos
* Aramis
D'Artagnan was not one of the titular "three musketeers." The novel recounts his becoming a musketeer.
Musketeers' servants
* Planchet (d'Artagnan) – A clever fellow whom Porthos found to serve d'Artagnan.
* Grimaud (Athos) – A Breton, trained to speak only in emergencies and mostly communicates through sign language.
* Mousqueton (Porthos) – A would-be dandy, just as vain as his master, whose only pay is his master's old clothes
* Bazin (Aramis) – Waits for the day his master will join the church, as Bazin has always dreamed to serve a priest.
Others
* Milady de Winter
* Cardinal Richelieu
* Comte de Rochefort
* Louis XIII of France
* M. de Tréville
* Constance Bonacieux
* Monsieur Bonacieux
* Queen Anne of Austria
* George Villiers, 1st Duke of Buckingham
Editions
Les Trois Mousquetaires was translated into three English versions by 1846. One of these, by William Barrow, is still in print and fairly faithful to the original, available in the Oxford World's Classics 1999 edition. However, all of the explicit and many of the implicit references to sexuality had been removed to conform to 19th-century English standards, thereby making the scenes between d'Artagnan and Milady, for example, confusing and strange. The most recent and now standard English translation is by Richard Pevear (2006), who in his introduction notes that most of the modern translations available today are "textbook examples of bad translation practices" which "give their readers an extremely distorted notion of Dumas' writing."
Adaptations
Musical theatre
The Three Musketeers is a musical with a book by William Anthony McGuire, lyrics by Clifford Grey and P. G. Wodehouse, and music by Rudolf Friml. The original 1928 production ran on Broadway for 318 performances. A 1984 revival ran for 15 previews and 9 performances. In 2003 a Dutch musical 3 Musketiers premiered, which went on to open in Germany (both the Dutch and German production starring Pia Douwes as Milady De Winter) and Hungary. Composer George Stiles, lyricist Paul Leigh and playwright Peter Raby have produced another version (under the title The 3 Musketeers, One Musical For All), which opened at the American Musical Theatre of San José on 10 March 2001.
Films
See The Three Musketeers (film) for a list of film adaptations.
Games
1995 saw the release by publisher U.S. Gold of Touché: The Adventures of the Fifth Musketeer by video game developers Clipper Software, a classic point-and-click adventure game using the SCUMM engine.
In 2005, Swedish developer Legendo Entertainment published the side-scrolling platform game The Three Musketeers for Windows XP and Windows Vista. In July 2009, a version of the game was released for WiiWare in North America and Europe under the title The Three Musketeers: One for All!.
In 2009, Canadian developer Dingo Games self-published The Three Musketeers: The Game for Windows and Mac OS X. It is the first game to be truly based on the novel (in that it closely follows the novel's story).
2009 also saw the publication of the asymmetric team board game The Three Musketeers "The Queen's Pendants" (Настольная игра «Три мушкетера») from French designer Pascal Bernard by the Russian publisher Zvezda.
Television
* Dogtanian and the Three Muskehounds is an anthropomorphic animated series adaptation
* Albert the Fifth Musketeer, animated series which is a sequel to the novel
* Young Blades, television series which is a sequel to the novels, centered on the son of d'Artagnan
* Three Musketeers is an anime series adaption
* The Three Musketeers, an animated adaption that aired as part of Hanna-Barbera's "The Banana Splits Comedy-Adventure Hour" & "The Banana Splits & Friends" show.
Influence on later works
In 1939, American author Tiffany Thayer published a book entitled Three Musketeers (Thayer, 1939). This is a re-telling of the story in Thayer's words, true to the original plot but told in a different order and with different points of view and emphasis from the original. For example, the book opens with the scene of Milady's youth and how she came to be branded, and more development of her early character, making her later scheming more believable and understandable. Thayer's treatment of sex and sexual politics is more explicit than typical English translations of the original, occasionally leading to consternation when this book found its way to library children's sections and school libraries.
huó lì chōng pèi de nián qīng shuǐ shǒu 'ài dé méng · táng tài sī（ zhān mǔ sī · kǎ wéi zé） shì gè zhèng zhí chéng shí de xiǎo huǒ zǐ， tā yuán běn yòu zhe píng jìng de shēng huó hé yī gè měi lì de wèi hūn qī měi sài tái sī（ dá gé mǎ lā · duō mǐ ní cí kè）， kě zhè yī qiē què bèi tā rén de dù jì gěi fěn suì liǎo héng héng jiù zài tā men jiāng yào jǔ xíng hūn lǐ de shí hòu， ài dé méng de hǎo péng yǒu fèi nán dé（ gài · pí 'ěr sī） wèile duó dé měi sài tái sī 'ér shè jì xiàn hài liǎo tā。 qīng bái de zì jǐ láng chēng rù yù， wèi hūn qī zé tóu rù liǎo chóu rén de huái bào， zhè yī qiē chè dǐ diān fù liǎo 'ài dé méng de jià zhí guān hé shì fēi guān niàn， gǎi biàn liǎo tā duì zhè gè shì jiè de kàn fǎ。 suǒ xìng de shì， shí sān nián mèng yǎn bān de jiān yù shēng huó méi yòu zhé mó kuǎ 'ài dé méng de shēn xīn， xiāng fǎn， què jiān dìng liǎo tā bào chóu de jué xīn。 zài yī wèi tóng yàng bèi wū xiàn rù yù de jiān yǒu（ lǐ chá dé · hā lǐ sī） de diǎn huà xià， ài dé méng jīng xīn cèhuà liǎo yuè yù xíng dòng bìng yī jǔ chéng gōng， yǒng yuǎn lí kāi liǎo nà zuò chòu míng zhāo zhāng de jī dū shān chéng bǎo。 cǐ hòu， ài dé méng yáo shēn yī biàn chéng liǎo shén mì 'ér fù yòu de jī dū shān bó jué， tā píng zhe zì jǐ de mèi lì、 jiǎo zhà hé lěng kù wú qíng， zhú jiàn hùn jìn liǎo fǎ guó guì zú de juàn zǐ， yī bù bù duì nà gè céng jīng bèi pàn tā de jiā huǒ shí shī zhe cán kù de bào fù jìhuà……
《 jī dū shān bó jué》 - píng jià
《 jī dū shān bó jué》 de zuò zhě shì fǎ guó zuò jiā dà zhòng mǎ， gù shì qíng jié diē dàng qǐ fú， yū huí qū zhé， cóng zhōng yòu yǎn huà chū ruò gān cì yào qíng jié， xiǎo chāqǔ jǐn còu jīng cǎi， què bù xuān bīn duó zhù； qíng jié lí qí què bù wéi fǎn shēng huó zhēn shí。 xiǎo shuō kāi juàn jiù yǐn chū jǐ gè zhù yào rén wù， qián miàn 1/4 xiě zhù rén gōng bèi xiàn hài de jīng guò， hòu miàn 3/4 xiě rú hé fù chóu， mài luò qīng chǔ， fù chóu de 3 tiáo xiàn suǒ jiāo chā 'ér bù líng luàn， bǎo chí yī dìng de dú lì xìng zhī hòu cái huì hé zài yī qǐ。 yīn cǐ，《 jī dù shān bó jué》 bèi gōng rèn wéi tōng sú xiǎo shuō zhōng de diǎn fàn。 zhè bù xiǎo shuō chū bǎn hòu， hěn kuài jiù yíng dé liǎo guǎng dà dú zhě de qīng lái， bèi fān yì chéng jǐ shí zhǒng wén zì chū bǎn， zài fǎ guó hé měi guó duō cì bèi pāi chéng diàn yǐng。
zì xiǎo shuō wèn shì yǐ lái zuò zhě de rén shēng zhé xué yī zhí wéi shì rén suǒ jīn jīn lè dào。
qí zhōng zuì zhù míng de jù zǐ chū xiàn zài xiǎo shuō de zuì hòu yī zhāng：
shì shàng méi yòu xìng fú hé bù xìng， yòu de zhǐ shì jìng kuàng de bǐ jiào， wéi yòu jīng lì kǔ nán de rén cái néng gǎn shòu dào wú shàng de xìng fú。 bì xū jīng lì guò sǐ wáng cái néng gǎn shòu dào shēng de huān lè。 huó xià qù bìng qiě shēng huó měi mǎn， wǒ xīn líng zhēn shì de hái zǐ men。 yǒng yuǎn bù yào wàng jì， zhí zhì shàng dì xiàng rén jiē shì chū wèi lái zhī rì， rén lèi quán bù zhì huì jiù bāo hán zài liǎng gè cí zhōng： děng dài hé xī wàng。
The story takes place in France, Italy, islands in the Mediterranean and the Levant during the historical events of 1815–1838 (from just before the Hundred Days through to the reign of Louis-Philippe of France). The historical setting is a fundamental element of the book. It is primarily concerned with themes of hope, justice, vengeance, mercy, forgiveness and death, and is told in the style of an adventure story.
Background to the plot
Dumas has himself indicated that he had the idea for the revenge in The Count of Monte Cristo from a story which he had found in a book compiled by Jacques Peuchet, a French police archivist and published in 1838, after the death of the author. Dumas included this essay in one of the editions from 1846. Peuchet related the tale of a shoemaker named Pierre Picaud, who was living in Nîmes in 1807. Picaud had been engaged to marry a rich woman, but three jealous friends falsely accused him of being a spy for England. He was imprisoned for seven years. During his imprisonment a dying fellow prisoner bequeathed him a treasure hidden in Milan. Picaud was released in 1814. He took possession of the treasure and returned under another name to Paris. Picaud spent ten years plotting his successful revenge against his former friends. In another of the "True Stories" Peuchet relates the tale of a terrible affair of poisoning in a family. This story, also quoted in the Pleiade edition, has obviously served as model for the chapter of the murders inside the Villefort family. The introduction to the Pleiade edition mentions other sources from real life: the abbé Faria really existed and died in 1819 after a life with much resemblance to that of the Faria in the novel. As for Dantès, his fate is quite different from his model in Peuchet's manuscript, since the latter is murdered by the "Caderousse" of the plot. But Dantès has "alter egos" in two other works of Dumas: First in "Pauline" from 1838, then, more significantly, in "Georges" from 1843 where a young man with black ancestry is preparing a revenge against white people who had humiliated him.
Historical background
The success of Monte Cristo coincides with that of France's Second Empire and besides the description of the return of Napoleon I in 1815 Dumas hints at least once to the events: the governor at the Château d'If is promoted to a position at the castle of Ham. The attitude of Dumas towards "bonapartisme" was extremely complicated and involved. This conflict dates back to his father, who was a coloured man, borne of a slave and who became a famous general during the French Revolution. When new racist laws were applied in 1802 the general was dismissed from the army and he was profoundly bitter towards Napoleon when he died in 1806. An event in 1840 renewed the patriotic support for the Bonaparte family in the population: the ashes of Napoleon I were brought to France and became object of veneration in the church of Les Invalides.
In "Causeries" from 1860, Dumas prints a short paper on the genesis of Monte-Cristo. This essay, called "État civil du "Comte de Monte-Cristo"" is included in the Pléiade edition (Paris, 1981) as an "annexe". It appears that Dumas had close and intimate contacts with members of the Bonaparte family while living in Florence in 1841. In a small boat he sailed around the island of Monte-Cristo accompanied by one of the young princes – a cousin to he who was to be emperor of France ten years later. During this trip he promised the prince that he would write a novel with the island's name as title. At this moment the future emperor was imprisoned at the citadel of Ham – a name that is mentioned in the novel. Dumas did visit him there, but he does not mention it in "Etat civil..." Louis Napoleon was imprisoned for life, but he fled in disguise. This happened in 1846 while Dumas's novel was already a gigantic success. Just as Dantès, Louis Napoleon reappeared in Paris as a powerful and enigmatic man of the world. In 1848, however, Dumas did not vote for Louis Napoleon, but the novel may have contributed – against the will of the writer – to the victory of the future Napoleon III.
A chronology of The Count of Monte Cristo and Bonapartism
Dumas grandfather:
1793: Thomas-Alexandre Dumas is promoted to the rank of general in the army of the First French Republic.
1794: He disapproves of the revolutionary terror in Western France.
1795-97: He becomes famous. Fights under Napoleon.
1802: Black officers are dismissed from the army. The Empire reestablishes slavery.
1802: Birth of his son, Alexandre Dumas père.
1806: Th. A. Dumas dies, still bitter towards the injustice of the Empire.
Dumas father:
1832: The only son of Napoleon I dies.
1836: A. Dumas is already a famous writer.
1836: First putsch by Louis Napoleon, aged 28. Fails completely.
1840: June. A law is passed to bring the ashes of Napoleon I to France.
1840: August. Second putsch of Louis Napoleon. He is imprisoned for life and becomes known as the candidate for the imperial succession.
1841: Dumas lives in Florence and becomes acquainted with King Jérôme and his son, Napoléon.
1841-44: The novel is conceived and written.
1846: The novel is a European bestseller.
1846: Louis Napoleon escapes from his prison.
1848: French Second Republic. Louis Napoleon is elected its first president but Dumas does not vote for him.
1857: Dumas publishes État civil du Comte de Monte-Cristo
Plot summary
Edmond Dantès
Edmond Dantès, a young and successful merchant sailor recently granted his own command by his dying captain Leclère, returns to Marseille to marry his fiancée Mercédès. Leclère, a supporter of the exiled Napoléon I, charges Dantès on his deathbed to deliver two objects: a package to Maréchal Bertrand (who had been exiled with Napoleon Bonaparte to the isle of Elba), and a letter from Elba to an unknown man in Paris. Subsequently, an anonymous letter accuses Dantès of being a Bonapartist traitor. The letter is later revealed to have been written by Mercédès' cousin Fernand Mondego and Danglars, Dantès' ship's supercargo. Villefort, the deputy crown prosecutor in Marseille, assumes the duty of investigating the matter. Villefort is normally considered a just man, but on discovering that the recipient of the letter from Elba is his Bonapartist father, he ultimately chooses to save his political career and condemns Dantès without trial to life imprisonment and protects his father by destroying the incriminating letter.
During his fourteen years imprisonment in the Château d'If, Edmond is visited in his cell by the Abbé Faria, a priest and fellow prisoner trying to tunnel his way to freedom. Faria had been imprisoned for proposing a united Italy. In the Chateau d'If, he was known as "The Mad Priest", claiming to be in possession of a massive treasure, and offering to reward the guards handsomely, should they release him. Faria provides Dantès with education in subjects including languages, history, economics, philosophy, mathematics, chemistry and the manners of political society. The priest, ill from a form of catalepsy and knowing that he will soon die, confides in Dantès the location of a treasure hoard on the Italian islet of Monte Cristo. After Faria's death the following year, Dantès escapes and is rescued by a smuggling ship. After several months of working with the smugglers, he gets the opportunity to go to Monte Cristo for a goods exchange. Dantès fakes an injury and convinces the smugglers to temporarily leave him on Monte Cristo. He then makes his way to the hiding place of the treasure. He returns to Marseilles, where he learns that his father has died in poverty. He buys himself a yacht and hides the rest of the treasure on board. With his new found wealth and education, Dantès buys the island of Monte Cristo and the title of Count from the Tuscan Government.
Returning to Marseille, Dantès puts into action his plans for revenge. Traveling in disguise as the Abbé Busoni, Edmond first meets Caderousse, whose intervention might have saved Dantès from imprisonment. Now living in poverty, Caderousse believes his current state is punishment by God for his jealousy and cowardice. Dantès learns from Caderousse how his other enemies have all become wealthy and prosperous since Dantès' betrayal. Edmond gives Caderousse a diamond that can be either a chance to redeem himself, or a trap that will lead to his ruin. Caderousse murders the jeweler to whom he sold the diamond and is sentenced to life in the prison galleys. Dantès (using another disguise, this time as the English Lord Wilmore) frees Caderousse and gives him another chance at redemption. Caderousse does not take it, and becomes a career criminal.
Learning that his old employer Morrel is on the verge of bankruptcy and disgrace after his ships have been lost at sea, Dantès (in the guise of a senior clerk of the banking firm of Thomson and French of Rome) buys all of Morrel's outstanding debts and gives Morrel an extension of three months to fulfill his obligations. At the end of the three months and with no way to repay his debts, Morrel is about to commit suicide when he learns that all of his debts have been mysteriously paid and that one of his ships has returned with a full cargo (the ship had been secretly rebuilt and laden by Dantès).
The Count of Monte Cristo
The story then moves forward nine years. Dantès debuts in public as the Count of Monte Cristo, a mysterious and fabulously rich aristocrat. He surfaces first in Rome, where he becomes acquainted with the Baron Franz d'Épinay, a young aristocrat, and Viscount Albert de Morcerf, Mercédès's and Fernand's son. He later rescues Albert from Italian bandits. Dantès subsequently moves to Paris, and with Albert de Morcerf's introduction, becomes the sensation of the city. Due to his knowledge and rhetorical power, even his enemies - who do not recognize him as Edmond Dantès - find him charming, and because of his status they all desire his friendship.
Monte Cristo meets Danglars, who has become a wealthy banker. Monte Cristo dazzles the crass Danglars with his seemingly endless wealth, eventually persuading him to extend him a 6,000,000 francs credit, and withdraws nine hundred thousand. Under the terms of the arrangement, Monte Cristo can demand access to the remainder at any time. The Count manipulates the bond market, through a false telegraph signal, and quickly destroys a large portion of Danglars' fortune, and the rest of it begins to rapidly disappear through mysterious bankruptcies, suspensions of payment, and more bad luck on the Stock Exchange.
Monte Cristo threatens Villefort with knowledge of his past affair with Madame Danglars, which produced a son. Believing the child to be stillborn, Villefort had buried the child. The boy was rescued and raised in Corsica by his enemy, Bertuccio (now Monte Cristo's servant), who gave the child the name "Benedetto". As an adult, Benedetto becomes a career criminal who is sentenced to the galleys with Caderousse, but after being freed by "Lord Wilmore", takes the identity of "Viscount Andrea Cavalcanti" (sponsored by the Count) and cons Danglars into betrothing his daughter Eugénie to him. Caderousse blackmails Andrea, threatening to reveal his past.
Cornered by "Abbé Busoni" while attempting to rob Monte Cristo's house, Caderousse begs to be given another chance, but Dantès grimly notes that the last two times he did so, Caderousse did not change. He forces Caderousse to write a letter to Danglars exposing Viscount Cavalcanti as an impostor and allows Caderousse to leave the house, but the moment Caderousse leaves the estate, he is stabbed in the back by Andrea. Caderousse manages to dictate and sign a deathbed statement identifying his killer, and Monte Cristo reveals his true identity to Caderousse moments before Caderousse dies.
Ali Pasha, the ruler of Yannina (in French, Janina), was betrayed to the Turks by Fernand. After his death, his wife Vasiliki and his daughter Haydée were sold into slavery by Fernand; subsequently, Haydée was located and rescued by Dantès and becomes the Count's ward. The Count manipulates Danglars into researching the event, which is published in a newspaper. As a result, Fernand is brought to trial for his crimes. Haydée testifies against him, and Fernand is disgraced.
Mercédès, still as attractive as before, alone recognizes Monte Cristo as Dantès. When Albert blames Monte Cristo for his father's downfall and publicly challenges him to a duel, Mercédès goes secretly to Monte Cristo and begs him to spare her son. During this interview, she learns the entire truth of his arrest and imprisonment. She later reveals the truth to Albert, which causes Albert to make a public apology to Monte Cristo. Albert and Mercédès disown Fernand, who is also confronted with Dantès' true identity and subsequently commits suicide. The mother and son depart to build a new life free of disgrace. Albert enlists and goes to Africa as a soldier in order to rebuild his life and honor under a new name, and Mercédès begins a solitary life in Marseille.
Villefort's daughter by his first wife, Valentine, stands to inherit the entire fortune of her grandfather (Noirtier) and of her mother's parents (the Saint-Mérans), while his second wife, Héloïse, seeks the fortune for her small son Édouard. Monte Cristo is aware of Héloïse's intentions, and "innocently" introduces her to the technique of poison. Héloïse fatally poisons the Saint-Mérans, so that Valentine inherits their fortune. However, Valentine is disinherited by Noirtier in an attempt to prevent Valentine's impending marriage with Franz d'Épinay. The marriage is cancelled when d'Épinay learns that his father (believed assassinated by Bonapartists) was killed by Noirtier in a duel. Afterwards, Valentine is reinstated in Noirtier's will. After a failed attempt on Noirtier's life which instead claims the life of Noirtier's servant Barrois, Héloïse then targets Valentine so that Édouard will finally get the fortune. However, Valentine is the prime suspect in her father's eyes in the deaths of the Saint-Merans and Barrois.
After Monte Cristo learns that Morrel's son Maximilien is in love with Valentine de Villefort, he saves her by making it appear as though Héloïse's plan to poison Valentine has succeeded and that Valentine is dead. Villefort learns from Noirtier that Héloïse is the real murderer and confronts her, giving her the choice of a public execution or committing suicide by her own poison.
Fleeing after Caderousse's letter exposes him, Andrea gets as far as Compiègne before he is arrested and brought back to Paris, where he is prosecuted by Villefort. Andrea reveals that he is Villefort's son and was rescued after Villefort buried him alive. Villefort admits his guilt and flees the court. He rushes home to stop his wife's suicide but he is too late; she has poisoned her son as well. Dantès confronts Villefort, revealing his true identity, but this, combined with the shock of the trial's revelations and the death of both his wife and son, drives Villefort insane. Dantès tries to resuscitate Édouard but fails, and despairs that his revenge has gone too far. It is only after he revisits his cell in the Château d'If that Dantès is reassured that his cause is just and his conscience is clear, that he can fulfill his plan while being able to forgive both his enemies and himself.
After the Count's manipulation of the bond market, all that Danglars is left with is a tarnished reputation and five million francs he has been holding in deposit for the hospitals. The Count demands this sum to fulfill their credit agreement, and Danglars embezzles the hospital fund. Abandoning his wife, Danglars flees to Italy with the Count's receipt, hoping to live in Vienna in anonymous prosperity. However, while leaving Rome he is kidnapped by the Count's agent Luigi Vampa. Danglars is imprisoned the same way that Dantès was. Forced to pay exorbitant prices for food, Danglars eventually signs away all but 50,000 francs of the stolen five million (which Dantès anonymously returns to the hospitals). Nearly driven mad by his ordeal, Danglars finally repents his crimes. Dantès forgives Danglars and allows him to leave with his freedom and the money he has left.
Maximilien Morrel, believing Valentine to be dead, contemplates suicide after her funeral. Dantès reveals his true identity and explains that he rescued Morrel's father from bankruptcy, disgrace and suicide years earlier. He persuades Maximilien to delay his suicide for a month. On the island of Monte Cristo a month later, Dantès presents Valentine to Maximilien and reveals the true sequence of events.
Having found peace, Dantès leaves for an unknown destination to find comfort and possibly love with Haydée, who has declared her love for him.
Characters
There are a large number of characters in the book, and the importance of many of them is not immediately obvious. Furthermore, their fates are often so interwoven that their stories overlap significantly. The chart below shows the relationships between the many characters of the novel.
Character relationships in The Count of Monte Cristo
Edmond Dantès and his aliases
* Edmond Dantès (born 1796) — Dantès is initially a generally well-liked sailor who is inexperienced - but not in his profession - and seems to have everything going for him, including a beautiful fiancée (Mercédès) and an impending promotion to ship's captain. After his transformation into the Count of Monte Cristo, his original name is revealed to his main enemies only as each revenge is completed, often driving his already weakened victims into despair.
* Number 34 — Early in Dantès' stay in prison, the governor of the Château d'If is replaced. This governor does not feel it is worth his time to learn the names of all the prisoners, and instead chooses to refer to them by the numbers of their cells. Thus, Dantès is called Number 34 during his imprisonment.
* Chief Clerk of Thomson and French — Shortly after Edmond escapes and learns of Morrel's sorry state of affairs, he disguises himself as an English senior agent of the banking firm of Thomson and French, with whom Morrel deals, and in this form sees Morrel for the first time in fifteen years. Precise and formal, this persona is a phlegmatic, serious banking officer.
* Count of Monte Cristo — The persona that Edmond assumes when he escapes from his incarceration and while he carries out his dreadful vengeance. This persona is marked by a pale countenance and a smile which can be diabolical or angelic. Educated and mysterious, this alias is trusted in Paris and fascinates the people.
* Lord Wilmore — The English persona in which Dantès performs seemingly random acts of generosity. The Englishman is eccentric and refuses to speak French. This eccentric man, in his kindness, is almost the opposite of the Count of Monte Cristo and Dantès exploits this to persuade Villefort that Lord Wilmore is an enemy of Monte Cristo.
* Sinbad the Sailor — The persona that Edmond assumes when he saves the Morrel family. Edmond signs a letter to Mlle Julie using this persona, which was accompanied by a large diamond and a red satin purse. (Sinbad the sailor is the common English translation of the original French Simbad le marin.)
* Abbé Busoni — The persona that Edmond puts forth when he needs deep trust from others because the name itself demands respect via religious authority.
* Monsieur Zaccone — Dantès, in the guise of both Abbé Busoni and Lord Wilmore, told an investigator sent by Villefort that this was the Count of Monte Cristo's true name.
Dantès' allies
* Abbé Faria — Italian priest and sage; befriends Edmond while both are prisoners in the Château d'If, acts as a father for Edmond Dantès (as Dantès said once "I can have my revenge, thanks to you, my second father") and reveals the secret of the island of Monte Cristo to Edmond. Becomes the surrogate father of Edmond, while imprisoned, digging a tunnel to freedom he educates Edmond in languages, economics, and all the current sciences (including chemistry which comes to Dantès' aid greatly during his revenge plan) and is the figurative father of the Count of Monte Cristo. He dies from the third attack of catalepsy.
* Giovanni Bertuccio — The Count of Monte Cristo's steward and very loyal servant; in the Count's own words, Bertuccio "knows no impossibility" and is sure of never being dismissed from the Count's service because, as the Count states, he (the Count) will "never find anyone better." He had declared a vendetta against Monsieur de Villefort for Villefort's refusal to prosecute the murderer of Bertuccio's brother. Tracking Villefort to Auteuil, he stabs Villefort, leaving him to die, but by coincidence becomes involved in Villefort's personal life by rescuing his illegitimate newborn, later named Benedetto (Italian for blessed) by Bertuccio. Years later, he is jailed on suspicion of the murder of a jeweler, but is released when Caderousse is arrested and proved to have committed the crime, and "Abbé Busoni" gives him a recommendation for employment to Monte Cristo.
* Luigi Vampa — celebrated Italian bandit and fugitive; owes much to the Count of Monte Cristo, and is instrumental in many of the Count's plans. He enjoys reading classic historical works dealing with great military leaders.
* Peppino — Formerly a shepherd helping Luigi Vampa, he later becomes a bandit and full member of Vampa's gang. He is condemned to be executed by Roman authorities, but Monte Cristo secures his pardon from the Pope. His alias is Rocca Priori.
* Haydée (also transliterated as Haidée) — The daughter of Ali Pasha of Yannina, eventually bought by the Count of Monte Cristo from the Sultan Mahmoud. Even though she was purchased as a slave, Monte Cristo treats her with the utmost respect. She lives in seclusion by her own choice, but is usually very aware of everything that is happening outside. She usually goes to local operas accompanied by the Count. At the trial of the Count de Morcerf, she provides the key evidence required to convict Fernand of treason and felony. She is deeply in love with the Count of Monte Cristo, and although he feels he is too old for her, he eventually reciprocates.
* Ali — Monte Cristo's Nubian slave, a mute (his tongue had been cut out as part of his punishment for intruding into the harem of the Bey of Tunis; his hands and head had also been scheduled to be cut off, but the Count bargained with the Bey for Ali's life). He is completely loyal and utterly devoted to the Count. Ali is also a master of his horses.
* Baptistin — Monte Cristo's valet-de-chambre. Although only in Monte Cristo's service for little more than a year, he has become the number three man in the Count's household and seems to have proven himself completely trustworthy and loyal, except for some financial irregularities that some employers, and certainly his own, were considering practically normal for a servant (i.e., when buying cosmetics or other supplies for his employer, he was inflating the price and pocketing the difference). After his probationary year in Monte Cristo's service expires, the Count informs Baptistin that he "suits" him, but warns him that the financial irregularities are to cease immediately.
Morcerf family
* Mercédès Mondego — (née: Herrera) Edmond's fiancée at the beginning until their planned marriage is interrupted by Edmond's imprisonment. Eighteen months later, she marries cousin Fernand Mondego (while still pledging eternal love to Dantès) because she believes Edmond is dead and feels alone in the world. Thus, she lives as Mme. the Countess de Morcerf in Paris and bears a son. Dantès's release and reappearance as the Count complicates matters as her love for him is evident. But, at the end of the story, Dantès comes to realize that it is Haydée he loves. He has a respect for Mercédès, but leaves her to live her life in Marseille in the house in which he lived as a young man (which he had bought).
* Fernand Mondego — Later known as the Count de Morcerf. A Catalan and Edmond's rival and suitor for Mercédès; will do anything to get her, including bearing false witness against Edmond. He is overall a representation of evil, as he lies and betrays throughout his military career for his own personal gain. When confronted by his nefarious acts, disgraced in public and abandoned by his wife and son, he commits suicide.
* Albert de Morcerf — Son of Mercédès and the Count de Morcerf. Is befriended by Monte Cristo in Rome; viewed by Monte Cristo as the son that should have been his with Mercédès, but does not have as strong a filial bond with him as does Maximilien Morrel. At the end, he realizes his father's crimes and, along with his mother Mercédès, abandons him and his name.
Danglars family
* Baron Danglars — Initially the supercargo (the owner's agent) on the same ship on which Dantès served as first mate; he longs to be wealthy and powerful and becomes jealous of Dantès for his favor with Pierre Morrel. He also developed a grudge against Dantès, with whom he has had some arguments regarding the accuracy of his accounting. The source of his wealth is not clear but is possibly due to unscrupulous financial dealings while in the French army and has reportedly been multiplied by speculation and marriage. His intelligence is only evident where money is concerned; otherwise he is a member of the nouveau riche with only superficial good taste (he cannot even tell the difference between original paintings and copies) and no true family feelings. Although arguably guiltier than Morcerf, Caderousse and Villefort, having written the denunciation letter, he is the only one whom Dantès forgives besides Caderousse,who died immediately afterward, and is partially spared, ending up a fugitive with barely enough money to support himself, but alive and with his sanity.
* Madame Danglars — Full name is Hermine Danglars (formerly Baroness Hermine de Nargonne during a previous marriage), née de Servieux. Was independently wealthy before marrying Danglars. With help and private information from her close friend and lover Ministerial Secretary Lucien Debray, Madame Danglars secretly invests money and is able to amass over a million francs for her own disposal. During her marriage to the Baron de Nargonne, she had an affair with Gérard de Villefort, with whom she had an illegitimate son (See Benedetto).
* Eugénie Danglars — The daughter of Danglars, engaged at first to Albert de Morcerf and later to "Andrea Cavalcanti" but who would rather stay unwed, living "an independent and unfettered life" as an artist. She dresses as a man and runs away with another girl, Louise d'Armilly after the collapse of her intended marriage to Andrea Cavalcanti; these connotations were considered scandalous. During their flight from Paris, she and Louise, traveling as brother and sister (Eugénie had disguised herself in men's clothing), stopping at an inn at Compiègne requested a room with two beds, yet Benedetto found them in bed together.
Villefort family
* Gérard de Villefort — A royal prosecutor who has even denounced his own father (Noirtier) in order to protect his own career. He is responsible for imprisoning Edmond Dantès to protect his political aspirations. After his attempted infanticide is publicly revealed and his second wife kills herself and their son, he loses his sanity.
* Renée de Villefort, née de Saint-Méran — Gérard de Villefort's first wife, mother of Valentine de Villefort.
* Monsieur le Marquis de Saint-Méran and Madame la Marquise de Saint-Méran — Renée's parents and Valentine's maternal grandparents. Both poisoned by Valentine's stepmother in order for Valentine to inherit their wealth which, through a planned series of further deaths in the family (Valentine's and her grandfather's), will be inherited by Valentine's half brother.
* Valentine de Villefort — The daughter of Gérard de Villefort and his first wife, Renée (née de Saint-Méran). She falls in love with Maximilien Morrel, is engaged to Baron Franz d'Épinay, is almost poisoned by her stepmother, saved once by her grandfather Noirtier, and is finally saved by Dantès. Valentine is the quintessential (French, nineteenth century) female: beautiful, docile, and loving. The only person she feels that she can confide in is her invalid grandfather.
* Monsieur Noirtier de Villefort — The father of Gérard de Villefort and grandfather of Valentine and Édouard (and, without knowing it, of Benedetto as well). After suffering an apoplectic stroke, Noirtier becomes mute and a paralytic, but can communicate with Valentine, Gérard and his servant Barrois through use of his eyelids and eyes. Although utterly dependent on others, he helps to save Valentine from the poison attempts of her stepmother and sabotages her marriage arrangement to Baron Franz d'Épinay. An ardent Jacobin Revolutionary turned Bonapartist, he is revealed to be the President of a club of Bonapartists conspiring to overthrow the restored monarchy and re-establish Napoleon as Emperor. Gérard de Villefort had realized that Edmond intended to fulfill his dying captain's last wish by conveying a letter from the imprisoned Napoleon on Elba to Noirtier in Paris, and therefore imprisoned Edmond (who knew nothing about the family connection) in order to hide the fact that his father was a conspirator, which might have hindered Gérard's advancement.
* Héloïse de Villefort — The murderous second wife of Villefort, who is motivated to protect and nurture her only son and ensure his inheritance. She becomes a murdereress with the assistance of Monte Cristo who discreetly and with purposeful indirectness suggests which poison to use, puts the poison into her possession (for "medicinal purposes”), and gives her the technical know-how and the philosophical outlook to commit murder (her motivation is clearly presented as that of a mother whose love for her son has taken precedence over her morals and reason). Villefort threatens to have her arrested and executed unless she kills herself and she does so before her husband, having changed his mind, gets a chance to stop her.
* Édouard de Villefort — the only legitimate son of Villefort. A very intelligent but extremely spoiled and selfish little boy who is unfortunately swept up in his mother's greed (his mother kills him before committing suicide). (His name is sometimes translated as Edward de Villefort.) The fact that he was an innocent victim makes Dantès feel that he went too far in his revenge and explains why he treats Danglars more leniently.
* Benedetto — The illegitimate son of de Villefort and Hermine de Nargonne (now Baroness Hermine Danglars); born in Auteuil, raised by Bertuccio (later Monte Cristo's steward) and his sister-in-law, Assunta in the little village of Rogliano, at the extremity of Cape Corso. Murderer and thief. Is helped to escape from a prison galley and travels to Paris to become "Andrea Cavalcanti".
Morrel family
* Pierre Morrel — Edmond Dantès's patron and owner of the major Marseille shipping firm of Morrel & Son. He is a very honest and shrewd businessman and is also very fond of Edmond and eager to advance his interests. After Edmond is arrested, he tries his hardest to help Edmond and is hopeful of his release when Napoleon is restored to power, but because of his sympathies for the Bonapartist cause, he is forced to back down and abandon all hope after the Hundred Days and second Restoration of the monarchy. Between 1825 and 1830, his firm undergoes critical financial reverses due to the loss of all of his ships at sea, and he is at the point of bankruptcy and suicide when Monte Cristo (in the guise of an English clerk from the financial firm of Thompson and French) sets events in motion which not only save Pierre Morrel's reputation and honor but also his life. It is revealed that on his deathbed he realized his savior was Dantès.
* Maximilien Morrel (Maximilian in some English translations) — He is the son of Edmond's employer, Pierre Morrel, a captain in the Spahi regiment of the Army stationed in Algiers and an Officer of the Legion of Honor. After Edmond's escape and the Count of Monte Cristo's debut in Paris, Maximilien becomes a very good friend to the Count of Monte Cristo, yet still manages to unknowingly force the Count to change many of his plans, partly by falling in love with Valentine de Villefort.
* Julie Herbault — Daughter of Edmond's patron, Pierre Morrel, she marries Emmanuel Herbault.
* Emmanuel Herbault — Julie Herbault's husband; he had previously worked in Pierre Morrel's shipping firm and is the brother-in-law of Maximilien Morrel and son-in-law of Pierre Morrel.
Other important characters
* Gaspard Caderousse — A tailor and originally a neighbour and friend of Dantès, he witnesses while drunk the writing by Danglars of the denunciation of Dantès. After Dantès is arrested, he is too cowardly to come forward with the truth. Caderousse is somewhat different from the other members of the conspiracy in that it is what he does not do, rather than what he actually plans, that leads to Dantès' arrest. He moves out of town, becomes an innkeeper, falls on hard times, and supplements his income by fencing stolen goods from Bertuccio. After his escape from prison, Dantès (and the reader) first learn the fates of many of the characters from Caderousse. Unlike the other members of the conspiracy, Monte Cristo offers Caderousse more than one chance to redeem himself, but the latter's greed proves his undoing, and he becomes in turn a murderer, a thief and a blackmailer. He is eventually murdered by Benedetto.
* Louis Dantès — Edmond's father. After his son's imprisonment and believing Edmond dead, he eventually starves himself to death.
* Baron Franz d'Épinay — A friend of Albert de Morcerf, he is the first fiancé of Valentine de Villefort. Monsieur Noirtier de Villefort killed Franz's father General d'Épinay in a lawful duel after unsuccessfully trying to convince him to support plans to return Napoleon to power, but it was assumed by the public that the general was assassinated; Franz only learns the truth when Noirtier reveals it to stop Franz from marrying Valentine.
* Lucien Debray — Secretary to the Minister of the Interior. A friend of Albert de Morcerf, and a lover of Madame Danglars, to whom he funnels insider information regarding investments.
* Beauchamp — A leading journalist and friend of Albert de Morcerf (son of Fernand Mondego, the self-styled "Count de Morcerf"), he travels to Yannina to confirm the story about Fernand's background that leads to public embarrassment and Fernand's suicide.
* Raoul, Baron de Château-Renaud — A member of a very ancient and noble family and another friend of Albert de Morcerf. Maximilien Morrel saved Renaud's life in Algeria.
* Louise d'Armilly — Eugénie Danglars' music instructor, actually her closest friend, but not allowed to be seen in public with Eugénie because of the possibility of Louise some day becoming a professional artist in a theater setting. Eugénie and Louise run off together.
* Monsieur de Boville — originally an inspector of prisons (he actually meets Dantès in the Château d'If), he is later promoted to a senior rank of the Paris police detective force, where he does some investigating of the Count of Monte Cristo at Villefort's orders. By the close of the book, he has become a receiver-general of funds for the hospitals.
* Barrois — Old, trusted servant of Monsieur de Noirtier, dies accidentally after drinking poisoned lemonade from a decanter brought to Noirtier, and from which Noirtier had drunk a little. The poison was probably brucine. Having used brucine as medication for paralysis, Noirtier was not affected.
* Monsieur d'Avrigny — Family doctor treating the Villefort family, he alerts Villefort when he suspects poisoning. He suspects Valentine until she becomes a victim herself. Very discreet, he is willing to keep the secret as long as Villefort solves the problem, even secretly and informally, or even illegally (for instance, by locking up or poisoning the suspect). However, he threatens to reveal the secret if Villefort fails to take action.
* Major (also Marquis) Bartolomeo Cavalcanti — Old man paid by Monte Cristo to play the role of Prince Andrea Cavalcanti's father. He is not "a worthy patrician of Lucca" but a man who plays regularly at the gaming table of the baths of Lucca.
Publication
The Count of Monte Cristo was originally published in the Journal des Débats in eighteen parts. Publication ran from August 28, 1844 through to January 15, 1846. It was first published in Paris by Pétion in 18 volumes (1844-5). Complete versions of the novel in the original French were published throughout the nineteenth century.
The most common English translation was originally published in 1846 by Chapman and Hall. Most unabridged English editions of the novel, including the Modern Library and Oxford World's Classics editions, use this translation, although Penguin Classics published a new translation by Robin Buss in 1996. Buss' translation updated the language, is more accessible to modern readers, and restored content that was modified in the 1846 translation due to Victorian English social restrictions (for example, references to Eugénie's lesbian traits and behavior) to Dumas' actual publication. Other English translations of the unabridged work exist, but are rarely seen in print and most borrow from the 1846 anonymous translation.
《 jī dū shān bó jué》 - píng jià
《 jī dū shān bó jué》 de zuò zhě shì fǎ guó zuò jiā dà zhòng mǎ， gù shì qíng jié diē dàng qǐ fú， yū huí qū zhé， cóng zhōng yòu yǎn huà chū ruò gān cì yào qíng jié， xiǎo chāqǔ jǐn còu jīng cǎi， què bù xuān bīn duó zhù； qíng jié lí qí què bù wéi fǎn shēng huó zhēn shí。 xiǎo shuō kāi juàn jiù yǐn chū jǐ gè zhù yào rén wù， qián miàn 1/4 xiě zhù rén gōng bèi xiàn hài de jīng guò， hòu miàn 3/4 xiě rú hé fù chóu， mài luò qīng chǔ， fù chóu de 3 tiáo xiàn suǒ jiāo chā 'ér bù líng luàn， bǎo chí yī dìng de dú lì xìng zhī hòu cái huì hé zài yī qǐ。 yīn cǐ，《 jī dù shān bó jué》 bèi gōng rèn wéi tōng sú xiǎo shuō zhōng de diǎn fàn。 zhè bù xiǎo shuō chū bǎn hòu， hěn kuài jiù yíng dé liǎo guǎng dà dú zhě de qīng lái， bèi fān yì chéng jǐ shí zhǒng wén zì chū bǎn， zài fǎ guó hé měi guó duō cì bèi pāi chéng diàn yǐng。
zì xiǎo shuō wèn shì yǐ lái zuò zhě de rén shēng zhé xué yī zhí wéi shì rén suǒ jīn jīn lè dào。
qí zhōng zuì zhù míng de jù zǐ chū xiàn zài xiǎo shuō de zuì hòu yī zhāng：
shì shàng méi yòu xìng fú hé bù xìng， yòu de zhǐ shì jìng kuàng de bǐ jiào， wéi yòu jīng lì kǔ nán de rén cái néng gǎn shòu dào wú shàng de xìng fú。 bì xū jīng lì guò sǐ wáng cái néng gǎn shòu dào shēng de huān lè。 huó xià qù bìng qiě shēng huó měi mǎn， wǒ xīn líng zhēn shì de hái zǐ men。 yǒng yuǎn bù yào wàng jì， zhí zhì shàng dì xiàng rén jiē shì chū wèi lái zhī rì， rén lèi quán bù zhì huì jiù bāo hán zài liǎng gè cí zhōng： děng dài hé xī wàng。
The story takes place in France, Italy, islands in the Mediterranean and the Levant during the historical events of 1815–1838 (from just before the Hundred Days through to the reign of Louis-Philippe of France). The historical setting is a fundamental element of the book. It is primarily concerned with themes of hope, justice, vengeance, mercy, forgiveness and death, and is told in the style of an adventure story.
Background to the plot
Dumas has himself indicated that he had the idea for the revenge in The Count of Monte Cristo from a story which he had found in a book compiled by Jacques Peuchet, a French police archivist and published in 1838, after the death of the author. Dumas included this essay in one of the editions from 1846. Peuchet related the tale of a shoemaker named Pierre Picaud, who was living in Nîmes in 1807. Picaud had been engaged to marry a rich woman, but three jealous friends falsely accused him of being a spy for England. He was imprisoned for seven years. During his imprisonment a dying fellow prisoner bequeathed him a treasure hidden in Milan. Picaud was released in 1814. He took possession of the treasure and returned under another name to Paris. Picaud spent ten years plotting his successful revenge against his former friends. In another of the "True Stories" Peuchet relates the tale of a terrible affair of poisoning in a family. This story, also quoted in the Pleiade edition, has obviously served as model for the chapter of the murders inside the Villefort family. The introduction to the Pleiade edition mentions other sources from real life: the abbé Faria really existed and died in 1819 after a life with much resemblance to that of the Faria in the novel. As for Dantès, his fate is quite different from his model in Peuchet's manuscript, since the latter is murdered by the "Caderousse" of the plot. But Dantès has "alter egos" in two other works of Dumas: First in "Pauline" from 1838, then, more significantly, in "Georges" from 1843 where a young man with black ancestry is preparing a revenge against white people who had humiliated him.
Historical background
The success of Monte Cristo coincides with that of France's Second Empire and besides the description of the return of Napoleon I in 1815 Dumas hints at least once to the events: the governor at the Château d'If is promoted to a position at the castle of Ham. The attitude of Dumas towards "bonapartisme" was extremely complicated and involved. This conflict dates back to his father, who was a coloured man, borne of a slave and who became a famous general during the French Revolution. When new racist laws were applied in 1802 the general was dismissed from the army and he was profoundly bitter towards Napoleon when he died in 1806. An event in 1840 renewed the patriotic support for the Bonaparte family in the population: the ashes of Napoleon I were brought to France and became object of veneration in the church of Les Invalides.
In "Causeries" from 1860, Dumas prints a short paper on the genesis of Monte-Cristo. This essay, called "État civil du "Comte de Monte-Cristo"" is included in the Pléiade edition (Paris, 1981) as an "annexe". It appears that Dumas had close and intimate contacts with members of the Bonaparte family while living in Florence in 1841. In a small boat he sailed around the island of Monte-Cristo accompanied by one of the young princes – a cousin to he who was to be emperor of France ten years later. During this trip he promised the prince that he would write a novel with the island's name as title. At this moment the future emperor was imprisoned at the citadel of Ham – a name that is mentioned in the novel. Dumas did visit him there, but he does not mention it in "Etat civil..." Louis Napoleon was imprisoned for life, but he fled in disguise. This happened in 1846 while Dumas's novel was already a gigantic success. Just as Dantès, Louis Napoleon reappeared in Paris as a powerful and enigmatic man of the world. In 1848, however, Dumas did not vote for Louis Napoleon, but the novel may have contributed – against the will of the writer – to the victory of the future Napoleon III.
A chronology of The Count of Monte Cristo and Bonapartism
Dumas grandfather:
1793: Thomas-Alexandre Dumas is promoted to the rank of general in the army of the First French Republic.
1794: He disapproves of the revolutionary terror in Western France.
1795-97: He becomes famous. Fights under Napoleon.
1802: Black officers are dismissed from the army. The Empire reestablishes slavery.
1802: Birth of his son, Alexandre Dumas père.
1806: Th. A. Dumas dies, still bitter towards the injustice of the Empire.
Dumas father:
1832: The only son of Napoleon I dies.
1836: A. Dumas is already a famous writer.
1836: First putsch by Louis Napoleon, aged 28. Fails completely.
1840: June. A law is passed to bring the ashes of Napoleon I to France.
1840: August. Second putsch of Louis Napoleon. He is imprisoned for life and becomes known as the candidate for the imperial succession.
1841: Dumas lives in Florence and becomes acquainted with King Jérôme and his son, Napoléon.
1841-44: The novel is conceived and written.
1846: The novel is a European bestseller.
1846: Louis Napoleon escapes from his prison.
1848: French Second Republic. Louis Napoleon is elected its first president but Dumas does not vote for him.
1857: Dumas publishes État civil du Comte de Monte-Cristo
Plot summary
Edmond Dantès
Edmond Dantès, a young and successful merchant sailor recently granted his own command by his dying captain Leclère, returns to Marseille to marry his fiancée Mercédès. Leclère, a supporter of the exiled Napoléon I, charges Dantès on his deathbed to deliver two objects: a package to Maréchal Bertrand (who had been exiled with Napoleon Bonaparte to the isle of Elba), and a letter from Elba to an unknown man in Paris. Subsequently, an anonymous letter accuses Dantès of being a Bonapartist traitor. The letter is later revealed to have been written by Mercédès' cousin Fernand Mondego and Danglars, Dantès' ship's supercargo. Villefort, the deputy crown prosecutor in Marseille, assumes the duty of investigating the matter. Villefort is normally considered a just man, but on discovering that the recipient of the letter from Elba is his Bonapartist father, he ultimately chooses to save his political career and condemns Dantès without trial to life imprisonment and protects his father by destroying the incriminating letter.
During his fourteen years imprisonment in the Château d'If, Edmond is visited in his cell by the Abbé Faria, a priest and fellow prisoner trying to tunnel his way to freedom. Faria had been imprisoned for proposing a united Italy. In the Chateau d'If, he was known as "The Mad Priest", claiming to be in possession of a massive treasure, and offering to reward the guards handsomely, should they release him. Faria provides Dantès with education in subjects including languages, history, economics, philosophy, mathematics, chemistry and the manners of political society. The priest, ill from a form of catalepsy and knowing that he will soon die, confides in Dantès the location of a treasure hoard on the Italian islet of Monte Cristo. After Faria's death the following year, Dantès escapes and is rescued by a smuggling ship. After several months of working with the smugglers, he gets the opportunity to go to Monte Cristo for a goods exchange. Dantès fakes an injury and convinces the smugglers to temporarily leave him on Monte Cristo. He then makes his way to the hiding place of the treasure. He returns to Marseilles, where he learns that his father has died in poverty. He buys himself a yacht and hides the rest of the treasure on board. With his new found wealth and education, Dantès buys the island of Monte Cristo and the title of Count from the Tuscan Government.
Returning to Marseille, Dantès puts into action his plans for revenge. Traveling in disguise as the Abbé Busoni, Edmond first meets Caderousse, whose intervention might have saved Dantès from imprisonment. Now living in poverty, Caderousse believes his current state is punishment by God for his jealousy and cowardice. Dantès learns from Caderousse how his other enemies have all become wealthy and prosperous since Dantès' betrayal. Edmond gives Caderousse a diamond that can be either a chance to redeem himself, or a trap that will lead to his ruin. Caderousse murders the jeweler to whom he sold the diamond and is sentenced to life in the prison galleys. Dantès (using another disguise, this time as the English Lord Wilmore) frees Caderousse and gives him another chance at redemption. Caderousse does not take it, and becomes a career criminal.
Learning that his old employer Morrel is on the verge of bankruptcy and disgrace after his ships have been lost at sea, Dantès (in the guise of a senior clerk of the banking firm of Thomson and French of Rome) buys all of Morrel's outstanding debts and gives Morrel an extension of three months to fulfill his obligations. At the end of the three months and with no way to repay his debts, Morrel is about to commit suicide when he learns that all of his debts have been mysteriously paid and that one of his ships has returned with a full cargo (the ship had been secretly rebuilt and laden by Dantès).
The Count of Monte Cristo
The story then moves forward nine years. Dantès debuts in public as the Count of Monte Cristo, a mysterious and fabulously rich aristocrat. He surfaces first in Rome, where he becomes acquainted with the Baron Franz d'Épinay, a young aristocrat, and Viscount Albert de Morcerf, Mercédès's and Fernand's son. He later rescues Albert from Italian bandits. Dantès subsequently moves to Paris, and with Albert de Morcerf's introduction, becomes the sensation of the city. Due to his knowledge and rhetorical power, even his enemies - who do not recognize him as Edmond Dantès - find him charming, and because of his status they all desire his friendship.
Monte Cristo meets Danglars, who has become a wealthy banker. Monte Cristo dazzles the crass Danglars with his seemingly endless wealth, eventually persuading him to extend him a 6,000,000 francs credit, and withdraws nine hundred thousand. Under the terms of the arrangement, Monte Cristo can demand access to the remainder at any time. The Count manipulates the bond market, through a false telegraph signal, and quickly destroys a large portion of Danglars' fortune, and the rest of it begins to rapidly disappear through mysterious bankruptcies, suspensions of payment, and more bad luck on the Stock Exchange.
Monte Cristo threatens Villefort with knowledge of his past affair with Madame Danglars, which produced a son. Believing the child to be stillborn, Villefort had buried the child. The boy was rescued and raised in Corsica by his enemy, Bertuccio (now Monte Cristo's servant), who gave the child the name "Benedetto". As an adult, Benedetto becomes a career criminal who is sentenced to the galleys with Caderousse, but after being freed by "Lord Wilmore", takes the identity of "Viscount Andrea Cavalcanti" (sponsored by the Count) and cons Danglars into betrothing his daughter Eugénie to him. Caderousse blackmails Andrea, threatening to reveal his past.
Cornered by "Abbé Busoni" while attempting to rob Monte Cristo's house, Caderousse begs to be given another chance, but Dantès grimly notes that the last two times he did so, Caderousse did not change. He forces Caderousse to write a letter to Danglars exposing Viscount Cavalcanti as an impostor and allows Caderousse to leave the house, but the moment Caderousse leaves the estate, he is stabbed in the back by Andrea. Caderousse manages to dictate and sign a deathbed statement identifying his killer, and Monte Cristo reveals his true identity to Caderousse moments before Caderousse dies.
Ali Pasha, the ruler of Yannina (in French, Janina), was betrayed to the Turks by Fernand. After his death, his wife Vasiliki and his daughter Haydée were sold into slavery by Fernand; subsequently, Haydée was located and rescued by Dantès and becomes the Count's ward. The Count manipulates Danglars into researching the event, which is published in a newspaper. As a result, Fernand is brought to trial for his crimes. Haydée testifies against him, and Fernand is disgraced.
Mercédès, still as attractive as before, alone recognizes Monte Cristo as Dantès. When Albert blames Monte Cristo for his father's downfall and publicly challenges him to a duel, Mercédès goes secretly to Monte Cristo and begs him to spare her son. During this interview, she learns the entire truth of his arrest and imprisonment. She later reveals the truth to Albert, which causes Albert to make a public apology to Monte Cristo. Albert and Mercédès disown Fernand, who is also confronted with Dantès' true identity and subsequently commits suicide. The mother and son depart to build a new life free of disgrace. Albert enlists and goes to Africa as a soldier in order to rebuild his life and honor under a new name, and Mercédès begins a solitary life in Marseille.
Villefort's daughter by his first wife, Valentine, stands to inherit the entire fortune of her grandfather (Noirtier) and of her mother's parents (the Saint-Mérans), while his second wife, Héloïse, seeks the fortune for her small son Édouard. Monte Cristo is aware of Héloïse's intentions, and "innocently" introduces her to the technique of poison. Héloïse fatally poisons the Saint-Mérans, so that Valentine inherits their fortune. However, Valentine is disinherited by Noirtier in an attempt to prevent Valentine's impending marriage with Franz d'Épinay. The marriage is cancelled when d'Épinay learns that his father (believed assassinated by Bonapartists) was killed by Noirtier in a duel. Afterwards, Valentine is reinstated in Noirtier's will. After a failed attempt on Noirtier's life which instead claims the life of Noirtier's servant Barrois, Héloïse then targets Valentine so that Édouard will finally get the fortune. However, Valentine is the prime suspect in her father's eyes in the deaths of the Saint-Merans and Barrois.
After Monte Cristo learns that Morrel's son Maximilien is in love with Valentine de Villefort, he saves her by making it appear as though Héloïse's plan to poison Valentine has succeeded and that Valentine is dead. Villefort learns from Noirtier that Héloïse is the real murderer and confronts her, giving her the choice of a public execution or committing suicide by her own poison.
Fleeing after Caderousse's letter exposes him, Andrea gets as far as Compiègne before he is arrested and brought back to Paris, where he is prosecuted by Villefort. Andrea reveals that he is Villefort's son and was rescued after Villefort buried him alive. Villefort admits his guilt and flees the court. He rushes home to stop his wife's suicide but he is too late; she has poisoned her son as well. Dantès confronts Villefort, revealing his true identity, but this, combined with the shock of the trial's revelations and the death of both his wife and son, drives Villefort insane. Dantès tries to resuscitate Édouard but fails, and despairs that his revenge has gone too far. It is only after he revisits his cell in the Château d'If that Dantès is reassured that his cause is just and his conscience is clear, that he can fulfill his plan while being able to forgive both his enemies and himself.
After the Count's manipulation of the bond market, all that Danglars is left with is a tarnished reputation and five million francs he has been holding in deposit for the hospitals. The Count demands this sum to fulfill their credit agreement, and Danglars embezzles the hospital fund. Abandoning his wife, Danglars flees to Italy with the Count's receipt, hoping to live in Vienna in anonymous prosperity. However, while leaving Rome he is kidnapped by the Count's agent Luigi Vampa. Danglars is imprisoned the same way that Dantès was. Forced to pay exorbitant prices for food, Danglars eventually signs away all but 50,000 francs of the stolen five million (which Dantès anonymously returns to the hospitals). Nearly driven mad by his ordeal, Danglars finally repents his crimes. Dantès forgives Danglars and allows him to leave with his freedom and the money he has left.
Maximilien Morrel, believing Valentine to be dead, contemplates suicide after her funeral. Dantès reveals his true identity and explains that he rescued Morrel's father from bankruptcy, disgrace and suicide years earlier. He persuades Maximilien to delay his suicide for a month. On the island of Monte Cristo a month later, Dantès presents Valentine to Maximilien and reveals the true sequence of events.
Having found peace, Dantès leaves for an unknown destination to find comfort and possibly love with Haydée, who has declared her love for him.
Characters
There are a large number of characters in the book, and the importance of many of them is not immediately obvious. Furthermore, their fates are often so interwoven that their stories overlap significantly. The chart below shows the relationships between the many characters of the novel.
Character relationships in The Count of Monte Cristo
Edmond Dantès and his aliases
* Edmond Dantès (born 1796) — Dantès is initially a generally well-liked sailor who is inexperienced - but not in his profession - and seems to have everything going for him, including a beautiful fiancée (Mercédès) and an impending promotion to ship's captain. After his transformation into the Count of Monte Cristo, his original name is revealed to his main enemies only as each revenge is completed, often driving his already weakened victims into despair.
* Number 34 — Early in Dantès' stay in prison, the governor of the Château d'If is replaced. This governor does not feel it is worth his time to learn the names of all the prisoners, and instead chooses to refer to them by the numbers of their cells. Thus, Dantès is called Number 34 during his imprisonment.
* Chief Clerk of Thomson and French — Shortly after Edmond escapes and learns of Morrel's sorry state of affairs, he disguises himself as an English senior agent of the banking firm of Thomson and French, with whom Morrel deals, and in this form sees Morrel for the first time in fifteen years. Precise and formal, this persona is a phlegmatic, serious banking officer.
* Count of Monte Cristo — The persona that Edmond assumes when he escapes from his incarceration and while he carries out his dreadful vengeance. This persona is marked by a pale countenance and a smile which can be diabolical or angelic. Educated and mysterious, this alias is trusted in Paris and fascinates the people.
* Lord Wilmore — The English persona in which Dantès performs seemingly random acts of generosity. The Englishman is eccentric and refuses to speak French. This eccentric man, in his kindness, is almost the opposite of the Count of Monte Cristo and Dantès exploits this to persuade Villefort that Lord Wilmore is an enemy of Monte Cristo.
* Sinbad the Sailor — The persona that Edmond assumes when he saves the Morrel family. Edmond signs a letter to Mlle Julie using this persona, which was accompanied by a large diamond and a red satin purse. (Sinbad the sailor is the common English translation of the original French Simbad le marin.)
* Abbé Busoni — The persona that Edmond puts forth when he needs deep trust from others because the name itself demands respect via religious authority.
* Monsieur Zaccone — Dantès, in the guise of both Abbé Busoni and Lord Wilmore, told an investigator sent by Villefort that this was the Count of Monte Cristo's true name.
Dantès' allies
* Abbé Faria — Italian priest and sage; befriends Edmond while both are prisoners in the Château d'If, acts as a father for Edmond Dantès (as Dantès said once "I can have my revenge, thanks to you, my second father") and reveals the secret of the island of Monte Cristo to Edmond. Becomes the surrogate father of Edmond, while imprisoned, digging a tunnel to freedom he educates Edmond in languages, economics, and all the current sciences (including chemistry which comes to Dantès' aid greatly during his revenge plan) and is the figurative father of the Count of Monte Cristo. He dies from the third attack of catalepsy.
* Giovanni Bertuccio — The Count of Monte Cristo's steward and very loyal servant; in the Count's own words, Bertuccio "knows no impossibility" and is sure of never being dismissed from the Count's service because, as the Count states, he (the Count) will "never find anyone better." He had declared a vendetta against Monsieur de Villefort for Villefort's refusal to prosecute the murderer of Bertuccio's brother. Tracking Villefort to Auteuil, he stabs Villefort, leaving him to die, but by coincidence becomes involved in Villefort's personal life by rescuing his illegitimate newborn, later named Benedetto (Italian for blessed) by Bertuccio. Years later, he is jailed on suspicion of the murder of a jeweler, but is released when Caderousse is arrested and proved to have committed the crime, and "Abbé Busoni" gives him a recommendation for employment to Monte Cristo.
* Luigi Vampa — celebrated Italian bandit and fugitive; owes much to the Count of Monte Cristo, and is instrumental in many of the Count's plans. He enjoys reading classic historical works dealing with great military leaders.
* Peppino — Formerly a shepherd helping Luigi Vampa, he later becomes a bandit and full member of Vampa's gang. He is condemned to be executed by Roman authorities, but Monte Cristo secures his pardon from the Pope. His alias is Rocca Priori.
* Haydée (also transliterated as Haidée) — The daughter of Ali Pasha of Yannina, eventually bought by the Count of Monte Cristo from the Sultan Mahmoud. Even though she was purchased as a slave, Monte Cristo treats her with the utmost respect. She lives in seclusion by her own choice, but is usually very aware of everything that is happening outside. She usually goes to local operas accompanied by the Count. At the trial of the Count de Morcerf, she provides the key evidence required to convict Fernand of treason and felony. She is deeply in love with the Count of Monte Cristo, and although he feels he is too old for her, he eventually reciprocates.
* Ali — Monte Cristo's Nubian slave, a mute (his tongue had been cut out as part of his punishment for intruding into the harem of the Bey of Tunis; his hands and head had also been scheduled to be cut off, but the Count bargained with the Bey for Ali's life). He is completely loyal and utterly devoted to the Count. Ali is also a master of his horses.
* Baptistin — Monte Cristo's valet-de-chambre. Although only in Monte Cristo's service for little more than a year, he has become the number three man in the Count's household and seems to have proven himself completely trustworthy and loyal, except for some financial irregularities that some employers, and certainly his own, were considering practically normal for a servant (i.e., when buying cosmetics or other supplies for his employer, he was inflating the price and pocketing the difference). After his probationary year in Monte Cristo's service expires, the Count informs Baptistin that he "suits" him, but warns him that the financial irregularities are to cease immediately.
Morcerf family
* Mercédès Mondego — (née: Herrera) Edmond's fiancée at the beginning until their planned marriage is interrupted by Edmond's imprisonment. Eighteen months later, she marries cousin Fernand Mondego (while still pledging eternal love to Dantès) because she believes Edmond is dead and feels alone in the world. Thus, she lives as Mme. the Countess de Morcerf in Paris and bears a son. Dantès's release and reappearance as the Count complicates matters as her love for him is evident. But, at the end of the story, Dantès comes to realize that it is Haydée he loves. He has a respect for Mercédès, but leaves her to live her life in Marseille in the house in which he lived as a young man (which he had bought).
* Fernand Mondego — Later known as the Count de Morcerf. A Catalan and Edmond's rival and suitor for Mercédès; will do anything to get her, including bearing false witness against Edmond. He is overall a representation of evil, as he lies and betrays throughout his military career for his own personal gain. When confronted by his nefarious acts, disgraced in public and abandoned by his wife and son, he commits suicide.
* Albert de Morcerf — Son of Mercédès and the Count de Morcerf. Is befriended by Monte Cristo in Rome; viewed by Monte Cristo as the son that should have been his with Mercédès, but does not have as strong a filial bond with him as does Maximilien Morrel. At the end, he realizes his father's crimes and, along with his mother Mercédès, abandons him and his name.
Danglars family
* Baron Danglars — Initially the supercargo (the owner's agent) on the same ship on which Dantès served as first mate; he longs to be wealthy and powerful and becomes jealous of Dantès for his favor with Pierre Morrel. He also developed a grudge against Dantès, with whom he has had some arguments regarding the accuracy of his accounting. The source of his wealth is not clear but is possibly due to unscrupulous financial dealings while in the French army and has reportedly been multiplied by speculation and marriage. His intelligence is only evident where money is concerned; otherwise he is a member of the nouveau riche with only superficial good taste (he cannot even tell the difference between original paintings and copies) and no true family feelings. Although arguably guiltier than Morcerf, Caderousse and Villefort, having written the denunciation letter, he is the only one whom Dantès forgives besides Caderousse,who died immediately afterward, and is partially spared, ending up a fugitive with barely enough money to support himself, but alive and with his sanity.
* Madame Danglars — Full name is Hermine Danglars (formerly Baroness Hermine de Nargonne during a previous marriage), née de Servieux. Was independently wealthy before marrying Danglars. With help and private information from her close friend and lover Ministerial Secretary Lucien Debray, Madame Danglars secretly invests money and is able to amass over a million francs for her own disposal. During her marriage to the Baron de Nargonne, she had an affair with Gérard de Villefort, with whom she had an illegitimate son (See Benedetto).
* Eugénie Danglars — The daughter of Danglars, engaged at first to Albert de Morcerf and later to "Andrea Cavalcanti" but who would rather stay unwed, living "an independent and unfettered life" as an artist. She dresses as a man and runs away with another girl, Louise d'Armilly after the collapse of her intended marriage to Andrea Cavalcanti; these connotations were considered scandalous. During their flight from Paris, she and Louise, traveling as brother and sister (Eugénie had disguised herself in men's clothing), stopping at an inn at Compiègne requested a room with two beds, yet Benedetto found them in bed together.
Villefort family
* Gérard de Villefort — A royal prosecutor who has even denounced his own father (Noirtier) in order to protect his own career. He is responsible for imprisoning Edmond Dantès to protect his political aspirations. After his attempted infanticide is publicly revealed and his second wife kills herself and their son, he loses his sanity.
* Renée de Villefort, née de Saint-Méran — Gérard de Villefort's first wife, mother of Valentine de Villefort.
* Monsieur le Marquis de Saint-Méran and Madame la Marquise de Saint-Méran — Renée's parents and Valentine's maternal grandparents. Both poisoned by Valentine's stepmother in order for Valentine to inherit their wealth which, through a planned series of further deaths in the family (Valentine's and her grandfather's), will be inherited by Valentine's half brother.
* Valentine de Villefort — The daughter of Gérard de Villefort and his first wife, Renée (née de Saint-Méran). She falls in love with Maximilien Morrel, is engaged to Baron Franz d'Épinay, is almost poisoned by her stepmother, saved once by her grandfather Noirtier, and is finally saved by Dantès. Valentine is the quintessential (French, nineteenth century) female: beautiful, docile, and loving. The only person she feels that she can confide in is her invalid grandfather.
* Monsieur Noirtier de Villefort — The father of Gérard de Villefort and grandfather of Valentine and Édouard (and, without knowing it, of Benedetto as well). After suffering an apoplectic stroke, Noirtier becomes mute and a paralytic, but can communicate with Valentine, Gérard and his servant Barrois through use of his eyelids and eyes. Although utterly dependent on others, he helps to save Valentine from the poison attempts of her stepmother and sabotages her marriage arrangement to Baron Franz d'Épinay. An ardent Jacobin Revolutionary turned Bonapartist, he is revealed to be the President of a club of Bonapartists conspiring to overthrow the restored monarchy and re-establish Napoleon as Emperor. Gérard de Villefort had realized that Edmond intended to fulfill his dying captain's last wish by conveying a letter from the imprisoned Napoleon on Elba to Noirtier in Paris, and therefore imprisoned Edmond (who knew nothing about the family connection) in order to hide the fact that his father was a conspirator, which might have hindered Gérard's advancement.
* Héloïse de Villefort — The murderous second wife of Villefort, who is motivated to protect and nurture her only son and ensure his inheritance. She becomes a murdereress with the assistance of Monte Cristo who discreetly and with purposeful indirectness suggests which poison to use, puts the poison into her possession (for "medicinal purposes”), and gives her the technical know-how and the philosophical outlook to commit murder (her motivation is clearly presented as that of a mother whose love for her son has taken precedence over her morals and reason). Villefort threatens to have her arrested and executed unless she kills herself and she does so before her husband, having changed his mind, gets a chance to stop her.
* Édouard de Villefort — the only legitimate son of Villefort. A very intelligent but extremely spoiled and selfish little boy who is unfortunately swept up in his mother's greed (his mother kills him before committing suicide). (His name is sometimes translated as Edward de Villefort.) The fact that he was an innocent victim makes Dantès feel that he went too far in his revenge and explains why he treats Danglars more leniently.
* Benedetto — The illegitimate son of de Villefort and Hermine de Nargonne (now Baroness Hermine Danglars); born in Auteuil, raised by Bertuccio (later Monte Cristo's steward) and his sister-in-law, Assunta in the little village of Rogliano, at the extremity of Cape Corso. Murderer and thief. Is helped to escape from a prison galley and travels to Paris to become "Andrea Cavalcanti".
Morrel family
* Pierre Morrel — Edmond Dantès's patron and owner of the major Marseille shipping firm of Morrel & Son. He is a very honest and shrewd businessman and is also very fond of Edmond and eager to advance his interests. After Edmond is arrested, he tries his hardest to help Edmond and is hopeful of his release when Napoleon is restored to power, but because of his sympathies for the Bonapartist cause, he is forced to back down and abandon all hope after the Hundred Days and second Restoration of the monarchy. Between 1825 and 1830, his firm undergoes critical financial reverses due to the loss of all of his ships at sea, and he is at the point of bankruptcy and suicide when Monte Cristo (in the guise of an English clerk from the financial firm of Thompson and French) sets events in motion which not only save Pierre Morrel's reputation and honor but also his life. It is revealed that on his deathbed he realized his savior was Dantès.
* Maximilien Morrel (Maximilian in some English translations) — He is the son of Edmond's employer, Pierre Morrel, a captain in the Spahi regiment of the Army stationed in Algiers and an Officer of the Legion of Honor. After Edmond's escape and the Count of Monte Cristo's debut in Paris, Maximilien becomes a very good friend to the Count of Monte Cristo, yet still manages to unknowingly force the Count to change many of his plans, partly by falling in love with Valentine de Villefort.
* Julie Herbault — Daughter of Edmond's patron, Pierre Morrel, she marries Emmanuel Herbault.
* Emmanuel Herbault — Julie Herbault's husband; he had previously worked in Pierre Morrel's shipping firm and is the brother-in-law of Maximilien Morrel and son-in-law of Pierre Morrel.
Other important characters
* Gaspard Caderousse — A tailor and originally a neighbour and friend of Dantès, he witnesses while drunk the writing by Danglars of the denunciation of Dantès. After Dantès is arrested, he is too cowardly to come forward with the truth. Caderousse is somewhat different from the other members of the conspiracy in that it is what he does not do, rather than what he actually plans, that leads to Dantès' arrest. He moves out of town, becomes an innkeeper, falls on hard times, and supplements his income by fencing stolen goods from Bertuccio. After his escape from prison, Dantès (and the reader) first learn the fates of many of the characters from Caderousse. Unlike the other members of the conspiracy, Monte Cristo offers Caderousse more than one chance to redeem himself, but the latter's greed proves his undoing, and he becomes in turn a murderer, a thief and a blackmailer. He is eventually murdered by Benedetto.
* Louis Dantès — Edmond's father. After his son's imprisonment and believing Edmond dead, he eventually starves himself to death.
* Baron Franz d'Épinay — A friend of Albert de Morcerf, he is the first fiancé of Valentine de Villefort. Monsieur Noirtier de Villefort killed Franz's father General d'Épinay in a lawful duel after unsuccessfully trying to convince him to support plans to return Napoleon to power, but it was assumed by the public that the general was assassinated; Franz only learns the truth when Noirtier reveals it to stop Franz from marrying Valentine.
* Lucien Debray — Secretary to the Minister of the Interior. A friend of Albert de Morcerf, and a lover of Madame Danglars, to whom he funnels insider information regarding investments.
* Beauchamp — A leading journalist and friend of Albert de Morcerf (son of Fernand Mondego, the self-styled "Count de Morcerf"), he travels to Yannina to confirm the story about Fernand's background that leads to public embarrassment and Fernand's suicide.
* Raoul, Baron de Château-Renaud — A member of a very ancient and noble family and another friend of Albert de Morcerf. Maximilien Morrel saved Renaud's life in Algeria.
* Louise d'Armilly — Eugénie Danglars' music instructor, actually her closest friend, but not allowed to be seen in public with Eugénie because of the possibility of Louise some day becoming a professional artist in a theater setting. Eugénie and Louise run off together.
* Monsieur de Boville — originally an inspector of prisons (he actually meets Dantès in the Château d'If), he is later promoted to a senior rank of the Paris police detective force, where he does some investigating of the Count of Monte Cristo at Villefort's orders. By the close of the book, he has become a receiver-general of funds for the hospitals.
* Barrois — Old, trusted servant of Monsieur de Noirtier, dies accidentally after drinking poisoned lemonade from a decanter brought to Noirtier, and from which Noirtier had drunk a little. The poison was probably brucine. Having used brucine as medication for paralysis, Noirtier was not affected.
* Monsieur d'Avrigny — Family doctor treating the Villefort family, he alerts Villefort when he suspects poisoning. He suspects Valentine until she becomes a victim herself. Very discreet, he is willing to keep the secret as long as Villefort solves the problem, even secretly and informally, or even illegally (for instance, by locking up or poisoning the suspect). However, he threatens to reveal the secret if Villefort fails to take action.
* Major (also Marquis) Bartolomeo Cavalcanti — Old man paid by Monte Cristo to play the role of Prince Andrea Cavalcanti's father. He is not "a worthy patrician of Lucca" but a man who plays regularly at the gaming table of the baths of Lucca.
Publication
The Count of Monte Cristo was originally published in the Journal des Débats in eighteen parts. Publication ran from August 28, 1844 through to January 15, 1846. It was first published in Paris by Pétion in 18 volumes (1844-5). Complete versions of the novel in the original French were published throughout the nineteenth century.
The most common English translation was originally published in 1846 by Chapman and Hall. Most unabridged English editions of the novel, including the Modern Library and Oxford World's Classics editions, use this translation, although Penguin Classics published a new translation by Robin Buss in 1996. Buss' translation updated the language, is more accessible to modern readers, and restored content that was modified in the 1846 translation due to Victorian English social restrictions (for example, references to Eugénie's lesbian traits and behavior) to Dumas' actual publication. Other English translations of the unabridged work exist, but are rarely seen in print and most borrow from the 1846 anonymous translation.