《 wǒ men de zǔ xiān》 chū bǎn yú yī jiǔ liù líng nián， xì yóu yī jiǔ wǔ 'èr nián fā biǎo de《 fēn chéng liǎng bàn de zǐ jué》、 yī jiǔ wǔ qī nián fā biǎo de《 shù shàng de nán jué》 hé yī jiǔ wǔ jiǔ nián fā biǎo de《 bù cún zài de qí shì》 hé bìng 'ér chéng de sān bù qū。
《 fēn chéng liǎng bàn de zǐ jué》 tǎo lùn liǎo quē hàn、 piān pō、 rén xìng de kuì fá。 gù shì de qǐ diǎn shì fēi cháng jiǎn dān、 fēi cháng xiān míng de yì xiàng huò qíng jìng： pǐchéng liǎng bàn de zǐ jué， liǎng piàn rén tǐ gè zì jì xù guò zhe zì jǐ de shēng huó －－ yī bàn shì xié 'è de zǐ jué， jí jìn pò huài zhī néng shì， yī bàn shì shàn liáng de zǐ jué， chù chù zhù rén。 pá dào shù shàng de nán hái bù yuàn yì xià lái， yī bèi zǐ zài shù shàng dù guò； yī jù zhōng kōng de jiá zhòu zì rèn wèishì yī míng nán zǐ， bù duàn guàn chè tā zì jǐ de yì zhì lì。 gù shì yóu yì xiàng zīzhǎng chū lái， ér bù shì lái zì zuò zhě xiǎng yào chǎn shù de lǐ niàn； yì xiàng zài gù shì zhī zhōng de fā zhǎn， yě quán píng gù shì de nèi zài luó ji。 zhè xiē gù shì de yì yì héng héng zhǔn què dì shuō， zhè xiē gù shì yǐ yì xiàng wéi jī chǔ 'ér yǎn shēng de yì yì wǎng luò héng héng zǒng shì yòu diǎn bù què dìng de； wǒ men wú fǎ jiān chí yī zhǒng háo wú yí yì de、 qiáng zhì rèn kě de quán shì。
bù guò《 fēn chéng liǎng bàn de zǐ jué》 zuì yǐn wǒ gǎn chù de què bù shì shū zhōng de zhù rén wēng（ jí fēn chéng liǎng bàn de zǐ jué běn rén）， ér shì gāi shū de xù shì zhě： yī míng xiǎo hái。 zhè běn shū de gù shìdōu chū zì zhè míng xiǎo hái zhī kǒu， yóu tā / tā jiàn zhèng zhòng rén de bēi huān： ér wéi yòu wǒ men dú zhě cái zhī dào zhè míng xiǎo hái de gū dú。
《 fēn chéng liǎng bàn de zǐ jué》 yī shū kàn lái sì hū jù yòu kuài lè de jié jú（ happyending）， dàn wǒ dú qǐ lái què jué qī rán： zhè míng shuō gù shì de hái zǐ， gāi zěn me bàn？ zài dú zuì hòu yī yè de shí hòu， wǒ nán guò dé hěn。
Plot summary
The Viscount Medardo of Terralba, and his squire Kurt, ride across the plague-ravaged plain of Bohemia en route to join the Christian army in the Turkish wars of the seventeenth century. On the first day of fighting, a Turkish swordsman unhorses the inexperienced Viscount. Fearless, he scrambles over the battlefield with sword bared, and is split in two by a cannonball hitting him square in the chest.
As a result of the injury, Viscount Medardo becomes two people: Gramo (the Bad) and Buono (the Good). The army field doctors save Gramo through a stitching miracle, the Viscount is “alive and cloven.” [1] With one eye and a dilated single nostril, he returns to Terralba, twisting the half mouth of his half face into a scissors-like half smile. Meanwhile, a group of hermits find Buono in the midst of a pile of dead bodies. They tend to him and he recovers. After a long pilgrimage, Buono returns home.
There are now two Viscounts in Terralba. Gramo lives in the castle, Buono lives in the forest. Gramo causes damage and pain, Buono does good deeds. Pietrochiodo, the carpenter, is more adept at building guillotines for Gramo than the machines requested by Buono. Eventually, the villagers dislike both viscounts, as Gramo's malevolence provokes hostility and Buono's altruism provokes uneasiness.
Pamela, the peasant, prefers Buono to Gramo, but her parents want her to marry Gramo. She is ordered to consent to Gramo's marriage proposal. On the day of the wedding, Pamela marries Buono, because Gramo arrives late. Gramo challenges Buono to a duel to decide who shall be Pamela's husband. As a result, they are both severely wounded.
Dr. Trelawney takes the two bodies and sews the two sides together. Viscount finally is whole. He and his wife Pamela (now the Viscontessa) live happily together until the end of their days.
Characters
* Medardo, the Viscount of Terralba
* The narrator, Medardo’s young nephew
* Dr. Trelawney, the English court physician
* Pamela, the shepherdess
* Sebastiana, faithful nurse to the Viscount
* Pietrochiodo, the court carpenter
* Ezekiel, leader of a Huguenot colony
* Esau, Ezekiel’s son
* Ariolfo, the former Viscount of Terralba, Medardo’s father
* Kurt, Medardo’s squire
Trivia
In the name of the physician, Dr. Trelawney, you can see a tribute to Robert Louis Stevenson, author of the Strange Case of Dr. Jekyll and Mr. Hyde (1886), perhaps the most famous tale of split personality between good and evil. Stevenson also wrote Treasure Island (1883), one of whose characters is a certain Squire Trelawney.
《 fēn chéng liǎng bàn de zǐ jué》 tǎo lùn liǎo quē hàn、 piān pō、 rén xìng de kuì fá。 gù shì de qǐ diǎn shì fēi cháng jiǎn dān、 fēi cháng xiān míng de yì xiàng huò qíng jìng： pǐchéng liǎng bàn de zǐ jué， liǎng piàn rén tǐ gè zì jì xù guò zhe zì jǐ de shēng huó －－ yī bàn shì xié 'è de zǐ jué， jí jìn pò huài zhī néng shì， yī bàn shì shàn liáng de zǐ jué， chù chù zhù rén。 pá dào shù shàng de nán hái bù yuàn yì xià lái， yī bèi zǐ zài shù shàng dù guò； yī jù zhōng kōng de jiá zhòu zì rèn wèishì yī míng nán zǐ， bù duàn guàn chè tā zì jǐ de yì zhì lì。 gù shì yóu yì xiàng zīzhǎng chū lái， ér bù shì lái zì zuò zhě xiǎng yào chǎn shù de lǐ niàn； yì xiàng zài gù shì zhī zhōng de fā zhǎn， yě quán píng gù shì de nèi zài luó ji。 zhè xiē gù shì de yì yì héng héng zhǔn què dì shuō， zhè xiē gù shì yǐ yì xiàng wéi jī chǔ 'ér yǎn shēng de yì yì wǎng luò héng héng zǒng shì yòu diǎn bù què dìng de； wǒ men wú fǎ jiān chí yī zhǒng háo wú yí yì de、 qiáng zhì rèn kě de quán shì。
bù guò《 fēn chéng liǎng bàn de zǐ jué》 zuì yǐn wǒ gǎn chù de què bù shì shū zhōng de zhù rén wēng（ jí fēn chéng liǎng bàn de zǐ jué běn rén）， ér shì gāi shū de xù shì zhě： yī míng xiǎo hái。 zhè běn shū de gù shìdōu chū zì zhè míng xiǎo hái zhī kǒu， yóu tā / tā jiàn zhèng zhòng rén de bēi huān： ér wéi yòu wǒ men dú zhě cái zhī dào zhè míng xiǎo hái de gū dú。
《 fēn chéng liǎng bàn de zǐ jué》 yī shū kàn lái sì hū jù yòu kuài lè de jié jú（ happyending）， dàn wǒ dú qǐ lái què jué qī rán： zhè míng shuō gù shì de hái zǐ， gāi zěn me bàn？ zài dú zuì hòu yī yè de shí hòu， wǒ nán guò dé hěn。
Plot summary
The Viscount Medardo of Terralba, and his squire Kurt, ride across the plague-ravaged plain of Bohemia en route to join the Christian army in the Turkish wars of the seventeenth century. On the first day of fighting, a Turkish swordsman unhorses the inexperienced Viscount. Fearless, he scrambles over the battlefield with sword bared, and is split in two by a cannonball hitting him square in the chest.
As a result of the injury, Viscount Medardo becomes two people: Gramo (the Bad) and Buono (the Good). The army field doctors save Gramo through a stitching miracle, the Viscount is “alive and cloven.” [1] With one eye and a dilated single nostril, he returns to Terralba, twisting the half mouth of his half face into a scissors-like half smile. Meanwhile, a group of hermits find Buono in the midst of a pile of dead bodies. They tend to him and he recovers. After a long pilgrimage, Buono returns home.
There are now two Viscounts in Terralba. Gramo lives in the castle, Buono lives in the forest. Gramo causes damage and pain, Buono does good deeds. Pietrochiodo, the carpenter, is more adept at building guillotines for Gramo than the machines requested by Buono. Eventually, the villagers dislike both viscounts, as Gramo's malevolence provokes hostility and Buono's altruism provokes uneasiness.
Pamela, the peasant, prefers Buono to Gramo, but her parents want her to marry Gramo. She is ordered to consent to Gramo's marriage proposal. On the day of the wedding, Pamela marries Buono, because Gramo arrives late. Gramo challenges Buono to a duel to decide who shall be Pamela's husband. As a result, they are both severely wounded.
Dr. Trelawney takes the two bodies and sews the two sides together. Viscount finally is whole. He and his wife Pamela (now the Viscontessa) live happily together until the end of their days.
Characters
* Medardo, the Viscount of Terralba
* The narrator, Medardo’s young nephew
* Dr. Trelawney, the English court physician
* Pamela, the shepherdess
* Sebastiana, faithful nurse to the Viscount
* Pietrochiodo, the court carpenter
* Ezekiel, leader of a Huguenot colony
* Esau, Ezekiel’s son
* Ariolfo, the former Viscount of Terralba, Medardo’s father
* Kurt, Medardo’s squire
Trivia
In the name of the physician, Dr. Trelawney, you can see a tribute to Robert Louis Stevenson, author of the Strange Case of Dr. Jekyll and Mr. Hyde (1886), perhaps the most famous tale of split personality between good and evil. Stevenson also wrote Treasure Island (1883), one of whose characters is a certain Squire Trelawney.
kǎ 'ěr wéi nuò《 wǒ men de zǔ xiān》 sān bù qū zuò wéi duì rén de shēng cún wèn tí de kǎo chá， sān bù xiǎo shuō gè yòu cè zhòng。《 bù cún zài de qí shì》 shì rén zhēng qǔ cún zài，《 fēn chéng liǎng bàn de zǐ jué》 shì rén bǎi tuō shēng mìng bù wán zhěng de tòng kǔ，《 shù shàng de nán jué》 zé huí dá， rén zěn yàng cái néng zhǎo dào yī tiáo shēng huó de dào lù。
《 shù shàng de nán jué》 de gù shì qíng jié dà zhì shì zhè yàng de： 1776 nián 6 yuè 15 rì， yì dà lì wēng bù luó sà de guì zú shàonián kē xī mò · dí · lóng duō（ nà shí tā 12 suì）， yīn wéi hé zhuān zhì de fù qīn 'ā mǐ ní 'ào · dí · lóng duō nán jué fā shēng liǎo zhēng zhí， yī qì zhī xià pá dào liǎo shù shàng， bìng fā shì bù zài xià shù。 yī kāi shǐ， suǒ yòu de réndōu méi zài yì， rèn wéi zhè zhǐ shì xiǎo hái zǐ de yī shí qì huà， bù bì dàngzhēn， dàn kē xī mò jiān shǒu shì yán， jué yì zài shù shàng yī zhí shēng huó xià qù。
zhè yī dài jiù shì wǔ shí duō nián， kē xī mò zhí dào qù shì yě méi yòu xià guò shù。 xiǎo shuō xiě liǎo zhè wǔ shí duō nián zhōng fā shēng de yī xiē zhòng yào shì jiàn， lái fǎn yìng tā dú yī wú 'èr de shù qī shēng huó。 zhè zhǒng shēng huó duō zī duō cǎi， chōng mǎn tiǎo zhàn。 rú guǒ kē xī mò méi yòu pá shàng shù， nà me tā de yī shēng kě néng yě jiù shì guò zhe guì zú yīnggāi xiǎng shòu de zhōng guī zhōng jǔ píng yōng 'ān yì de shēng huó liǎo， dàn shì tā bù jiē shòu zhè zhǒng dì miàn shàng de shēng huó， suǒ yǐ tā pá shàng liǎo shù， jué bù xià lái。 zài shù shàng， tā dǎ liè、 dú shū、 liàn 'ài、 lǚ xíng， tā hé gè zhǒng gè yàng de rén jiāo wǎng， shǐ yī gè xiōng cán de dà dào 'ài shàng liǎo xiǎo shuō， tā bāng zhù xiǎo chéng jiàn lì liǎo fáng huǒ xì tǒng， cuò bài liǎo tǔ 'ěr qí hǎi dào， dǎ tuì liǎo láng qún de xí jī； tā guǎng fàn yuè dú， bǐ tóng shí dài rén gèng zǎo de jiē shòu xīn sī xiǎng， tā yǔ fú 'ěr tài hé lú suō tōng xìn， yìn shuà zì jǐ de chū bǎn wù， chéng wéi dāng dì gòng jì huì de chuàng shǐ rén， zài dà gé mìng qī jiān zǔ zhì liǎo dāng dì de gé mìng， chéng wéi shì zhèng wěi yuán huì de yī yuán， lián ná pò lún shì chá yì dà lì de shí hòu dū mù míng lái bài fǎng tā。
《 wǒ men de zǔ xiān》 zhōng sān bù xiǎo shuō de yàng shì dōushì bù tóng de，《 fēn chéng liǎng bàn de zǐ jué》 shì tóng huà，《 bù cún zài de qí shì》 mó nǐ liǎo zhōng shì jì de qí shì xiǎo shuō， ér《 shù shàng de nán jué》 cǎi yòng de shì xiàn shí zhù yì shǒu fǎ。 jìn guǎn kē xī mò zhè gè rén wù hé tā de gù shìdōu shì xū gòu de， dàn yī qiē de xì jié hé lì shǐ bèi jǐng wú bù fú hé xiàn shí， kē xī mò de yī jǔ yī dòng wú bù fú hé qíng hé lǐ， shù shàng de shēng huó yě jiě shì dé lìng rén gǎn dào nà shì wán quán kě néng de。 wǒ xiǎng， xíng shì fú cóng zhù tí， cǎi yòng xiàn shí zhù yì shǒu fǎ shì hé zhè bù xiǎo shuō yào tǎo lùn de “ rén rú hé zhǎo dào zì jǐ de shēng huó dào lù ” yòu guān de， yīn wéi zhè gè wèn tí dài yòu hěn qiáng de shí jiàn xìng， rén de xíng dòng shòu dào xiàn shí de zhì yuē， bù kǎo lǜ xiàn shí yīn sù shì hěn nán bǎ zhè gè wèn tí shuō qīng chǔ de， jí shǐ shuō liǎo yě méi yòu shuō fú lì。 tóng huà gù shì shì méi yòu bàn fǎ ràng rén gǔ qǐ yǒng qì hé xìn xīn de， nà shì shén xiān de shēng huó， bù shì rén de shēng huó。
xià miàn jiù tǎo lùn zhè běn xiǎo shuō de jù tǐ hán yì。《 shù shàng de nán jué》 zhōng“ shù” shì yòu xiàng zhēng de。 kē xī mò pá dào shù shàng zhè zhǒng xíng wéi yě shì yòu xiàng zhēng de。 wǒ cóng shū lǐ xuǎn liǎo liǎng duàn， jiù shì hěn hǎo de shuō míng。 xiān kàn zhè yī duàn：
“ wǒ gē gē rèn wéi，” wǒ huí dá shuō，“ shuí xiǎng kàn qīng chén shì jiù yìng tóng tā bǎo chí bì yào de jù lí。” fú 'ěr tài hěn xīn shǎng zhè yàng de dá fù。
“ cóng qián， zhǐ shì dà zì rán chuàng zào shēng mìng xiàn xiàng，” tā zǒng jié dào，“ xiàn zài shì lǐ zhì。”
zài kàn zhè yī duàn：
bó jué shuō：“ nǐ liú zài shù shàng zuò shénme shì qíng ní？ méi yòu lǐ yóu yā！”
kē xī mò zhāng kāi shuāng bì：“ wǒ bǐ nǐ men zǎo dào zhè shàng miàn lái， xiān shēng men， wǒ yě yào liú dào zuì hòu！”
“ nǐ yào hòu tuì má？” bó jué dà shēng rǎng。
“ bù， shì dǐ kàng。” nán jué huí dá。
cóng zhè liǎng duàn kě yǐ kàn chū， xiǎo shuō zhōng“ shù shàng de shēng huó” hé“ dì shàng de shēng huó” shì liǎng gè duì lì de gài niàn。“ dì shàng de shēng huó” xiàng zhēng píng yōng、 shì sú、 fá wèi，“ shù shàng de shēng huó” xiàng zhēng lǐ xiǎng、 gāo shàng、 fù yòu jīng shén xìng，“ shù shàng de shēng huó” gāo yú“ dì shàng de shēng huó”。 kē xī mò pá dào shù shàng xiàng zhēng tā bù gān yú píng yōng de shēng huó， tā jiān chí jué bù xià shù xiàng zhēng tā bù fàng qì zì jǐ de lǐ xiǎng， yòng tā zì jǐ de huà shuō， zhè shì yī zhǒng“ dǐ kàng”。
cóng zhè gè xiàng zhēng chū fā， duì rén wù de jìn xíng fēn xī， kě yǐ kàn dào yī fāng miàn kē xī mò xǐ huān“ shù shàng de shēng huó”， gǎn dào hěn zì yóu， bù yuàn xià shù， dàn lìng yī fāng miàn tā yòu bǎi tuō bù liǎo“ dì shàng de shēng huó”， jìn guǎn tā bù xià shù， dàn shēng huó hái shì lí bù kāi yào hé dì miàn shàng de rén men dǎ jiāo dào， dì miàn shàng fā shēng de shì qíng hái shì yào duì tā fā shēng yǐng xiǎng。 bì jìng，“ shù” bǐ“ dì miàn” gāo bù liǎo duō shǎo。 xiǎo shuō zhōng， kē xī mò jī jí cān jiā shè huì shì wù， bìng méi yòu yīn wéi dài zài shù shàng 'ér dùn shì， dàn shì shí shàng tā yě bù kě néng dùn shì， tā zhuī qiú zì jǐ de lǐ xiǎng zhǐ néng shì jú bù de hé xiū zhèng de， ér bù kě néng shì chè dǐ de jué jué de， zhǔn què de shuō， qí zhōng yuàn wàng hé jīng shén shèng lì de chéngfèn gèng duō yī xiē。 kē xī mò měi dào mí máng hé yù mèn de shí hòu， jiù huì pá dào shù de zuì dǐng duān， xiàng yuǎn fāng tiào wàng， zhè gè xiǎo shuō zhōng yī zài tí dào de xì jié， shì yòu zhe shēn kè yù yì de。 tā méi yòu fàng qì“ dǐ kàng”， dàn tā yě pá bù dào tiān shàng。
jié wěi de shí hòu， kē xī mò lǎo lái bìng zhì， yǎn yǎn yī xī， rén men bǎ chuáng jià dào shù shàng， ràng tā tǎng zhe， yī shēng yòng tī zǐ pá dào shù shàng gěi tā kàn bìng， dàn kē xī mò réng rán bù yuàn yì zhè yàng bèi dòng de děng dài sǐ wáng。 dāng yī zhǐ rè qì qiú fēi guò shù dǐng， tā xiàng gè hái zǐ yī yàng yī yuè 'ér qǐ， zhuā zhù qì qiú de máo shéng， bèi tā dài zhe fēi zǒu liǎo。 zhè gè jié jú wéi rén wù de sù zào wán chéng liǎo zuì hòu yī bǐ， zhè jiù shì yī gè lǐ xiǎng zhù yì zhě de yī shēng， tā de shēng mìng zhōng chōng mǎn liǎo xún zhǎo hé tàn suǒ， nǎ pà shì sǐ wáng yě wú fǎ ràng tā gǎi biàn。
tōng guò kē xī mò de yī shēng， kǎ 'ěr wéi nuò xiǎng gào sù wǒ men shénme ní？ tā wèiwǒ men zhǐ chū liǎo yī tiáo shénme yàng de shēng huó dào lù ní？ wǒ xiǎng， kě yǐ zhè yàng shuō， shēng huó de chū lù hái shì zài xiàn shí zhōng， dàn yòu gāo yú xiàn shí， xún zhǎo zhè zhǒng chū lù běn shēn jiù gòu chéng liǎo shēng huó de yì yì。 xún zhǎo lí bù kāi yǒng qì， ér yǒng qì yòu lái zì chún jié de lǐ xiǎng。 yī gè rén rú guǒ zài zhè xiē dà de yuán zé xià dù guò zì jǐ de yī shēng， nà tā de shēng mìng jiù bù huì xū dù。 zhì yú shēng mìng yīnggāi yǐ shénme yàng de fāng shì lái jié shù， rén lèi de jiāng lái dào dǐ huì shì shénme yàng， xiǎo shuō lǐ yòu yī gè 'àn shì， nà shì shuō kē xī mò xiǎng xiě yī běn xuān yáng tā shù shàng shēng huó de shū， tā dǎ suàn zhè yàng jié shù nà běn shū：
zuò zhě chuàng lì liǎo zài shù dǐng shàng wán shàn guó jiā， shuō fú quán rén lèi zài nà lǐ dìng jū， bìng qiě shēng huó de xìng fú， tā zì jǐ què zǒu xià shù， shēng huó zài yǐ jīng huāng wú de tǔ dì shàng。
xiǎo shuō zhōng， hái xiě liǎo hěn duō rén wù de sǐ wáng， yòu shí jǐ gè， ér qiě suǒ yòu de rén de shēng huó dōubù xìng fú， suī rán zài xiě fǎ shàng bìng méi yòu xuàn rǎn zhè xiē nèi róng， hǎo xiàng zhǐ shì bù jīng yì de 'ǒu rán tí dào， dàn dú lái hái shì lìng rén chàng rán。 wǒ xiǎng， zhèng shì yīn wéi duǎn zàn de shēng mìng zhōng yòu nà me duō kùn nán hé bù rú yì， sǐ wáng yòu zài yī bàng kuī shì zhe wǒ men， suǒ yǐ wǒ men méi yòu shí jiān yōu shāng hé tàn xī， wǒ men bì xū rèn zhēn de duì dài shēng mìng， qù sī kǎo， qù xún zhǎo。
Characters
* Cosimo Piovasco di Rondo' (main character)
* Baron Arminio (Cosimo's father)
* Corradina (Cosimo's mother)
* Battista (Cosimo's elder sister)
* Biagio (Cosimo's younger brother)
* Abbot Fauchefleur (Cosimo and Biago's care-taker)
* Viola (the love of Cosimo's life)
Plot summary
The story is about a twelve-year-old boy named Cosimo Piovasco di Rondo', and is narrated by his younger brother, Biagio. It's set along the Ligurian Coast (the north-western coast of Italy, and commonly includes southern France because of the similarity in the scenery) in the eighteenth-century, in the town of Ombrosa. At the time, the regions of Italy haven't united yet, and the region along the Ligurian Coast isn't currently ruled by a legitimate king.
Biagio, Cosimo's brother and the narrator, provides the history of their family. Cosimo's father, Baron Arminio, married the General of the War of Succession (his mother), Corradina. La Guerra di Successione (the War of Succession) is a war between the Baron Arminio and an opposing family whom has equal rights to the throne. The parents who both have identical interests in claiming the throne agree to marry (even though they don't love each other) to give their children more rights to the throne.
The Baron, who is half-mad with a malicious streak, abuses his children constantly; and without the mother who is usually fighting in the war on horseback with the head general (Cosimo's grandfather), causes the children to run wild and misbehave.
In fact, Battista, the eldest sister of the three, used to be coaxed by Arminio to get married at a young age, so she decides to become a priestess, thus avoiding premature marriage. Without Battista, Arminio focuses on Cosimo (only twelve-years-old) and contrives a plan to betroth him to a grand-duchess he might find.
Battista is driven to insanity, and expresses this through her cooking. From toads to mice, rats to grasshoppers, Battista becomes the cook of the castle-like mansion in Ombrosa, and the Baron forces Cosimo and Biagio to eat the disgusting meals.
One day, when the Baron invites the Courts of France to lunch at noon, Battista arrives with her French cuisine new meal, snails. At the point where Arminio forces Cosimo to eat the snails, it becomes the turning point for him - the point where he can no longer handle his father's abuse.
Fleeing from the table, Cosimo uses his ability to climb up a live oak tree in the backyard - Cosimo and his eight-year-old brother Biagia often occupy their recreational time by climbing trees. Storming out of the house, with the other diners trailing behind, came the Baron scolding Cosimo for embarrassing him in front of the Court of France, who eats snails for a delicacy.
Excerpt from p. 15:
"Quando sarai stanco di star li' cambierai idea!" gli grido'.
"Non cambiero' mai idea," fece mio fratello, dal ramo.
"Ti faro' vedere io , appena scendi!"
"E io non scendero' piu'." E mantenne la parola.
English translation:
"When you are tired of staying there you will change your mind!" he shouted.
"I will never change my mind," said my brother, from the branch [of the live oak].
"I'll show you, now get down here!"
"And I will not come down, ever." And he kept his word.
With a spadino (little sword) and tricorno (cocked hat), Cosimo travels from branch to branch, and eventually reaches the boundary of his backyard, bordered by an enormous brick wall. On the opposite side live the Marchese (Marquis) and his family, with an enormous garden, like the Piovasco's, although with exotic plants from Asia, America (newly founded at the time), and apparently, even Australia (an imagined country at the time). Cosimo jumps from one of his trees to a foreign tree, Magnolia, into the D'Ondariva's garden. Cosimo slowly descends from tree to tree to the lowest branch, when he finally sees a blonde-haired girl on a see-saw (appearing ten-years-old).
From the branch, Cosimo uses his spadino (little sword) to pierce the apple in the girl's hand.
Ultimately, Cosimo finds a way to stay in the trees for most of his life.
Reception
While sometimes dismissed as a cute fable, this story finds its very strength in its ability to be read and analyzed on a number of levels: as a romance story, environmentally, narratologically, sociologically, and in questioning the role of the individual and the community. The novel received the Viareggio Prize in 1957. However, Calvino "refused the prize on the grounds that its acceptance simply helped shore up an outmoded institution, the literary prize!"
《 shù shàng de nán jué》 de gù shì qíng jié dà zhì shì zhè yàng de： 1776 nián 6 yuè 15 rì， yì dà lì wēng bù luó sà de guì zú shàonián kē xī mò · dí · lóng duō（ nà shí tā 12 suì）， yīn wéi hé zhuān zhì de fù qīn 'ā mǐ ní 'ào · dí · lóng duō nán jué fā shēng liǎo zhēng zhí， yī qì zhī xià pá dào liǎo shù shàng， bìng fā shì bù zài xià shù。 yī kāi shǐ， suǒ yòu de réndōu méi zài yì， rèn wéi zhè zhǐ shì xiǎo hái zǐ de yī shí qì huà， bù bì dàngzhēn， dàn kē xī mò jiān shǒu shì yán， jué yì zài shù shàng yī zhí shēng huó xià qù。
zhè yī dài jiù shì wǔ shí duō nián， kē xī mò zhí dào qù shì yě méi yòu xià guò shù。 xiǎo shuō xiě liǎo zhè wǔ shí duō nián zhōng fā shēng de yī xiē zhòng yào shì jiàn， lái fǎn yìng tā dú yī wú 'èr de shù qī shēng huó。 zhè zhǒng shēng huó duō zī duō cǎi， chōng mǎn tiǎo zhàn。 rú guǒ kē xī mò méi yòu pá shàng shù， nà me tā de yī shēng kě néng yě jiù shì guò zhe guì zú yīnggāi xiǎng shòu de zhōng guī zhōng jǔ píng yōng 'ān yì de shēng huó liǎo， dàn shì tā bù jiē shòu zhè zhǒng dì miàn shàng de shēng huó， suǒ yǐ tā pá shàng liǎo shù， jué bù xià lái。 zài shù shàng， tā dǎ liè、 dú shū、 liàn 'ài、 lǚ xíng， tā hé gè zhǒng gè yàng de rén jiāo wǎng， shǐ yī gè xiōng cán de dà dào 'ài shàng liǎo xiǎo shuō， tā bāng zhù xiǎo chéng jiàn lì liǎo fáng huǒ xì tǒng， cuò bài liǎo tǔ 'ěr qí hǎi dào， dǎ tuì liǎo láng qún de xí jī； tā guǎng fàn yuè dú， bǐ tóng shí dài rén gèng zǎo de jiē shòu xīn sī xiǎng， tā yǔ fú 'ěr tài hé lú suō tōng xìn， yìn shuà zì jǐ de chū bǎn wù， chéng wéi dāng dì gòng jì huì de chuàng shǐ rén， zài dà gé mìng qī jiān zǔ zhì liǎo dāng dì de gé mìng， chéng wéi shì zhèng wěi yuán huì de yī yuán， lián ná pò lún shì chá yì dà lì de shí hòu dū mù míng lái bài fǎng tā。
《 wǒ men de zǔ xiān》 zhōng sān bù xiǎo shuō de yàng shì dōushì bù tóng de，《 fēn chéng liǎng bàn de zǐ jué》 shì tóng huà，《 bù cún zài de qí shì》 mó nǐ liǎo zhōng shì jì de qí shì xiǎo shuō， ér《 shù shàng de nán jué》 cǎi yòng de shì xiàn shí zhù yì shǒu fǎ。 jìn guǎn kē xī mò zhè gè rén wù hé tā de gù shìdōu shì xū gòu de， dàn yī qiē de xì jié hé lì shǐ bèi jǐng wú bù fú hé xiàn shí， kē xī mò de yī jǔ yī dòng wú bù fú hé qíng hé lǐ， shù shàng de shēng huó yě jiě shì dé lìng rén gǎn dào nà shì wán quán kě néng de。 wǒ xiǎng， xíng shì fú cóng zhù tí， cǎi yòng xiàn shí zhù yì shǒu fǎ shì hé zhè bù xiǎo shuō yào tǎo lùn de “ rén rú hé zhǎo dào zì jǐ de shēng huó dào lù ” yòu guān de， yīn wéi zhè gè wèn tí dài yòu hěn qiáng de shí jiàn xìng， rén de xíng dòng shòu dào xiàn shí de zhì yuē， bù kǎo lǜ xiàn shí yīn sù shì hěn nán bǎ zhè gè wèn tí shuō qīng chǔ de， jí shǐ shuō liǎo yě méi yòu shuō fú lì。 tóng huà gù shì shì méi yòu bàn fǎ ràng rén gǔ qǐ yǒng qì hé xìn xīn de， nà shì shén xiān de shēng huó， bù shì rén de shēng huó。
xià miàn jiù tǎo lùn zhè běn xiǎo shuō de jù tǐ hán yì。《 shù shàng de nán jué》 zhōng“ shù” shì yòu xiàng zhēng de。 kē xī mò pá dào shù shàng zhè zhǒng xíng wéi yě shì yòu xiàng zhēng de。 wǒ cóng shū lǐ xuǎn liǎo liǎng duàn， jiù shì hěn hǎo de shuō míng。 xiān kàn zhè yī duàn：
“ wǒ gē gē rèn wéi，” wǒ huí dá shuō，“ shuí xiǎng kàn qīng chén shì jiù yìng tóng tā bǎo chí bì yào de jù lí。” fú 'ěr tài hěn xīn shǎng zhè yàng de dá fù。
“ cóng qián， zhǐ shì dà zì rán chuàng zào shēng mìng xiàn xiàng，” tā zǒng jié dào，“ xiàn zài shì lǐ zhì。”
zài kàn zhè yī duàn：
bó jué shuō：“ nǐ liú zài shù shàng zuò shénme shì qíng ní？ méi yòu lǐ yóu yā！”
kē xī mò zhāng kāi shuāng bì：“ wǒ bǐ nǐ men zǎo dào zhè shàng miàn lái， xiān shēng men， wǒ yě yào liú dào zuì hòu！”
“ nǐ yào hòu tuì má？” bó jué dà shēng rǎng。
“ bù， shì dǐ kàng。” nán jué huí dá。
cóng zhè liǎng duàn kě yǐ kàn chū， xiǎo shuō zhōng“ shù shàng de shēng huó” hé“ dì shàng de shēng huó” shì liǎng gè duì lì de gài niàn。“ dì shàng de shēng huó” xiàng zhēng píng yōng、 shì sú、 fá wèi，“ shù shàng de shēng huó” xiàng zhēng lǐ xiǎng、 gāo shàng、 fù yòu jīng shén xìng，“ shù shàng de shēng huó” gāo yú“ dì shàng de shēng huó”。 kē xī mò pá dào shù shàng xiàng zhēng tā bù gān yú píng yōng de shēng huó， tā jiān chí jué bù xià shù xiàng zhēng tā bù fàng qì zì jǐ de lǐ xiǎng， yòng tā zì jǐ de huà shuō， zhè shì yī zhǒng“ dǐ kàng”。
cóng zhè gè xiàng zhēng chū fā， duì rén wù de jìn xíng fēn xī， kě yǐ kàn dào yī fāng miàn kē xī mò xǐ huān“ shù shàng de shēng huó”， gǎn dào hěn zì yóu， bù yuàn xià shù， dàn lìng yī fāng miàn tā yòu bǎi tuō bù liǎo“ dì shàng de shēng huó”， jìn guǎn tā bù xià shù， dàn shēng huó hái shì lí bù kāi yào hé dì miàn shàng de rén men dǎ jiāo dào， dì miàn shàng fā shēng de shì qíng hái shì yào duì tā fā shēng yǐng xiǎng。 bì jìng，“ shù” bǐ“ dì miàn” gāo bù liǎo duō shǎo。 xiǎo shuō zhōng， kē xī mò jī jí cān jiā shè huì shì wù， bìng méi yòu yīn wéi dài zài shù shàng 'ér dùn shì， dàn shì shí shàng tā yě bù kě néng dùn shì， tā zhuī qiú zì jǐ de lǐ xiǎng zhǐ néng shì jú bù de hé xiū zhèng de， ér bù kě néng shì chè dǐ de jué jué de， zhǔn què de shuō， qí zhōng yuàn wàng hé jīng shén shèng lì de chéngfèn gèng duō yī xiē。 kē xī mò měi dào mí máng hé yù mèn de shí hòu， jiù huì pá dào shù de zuì dǐng duān， xiàng yuǎn fāng tiào wàng， zhè gè xiǎo shuō zhōng yī zài tí dào de xì jié， shì yòu zhe shēn kè yù yì de。 tā méi yòu fàng qì“ dǐ kàng”， dàn tā yě pá bù dào tiān shàng。
jié wěi de shí hòu， kē xī mò lǎo lái bìng zhì， yǎn yǎn yī xī， rén men bǎ chuáng jià dào shù shàng， ràng tā tǎng zhe， yī shēng yòng tī zǐ pá dào shù shàng gěi tā kàn bìng， dàn kē xī mò réng rán bù yuàn yì zhè yàng bèi dòng de děng dài sǐ wáng。 dāng yī zhǐ rè qì qiú fēi guò shù dǐng， tā xiàng gè hái zǐ yī yàng yī yuè 'ér qǐ， zhuā zhù qì qiú de máo shéng， bèi tā dài zhe fēi zǒu liǎo。 zhè gè jié jú wéi rén wù de sù zào wán chéng liǎo zuì hòu yī bǐ， zhè jiù shì yī gè lǐ xiǎng zhù yì zhě de yī shēng， tā de shēng mìng zhōng chōng mǎn liǎo xún zhǎo hé tàn suǒ， nǎ pà shì sǐ wáng yě wú fǎ ràng tā gǎi biàn。
tōng guò kē xī mò de yī shēng， kǎ 'ěr wéi nuò xiǎng gào sù wǒ men shénme ní？ tā wèiwǒ men zhǐ chū liǎo yī tiáo shénme yàng de shēng huó dào lù ní？ wǒ xiǎng， kě yǐ zhè yàng shuō， shēng huó de chū lù hái shì zài xiàn shí zhōng， dàn yòu gāo yú xiàn shí， xún zhǎo zhè zhǒng chū lù běn shēn jiù gòu chéng liǎo shēng huó de yì yì。 xún zhǎo lí bù kāi yǒng qì， ér yǒng qì yòu lái zì chún jié de lǐ xiǎng。 yī gè rén rú guǒ zài zhè xiē dà de yuán zé xià dù guò zì jǐ de yī shēng， nà tā de shēng mìng jiù bù huì xū dù。 zhì yú shēng mìng yīnggāi yǐ shénme yàng de fāng shì lái jié shù， rén lèi de jiāng lái dào dǐ huì shì shénme yàng， xiǎo shuō lǐ yòu yī gè 'àn shì， nà shì shuō kē xī mò xiǎng xiě yī běn xuān yáng tā shù shàng shēng huó de shū， tā dǎ suàn zhè yàng jié shù nà běn shū：
zuò zhě chuàng lì liǎo zài shù dǐng shàng wán shàn guó jiā， shuō fú quán rén lèi zài nà lǐ dìng jū， bìng qiě shēng huó de xìng fú， tā zì jǐ què zǒu xià shù， shēng huó zài yǐ jīng huāng wú de tǔ dì shàng。
xiǎo shuō zhōng， hái xiě liǎo hěn duō rén wù de sǐ wáng， yòu shí jǐ gè， ér qiě suǒ yòu de rén de shēng huó dōubù xìng fú， suī rán zài xiě fǎ shàng bìng méi yòu xuàn rǎn zhè xiē nèi róng， hǎo xiàng zhǐ shì bù jīng yì de 'ǒu rán tí dào， dàn dú lái hái shì lìng rén chàng rán。 wǒ xiǎng， zhèng shì yīn wéi duǎn zàn de shēng mìng zhōng yòu nà me duō kùn nán hé bù rú yì， sǐ wáng yòu zài yī bàng kuī shì zhe wǒ men， suǒ yǐ wǒ men méi yòu shí jiān yōu shāng hé tàn xī， wǒ men bì xū rèn zhēn de duì dài shēng mìng， qù sī kǎo， qù xún zhǎo。
Characters
* Cosimo Piovasco di Rondo' (main character)
* Baron Arminio (Cosimo's father)
* Corradina (Cosimo's mother)
* Battista (Cosimo's elder sister)
* Biagio (Cosimo's younger brother)
* Abbot Fauchefleur (Cosimo and Biago's care-taker)
* Viola (the love of Cosimo's life)
Plot summary
The story is about a twelve-year-old boy named Cosimo Piovasco di Rondo', and is narrated by his younger brother, Biagio. It's set along the Ligurian Coast (the north-western coast of Italy, and commonly includes southern France because of the similarity in the scenery) in the eighteenth-century, in the town of Ombrosa. At the time, the regions of Italy haven't united yet, and the region along the Ligurian Coast isn't currently ruled by a legitimate king.
Biagio, Cosimo's brother and the narrator, provides the history of their family. Cosimo's father, Baron Arminio, married the General of the War of Succession (his mother), Corradina. La Guerra di Successione (the War of Succession) is a war between the Baron Arminio and an opposing family whom has equal rights to the throne. The parents who both have identical interests in claiming the throne agree to marry (even though they don't love each other) to give their children more rights to the throne.
The Baron, who is half-mad with a malicious streak, abuses his children constantly; and without the mother who is usually fighting in the war on horseback with the head general (Cosimo's grandfather), causes the children to run wild and misbehave.
In fact, Battista, the eldest sister of the three, used to be coaxed by Arminio to get married at a young age, so she decides to become a priestess, thus avoiding premature marriage. Without Battista, Arminio focuses on Cosimo (only twelve-years-old) and contrives a plan to betroth him to a grand-duchess he might find.
Battista is driven to insanity, and expresses this through her cooking. From toads to mice, rats to grasshoppers, Battista becomes the cook of the castle-like mansion in Ombrosa, and the Baron forces Cosimo and Biagio to eat the disgusting meals.
One day, when the Baron invites the Courts of France to lunch at noon, Battista arrives with her French cuisine new meal, snails. At the point where Arminio forces Cosimo to eat the snails, it becomes the turning point for him - the point where he can no longer handle his father's abuse.
Fleeing from the table, Cosimo uses his ability to climb up a live oak tree in the backyard - Cosimo and his eight-year-old brother Biagia often occupy their recreational time by climbing trees. Storming out of the house, with the other diners trailing behind, came the Baron scolding Cosimo for embarrassing him in front of the Court of France, who eats snails for a delicacy.
Excerpt from p. 15:
"Quando sarai stanco di star li' cambierai idea!" gli grido'.
"Non cambiero' mai idea," fece mio fratello, dal ramo.
"Ti faro' vedere io , appena scendi!"
"E io non scendero' piu'." E mantenne la parola.
English translation:
"When you are tired of staying there you will change your mind!" he shouted.
"I will never change my mind," said my brother, from the branch [of the live oak].
"I'll show you, now get down here!"
"And I will not come down, ever." And he kept his word.
With a spadino (little sword) and tricorno (cocked hat), Cosimo travels from branch to branch, and eventually reaches the boundary of his backyard, bordered by an enormous brick wall. On the opposite side live the Marchese (Marquis) and his family, with an enormous garden, like the Piovasco's, although with exotic plants from Asia, America (newly founded at the time), and apparently, even Australia (an imagined country at the time). Cosimo jumps from one of his trees to a foreign tree, Magnolia, into the D'Ondariva's garden. Cosimo slowly descends from tree to tree to the lowest branch, when he finally sees a blonde-haired girl on a see-saw (appearing ten-years-old).
From the branch, Cosimo uses his spadino (little sword) to pierce the apple in the girl's hand.
Ultimately, Cosimo finds a way to stay in the trees for most of his life.
Reception
While sometimes dismissed as a cute fable, this story finds its very strength in its ability to be read and analyzed on a number of levels: as a romance story, environmentally, narratologically, sociologically, and in questioning the role of the individual and the community. The novel received the Viareggio Prize in 1957. However, Calvino "refused the prize on the grounds that its acceptance simply helped shore up an outmoded institution, the literary prize!"
《 bù cún zài de qí shì》（ yì dà lì yǔ： Ilcavaliereinesistente， yīng yǔ： Thenonexistentknight） shì yī tǎ luó · kǎ 'ěr wéi nuò zhī zuò pǐn， yú 1959 nián chū bǎn， dāng shí zuò zhě yǐ jīng tuì chū liǎo gòng chǎn dǎng。
《 bù cún zài de qí shì》 yǔ《 fēn chéng liǎng bàn de zǐ jué》 hé《 shù shàng de nán jué》 hé zǔ wéi《 wǒ men de zǔ xiān》 sān bù qū， tā men jiē wéi dāng dài zhōng piān xiǎo shuō， jù yōu mò de fēng gé hé yù yán xìng， shì kǎ 'ěr wéi nuò zǎo qī de zhù yào zuò pǐn。 cǐ hòu， tā kāi shǐ chuàng zuò wén xué， wéi qiú bǎ wén xué de yì shù fā zhǎn wáng gèng lǐ xiǎng de jìng jiè。
bù cún zài de qí shì - xiǎo shuō nèi róng
ā jí luò fū（ Agilulf） shì fǎ lán xī chá lǐ màn dà dì huī xià de yī gè qí shì， yòu bié yú qí tā de qí shì， ā jí luò fū bìng bù cún zài， yì méi yòu ròu shēn， shì yī jù huì qí mǎ de zhōng kōng de jiá zhòu。 dàn jiè zhe jiān dìng de yì zhì， tā bù dàn kě yǐ yǔ rén lèi shēng cún， gèng shì yī gè wán měi de qí shì héng jīng tōng jiàn shù， zhàn zhēng， lì shǐ， shù xué， jiā jū bù zhì děng děng。 zhèng yīn rú cǐ（ ā jí luò fū cháng cháng zhuī qiú wán měi hé zhēn lǐ， yòu bù kěn shuō huǎng）， měi gè réndōu tǎo yàn tā。
zài zhàn yún mì bù de shí dài， hàn bō héng yī gè nián qīng yòu wéi de nán zǐ héng yīn fù qīn bèi huí jiào jiāng jūn suǒ shā 'ér qián rù fǎ lán xī（ jī dū jiào） dà jūn de jūn yíng， xī wàng yòu yī wèi qí shì kě yǐ bāng zhù tā， dàn páo liǎo yī zhěng tiān， yòu dé dào 'ā jí luò fū de zhǐ diǎn， réng bù dé yào lǐng， fǎn 'ér yào yú cì rì gēn suí dà jūn jìn xíng yīcháng luàn qī bā zāo de zhàn yì。 hòu hàn bō lái yī yù shàng liǎo nǚ qí shì bù lā dá mèng， jiù lì jí wàng jì yào wéi fù qīn fù chóu， jué xīn yōng yòu tā。
tóng shí， qí shì duǒ lì sī méng（ Torrismund） yīn wéi zì jǐ de zhēn shí shēn shì 'ér wēi xié liǎo 'ā jí luò fū de qí shì róng yù， ā jí luò fū jiù lí kāi diào chá， chá lǐ màn dà dì hé qí tā qí shì dū 'àn 'àn gāo xīng， chú liǎo 'ài mù tā de bù lā dá mèng， zhī dào xiāo xī hòu lì jí zhuī zhú 'ā jí luò fū。 hàn bō jiàn hòu qǐ liǎo dù yì， yě qí mǎ jí zhuī。
zuì hòu zhēn xiāng dà bái， měi gè réndōu què zhī 'ā jí luò fū shì qīng bái de， dàn cǐ shí huī xīn de 'ā jí luò fū yǐ jīng lí kāi liǎo zhòng rén， méi yòu shōu dào zuì hòu de zhēn xiāng。 hàn bō dào sēn lín zhǎo dào liǎo tā de kōng jiá zhòu， yǐ jí yī zhāng pī zhǔn hàn bō chuānzhuó kōng jiá zhòu de zhǐ tiáo。
bù cún zài de qí shì - píng lùn
bù cún zài de qí shì - cún zài yǔ bù cún zài
běn shū de zhù yào shì tàn tǎo cún zài hé bù cún zài， yǐ jí zhī dào huò bù zhī dào zì jǐ shì fǒu cún zài de wèn tí。 ā jí luò fū shì bù cún zài dàn rèn wéi zì jǐ cún zài de qí shì， ér tā de pú rén Gurduloo héng yī gè shén jīng sì hū bù zhèng cháng de nán zǐ héng zé shì cún zài dàn rèn wéi zì jǐ bù cún zài。
zài dì sì hé dì wǔ zhāng， zuò zhě xiě xià：
Itwasnotrarethentofindnamesandthoughtsandformsandinstitutionsthatcorrespondedtonothinginexistence.(Chapter4)
I(Agilulf)cantrulycallmyselfprivileged,Iwhocanlivewithoutit(carcass)anddoall … ManythingsImanagetodobetterthanthosewhoexist,sinceIlacktheirusualdefectsofcoarseness,carelessness,incoherence,smell.(Chapter5)
zuò zhě yú cǐ xiǎo shuō yǐ bù cún zài de 'ā jí luò fū qù biǎo shì nà xiē zhǐ yòu míng zì cún zài 'ér zài wǒ men shēn biān yòu bù yǐ shí tǐ cún zài de shì wù héng tā mendōu shì zài rén lèi de yǎn zhōng shí fēn měi hǎo， wán měi， zuò shì kě yǐ bǐ wǒ men gèng yòu xiàolǜ。 yòu xiē rén shèn zhì huì xìn rèn huò 'ài shàng tā men， rèn wéi tā men bǐ zhēn shí cún zài de gèng zhēn shí（ solid）， dàn dāng rán huì yòu rén dù jí huò tǎo yàn tā men； rán 'ér， tā men kě néng huì xiàng 'ā jí luò fū yī yàng jīng bù qǐ mǒu zhǒng dǎ jī（ rú shēng yù shòu sǔn） ér xiāo shī dé wú yǐng wú zōng。
pǔ biàn rèn wéi， ā jí luò fū shì zhǐ jī gòu rén， jí wéi dà xíng tuán tǐ yǔ jī gòu zhī dài biǎo。
… theworldwaspollutedwithobjectsandcapacitiesandpersonswholackedanynameordistinguishingmark.(Chapter4)
ér cún zài dàn rèn wéi zì jǐ bù cún zài de Gurduloo huì suí zhe huán jìng， zhōu wéi de wù jiàn hé qì hòu 'ér gǎi biàn zì jǐ cún zài de míng zì， xíng shì děng děng， suǒ yǐ tā suǒ qiàn quē de shì shàng shù de“ tè zhēng”（ distinguishingmark）。 kě néng zuò zhě xiāng xìn wǒ men de shì jiè jiù shì chōng mǎn zhè zhǒng rén shì wù， shèn zhì， wǒ men jiù shì qí zhōng zhī yī：
… askedtheemperorgraciously,“ He(Gurduloo)doesn'tseemtomeknowwhat'sgoingthroughthatpateofhis.”
“ Whoarewetounderstand,Majesty?” Theoldpeasantwasspeakingthemodestwisdomofonewhohadseenagooddealoflife… (Chapter3)
(Torrismundsaid)“ AmItoconsidermyselfanequaltothissquireofmine,Gurduloo,whodoesn'tevenknowifheexistsornot?”
(Peasantssaid)“ Hewilllearntoo… Weourselvesdidnotknowweexist… Onecanalsolearntobe…” (Chapter11)
bù cún zài de qí shì - chuán shuō yǔ zhēn shí jí máo dùn
bù cún zài de qí shì - chuán shuō yǔ zhēn shí
chuán shuō zhōng de shèng bēi wǔ shì céng chū xiàn yú cǐ shū。 shèng bēi wǔ shì kě shuō shì yīng guó zuì zhù míng de yīngxióngchuánshuō， diàn yǐng duó bǎo qí bīng de dì sān jí yì shì yǔ tā men yòu guān。 zài zhè xiē nán yǐ zhèng míng de chuán shuō zhōng， shèng bēi wǔ shì jǐyǔ bié rén de yìn xiàng dōushì shén shèng hé wěi dà de。 qí shì duǒ lì sī méng zài yù jiàn tā men qián hé shí， dōuyòu tóng yàng de xiǎng fǎ， shèn zhì kě wàng jiā rù tā men de hángliè， zhí zhì shèng bēi wǔ shì kǒu lǐ shēng chēng 'ài hù zhěng gè shì jiè， quán tóu què zhuā jǐn zhàn máo cì shā píng mín。 zhè zhǒng máo dùn shì xiǎo shuō zhōng cháng jiàn de fěng cì fāng fǎ， zhù yào shì wéi fǎn yìng shè huì de hēi 'àn。
bù cún zài de qí shì - máo dùn
kǎ 'ěr wéi nuò zài xiě zuò wǒ men de zǔ xiān sān bù qū shí， sì hū xī wàng kě yǐ tóng shí sù shuō chū shì jiè hé rén lèi yán xíng suǒ bāo hán de máo dùn héng tiān shēng qiě bù néng bèi gǎi shàn de máo dùn。 zài 'èr bù qū fēn chéng liǎng bàn de zǐ jué zhōng， zuò zhě yì zhì shǎo tí jí liǎo liǎng zhǒng rén xìng de máo dùn。
bù cún zài de qí shì - píng děng guān
shèng bēi wǔ shì zài cǐ shū zhōng shì zhǎng quán zhě， kòng zhì zhe zhù yú gǔ wò dēng píng mín de shēng huó， dàn zài qí shì duǒ lì sī méng de zhī chí xià， tā men gǎn zǒu liǎo shèng bēi wǔ shì， bìng kāi shǐ tā men de hé píng shēng huó。 qí hòu， dà dì yào qiú duǒ lì sī méng zuò gǔ wò dēng de bó jué， dàn nóng mín fǎn 'ér yào qiú duǒ lì sī méng yǐ bǎi xìng de shēng fèn jū zhù yú gǔ wò dēng。
（ nóng mín shuō：）“… We'veobeyedforsolong… Butnowwe'veseenonecanlivequitewellwithouthavingtruckwitheitherknightsorcounts… Stayhereifyouwish… butasequals…”
zhè shǐ rén xiǎng qǐ gòng chǎn zhù yì zuì jī běn de yuán zé： dāng dì de nóng mín liǎo jiě dào yuán lái tuō lí tǒng zhì kě yǐ shì tuō lí pò yā， shēng huó yīn 'ér dé dào gǎi shàn。 dàn dāng rán， wèi yú tā men zhī shàng de hái shì tā men de fǎ lǜ（ ourlawsrespectedbyourselves）。
bù cún zài de qí shì - rén wù shēn fèn
gēn jù GoreVidal héng měi guó zuò jiā héng yú 'ài wén lǐ dà xué fā biǎo de lùn wén， tā rèn wéi kǎ 'ěr wéi nuò zài cǐ xiǎo shuō zhōng gù yì bǎ yī gè rén wù de shēn fèn guànyǐ bù tóng dài míng cí， jí shì：“ wǒ” hé“ tā” kě néng shì tóng yī gè juésè， zhè yī shǒu fǎ zài rì hòu qí tā de zhù zuò zhōng dū yòu chū xiàn。
Plot
The Nonexistent Knight is set in the time of Charlemagne, and draws material from the literary cycle known as the Matter of France, referencing Ariosto's Orlando Furioso. The knight Agilulf is a righteous, perfectionist, faithful and pious knight with only one shortcoming: he doesn't exist. Inside his armor there is no man, just an echoing voice that reverberates through the metal. Nevertheless, he serves the army of a Christian king out of "goodwill and faith in the holy cause".
Characters (In The English Version)
* Agilulf, the nonexistent knight.
* Gurduloo, a deranged man who becomes Agilulf's squire.
* Raimbaut, young noble who is obsessed with the idea of avenging his father by killing Argalif Isohar.
* Torrismund, a young knight who plays as Raimbaut's literary foil.
* Bradamante, a female knight, from Orlando Furioso.
* The narrator, Sister Theodora, a nun who is spinning Sir Agilulf's tale.
Themes
Agilulf does not exist as a person, but only as the fulfillment of the rules and protocols of knighthood. This theme is strongly connected to modern conditions: Agilulf has been described as "the symbol of the 'robotized' man, who performs bureaucratic acts with near-absolute unconsciousness."[1] The romance is also a bit of a satire, playing with the fact that Agilulf is both the ideal of man and nonexistent, along with many suggestions that Sister Theodora is actually making up most of the story. In the end, she must face that such a perfect knight could only live in one's imagination.
The idea of confusion of one's own identity with others and the outside world continued to be developed in Calvino's later works.[2]
Reception
The Nonexistent Knight was collected together with The Cloven Viscount and The Baron in the Trees in a single volume, Our Ancestors, for which Calvino was awarded the Salento Prize in 1960.[3] The book was adapted to film by the Italian director Pino Zac in 1970.
《 bù cún zài de qí shì》 yǔ《 fēn chéng liǎng bàn de zǐ jué》 hé《 shù shàng de nán jué》 hé zǔ wéi《 wǒ men de zǔ xiān》 sān bù qū， tā men jiē wéi dāng dài zhōng piān xiǎo shuō， jù yōu mò de fēng gé hé yù yán xìng， shì kǎ 'ěr wéi nuò zǎo qī de zhù yào zuò pǐn。 cǐ hòu， tā kāi shǐ chuàng zuò wén xué， wéi qiú bǎ wén xué de yì shù fā zhǎn wáng gèng lǐ xiǎng de jìng jiè。
bù cún zài de qí shì - xiǎo shuō nèi róng
ā jí luò fū（ Agilulf） shì fǎ lán xī chá lǐ màn dà dì huī xià de yī gè qí shì， yòu bié yú qí tā de qí shì， ā jí luò fū bìng bù cún zài， yì méi yòu ròu shēn， shì yī jù huì qí mǎ de zhōng kōng de jiá zhòu。 dàn jiè zhe jiān dìng de yì zhì， tā bù dàn kě yǐ yǔ rén lèi shēng cún， gèng shì yī gè wán měi de qí shì héng jīng tōng jiàn shù， zhàn zhēng， lì shǐ， shù xué， jiā jū bù zhì děng děng。 zhèng yīn rú cǐ（ ā jí luò fū cháng cháng zhuī qiú wán měi hé zhēn lǐ， yòu bù kěn shuō huǎng）， měi gè réndōu tǎo yàn tā。
zài zhàn yún mì bù de shí dài， hàn bō héng yī gè nián qīng yòu wéi de nán zǐ héng yīn fù qīn bèi huí jiào jiāng jūn suǒ shā 'ér qián rù fǎ lán xī（ jī dū jiào） dà jūn de jūn yíng， xī wàng yòu yī wèi qí shì kě yǐ bāng zhù tā， dàn páo liǎo yī zhěng tiān， yòu dé dào 'ā jí luò fū de zhǐ diǎn， réng bù dé yào lǐng， fǎn 'ér yào yú cì rì gēn suí dà jūn jìn xíng yīcháng luàn qī bā zāo de zhàn yì。 hòu hàn bō lái yī yù shàng liǎo nǚ qí shì bù lā dá mèng， jiù lì jí wàng jì yào wéi fù qīn fù chóu， jué xīn yōng yòu tā。
tóng shí， qí shì duǒ lì sī méng（ Torrismund） yīn wéi zì jǐ de zhēn shí shēn shì 'ér wēi xié liǎo 'ā jí luò fū de qí shì róng yù， ā jí luò fū jiù lí kāi diào chá， chá lǐ màn dà dì hé qí tā qí shì dū 'àn 'àn gāo xīng， chú liǎo 'ài mù tā de bù lā dá mèng， zhī dào xiāo xī hòu lì jí zhuī zhú 'ā jí luò fū。 hàn bō jiàn hòu qǐ liǎo dù yì， yě qí mǎ jí zhuī。
zuì hòu zhēn xiāng dà bái， měi gè réndōu què zhī 'ā jí luò fū shì qīng bái de， dàn cǐ shí huī xīn de 'ā jí luò fū yǐ jīng lí kāi liǎo zhòng rén， méi yòu shōu dào zuì hòu de zhēn xiāng。 hàn bō dào sēn lín zhǎo dào liǎo tā de kōng jiá zhòu， yǐ jí yī zhāng pī zhǔn hàn bō chuānzhuó kōng jiá zhòu de zhǐ tiáo。
bù cún zài de qí shì - píng lùn
bù cún zài de qí shì - cún zài yǔ bù cún zài
běn shū de zhù yào shì tàn tǎo cún zài hé bù cún zài， yǐ jí zhī dào huò bù zhī dào zì jǐ shì fǒu cún zài de wèn tí。 ā jí luò fū shì bù cún zài dàn rèn wéi zì jǐ cún zài de qí shì， ér tā de pú rén Gurduloo héng yī gè shén jīng sì hū bù zhèng cháng de nán zǐ héng zé shì cún zài dàn rèn wéi zì jǐ bù cún zài。
zài dì sì hé dì wǔ zhāng， zuò zhě xiě xià：
Itwasnotrarethentofindnamesandthoughtsandformsandinstitutionsthatcorrespondedtonothinginexistence.(Chapter4)
I(Agilulf)cantrulycallmyselfprivileged,Iwhocanlivewithoutit(carcass)anddoall … ManythingsImanagetodobetterthanthosewhoexist,sinceIlacktheirusualdefectsofcoarseness,carelessness,incoherence,smell.(Chapter5)
zuò zhě yú cǐ xiǎo shuō yǐ bù cún zài de 'ā jí luò fū qù biǎo shì nà xiē zhǐ yòu míng zì cún zài 'ér zài wǒ men shēn biān yòu bù yǐ shí tǐ cún zài de shì wù héng tā mendōu shì zài rén lèi de yǎn zhōng shí fēn měi hǎo， wán měi， zuò shì kě yǐ bǐ wǒ men gèng yòu xiàolǜ。 yòu xiē rén shèn zhì huì xìn rèn huò 'ài shàng tā men， rèn wéi tā men bǐ zhēn shí cún zài de gèng zhēn shí（ solid）， dàn dāng rán huì yòu rén dù jí huò tǎo yàn tā men； rán 'ér， tā men kě néng huì xiàng 'ā jí luò fū yī yàng jīng bù qǐ mǒu zhǒng dǎ jī（ rú shēng yù shòu sǔn） ér xiāo shī dé wú yǐng wú zōng。
pǔ biàn rèn wéi， ā jí luò fū shì zhǐ jī gòu rén， jí wéi dà xíng tuán tǐ yǔ jī gòu zhī dài biǎo。
… theworldwaspollutedwithobjectsandcapacitiesandpersonswholackedanynameordistinguishingmark.(Chapter4)
ér cún zài dàn rèn wéi zì jǐ bù cún zài de Gurduloo huì suí zhe huán jìng， zhōu wéi de wù jiàn hé qì hòu 'ér gǎi biàn zì jǐ cún zài de míng zì， xíng shì děng děng， suǒ yǐ tā suǒ qiàn quē de shì shàng shù de“ tè zhēng”（ distinguishingmark）。 kě néng zuò zhě xiāng xìn wǒ men de shì jiè jiù shì chōng mǎn zhè zhǒng rén shì wù， shèn zhì， wǒ men jiù shì qí zhōng zhī yī：
… askedtheemperorgraciously,“ He(Gurduloo)doesn'tseemtomeknowwhat'sgoingthroughthatpateofhis.”
“ Whoarewetounderstand,Majesty?” Theoldpeasantwasspeakingthemodestwisdomofonewhohadseenagooddealoflife… (Chapter3)
(Torrismundsaid)“ AmItoconsidermyselfanequaltothissquireofmine,Gurduloo,whodoesn'tevenknowifheexistsornot?”
(Peasantssaid)“ Hewilllearntoo… Weourselvesdidnotknowweexist… Onecanalsolearntobe…” (Chapter11)
bù cún zài de qí shì - chuán shuō yǔ zhēn shí jí máo dùn
bù cún zài de qí shì - chuán shuō yǔ zhēn shí
chuán shuō zhōng de shèng bēi wǔ shì céng chū xiàn yú cǐ shū。 shèng bēi wǔ shì kě shuō shì yīng guó zuì zhù míng de yīngxióngchuánshuō， diàn yǐng duó bǎo qí bīng de dì sān jí yì shì yǔ tā men yòu guān。 zài zhè xiē nán yǐ zhèng míng de chuán shuō zhōng， shèng bēi wǔ shì jǐyǔ bié rén de yìn xiàng dōushì shén shèng hé wěi dà de。 qí shì duǒ lì sī méng zài yù jiàn tā men qián hé shí， dōuyòu tóng yàng de xiǎng fǎ， shèn zhì kě wàng jiā rù tā men de hángliè， zhí zhì shèng bēi wǔ shì kǒu lǐ shēng chēng 'ài hù zhěng gè shì jiè， quán tóu què zhuā jǐn zhàn máo cì shā píng mín。 zhè zhǒng máo dùn shì xiǎo shuō zhōng cháng jiàn de fěng cì fāng fǎ， zhù yào shì wéi fǎn yìng shè huì de hēi 'àn。
bù cún zài de qí shì - máo dùn
kǎ 'ěr wéi nuò zài xiě zuò wǒ men de zǔ xiān sān bù qū shí， sì hū xī wàng kě yǐ tóng shí sù shuō chū shì jiè hé rén lèi yán xíng suǒ bāo hán de máo dùn héng tiān shēng qiě bù néng bèi gǎi shàn de máo dùn。 zài 'èr bù qū fēn chéng liǎng bàn de zǐ jué zhōng， zuò zhě yì zhì shǎo tí jí liǎo liǎng zhǒng rén xìng de máo dùn。
bù cún zài de qí shì - píng děng guān
shèng bēi wǔ shì zài cǐ shū zhōng shì zhǎng quán zhě， kòng zhì zhe zhù yú gǔ wò dēng píng mín de shēng huó， dàn zài qí shì duǒ lì sī méng de zhī chí xià， tā men gǎn zǒu liǎo shèng bēi wǔ shì， bìng kāi shǐ tā men de hé píng shēng huó。 qí hòu， dà dì yào qiú duǒ lì sī méng zuò gǔ wò dēng de bó jué， dàn nóng mín fǎn 'ér yào qiú duǒ lì sī méng yǐ bǎi xìng de shēng fèn jū zhù yú gǔ wò dēng。
（ nóng mín shuō：）“… We'veobeyedforsolong… Butnowwe'veseenonecanlivequitewellwithouthavingtruckwitheitherknightsorcounts… Stayhereifyouwish… butasequals…”
zhè shǐ rén xiǎng qǐ gòng chǎn zhù yì zuì jī běn de yuán zé： dāng dì de nóng mín liǎo jiě dào yuán lái tuō lí tǒng zhì kě yǐ shì tuō lí pò yā， shēng huó yīn 'ér dé dào gǎi shàn。 dàn dāng rán， wèi yú tā men zhī shàng de hái shì tā men de fǎ lǜ（ ourlawsrespectedbyourselves）。
bù cún zài de qí shì - rén wù shēn fèn
gēn jù GoreVidal héng měi guó zuò jiā héng yú 'ài wén lǐ dà xué fā biǎo de lùn wén， tā rèn wéi kǎ 'ěr wéi nuò zài cǐ xiǎo shuō zhōng gù yì bǎ yī gè rén wù de shēn fèn guànyǐ bù tóng dài míng cí， jí shì：“ wǒ” hé“ tā” kě néng shì tóng yī gè juésè， zhè yī shǒu fǎ zài rì hòu qí tā de zhù zuò zhōng dū yòu chū xiàn。
Plot
The Nonexistent Knight is set in the time of Charlemagne, and draws material from the literary cycle known as the Matter of France, referencing Ariosto's Orlando Furioso. The knight Agilulf is a righteous, perfectionist, faithful and pious knight with only one shortcoming: he doesn't exist. Inside his armor there is no man, just an echoing voice that reverberates through the metal. Nevertheless, he serves the army of a Christian king out of "goodwill and faith in the holy cause".
Characters (In The English Version)
* Agilulf, the nonexistent knight.
* Gurduloo, a deranged man who becomes Agilulf's squire.
* Raimbaut, young noble who is obsessed with the idea of avenging his father by killing Argalif Isohar.
* Torrismund, a young knight who plays as Raimbaut's literary foil.
* Bradamante, a female knight, from Orlando Furioso.
* The narrator, Sister Theodora, a nun who is spinning Sir Agilulf's tale.
Themes
Agilulf does not exist as a person, but only as the fulfillment of the rules and protocols of knighthood. This theme is strongly connected to modern conditions: Agilulf has been described as "the symbol of the 'robotized' man, who performs bureaucratic acts with near-absolute unconsciousness."[1] The romance is also a bit of a satire, playing with the fact that Agilulf is both the ideal of man and nonexistent, along with many suggestions that Sister Theodora is actually making up most of the story. In the end, she must face that such a perfect knight could only live in one's imagination.
The idea of confusion of one's own identity with others and the outside world continued to be developed in Calvino's later works.[2]
Reception
The Nonexistent Knight was collected together with The Cloven Viscount and The Baron in the Trees in a single volume, Our Ancestors, for which Calvino was awarded the Salento Prize in 1960.[3] The book was adapted to film by the Italian director Pino Zac in 1970.
《 kàn bù jiàn de chéng shì》 de dì yī bǎn shì zài 1972 nián 11 yuè yóu dū líng de 'āi yī nà wū dí chū bǎn shè chū bǎn de。 zài zhè běn shū chū bǎn de shí hòu， cóng 1972 nián dǐ dào 1973 nián chū， kǎ 'ěr wéi nuò céng zài duō jiā bào zhǐ de wén zhāng hé fǎng tán zhōng tán dào tā。
xià miàn yòng kǎ 'ěr wéi nuò 1983 nián 3 yuè 29 rì zài niǔ yuē gē lún bǐ yà dà xué xiě zuò shuò shì bān de yī cì jiǎng zuò zhōng de wén zì， lái jiè shào“ ào sī kǎ” cóng shū zhōng de zhè gè xīn bǎn。 jiǎng zuò yuán wéi yīng wén， zhè lǐ yòng de shì yì dà lì wén běn， tā shì yǐ 1972 dào 1973 nián de liǎng cì fǎng tán wéi jī chǔ de， bìng qiě dà bù fēn zài yì dà lì méi yòu fā biǎo guò。
zài《 kàn bù jiàn de chéng shì》 lǐ rén men zhǎo bù dào néng rèn dé chū de chéng shì。 suǒ yòu de chéng shì dōushì xū gòu de ; wǒ gěi tā men měi yī gèdōu qǐ liǎo yī gè nǚ rén de míng zì。 zhè běn shū shì yóu yī xiē duǎn xiǎo de zhāng jié gòu chéng de， měi gè zhāng jié dū yìng tí gōng jī huì， ràng wǒ men duì mǒu gè chéng shì huò fàn zhǐ yì yì shàng de chéng shì jìn xíng fǎn sī。
zuò zhě jiǎn jiè ······
yī tǎ luò · kǎ 'ěr wéi nuò jiè shào：
guān yú shēng píng · kǎ 'ěr wéi nuò xiě dào：“ wǒ réng rán shǔ yú hé kè luó qí yī yàng de rén， rèn wéi yī gè zuò zhě， zhǐ yòu zuò pǐn yòu jià zhí。 yīn cǐ wǒ bù tí gōng zhuànjì zī liào。 wǒ huì gào sù nǐ nǐ xiǎng zhī dào de dōng xī dàn wǒ cóng lái bù huì gào sù nǐ zhēn shí。”
shēng yú gǔ bā， 1985 nián 9 yuè 1913 zài bīn hǎi bié shù cù rán lí shì， ér yǔ dāng nián de nuò bèi 'ěr wén xué jiǎng shī zhī jiāo bì。
fù mǔ dōushì rè dài zhí wù xué jiā，“ wǒ de jiā tíng zhōng zhǐ yòu kē xué yán jiū shì shòu zūn zhòng de。 wǒ shì bài lèi， shì jiā lǐ wéi yī cóng shì wén xué de rén。”
shàonián shí guāng lǐ xiě mǎn shū běn、 màn huà、 diàn yǐng。 tā mèng xiǎng chéng wéi xì jù jiā gāo zhōng bì yè hòu què jìn rù dà xué nóng yì xì， suí hòu cóng wén xué yuàn bì yè。
1947 nián chū bǎn tā de dì yī bù xiǎo shuō《 tōng xiàng zhī zhū cháo de xiǎo jìng》， cóng cǐ zhì lì yú kāi fā xiǎo shuō xù shù yì shù de wú xiàn kě néng。
céng yǐn jū bā lí 15 nián， yǔ liè wéi · sī tè láo sī、 luó lán · bā tè、 gé nuò děng rén jiāo wǎng mìqiè。
1985 nián xià tiān zhǔn bèi hā fó jiǎng xué shí huàn bìng。 zhù dāo yī shēng biǎo shì zì jǐ wèi céng jiàn guò rèn hé dà nǎo gòu zào xiàng kǎ 'ěr wéi nuò de nà bān fù zá jīng zhì。
wèi dú“ kàn bù jiàn de chéng shì” qián， wǒ duì kǎ 'ěr wéi nuò cǐ rén háo wú suǒ zhī。 yuè dú“ kàn bù jiàn de chéng shì” yī shū shí， zài dú wán tā jiù“ chéng shì” suǒ jìn xíng de yī xì liè“ gài niàn” sī kǎo hòu， wǒ bào zhe duì tā qīng kuài mí huàn de jù zǐ hé shēn suì de sī xiǎng de jīng tàn， duì tā běn rén chǎn shēng liǎo nóng hòu de xīng qù。 zài wǎng shàng yī chá， cái fā xiàn tā běn rén shì yī wèi xiān shī gē， xì jù hé yù yán， ér hòu xiǎo shuō jìn xíng xiě zuò， gǔ bā chū shēng， yì dà lì chéngzhǎng， zài quán shì jiè xiǎng yòu jí gāo shēng yù de dāng dài zuò jiā。
“ yīng xióng bù wèn chū chù。” chéng rú gǔ yǔ suǒ shuō。 jìn guǎn duì tā“ kàn bù jiàn de chéng shì” yī shū suǒ huái de wú xiàn hǎo gǎn， dàn yě xǔ wǒ běn bù bì jiù cǐ jūn de chū chù qù xún gēn wèn dǐ。 wàng jì shì wù de běn zhì， ér qù duì biǎo xiàng xún gēn wèn dǐ ―― zhè zhǒng mí huò běn shì wǒ bèi de quē xiàn， dàn bù zhī bù jué， wǒ què yòu fàn xià liǎo zhè gè cuò wù。 ér gèng wéi kě xiào de shì zuò zhě zài zhè běn“ kàn bù jiàn de chéng shì” yī shū zhōng， mǒu zhǒng yì yì shàng suǒ qī dài de， zhèng shì jié lì de qù ràng hū bì liè hàn huò zhě dú zhě， qù pāo kāi nà xiē ràng rén mí huò de yòu guān“ chéng shì” de zhǒng zhǒng biǎo xiàng， lái jiù“ chéng shì”―― zhè yī rì yì fù zá de huán jìng qù jìn xíng gǎn xìng de sī suǒ。
“ cún zài de jiù shì hé lǐ de，” wǒ bù yóu de xiǎng qǐ liǎo zhè jù yòu míng de zhé xué míng yán。 mí huò yú xiàn jīn bù dé bù qù miàn duì de shēng huó zhǒng zhǒng， hū lüè zhū rú“ wèishénme？”“ zěn me yàng？”“ jiǎ rú…” yī lèi de wèn tí， xiǎng bì yě shì hé lǐ de。 bù guò zhè zhǒng“ hé lǐ” suǒ zhēn zhèng shuō míng de， kě néng què shì wèishénme rén lèi de sī wéi néng lì wèi néng suí zhe shí dài de jìn bù 'ér yòu chuàng zào xìng de fā zhǎn de yuán gù bā。 wǒ bìng fēi fǎn duì kē jì。 wǒ chéng rèn kē jì de fā zhǎn hé dāng jīn rén lèi de fēng fù wù zhì shēng huó yòu zhe mìqiè de lián xì。 yóu rú cǐ kè méi yòu diàn nǎo， méi yòu hù lián wǎng， wǒ jiāng bù néng zài duǎn duǎn de jǐ fēn zhōng lǐ huò dé yòu guān kǎ 'ěr wéi nuò qí rén de xìn xī。 dàn huí gù qiān nián lái rén lèi jiù shēng cún wèn tí suǒ jìn xíng de sī kǎo jìn chéng， wǒ kàn dào gèng duō de què shì kē jì fā zhǎn suǒ dài lái de， bù jǐn jǐn shì nà xiē ràng rén lèi máng mùdì qù yǐ lài kē xué， jī xiè huà de sī kǎo hé shēng cún fāng shì， tóng shí yě shì zuì zì rán， zuì yuán shǐ de nà xiē yòu guān měi lì hé huàn xiǎng de sī wéi de zhú jiàn tuì huà。
yě xǔ nǐ tóng wǒ yī yàng， hěn zǎo yǐ qián jiù yǐ wú shù cì de wèn guò zì jǐ nà xiē“ wǒ shì shuí？”“ nǐ shì shuí？” yī lèi de wèn tí。 nà me nǐ yòu xiǎng guò nǐ shēng huó de huán jìng jiū jìng shì shénme má？ nà xiē nǐ suǒ shēng huó de huò rén men zài yán tán zhōng zǒng shì tòu lù chū wú xiàn xiàng wǎng de“ chéng shì” guī gēn dào dǐ shì shénme ní？
“ chéng shì yóu rú mèng jìng： fán kě yǐ xiǎng xiàng de dōng xī dōukě yǐ mèng jiàn， dàn shì， jí shǐ zuì lí qí de mèng jìng yě shì yī fú mí huà， qí zhōng yǐn cáng zhe yù wàng， huò zhe yǐn cáng zhe fǎn miàn de kǒng jù， xiàng mèng yī yàng。” zhè biàn shì mǎ kě huò zhě shuō zuò zhě kǎ 'ěr wéi nuò běn rén duì“ chéng shì” de lǐ jiě。
zài wèi dú běn shū qián， rú tóng dà duō shù xiàn dài rén yī yàng， wǒ duì chéng shì zhè gè gài niàn cóng wèi rèn zhēn de qù xiǎng guò。 huí gù wǒ rén shēng zhè duǎn duǎn de shù shí nián， fǎng fó zǒng shì yǒng wú pí bèi de dài zhe xíng lǐ， cóng yī gè chéng shì qiān xǐ dào lìng yī gè chéng shì， rán hòu zài cóng nà gè chéng shì qiān xǐ dào lìng wài yī gè chéng shì。 wú lùn zhè xún huán de hòu niǎo shì de bān qiān jiū jìng yòu duō shǎo cì， què zǒng shì xǐ jù shì de yǐ tóng yàng yī gè jié jú 'ér gào zhōng―― dài zhe pí bèi hé shēng xiù de sī xiǎng yī cì yòu yī cì de bèi mèng xiǎng pāo qì bìng zhōng jié zài mǒu gè chéng shì lǐ de fáng jiān lǐ。
zài mǎ kě huò zhě kǎ 'ěr wéi nuò yǎn lǐ，“ chéng shì yóu rú mèng jìng。” zhè shì duì wǒ men suǒ zhì shēn de huán jìng jìn xíng de duō me jù yòu shī yì de miáo shù 'ā。 dàn rén réndōu zhī dào， wú lùn mèng jìng duō me de měi miào， mèng jìng bì jìng zhǐ shì mèng jìng―― jì fēi zhēn shí， yě yǒng yuǎn dōubù huì biàn wéi zhēn shí。 nà me shuō dào dǐ， zài mǎ kě huò kǎ 'ěr wéi nuò yǎn lǐ， wǒ men suǒ tán lùn， suǒ shēng huó zhe de“ chéng shì，” nán dào dū bìng fēi shì zhēn shí de má？ ... miàn duì kǎ 'ěr wéi nuò de zhè běn shū， zhè xiē cóng wèi sī kǎo guò de wèn tí měng rú dāng tóu bàng hē yī bān， ràng wǒ tǐ huì dào liǎo wǒ de shēng huó de má bì。
huò xǔ yuǎn yuǎn bù zhǐ zhè xiē… .. shì de， shénme chéng shì？ chéng shì de běn zhì shì shénme？ wèishénme shì chéng shì？ zhè gè chéng shì hé nà gè chéng shì shì fǒu yòu bù tóng zhī chù？ nǐ yǎn zhōng de chéng shì hé wǒ liǎo jiě de chéng shì shì yī yàng de má？ zhè wú shù běn yìng hěn zǎo jiù qù sī kǎo de wèn tí， rán 'ér què jiù zài zhè wǒ men niǎn zhuǎn de láolèi de shēng huó zhōng， shī qù liǎo yìng dé dào de sī kǎo jià zhí。 zuò wéi shēng huó zài zhè gè gāo dù chéng shì huà de shí dài de jù yòu xiàn dài shǔ xìng de wǒ men， háo wú yí wèn de shuō， kǎ 'ěr wéi nuò bù jǐn jǐn gěi wǒ dài lái yī xiē bù gāi hū lüè de sī kǎo， tóng shí yě ràng wǒ duì shēng huó de má mù gǎn dào xiū kuì。
“ chéng shì yóu rú mèng jìng。” cǐ shuō fǎ sì hū biǎo míng liǎo“ chéng shì” bù shì zhēn shí de。 nà me wǒ men xiàn zài tán lùn shēng cún zhe de zhè gè bèi chēng zhī wéi“ chéng shì” de dōng xī jiū jìng shì shénme ní？ shì rén men zài piào fú zhe de jù dà hǎi guī bèi shàng suǒ jiàn zào de jiā yuán？ hái shì wǒ men zài jù rén kǒu zhōng duō nián jīng yíng de chǎng suǒ？ zài fán máng má bì de chéngzhǎng guò chéng zhōng， wǒ zài cì de miàn duì liǎo nà xiē zì hái tóng shí dài jiù huái yòu de duì shēn biān shì jiè de yí wèn hé hǎo qí。 yú shì， zài kāi piān dú dào hū bì liè hàn zài duì líng tīng mǎ kě duì qí jīng lì guò de bù tóng chéng shì jìn xíng miáo shù shí， tā bù jīng yì de jiǎn yào de yǐ zì jǐ de jīng yàn jiāng qí tǒng tǒng de gài kuò chéng“ lèi” de shí hòu， wǒ néng shēn kè de tǐ huì hū bì liè hàn nèi xīn shēn chù de suǒ gǎn dào de yàn juàn。
“ hū bì liè hàn yǐ jīng liú yì dào， mǎ kě bō luó de chéng shì chàbù duō dōushì yī gè múyàng de， fǎng fó zhǐ yào gǎi biàn yī xià zǔ hé de yuán sù jiù kě yǐ cóng yī gè chéng zhuǎn yí dào lìng yī gè chéng， bù bì dòng shēn lǚ xíng。”
yǔ hū bì liè hàn de duì“ chéng shì” de gāo dù gài niàn huà de nóng suō sī wéi xiāng bǐ， shì mǎ kě huò kǎ 'ěr wéi nuò méi yòu rèn shí dào zhè xiē chéng shì de xiāng tóng， suǒ yǐ cái huì bù fán qí yàn jí lì de qù jìn xíng miáo shù ní？ hái shì zhè xiē chéng shì zài mǎ kě huò kǎ 'ěr wéi nuò de yǎn lǐ jìn guǎn yòu zhe xiāng tóng zhī chù dàn què zài běn zhì shàng què shì bù tóng de ní？ huò zhě shuō， shì mǎ kě huò kǎ 'ěr wéi nuò yǐ jīng chāo tuō liǎo shēng huó de zhì gù， cóng 'ér néng jìn yī bù de qù zhì wèn shēng huó de huán jìng？ wǒ dài zhe yí wèn jì xù wǎng xià dú bìng zhǎo dào liǎo dá 'àn。
“ chéng shì yě yóu yù wàng hé kǒng jù zào chéng。 jìn guǎn 'èr zhě zhī jiān zhǐ yòu mì mì de jiāo liú、 huāng miù de guī lǜ hé xū jiǎ de bǐ lì， jìn guǎn měi zhǒng shì wù yǐn cáng zhe lìng yī zhǒng shì wù… chéng shì yě rèn wéi zì jǐ shì xīn sī hé jī yuán de zào wù， kě shì liǎng zhě dū zhī bù qǐ chéng qiáng。 nǐ xǐ huān yī gè chéng， bù zài yú tā yòu qī zhǒng huò qī shí zhǒng qí jǐng， zhǐ zài yú tā duì nǐ de wèn tí suǒ tí shì de dá 'àn。 huò zhě zài yú tā pò nǐ huí dá de wèn tí， xiàng dǐ bǐ sī tōng guò sī fēn kè sī zhī kǒu tí wèn yī yàng ..”
dú dào zhè lǐ wǒ cái huǎng rán dà wù， yuán lái mǎ kě xīn zhōng de chéng shì yǔ wǒ men suǒ lǐ jiě de“ chéng shì” bìng fēi shì wǒ men zì yǐ wéi shì， yǐ wén míng zì jū de nà xiē yóu zhǒng zhǒng gài niàn duī jī qǐ lái de shēng cún dān wèi。
chéng rán， kǎ 'ěr wéi nuò qí tā de zuò zhě bù tóng。 tā zài zhěng piān wén zhāng lǐ sī háo méi yòu duì“ shénme shì chéng shì” zuò chū yī gè míng què de huí dá。 xiāng fǎn， tā zhǐ shì wǎng fǎn de chuān suō zài mǎ kě yǔ hū bì liè hàn de yòu guān chéng shì de duì huà zhī zhōng。 dāng wǒ yì shí dào zhè gè dì fāng de shí hòu， wǒ bù dé bù gǎn tàn zuò zhě gǎn xìng de sī wéi hé qiǎo miào de xiě zuò jì qiǎo。 shì de， kǎ 'ěr wéi nuò bù jǐn zài wén zhāng zhōng fēi cháng qiǎo miào de huí bì liǎo“ shénme shì chéng shì” zhè gè jí duān kū zào bìng bèi jǐ qiān nián rén lèi wén míng gài niàn huà liǎo de wèn tí。 tóng shí yě fèi jìn xīn jī de yòu dǎo dú zhě duì qí gù yòu de duì chéng shì de rèn shí dài zhe huái yí qù jìn xíng shěn shì。 yú shì， zài yuè dú gāi shū de shí hòu， wǒ jìn bù zhù qù xiǎng， zuò zhě de huí bì shì fǒu huái yòu mǒu zhǒng mùdì。 rú guǒ zhēn yòu yòu mùdì de huà， zài wǒ kàn lái， nà wú fēi shì wèile qiáng diào rén zuò wéi dú lì de gè tǐ suǒ yīngdāng jù tǐ de， ér bù shì bèi wǒ men shēng huó zhú jiàn mó miè de gè tǐ zhù yàn。
wèile bì miǎn yōng sú de qù xiàng dú zhě duì chéng shì jìn xíng kū zào fá wèi， cháng piān dà diào de miáo shù， zài běn shū zhōng， zuò zhě jí lì de qù bì miǎn nà xiē yǐ jīng shù jù huà liǎo de zhǒng zhǒng chéng shì de biāo zhǔn。 zài mǒu zhǒng chéng dù shàng， tā shèn zhì huí bì liǎo nà xiē bāo kuò tā zì yòu de duì chéng shì de rèn shí… zài miàn duì yú nà xiē kě néng duì dú zhě chéng shì de rèn shí chǎn shēng huái yí de yī qiē gài niàn huà liǎo de dōng xī， rú chéng shì de rén kǒu xìng zhì， rén kǒu mì dù huò dì yù tè zhēng děng zhǒng zhǒng， kǎ 'ěr wéi nuò dū jí lì de qù bì miǎn。 kě néng zuò zhě wéi yòu tǎn rán de tōng guò mǎ kě de kǒu duì chéng shì jìn xíng chōng mǎn liǎo huàn xiǎng hèshī yì de miáo shù， qù gào sù dú zhě tā yǎn lǐ chéng shì shì shénme，（ chéng shì shì zài yù wàng hé kǒng jù zhōng fēng kuáng shēngzhǎng de mèng） zuò zhě cái néng shǐ dú zhě zài yuè dú shí jī fā nián yòu shí duì shēn biān shì wù de hàoqí bā。 yě xǔ wéi yòu zhè yàng， cái néng zài dù de qù yòu fā wǒ men de nà xiē zài rén lèi chéng cháng zhōng， nà xiē suí zhe nián líng， zǎo yǐ bèi shēng huó cán jí liǎo de chuàng zào xìng de sī suǒ bā。 huàn jù huà lái shuō， kě néng zhè zhèng shì cǐ kè wǒ wèishénme wǒ xiě zhè piān dú shū bǐ jì de yuán yīn。
rán 'ér wèn tí què yuǎn yuǎn bù zhǐ zhè xiē。 zài zuò zhě yǎn lǐ，“ chéng shì” jì shì mèng jìng， dàn què yòu zhēn zhēn zhèng zhèng de cún zài。 zài mǎ kě de kǒu lǐ， zuǒ bèi dé shì zhēn shí de“ mǎn pī yuè sè de bái sè chéng shì， tā de jiē dào jiū chán dé xiàng yī tuán máo xiàn。” dàn tā què jiàn lì zài yī qún nán zǐ dài zhe tā men duì yī wèi mèng zhōng pī zhe cháng tóu fā， luǒ zhe shēn tǐ bēn páo de nǚ zǐ de gòng tóng de xiàng wǎng…… wǎ 'ěr dé lā dá shì zhēn shí de“ gǔ rén zài hú pàn jiàn lì qǐ lái de， yòu yáng tái de fáng zǐ céng céng chóngdié， gāo chù de jiē dào zài lín hú de yī biān yòu tiě lán wéi zhe hù qiáng。” dàn tā què yǔ zì jǐ de húpō zhōng de dàoyǐng xiāng hùn xiáo， ràng suǒ yòu“ chéng lǐ” de kuài lè hé kǒng jù bù duàn de chóngfù。“
yù wàng hé kǒng jù dōushì wú fǎ yòng gài niàn hé shí wù jìn xíng jīng què dìng yì， dàn yòu shí shí zài zài de cún zài。 kǎ 'ěr wéi nuò yǎn lǐ de chéng shì yě shì rú cǐ。
rú tóng chéng shì de zhēn shí cún zài yī yàng， kǎ 'ěr wéi nuò xiàng dú zhě zhǎn shì de bìng fēi shì yì shí zhōng chéng shì de xū huàn。 zài kǎ 'ěr wéi nuò de bǐ xià， chéng shì shì jì yòu de， cún zài de， dàn yòu wú fǎ qù xià dìng yì de。 yú shì zuò zhě bù dàn huí bì liǎo qù wéi“ shénme shì chéng shì” xià dìng yì， tóng shí zuò zhě yě 'àn shì liǎo rén zuò wéi dú lì de gè tǐ zài rèn zhī shàng de tǒng yī hé bù tǒng yī。
tǒng yī de， shì rén duì měi hǎo shì wù xiàng wǎng de yī zhì xìng。 zài mǎ kě duì zuǒ bèi dé jiàn lì suǒ jìn xíng de miáo shù wǒ men kě yǐ kàn dào zhè zhǒng tǒng yī。 rèn zhī shàng de bù tǒng yī， zuò zhě zài wén zhōng zé tōng guò miáo xiě hū bì liè hàn yǔ mǎ kě bō luó duì chéng shì de bù tóng rèn zhī lái biǎo xiàn chū lái。 shì de， tōng guò 'èr rén de duì huà， wǒ men bù nán kàn chū， zhè zhǒng bù tóng xìng bù jǐn jǐn zài yú gǎn zhī yǔ jīng yàn de chā yì， tóng shí yě zài yú hū bì liè hàn yǔ mǎ kě bō luó de zhù tǐ de bù tóng tè xìng。 duì yú mǎ kě lái shuō， tā shì yī gè fù yòu zhǒng zhǒng rén shēng jīng yàn de lǚ xíng zhě， ér hū bì liè hàn， zé shì yī lái zì cǎo yuán de rù qīn shèng lì zhě。 yú shì wǒ jìn bù zhù qù dà dǎn de cāi xiǎng tā men duì chéng shì de bù tóng lǐ jiě lái yuán yú tán huà zhù tǐ de bù tóng de shēn fèn tè zhēng。 yě xǔ yuǎn yuǎn bù zhǐ shēn fèn de bù tóng， cǐ wài zhū rú wén huà chā yì jiào yù chéng dù děng děng de bù tóng kě néng yě shì chǎn shēng bù tóng rèn shí de yuán yīn。
……
zài tǐ huì dào shàng shù de yī xiē gǎn shòu hòu， wǒ zhōng yú zhī dào liǎo wǒ xīn dǐ de“ chéng shì…” nà gè“ chéng shì” yòu zhe xiān huā hé dà shà； yòu má mù shēng cún de xíng shī hé jīng lì chōng pèi de shī rén； yòu háotáo dà kū hé yòu huān gē xiào yǔ； tài yáng làxià hòu， bù jiàn yuè liàng què yòu ní hóng dēng chè yè tōng liàng…
yě xǔ zhè xiē bìng fēi shì zhēn zhèng de chéng shì， zhǐ shì wǒ de mèng jìng bà liǎo。 huò xǔ nǐ yě xū yào jìn yī bù de qù xún zhèng―― rú hū bì liè hàn xiàng mǎ kě xún zhèng yī yàng――
“ ' qù bà， qù sōu suǒ suǒ yòu de hǎi 'àn， zhǎo chū zhè gè chéng， ’ kèhán duì mǎ kě shuō，’ rán hòu huí lái gào sù wǒ， wǒ de mèng shì bù shì fú hé xiàn shí。’”
dàn wǒ xiǎng wǒ men zhī dào－－ wǒ men bù néng qù zhǐ wàng rèn hé rén－－ bù néng qù zhǐ wàng mǎ kě， bù néng qù zhǐ wàng hū bì liè hàn， bù néng qù wàng kǎ 'ěr wéi nuò ... yīn wéi wéi yòu tōng guò wǒ men zì jǐ de xún zhǎo， wǒ men cái huì duì tā zhēn zhèng de liǎo jiě―― rú mǎ kě suǒ huí dá de nà yàng――
“ ‘ qǐng yuán liàng， hàn wáng， huò zǎo huò chí， yòu yī tiān wǒ zǒng huì cóng nà gè mǎ tóu kāi háng de，’ mǎ kě shuō，‘ dàn shì wǒ bù huì huí lái gào sù nǐ。 nà chéng què shí cún zài， ér tā yòu yī gè jiǎn dān de mì mì： tā zhǐ zhī dào chū fā， bù zhī dào huí háng。”
nà me， jiù ràng wǒ men huī bié suǒ zài de zhè gè " chéng shì， " lì jí chū háng。
Description
The book explores imagination and the imaginable through the descriptions of cities by an explorer, Marco Polo. The book is framed as a conversation between the aging and busy emperor Kublai Khan, who constantly has merchants coming to describe the state of his expanding and vast empire, and Polo. The majority of the book consists of brief prose poems describing 55 cities, apparently narrated by Polo. Short dialogues between the two characters are interspersed every five to ten cities and are used to discuss various ideas presented by the cities on a wide range of topics including linguistics and human nature. The book structured around an interlocking pattern of numbered sections, while the length of each section's title graphically outlines a continuously oscillating sine wave, or perhaps a city skyline. The interludes between Khan and Polo are no less poetically constructed than the cities, and form a framing device, a story with a story, that plays with the natural complexity of language and stories.
Marco Polo and Kublai Khan do not speak the same language. When Polo is explaining the various cities, he uses objects from the city to tell the story. The implication is that that each character understands the other through their own interpretation of what they are saying. They literally are not speaking the same language, which leaves many decisions for the individual reader.
The book, because of its approach to the imaginative potentialities of cities, has been used by architects and artists to visualize how cities can be[1], their secret folds, where the human imagination is not necessarily limited by the laws of physics or the limitations of modern urban theory. It offers an alternative approach to thinking about cities, how they are formed and how they function.
The book was nominated for the Nebula Award for Best Novel in 1975.
The Travels of Marco Polo, Polo's travel diaries depicting his journeys through the Mongol Empire which were written in the 13th century, share with Invisible Cities the brief, often fantastic accounts of the cities Polo visits, accompanied by descriptions of the city's inhabitants, notable imports and exports, and whatever interesting tales Polo had heard about the region.
xià miàn yòng kǎ 'ěr wéi nuò 1983 nián 3 yuè 29 rì zài niǔ yuē gē lún bǐ yà dà xué xiě zuò shuò shì bān de yī cì jiǎng zuò zhōng de wén zì， lái jiè shào“ ào sī kǎ” cóng shū zhōng de zhè gè xīn bǎn。 jiǎng zuò yuán wéi yīng wén， zhè lǐ yòng de shì yì dà lì wén běn， tā shì yǐ 1972 dào 1973 nián de liǎng cì fǎng tán wéi jī chǔ de， bìng qiě dà bù fēn zài yì dà lì méi yòu fā biǎo guò。
zài《 kàn bù jiàn de chéng shì》 lǐ rén men zhǎo bù dào néng rèn dé chū de chéng shì。 suǒ yòu de chéng shì dōushì xū gòu de ; wǒ gěi tā men měi yī gèdōu qǐ liǎo yī gè nǚ rén de míng zì。 zhè běn shū shì yóu yī xiē duǎn xiǎo de zhāng jié gòu chéng de， měi gè zhāng jié dū yìng tí gōng jī huì， ràng wǒ men duì mǒu gè chéng shì huò fàn zhǐ yì yì shàng de chéng shì jìn xíng fǎn sī。
zuò zhě jiǎn jiè ······
yī tǎ luò · kǎ 'ěr wéi nuò jiè shào：
guān yú shēng píng · kǎ 'ěr wéi nuò xiě dào：“ wǒ réng rán shǔ yú hé kè luó qí yī yàng de rén， rèn wéi yī gè zuò zhě， zhǐ yòu zuò pǐn yòu jià zhí。 yīn cǐ wǒ bù tí gōng zhuànjì zī liào。 wǒ huì gào sù nǐ nǐ xiǎng zhī dào de dōng xī dàn wǒ cóng lái bù huì gào sù nǐ zhēn shí。”
shēng yú gǔ bā， 1985 nián 9 yuè 1913 zài bīn hǎi bié shù cù rán lí shì， ér yǔ dāng nián de nuò bèi 'ěr wén xué jiǎng shī zhī jiāo bì。
fù mǔ dōushì rè dài zhí wù xué jiā，“ wǒ de jiā tíng zhōng zhǐ yòu kē xué yán jiū shì shòu zūn zhòng de。 wǒ shì bài lèi， shì jiā lǐ wéi yī cóng shì wén xué de rén。”
shàonián shí guāng lǐ xiě mǎn shū běn、 màn huà、 diàn yǐng。 tā mèng xiǎng chéng wéi xì jù jiā gāo zhōng bì yè hòu què jìn rù dà xué nóng yì xì， suí hòu cóng wén xué yuàn bì yè。
1947 nián chū bǎn tā de dì yī bù xiǎo shuō《 tōng xiàng zhī zhū cháo de xiǎo jìng》， cóng cǐ zhì lì yú kāi fā xiǎo shuō xù shù yì shù de wú xiàn kě néng。
céng yǐn jū bā lí 15 nián， yǔ liè wéi · sī tè láo sī、 luó lán · bā tè、 gé nuò děng rén jiāo wǎng mìqiè。
1985 nián xià tiān zhǔn bèi hā fó jiǎng xué shí huàn bìng。 zhù dāo yī shēng biǎo shì zì jǐ wèi céng jiàn guò rèn hé dà nǎo gòu zào xiàng kǎ 'ěr wéi nuò de nà bān fù zá jīng zhì。
wèi dú“ kàn bù jiàn de chéng shì” qián， wǒ duì kǎ 'ěr wéi nuò cǐ rén háo wú suǒ zhī。 yuè dú“ kàn bù jiàn de chéng shì” yī shū shí， zài dú wán tā jiù“ chéng shì” suǒ jìn xíng de yī xì liè“ gài niàn” sī kǎo hòu， wǒ bào zhe duì tā qīng kuài mí huàn de jù zǐ hé shēn suì de sī xiǎng de jīng tàn， duì tā běn rén chǎn shēng liǎo nóng hòu de xīng qù。 zài wǎng shàng yī chá， cái fā xiàn tā běn rén shì yī wèi xiān shī gē， xì jù hé yù yán， ér hòu xiǎo shuō jìn xíng xiě zuò， gǔ bā chū shēng， yì dà lì chéngzhǎng， zài quán shì jiè xiǎng yòu jí gāo shēng yù de dāng dài zuò jiā。
“ yīng xióng bù wèn chū chù。” chéng rú gǔ yǔ suǒ shuō。 jìn guǎn duì tā“ kàn bù jiàn de chéng shì” yī shū suǒ huái de wú xiàn hǎo gǎn， dàn yě xǔ wǒ běn bù bì jiù cǐ jūn de chū chù qù xún gēn wèn dǐ。 wàng jì shì wù de běn zhì， ér qù duì biǎo xiàng xún gēn wèn dǐ ―― zhè zhǒng mí huò běn shì wǒ bèi de quē xiàn， dàn bù zhī bù jué， wǒ què yòu fàn xià liǎo zhè gè cuò wù。 ér gèng wéi kě xiào de shì zuò zhě zài zhè běn“ kàn bù jiàn de chéng shì” yī shū zhōng， mǒu zhǒng yì yì shàng suǒ qī dài de， zhèng shì jié lì de qù ràng hū bì liè hàn huò zhě dú zhě， qù pāo kāi nà xiē ràng rén mí huò de yòu guān“ chéng shì” de zhǒng zhǒng biǎo xiàng， lái jiù“ chéng shì”―― zhè yī rì yì fù zá de huán jìng qù jìn xíng gǎn xìng de sī suǒ。
“ cún zài de jiù shì hé lǐ de，” wǒ bù yóu de xiǎng qǐ liǎo zhè jù yòu míng de zhé xué míng yán。 mí huò yú xiàn jīn bù dé bù qù miàn duì de shēng huó zhǒng zhǒng， hū lüè zhū rú“ wèishénme？”“ zěn me yàng？”“ jiǎ rú…” yī lèi de wèn tí， xiǎng bì yě shì hé lǐ de。 bù guò zhè zhǒng“ hé lǐ” suǒ zhēn zhèng shuō míng de， kě néng què shì wèishénme rén lèi de sī wéi néng lì wèi néng suí zhe shí dài de jìn bù 'ér yòu chuàng zào xìng de fā zhǎn de yuán gù bā。 wǒ bìng fēi fǎn duì kē jì。 wǒ chéng rèn kē jì de fā zhǎn hé dāng jīn rén lèi de fēng fù wù zhì shēng huó yòu zhe mìqiè de lián xì。 yóu rú cǐ kè méi yòu diàn nǎo， méi yòu hù lián wǎng， wǒ jiāng bù néng zài duǎn duǎn de jǐ fēn zhōng lǐ huò dé yòu guān kǎ 'ěr wéi nuò qí rén de xìn xī。 dàn huí gù qiān nián lái rén lèi jiù shēng cún wèn tí suǒ jìn xíng de sī kǎo jìn chéng， wǒ kàn dào gèng duō de què shì kē jì fā zhǎn suǒ dài lái de， bù jǐn jǐn shì nà xiē ràng rén lèi máng mùdì qù yǐ lài kē xué， jī xiè huà de sī kǎo hé shēng cún fāng shì， tóng shí yě shì zuì zì rán， zuì yuán shǐ de nà xiē yòu guān měi lì hé huàn xiǎng de sī wéi de zhú jiàn tuì huà。
yě xǔ nǐ tóng wǒ yī yàng， hěn zǎo yǐ qián jiù yǐ wú shù cì de wèn guò zì jǐ nà xiē“ wǒ shì shuí？”“ nǐ shì shuí？” yī lèi de wèn tí。 nà me nǐ yòu xiǎng guò nǐ shēng huó de huán jìng jiū jìng shì shénme má？ nà xiē nǐ suǒ shēng huó de huò rén men zài yán tán zhōng zǒng shì tòu lù chū wú xiàn xiàng wǎng de“ chéng shì” guī gēn dào dǐ shì shénme ní？
“ chéng shì yóu rú mèng jìng： fán kě yǐ xiǎng xiàng de dōng xī dōukě yǐ mèng jiàn， dàn shì， jí shǐ zuì lí qí de mèng jìng yě shì yī fú mí huà， qí zhōng yǐn cáng zhe yù wàng， huò zhe yǐn cáng zhe fǎn miàn de kǒng jù， xiàng mèng yī yàng。” zhè biàn shì mǎ kě huò zhě shuō zuò zhě kǎ 'ěr wéi nuò běn rén duì“ chéng shì” de lǐ jiě。
zài wèi dú běn shū qián， rú tóng dà duō shù xiàn dài rén yī yàng， wǒ duì chéng shì zhè gè gài niàn cóng wèi rèn zhēn de qù xiǎng guò。 huí gù wǒ rén shēng zhè duǎn duǎn de shù shí nián， fǎng fó zǒng shì yǒng wú pí bèi de dài zhe xíng lǐ， cóng yī gè chéng shì qiān xǐ dào lìng yī gè chéng shì， rán hòu zài cóng nà gè chéng shì qiān xǐ dào lìng wài yī gè chéng shì。 wú lùn zhè xún huán de hòu niǎo shì de bān qiān jiū jìng yòu duō shǎo cì， què zǒng shì xǐ jù shì de yǐ tóng yàng yī gè jié jú 'ér gào zhōng―― dài zhe pí bèi hé shēng xiù de sī xiǎng yī cì yòu yī cì de bèi mèng xiǎng pāo qì bìng zhōng jié zài mǒu gè chéng shì lǐ de fáng jiān lǐ。
zài mǎ kě huò zhě kǎ 'ěr wéi nuò yǎn lǐ，“ chéng shì yóu rú mèng jìng。” zhè shì duì wǒ men suǒ zhì shēn de huán jìng jìn xíng de duō me jù yòu shī yì de miáo shù 'ā。 dàn rén réndōu zhī dào， wú lùn mèng jìng duō me de měi miào， mèng jìng bì jìng zhǐ shì mèng jìng―― jì fēi zhēn shí， yě yǒng yuǎn dōubù huì biàn wéi zhēn shí。 nà me shuō dào dǐ， zài mǎ kě huò kǎ 'ěr wéi nuò yǎn lǐ， wǒ men suǒ tán lùn， suǒ shēng huó zhe de“ chéng shì，” nán dào dū bìng fēi shì zhēn shí de má？ ... miàn duì kǎ 'ěr wéi nuò de zhè běn shū， zhè xiē cóng wèi sī kǎo guò de wèn tí měng rú dāng tóu bàng hē yī bān， ràng wǒ tǐ huì dào liǎo wǒ de shēng huó de má bì。
huò xǔ yuǎn yuǎn bù zhǐ zhè xiē… .. shì de， shénme chéng shì？ chéng shì de běn zhì shì shénme？ wèishénme shì chéng shì？ zhè gè chéng shì hé nà gè chéng shì shì fǒu yòu bù tóng zhī chù？ nǐ yǎn zhōng de chéng shì hé wǒ liǎo jiě de chéng shì shì yī yàng de má？ zhè wú shù běn yìng hěn zǎo jiù qù sī kǎo de wèn tí， rán 'ér què jiù zài zhè wǒ men niǎn zhuǎn de láolèi de shēng huó zhōng， shī qù liǎo yìng dé dào de sī kǎo jià zhí。 zuò wéi shēng huó zài zhè gè gāo dù chéng shì huà de shí dài de jù yòu xiàn dài shǔ xìng de wǒ men， háo wú yí wèn de shuō， kǎ 'ěr wéi nuò bù jǐn jǐn gěi wǒ dài lái yī xiē bù gāi hū lüè de sī kǎo， tóng shí yě ràng wǒ duì shēng huó de má mù gǎn dào xiū kuì。
“ chéng shì yóu rú mèng jìng。” cǐ shuō fǎ sì hū biǎo míng liǎo“ chéng shì” bù shì zhēn shí de。 nà me wǒ men xiàn zài tán lùn shēng cún zhe de zhè gè bèi chēng zhī wéi“ chéng shì” de dōng xī jiū jìng shì shénme ní？ shì rén men zài piào fú zhe de jù dà hǎi guī bèi shàng suǒ jiàn zào de jiā yuán？ hái shì wǒ men zài jù rén kǒu zhōng duō nián jīng yíng de chǎng suǒ？ zài fán máng má bì de chéngzhǎng guò chéng zhōng， wǒ zài cì de miàn duì liǎo nà xiē zì hái tóng shí dài jiù huái yòu de duì shēn biān shì jiè de yí wèn hé hǎo qí。 yú shì， zài kāi piān dú dào hū bì liè hàn zài duì líng tīng mǎ kě duì qí jīng lì guò de bù tóng chéng shì jìn xíng miáo shù shí， tā bù jīng yì de jiǎn yào de yǐ zì jǐ de jīng yàn jiāng qí tǒng tǒng de gài kuò chéng“ lèi” de shí hòu， wǒ néng shēn kè de tǐ huì hū bì liè hàn nèi xīn shēn chù de suǒ gǎn dào de yàn juàn。
“ hū bì liè hàn yǐ jīng liú yì dào， mǎ kě bō luó de chéng shì chàbù duō dōushì yī gè múyàng de， fǎng fó zhǐ yào gǎi biàn yī xià zǔ hé de yuán sù jiù kě yǐ cóng yī gè chéng zhuǎn yí dào lìng yī gè chéng， bù bì dòng shēn lǚ xíng。”
yǔ hū bì liè hàn de duì“ chéng shì” de gāo dù gài niàn huà de nóng suō sī wéi xiāng bǐ， shì mǎ kě huò kǎ 'ěr wéi nuò méi yòu rèn shí dào zhè xiē chéng shì de xiāng tóng， suǒ yǐ cái huì bù fán qí yàn jí lì de qù jìn xíng miáo shù ní？ hái shì zhè xiē chéng shì zài mǎ kě huò kǎ 'ěr wéi nuò de yǎn lǐ jìn guǎn yòu zhe xiāng tóng zhī chù dàn què zài běn zhì shàng què shì bù tóng de ní？ huò zhě shuō， shì mǎ kě huò kǎ 'ěr wéi nuò yǐ jīng chāo tuō liǎo shēng huó de zhì gù， cóng 'ér néng jìn yī bù de qù zhì wèn shēng huó de huán jìng？ wǒ dài zhe yí wèn jì xù wǎng xià dú bìng zhǎo dào liǎo dá 'àn。
“ chéng shì yě yóu yù wàng hé kǒng jù zào chéng。 jìn guǎn 'èr zhě zhī jiān zhǐ yòu mì mì de jiāo liú、 huāng miù de guī lǜ hé xū jiǎ de bǐ lì， jìn guǎn měi zhǒng shì wù yǐn cáng zhe lìng yī zhǒng shì wù… chéng shì yě rèn wéi zì jǐ shì xīn sī hé jī yuán de zào wù， kě shì liǎng zhě dū zhī bù qǐ chéng qiáng。 nǐ xǐ huān yī gè chéng， bù zài yú tā yòu qī zhǒng huò qī shí zhǒng qí jǐng， zhǐ zài yú tā duì nǐ de wèn tí suǒ tí shì de dá 'àn。 huò zhě zài yú tā pò nǐ huí dá de wèn tí， xiàng dǐ bǐ sī tōng guò sī fēn kè sī zhī kǒu tí wèn yī yàng ..”
dú dào zhè lǐ wǒ cái huǎng rán dà wù， yuán lái mǎ kě xīn zhōng de chéng shì yǔ wǒ men suǒ lǐ jiě de“ chéng shì” bìng fēi shì wǒ men zì yǐ wéi shì， yǐ wén míng zì jū de nà xiē yóu zhǒng zhǒng gài niàn duī jī qǐ lái de shēng cún dān wèi。
chéng rán， kǎ 'ěr wéi nuò qí tā de zuò zhě bù tóng。 tā zài zhěng piān wén zhāng lǐ sī háo méi yòu duì“ shénme shì chéng shì” zuò chū yī gè míng què de huí dá。 xiāng fǎn， tā zhǐ shì wǎng fǎn de chuān suō zài mǎ kě yǔ hū bì liè hàn de yòu guān chéng shì de duì huà zhī zhōng。 dāng wǒ yì shí dào zhè gè dì fāng de shí hòu， wǒ bù dé bù gǎn tàn zuò zhě gǎn xìng de sī wéi hé qiǎo miào de xiě zuò jì qiǎo。 shì de， kǎ 'ěr wéi nuò bù jǐn zài wén zhāng zhōng fēi cháng qiǎo miào de huí bì liǎo“ shénme shì chéng shì” zhè gè jí duān kū zào bìng bèi jǐ qiān nián rén lèi wén míng gài niàn huà liǎo de wèn tí。 tóng shí yě fèi jìn xīn jī de yòu dǎo dú zhě duì qí gù yòu de duì chéng shì de rèn shí dài zhe huái yí qù jìn xíng shěn shì。 yú shì， zài yuè dú gāi shū de shí hòu， wǒ jìn bù zhù qù xiǎng， zuò zhě de huí bì shì fǒu huái yòu mǒu zhǒng mùdì。 rú guǒ zhēn yòu yòu mùdì de huà， zài wǒ kàn lái， nà wú fēi shì wèile qiáng diào rén zuò wéi dú lì de gè tǐ suǒ yīngdāng jù tǐ de， ér bù shì bèi wǒ men shēng huó zhú jiàn mó miè de gè tǐ zhù yàn。
wèile bì miǎn yōng sú de qù xiàng dú zhě duì chéng shì jìn xíng kū zào fá wèi， cháng piān dà diào de miáo shù， zài běn shū zhōng， zuò zhě jí lì de qù bì miǎn nà xiē yǐ jīng shù jù huà liǎo de zhǒng zhǒng chéng shì de biāo zhǔn。 zài mǒu zhǒng chéng dù shàng， tā shèn zhì huí bì liǎo nà xiē bāo kuò tā zì yòu de duì chéng shì de rèn shí… zài miàn duì yú nà xiē kě néng duì dú zhě chéng shì de rèn shí chǎn shēng huái yí de yī qiē gài niàn huà liǎo de dōng xī， rú chéng shì de rén kǒu xìng zhì， rén kǒu mì dù huò dì yù tè zhēng děng zhǒng zhǒng， kǎ 'ěr wéi nuò dū jí lì de qù bì miǎn。 kě néng zuò zhě wéi yòu tǎn rán de tōng guò mǎ kě de kǒu duì chéng shì jìn xíng chōng mǎn liǎo huàn xiǎng hèshī yì de miáo shù， qù gào sù dú zhě tā yǎn lǐ chéng shì shì shénme，（ chéng shì shì zài yù wàng hé kǒng jù zhōng fēng kuáng shēngzhǎng de mèng） zuò zhě cái néng shǐ dú zhě zài yuè dú shí jī fā nián yòu shí duì shēn biān shì wù de hàoqí bā。 yě xǔ wéi yòu zhè yàng， cái néng zài dù de qù yòu fā wǒ men de nà xiē zài rén lèi chéng cháng zhōng， nà xiē suí zhe nián líng， zǎo yǐ bèi shēng huó cán jí liǎo de chuàng zào xìng de sī suǒ bā。 huàn jù huà lái shuō， kě néng zhè zhèng shì cǐ kè wǒ wèishénme wǒ xiě zhè piān dú shū bǐ jì de yuán yīn。
rán 'ér wèn tí què yuǎn yuǎn bù zhǐ zhè xiē。 zài zuò zhě yǎn lǐ，“ chéng shì” jì shì mèng jìng， dàn què yòu zhēn zhēn zhèng zhèng de cún zài。 zài mǎ kě de kǒu lǐ， zuǒ bèi dé shì zhēn shí de“ mǎn pī yuè sè de bái sè chéng shì， tā de jiē dào jiū chán dé xiàng yī tuán máo xiàn。” dàn tā què jiàn lì zài yī qún nán zǐ dài zhe tā men duì yī wèi mèng zhōng pī zhe cháng tóu fā， luǒ zhe shēn tǐ bēn páo de nǚ zǐ de gòng tóng de xiàng wǎng…… wǎ 'ěr dé lā dá shì zhēn shí de“ gǔ rén zài hú pàn jiàn lì qǐ lái de， yòu yáng tái de fáng zǐ céng céng chóngdié， gāo chù de jiē dào zài lín hú de yī biān yòu tiě lán wéi zhe hù qiáng。” dàn tā què yǔ zì jǐ de húpō zhōng de dàoyǐng xiāng hùn xiáo， ràng suǒ yòu“ chéng lǐ” de kuài lè hé kǒng jù bù duàn de chóngfù。“
yù wàng hé kǒng jù dōushì wú fǎ yòng gài niàn hé shí wù jìn xíng jīng què dìng yì， dàn yòu shí shí zài zài de cún zài。 kǎ 'ěr wéi nuò yǎn lǐ de chéng shì yě shì rú cǐ。
rú tóng chéng shì de zhēn shí cún zài yī yàng， kǎ 'ěr wéi nuò xiàng dú zhě zhǎn shì de bìng fēi shì yì shí zhōng chéng shì de xū huàn。 zài kǎ 'ěr wéi nuò de bǐ xià， chéng shì shì jì yòu de， cún zài de， dàn yòu wú fǎ qù xià dìng yì de。 yú shì zuò zhě bù dàn huí bì liǎo qù wéi“ shénme shì chéng shì” xià dìng yì， tóng shí zuò zhě yě 'àn shì liǎo rén zuò wéi dú lì de gè tǐ zài rèn zhī shàng de tǒng yī hé bù tǒng yī。
tǒng yī de， shì rén duì měi hǎo shì wù xiàng wǎng de yī zhì xìng。 zài mǎ kě duì zuǒ bèi dé jiàn lì suǒ jìn xíng de miáo shù wǒ men kě yǐ kàn dào zhè zhǒng tǒng yī。 rèn zhī shàng de bù tǒng yī， zuò zhě zài wén zhōng zé tōng guò miáo xiě hū bì liè hàn yǔ mǎ kě bō luó duì chéng shì de bù tóng rèn zhī lái biǎo xiàn chū lái。 shì de， tōng guò 'èr rén de duì huà， wǒ men bù nán kàn chū， zhè zhǒng bù tóng xìng bù jǐn jǐn zài yú gǎn zhī yǔ jīng yàn de chā yì， tóng shí yě zài yú hū bì liè hàn yǔ mǎ kě bō luó de zhù tǐ de bù tóng tè xìng。 duì yú mǎ kě lái shuō， tā shì yī gè fù yòu zhǒng zhǒng rén shēng jīng yàn de lǚ xíng zhě， ér hū bì liè hàn， zé shì yī lái zì cǎo yuán de rù qīn shèng lì zhě。 yú shì wǒ jìn bù zhù qù dà dǎn de cāi xiǎng tā men duì chéng shì de bù tóng lǐ jiě lái yuán yú tán huà zhù tǐ de bù tóng de shēn fèn tè zhēng。 yě xǔ yuǎn yuǎn bù zhǐ shēn fèn de bù tóng， cǐ wài zhū rú wén huà chā yì jiào yù chéng dù děng děng de bù tóng kě néng yě shì chǎn shēng bù tóng rèn shí de yuán yīn。
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zài tǐ huì dào shàng shù de yī xiē gǎn shòu hòu， wǒ zhōng yú zhī dào liǎo wǒ xīn dǐ de“ chéng shì…” nà gè“ chéng shì” yòu zhe xiān huā hé dà shà； yòu má mù shēng cún de xíng shī hé jīng lì chōng pèi de shī rén； yòu háotáo dà kū hé yòu huān gē xiào yǔ； tài yáng làxià hòu， bù jiàn yuè liàng què yòu ní hóng dēng chè yè tōng liàng…
yě xǔ zhè xiē bìng fēi shì zhēn zhèng de chéng shì， zhǐ shì wǒ de mèng jìng bà liǎo。 huò xǔ nǐ yě xū yào jìn yī bù de qù xún zhèng―― rú hū bì liè hàn xiàng mǎ kě xún zhèng yī yàng――
“ ' qù bà， qù sōu suǒ suǒ yòu de hǎi 'àn， zhǎo chū zhè gè chéng， ’ kèhán duì mǎ kě shuō，’ rán hòu huí lái gào sù wǒ， wǒ de mèng shì bù shì fú hé xiàn shí。’”
dàn wǒ xiǎng wǒ men zhī dào－－ wǒ men bù néng qù zhǐ wàng rèn hé rén－－ bù néng qù zhǐ wàng mǎ kě， bù néng qù zhǐ wàng hū bì liè hàn， bù néng qù wàng kǎ 'ěr wéi nuò ... yīn wéi wéi yòu tōng guò wǒ men zì jǐ de xún zhǎo， wǒ men cái huì duì tā zhēn zhèng de liǎo jiě―― rú mǎ kě suǒ huí dá de nà yàng――
“ ‘ qǐng yuán liàng， hàn wáng， huò zǎo huò chí， yòu yī tiān wǒ zǒng huì cóng nà gè mǎ tóu kāi háng de，’ mǎ kě shuō，‘ dàn shì wǒ bù huì huí lái gào sù nǐ。 nà chéng què shí cún zài， ér tā yòu yī gè jiǎn dān de mì mì： tā zhǐ zhī dào chū fā， bù zhī dào huí háng。”
nà me， jiù ràng wǒ men huī bié suǒ zài de zhè gè " chéng shì， " lì jí chū háng。
Description
The book explores imagination and the imaginable through the descriptions of cities by an explorer, Marco Polo. The book is framed as a conversation between the aging and busy emperor Kublai Khan, who constantly has merchants coming to describe the state of his expanding and vast empire, and Polo. The majority of the book consists of brief prose poems describing 55 cities, apparently narrated by Polo. Short dialogues between the two characters are interspersed every five to ten cities and are used to discuss various ideas presented by the cities on a wide range of topics including linguistics and human nature. The book structured around an interlocking pattern of numbered sections, while the length of each section's title graphically outlines a continuously oscillating sine wave, or perhaps a city skyline. The interludes between Khan and Polo are no less poetically constructed than the cities, and form a framing device, a story with a story, that plays with the natural complexity of language and stories.
Marco Polo and Kublai Khan do not speak the same language. When Polo is explaining the various cities, he uses objects from the city to tell the story. The implication is that that each character understands the other through their own interpretation of what they are saying. They literally are not speaking the same language, which leaves many decisions for the individual reader.
The book, because of its approach to the imaginative potentialities of cities, has been used by architects and artists to visualize how cities can be[1], their secret folds, where the human imagination is not necessarily limited by the laws of physics or the limitations of modern urban theory. It offers an alternative approach to thinking about cities, how they are formed and how they function.
The book was nominated for the Nebula Award for Best Novel in 1975.
The Travels of Marco Polo, Polo's travel diaries depicting his journeys through the Mongol Empire which were written in the 13th century, share with Invisible Cities the brief, often fantastic accounts of the cities Polo visits, accompanied by descriptions of the city's inhabitants, notable imports and exports, and whatever interesting tales Polo had heard about the region.
zài《 tōng wǎng zhī zhū cháo de xiǎo lù》 zhōng， kǎ 'ěr wéi nuò shǒu xiān xuǎn zé liǎo yī gè hái zǐ de shì jiǎo， jiāng rén wù de fènliàng xiān jiǎn qīng， shàonián pí 'ēn yòu zhe hái zǐ de hàoqí hé tiān zhēn， yě yīn wéi hùn jì yú dǐ céng de xiǎo jiǔ guǎn sì dǒng fēi dǒng dì liǎo jiě yī xiē chéng rén shì jiè， bàn dà bù dǒng de xīn líng kě yǐ shǐ tā zài xiàn shí yǔ xiǎng xiàng zhī jiān zì yóu de chuān xíng， tā suǒ yòu xíng dòng de yuàn wàng zhǐ shì wèile néng zhǎo dào yī gè lǐ jiě tā tóng shí tā yě néng lǐ jiě de péng yǒu， kě yǐ hé tā yī qǐ qù kàn tā de zhī zhū cháo； tóng shí wèile fǎn kàng nà zhǒng dāng shí yì gòng de wén xué wéi zhèng zhì fú wù de“ zhǐ lìng wén xué”（ CommittedLiterature） zhōng de“ gé mìng làng màn zhù yì”， tā bǎ shū zhōng bié de yóu jī duì rén wù dū hái yuán chéng tā men de běn lái miàn mù， zhèng rú dì jiǔ zhāng zhōng tōng guò zhèng wěi jí mǔ zhī kǒu suǒ shuō de，“ dé lì tuō zhī duì： xiǎo tōu， xiàn bīng， jūn rén， hēi shì jiāo yì zhě， liú làng hàn。 zhè xiē rén zài yī qǐ chéng wéi shè huì de bì duān， zài niǔ qū zhōng zhēngzhá。 tā men méi yòu rèn hé dōng xī yào bǎo wèi， méi yòu rèn hé dōng xī yào gǎi biàn。…… tā men méi yòu rèn hé zǔ guó， bù lùn shì zhēn shí de hái shì yì zào chū lái de。 dàn shì， nǐ zhī dào tā men shēn shàng yòu yǒng qì， yě yòu nù qì。 tā men de shēng huó shòu dào sǔn hài， tā men de jiē dào yòu hēi yòu 'àn， tā men de jiā pò làn bù kān， tā men cóng xiǎo jiù xué huì wū yán huì yǔ， zǒng duì rén shǐ huài。 zhǐ yào yòu yī gè mò míng qí miào de yuán yīn， zhǐ yào zǒu cuò yī bù huò xīn xuè lái cháo， jiù huì shǐ tā men zǒu dào lìng wài yī fāng qù……”， dàn shì zài wēi jī shí kè de yī zhǒng rén lèi zì jiù yǔ hù zhù de chōng dòng shì tā men zǒu dào liǎo yī qǐ， shǐ tā men chéng wéi tuī dòng lì shǐ de dòng lì。 hái lì shǐ yǐ yī zhǒng běn lái de miàn mù， huò zhě shuō shì chāo yuè liǎo zhèng zhì xuān chuán huà yǔ díkǎ 'ěr wéi nuò yǎn xià de lì shǐ。 ràng nà xiē bèi xuān chuán gōng jù yānmò shēng yīn huómiàn kǒng zǒu dào liǎo qián tái lái。 jiē xià lái shì xiǎo shuō de chǎng jǐng hé dào jù， tā xuǎn zé de chǎng jǐng shì zì jǐ jì yì zhōng de gù xiāng， méi yòu dà zhàn zhēng chǎng jǐng de huī hóng， bì kāi liǎo fēng huǒ rán shāo de cūn zhuāng yuán yě， zhǐ shì lì gǔ lì yà yán hǎi xiǎo chéng de fēng jǐng， tā yě bì kāi liǎo hǎi tān， yē shù děng guān guāng jǐng zhì， ér shì cóng shèng léi mò jiù chéng de yōu 'àn gǒng mén kāi zhǎn， yī lù yán shēn dào sēn lín， jǐ hé xíng zhuàng de kāng nǎi xīn huā chuáng， pú táo yuán wéi qiáng de gǔ lǎo gān kū、 jǐ yù tuí pǐ de gǎn lǎn shù lín， tái cǎo màn màn de shān qiū luó jìng xī shù shōu yú bǐ xià。 gù shì zài zhè yàng yī zhǒng níng jìng gǔ pǔ de fēn wéi zhōng zhǎn kāi xiǎn dé bié yàng de jīng zhì， dàn què tǐ xiàn chū liǎo dì yù de tè zhēng， tóng shí zhè fèn fēng jǐng yě fù dān qǐ liǎo yī bù fēn de lì shǐ。 zhàn hòu，“ dāng shí de bié shù dōuyǐ jīng bèi zhēng shōu、 gǎi jiàn wéi jìn bì shì hé jiān yù…… kāng nǎi xīn de huā tián zǎo yǐ shì wú rén guǎn lǐ de fèi dì， wú fǎ héng yuè……”。 zài zhàn hòu yuè dú dào zhè yàng de fēng jǐng， měi gè rén dū huì yóu rán 'ér shēng yī zhǒng zhàn zhēng chuāngshāng de huí yì。 xiǎo shuō de dào jù shì bǎ shǒu qiāng， shì pí 'ēn tōu de， cóng tā zuò jì nǚ de jiě jiě jiē dài de dé guó jūn guān nà lǐ， mùdì zhǐ shì xiǎng róng rù chéng rén de shì jiè， yīn wéi jiǔ bā lǐ chéng rén men zhèng zài yì lùn zǔ jiàn yóu jī duì， dà rén men wán xiào dì yòng yōng yòu yī bǎ qiāng zuò wéi jiā rù tiáo jiàn lái cháo xiào pí 'ēn bìng qǐ tú bǎ tā pái chì zài chéng rén de shì jiè zhī wài。 shǒu qiāng zuò wéi wǔ qì， shì yī zhǒng bào lì de xiàng zhēng， dàn shì zài xiǎo shuō lǐ， kǎ 'ěr wéi nuò bǎ shǒu qiāng zuò wéi xiàn suǒ de tóng shí， yě jiǎn qīng liǎo tā de lì qì， pí 'ēn tōu dào shǒu qiāng zhī hòu bǎ tā cáng zài zì jǐ cháng qù wán de sēn lín zhōng hé biān de zhī zhū cháo zhōng， dàn shì tā què cóng lái méi yòu shǐ yòng guò tā， chú liǎo gāng tōu dào qiāng hòu zài zhī zhū cháo qián xīng fèn dì dǎ liǎo yī qiāng， jiēguǒ yǐn lái liǎo dé jūn de zhuī bǔ， duì yú tā 'ér yán“ wǔ qì” shì fēi cháng yáo yuǎn de dōng xī， tā zhǐ shì xiǎng jiè cǐ jìn rù chéng rén shì jiè， cóng 'ér bèi rèn kě。 duì yú kǎ 'ěr wéi nuò 'ér yán， xuǎn zé ná qǐ qiāng lái jìn rù zhàn zhēng yě shì zài méi yòu zhǔn bèi de qíng kuàng xià pò bù dé yǐ de xíng wéi。 zhī zhū cháo， zé shì pí 'ēn de jīng shén jiā yuán， shì tā xīn lǐ de mì mì suǒ zài， shì tā néng hé péng yǒu gòng tóng fēn xiǎng de shì jiè。 xiǎo shuō de qíng jié de shè zhì yě lā kāi liǎo yǔ zhàn zhēng de jù lí， fǎng fó zhǐ shì yī gè bù yuǎn zhī chù zhèng zài fā shēng zhàn zhēng de tóng huà shì jiè。 yīn wéi guò qù shì rú cǐ suī rán bìng bù yáo yuǎn， dàn shì lì shǐ de chén zhòng kě néng huì pò huài jì yì huò zhě xù shù de zhēn shí xìng， kǎ 'ěr wéi nuò zài《 yī cì zhàn dǒu de jì yì》（ MemoriesofaBattle） zhōng xiě dào：“ wǒ xiàn zài hài pà dāng jì yì bèi zǔ zhì qǐ lái hòu jiāng huì mǎ shàng shǐ zhī xiàn yú chū cuò wù de dǎo xiàng， shì bèi jiáo shì guò de， xiàng qīng nián yǔ zhàn zhēng zǒng shì shān qíng de nà yàng， lún wéi zài shí dài de fēng gé xià yī gè xù shì， zhǐ néng zhǎn xiàn wǒ men zì rèn wéi zhè jiù shì wǒ men kàn dào hé shuō de shì jiàn， ér bù shì zhēn zhèng de shì shí”。 suǒ yǐ zài qíng jié de shè zhì shàng， kǎ 'ěr wéi nuò yě jìn liàng jiǎn qīng tā de lì shǐ chén zhòng gǎn， ràng tā yóu lí zài lì shǐ jìn xíng shí de biān yuán。 pí 'ēn tōu dào qiāng zhī hòu jiǔ guǎn lǐ bìng méi rén xiāng xìn tā， dǎo shì dé jūn duì tā de“ xìn rèn” shǐ tā gǎn dào xīn wèi， zhǐ shì zhè cì tōu qiāng shǐ pí 'ēn chéng liǎo zhèng zhì fàn， yě shǐ tā zài láo lǐ rèn shí liǎo yóu jī duì de chuán qí rén wù hóng láng， tā hé hóng láng yī qǐ yuè yù。 zhī hòu hóng láng què zhǎo liǎo gè jiè kǒu shuǎi kāi liǎo pí 'ēn， pí 'ēn zài sēn lín lǐ yù dào liǎo yóu jī duì yuán“ biǎo xiōng”，“ biǎo xiōng” bǎ tā lǐng dào liǎo yóu jī duì de zhù dì， dàn shì yóu jī duì lǐ de rén zhǐ bǎ tā dāng xiǎo hái kàn， shuí yě bù xìn tā yòu yī bǎ p38 shì de dé zhì shǒu qiāng。 zhǐ shì ràng tā zài yíng dì lǐ xuē tǔ dòu pí， pí 'ēn hái shì méi yòu zhǎo dào zì jǐ de zhī xīn péng yǒu， wú fǎ róng rù nà gè chéng rén de shì jiè。 kǎ 'ěr wéi nuò yě méi yòu tōng guò pí 'ēn de yǎn lái kàn yīcháng yóu jī zhàn， tā dǎo shì ràng pí 'ēn mù dǔ liǎo lián cháng shì rú hé yǔ chú zǐ de qī zǐ zài dù juān cóng zhōng zuò 'ài de， yǐ jí qí tā de yī xiē hùn luàn。 yán sù de lì shǐ zài zhè lǐ bèi kǎ 'ěr wéi nuò sī kāi liǎo yī gè huōkǒu， lù chū qí zhōng de huāng dàn de zhēn shí。 zài zuì hòu hái shì“ biǎo xiōng” biǎo xiàn chū liǎo duì pí 'ēn de xìn rèn， pí 'ēn dài tā qù kàn liǎo zhī zhū cháo， fēn xiǎng zì jǐ de mì mì， jié wěi lüè dài guāng míng“ tā men jì xù zǒu zhe， dà rén hé hái zǐ， zài hēi yè zhōng， zài yíng huǒ chóng fēi wǔ zhōng， shǒu lā zhuóshǒu”， qí zhōng què bāo hán liǎo yī zhǒng yōu yù， pí 'ēn de yōu yù。 pí 'ēn xiǎng yào jìn rù qún tǐ， dàn shì tā zì shēn de tiān zhēn zhuàng tài hé qún tǐ de duì tā de bù xìn rèn bù duàn dì zǔ náo zhe tā， jiù suàn tā yǐ jīng chù zài nà gè jí tǐ zhōng， shí jì de tā réng shì bèi pái chú huò zì pái chú yú jí tǐ zhī wài de， tā kàn dào de nà gè jí tǐ de hùn luàn bù kān， nà dōubù shì tā céng yù liào huò qī dài de； zhè shì shǔ yú kǎ 'ěr wéi nuò de yōu yù， yī zhǒng xiǎng yào róng rù dào shí dài zhōng， què bù duàn dì bèi tuī chí de yōu yù， zhè zhǒng tuī chí yǔ qí shuō lái zì yú shí dài， wú níng shuō shì kǎ 'ěr wéi nuò zì shēn de nà zhǒng duì liǎng zhǒng píng héng de zhuī qiú hé zhī shí fènzǐ xiān tiān de huái yí yǎn guāng zào chéng de。 tōng guò yī gè tóng huà shìde gù shì， kǎ 'ěr wéi nuò nǔ lì jiǎn qīng zhe lì shǐ yǔ zhèng zhì de shí de yīn sù， zuì hòu lì shǐ de yōu yù gǎn què zài yī zhǒng lè guān de jié wěi zhōng tū xiàn， zhè bù néng bù shuō shì tā xuǎn zé“ qīng” de chéng gōng。 yě zhèng shì yǐ zhè zhǒng“ qīng” shǐ tā méi yòu lún wéi yī gè“ zhǐ lìng wén xué” zuò jiā， chéng gōng dì chāo yuè liǎo xiá 'ài de zhèng zhì xuān chuán， tū xiàn chū zì jǐ de xiě zuò gè xìng。
The book follows the antihero Pin, an orphaned cobbler's apprentice in a town on the Ligurian coast, where he lives with his sister, a prostitute. After stealing a pistol from a Nazi sailor, Pin searches for an identity with a partisan group. All the while, the people he meets mock him without his knowing. The title refers to Pin's secret hiding place, directions to which he touts as a prize to any adults who win his trust.
Some critics view the work as unexceptional, on the grounds that it fails to address the issues other than from a very naive perspective; others credit it with being skillfully written and make a virtue of its portrayal of the complex emotions and politics of adults, as seen through the eyes of a child. However one passage about prisoners-of-war being made to dig their own grave before being shot is universally regarded as impressive.
The book follows the antihero Pin, an orphaned cobbler's apprentice in a town on the Ligurian coast, where he lives with his sister, a prostitute. After stealing a pistol from a Nazi sailor, Pin searches for an identity with a partisan group. All the while, the people he meets mock him without his knowing. The title refers to Pin's secret hiding place, directions to which he touts as a prize to any adults who win his trust.
Some critics view the work as unexceptional, on the grounds that it fails to address the issues other than from a very naive perspective; others credit it with being skillfully written and make a virtue of its portrayal of the complex emotions and politics of adults, as seen through the eyes of a child. However one passage about prisoners-of-war being made to dig their own grave before being shot is universally regarded as impressive.
rú guǒ zài dōng yè， yī gè lǚ rén
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zuò zhě : tǎ luò · kǎ 'ěr wéi nuò
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zài mǒu hǎi bīn yù chǎng xǐ hǎi shuǐ yù shí， yī zuǒ tǎ tài tài yù shàng liǎo yī jiàn má fán shì： dāng cóng shēn hǎi yóu huí 'àn biān de tú zhōng， tā tū rán fā jué zì jǐ de yóu yǒng yī bù zài shēn shàng liǎo。 tā nòng bù qīng shì qíng shì gāng gāng fā shēng de， hái shì fā shēng dé yòu yī zhèn 'ér liǎo， zǒng zhī， tā chuān de nà jiàn xīn bǐ jī ní yǒng zhuāng zhǐ shèng xià liǎo xiōng zhào。 kě néng shì tā tún bù niǔ dòng shí， kòu zǐ tuō luò， nà gè xiàng bù tiáo yī bān de sān jiǎo kù chà cóng lìng yī tiáo dà tuǐ huá liǎo xià qù， yě xǔ zhèng zài tā shēn xià bù yuǎn chù wǎng xià chén ní， tā shì tú qián rù shuǐ zhōng qù xún zhǎo， dàn méi yòu chéng gōng。
zhè shì zhèng wǔ shí fēn， hǎi lǐ sì chù dōushì rén， yòu de zài sài tǐng shàng， yòu de zài xiǎo yóu tǐng shàng， hái yòu de zài yóu yǒng。 yī zuǒ tǎ tài tài bù rèn shí rèn hé rén。 zuó tiān， tā zhàng fū bǎ tā sòng dào cǐ dì hòu lì jí yòu huí chéng lǐ qù liǎo。 tā xīn xiǎng， yǎn xià bié wú tā fǎ， zhǐ néng zhǎo yī sōu jiù shēng chuán， huò zhě zhǎo yī gè kě xìn lài de nán zǐ， xiàng tā hū hǎn hé qiú jiù， bìng yào qiú tā yán shǒu mì mì。 hǎo zài méi yòu rén huái yí tā xià shēn chì luǒ， yīn wéi tā yóu yǒng shí， jué bù bǎ shēn zǐ tái dào shuǐ miàn， rén men zhǐ néng kàn jiàn tā de tóu hé yǐn yuē kě jiàn de gēbo hé xiōng bù。 zhè yàng， tā jiù kě yǐ fàng xīn dì qù xún qiú yuán jiù liǎo。 wèile nòng qīng bié rén de yǎn jīng dào dǐ néng kàn qīng tā shēn tǐ de duō shǎo， tā shí bù shí tíng xià lái， jīhū chuí zhí dì piào fú zhe， yǐ biàn kuī shì yī xià zì jǐ de qū tǐ。 tā jīng yà dì fā xiàn， yáng guāng zhào shè zài shuǐ miàn， yòu biàn chéng shuǐ xià qīng chè de shǎn guāng， tā qū tǐ shàng de yī qiē zài shuǐ zhōng xiān háo bì xiàn。 tā jí máng lǒng zhù shuāng tuǐ， xuánzhuàn zhe shēn tǐ， shì tú bù ràng zì jǐ de yǎn jīng kàn jiàn tā， dàn zhè yī qiēdōu shì wǎng fèi xīn jī： tā fù bù guāng jié de jī fū zài zōng sè de xiōng bù hé dà tuǐ zhī jiān xiǎn dé bái xī、 xǐng mù， bō làng de qǐ fú hé bù shí yáo dàng de hǎi zǎo dōubù néng hùn xiáo xiǎo fù yǐ xià bù fēn de shēn sè hé qiǎn sè。 yī zuǒ tǎ tài tài zhòng yòu yǐ tā nà bù lún bù lèi de fāng shì yóu dòng qǐ lái， jìn kě néng yā dī shēn zǐ， jí biàn rú cǐ， měi huá dòng yī xià shǒu bì。 tā nà bái xī de quán shēn jiù xiǎn chū lái， lún kuò qīng xī kě jiàn。 yī zuǒ tǎ tài tài xīn huāng yì luàn， jí máng biàn huàn yóu yǒng zī shì hé fāng xiàng， jiā jǐn shuāng tuǐ zài shuǐ zhōng dǎzhuàn。 xiǎng bù dào tā yī xiàng yǐn wéi zì háo de yù tǐ xiàn zài què chéng liǎo tā de jù dà léizhuì。
zhèng wǔ yǐ guò， shì chī wǔ cān de shí hòu liǎo， yóu yǒng zhě kāi shǐ fēn fēn yóu xiàng 'àn biān。 chuán zhǐ、 yóu tǐng yě bù shí cóng yī zuǒ tǎ tài tài shēn biān shǐ guò。 tā yán jiū chuán shàng nán rén de miàn kǒng， yòu shí， tā jīhū xià jué xīn xiàng tā men yóu guò qù， dàn shì， tā men yǎn shén nà xié 'è de yī piē， huò zhě mǒu zhǒng bù yǒu hǎo de dòng zuò， dū huì xià dé tā táo zhī yāo yāo。 tā zhuāng zuò ruò wú qí shì dì huá zhe shuāng bì， lěng jìng dì yǎn shì zhe yǐ jīng hěn yán zhòng de pí bèi。 jié bàn 'ér xíng de nán rén yáng yáng xià bā huò shǐ shǐ yǎn sè， hù xiāng shì yì tā de cún zài， ér dān shēn nán rén zé yòng yī zhǐ jiǎng shāzhù chuán， gù yì diào zhuǎn chuán tóu， jié zhù tā de qù lù。 tā kàn jiàn yī gè jiù shēng yuán jīng guò， tā shì wéi yī chéng chuán xún shì hǎi miàn、 yù fáng chū xiàn yì wài de rén， dàn cǐ rén zuǐ chún féi hòu、 jī ròu tū gǔ， tā lián hǎn tā yī shēng de yǒng qì dōuméi yòu liǎo。 tā yòu xiǎng de jiù xīng yīngshì yī gè zuì wú gè rén qíng yù、 jīhū xiàng tiān shǐ yī bān chún jié de rén， kàn lái zhè yàng de jiù xīng shì bù cún zài de。
zài jué wàng de huàn xiǎng zhōng， yī zuǒ tǎ tài tài suǒ pàn wàng de jiù xīng yī zhí shì nán de， què méi yòu xiǎng guò nǚ de， suī rán hé nǚ de dǎ jiāo dào， yī qiēdōu yīnggāi biàn dé jiǎn dān yī xiē， dàn tā yǔ tóng xìng bié de rén jiāo wǎng tài shǎo。 rú jīn， hái yòu yī gè bù biàn zhī chù： dà duō shù nǚ réndōu shì hé yī gè nán rén shuāng shuāng zuò zài xiǎo yóu tǐng shàng， tā men jì dù xīn qiáng， zǒng shì yuǎn lí zhe tā， yīn wéi tā nà wú kě tiǎo tī de qū tǐ duì tā men biàn shì yī zhǒng tiǎo zhàn。 yòu de chuán zhǐ shǐ guò lái， shàng miàn mǎn shì jī jī zhā zhā、 xīng gāo cǎi liè de shàonǚ men， yī zuǒ tǎ tài tài xiǎng dào zì jǐ nà yòu shāng dà yǎ、 yòu sǔn shēng yù de kùn jìng yǔ tiān zhēn wú xié de shàonǚ men zài qíng qù shàng xiāng qù tài yuǎn， yīn 'ér méi gǎn mào rán hū hǎn tā men。 yòu yī wèi pí fū shài dé yǒu hēi de jīn fā nǚ láng dǎo shì dú zì zuò zhe yī zhǐ sài tǐng shǐ guò lái， tā shén qì huó xiàn， yī dìng shì qù shēn hǎi zuò luǒ tǐ tài yáng yù de， ér tā jué bù huì rèn wéi zhè zhǒng luǒ lù néng suàn zuò diū rén huò zāinàn。 yī zuǒ tǎ tài tài cǐ shí cái gǎn dào zì jǐ shì duō me gū dú， nǚ rén yǒng yuǎn bù huì jiù tā， nán rén yòu zhǎo bù dào， tā gǎn dào jīn pí lì jìn liǎo。
yī zuǒ tǎ tài tài jí shí zhuā zhù liǎo yī gè tiě xiù sè de xiǎo fú biāo， yào bù rán tā huì bèi yān sǐ de。 rán 'ér， cóng fú biāo nà lǐ yóu dào 'àn biān， yào fù chū jīng rén de tǐ lì。 zhè shí， tā kàn dào yī gè chuān cháng kù de shòuxuē nán rén zhàn zài yī tiáo tíng shǐ de qì tǐng shàng xiàng hǎi lǐ zhāng wàng， tā shì liú zài hǎi shàng de wéi yī yī gè rén liǎo。 guò liǎo yī huì 'ér， nà gè shòu nán rén bù jiàn liǎo， zhàn zài yuán chù de shì yī gè mǎn liǎn zhì qì de juǎnfà nán hái 'ér。 yī zuǒ tǎ tài tài yòng bèi shuǐ pào dé qǐ liǎo zhòu、 biàn dé háo wú xuè sè de shǒu zhǐ tóu zhuā zhù fú biāo de luó dīng， gǎn dào zì jǐ bèi zhěng gè shì jiè suǒ pāo qì。 dāng tā zài cì tái yǎn shí， kàn jiàn nà gè nán rén hé xiǎo hái dū yī qǐ zhàn zài qì tǐng shàng， xiàng tā dǎ shǒu shì， sì hū gào sù tā yào lǎo shí dāi zài nà lǐ， zhēngzhá shì tú láo de。 suí jí， qì tǐng fēi kuài dì kāi zǒu liǎo， tǐng shàng de rén tóu yě bù huí yī xià。 yī zuǒ tǎ tài tài cǐ shí gǎn dào liǎo mò rì de lái lín…… bù yī huì 'ér， qì tǐng yòu kāi huí lái， sù dù bǐ gāng cái hái yào kuài， xiǎo nán hái zài chuán tóu yáng qǐ yī tiáo zhǎi cháng de lǜ fān： yī tiáo lián yī qún！
dāng qì tǐng tíng zài tā fù jìn shí， shòu nán rén xiàng tā shēn chū yī zhǐ shǒu lā tā shàng chuán， tóng shí yòng lìng yī shǒu wǔ zhù zì jǐ de yǎn jīng。 yī zuǒ tǎ tài tài hái méi míng bái guò lái shì zěn me huí shì， biàn yǐ jīng shàng liǎo chuán。 yī qiē hū rán jiān biàn dé zhè me wán měi， hán lěng hé kǒng jù yǐ bèi pāo zhū nǎo hòu， tā de liǎn sè hěn kuài cóng cāng bái biàn dé tōng hóng。 cǐ shí， tā zhàn zài chuán shàng chuān nà tiáo lián yī qún， ér nán rén hé xiǎo hái zé bèi guò shēn qù， yǎn wàng bié chù。 qì tǐng kāi dòng zhī hòu， yī zuǒ tǎ tài tài zuò zài chuán tóu， kàn dào chuán dǐ yòu yī gè qián shuǐ bǔ yú de miàn zhào， míng bái liǎo zhè liǎo liǎng rén shì zěn yàng fā xiàn tā de mì mì de。 gāng cái， nán hái dài zhe miàn jù， ná zhe yú chā， qián shuǐ yóu yǒng shí kàn jiàn liǎo tā， biàn shàng chuán gào sù liǎo nà gè nán rén， nán rén yòu xià shuǐ kàn liǎo yī biàn， rán hòu， tā men shì yì tā děng dài， bù guò， tā dāng shí méi kàn dǒng。 tā men jí máng xiàng gǎng kǒu shǐ qù， gēn yī gè yú fù yào liǎo yī jiàn yī fú lái。 yī zuǒ tǎ tài tài xīn xiǎng， zhè liǎng gè rén kàn dào tā xiàn zài chuānzhuó yī fú， shuō bù dìng nǎo zǐ lǐ zhèng jié lì huí yì gāng cái zài shuǐ xià kàn tā shí de qíng jǐng ní， bù guò， tā bìng bù gǎn dào nán wéi qíng， fǎn zhèng zǒng dé yòu rén kàn jiàn， tā dǎo gāo xīng qià shì bèi zhè liǎng gè shàn liáng rén kàn jiàn， tā men yī dìng huì gǎn dào xīn xiān hé yú kuài de！
zhè shì zhèng wǔ shí fēn， hǎi lǐ sì chù dōushì rén， yòu de zài sài tǐng shàng， yòu de zài xiǎo yóu tǐng shàng， hái yòu de zài yóu yǒng。 yī zuǒ tǎ tài tài bù rèn shí rèn hé rén。 zuó tiān， tā zhàng fū bǎ tā sòng dào cǐ dì hòu lì jí yòu huí chéng lǐ qù liǎo。 tā xīn xiǎng， yǎn xià bié wú tā fǎ， zhǐ néng zhǎo yī sōu jiù shēng chuán， huò zhě zhǎo yī gè kě xìn lài de nán zǐ， xiàng tā hū hǎn hé qiú jiù， bìng yào qiú tā yán shǒu mì mì。 hǎo zài méi yòu rén huái yí tā xià shēn chì luǒ， yīn wéi tā yóu yǒng shí， jué bù bǎ shēn zǐ tái dào shuǐ miàn， rén men zhǐ néng kàn jiàn tā de tóu hé yǐn yuē kě jiàn de gēbo hé xiōng bù。 zhè yàng， tā jiù kě yǐ fàng xīn dì qù xún qiú yuán jiù liǎo。 wèile nòng qīng bié rén de yǎn jīng dào dǐ néng kàn qīng tā shēn tǐ de duō shǎo， tā shí bù shí tíng xià lái， jīhū chuí zhí dì piào fú zhe， yǐ biàn kuī shì yī xià zì jǐ de qū tǐ。 tā jīng yà dì fā xiàn， yáng guāng zhào shè zài shuǐ miàn， yòu biàn chéng shuǐ xià qīng chè de shǎn guāng， tā qū tǐ shàng de yī qiē zài shuǐ zhōng xiān háo bì xiàn。 tā jí máng lǒng zhù shuāng tuǐ， xuánzhuàn zhe shēn tǐ， shì tú bù ràng zì jǐ de yǎn jīng kàn jiàn tā， dàn zhè yī qiēdōu shì wǎng fèi xīn jī： tā fù bù guāng jié de jī fū zài zōng sè de xiōng bù hé dà tuǐ zhī jiān xiǎn dé bái xī、 xǐng mù， bō làng de qǐ fú hé bù shí yáo dàng de hǎi zǎo dōubù néng hùn xiáo xiǎo fù yǐ xià bù fēn de shēn sè hé qiǎn sè。 yī zuǒ tǎ tài tài zhòng yòu yǐ tā nà bù lún bù lèi de fāng shì yóu dòng qǐ lái， jìn kě néng yā dī shēn zǐ， jí biàn rú cǐ， měi huá dòng yī xià shǒu bì。 tā nà bái xī de quán shēn jiù xiǎn chū lái， lún kuò qīng xī kě jiàn。 yī zuǒ tǎ tài tài xīn huāng yì luàn， jí máng biàn huàn yóu yǒng zī shì hé fāng xiàng， jiā jǐn shuāng tuǐ zài shuǐ zhōng dǎzhuàn。 xiǎng bù dào tā yī xiàng yǐn wéi zì háo de yù tǐ xiàn zài què chéng liǎo tā de jù dà léizhuì。
zhèng wǔ yǐ guò， shì chī wǔ cān de shí hòu liǎo， yóu yǒng zhě kāi shǐ fēn fēn yóu xiàng 'àn biān。 chuán zhǐ、 yóu tǐng yě bù shí cóng yī zuǒ tǎ tài tài shēn biān shǐ guò。 tā yán jiū chuán shàng nán rén de miàn kǒng， yòu shí， tā jīhū xià jué xīn xiàng tā men yóu guò qù， dàn shì， tā men yǎn shén nà xié 'è de yī piē， huò zhě mǒu zhǒng bù yǒu hǎo de dòng zuò， dū huì xià dé tā táo zhī yāo yāo。 tā zhuāng zuò ruò wú qí shì dì huá zhe shuāng bì， lěng jìng dì yǎn shì zhe yǐ jīng hěn yán zhòng de pí bèi。 jié bàn 'ér xíng de nán rén yáng yáng xià bā huò shǐ shǐ yǎn sè， hù xiāng shì yì tā de cún zài， ér dān shēn nán rén zé yòng yī zhǐ jiǎng shāzhù chuán， gù yì diào zhuǎn chuán tóu， jié zhù tā de qù lù。 tā kàn jiàn yī gè jiù shēng yuán jīng guò， tā shì wéi yī chéng chuán xún shì hǎi miàn、 yù fáng chū xiàn yì wài de rén， dàn cǐ rén zuǐ chún féi hòu、 jī ròu tū gǔ， tā lián hǎn tā yī shēng de yǒng qì dōuméi yòu liǎo。 tā yòu xiǎng de jiù xīng yīngshì yī gè zuì wú gè rén qíng yù、 jīhū xiàng tiān shǐ yī bān chún jié de rén， kàn lái zhè yàng de jiù xīng shì bù cún zài de。
zài jué wàng de huàn xiǎng zhōng， yī zuǒ tǎ tài tài suǒ pàn wàng de jiù xīng yī zhí shì nán de， què méi yòu xiǎng guò nǚ de， suī rán hé nǚ de dǎ jiāo dào， yī qiēdōu yīnggāi biàn dé jiǎn dān yī xiē， dàn tā yǔ tóng xìng bié de rén jiāo wǎng tài shǎo。 rú jīn， hái yòu yī gè bù biàn zhī chù： dà duō shù nǚ réndōu shì hé yī gè nán rén shuāng shuāng zuò zài xiǎo yóu tǐng shàng， tā men jì dù xīn qiáng， zǒng shì yuǎn lí zhe tā， yīn wéi tā nà wú kě tiǎo tī de qū tǐ duì tā men biàn shì yī zhǒng tiǎo zhàn。 yòu de chuán zhǐ shǐ guò lái， shàng miàn mǎn shì jī jī zhā zhā、 xīng gāo cǎi liè de shàonǚ men， yī zuǒ tǎ tài tài xiǎng dào zì jǐ nà yòu shāng dà yǎ、 yòu sǔn shēng yù de kùn jìng yǔ tiān zhēn wú xié de shàonǚ men zài qíng qù shàng xiāng qù tài yuǎn， yīn 'ér méi gǎn mào rán hū hǎn tā men。 yòu yī wèi pí fū shài dé yǒu hēi de jīn fā nǚ láng dǎo shì dú zì zuò zhe yī zhǐ sài tǐng shǐ guò lái， tā shén qì huó xiàn， yī dìng shì qù shēn hǎi zuò luǒ tǐ tài yáng yù de， ér tā jué bù huì rèn wéi zhè zhǒng luǒ lù néng suàn zuò diū rén huò zāinàn。 yī zuǒ tǎ tài tài cǐ shí cái gǎn dào zì jǐ shì duō me gū dú， nǚ rén yǒng yuǎn bù huì jiù tā， nán rén yòu zhǎo bù dào， tā gǎn dào jīn pí lì jìn liǎo。
yī zuǒ tǎ tài tài jí shí zhuā zhù liǎo yī gè tiě xiù sè de xiǎo fú biāo， yào bù rán tā huì bèi yān sǐ de。 rán 'ér， cóng fú biāo nà lǐ yóu dào 'àn biān， yào fù chū jīng rén de tǐ lì。 zhè shí， tā kàn dào yī gè chuān cháng kù de shòuxuē nán rén zhàn zài yī tiáo tíng shǐ de qì tǐng shàng xiàng hǎi lǐ zhāng wàng， tā shì liú zài hǎi shàng de wéi yī yī gè rén liǎo。 guò liǎo yī huì 'ér， nà gè shòu nán rén bù jiàn liǎo， zhàn zài yuán chù de shì yī gè mǎn liǎn zhì qì de juǎnfà nán hái 'ér。 yī zuǒ tǎ tài tài yòng bèi shuǐ pào dé qǐ liǎo zhòu、 biàn dé háo wú xuè sè de shǒu zhǐ tóu zhuā zhù fú biāo de luó dīng， gǎn dào zì jǐ bèi zhěng gè shì jiè suǒ pāo qì。 dāng tā zài cì tái yǎn shí， kàn jiàn nà gè nán rén hé xiǎo hái dū yī qǐ zhàn zài qì tǐng shàng， xiàng tā dǎ shǒu shì， sì hū gào sù tā yào lǎo shí dāi zài nà lǐ， zhēngzhá shì tú láo de。 suí jí， qì tǐng fēi kuài dì kāi zǒu liǎo， tǐng shàng de rén tóu yě bù huí yī xià。 yī zuǒ tǎ tài tài cǐ shí gǎn dào liǎo mò rì de lái lín…… bù yī huì 'ér， qì tǐng yòu kāi huí lái， sù dù bǐ gāng cái hái yào kuài， xiǎo nán hái zài chuán tóu yáng qǐ yī tiáo zhǎi cháng de lǜ fān： yī tiáo lián yī qún！
dāng qì tǐng tíng zài tā fù jìn shí， shòu nán rén xiàng tā shēn chū yī zhǐ shǒu lā tā shàng chuán， tóng shí yòng lìng yī shǒu wǔ zhù zì jǐ de yǎn jīng。 yī zuǒ tǎ tài tài hái méi míng bái guò lái shì zěn me huí shì， biàn yǐ jīng shàng liǎo chuán。 yī qiē hū rán jiān biàn dé zhè me wán měi， hán lěng hé kǒng jù yǐ bèi pāo zhū nǎo hòu， tā de liǎn sè hěn kuài cóng cāng bái biàn dé tōng hóng。 cǐ shí， tā zhàn zài chuán shàng chuān nà tiáo lián yī qún， ér nán rén hé xiǎo hái zé bèi guò shēn qù， yǎn wàng bié chù。 qì tǐng kāi dòng zhī hòu， yī zuǒ tǎ tài tài zuò zài chuán tóu， kàn dào chuán dǐ yòu yī gè qián shuǐ bǔ yú de miàn zhào， míng bái liǎo zhè liǎo liǎng rén shì zěn yàng fā xiàn tā de mì mì de。 gāng cái， nán hái dài zhe miàn jù， ná zhe yú chā， qián shuǐ yóu yǒng shí kàn jiàn liǎo tā， biàn shàng chuán gào sù liǎo nà gè nán rén， nán rén yòu xià shuǐ kàn liǎo yī biàn， rán hòu， tā men shì yì tā děng dài， bù guò， tā dāng shí méi kàn dǒng。 tā men jí máng xiàng gǎng kǒu shǐ qù， gēn yī gè yú fù yào liǎo yī jiàn yī fú lái。 yī zuǒ tǎ tài tài xīn xiǎng， zhè liǎng gè rén kàn dào tā xiàn zài chuānzhuó yī fú， shuō bù dìng nǎo zǐ lǐ zhèng jié lì huí yì gāng cái zài shuǐ xià kàn tā shí de qíng jǐng ní， bù guò， tā bìng bù gǎn dào nán wéi qíng， fǎn zhèng zǒng dé yòu rén kàn jiàn， tā dǎo gāo xīng qià shì bèi zhè liǎng gè shàn liáng rén kàn jiàn， tā men yī dìng huì gǎn dào xīn xiān hé yú kuài de！