The War of the Worlds (1898) is a science fiction novel by H. G. Wells. It describes the experiences of an unnamed narrator who travels through the suburbs of London as the Earth is invaded by Martians. It is one of the earliest stories that details a conflict between mankind and an alien race.
The War of the Worlds is split into two parts, Book one: The Coming of the Martians, and Book two: The Earth under the Martians. The novel is narrated by a writer of philosophical articles who throughout the narrative struggles to reunite with his wife, while witnessing the Martians rampaging through the southern English counties. Part one also features the tale of his brother, who accompanies two women to the coast in the hope of escaping England as it is invaded.
The plot has been related to invasion literature of the time. The novel has been variously interpreted as a commentary on evolutionary theory, British imperialism, and generally Victorian fears and prejudices. At the time of publication it was classed as a scientific romance, like his earlier novel The Time Machine. Since then, it has influenced much literature and other media, spawning several films, radio dramas, comic book adaptations, a television series, and sequels or parallel stories by other authors. It also influenced the real-life work of scientists, notably the rocket scientist Robert H. Goddard who developed practical techniques for interplanetary travel.
The War of the Worlds is split into two parts, Book one: The Coming of the Martians, and Book two: The Earth under the Martians. The novel is narrated by a writer of philosophical articles who throughout the narrative struggles to reunite with his wife, while witnessing the Martians rampaging through the southern English counties. Part one also features the tale of his brother, who accompanies two women to the coast in the hope of escaping England as it is invaded.
The plot has been related to invasion literature of the time. The novel has been variously interpreted as a commentary on evolutionary theory, British imperialism, and generally Victorian fears and prejudices. At the time of publication it was classed as a scientific romance, like his earlier novel The Time Machine. Since then, it has influenced much literature and other media, spawning several films, radio dramas, comic book adaptations, a television series, and sequels or parallel stories by other authors. It also influenced the real-life work of scientists, notably the rocket scientist Robert H. Goddard who developed practical techniques for interplanetary travel.
The Time Machine is a science fiction novella by H. G. Wells, published in 1895 for the first time and later adapted into at least two feature films of the same name, as well as two television versions, and a large number of comic book adaptations. It indirectly inspired many more works of fiction in many media. This 32,000 word story is generally credited with the popularisation of the concept of time travel using a vehicle that allows an operator to travel purposefully and selectively. The term "time machine", coined by Wells, is now universally used to refer to such a vehicle. Wells introduces an early example of the Dying Earth subgenre as well.
History
Wells had considered the notion of time travel before, in an earlier (but less well-known) work titled The Chronic Argonauts. He had thought of using some of this material in a series of articles in the Pall Mall Gazette, until the publisher asked him if he could instead write a serial novel on the same theme; Wells readily agreed, and was paid £100 on its publication by Heinemann in 1895. The story was first published in serial form in the New Review through 1894 and 1895. The book is based on the Block Theory of the Universe, which is a notion that time is a fourth space dimension.
The story reflects Wells's own socialist political views and the contemporary angst about industrial relations. It is also influenced by Ray Lankester's theories about social degeneration. Other science fiction works of the period, including Edward Bellamy's Looking Backward, and the later Metropolis, dealt with similar themes.
Plot summary
The book's protagonist is an English scientist and gentleman inventor living in Richmond, Surrey, identified by a narrator simply as the Time Traveller. The narrator recounts the Traveller's lecture to his weekly dinner guests that time is simply a fourth dimension, and his demonstration of a tabletop model machine for travelling through it. He reveals that he has built a machine capable of carrying a person, and returns at dinner the following week to recount a remarkable tale, becoming the new narrator:
The Time Traveller tests his device with a journey that takes him to the year A.D. 802,701, where he meets the Eloi, a society of small, elegant, androgynous, and childlike people. They live in small communities within large and futuristic yet slowly deteriorating buildings, doing no work and having a frugivorous diet. His efforts to communicate with them are hampered by their lack of curiosity or discipline, and he concludes that they are a peaceful communist society, the result of humanity conquering nature with technology, and subsequently evolving to adapt to an environment in which strength and intellect are no longer advantageous to survival.
Returning to the site where he arrived, the Time Traveller finds his time machine missing, and eventually works out that it has been dragged by some unknown party into a nearby structure with heavy doors, locked from the inside. Later in the dark, he is approached menacingly by the Morlocks, pale, apelike people who live in darkness underground, where he discovers the machinery and industry that makes the above-ground paradise possible. He alters his theory, speculating that the human race has evolved into two species: the leisured classes have become the ineffectual Eloi, and the downtrodden working classes have become the brutish light-fearing Morlocks. Deducing that the Morlocks have taken his time machine, he explores the Morlock tunnels, learning that they feed on the Eloi. His revised analysis is that their relationship is not one of lords and servants but of livestock and ranchers, and with no real challenges facing either species. They have both lost the intelligence and character of Man at its peak.
Meanwhile, he saves an Eloi named Weena from drowning, and they develop an innocently affectionate relationship over the course of several days. He takes Weena with him on an expedition to a distant structure that turns out to be the remains of a museum, where he finds a fresh supply of matches and fashions a crude weapon against Morlocks, whom he fears he must fight to get back his machine. But the long and tiring journey back to Weena's home is too much for them, they are overcome by Morlocks in the night, and Weena is injured. The Traveller escapes only when a small fire he had left behind them to distract the Morlocks catches up to them as a forest fire; Weena is lost to the fire.
The Morlocks use the time machine as bait to ensnare the Traveller, not understanding that he will use it to escape. He travels further ahead to roughly 30 million years from his own time. There he sees some of the last living things on a dying Earth, menacing reddish crab-like creatures slowly wandering the blood-red beaches of a world covered in simple vegetation. He continues to make short jumps through time, seeing Earth's rotation gradually cease and the sun grow dimmer, and the world falling silent and freezing as the last degenerate living things die out.
Overwhelmed, he returns to his laboratory, at just three hours after he originally left. Interrupting dinner, he relates his adventures to his disbelieving visitors, producing as evidence two strange flowers Weena had put in his pocket. The original narrator takes over and relates that he returned to the Time Traveller's house the next day, finding him in final preparations for another journey. The Traveller promises to return in half an hour, but three years later, the narrator despairs of ever learning what became of him.
Deleted text
A section from the 11th chapter of the serial published in New Review (May, 1895) was deleted from the book. It was drafted at the suggestion of Wells's editor, William Ernest Henley, who wanted Wells to "oblige your editor" by lengthening out the text with, among other things, an illustration of "the ultimate degeneracy" of man. "There was a slight struggle," Wells later recalled, "between the writer and W. E. Henley who wanted, he said, to put a little 'writing' into the tale. But the writer was in reaction from that sort of thing, the Henley interpolations were cut out again, and he had his own way with his text." This portion of the story was published elsewhere as The Grey Man. This deleted text was also published by Forrest J. Ackerman in an issue of the American edition of Perry Rhodan.
The deleted text recounts an incident immediately after the Traveller's escape from the Morlocks. He finds himself in the distant future of an unrecognisable Earth, populated with furry, hopping herbivores. He stuns or kills one with a rock, and upon closer examination realizes they are probably the descendants of humans/Eloi/Morlocks. A gigantic, centipede-like arthropod approaches and the Traveller flees into the next day, finding that the creature has apparently eaten the tiny humanoid.
Film, TV, or theatrical adaptations
First adaptation
The first visual adaptation of the book was a live teleplay broadcast from Alexandra Palace on 25 January 1949 by the BBC, which starred Russell Napier as the Time Traveller and Mary Donn as Weena. No recording of this live broadcast was made; the only record of the production is the script and a few black and white still photographs. A reading of the script, however, suggests that this teleplay remained fairly faithful to the book.
Escape Radio broadcasts
The CBS radio anthology Escape adapted The Time Machine twice, in 1948 starring Jeff Corey, and again in 1950 starring John Dehner. In both episodes a script adapted by Irving Ravetch was used. The Time Traveller was named Dudley and was accompanied by his skeptical friend Fowler as they travelled to the year 100,080.
1960 film
George Pál (who also made a famous 1953 "modernised" version of Wells's The War of the Worlds) filmed The Time Machine in 1960. Rod Taylor (The Birds) starred, along with Yvette Mimieux as the young Eloi, Weena, Alan Young as his closest friend David Filby (and, in 1917 and 1966, his son James Filby), Sebastian Cabot as Dr Hillyer, Whit Bissell as Walter Kemp and Doris Lloyd as his housekeeper Mrs Watchett. The Time Traveller is addressed as George. The plate on the Time Machine which he builds, is inscribed 'Manufactured by H. George Wells'. This is clearly visible and easily read whenever the date indicator panel is shown in the film. The location is not stated anymore precisely than in the south of England, but is near a sharp bend of the river Thames, so is presumably still Richmond, Surrey.
This is more of an adventure tale than the book was; The story begins with the Time Traveller returning from his trip, unkempt and in disarray. He relates to his friends of what he has witnessed: wars' horrors first-hand in June, 1940 over London and a nuclear bomb in August, 1966. Travelling to 802,701 A.D., he finds world has settled into a vast garden. He meets the pacifist, illiterate and servile Eloi, who speak broken English, and have little interest in technology or the past. Their brethren from long ago, the Morlocks, however, although technologically competent, have devolved into cannibalistic underground workers. He deduces the division of mankind resulted from mutations induced by nuclear war - periodic air-raid sirens cause Weena and many Eloi to instinctively report to underground shelters run by the Morlocks. The Time Traveller goes down to rescue them, and encourages a leader among them to help them escape. Having escaped, and after throwing dead wood into the holes on the surface to feed a growing underground fire, they retreat to the river as underground explosions cause a cave-in. After getting to his machine, he is trapped behind a closed door with several Morlocks, whom he has to fight in order to escape. Battered, he makes it back to his scheduled dinner the next Friday January 5, 1900.
After relating his story, the Time Traveller leaves for a second journey, but Filby and Mrs Watchett note that he had taken three books from the shelves in his drawing room. Filby comments that George must've had a plan for a new Eloi civilisation. "Which three books would you have taken?" Filby inquires to Mrs. Watchett, adding " ... he has all the time in the world."
The film is noted for its then-novel use of time lapse photographic effects to show the world around the Time Traveller changing at breakneck speed as he travels through time. (Pal's earliest films had been works of stop-motion animation.)
Thirty-three years later, a combination sequel/documentary Time Machine: The Journey Back (1993 film), directed by Clyde Lucas, was produced. Rod Taylor hosted, with Bob Burns (also Ex Producer), Gene Warren Sr. and Wah Chang as guests. Michael J. Fox (who had himself portrayed a time traveller in the Back to the Future trilogy) spoke about time travelling in general. In the second half, written by original screenwriter David Duncan, the movie's original actors Rod Taylor, Alan Young and Whit Bissell reprise their roles. The Time Traveller returns to his laboratory in 1916, finding Filby there, and encourages his friend to join him in the far future — but Filby has doubts. (Time Machine: The Journey Back is featured as an extra on the DVD release of the 1960 film).
The Fantasy Film Worlds of George Pal
Main article: The Fantasy Film Worlds of George Pal
This film, produced and directed by Arnold Leibovit, is a biopic of George Pal. It contains a number of filmed elements from Pal's 1960 film version of The Time Machine.
1978 TV movie
A TV version was made in 1978, with time-lapse images of building walls being de-constructed, and geographic shifting from Los Angeles to Plymouth, Mass., and inland California. John Beck starred as Neil Perry, with Whit Bissell (from the original 1960 movie and also one of the stars of the 1966 television series The Time Tunnel) appearing as one of Perry's superiors. Though only going a few thousand years into the future, Perry finds the world of the Eloi and Morlocks, and learns the world he left will be destroyed by another of his own inventions. The character Weena was played by Priscilla Barnes of Three's Company fame.
1994 audio drama
In 1994 an audio drama was published on CD by Alien Voices, starring Leonard Nimoy as the Time Traveller (named John) and John de Lancie as David Filby. John de Lancie's children, Owen de Lancie and Keegan de Lancie, played the parts of the Eloi. The drama is approximately two hours long. Interestingly, this version of the story is more faithful to Wells's novella than either the 1960 movie or the 2002 movie.
2002 film
The 1960 film was remade in 2002, starring Guy Pearce as the Time Traveller, a mechanical engineering professor named Alexander Hartdegen, Mark Addy as his colleague David Filby, Sienna Guillory as Alex's ill-fated fiancée Emma, Phyllida Law as Mrs. Watchit, and Jeremy Irons as the uber-Morlock. Playing a quick cameo as a shopkeeper was Alan Young, who featured in the 1960 film. (H.G. Wells himself can also be said to have a "cameo" appearance, in the form of a photograph on the wall of Alex's home, near the front door.)
The film was directed by Wells's great-grandson Simon Wells, with an even more revised plot that incorporated the ideas of paradoxes and changing the past. The place is changed from Richmond, Surrey, to downtown New York City, where the Time Traveller moves forward in time to find answers to his questions on 'Practical Application of Time Travel;' first in 2030 New York, to witness an orbital lunar catastrophe in 2037, before moving on to 802,701 for the main plot. He later briefly finds himself in 635,427,810 with toxic clouds and a world laid waste (presumably by the Morlocks) with devastation and Morlock artefacts stretching out to the horizon.
It was met with generally mixed reviews and earned $56 million before VHS/DVD sales. The Time Machine used a design that was very reminiscent of the one in the Pal film, but was much larger and employed polished turned brass construction, along with rotating quartz/glasses reminiscent of the light gathering prismatic lenses common to lighthouses (In Wells's original book, the Time Traveller mentioned his 'scientific papers on optics'). Weena makes no appearance; Hartdegen instead becomes involved with a female Eloi named Mara, played by Samantha Mumba. In this film, the Eloi have, as a tradition, preserved a "stone language" that is identical to English. The Morlocks are much more barbaric and agile, and the Time Traveller has a direct impact on the plot.
2009 BBC Radio 3 broadcast
Robert Glenister stars as the Time Traveller, with William Gaunt as H. G. Wells in a new 100-minute radio dramatisation by Philip Osment, directed by Jeremy Mortimer as part of a BBC Radio Science Fiction season. This was the first adaptation of the novel for British radio. It was first broadcast on 22 February 2009 on BBC Radio 3. The other cast was:
* Time traveller - Robert Glenister
* Martha - Donnla Hughes
* Young HG Wells - Gunnar Cauthery
* Filby, friend of the young Wells - Stephen Critchlow
* Bennett, friend of the young Wells - Chris Pavlo
* Mrs Watchett, the traveller's housemaid - Manjeet Mann
* Weena, one of the Eloi and the traveller's partner - Jill Cardo
* Other parts - Robert Lonsdale, Inam Mirza and Dan Starkey
The adaptation retained the nameless status of the time traveller and set it as a true story told to the young Wells by the time traveller, which Wells then re-tells as an older man to the American journalist Martha whilst firewatching on the roof of Broadcasting House during the Blitz. It also retained the deleted ending from the novel as a recorded message sent back to Wells from the future by the traveller using a prototype of his machine, with the traveller escaping the anthropoid creatures to 30 million AD at the end of the universe before disappearing or dying there.
Wishbone episode
The Time Machine was featured in an episode of the PBS children's show Wishbone, entitled "Bark to the Future". Wishbone plays the role of the Time Traveller, where he meets Weena, takes her to an ancient library, and confronts the Morlocks. The parallel story has Wishbone's owner, Joe, relying on a calculator to solve percentage problems rather than his own intellect, recalling the mindset that created the lazy Eloi.
Sequels by other authors
Wells's novella has become one of the cornerstones of science-fiction literature. As a result, it has spawned many offspring. Works expanding on Wells's story include:
* The Return of the Time Machine by Egon Friedell, printed in 1972, from the 1946 German version. The author portrays himself as a character searching for the Time Traveller in different eras.
* The Hertford Manuscript by Richard Cowper, first published in 1976. It features a "manuscript" which reports the Time Traveller's activities after the end of the original story. According to this manuscript, the Time Traveller disappeared because his Time Machine had been damaged by the Morlocks without him knowing it. He only found out when it stopped operating during his next attempted time travel. He found himself on August 27, 1665, in London during the outbreak of the Great Plague of London. The rest of the novel is devoted to his efforts to repair the Time Machine and leave this time period before getting infected with the disease. He also has an encounter with Robert Hooke. He eventually dies of the disease on September 20, 1665. The story gives a list of subsequent owners of the manuscript until 1976. It also gives the name of the Time Traveller as Robert James Pensley, born to James and Martha Pensley in 1850 and disappearing without trace on June 18, 1894.
* Morlock Night by K.W. Jeter, first published in 1979. A steampunk novel in which the Morlocks, having studied the Traveller's machine, duplicate it and invade Victorian London.
* The Space Machine by Christopher Priest, first published in 1976. Because of the movement of planets, stars and galaxies, for a time machine to stay in one spot on Earth as it travels through time, it must also follow the Earth's trajectory through space. In Priest's book, the hero damages the Time Machine, and arrives on Mars, just before the start of the invasion described in The War of the Worlds. H.G. Wells himself appears as a minor character.
* Time Machine II by George Pal and Joe Morhaim, published in 1981. The Time Traveller, named George, and the pregnant Weena try to return to his time, but instead land in the London Blitz, dying during a bombing raid. Their newborn son is rescued by an American ambulance driver, and grows up in the United States under the name Christopher Jones. Sought out by the lookalike son of James Filby, Jones goes to England to collect his inheritance, leading ultimately to George's journals, and the Time Machine's original plans. He builds his own machine with 1970s upgrades, and seeks his parents in the future.
* The Time Ships, by Stephen Baxter, first published in 1995. This sequel was officially authorized by the Wells estate to mark the centenary of the original's publication. In its wide-ranging narrative, the Traveller's desire to return and rescue Weena is thwarted by the fact that he has changed history (by telling his tale to his friends, one of whom published the account). With a Morlock (in the new history, the Morlocks are intelligent and cultured), he travels through the multiverse as increasingly complicated timelines unravel around him, eventually meeting mankind's far future descendants, whose ambition is to travel into the multiverse of multiverses.[clarification needed] This sequel includes many nods to the prehistory of Wells's story in the names of characters and chapters.
* The 2003 short story "On the Surface" by Robert J. Sawyer begins with this quote from the Wells original: "I have suspected since that the Morlocks had even partially taken it [the time machine] to pieces while trying in their dim way to grasp its purpose." In the Sawyer story, the Morlocks develop a fleet of time machines and use them to conquer the same far future Wells depicted at the end of the original, by which time, because the sun has grown red and dim and thus no longer blinds them, they can reclaim the surface of the world.
* The Man Who Loved Morlocks and The Trouble With Weena (The Truth about Weena) are two different sequels, the former a novel and the latter a short story, by David J. Lake. Each of them concerns the Time Traveller's return to the future. In the former, he discovers that he cannot enter any period in time he has already visited, forcing him to travel in to the further future, where he finds love with a woman whose race evolved from Morlock stock. In the latter, he is accompanied by Wells, and succeeds in rescuing Weena and bringing her back to the 1890s, where her political ideas cause a peaceful revolution.
* In Michael Moorcock's Dancers at the End of Time series, the Time Traveller is a very minor character, his role consists of being shocked by the decadence of the inhabitants of the End of Time. H.G. Wells also appears briefly in this series when the characters visit Bromley in 1896.
* The Time Traveller makes a brief appearance in Allan and the Sundered Veil, a back-up story appearing in the first volume of Alan Moore and Kevin O'Neill's The League of Extraordinary Gentlemen, Volume I, where he saves Allan Quatermain, John Carter and Randolph Carter from a horde of Morlocks.
* The time-travelling hero known as "The Rook" (who appeared in various comics from Warren Publishing) is the grandson of the original Time Traveller. In one story, he met the Time Traveller, and helps him stop the Morlocks from wiping out the Eloi.
* Philip José Farmer speculated that the Time Traveller was a member of the Wold Newton family. He is said to have been the great-uncle of Doc Savage.
* Burt Libe wrote two sequels: Beyond the Time Machine and Tangles in Time, telling of the Time Traveller finally settling down with Weena in the 33rd century. They have a few children, the youngest of whom is the main character in the second book.
* In 2006, Monsterwax Trading Cards combined The Time Machine with two of Wells's other stories, The Island of Dr. Moreau and The War of the Worlds. The resulting 102 card trilogy, by Ricardo Garijo, was entitled The Art of H. G. Wells. The continuing narrative links all three stories by way of an unnamed writer mentioned in Wells's first story, to the nephew of Ed Prendick (the narrator of Dr. Moreau), and another unnamed writer (narrator) in The War of the Worlds.
* In Ronald Wright's novel A Scientific Romance, a lonely museum curator on the eve of the millennium discovers a letter written by Wells shortly before his death, foretelling the imminent return of the Time Machine. The curator finds the machine, then uses it to travel into a post-apocalyptic future.
The Time Traveller
Although the Time Traveller's real name is never given in the original novel, other sources have named him.
One popular theory, encouraged by movies like Time After Time and certain episodes of the hit show Lois and Clark: The New Adventures of Superman, is that the Time Traveller is meant to be none other than H. G. Wells himself. Indeed, in the George Pál movie adaptation of The Time Machine, his name is given as George (also H. G. Wells's middle name). Due to the clarity of the DVD image, 'H.G. Wells' can be seen on the control panel of the device, making it obvious that the film's Time Traveller is H.G. Wells.
In Simon Wells' 2002 remake, the Time Traveller is named Alexander Hartdegen.
In The Time Ships, Stephen Baxter's sequels to The Time Machine, the Time Traveller encounters his younger self via time travel, who he nicknames 'Moses'. His younger self reacts with embarrassment to this, which implies that it may be a first name that he changed. This is a reference to H.G. Wells's story "The Chronic Argonauts", the story which grew into The Time Machine, in which the inventor of the Time Machine is named Dr. Moses Nebogipfel. (The surname of Wells's first inventor graces another character in Baxter's book, as explained above.)
The Hartford Manuscript, another sequel to The Time Machine, gives the Time Traveller's name as Robert James Pensley.
Doc Savage: His Apocalyptic Life by Philip José Farmer gives the Time Traveller's name as Bruce Clarke Wildman.
The Rook comic book series gives the Time Traveller's name as Adam Dane.
In the Doctor Who comic strip story "The Eternal Present", the character of Theophilus Tolliver is implied to be the Time Traveller of Wells's novel.
Also featured in Doctor Who is Wells, himself, appearing in the television serial Timelash. The events of this story are portrayed has having inspired Wells to write The Time Machine.
History
Wells had considered the notion of time travel before, in an earlier (but less well-known) work titled The Chronic Argonauts. He had thought of using some of this material in a series of articles in the Pall Mall Gazette, until the publisher asked him if he could instead write a serial novel on the same theme; Wells readily agreed, and was paid £100 on its publication by Heinemann in 1895. The story was first published in serial form in the New Review through 1894 and 1895. The book is based on the Block Theory of the Universe, which is a notion that time is a fourth space dimension.
The story reflects Wells's own socialist political views and the contemporary angst about industrial relations. It is also influenced by Ray Lankester's theories about social degeneration. Other science fiction works of the period, including Edward Bellamy's Looking Backward, and the later Metropolis, dealt with similar themes.
Plot summary
The book's protagonist is an English scientist and gentleman inventor living in Richmond, Surrey, identified by a narrator simply as the Time Traveller. The narrator recounts the Traveller's lecture to his weekly dinner guests that time is simply a fourth dimension, and his demonstration of a tabletop model machine for travelling through it. He reveals that he has built a machine capable of carrying a person, and returns at dinner the following week to recount a remarkable tale, becoming the new narrator:
The Time Traveller tests his device with a journey that takes him to the year A.D. 802,701, where he meets the Eloi, a society of small, elegant, androgynous, and childlike people. They live in small communities within large and futuristic yet slowly deteriorating buildings, doing no work and having a frugivorous diet. His efforts to communicate with them are hampered by their lack of curiosity or discipline, and he concludes that they are a peaceful communist society, the result of humanity conquering nature with technology, and subsequently evolving to adapt to an environment in which strength and intellect are no longer advantageous to survival.
Returning to the site where he arrived, the Time Traveller finds his time machine missing, and eventually works out that it has been dragged by some unknown party into a nearby structure with heavy doors, locked from the inside. Later in the dark, he is approached menacingly by the Morlocks, pale, apelike people who live in darkness underground, where he discovers the machinery and industry that makes the above-ground paradise possible. He alters his theory, speculating that the human race has evolved into two species: the leisured classes have become the ineffectual Eloi, and the downtrodden working classes have become the brutish light-fearing Morlocks. Deducing that the Morlocks have taken his time machine, he explores the Morlock tunnels, learning that they feed on the Eloi. His revised analysis is that their relationship is not one of lords and servants but of livestock and ranchers, and with no real challenges facing either species. They have both lost the intelligence and character of Man at its peak.
Meanwhile, he saves an Eloi named Weena from drowning, and they develop an innocently affectionate relationship over the course of several days. He takes Weena with him on an expedition to a distant structure that turns out to be the remains of a museum, where he finds a fresh supply of matches and fashions a crude weapon against Morlocks, whom he fears he must fight to get back his machine. But the long and tiring journey back to Weena's home is too much for them, they are overcome by Morlocks in the night, and Weena is injured. The Traveller escapes only when a small fire he had left behind them to distract the Morlocks catches up to them as a forest fire; Weena is lost to the fire.
The Morlocks use the time machine as bait to ensnare the Traveller, not understanding that he will use it to escape. He travels further ahead to roughly 30 million years from his own time. There he sees some of the last living things on a dying Earth, menacing reddish crab-like creatures slowly wandering the blood-red beaches of a world covered in simple vegetation. He continues to make short jumps through time, seeing Earth's rotation gradually cease and the sun grow dimmer, and the world falling silent and freezing as the last degenerate living things die out.
Overwhelmed, he returns to his laboratory, at just three hours after he originally left. Interrupting dinner, he relates his adventures to his disbelieving visitors, producing as evidence two strange flowers Weena had put in his pocket. The original narrator takes over and relates that he returned to the Time Traveller's house the next day, finding him in final preparations for another journey. The Traveller promises to return in half an hour, but three years later, the narrator despairs of ever learning what became of him.
Deleted text
A section from the 11th chapter of the serial published in New Review (May, 1895) was deleted from the book. It was drafted at the suggestion of Wells's editor, William Ernest Henley, who wanted Wells to "oblige your editor" by lengthening out the text with, among other things, an illustration of "the ultimate degeneracy" of man. "There was a slight struggle," Wells later recalled, "between the writer and W. E. Henley who wanted, he said, to put a little 'writing' into the tale. But the writer was in reaction from that sort of thing, the Henley interpolations were cut out again, and he had his own way with his text." This portion of the story was published elsewhere as The Grey Man. This deleted text was also published by Forrest J. Ackerman in an issue of the American edition of Perry Rhodan.
The deleted text recounts an incident immediately after the Traveller's escape from the Morlocks. He finds himself in the distant future of an unrecognisable Earth, populated with furry, hopping herbivores. He stuns or kills one with a rock, and upon closer examination realizes they are probably the descendants of humans/Eloi/Morlocks. A gigantic, centipede-like arthropod approaches and the Traveller flees into the next day, finding that the creature has apparently eaten the tiny humanoid.
Film, TV, or theatrical adaptations
First adaptation
The first visual adaptation of the book was a live teleplay broadcast from Alexandra Palace on 25 January 1949 by the BBC, which starred Russell Napier as the Time Traveller and Mary Donn as Weena. No recording of this live broadcast was made; the only record of the production is the script and a few black and white still photographs. A reading of the script, however, suggests that this teleplay remained fairly faithful to the book.
Escape Radio broadcasts
The CBS radio anthology Escape adapted The Time Machine twice, in 1948 starring Jeff Corey, and again in 1950 starring John Dehner. In both episodes a script adapted by Irving Ravetch was used. The Time Traveller was named Dudley and was accompanied by his skeptical friend Fowler as they travelled to the year 100,080.
1960 film
George Pál (who also made a famous 1953 "modernised" version of Wells's The War of the Worlds) filmed The Time Machine in 1960. Rod Taylor (The Birds) starred, along with Yvette Mimieux as the young Eloi, Weena, Alan Young as his closest friend David Filby (and, in 1917 and 1966, his son James Filby), Sebastian Cabot as Dr Hillyer, Whit Bissell as Walter Kemp and Doris Lloyd as his housekeeper Mrs Watchett. The Time Traveller is addressed as George. The plate on the Time Machine which he builds, is inscribed 'Manufactured by H. George Wells'. This is clearly visible and easily read whenever the date indicator panel is shown in the film. The location is not stated anymore precisely than in the south of England, but is near a sharp bend of the river Thames, so is presumably still Richmond, Surrey.
This is more of an adventure tale than the book was; The story begins with the Time Traveller returning from his trip, unkempt and in disarray. He relates to his friends of what he has witnessed: wars' horrors first-hand in June, 1940 over London and a nuclear bomb in August, 1966. Travelling to 802,701 A.D., he finds world has settled into a vast garden. He meets the pacifist, illiterate and servile Eloi, who speak broken English, and have little interest in technology or the past. Their brethren from long ago, the Morlocks, however, although technologically competent, have devolved into cannibalistic underground workers. He deduces the division of mankind resulted from mutations induced by nuclear war - periodic air-raid sirens cause Weena and many Eloi to instinctively report to underground shelters run by the Morlocks. The Time Traveller goes down to rescue them, and encourages a leader among them to help them escape. Having escaped, and after throwing dead wood into the holes on the surface to feed a growing underground fire, they retreat to the river as underground explosions cause a cave-in. After getting to his machine, he is trapped behind a closed door with several Morlocks, whom he has to fight in order to escape. Battered, he makes it back to his scheduled dinner the next Friday January 5, 1900.
After relating his story, the Time Traveller leaves for a second journey, but Filby and Mrs Watchett note that he had taken three books from the shelves in his drawing room. Filby comments that George must've had a plan for a new Eloi civilisation. "Which three books would you have taken?" Filby inquires to Mrs. Watchett, adding " ... he has all the time in the world."
The film is noted for its then-novel use of time lapse photographic effects to show the world around the Time Traveller changing at breakneck speed as he travels through time. (Pal's earliest films had been works of stop-motion animation.)
Thirty-three years later, a combination sequel/documentary Time Machine: The Journey Back (1993 film), directed by Clyde Lucas, was produced. Rod Taylor hosted, with Bob Burns (also Ex Producer), Gene Warren Sr. and Wah Chang as guests. Michael J. Fox (who had himself portrayed a time traveller in the Back to the Future trilogy) spoke about time travelling in general. In the second half, written by original screenwriter David Duncan, the movie's original actors Rod Taylor, Alan Young and Whit Bissell reprise their roles. The Time Traveller returns to his laboratory in 1916, finding Filby there, and encourages his friend to join him in the far future — but Filby has doubts. (Time Machine: The Journey Back is featured as an extra on the DVD release of the 1960 film).
The Fantasy Film Worlds of George Pal
Main article: The Fantasy Film Worlds of George Pal
This film, produced and directed by Arnold Leibovit, is a biopic of George Pal. It contains a number of filmed elements from Pal's 1960 film version of The Time Machine.
1978 TV movie
A TV version was made in 1978, with time-lapse images of building walls being de-constructed, and geographic shifting from Los Angeles to Plymouth, Mass., and inland California. John Beck starred as Neil Perry, with Whit Bissell (from the original 1960 movie and also one of the stars of the 1966 television series The Time Tunnel) appearing as one of Perry's superiors. Though only going a few thousand years into the future, Perry finds the world of the Eloi and Morlocks, and learns the world he left will be destroyed by another of his own inventions. The character Weena was played by Priscilla Barnes of Three's Company fame.
1994 audio drama
In 1994 an audio drama was published on CD by Alien Voices, starring Leonard Nimoy as the Time Traveller (named John) and John de Lancie as David Filby. John de Lancie's children, Owen de Lancie and Keegan de Lancie, played the parts of the Eloi. The drama is approximately two hours long. Interestingly, this version of the story is more faithful to Wells's novella than either the 1960 movie or the 2002 movie.
2002 film
The 1960 film was remade in 2002, starring Guy Pearce as the Time Traveller, a mechanical engineering professor named Alexander Hartdegen, Mark Addy as his colleague David Filby, Sienna Guillory as Alex's ill-fated fiancée Emma, Phyllida Law as Mrs. Watchit, and Jeremy Irons as the uber-Morlock. Playing a quick cameo as a shopkeeper was Alan Young, who featured in the 1960 film. (H.G. Wells himself can also be said to have a "cameo" appearance, in the form of a photograph on the wall of Alex's home, near the front door.)
The film was directed by Wells's great-grandson Simon Wells, with an even more revised plot that incorporated the ideas of paradoxes and changing the past. The place is changed from Richmond, Surrey, to downtown New York City, where the Time Traveller moves forward in time to find answers to his questions on 'Practical Application of Time Travel;' first in 2030 New York, to witness an orbital lunar catastrophe in 2037, before moving on to 802,701 for the main plot. He later briefly finds himself in 635,427,810 with toxic clouds and a world laid waste (presumably by the Morlocks) with devastation and Morlock artefacts stretching out to the horizon.
It was met with generally mixed reviews and earned $56 million before VHS/DVD sales. The Time Machine used a design that was very reminiscent of the one in the Pal film, but was much larger and employed polished turned brass construction, along with rotating quartz/glasses reminiscent of the light gathering prismatic lenses common to lighthouses (In Wells's original book, the Time Traveller mentioned his 'scientific papers on optics'). Weena makes no appearance; Hartdegen instead becomes involved with a female Eloi named Mara, played by Samantha Mumba. In this film, the Eloi have, as a tradition, preserved a "stone language" that is identical to English. The Morlocks are much more barbaric and agile, and the Time Traveller has a direct impact on the plot.
2009 BBC Radio 3 broadcast
Robert Glenister stars as the Time Traveller, with William Gaunt as H. G. Wells in a new 100-minute radio dramatisation by Philip Osment, directed by Jeremy Mortimer as part of a BBC Radio Science Fiction season. This was the first adaptation of the novel for British radio. It was first broadcast on 22 February 2009 on BBC Radio 3. The other cast was:
* Time traveller - Robert Glenister
* Martha - Donnla Hughes
* Young HG Wells - Gunnar Cauthery
* Filby, friend of the young Wells - Stephen Critchlow
* Bennett, friend of the young Wells - Chris Pavlo
* Mrs Watchett, the traveller's housemaid - Manjeet Mann
* Weena, one of the Eloi and the traveller's partner - Jill Cardo
* Other parts - Robert Lonsdale, Inam Mirza and Dan Starkey
The adaptation retained the nameless status of the time traveller and set it as a true story told to the young Wells by the time traveller, which Wells then re-tells as an older man to the American journalist Martha whilst firewatching on the roof of Broadcasting House during the Blitz. It also retained the deleted ending from the novel as a recorded message sent back to Wells from the future by the traveller using a prototype of his machine, with the traveller escaping the anthropoid creatures to 30 million AD at the end of the universe before disappearing or dying there.
Wishbone episode
The Time Machine was featured in an episode of the PBS children's show Wishbone, entitled "Bark to the Future". Wishbone plays the role of the Time Traveller, where he meets Weena, takes her to an ancient library, and confronts the Morlocks. The parallel story has Wishbone's owner, Joe, relying on a calculator to solve percentage problems rather than his own intellect, recalling the mindset that created the lazy Eloi.
Sequels by other authors
Wells's novella has become one of the cornerstones of science-fiction literature. As a result, it has spawned many offspring. Works expanding on Wells's story include:
* The Return of the Time Machine by Egon Friedell, printed in 1972, from the 1946 German version. The author portrays himself as a character searching for the Time Traveller in different eras.
* The Hertford Manuscript by Richard Cowper, first published in 1976. It features a "manuscript" which reports the Time Traveller's activities after the end of the original story. According to this manuscript, the Time Traveller disappeared because his Time Machine had been damaged by the Morlocks without him knowing it. He only found out when it stopped operating during his next attempted time travel. He found himself on August 27, 1665, in London during the outbreak of the Great Plague of London. The rest of the novel is devoted to his efforts to repair the Time Machine and leave this time period before getting infected with the disease. He also has an encounter with Robert Hooke. He eventually dies of the disease on September 20, 1665. The story gives a list of subsequent owners of the manuscript until 1976. It also gives the name of the Time Traveller as Robert James Pensley, born to James and Martha Pensley in 1850 and disappearing without trace on June 18, 1894.
* Morlock Night by K.W. Jeter, first published in 1979. A steampunk novel in which the Morlocks, having studied the Traveller's machine, duplicate it and invade Victorian London.
* The Space Machine by Christopher Priest, first published in 1976. Because of the movement of planets, stars and galaxies, for a time machine to stay in one spot on Earth as it travels through time, it must also follow the Earth's trajectory through space. In Priest's book, the hero damages the Time Machine, and arrives on Mars, just before the start of the invasion described in The War of the Worlds. H.G. Wells himself appears as a minor character.
* Time Machine II by George Pal and Joe Morhaim, published in 1981. The Time Traveller, named George, and the pregnant Weena try to return to his time, but instead land in the London Blitz, dying during a bombing raid. Their newborn son is rescued by an American ambulance driver, and grows up in the United States under the name Christopher Jones. Sought out by the lookalike son of James Filby, Jones goes to England to collect his inheritance, leading ultimately to George's journals, and the Time Machine's original plans. He builds his own machine with 1970s upgrades, and seeks his parents in the future.
* The Time Ships, by Stephen Baxter, first published in 1995. This sequel was officially authorized by the Wells estate to mark the centenary of the original's publication. In its wide-ranging narrative, the Traveller's desire to return and rescue Weena is thwarted by the fact that he has changed history (by telling his tale to his friends, one of whom published the account). With a Morlock (in the new history, the Morlocks are intelligent and cultured), he travels through the multiverse as increasingly complicated timelines unravel around him, eventually meeting mankind's far future descendants, whose ambition is to travel into the multiverse of multiverses.[clarification needed] This sequel includes many nods to the prehistory of Wells's story in the names of characters and chapters.
* The 2003 short story "On the Surface" by Robert J. Sawyer begins with this quote from the Wells original: "I have suspected since that the Morlocks had even partially taken it [the time machine] to pieces while trying in their dim way to grasp its purpose." In the Sawyer story, the Morlocks develop a fleet of time machines and use them to conquer the same far future Wells depicted at the end of the original, by which time, because the sun has grown red and dim and thus no longer blinds them, they can reclaim the surface of the world.
* The Man Who Loved Morlocks and The Trouble With Weena (The Truth about Weena) are two different sequels, the former a novel and the latter a short story, by David J. Lake. Each of them concerns the Time Traveller's return to the future. In the former, he discovers that he cannot enter any period in time he has already visited, forcing him to travel in to the further future, where he finds love with a woman whose race evolved from Morlock stock. In the latter, he is accompanied by Wells, and succeeds in rescuing Weena and bringing her back to the 1890s, where her political ideas cause a peaceful revolution.
* In Michael Moorcock's Dancers at the End of Time series, the Time Traveller is a very minor character, his role consists of being shocked by the decadence of the inhabitants of the End of Time. H.G. Wells also appears briefly in this series when the characters visit Bromley in 1896.
* The Time Traveller makes a brief appearance in Allan and the Sundered Veil, a back-up story appearing in the first volume of Alan Moore and Kevin O'Neill's The League of Extraordinary Gentlemen, Volume I, where he saves Allan Quatermain, John Carter and Randolph Carter from a horde of Morlocks.
* The time-travelling hero known as "The Rook" (who appeared in various comics from Warren Publishing) is the grandson of the original Time Traveller. In one story, he met the Time Traveller, and helps him stop the Morlocks from wiping out the Eloi.
* Philip José Farmer speculated that the Time Traveller was a member of the Wold Newton family. He is said to have been the great-uncle of Doc Savage.
* Burt Libe wrote two sequels: Beyond the Time Machine and Tangles in Time, telling of the Time Traveller finally settling down with Weena in the 33rd century. They have a few children, the youngest of whom is the main character in the second book.
* In 2006, Monsterwax Trading Cards combined The Time Machine with two of Wells's other stories, The Island of Dr. Moreau and The War of the Worlds. The resulting 102 card trilogy, by Ricardo Garijo, was entitled The Art of H. G. Wells. The continuing narrative links all three stories by way of an unnamed writer mentioned in Wells's first story, to the nephew of Ed Prendick (the narrator of Dr. Moreau), and another unnamed writer (narrator) in The War of the Worlds.
* In Ronald Wright's novel A Scientific Romance, a lonely museum curator on the eve of the millennium discovers a letter written by Wells shortly before his death, foretelling the imminent return of the Time Machine. The curator finds the machine, then uses it to travel into a post-apocalyptic future.
The Time Traveller
Although the Time Traveller's real name is never given in the original novel, other sources have named him.
One popular theory, encouraged by movies like Time After Time and certain episodes of the hit show Lois and Clark: The New Adventures of Superman, is that the Time Traveller is meant to be none other than H. G. Wells himself. Indeed, in the George Pál movie adaptation of The Time Machine, his name is given as George (also H. G. Wells's middle name). Due to the clarity of the DVD image, 'H.G. Wells' can be seen on the control panel of the device, making it obvious that the film's Time Traveller is H.G. Wells.
In Simon Wells' 2002 remake, the Time Traveller is named Alexander Hartdegen.
In The Time Ships, Stephen Baxter's sequels to The Time Machine, the Time Traveller encounters his younger self via time travel, who he nicknames 'Moses'. His younger self reacts with embarrassment to this, which implies that it may be a first name that he changed. This is a reference to H.G. Wells's story "The Chronic Argonauts", the story which grew into The Time Machine, in which the inventor of the Time Machine is named Dr. Moses Nebogipfel. (The surname of Wells's first inventor graces another character in Baxter's book, as explained above.)
The Hartford Manuscript, another sequel to The Time Machine, gives the Time Traveller's name as Robert James Pensley.
Doc Savage: His Apocalyptic Life by Philip José Farmer gives the Time Traveller's name as Bruce Clarke Wildman.
The Rook comic book series gives the Time Traveller's name as Adam Dane.
In the Doctor Who comic strip story "The Eternal Present", the character of Theophilus Tolliver is implied to be the Time Traveller of Wells's novel.
Also featured in Doctor Who is Wells, himself, appearing in the television serial Timelash. The events of this story are portrayed has having inspired Wells to write The Time Machine.
The Invisible Man is a science fiction novella by H.G. Wells published in 1897. Wells' novel was originally serialised in Pearson's Magazine in 1897, and published as a novel the same year. The Invisible Man of the title is Griffin, a scientist who theorises that if a person's refractive index is changed to exactly that of air and his body does not absorb or reflect light, then he will be invisible. He successfully carries out this procedure on himself, but cannot become visible again, becoming mentally unstable as a result.
Plot summary
The book starts in the English village of Iping in West Sussex, as curiosity and fear are started up in the inhabitants when a mysterious stranger arrives to stay at the local inn, The Coach and Horses. The stranger wears a long, thick coat, gloves, his face is hidden entirely by bandages, large goggles, and a wide-brimmed hat. The stranger is extremely reclusive and demands to be left alone, spending most of his time in his room working with a set of chemicals and laboratory apparatus, only venturing out at night. He quickly becomes the talk of the village as he unnerves the locals.
Meanwhile, a series of mysterious burglaries occur in the village in which the victims catch no sight of the thief. One morning when the innkeepers pass the stranger's room, they enter in curiosity when they notice the stranger's clothes are scattered all over the floor but the stranger is nowhere to be seen. The furniture seems to spring alive and the bedclothes and a chair leap into mid-air and push them out of the room. Later in the day Mrs. Hall confronts the stranger about this, and the stranger reveals that he is invisible, removing his bandages and goggles to reveal nothing beneath. As Mrs. Hall flees in horror, the police attempt to catch the stranger, but he throws off all his clothes and escapes.
The Invisible Man flees to the downs, where he frightens a tramp, Thomas Marvel, with his invisibility and forces him to become his lab assistant. Together with Marvel, he returns to the village where Marvel steals the Invisible Man's books and apparatus from the inn while the Invisible Man himself steals the doctor's and vicar's clothes. But after the theft, Marvel attempts to betray the Invisible Man to the police, and the Invisible Man chases after him, threatening to kill him.
Marvel flees to the seaside town of Burdock where he takes refuge in an inn. The Invisible Man attempts to break in through the back door but he is overheard and shot by a black-bearded American, and flees the scene badly injured. He enters a nearby house to take refuge and dress his wound. The house turns out to belong to Dr. Kemp, whom the Invisible Man recognises, and he reveals to Kemp his true identity — Griffin, a brilliant medical student with whom Kemp studied at university.
Mr. Griffin explains to his old friend Kemp that after leaving university he was desperately poor. Determined to achieve something of scientific significance, he began to work on an experiment to make people and objects invisible, using money stolen from his own father, who committed suicide after being robbed by his son. Griffin experimented with a formula that altered the refractive index of objects, which resulted in light not bending when passing through the object, thereby making it invisible. He performed the experiment using a cat, but when the cat's owner, Griffin's neighbor, realized the cat was missing, she made a complaint to their landlord, and Griffin wound up performing the invisibility procedure on himself to hide from them. Griffin theorizes part of the reason he can be invisible stems from the fact he is albino, mentioning that food becomes visible in his stomach and remains so until digested, with the bizarre image passing through air in the meantime.
After burning the boarding house down to cover his tracks, he felt a sense of invincibility from being invisible. However, reality soon proved that sense misguided. After struggling to survive out in the open, he stole some clothing from a dingy backstreet shop and took residence at the Coach & Horses inn to reverse the experiment. He then explains to Kemp that he now plans to begin a Reign of Terror (The First Year of the Invisible Man), using his invisibility to terrorize the nation with Kemp as his secret confederate.
Realizing that Griffin is clearly insane, Kemp has no plans to help him and instead alerts the police. When the police arrive, Griffin violently assaults Kemp and a policeman before escaping, and the next day he leaves a note on Kemp's doorstep announcing that Kemp will be the first man killed in the Reign of Terror. Kemp remains cool and writes a note to the Colonel, detailing a plan to use himself as bait to trap the Invisible Man, but as a maidservant attempts to deliver the note she is attacked by Griffin and the note is stolen.
Just as the police accompany the attacked maid back to the house, the Invisible Man breaks in through the back door and makes for Kemp. Keeping his head cool, Kemp bolts from the house and runs down the hill to the town below, where he alerts a navvy that the Invisible Man is approaching. The crowd in the town, witnessing the pursuit, rally around Kemp. When Kemp is pinned down by Griffin, the navvy strikes him with a spade and knocks him to the ground, and he is violently assaulted by the workers. Kemp calls for the mob to stop, but it is too late. The Invisible Man dies of the injuries he has received, and his naked and battered body slowly becomes visible on the ground after he dies. Later it is revealed that Marvel has Griffin's notes, with the invisibility formula written in a mix of Russian and Greek which he cannot read, and with some pages washed out.
Characters
Griffin
"The Invisible Man" cover art.
Dr. Kemp
Dr. Kemp is a scientist living in the town of Port Burdock. He is an old friend of Griffin, who comes to his house to hide after Griffin's transformation into the "invisible man." Kemp has a hard time accepting the fact that his friend, who he had not seen for years, suddenly appears uninvited and invisible, but eventually he overcomes his shock and sits down and talks with Griffin and betrays him.
Narrative-wise, Kemp then allows Griffin to relate the story of how he began his experiments, and all that happened to him between his arrival on his old friend's doorstep and then. Kemp, realizing that Griffin is insane with power, is quick to summon Colonel Adye of the Port Burdock police. Adye fails to apprehend Griffin, who escapes and brands Kemp a traitor, vowing to kill him.
Despite the death threat, Kemp is no coward, and actively assists and advises Adye in quest to find and apprehend the Invisible Man while the police colonel serves as his bodyguard. Eventually Griffin overpowers Adye and comes after Kemp, who, rushing through the streets of Port Burdock, rouses the townspeople into a mob which attacks the Invisible Man and brings his reign of terror to an end.
The film
In the 1933 Universal film adaptation of the book, Kemp is given the first name Arthur and is played by William Harrigan.
Kemp of the film is a much less likable character, and isn't as fortunate as his literary counterpart. Here, Arthur Kemp is a "friend" of Dr. Jack Griffin, who serves as an assistant to Dr. Cranley. Unlike Griffin, Kemp is a thoroughly incompetent scientist, as well as an opportunistic coward. He continually criticises Griffin for his experiments with monocane, and secretly covets Griffin's fiancé (and Dr. Cranley's daughter) Flora.
When Griffin disappears and goes to the remote village of Iping, Kemp attempts to report his colleague's questionable experiments to Dr. Cranley, and tries to woo Flora. Although he manages to convince Cranley that Griffin is up to no good, however, he fails to persuade Flora to forget about her beloved Jack. Shortly after this, Griffin, now made invisible as a result of his monocane experiments and hunted as a criminal by the police in Iping, turns up in Kemp's house seeking his old colleague's assistance.
Although Kemp initially goes along with Griffin's plans, helping him retrieve his notebooks from the Lion's Head Inn (where, unbeknownst to Kemp, Griffin has murdered Inspector Bird), Kemp soon grows too afraid of Griffin to continue assisting him, and alerts Flora, Dr. Cranley, and the police to Griffin's whereabouts. Although Griffin is delighted to be reunited with Flora, his increasing madness frightens her away.
Shortly after, Kemp secretly phones the police, but is overheard by Griffin.
Kemp is marked for death by a furious Griffin, and despite intensive police protection and a daring plan by Inspector Lane to get Kemp safely out into the country disguised as a police officer, Griffin manages to make good on his threats: he ties Kemp up, puts him into his car, and then sends the car over a cliff. Kemp perishes in the crash.
Mr. Hall
Mr. Hall is the husband of Mrs. Hall and helps her run the Coach and Horses Inn. He is the first person in Iping to notice that the mysterious Griffin is invisible: when a dog bites him and tears his glove, Griffin retreats to his room and Hall follows to see if he is all right, only to see Griffin without his glove and handless (or so it appears to Hall).
Mr. Hall appears in the 1933 Universal film adaptation, where he is given the first name Herbert and seriously injured by Griffin. In the film, he is portrayed by Forrester Harvey.
Mrs. Hall
Mrs. Hall is the wife of Mr. Hall and the owner of the Coach and Horses Inn.
A very friendly, down-to-earth woman who enjoys socializing with her guests, Mrs. Hall is continually frustrated by the mysterious Griffin's refusal to talk with her, and his repeated temper tantrums.
Mrs. Hall appears in the 1933 Universal film adaptation, where she was played by Una O'Connor and given the first name Jenny. In the film version, her primary occupation is to scream.
Thomas Marvel
Thomas Marvel is a jolly old tramp unwittingly recruited to assist the Invisible Man as his first visible partner. He carries around the Invisible Man's scientific notebooks for him and, eventually, a large sum of money that Griffin had stolen from a bank. Eventually Thomas grows afraid of his unseen partner and flees to Port Burdock, taking both the notebooks and the money with him, where he seeks police protection.
Although the Invisible Man is furious and vows to kill Thomas for his betrayal, and even makes an attempt on his life before being driven off by a police officer, he becomes preoccupied with hiding from the law and retaliating against Dr. Kemp, and Thomas is spared.
Marvel eventually uses the stolen money to open his own inn, which he calls the Invisible Man, and becomes very wealthy. He also secretly studies Griffin's notes, fancying that one day he will figure out the secret of invisibility. However, he cannot read the foreign language that Griffin has written it in, and some pages have been washed clean after being in a ditch.
In Alan Moore's comics series The League of Extraordinary Gentlemen, in which Griffin is a major character, people have suggested that Marvel may have been the man killed by a mob at the end of the original novel, after being substituted by Griffin himself. The only problem with this suggestion is, as Campion Bond introduces the league to Griffin, he commented Griffin made a half-wit albino invisible first.
Marvel does not appear in the 1933 film.
Col. Adye
Col. Adye is the chief of police in the town of Port Burdock. He is called upon by Dr. Kemp when the Invisible Man turned up in Kemp's house talking of taking over the world with his "terrible secret" of invisibility. A very able-bodied and reliable officer, Adye not only saves Kemp from the Invisible Man's first attempt on his life but also spearheads the hunt for the unseen fugitive.
He is eventually shot by the Invisible Man with Kemp's revolver. Upon being shot, Adye is described as falling down and not getting back up. However, he is mentioned in the epilogue as being one of those who had questioned Thomas Marvel about the whereabouts of the Invisible Man's notebooks, and is never made clear whether this occurred prior to his being shot, or if it occurred afterwards and Adye survived.
Dr. Cuss
Dr. Cuss is a doctor living in the town of Iping.
Intrigued by tales of a bandaged stranger staying at the Coach and Horses Inn, Dr. Cuss goes to see him under the pretense of asking for a donation to the nurse's fund. The strange man, Griffin, scares Cuss away by pinching his nose with his invisible hand. Cuss went immediately to see Rev. Bunting, who not surprisingly did not believe the doctor's wild story.
Later, after Griffin had been exposed as The Invisible Man, Cuss and Bunting got ahold of his notebooks, but these were stolen back from them by the invisible Griffin, who took both men's clothes. Although the unlucky Reverend had all his clothing stolen by Griffin, Cuss only lost his trousers.
J. A. Jaffers
J. A. Jaffers is a constable in the town of Iping. He is called upon by Mr. and Mrs. Hall to arrest Griffin after they suspected him of robbing the Reverend Bunting. Like most of the people in Iping, Jaffers was both openminded and adaptable - He overcame his shock at the discovery that Griffin was invisible quickly, determined to arrest him in spite of this.
Jaffers appears in the 1933 Universal film adaptation.
The Rev Mr Bunting
The Rev Mr Bunting is a vicar in the town of Iping. Dr. Cuss went to see him following his first encounter with Griffin. Bunting laughed at Cuss' claims of an invisible hand pinching his nose, but the next night his home was burgled by the Invisible Man himself.
Later, Bunting and Cuss tried to read Griffin's notes but were stopped by the Invisible Man, who stole their clothes. Although Cuss escaped missing only his trousers, Bunting had his entire wardrobe purloined.
Adaptations
Films
* The Invisible Man, a 1933 film directed by James Whale and produced by Universal Pictures. Griffin was played by Claude Rains and given the first name "Jack". The film is considered one of the great Universal horror films of the 1930s, and it spawned a number of sequels, plus many spinoffs using the idea of an "invisible man" that were largely unrelated to Wells's original story and using a relative of Griffin as a secondary character possessing the invisibility formula. These were; The Invisible Man Returns (1940) with Vincent Price as Geoffrey Radcliffe, the film's Invisible Man; The Invisible Woman (1940) with Virginia Bruce as the title character and John Barrymore as the scientist who invents the invisibility process; Invisible Agent (1942) and The Invisible Man's Revenge (1944) both starring Jon Hall (as different Invisible Men); and Abbott and Costello Meet the Invisible Man (1951) with Arthur Franz as Tommy Nelson, a boxer framed for murder who takes the invisibility formula to find the real killer and clear his name. Vincent Price also provided the voice of the Invisible Man at the conclusion of Abbott and Costello Meet Frankenstein (1948).
* Tomei Ningen, a 1954 Japanese film, released by legendary studio Toho. It is a loose adaptation of the story.
* The New Invisible Man, a 1957 Mexican version starring Arturo de Cordova as the title character; this film is a remake of The Invisible Man Returns (1940).
* Mad Monster Party (1967) included the Invisible Man (voiced by Allen Swift) as part of the monster ensemble.
* The Invisible Woman, a 1983 TV-movie pilot for a comedy series starring Alexa Hamilton.
* Человек-невидимка (Pronunciation: Chelovek-nevidimka; translation: The Invisible Man), a 1984 Soviet movie directed by Aleksandr Zakharov, with Andrei Kharitonov as Griffin. The plot was changed: Griffin was shown as a scientist talented but not understood by his contemporaries, and Kemp (starring Romualdas Ramanauskas) as a vicious person who wanted to become a ruler of the world with Griffin's help. When Griffin rejected Kemp's proposal, the last did all his best to kill him (and finally succeeded). The movie remained unknown to the Western audience because of a violation of Wells's copyright.[citation needed]
* Amazon Women on the Moon, a 1987 comedy anthology film featured a spoof titled Son of the Invisible Man, with Ed Begley, Jr. playing the son of the original Invisible Man who believes he is invisible, but is in fact visible - creating an awkward situation when he confidently disrobes in front of everyone.
* Memoirs of an Invisible Man, a 1992 modernized version of the story, starring Chevy Chase as a man who is accidentally made invisible and is then hunted by a government agent who wishes to use him as a weapon.
* Hollow Man, a 2000 film starring Kevin Bacon, and directed by Paul Verhoeven; this film spawned a 2006 direct-to-video sequel Hollow Man 2 starring Christian Slater as "Michael Griffin" and directed by Claudio Fah.
* A feature film entitled The Invisible Man is scheduled to hit theaters in 2010.
Stage
* Ken Hill adapted the book to play form in 1991, and it debuted at Theatre Royal Stratford East in 1991. It played in the West End in 1993 with Michael N. Harbour as Griffin.
The cast for the production at Stratford East in 1991 was as follows -; Jon Finch [Griffin], Brian Murphy [Thomas Marvel], Toni Palmer [Mrs Hall], Andrew Secombe [Squire Burdock], Geoffrey Freshwater [PC Jaffers/Dr Kemp], Caroline Longo [Miss Statchell], Liza Hayden [Millie], Miles Richardson [Dr Cuss/ Fearenside/Wadgers/Col. Adye], Philip Newman [Wicksteed], Jonathan Whaley [MC/ Teddy Henfrey/Rev. Bunting].
Radio
* The 2001 Radio Tales drama "The Invisible Man" is an adaptation of the novel for National Public Radio.
Plot summary
The book starts in the English village of Iping in West Sussex, as curiosity and fear are started up in the inhabitants when a mysterious stranger arrives to stay at the local inn, The Coach and Horses. The stranger wears a long, thick coat, gloves, his face is hidden entirely by bandages, large goggles, and a wide-brimmed hat. The stranger is extremely reclusive and demands to be left alone, spending most of his time in his room working with a set of chemicals and laboratory apparatus, only venturing out at night. He quickly becomes the talk of the village as he unnerves the locals.
Meanwhile, a series of mysterious burglaries occur in the village in which the victims catch no sight of the thief. One morning when the innkeepers pass the stranger's room, they enter in curiosity when they notice the stranger's clothes are scattered all over the floor but the stranger is nowhere to be seen. The furniture seems to spring alive and the bedclothes and a chair leap into mid-air and push them out of the room. Later in the day Mrs. Hall confronts the stranger about this, and the stranger reveals that he is invisible, removing his bandages and goggles to reveal nothing beneath. As Mrs. Hall flees in horror, the police attempt to catch the stranger, but he throws off all his clothes and escapes.
The Invisible Man flees to the downs, where he frightens a tramp, Thomas Marvel, with his invisibility and forces him to become his lab assistant. Together with Marvel, he returns to the village where Marvel steals the Invisible Man's books and apparatus from the inn while the Invisible Man himself steals the doctor's and vicar's clothes. But after the theft, Marvel attempts to betray the Invisible Man to the police, and the Invisible Man chases after him, threatening to kill him.
Marvel flees to the seaside town of Burdock where he takes refuge in an inn. The Invisible Man attempts to break in through the back door but he is overheard and shot by a black-bearded American, and flees the scene badly injured. He enters a nearby house to take refuge and dress his wound. The house turns out to belong to Dr. Kemp, whom the Invisible Man recognises, and he reveals to Kemp his true identity — Griffin, a brilliant medical student with whom Kemp studied at university.
Mr. Griffin explains to his old friend Kemp that after leaving university he was desperately poor. Determined to achieve something of scientific significance, he began to work on an experiment to make people and objects invisible, using money stolen from his own father, who committed suicide after being robbed by his son. Griffin experimented with a formula that altered the refractive index of objects, which resulted in light not bending when passing through the object, thereby making it invisible. He performed the experiment using a cat, but when the cat's owner, Griffin's neighbor, realized the cat was missing, she made a complaint to their landlord, and Griffin wound up performing the invisibility procedure on himself to hide from them. Griffin theorizes part of the reason he can be invisible stems from the fact he is albino, mentioning that food becomes visible in his stomach and remains so until digested, with the bizarre image passing through air in the meantime.
After burning the boarding house down to cover his tracks, he felt a sense of invincibility from being invisible. However, reality soon proved that sense misguided. After struggling to survive out in the open, he stole some clothing from a dingy backstreet shop and took residence at the Coach & Horses inn to reverse the experiment. He then explains to Kemp that he now plans to begin a Reign of Terror (The First Year of the Invisible Man), using his invisibility to terrorize the nation with Kemp as his secret confederate.
Realizing that Griffin is clearly insane, Kemp has no plans to help him and instead alerts the police. When the police arrive, Griffin violently assaults Kemp and a policeman before escaping, and the next day he leaves a note on Kemp's doorstep announcing that Kemp will be the first man killed in the Reign of Terror. Kemp remains cool and writes a note to the Colonel, detailing a plan to use himself as bait to trap the Invisible Man, but as a maidservant attempts to deliver the note she is attacked by Griffin and the note is stolen.
Just as the police accompany the attacked maid back to the house, the Invisible Man breaks in through the back door and makes for Kemp. Keeping his head cool, Kemp bolts from the house and runs down the hill to the town below, where he alerts a navvy that the Invisible Man is approaching. The crowd in the town, witnessing the pursuit, rally around Kemp. When Kemp is pinned down by Griffin, the navvy strikes him with a spade and knocks him to the ground, and he is violently assaulted by the workers. Kemp calls for the mob to stop, but it is too late. The Invisible Man dies of the injuries he has received, and his naked and battered body slowly becomes visible on the ground after he dies. Later it is revealed that Marvel has Griffin's notes, with the invisibility formula written in a mix of Russian and Greek which he cannot read, and with some pages washed out.
Characters
Griffin
"The Invisible Man" cover art.
Dr. Kemp
Dr. Kemp is a scientist living in the town of Port Burdock. He is an old friend of Griffin, who comes to his house to hide after Griffin's transformation into the "invisible man." Kemp has a hard time accepting the fact that his friend, who he had not seen for years, suddenly appears uninvited and invisible, but eventually he overcomes his shock and sits down and talks with Griffin and betrays him.
Narrative-wise, Kemp then allows Griffin to relate the story of how he began his experiments, and all that happened to him between his arrival on his old friend's doorstep and then. Kemp, realizing that Griffin is insane with power, is quick to summon Colonel Adye of the Port Burdock police. Adye fails to apprehend Griffin, who escapes and brands Kemp a traitor, vowing to kill him.
Despite the death threat, Kemp is no coward, and actively assists and advises Adye in quest to find and apprehend the Invisible Man while the police colonel serves as his bodyguard. Eventually Griffin overpowers Adye and comes after Kemp, who, rushing through the streets of Port Burdock, rouses the townspeople into a mob which attacks the Invisible Man and brings his reign of terror to an end.
The film
In the 1933 Universal film adaptation of the book, Kemp is given the first name Arthur and is played by William Harrigan.
Kemp of the film is a much less likable character, and isn't as fortunate as his literary counterpart. Here, Arthur Kemp is a "friend" of Dr. Jack Griffin, who serves as an assistant to Dr. Cranley. Unlike Griffin, Kemp is a thoroughly incompetent scientist, as well as an opportunistic coward. He continually criticises Griffin for his experiments with monocane, and secretly covets Griffin's fiancé (and Dr. Cranley's daughter) Flora.
When Griffin disappears and goes to the remote village of Iping, Kemp attempts to report his colleague's questionable experiments to Dr. Cranley, and tries to woo Flora. Although he manages to convince Cranley that Griffin is up to no good, however, he fails to persuade Flora to forget about her beloved Jack. Shortly after this, Griffin, now made invisible as a result of his monocane experiments and hunted as a criminal by the police in Iping, turns up in Kemp's house seeking his old colleague's assistance.
Although Kemp initially goes along with Griffin's plans, helping him retrieve his notebooks from the Lion's Head Inn (where, unbeknownst to Kemp, Griffin has murdered Inspector Bird), Kemp soon grows too afraid of Griffin to continue assisting him, and alerts Flora, Dr. Cranley, and the police to Griffin's whereabouts. Although Griffin is delighted to be reunited with Flora, his increasing madness frightens her away.
Shortly after, Kemp secretly phones the police, but is overheard by Griffin.
Kemp is marked for death by a furious Griffin, and despite intensive police protection and a daring plan by Inspector Lane to get Kemp safely out into the country disguised as a police officer, Griffin manages to make good on his threats: he ties Kemp up, puts him into his car, and then sends the car over a cliff. Kemp perishes in the crash.
Mr. Hall
Mr. Hall is the husband of Mrs. Hall and helps her run the Coach and Horses Inn. He is the first person in Iping to notice that the mysterious Griffin is invisible: when a dog bites him and tears his glove, Griffin retreats to his room and Hall follows to see if he is all right, only to see Griffin without his glove and handless (or so it appears to Hall).
Mr. Hall appears in the 1933 Universal film adaptation, where he is given the first name Herbert and seriously injured by Griffin. In the film, he is portrayed by Forrester Harvey.
Mrs. Hall
Mrs. Hall is the wife of Mr. Hall and the owner of the Coach and Horses Inn.
A very friendly, down-to-earth woman who enjoys socializing with her guests, Mrs. Hall is continually frustrated by the mysterious Griffin's refusal to talk with her, and his repeated temper tantrums.
Mrs. Hall appears in the 1933 Universal film adaptation, where she was played by Una O'Connor and given the first name Jenny. In the film version, her primary occupation is to scream.
Thomas Marvel
Thomas Marvel is a jolly old tramp unwittingly recruited to assist the Invisible Man as his first visible partner. He carries around the Invisible Man's scientific notebooks for him and, eventually, a large sum of money that Griffin had stolen from a bank. Eventually Thomas grows afraid of his unseen partner and flees to Port Burdock, taking both the notebooks and the money with him, where he seeks police protection.
Although the Invisible Man is furious and vows to kill Thomas for his betrayal, and even makes an attempt on his life before being driven off by a police officer, he becomes preoccupied with hiding from the law and retaliating against Dr. Kemp, and Thomas is spared.
Marvel eventually uses the stolen money to open his own inn, which he calls the Invisible Man, and becomes very wealthy. He also secretly studies Griffin's notes, fancying that one day he will figure out the secret of invisibility. However, he cannot read the foreign language that Griffin has written it in, and some pages have been washed clean after being in a ditch.
In Alan Moore's comics series The League of Extraordinary Gentlemen, in which Griffin is a major character, people have suggested that Marvel may have been the man killed by a mob at the end of the original novel, after being substituted by Griffin himself. The only problem with this suggestion is, as Campion Bond introduces the league to Griffin, he commented Griffin made a half-wit albino invisible first.
Marvel does not appear in the 1933 film.
Col. Adye
Col. Adye is the chief of police in the town of Port Burdock. He is called upon by Dr. Kemp when the Invisible Man turned up in Kemp's house talking of taking over the world with his "terrible secret" of invisibility. A very able-bodied and reliable officer, Adye not only saves Kemp from the Invisible Man's first attempt on his life but also spearheads the hunt for the unseen fugitive.
He is eventually shot by the Invisible Man with Kemp's revolver. Upon being shot, Adye is described as falling down and not getting back up. However, he is mentioned in the epilogue as being one of those who had questioned Thomas Marvel about the whereabouts of the Invisible Man's notebooks, and is never made clear whether this occurred prior to his being shot, or if it occurred afterwards and Adye survived.
Dr. Cuss
Dr. Cuss is a doctor living in the town of Iping.
Intrigued by tales of a bandaged stranger staying at the Coach and Horses Inn, Dr. Cuss goes to see him under the pretense of asking for a donation to the nurse's fund. The strange man, Griffin, scares Cuss away by pinching his nose with his invisible hand. Cuss went immediately to see Rev. Bunting, who not surprisingly did not believe the doctor's wild story.
Later, after Griffin had been exposed as The Invisible Man, Cuss and Bunting got ahold of his notebooks, but these were stolen back from them by the invisible Griffin, who took both men's clothes. Although the unlucky Reverend had all his clothing stolen by Griffin, Cuss only lost his trousers.
J. A. Jaffers
J. A. Jaffers is a constable in the town of Iping. He is called upon by Mr. and Mrs. Hall to arrest Griffin after they suspected him of robbing the Reverend Bunting. Like most of the people in Iping, Jaffers was both openminded and adaptable - He overcame his shock at the discovery that Griffin was invisible quickly, determined to arrest him in spite of this.
Jaffers appears in the 1933 Universal film adaptation.
The Rev Mr Bunting
The Rev Mr Bunting is a vicar in the town of Iping. Dr. Cuss went to see him following his first encounter with Griffin. Bunting laughed at Cuss' claims of an invisible hand pinching his nose, but the next night his home was burgled by the Invisible Man himself.
Later, Bunting and Cuss tried to read Griffin's notes but were stopped by the Invisible Man, who stole their clothes. Although Cuss escaped missing only his trousers, Bunting had his entire wardrobe purloined.
Adaptations
Films
* The Invisible Man, a 1933 film directed by James Whale and produced by Universal Pictures. Griffin was played by Claude Rains and given the first name "Jack". The film is considered one of the great Universal horror films of the 1930s, and it spawned a number of sequels, plus many spinoffs using the idea of an "invisible man" that were largely unrelated to Wells's original story and using a relative of Griffin as a secondary character possessing the invisibility formula. These were; The Invisible Man Returns (1940) with Vincent Price as Geoffrey Radcliffe, the film's Invisible Man; The Invisible Woman (1940) with Virginia Bruce as the title character and John Barrymore as the scientist who invents the invisibility process; Invisible Agent (1942) and The Invisible Man's Revenge (1944) both starring Jon Hall (as different Invisible Men); and Abbott and Costello Meet the Invisible Man (1951) with Arthur Franz as Tommy Nelson, a boxer framed for murder who takes the invisibility formula to find the real killer and clear his name. Vincent Price also provided the voice of the Invisible Man at the conclusion of Abbott and Costello Meet Frankenstein (1948).
* Tomei Ningen, a 1954 Japanese film, released by legendary studio Toho. It is a loose adaptation of the story.
* The New Invisible Man, a 1957 Mexican version starring Arturo de Cordova as the title character; this film is a remake of The Invisible Man Returns (1940).
* Mad Monster Party (1967) included the Invisible Man (voiced by Allen Swift) as part of the monster ensemble.
* The Invisible Woman, a 1983 TV-movie pilot for a comedy series starring Alexa Hamilton.
* Человек-невидимка (Pronunciation: Chelovek-nevidimka; translation: The Invisible Man), a 1984 Soviet movie directed by Aleksandr Zakharov, with Andrei Kharitonov as Griffin. The plot was changed: Griffin was shown as a scientist talented but not understood by his contemporaries, and Kemp (starring Romualdas Ramanauskas) as a vicious person who wanted to become a ruler of the world with Griffin's help. When Griffin rejected Kemp's proposal, the last did all his best to kill him (and finally succeeded). The movie remained unknown to the Western audience because of a violation of Wells's copyright.[citation needed]
* Amazon Women on the Moon, a 1987 comedy anthology film featured a spoof titled Son of the Invisible Man, with Ed Begley, Jr. playing the son of the original Invisible Man who believes he is invisible, but is in fact visible - creating an awkward situation when he confidently disrobes in front of everyone.
* Memoirs of an Invisible Man, a 1992 modernized version of the story, starring Chevy Chase as a man who is accidentally made invisible and is then hunted by a government agent who wishes to use him as a weapon.
* Hollow Man, a 2000 film starring Kevin Bacon, and directed by Paul Verhoeven; this film spawned a 2006 direct-to-video sequel Hollow Man 2 starring Christian Slater as "Michael Griffin" and directed by Claudio Fah.
* A feature film entitled The Invisible Man is scheduled to hit theaters in 2010.
Stage
* Ken Hill adapted the book to play form in 1991, and it debuted at Theatre Royal Stratford East in 1991. It played in the West End in 1993 with Michael N. Harbour as Griffin.
The cast for the production at Stratford East in 1991 was as follows -; Jon Finch [Griffin], Brian Murphy [Thomas Marvel], Toni Palmer [Mrs Hall], Andrew Secombe [Squire Burdock], Geoffrey Freshwater [PC Jaffers/Dr Kemp], Caroline Longo [Miss Statchell], Liza Hayden [Millie], Miles Richardson [Dr Cuss/ Fearenside/Wadgers/Col. Adye], Philip Newman [Wicksteed], Jonathan Whaley [MC/ Teddy Henfrey/Rev. Bunting].
Radio
* The 2001 Radio Tales drama "The Invisible Man" is an adaptation of the novel for National Public Radio.
Brave New World is a novel by Aldous Huxley, written in 1931 and published in 1932. Set in London of AD 2349 (632 A.F. in the book), the novel anticipates developments in reproductive technology and sleep-learning that combine to change society. The future society is an embodiment of the ideals that form the basis of futurism. Huxley answered this book with a reassessment in an essay, Brave New World Revisited (1958), and with his final work, a novel titled Island (1962), both summarized below.
In 1999, the Modern Library ranked Brave New World fifth on its list of the 100 best English-language novels of the 20th century.
Title
Brave New World's ironic title derives from Miranda's speech in Shakespeare's The Tempest, Act V, Scene I:
O wonder!
How many goodly creatures are there here! How beauteous mankind is! O brave new world! That has such people in it!
This line is word-by-word quoted in the novel by John the Savage, when he first sees Lenina.
The expression "brave new world" also appears in Émile Zola's Germinal (1885):
He laughed at his earlier idealism, his schoolboy vision of a brave new world in which justice would reign and men would be brothers.
and in Rudyard Kipling's 1919 poem The Gods of the Copybook Headings:
And that after this is accomplished, and the brave new world begins
When all men are paid for existing and no man must pay for his sins...
Translations of the novel into other languages often allude to similar expressions used in domestic works of literature in an attempt to capture the same irony: the French edition of the work is entitled Le Meilleur des mondes (The Best of All Worlds), an allusion to an expression used by the philosopher Gottfried Leibniz and satirized in Candide, Ou l'Optimisme by Voltaire (1759). The German title of the book is Schöne Neue Welt (Beautiful New World). First the word "brave" was translated to "Tapfer", which is the correct modern translation of "brave." Translators later recognized that, at Shakespeare's time, "brave" meant "beautiful" or "good looking".
Background
Huxley wrote Brave New World in 1931 while he was living in Guatemala and El Salvador (a British writer, he moved to California in 1937). By this time, Huxley had already established himself as a writer and social satirist. He was a contributor to Vanity Fair and Vogue magazines, had published a collection of his poetry (The Burning Wheel, 1916) and four successful satirical novels: Crome Yellow (1921), Antic Hay (1923), Those Barren Leaves (1925) and Point Counter Point (1928). Brave New World was Huxley's fifth novel and first dystopian work.
Brave New World was inspired by the H. G. Wells' utopian novel Men Like Gods. Wells' optimistic vision of the future gave Huxley the idea to begin writing a parody of the novel, which became Brave New World. Contrary to the most popular optimist utopian novels of the time, Huxley sought to provide a frightening vision of the future. Huxley referred to Brave New World as a "negative utopia" (see dystopia), somewhat influenced by Wells' own The Sleeper Awakes and the works of D. H. Lawrence.
George Orwell believed that Brave New World "must be partly derived from" We by Yevgeny Zamyatin. However, in a 1962 letter, Huxley says that he wrote Brave New World long before he had heard of We. According to We translator Natasha Randall, Orwell believed that Huxley was lying.
Huxley visited the newly opened and technologically advanced Brunner and Mond plant, part of Imperial Chemical Industries, or ICI, Billingham, and gives a fine and detailed account of the processes he saw. The introduction to the most recent print[vague] of Brave New World states that Huxley was inspired to write the classic novel by this Billingham visit.
Although the novel is set in the future, it contains contemporary issues of the early 20th century. The Industrial Revolution had transformed the world. Mass production had made cars, telephones, and radios relatively cheap and widely available throughout the developed world. The political, cultural, economic and sociological upheavals of the then-recent Russian Revolution of 1917 and the First World War (1914–1918) were resonating throughout the world as a whole and the individual lives of most people. Accordingly, many of the novel's characters named after widely-recognized influential people of the time, for example, Polly Trotsky, Benito Hoover, Lenina and Fanny Crowne, Mustapha Mond, Helmholtz Watson, and Bernard Marx.
Huxley was able to use the setting and characters from his science fiction novel to express widely held opinions, particularly the fear of losing individual identity in the fast-paced world of the future. An early trip to the United States gave Brave New World much of its character. Not only was Huxley outraged by the culture of youth, commercial cheeriness, sexual promiscuity and the inward-looking nature of many Americans; he had also found a book by Henry Ford on the boat to America. There was a fear of Americanization in Europe, so to see America firsthand, as well as read the ideas and plans of one of its foremost citizens, spurred Huxley to write Brave New World with America in mind. The "feelies" are his response to the "talkie" motion pictures, and the sex-hormone chewing gum is parody of the ubiquitous chewing gum, which was something of a symbol of America at that time. In an article in the 4 May 1935 issue of the Illustrated London News, G. K. Chesterton explained that Huxley was revolting against the "Age of Utopias" — a time, mostly before the First World War, inspired by what H. G. Wells and George Bernard Shaw were writing about socialism and a World State.
After the Age of Utopias came what we may call the American Age, lasting as long as the Boom. Men like Ford or Mond seemed to many to have solved the social riddle and made capitalism the common good. But it was not native to us; it went with a buoyant, not to say blatant optimism, which is not our negligent or negative optimism. Much more than Victorian righteousness, or even Victorian self-righteousness, that optimism has driven people into pessimism. For the Slump brought even more disillusionment than the War. A new bitterness, and a new bewilderment, ran through all social life, and was reflected in all literature and art. It was contemptuous, not only of the old Capitalism, but of the old Socialism. Brave New World is more of a revolt against Utopia than against Victoria.
For Brave New World, Huxley received nearly universal criticism from contemporary critics, although his work was later embraced. Even the few sympathetic critics tended to temper their praises with disparaging remarks.
Synopsis
edit] The Introduction (Chapters 1–6)
The novel opens in London in the "year of our Ford 632" (AD 2540 in the Gregorian Calendar). The vast majority of the population is unified under The World State, an eternally peaceful, stable global society in which goods and resources are plentiful (because the population is permanently limited to no more than two billion people) and everyone is happy. Natural reproduction has been done away with and children are created, 'decanted' and raised in Hatcheries and Conditioning Centres, where they are divided into five castes (which are further split into 'Plus' and 'Minus' members) and designed to fulfill predetermined positions within the social and economic strata of the World State. Foetuses chosen to become members of the highest caste, 'Alpha', are allowed to develop naturally while maturing to term in "decanting bottles", while foetuses chosen to become members of the lower castes ('Beta', 'Gamma', 'Delta', 'Epsilon') are subjected to in situ chemical interference to cause arrested development in intelligence or physical growth. Each 'Alpha' or 'Beta' is the product of one unique fertilized egg developing into one unique fetus. Members of lower castes are not unique but are instead created using the Bokanovsky process which enables a single egg to spawn (at the point of the story being told) up to 96 children and one ovary to produce thousands of children. People of these caste make up the majority of human society, and the production of such specialized children bolsters the efficiency and harmony of society, since these people are deliberately limited in their cognitive and physical abilities, as well as the scope of their ambitions and the complexity of their desires, thus rendering them easier to motivate, manipulate and control. All children are educated via the hypnopaedic process, which simultaneously provides each child with fact-based education and caste-appropriate subconscious messages to mold the child's life-long self-image, class conscientious, social outlook, habits, tastes, morals, ambitions and prejudices, and other values and ideals chosen by the leaders of the World State and their predetermined plans for producing future adult generations.
To maintain the World State's Command Economy for the indefinite future, all citizens are conditioned from birth to value consumption with such platitudes as "ending is better than mending," i.e., buy a new one instead of fixing the old one, because constant consumption, and near-universal employment to meet society's material demands, is the bedrock of economic and social stability for the World State. Beyond providing social engagement and distraction in the material realm of work or play, the need for transcendence, solitude and spiritual communion is addressed with the ubiquitous availability and universally-endorsed consumption of the drug soma. Soma is an allusion to a mythical drink of the same name consumed by ancient Indo-Aryans. In the book, soma is a hallucinogen that takes users on enjoyable, hangover-free "holidays", developed by the World State to provide such inner-directed personal experiences within the socially-managed context of State-run 'religious' organizations, social clubs, and the hypnopaedically-inculcated affinity to the State-produced drug as a self-medicating comfort mechanism in the face of stress or discomfort, thereby eliminating the need for religion or other personal allegiances outside or beyond the World State.
Recreational sex is an integral part of society. According to The World State, sex is a social activity, rather than a means of reproduction, and sexual activity is encouraged from early childhood. The few women who can reproduce are conditioned to use birth control (a "Malthusian belt", resembling a cartridge belt holding "the regulation supply of contraceptives", is a popular fashion accessory). The maxim "everyone belongs to everyone else" is repeated often, and the idea of a "family" is considered pornographic; sexual competition and emotional, romantic relationships are rendered obsolete because they are no longer needed. Marriage, natural birth, parenthood, and pregnancy are considered too obscene to be mentioned in casual conversation. Thus, society has developed a new idea of reproductive comprehension.
Spending time alone is considered an outrageous waste of time and money. Admitting to wanting to be an individual is shocking, horrifying, and embarrassing. This is why John, a character in the book, is later afforded celebrity-like status. Conditioning trains people to consume and never to enjoy being alone, so by spending an afternoon not playing "Obstacle Golf," or not in bed with a friend, one is forfeiting acceptance.
In The World State, people typically die at age 60 having maintained good health and youthfulness their whole life. Death isn't feared; anyone reflecting upon it is reassured by the knowledge that everyone is happy, and that society goes on. Since no one has family, they have no ties to mourn.
The conditioning system eliminates the need for professional competitiveness; people are literally bred to do their jobs and cannot desire another. There is no competition within castes; each caste member receives the same food, housing, and soma rationing as every other member of that caste. There is no desire to change one's caste, largely because a person's sleep-conditioning teaches that his or her caste is superior to the other four. To grow closer with members of the same class, citizens participate in mock religious services called Solidarity Services, in which twelve people consume large quantities of soma and sing hymns. The ritual progresses through group hypnosis and climaxes in an orgy. In geographic areas nonconducive to easy living and consumption, securely contained groups of "savages" are left to their own devices.
In its first chapters, the novel describes life in The World State as wonderful and introduces Lenina and Bernard. Lenina is a socially accepted woman, normal for her society, while Bernard, a psychologist, is an outcast. Although an Alpha Plus, Bernard is shorter in stature than the average of his caste—a quality shared by the lower castes, which gives him an inferiority complex. His work with sleep-teaching has led him to realize that what others believe to be their own deeply held beliefs are merely phrases repeated to children while they sleep. Still, he recognizes the necessity of such programming as the reason why his society meets the emotional needs of its citizens. Courting disaster, he is vocal about being different, once stating he dislikes soma because he'd "rather be himself". Bernard's differences fuel rumors that he was accidentally administered alcohol while incubated, a method used to keep Epsilons short.
Lenina, a woman who seldom questions her own motivations, is reprimanded by her friends because she is not promiscuous enough. However, she is still highly content in her role as a woman. Both fascinated and disturbed by Bernard, she responds to Bernard's advances to dispel her reputation for being too selective and monogamous.
Bernard's only friend is Helmholtz Watson, an Alpha Plus lecturer at the College of Emotional Engineering (Department of Writing). The friendship is based on their similar experiences as misfits, but unlike Bernard, Watson's sense of loneliness stems from being too gifted, too handsome, and too physically strong. Helmholtz is drawn to Bernard as a confidant: he can talk to Bernard about his desire to write poetry.
The Reservation and the Savage (Chapters 7–9)
Bernard, desperately wanting Lenina's attention, tries to impress her by taking her on holiday to a Savage Reservation. The reservation, located in New Mexico, consists of a community named Malpais (which in Spanish means "bad country", one of many Spanish puns throughout the novel). From afar, Lenina thinks it will be exciting. In person, she finds the aged, toothless natives who mend their clothes rather than throw them away repugnant, and the situation is made worse when she discovers that she has left her soma tablets at the resort hotel. Bernard is fascinated, although he realizes his seduction plans have failed.
In typical tourist fashion, Bernard and Lenina watch what at first appears to be a quaint native ceremony. The village folk, whose culture resembles that of the Pueblo peoples such as the Hopi and Zuni, begin by singing, but the ritual quickly becomes a passion play where a village boy is whipped to unconsciousness.
Soon after, the couple encounters Linda, a woman formerly of The World State who has been living in Malpais since she came on a trip and became separated from her group and her date, whom she refers to as "Tomakin" but who is revealed to be Bernard's boss the DHC at the conditioning center, Thomas. She became pregnant because she mistimed her "Malthusian Drill" and there were no facilities for an abortion. Linda gave birth to a son, John (later referred to as John the Savage) who is now eighteen.
Through conversations with Linda and John, we learn that their life has been hard. For eighteen years, they have been treated as outsiders; the natives hate Linda for sleeping with all the men of the village, as she was conditioned to do, and John was mistreated and excluded for his mother's actions, not to mention the role of racism. John's one joy was that his mother had taught him to read, although he only had two books: a scientific manual from his mother's job, which he called a "beastly, beastly book" and refused to read, and a collection of the works of Shakespeare (a work banned in The World State). John has been denied the religious rituals of the village, although he has watched them and even has had some of his own religious experiences in the desert.
Old, weathered and tired, Linda wants to return to her familiar world in London; she is tired of a life without soma. John wants to see the "brave new world" his mother has told him so much about. Bernard wants to take them back as revenge against Thomas, who had just reassigned Bernard to Iceland as punishment for his antisocial beliefs. Bernard arranges permission for Linda and John to leave the reservation.
The Savage visits the World State (Chapters 10–18)
Upon his return to London, Bernard is confronted by Thomas Tomakin, the Director of the Hatchery and Conditioning Centre who, in front of an audience of higher-caste Centre workers, denounces Bernard for his antisocial behaviour. Bernard, thinking that for the first time in his life he has the upper hand, defends himself by presenting the Director with his long lost lover and unknown son, Linda and John. The humiliated Director resigns in shame and is himself sent to Iceland.
Spared from reassignment, Bernard makes John the toast of London. Pursued by the highest members of society, able to bed any woman he fancies, Bernard revels in attention he once scorned. Everyone who is anyone will endure Bernard to dine with the interesting, different, beautiful John. Even Lenina grows fond of the savage, while the savage falls in love with her. Bernard, intoxicated with attention, falls in love with himself. In short, John brings tremendous happiness upon the citizens of London.
The victory, however, is short lived. Linda, decrepit, toothless, friendless, goes on a permanent soma holiday while John, appalled by what he perceives to be an empty society, refuses to attend Bernard's parties. Society drops Bernard as swiftly as it had taken him. Bernard turns to the person he'd believed to be his one true friend, only to see Helmholtz fall into a quick, easy camaraderie with John. Bernard is left an outcast yet again as he watches the only two men he ever connected with find more of interest in each other than they ever did in him.
John and Helmholtz's island of peace is brief. John grows frustrated by a society he finds wicked and debased. He is moved by Lenina, but also loathes her sexual advances, which revolt and shame him. He is heartbroken when his mother succumbs to soma and dies in a hospital. John's grief bewilders and revolts the hospital workers, and their lack of reaction to Linda's death prompts John to try to force humanity from the workers by throwing their soma rations out a window. The ensuing riot brings the police, who soma-gas the crowd. Bernard and Helmholtz arrive to help John, but only Helmholtz helps him, while Bernard stands to the side, torn between risking involvement by helping or escaping the scene.
When they wake, Bernard, Helmholtz and John are brought before Mustapha Mond, the Resident World Controller for Western Europe. Bernard and Helmholtz are told they will be exiled to islands of their choice. Mond explains that exile to the islands is not so much a threat to force freethinkers to reform and rejoin society but a place where they may act as they please, because they will not be an influence on the population. He also divulges that he too once risked banishment to an island because of some scientific experiments that were deemed controversial by the state, giving insight into his sympathetic tone. Helmholtz chooses the Falkland Islands, because of their terrible weather, so he could write well, but Bernard simply doesn't want to leave and struggles with the World Controller and is thrown out of the office. After Bernard and Helmholtz have left, Mustapha and John engage in a philosophical argument on the morals behind the godless society and then John is told the "experiment" will continue and he will not be sent to an island.
In the final chapter, John isolates himself from society in a lighthouse outside London where he finds his hermit life interrupted from mourning his mother by the more bitter memories of civilization. To atone, John brutally whips himself in the open, a ritual the Indians in his own village had said he was not capable of. His self-flagellation, caught on film and shown publicly, destroys his hermit life. Hundreds of gawking sightseers, intrigued by John's violent behavior, fly out to watch the savage in person. Even Lenina comes to watch, crying a tear John does not see. The sight of the woman whom he both adores and blames is too much for him; John attacks and whips her. This sight of genuine, unbridled emotion drives the crowd wild with excitement, and—handling it as they are conditioned to—they turn on each other, in a frenzy of beating and chanting that devolves into a mass orgy of soma and sex. In the morning, John, hopeless, alone, horrified by his drug use, and the orgy he participated in that countered his beliefs, makes one last attempt to escape civilization and atone. When thousands of gawking sightseers arrive that morning, frenzied at the prospect of seeing the savage perform again, they find John dead, hanging by the neck.
Characters
In order of appearance
* Thomas "Tomakin" Foster, Alpha, Director of Hatcheries and Conditioning (D.H.C.) for London; later revealed to be the father of John the Savage.
* Henry Foster, Alpha, Administrator at the Hatchery and Lenina's current partner.
* Lenina Crowne, Beta, Vaccination-worker at the Hatchery; loved by John the Savage.
* Mustapha Mond, Alpha-Plus, World Controller for Western Europe (nine other controllers exist, presumably for different sections of the world).
* Assistant Director of Predestination.
* Bernard Marx, Alpha-Plus but anomalously small, psychologist (specializing in hypnopædia) and the false protagonist of the story. He dates Lenina for a short period of time.
* Fanny Crowne, Beta, embryo worker; a friend, but not a relation, of Lenina.
* Benito Hoover, Alpha, friend of Lenina; disliked by Bernard.
* Helmholtz Watson, Alpha-Plus, lecturer at the College of Emotional Engineering (Department of Writing), friend and confidant of Bernard Marx and John the Savage.
At the Solidarity Service
* Morgana Rothschild, Herbert Bakunin, Fifi Bradlaugh, Jim Bokanovsky, Clara Deterding, Joanna Diesel, Sarojini Engels, and "that great lout" Tom Kawaguchi.
* Miss Keate, headmistress of the high-tech glass and concrete Eton College.
* Arch-Community Songster, a quasi-religious figure based in Canterbury.
* Primo Mellon, a reporter for the upper-caste news-sheet Hourly Radio, who attempts to interview John the Savage and gets assaulted for his troubles.
* Darwin Bonaparte, a press photographer who brings worldwide attention to John's mother.
Of Malpais
* John the Savage ("Mr. Savage"), son of Linda and Thomas (Tomakin/The Director), an outcast in both primitive and modern society. While he does not appear until partway through the story, he becomes the protagonist shortly after his introduction. He commits suicide in the end.
* Linda, a Beta-Minus. John the Savage's mother, and Thomas's (Tomakin/The Director) long lost lover. She is from England and was pregnant with John when she got lost from Thomas in a trip to New Mexico. She is disliked by both savage people because of her "civilized" behaviour, and by civilized people because she is fat and looks old.
* Popé, a native of Malpais. Although he reinforces the behaviour that causes hatred for Linda in Malpais by sleeping with her and bringing her Mezcal, he still holds the traditional beliefs of his tribe. John also attempts to kill him, in his early years.
Background figures
These are fictional and factual characters who lived before the events in this book, but are of note in the novel:
* Henry Ford, who has become a messianic figure to The World State. "Our Ford" is used in place of "Our Lord", as a credit to popularizing the use of the assembly line.
* Sigmund Freud, "Our Freud" is sometimes said in place of "Our Ford" due to the link between Freud's psychoanalysis and the conditioning of humans, and Freud's popularization of the idea that sexual activity is essential to human happiness and need not be open to procreation. It is also strongly implied that citizens of the World State believe Freud and Ford to be the same person.
* H. G. Wells, "Dr. Wells", British writer and utopian socialist, whose book Men Like Gods was an incentive for Brave New World. "All's well that ends Wells" wrote Huxley in his letters, criticizing Wells for anthropological assumptions Huxley found unrealistic.
* Ivan Petrovich Pavlov, whose conditioning techniques are used to train infants.
* William Shakespeare, whose banned works are quoted throughout the novel by John, "the Savage". The plays quoted include Macbeth, The Tempest, Romeo and Juliet, Hamlet, King Lear, Troilus and Cressida, Measure for Measure and Othello. Mustapha Mond also knows them because he, as a World Controller, has access to a selection of books from throughout history, such as a Bible.
* Thomas Malthus, whose name is used to describe the contraceptive techniques (Malthusian belt) practiced by women of the World State.
* Reuben Rabinovitch, the character in whom the effects of sleep-learning, hypnopædia, are first noted.
Sources of names and references
The limited number of names that the World State assigned to its bottle-grown citizens can be traced to political and cultural figures who contributed to the bureaucratic, economic, and technological systems of Huxley's age, and presumably those systems in Brave New World:
* Bernard Marx, from George Bernard Shaw (or possibly Bernard of Clairvaux or possibly Claude Bernard) and Karl Marx.
* Lenina Crowne, from Vladimir Lenin, the Bolshevik leader during the Russian Revolution.
* Fanny Crowne, from Fanny Kaplan, famous for an unsuccessful attempt to assassinate Lenin. Ironically, in the novel, Lenina and Fanny are friends.
* Polly Trotsky, from Leon Trotsky, the Russian revolutionary leader.
* Benito Hoover, from Benito Mussolini, dictator of Italy; and Herbert Hoover, then President of the United States.
* Helmholtz Watson, from the German physician and physicist Hermann von Helmholtz and the American behaviorist John B. Watson.
* Darwin Bonaparte, from Napoleon Bonaparte, the leader of the First French Empire, and Charles Darwin, author of The Origin of Species.
* Herbert Bakunin, from Herbert Spencer, the English philosopher and Social Darwinist, and Mikhail Bakunin, a Russian philosopher and anarchist.
* Mustapha Mond, from Mustapha Kemal Atatürk, founder of Turkey after World War I, who pulled his country into modernisation and official secularism; and Sir Alfred Mond, an industrialist and founder of the Imperial Chemical Industries conglomerate.
* Primo Mellon, from Miguel Primo de Rivera, prime minister and dictator of Spain (1923–1930), and Andrew Mellon, an American banker.
* Sarojini Engels, from Friedrich Engels, co-author of The Communist Manifesto along with Karl Marx: and Sarojini Naidu, an Indian politician.
* Morgana Rothschild, from J P Morgan, US banking tycoon, and the Rothschild family, famous for its European banking operations.
* Fifi Bradlaugh, from the British political activist and atheist Charles Bradlaugh.
* Joanna Diesel, from Rudolf Diesel, the German engineer who invented the diesel engine.
* Clara Deterding, from Henri Deterding, one of the founders of the Royal Dutch Petroleum Company.
* Tom Kawaguchi, from the Japanese Buddhist monk Ekai Kawaguchi, the first recorded Japanese traveler to Tibet and Nepal.
* Jean-Jacques Habibullah, from the French political philosopher Jean-Jacques Rousseau and Habibullah Khan, who served as Emir of Afghanistan in the early 20th century.
* Miss Keate, the Eton headmistress, from nineteenth-century headmaster John Keate.
* Arch-Community Songster of Canterbury, a parody of the Archbishop of Canterbury and the Anglican Church's decision in August 1930 to approve limited use of contraception.
* Popé, from Popé, the Native American rebel who was blamed for the conflict now known as the Pueblo Revolt.
* John the Savage, after the term "noble savage" originally used in the verse drama The Conquest of Granada by John Dryden, and later erroneously associated with Rousseau.
Fordism and society
The World State is built upon the principles of Henry Ford's assembly line—mass production, homogeneity, predictability, and consumption of disposable consumer goods. At the same time as the World State lacks any supernatural-based religions, Ford himself is revered as a deity, and characters celebrate Ford Day and swear oaths by his name (e.g., "By Ford!"). In this sense, some fragments of traditional religion are present, such as Christian crosses, which had their tops cut off in order to be changed to a "T". The World State calendar numbers years in the "AF" era—"After Ford"—with year 1 AF being equivalent to 1908 AD, the year in which Ford's first Model T rolled off his assembly line. The novel's Gregorian calendar year is AD 2540, but it is referred to in the book as AF 632.
From birth, members of every class are indoctrinated by recorded voices repeating slogans while they sleep (called "hypnopædia" in the book) to believe that their own class is best for them. Any residual unhappiness is resolved by an antidepressant and hallucinogenic drug called soma (named for an intoxicating drink in ancient India) distributed by the Arch-Community Songster of Canterbury, a secularised version of the Christian sacrament of Communion ("The Body of Christ").
The biological techniques used to control the populace in Brave New World do not include genetic engineering; Huxley wrote the book before the structure of DNA was known. However, Gregor Mendel's work with inheritance patterns in peas had been re-discovered in 1900 and the eugenics movement, based on artificial selection, was well established. Huxley's family included a number of prominent biologists including Thomas Huxley, half-brother and Nobel Laureate Andrew Huxley, and brother Julian Huxley who was a biologist and involved in the eugenics movement. Nonetheless, Huxley emphasizes conditioning over breeding (see nature versus nurture); as science writer Matt Ridley put it, Brave New World describes an "environmental not a genetic hell". Human embryos and fetuses are conditioned via a carefully designed regimen of chemical (such as exposure to hormones and toxins), thermal (exposure to intense heat or cold, as one's future career would dictate), and other environmental stimuli, although there is an element of selective breeding as well.
Ban, accusation of plagiarism
Brave New World has been banned and challenged at various times. In 1932, the book was banned in Ireland for its language, being anti-family and anti-religion. The American Library Association ranks Brave New World as #52 on their list of most challenged books. In 1980, it was removed from classrooms in Miller, Missouri among other challenges. In 1993, an attempt was made to remove the novel from a California school's required reading list because it "centered around negative activity".
In 1982, Polish author Antoni Smuszkiewicz in his book Zaczarowana gra presented accusations of plagiarism against Huxley. Smuszkiewicz presented similarities between Brave New World and two science fiction novels written by Polish author Mieczysław Smolarski, namely Miasto światłości (The City of the Sun, 1924) and Podróż poślubna pana Hamiltona (The Honeymoon Trip of Mr. Hamilton, 1928).
Comparisons with George Orwell's Nineteen Eighty-Four
Social critic Neil Postman contrasts the worlds of Nineteen Eighty-Four and Brave New World in the foreword of his 1985 book Amusing Ourselves to Death. He writes:
What Orwell feared were those who would ban books. What Huxley feared was that there would be no reason to ban a book, for there would be no one who wanted to read one. Orwell feared those who would deprive us of information. Huxley feared those who would give us so much that we would be reduced to passivity and egoism. Orwell feared that the truth would be concealed from us. Huxley feared the truth would be drowned in a sea of irrelevance. Orwell feared we would become a captive culture. Huxley feared we would become a trivial culture, preoccupied with some equivalent of the feelies, the orgy porgy, and the centrifugal bumblepuppy. As Huxley remarked in Brave New World Revisited, the civil libertarians and rationalists who are ever on the alert to oppose tyranny "failed to take into account man's almost infinite appetite for distractions." In 1984, Orwell added, people are controlled by inflicting pain. In Brave New World, they are controlled by inflicting pleasure. In short, Orwell feared that what we fear will ruin us. Huxley feared that our desire will ruin us.
Journalist Christopher Hitchens, who has himself published several articles on Huxley and a book on Orwell, notes the difference between the two texts in the introduction to his 1999 article "Why Americans Are Not Taught History":
We dwell in a present-tense culture that somehow, significantly, decided to employ the telling expression "You're history" as a choice reprobation or insult, and thus elected to speak forgotten volumes about itself. By that standard, the forbidding dystopia of George Orwell's Nineteen Eighty-Four already belongs, both as a text and as a date, with Ur and Mycenae, while the hedonist nihilism of Huxley still beckons toward a painless, amusement-sodden, and stress-free consensus. Orwell's was a house of horrors. He seemed to strain credulity because he posited a regime that would go to any lengths to own and possess history, to rewrite and construct it, and to inculcate it by means of coercion. Whereas Huxley ... rightly foresaw that any such regime could break but could not bend. In 1988, four years after 1984, the Soviet Union scrapped its official history curriculum and announced that a newly authorized version was somewhere in the works. This was the precise moment when the regime conceded its own extinction. For true blissed-out and vacant servitude, though, you need an otherwise sophisticated society where no serious history is taught.
Brave New World Revisited
1st UK edition
Brave New World Revisited (Harper & Row (US) 1958, Chatto & Windus (UK) 1959), written by Huxley almost thirty years after Brave New World, was a non-fiction work in which Huxley considered whether the world had moved toward or away from his vision of the future from the 1930s. He believed when he wrote the original novel that it was a reasonable guess as to where the world might go in the future. In Brave New World Revisited, he concluded that the world was becoming like Brave New World much faster than he originally thought.
Huxley analysed the causes of this, such as overpopulation as well as all the means by which populations can be controlled. He was particularly interested in the effects of drugs and subliminal suggestion. Brave New World Revisited is different in tone because of Huxley's evolving thought, as well as his conversion to Hindu Vedanta in the interim between the two books.
The last chapter of the book aims to propose actions which could be taken in order to prevent a democracy from turning into the totalitarian world described in Brave New World. In Huxley's last novel, Island, he again expounds similar ideas to describe a utopian nation, which is generally known as a counterpart to his most famous work.
Related works
* The Scientific Outlook by philosopher Bertrand Russell. When Brave New World was released, Russell thought that Huxley's book was based on his book The Scientific Outlook that had been released the previous year. Russell contacted his own publisher and asked whether or not he should do something about this apparent plagiarism. His publisher advised him not to, and Russell followed this advice.
* The 1921 novel Men Like Gods by H.G. Wells. A utopian novel that was a source of inspiration for Huxley's dystopian Brave New World.
* In Peter F. Hamilton's Commonwealth Saga, an isolated planet practicing genetic eugenics to form a perfect society is called 'Huxleys Haven'
* The 1985 book Amusing Ourselves to Death: Public Discourse in the Age of Show Business by Neil Postman alludes to how television is goading modern Western culture to be like what we see in Brave New World, where people are not so much denied human rights like free speech, but are rather conditioned not to care.
* Kurt Vonnegut said that in writing Player Piano (1952) he "cheerfully ripped off the plot of Brave New World, whose plot had been cheerfully ripped off from Yevgeny Zamyatin's We."
* The Iron Maiden song by the same name on their album Brave New World whose cover art depicts a futuristic London described by Huxley.
* "Slave New World," a song by Brazilian band Sepultura from their album Chaos A.D.
* Brazilian rock singer Pitty's debut album, released in 2003, is called Admirável Chip Novo (Brave New Chip).
* Brave New World is the title song on the third album by the Steve Miller Band.
* The Motörhead album Hammered includes a song named Brave New World.
* Richard Ashcroft's first solo album Alone with Everybody includes a song named Brave New World.
* Demolition Man, a film starring Sylvester Stallone, Wesley Snipes and Sandra Bullock, is set in a not-too-distant future utopian society based on a Brave New World. Sandra Bullock's character is even named Lenina Huxley, referencing the author and character from the book. (1997)
* Reagan Youth had a song named "Brave New World".
* The Proletariat had an LP entitled "Soma Holiday."
* Greenwheel changed their name from "Hindsight" to "Soma Holiday," before settling on their current name. Their debut album (as Greenwheel) was entitled "Soma Holiday."
* Scottish techno record label Soma Quality Recordings was named after the drug Soma featured in a Brave New World
* On their album Here, Here, and Here, Meg & Dia have a track titled "Hug Me", a song written by Dia inspired by "Brave New World."
* The song "Soma Holiday" by Gods of Luxury is based on the novel and includes several quotes from the novel in its lyrics.
* The lyrics for Marilyn Manson's song "Ka-boom Ka-boom" from The Golden Age of Grotesque play on the title and idea of this book; in them, Manson suggests that society is a "depraved new world."
* Sam Endicott of The Bravery based the song I Have Seen The Future on Brave New World, as he said in an interview.
* The song "Soma" by The Strokes is loosely based on the novel. Producer and DJ deadmau5 also released a song called "Soma."
Adaptations
* Brave New World (radio broadcast) CBS Radio Workshop (27 January and 3 February 1956)
* Brave New World (film) (1980)
* Brave New World (film) (1998)
* Brave New World (film) (scheduled 2011) Ridley Scott, Leonardo DiCaprio collaborating
* Brave New World (stage adaptation) Brendon Burns, Solent Peoples Theatre 2003
* Schöne Neue Welt (rock musical) Roland Meier/Stefan Wurz, Kulturhaus Osterfeld Pforzheim, Germany, 1994
* Schöne Neue Welt (musical) GRIPS Theater Berlin, Germany, 2006
* Brave New World a song and album of Iron Maiden
* Brave New World Catalogue Number: SAFE 45 1982 (single) from UK vocalist Toyah WIllcox
In 1999, the Modern Library ranked Brave New World fifth on its list of the 100 best English-language novels of the 20th century.
Title
Brave New World's ironic title derives from Miranda's speech in Shakespeare's The Tempest, Act V, Scene I:
O wonder!
How many goodly creatures are there here! How beauteous mankind is! O brave new world! That has such people in it!
This line is word-by-word quoted in the novel by John the Savage, when he first sees Lenina.
The expression "brave new world" also appears in Émile Zola's Germinal (1885):
He laughed at his earlier idealism, his schoolboy vision of a brave new world in which justice would reign and men would be brothers.
and in Rudyard Kipling's 1919 poem The Gods of the Copybook Headings:
And that after this is accomplished, and the brave new world begins
When all men are paid for existing and no man must pay for his sins...
Translations of the novel into other languages often allude to similar expressions used in domestic works of literature in an attempt to capture the same irony: the French edition of the work is entitled Le Meilleur des mondes (The Best of All Worlds), an allusion to an expression used by the philosopher Gottfried Leibniz and satirized in Candide, Ou l'Optimisme by Voltaire (1759). The German title of the book is Schöne Neue Welt (Beautiful New World). First the word "brave" was translated to "Tapfer", which is the correct modern translation of "brave." Translators later recognized that, at Shakespeare's time, "brave" meant "beautiful" or "good looking".
Background
Huxley wrote Brave New World in 1931 while he was living in Guatemala and El Salvador (a British writer, he moved to California in 1937). By this time, Huxley had already established himself as a writer and social satirist. He was a contributor to Vanity Fair and Vogue magazines, had published a collection of his poetry (The Burning Wheel, 1916) and four successful satirical novels: Crome Yellow (1921), Antic Hay (1923), Those Barren Leaves (1925) and Point Counter Point (1928). Brave New World was Huxley's fifth novel and first dystopian work.
Brave New World was inspired by the H. G. Wells' utopian novel Men Like Gods. Wells' optimistic vision of the future gave Huxley the idea to begin writing a parody of the novel, which became Brave New World. Contrary to the most popular optimist utopian novels of the time, Huxley sought to provide a frightening vision of the future. Huxley referred to Brave New World as a "negative utopia" (see dystopia), somewhat influenced by Wells' own The Sleeper Awakes and the works of D. H. Lawrence.
George Orwell believed that Brave New World "must be partly derived from" We by Yevgeny Zamyatin. However, in a 1962 letter, Huxley says that he wrote Brave New World long before he had heard of We. According to We translator Natasha Randall, Orwell believed that Huxley was lying.
Huxley visited the newly opened and technologically advanced Brunner and Mond plant, part of Imperial Chemical Industries, or ICI, Billingham, and gives a fine and detailed account of the processes he saw. The introduction to the most recent print[vague] of Brave New World states that Huxley was inspired to write the classic novel by this Billingham visit.
Although the novel is set in the future, it contains contemporary issues of the early 20th century. The Industrial Revolution had transformed the world. Mass production had made cars, telephones, and radios relatively cheap and widely available throughout the developed world. The political, cultural, economic and sociological upheavals of the then-recent Russian Revolution of 1917 and the First World War (1914–1918) were resonating throughout the world as a whole and the individual lives of most people. Accordingly, many of the novel's characters named after widely-recognized influential people of the time, for example, Polly Trotsky, Benito Hoover, Lenina and Fanny Crowne, Mustapha Mond, Helmholtz Watson, and Bernard Marx.
Huxley was able to use the setting and characters from his science fiction novel to express widely held opinions, particularly the fear of losing individual identity in the fast-paced world of the future. An early trip to the United States gave Brave New World much of its character. Not only was Huxley outraged by the culture of youth, commercial cheeriness, sexual promiscuity and the inward-looking nature of many Americans; he had also found a book by Henry Ford on the boat to America. There was a fear of Americanization in Europe, so to see America firsthand, as well as read the ideas and plans of one of its foremost citizens, spurred Huxley to write Brave New World with America in mind. The "feelies" are his response to the "talkie" motion pictures, and the sex-hormone chewing gum is parody of the ubiquitous chewing gum, which was something of a symbol of America at that time. In an article in the 4 May 1935 issue of the Illustrated London News, G. K. Chesterton explained that Huxley was revolting against the "Age of Utopias" — a time, mostly before the First World War, inspired by what H. G. Wells and George Bernard Shaw were writing about socialism and a World State.
After the Age of Utopias came what we may call the American Age, lasting as long as the Boom. Men like Ford or Mond seemed to many to have solved the social riddle and made capitalism the common good. But it was not native to us; it went with a buoyant, not to say blatant optimism, which is not our negligent or negative optimism. Much more than Victorian righteousness, or even Victorian self-righteousness, that optimism has driven people into pessimism. For the Slump brought even more disillusionment than the War. A new bitterness, and a new bewilderment, ran through all social life, and was reflected in all literature and art. It was contemptuous, not only of the old Capitalism, but of the old Socialism. Brave New World is more of a revolt against Utopia than against Victoria.
For Brave New World, Huxley received nearly universal criticism from contemporary critics, although his work was later embraced. Even the few sympathetic critics tended to temper their praises with disparaging remarks.
Synopsis
edit] The Introduction (Chapters 1–6)
The novel opens in London in the "year of our Ford 632" (AD 2540 in the Gregorian Calendar). The vast majority of the population is unified under The World State, an eternally peaceful, stable global society in which goods and resources are plentiful (because the population is permanently limited to no more than two billion people) and everyone is happy. Natural reproduction has been done away with and children are created, 'decanted' and raised in Hatcheries and Conditioning Centres, where they are divided into five castes (which are further split into 'Plus' and 'Minus' members) and designed to fulfill predetermined positions within the social and economic strata of the World State. Foetuses chosen to become members of the highest caste, 'Alpha', are allowed to develop naturally while maturing to term in "decanting bottles", while foetuses chosen to become members of the lower castes ('Beta', 'Gamma', 'Delta', 'Epsilon') are subjected to in situ chemical interference to cause arrested development in intelligence or physical growth. Each 'Alpha' or 'Beta' is the product of one unique fertilized egg developing into one unique fetus. Members of lower castes are not unique but are instead created using the Bokanovsky process which enables a single egg to spawn (at the point of the story being told) up to 96 children and one ovary to produce thousands of children. People of these caste make up the majority of human society, and the production of such specialized children bolsters the efficiency and harmony of society, since these people are deliberately limited in their cognitive and physical abilities, as well as the scope of their ambitions and the complexity of their desires, thus rendering them easier to motivate, manipulate and control. All children are educated via the hypnopaedic process, which simultaneously provides each child with fact-based education and caste-appropriate subconscious messages to mold the child's life-long self-image, class conscientious, social outlook, habits, tastes, morals, ambitions and prejudices, and other values and ideals chosen by the leaders of the World State and their predetermined plans for producing future adult generations.
To maintain the World State's Command Economy for the indefinite future, all citizens are conditioned from birth to value consumption with such platitudes as "ending is better than mending," i.e., buy a new one instead of fixing the old one, because constant consumption, and near-universal employment to meet society's material demands, is the bedrock of economic and social stability for the World State. Beyond providing social engagement and distraction in the material realm of work or play, the need for transcendence, solitude and spiritual communion is addressed with the ubiquitous availability and universally-endorsed consumption of the drug soma. Soma is an allusion to a mythical drink of the same name consumed by ancient Indo-Aryans. In the book, soma is a hallucinogen that takes users on enjoyable, hangover-free "holidays", developed by the World State to provide such inner-directed personal experiences within the socially-managed context of State-run 'religious' organizations, social clubs, and the hypnopaedically-inculcated affinity to the State-produced drug as a self-medicating comfort mechanism in the face of stress or discomfort, thereby eliminating the need for religion or other personal allegiances outside or beyond the World State.
Recreational sex is an integral part of society. According to The World State, sex is a social activity, rather than a means of reproduction, and sexual activity is encouraged from early childhood. The few women who can reproduce are conditioned to use birth control (a "Malthusian belt", resembling a cartridge belt holding "the regulation supply of contraceptives", is a popular fashion accessory). The maxim "everyone belongs to everyone else" is repeated often, and the idea of a "family" is considered pornographic; sexual competition and emotional, romantic relationships are rendered obsolete because they are no longer needed. Marriage, natural birth, parenthood, and pregnancy are considered too obscene to be mentioned in casual conversation. Thus, society has developed a new idea of reproductive comprehension.
Spending time alone is considered an outrageous waste of time and money. Admitting to wanting to be an individual is shocking, horrifying, and embarrassing. This is why John, a character in the book, is later afforded celebrity-like status. Conditioning trains people to consume and never to enjoy being alone, so by spending an afternoon not playing "Obstacle Golf," or not in bed with a friend, one is forfeiting acceptance.
In The World State, people typically die at age 60 having maintained good health and youthfulness their whole life. Death isn't feared; anyone reflecting upon it is reassured by the knowledge that everyone is happy, and that society goes on. Since no one has family, they have no ties to mourn.
The conditioning system eliminates the need for professional competitiveness; people are literally bred to do their jobs and cannot desire another. There is no competition within castes; each caste member receives the same food, housing, and soma rationing as every other member of that caste. There is no desire to change one's caste, largely because a person's sleep-conditioning teaches that his or her caste is superior to the other four. To grow closer with members of the same class, citizens participate in mock religious services called Solidarity Services, in which twelve people consume large quantities of soma and sing hymns. The ritual progresses through group hypnosis and climaxes in an orgy. In geographic areas nonconducive to easy living and consumption, securely contained groups of "savages" are left to their own devices.
In its first chapters, the novel describes life in The World State as wonderful and introduces Lenina and Bernard. Lenina is a socially accepted woman, normal for her society, while Bernard, a psychologist, is an outcast. Although an Alpha Plus, Bernard is shorter in stature than the average of his caste—a quality shared by the lower castes, which gives him an inferiority complex. His work with sleep-teaching has led him to realize that what others believe to be their own deeply held beliefs are merely phrases repeated to children while they sleep. Still, he recognizes the necessity of such programming as the reason why his society meets the emotional needs of its citizens. Courting disaster, he is vocal about being different, once stating he dislikes soma because he'd "rather be himself". Bernard's differences fuel rumors that he was accidentally administered alcohol while incubated, a method used to keep Epsilons short.
Lenina, a woman who seldom questions her own motivations, is reprimanded by her friends because she is not promiscuous enough. However, she is still highly content in her role as a woman. Both fascinated and disturbed by Bernard, she responds to Bernard's advances to dispel her reputation for being too selective and monogamous.
Bernard's only friend is Helmholtz Watson, an Alpha Plus lecturer at the College of Emotional Engineering (Department of Writing). The friendship is based on their similar experiences as misfits, but unlike Bernard, Watson's sense of loneliness stems from being too gifted, too handsome, and too physically strong. Helmholtz is drawn to Bernard as a confidant: he can talk to Bernard about his desire to write poetry.
The Reservation and the Savage (Chapters 7–9)
Bernard, desperately wanting Lenina's attention, tries to impress her by taking her on holiday to a Savage Reservation. The reservation, located in New Mexico, consists of a community named Malpais (which in Spanish means "bad country", one of many Spanish puns throughout the novel). From afar, Lenina thinks it will be exciting. In person, she finds the aged, toothless natives who mend their clothes rather than throw them away repugnant, and the situation is made worse when she discovers that she has left her soma tablets at the resort hotel. Bernard is fascinated, although he realizes his seduction plans have failed.
In typical tourist fashion, Bernard and Lenina watch what at first appears to be a quaint native ceremony. The village folk, whose culture resembles that of the Pueblo peoples such as the Hopi and Zuni, begin by singing, but the ritual quickly becomes a passion play where a village boy is whipped to unconsciousness.
Soon after, the couple encounters Linda, a woman formerly of The World State who has been living in Malpais since she came on a trip and became separated from her group and her date, whom she refers to as "Tomakin" but who is revealed to be Bernard's boss the DHC at the conditioning center, Thomas. She became pregnant because she mistimed her "Malthusian Drill" and there were no facilities for an abortion. Linda gave birth to a son, John (later referred to as John the Savage) who is now eighteen.
Through conversations with Linda and John, we learn that their life has been hard. For eighteen years, they have been treated as outsiders; the natives hate Linda for sleeping with all the men of the village, as she was conditioned to do, and John was mistreated and excluded for his mother's actions, not to mention the role of racism. John's one joy was that his mother had taught him to read, although he only had two books: a scientific manual from his mother's job, which he called a "beastly, beastly book" and refused to read, and a collection of the works of Shakespeare (a work banned in The World State). John has been denied the religious rituals of the village, although he has watched them and even has had some of his own religious experiences in the desert.
Old, weathered and tired, Linda wants to return to her familiar world in London; she is tired of a life without soma. John wants to see the "brave new world" his mother has told him so much about. Bernard wants to take them back as revenge against Thomas, who had just reassigned Bernard to Iceland as punishment for his antisocial beliefs. Bernard arranges permission for Linda and John to leave the reservation.
The Savage visits the World State (Chapters 10–18)
Upon his return to London, Bernard is confronted by Thomas Tomakin, the Director of the Hatchery and Conditioning Centre who, in front of an audience of higher-caste Centre workers, denounces Bernard for his antisocial behaviour. Bernard, thinking that for the first time in his life he has the upper hand, defends himself by presenting the Director with his long lost lover and unknown son, Linda and John. The humiliated Director resigns in shame and is himself sent to Iceland.
Spared from reassignment, Bernard makes John the toast of London. Pursued by the highest members of society, able to bed any woman he fancies, Bernard revels in attention he once scorned. Everyone who is anyone will endure Bernard to dine with the interesting, different, beautiful John. Even Lenina grows fond of the savage, while the savage falls in love with her. Bernard, intoxicated with attention, falls in love with himself. In short, John brings tremendous happiness upon the citizens of London.
The victory, however, is short lived. Linda, decrepit, toothless, friendless, goes on a permanent soma holiday while John, appalled by what he perceives to be an empty society, refuses to attend Bernard's parties. Society drops Bernard as swiftly as it had taken him. Bernard turns to the person he'd believed to be his one true friend, only to see Helmholtz fall into a quick, easy camaraderie with John. Bernard is left an outcast yet again as he watches the only two men he ever connected with find more of interest in each other than they ever did in him.
John and Helmholtz's island of peace is brief. John grows frustrated by a society he finds wicked and debased. He is moved by Lenina, but also loathes her sexual advances, which revolt and shame him. He is heartbroken when his mother succumbs to soma and dies in a hospital. John's grief bewilders and revolts the hospital workers, and their lack of reaction to Linda's death prompts John to try to force humanity from the workers by throwing their soma rations out a window. The ensuing riot brings the police, who soma-gas the crowd. Bernard and Helmholtz arrive to help John, but only Helmholtz helps him, while Bernard stands to the side, torn between risking involvement by helping or escaping the scene.
When they wake, Bernard, Helmholtz and John are brought before Mustapha Mond, the Resident World Controller for Western Europe. Bernard and Helmholtz are told they will be exiled to islands of their choice. Mond explains that exile to the islands is not so much a threat to force freethinkers to reform and rejoin society but a place where they may act as they please, because they will not be an influence on the population. He also divulges that he too once risked banishment to an island because of some scientific experiments that were deemed controversial by the state, giving insight into his sympathetic tone. Helmholtz chooses the Falkland Islands, because of their terrible weather, so he could write well, but Bernard simply doesn't want to leave and struggles with the World Controller and is thrown out of the office. After Bernard and Helmholtz have left, Mustapha and John engage in a philosophical argument on the morals behind the godless society and then John is told the "experiment" will continue and he will not be sent to an island.
In the final chapter, John isolates himself from society in a lighthouse outside London where he finds his hermit life interrupted from mourning his mother by the more bitter memories of civilization. To atone, John brutally whips himself in the open, a ritual the Indians in his own village had said he was not capable of. His self-flagellation, caught on film and shown publicly, destroys his hermit life. Hundreds of gawking sightseers, intrigued by John's violent behavior, fly out to watch the savage in person. Even Lenina comes to watch, crying a tear John does not see. The sight of the woman whom he both adores and blames is too much for him; John attacks and whips her. This sight of genuine, unbridled emotion drives the crowd wild with excitement, and—handling it as they are conditioned to—they turn on each other, in a frenzy of beating and chanting that devolves into a mass orgy of soma and sex. In the morning, John, hopeless, alone, horrified by his drug use, and the orgy he participated in that countered his beliefs, makes one last attempt to escape civilization and atone. When thousands of gawking sightseers arrive that morning, frenzied at the prospect of seeing the savage perform again, they find John dead, hanging by the neck.
Characters
In order of appearance
* Thomas "Tomakin" Foster, Alpha, Director of Hatcheries and Conditioning (D.H.C.) for London; later revealed to be the father of John the Savage.
* Henry Foster, Alpha, Administrator at the Hatchery and Lenina's current partner.
* Lenina Crowne, Beta, Vaccination-worker at the Hatchery; loved by John the Savage.
* Mustapha Mond, Alpha-Plus, World Controller for Western Europe (nine other controllers exist, presumably for different sections of the world).
* Assistant Director of Predestination.
* Bernard Marx, Alpha-Plus but anomalously small, psychologist (specializing in hypnopædia) and the false protagonist of the story. He dates Lenina for a short period of time.
* Fanny Crowne, Beta, embryo worker; a friend, but not a relation, of Lenina.
* Benito Hoover, Alpha, friend of Lenina; disliked by Bernard.
* Helmholtz Watson, Alpha-Plus, lecturer at the College of Emotional Engineering (Department of Writing), friend and confidant of Bernard Marx and John the Savage.
At the Solidarity Service
* Morgana Rothschild, Herbert Bakunin, Fifi Bradlaugh, Jim Bokanovsky, Clara Deterding, Joanna Diesel, Sarojini Engels, and "that great lout" Tom Kawaguchi.
* Miss Keate, headmistress of the high-tech glass and concrete Eton College.
* Arch-Community Songster, a quasi-religious figure based in Canterbury.
* Primo Mellon, a reporter for the upper-caste news-sheet Hourly Radio, who attempts to interview John the Savage and gets assaulted for his troubles.
* Darwin Bonaparte, a press photographer who brings worldwide attention to John's mother.
Of Malpais
* John the Savage ("Mr. Savage"), son of Linda and Thomas (Tomakin/The Director), an outcast in both primitive and modern society. While he does not appear until partway through the story, he becomes the protagonist shortly after his introduction. He commits suicide in the end.
* Linda, a Beta-Minus. John the Savage's mother, and Thomas's (Tomakin/The Director) long lost lover. She is from England and was pregnant with John when she got lost from Thomas in a trip to New Mexico. She is disliked by both savage people because of her "civilized" behaviour, and by civilized people because she is fat and looks old.
* Popé, a native of Malpais. Although he reinforces the behaviour that causes hatred for Linda in Malpais by sleeping with her and bringing her Mezcal, he still holds the traditional beliefs of his tribe. John also attempts to kill him, in his early years.
Background figures
These are fictional and factual characters who lived before the events in this book, but are of note in the novel:
* Henry Ford, who has become a messianic figure to The World State. "Our Ford" is used in place of "Our Lord", as a credit to popularizing the use of the assembly line.
* Sigmund Freud, "Our Freud" is sometimes said in place of "Our Ford" due to the link between Freud's psychoanalysis and the conditioning of humans, and Freud's popularization of the idea that sexual activity is essential to human happiness and need not be open to procreation. It is also strongly implied that citizens of the World State believe Freud and Ford to be the same person.
* H. G. Wells, "Dr. Wells", British writer and utopian socialist, whose book Men Like Gods was an incentive for Brave New World. "All's well that ends Wells" wrote Huxley in his letters, criticizing Wells for anthropological assumptions Huxley found unrealistic.
* Ivan Petrovich Pavlov, whose conditioning techniques are used to train infants.
* William Shakespeare, whose banned works are quoted throughout the novel by John, "the Savage". The plays quoted include Macbeth, The Tempest, Romeo and Juliet, Hamlet, King Lear, Troilus and Cressida, Measure for Measure and Othello. Mustapha Mond also knows them because he, as a World Controller, has access to a selection of books from throughout history, such as a Bible.
* Thomas Malthus, whose name is used to describe the contraceptive techniques (Malthusian belt) practiced by women of the World State.
* Reuben Rabinovitch, the character in whom the effects of sleep-learning, hypnopædia, are first noted.
Sources of names and references
The limited number of names that the World State assigned to its bottle-grown citizens can be traced to political and cultural figures who contributed to the bureaucratic, economic, and technological systems of Huxley's age, and presumably those systems in Brave New World:
* Bernard Marx, from George Bernard Shaw (or possibly Bernard of Clairvaux or possibly Claude Bernard) and Karl Marx.
* Lenina Crowne, from Vladimir Lenin, the Bolshevik leader during the Russian Revolution.
* Fanny Crowne, from Fanny Kaplan, famous for an unsuccessful attempt to assassinate Lenin. Ironically, in the novel, Lenina and Fanny are friends.
* Polly Trotsky, from Leon Trotsky, the Russian revolutionary leader.
* Benito Hoover, from Benito Mussolini, dictator of Italy; and Herbert Hoover, then President of the United States.
* Helmholtz Watson, from the German physician and physicist Hermann von Helmholtz and the American behaviorist John B. Watson.
* Darwin Bonaparte, from Napoleon Bonaparte, the leader of the First French Empire, and Charles Darwin, author of The Origin of Species.
* Herbert Bakunin, from Herbert Spencer, the English philosopher and Social Darwinist, and Mikhail Bakunin, a Russian philosopher and anarchist.
* Mustapha Mond, from Mustapha Kemal Atatürk, founder of Turkey after World War I, who pulled his country into modernisation and official secularism; and Sir Alfred Mond, an industrialist and founder of the Imperial Chemical Industries conglomerate.
* Primo Mellon, from Miguel Primo de Rivera, prime minister and dictator of Spain (1923–1930), and Andrew Mellon, an American banker.
* Sarojini Engels, from Friedrich Engels, co-author of The Communist Manifesto along with Karl Marx: and Sarojini Naidu, an Indian politician.
* Morgana Rothschild, from J P Morgan, US banking tycoon, and the Rothschild family, famous for its European banking operations.
* Fifi Bradlaugh, from the British political activist and atheist Charles Bradlaugh.
* Joanna Diesel, from Rudolf Diesel, the German engineer who invented the diesel engine.
* Clara Deterding, from Henri Deterding, one of the founders of the Royal Dutch Petroleum Company.
* Tom Kawaguchi, from the Japanese Buddhist monk Ekai Kawaguchi, the first recorded Japanese traveler to Tibet and Nepal.
* Jean-Jacques Habibullah, from the French political philosopher Jean-Jacques Rousseau and Habibullah Khan, who served as Emir of Afghanistan in the early 20th century.
* Miss Keate, the Eton headmistress, from nineteenth-century headmaster John Keate.
* Arch-Community Songster of Canterbury, a parody of the Archbishop of Canterbury and the Anglican Church's decision in August 1930 to approve limited use of contraception.
* Popé, from Popé, the Native American rebel who was blamed for the conflict now known as the Pueblo Revolt.
* John the Savage, after the term "noble savage" originally used in the verse drama The Conquest of Granada by John Dryden, and later erroneously associated with Rousseau.
Fordism and society
The World State is built upon the principles of Henry Ford's assembly line—mass production, homogeneity, predictability, and consumption of disposable consumer goods. At the same time as the World State lacks any supernatural-based religions, Ford himself is revered as a deity, and characters celebrate Ford Day and swear oaths by his name (e.g., "By Ford!"). In this sense, some fragments of traditional religion are present, such as Christian crosses, which had their tops cut off in order to be changed to a "T". The World State calendar numbers years in the "AF" era—"After Ford"—with year 1 AF being equivalent to 1908 AD, the year in which Ford's first Model T rolled off his assembly line. The novel's Gregorian calendar year is AD 2540, but it is referred to in the book as AF 632.
From birth, members of every class are indoctrinated by recorded voices repeating slogans while they sleep (called "hypnopædia" in the book) to believe that their own class is best for them. Any residual unhappiness is resolved by an antidepressant and hallucinogenic drug called soma (named for an intoxicating drink in ancient India) distributed by the Arch-Community Songster of Canterbury, a secularised version of the Christian sacrament of Communion ("The Body of Christ").
The biological techniques used to control the populace in Brave New World do not include genetic engineering; Huxley wrote the book before the structure of DNA was known. However, Gregor Mendel's work with inheritance patterns in peas had been re-discovered in 1900 and the eugenics movement, based on artificial selection, was well established. Huxley's family included a number of prominent biologists including Thomas Huxley, half-brother and Nobel Laureate Andrew Huxley, and brother Julian Huxley who was a biologist and involved in the eugenics movement. Nonetheless, Huxley emphasizes conditioning over breeding (see nature versus nurture); as science writer Matt Ridley put it, Brave New World describes an "environmental not a genetic hell". Human embryos and fetuses are conditioned via a carefully designed regimen of chemical (such as exposure to hormones and toxins), thermal (exposure to intense heat or cold, as one's future career would dictate), and other environmental stimuli, although there is an element of selective breeding as well.
Ban, accusation of plagiarism
Brave New World has been banned and challenged at various times. In 1932, the book was banned in Ireland for its language, being anti-family and anti-religion. The American Library Association ranks Brave New World as #52 on their list of most challenged books. In 1980, it was removed from classrooms in Miller, Missouri among other challenges. In 1993, an attempt was made to remove the novel from a California school's required reading list because it "centered around negative activity".
In 1982, Polish author Antoni Smuszkiewicz in his book Zaczarowana gra presented accusations of plagiarism against Huxley. Smuszkiewicz presented similarities between Brave New World and two science fiction novels written by Polish author Mieczysław Smolarski, namely Miasto światłości (The City of the Sun, 1924) and Podróż poślubna pana Hamiltona (The Honeymoon Trip of Mr. Hamilton, 1928).
Comparisons with George Orwell's Nineteen Eighty-Four
Social critic Neil Postman contrasts the worlds of Nineteen Eighty-Four and Brave New World in the foreword of his 1985 book Amusing Ourselves to Death. He writes:
What Orwell feared were those who would ban books. What Huxley feared was that there would be no reason to ban a book, for there would be no one who wanted to read one. Orwell feared those who would deprive us of information. Huxley feared those who would give us so much that we would be reduced to passivity and egoism. Orwell feared that the truth would be concealed from us. Huxley feared the truth would be drowned in a sea of irrelevance. Orwell feared we would become a captive culture. Huxley feared we would become a trivial culture, preoccupied with some equivalent of the feelies, the orgy porgy, and the centrifugal bumblepuppy. As Huxley remarked in Brave New World Revisited, the civil libertarians and rationalists who are ever on the alert to oppose tyranny "failed to take into account man's almost infinite appetite for distractions." In 1984, Orwell added, people are controlled by inflicting pain. In Brave New World, they are controlled by inflicting pleasure. In short, Orwell feared that what we fear will ruin us. Huxley feared that our desire will ruin us.
Journalist Christopher Hitchens, who has himself published several articles on Huxley and a book on Orwell, notes the difference between the two texts in the introduction to his 1999 article "Why Americans Are Not Taught History":
We dwell in a present-tense culture that somehow, significantly, decided to employ the telling expression "You're history" as a choice reprobation or insult, and thus elected to speak forgotten volumes about itself. By that standard, the forbidding dystopia of George Orwell's Nineteen Eighty-Four already belongs, both as a text and as a date, with Ur and Mycenae, while the hedonist nihilism of Huxley still beckons toward a painless, amusement-sodden, and stress-free consensus. Orwell's was a house of horrors. He seemed to strain credulity because he posited a regime that would go to any lengths to own and possess history, to rewrite and construct it, and to inculcate it by means of coercion. Whereas Huxley ... rightly foresaw that any such regime could break but could not bend. In 1988, four years after 1984, the Soviet Union scrapped its official history curriculum and announced that a newly authorized version was somewhere in the works. This was the precise moment when the regime conceded its own extinction. For true blissed-out and vacant servitude, though, you need an otherwise sophisticated society where no serious history is taught.
Brave New World Revisited
1st UK edition
Brave New World Revisited (Harper & Row (US) 1958, Chatto & Windus (UK) 1959), written by Huxley almost thirty years after Brave New World, was a non-fiction work in which Huxley considered whether the world had moved toward or away from his vision of the future from the 1930s. He believed when he wrote the original novel that it was a reasonable guess as to where the world might go in the future. In Brave New World Revisited, he concluded that the world was becoming like Brave New World much faster than he originally thought.
Huxley analysed the causes of this, such as overpopulation as well as all the means by which populations can be controlled. He was particularly interested in the effects of drugs and subliminal suggestion. Brave New World Revisited is different in tone because of Huxley's evolving thought, as well as his conversion to Hindu Vedanta in the interim between the two books.
The last chapter of the book aims to propose actions which could be taken in order to prevent a democracy from turning into the totalitarian world described in Brave New World. In Huxley's last novel, Island, he again expounds similar ideas to describe a utopian nation, which is generally known as a counterpart to his most famous work.
Related works
* The Scientific Outlook by philosopher Bertrand Russell. When Brave New World was released, Russell thought that Huxley's book was based on his book The Scientific Outlook that had been released the previous year. Russell contacted his own publisher and asked whether or not he should do something about this apparent plagiarism. His publisher advised him not to, and Russell followed this advice.
* The 1921 novel Men Like Gods by H.G. Wells. A utopian novel that was a source of inspiration for Huxley's dystopian Brave New World.
* In Peter F. Hamilton's Commonwealth Saga, an isolated planet practicing genetic eugenics to form a perfect society is called 'Huxleys Haven'
* The 1985 book Amusing Ourselves to Death: Public Discourse in the Age of Show Business by Neil Postman alludes to how television is goading modern Western culture to be like what we see in Brave New World, where people are not so much denied human rights like free speech, but are rather conditioned not to care.
* Kurt Vonnegut said that in writing Player Piano (1952) he "cheerfully ripped off the plot of Brave New World, whose plot had been cheerfully ripped off from Yevgeny Zamyatin's We."
* The Iron Maiden song by the same name on their album Brave New World whose cover art depicts a futuristic London described by Huxley.
* "Slave New World," a song by Brazilian band Sepultura from their album Chaos A.D.
* Brazilian rock singer Pitty's debut album, released in 2003, is called Admirável Chip Novo (Brave New Chip).
* Brave New World is the title song on the third album by the Steve Miller Band.
* The Motörhead album Hammered includes a song named Brave New World.
* Richard Ashcroft's first solo album Alone with Everybody includes a song named Brave New World.
* Demolition Man, a film starring Sylvester Stallone, Wesley Snipes and Sandra Bullock, is set in a not-too-distant future utopian society based on a Brave New World. Sandra Bullock's character is even named Lenina Huxley, referencing the author and character from the book. (1997)
* Reagan Youth had a song named "Brave New World".
* The Proletariat had an LP entitled "Soma Holiday."
* Greenwheel changed their name from "Hindsight" to "Soma Holiday," before settling on their current name. Their debut album (as Greenwheel) was entitled "Soma Holiday."
* Scottish techno record label Soma Quality Recordings was named after the drug Soma featured in a Brave New World
* On their album Here, Here, and Here, Meg & Dia have a track titled "Hug Me", a song written by Dia inspired by "Brave New World."
* The song "Soma Holiday" by Gods of Luxury is based on the novel and includes several quotes from the novel in its lyrics.
* The lyrics for Marilyn Manson's song "Ka-boom Ka-boom" from The Golden Age of Grotesque play on the title and idea of this book; in them, Manson suggests that society is a "depraved new world."
* Sam Endicott of The Bravery based the song I Have Seen The Future on Brave New World, as he said in an interview.
* The song "Soma" by The Strokes is loosely based on the novel. Producer and DJ deadmau5 also released a song called "Soma."
Adaptations
* Brave New World (radio broadcast) CBS Radio Workshop (27 January and 3 February 1956)
* Brave New World (film) (1980)
* Brave New World (film) (1998)
* Brave New World (film) (scheduled 2011) Ridley Scott, Leonardo DiCaprio collaborating
* Brave New World (stage adaptation) Brendon Burns, Solent Peoples Theatre 2003
* Schöne Neue Welt (rock musical) Roland Meier/Stefan Wurz, Kulturhaus Osterfeld Pforzheim, Germany, 1994
* Schöne Neue Welt (musical) GRIPS Theater Berlin, Germany, 2006
* Brave New World a song and album of Iron Maiden
* Brave New World Catalogue Number: SAFE 45 1982 (single) from UK vocalist Toyah WIllcox
I, Robot is a collection of nine science fiction short stories by Isaac Asimov, first published by Gnome Press in 1950 in an edition of 5,000 copies. The stories originally appeared in the American magazines Super Science Stories and Astounding Science Fiction between 1940 and 1950. The stories are woven together as Dr. Susan Calvin tells them to a reporter (the narrator) in the 21st century. Though the stories can be read separately, they share a theme of the interaction of humans, robots and morality, and when combined they tell a larger story of Asimov's fictional history of robotics.
Several of the stories feature the character of Dr. Susan Calvin, chief robopsychologist at U.S. Robots and Mechanical Men, Inc., the major manufacturer of robots. Upon their publication in this collection, Asimov wrote a framing sequence presenting the stories as Calvin's reminiscences during an interview with her about her life's work, chiefly concerned with aberrant behaviour of robots, and the use of "robopsychology" to sort them out. The book also contains the short story in which Asimov's famous Three Laws of Robotics first appear. Other characters that appear in these short stories are Powell and Donovan, a field-testing team which locates flaws in USRMM's prototype models.
The collection's title is the same as a short story written by Eando Binder, but is not connected to it. Asimov wanted to call his collection Mind and Iron, and initially objected when the publisher changed the title.
Contents
* "Robbie"
* "Runaround"
* "Reason"
* "Catch that Rabbit"
* "Liar!"
* "Little Lost Robot"
* "Escape!"
* "Evidence"
* "The Evitable Conflict"
Publication history
Cover art for I, Robot featuring a scene from "Runaround".
* New York: Gnome Press, (Trade paperback "Armed Forces Edition", 1951)
* New York: Grosset & Dunlap, (hardcover, 1952)
* London: Grayson, (hardcover, 1952)
* British SF Book Club, (hardcover, 1954)
* New York: Signet Books, (mass market paperback, 1956)
* New York: Doubleday, (hardcover, 1963)
* London: Dobson, (hardcover, 1967)
* ISBN 0-449-23949-7 (mass market paperback, 1970)
* ISBN 0-345-31482-4 (mass market paperback, 1983)
* ISBN 0-606-17134-7 (prebound, 1991)
* ISBN 0-553-29438-5 (mass market paperback, 1991)
* ISBN 1-4014-0039-6 (e-book, 2001)
* ISBN 1-4014-0038-8 (e-book, 2001)
* ISBN 0-553-80370-0 (hardcover, 2004)
* ISBN 91-27-11227-6 (hardcover, 2005)
* ISBN 0-7857-7338-X (hardcover)
* ISBN 0-00-711963-1 (paperback, UK, new edition)
* ISBN 0-586-02532-4 (paperback, UK)
Film, TV and theatrical adaptations
At least three of the short stories from I, Robot have been adapted for television. The first was an 1962 episode of Out of this World hosted by Boris Karloff called "Little Lost Robot" with Maxine Audley as Susan Calvin. In the 1960s, two short stories from this collection were made into episodes of the television series Out of the Unknown: "The Prophet" (1967), based on "Reason"; and "Liar!" (1969). The 12th episode of the USSR science fiction TV series This Fantastic World, filmed in 1987 and entitled Don't Joke with Robots was based on works by Aleksandr Belyaev, Fredrik Kilander and Asimov's "Liar!" story.
In the late 1970s, Warner Brothers acquired the option to make a film based on the book, but no screenplay was ever accepted. The most notable attempt was one by Harlan Ellison, who collaborated with Asimov himself to create a version which captured the spirit of the original. Asimov is quoted as saying that this screenplay would lead to "the first really adult, complex, worthwhile science fiction movie ever made."
Ellison's script builds a framework around Asimov's short stories that involves a reporter named Robert Bratenahl tracking down information about Susan Calvin's alleged former lover Stephen Byerly. Asimov's stories are presented as flashbacks that differ from the originals in their stronger emphasis on Calvin's character. Ellison placed Calvin into stories in which she did not originally appear and fleshed out her character's role in ones where she did. In constructing the script as a series of flashbacks that focused on character development rather than action, Ellison used the film Citizen Kane as a role model.
Although acclaimed by critics, the screenplay is generally considered to have been unfilmable based upon the technology and average film budgets of the time. Asimov also believed that the film may have been scrapped because of a conflict between Ellison and the producers: when the producers suggested changes in the script, instead of being diplomatic as advised by Asimov, Ellison "reacted violently" and offended the producers. The script eventually appeared in book form under the title I, Robot: The Illustrated Screenplay, in 1994 (reprinted 2004, ISBN 1-4165-0600-4).
"I, Robot" is the title of an episode of the original The Outer Limits television show. The episode, based on the Eando Binder short story, first aired on 14 November 1964, during the second season. It was remade under the same title in 1995.
The film I, Robot, starring Will Smith, was released by Twentieth Century Fox on July 16, 2004 in the United States. Its plot is not based on any one story in the collection but does incorporate elements of "Little Lost Robot" and other stories, and uses many of Asimov's characters and ideas about robots, including the Three Laws.
Influence
In 2004 The Saturday Evening Post said that I, Robot's Three Laws "revolutionized the science fiction genre and made robots far more interesting than they ever had been before." I, Robot has influenced many aspects of modern popular culture, particularly with respect to science fiction and technology. One example of this is in the technology industry. The name of the real-life modem manufacturer named U.S. Robotics was directly inspired by I, Robot. The name is taken from the name of a robot manufacturer ("United States Robots and Mechanical Men") that appears throughout Asimov's robot short stories.
Many works in the field of science fiction have also paid homage to Asimov's collection. The animated science fiction/comedy Futurama makes several references to I, Robot. The title of the episode "I, Roommate" is a spoof on I, Robot although the plot of the episode has little to do with the original stories. Additionally, the episode "The Cyber House Rules" included an optician named "Eye Robot" and the episode "Anthology of Interest II" included a segment called "I, Meatbag."[citation needed] Also in "Bender's Game" the psychiatric doctor is shown a logical fallacy and explodes when the assistant shouts "Liar!" a la "Liar!" . And an episode of the original Star Trek series, "I, Mudd" which depicts a planet of androids in need of humans references "I, Robot." Another reference appears in the title of a Star Trek: The Next Generation episode, "I, Borg". in which Geordi La Forge befriends a lost member of the Borg collective and teaches it a sense of individuality and free will.
The Positronic brain, which Asimov named his robots' central processors, is what powers Data from Star Trek: The Next Generation, as well as other Soong type Androids. Positronic brains have been referenced in a number of other television shows including Doctor Who, Once Upon a Time... Space, Perry Rhodan, The Number of the Beast, and others.
Author Cory Doctorow has written a story called "I, Robot" as homage to Asimov, as well as "I row-boat", both released in the short-story collection Overclocked: Stories of the Future Present. He has also said, "If I return to this theme, it will be with a story about uplifted cheese sandwiches, called 'I, Rarebit.'".
Other cultural references to the book are less directly related to science fiction and technology. The 1977 album I Robot, by The Alan Parsons Project, was inspired by Asimov's I, Robot. In its original conception, the album was to follow the themes and concepts presented in the short story collection. The Alan Parsons Project were not able to obtain the rights, so the album's concept was altered slightly (although the name was kept). The 2002 electronica album by experimental artist Edman Goodrich (known, at times, to operate under the aliases of "je, le roi!" and "The Ghost Quartet") shares the title of I, Robot, and is heavily influenced by Asimovian themes. The 2009 album, I, Human, by Singaporean band Deus Ex Machina draws heavily upon Asimov's principles on robotics and applies it to the concept of cloning. The satirical newspaper The Onion published an article entitled "I, Rowboat" in which an anthropomorphized rowboat gives a speech parodying much of the angst experienced by robots in Asimov's fiction, including a statement of the "Three Laws of Rowboatics."
The name of the movie itself is taken from Robert Graves' book I, Claudius.
Several of the stories feature the character of Dr. Susan Calvin, chief robopsychologist at U.S. Robots and Mechanical Men, Inc., the major manufacturer of robots. Upon their publication in this collection, Asimov wrote a framing sequence presenting the stories as Calvin's reminiscences during an interview with her about her life's work, chiefly concerned with aberrant behaviour of robots, and the use of "robopsychology" to sort them out. The book also contains the short story in which Asimov's famous Three Laws of Robotics first appear. Other characters that appear in these short stories are Powell and Donovan, a field-testing team which locates flaws in USRMM's prototype models.
The collection's title is the same as a short story written by Eando Binder, but is not connected to it. Asimov wanted to call his collection Mind and Iron, and initially objected when the publisher changed the title.
Contents
* "Robbie"
* "Runaround"
* "Reason"
* "Catch that Rabbit"
* "Liar!"
* "Little Lost Robot"
* "Escape!"
* "Evidence"
* "The Evitable Conflict"
Publication history
Cover art for I, Robot featuring a scene from "Runaround".
* New York: Gnome Press, (Trade paperback "Armed Forces Edition", 1951)
* New York: Grosset & Dunlap, (hardcover, 1952)
* London: Grayson, (hardcover, 1952)
* British SF Book Club, (hardcover, 1954)
* New York: Signet Books, (mass market paperback, 1956)
* New York: Doubleday, (hardcover, 1963)
* London: Dobson, (hardcover, 1967)
* ISBN 0-449-23949-7 (mass market paperback, 1970)
* ISBN 0-345-31482-4 (mass market paperback, 1983)
* ISBN 0-606-17134-7 (prebound, 1991)
* ISBN 0-553-29438-5 (mass market paperback, 1991)
* ISBN 1-4014-0039-6 (e-book, 2001)
* ISBN 1-4014-0038-8 (e-book, 2001)
* ISBN 0-553-80370-0 (hardcover, 2004)
* ISBN 91-27-11227-6 (hardcover, 2005)
* ISBN 0-7857-7338-X (hardcover)
* ISBN 0-00-711963-1 (paperback, UK, new edition)
* ISBN 0-586-02532-4 (paperback, UK)
Film, TV and theatrical adaptations
At least three of the short stories from I, Robot have been adapted for television. The first was an 1962 episode of Out of this World hosted by Boris Karloff called "Little Lost Robot" with Maxine Audley as Susan Calvin. In the 1960s, two short stories from this collection were made into episodes of the television series Out of the Unknown: "The Prophet" (1967), based on "Reason"; and "Liar!" (1969). The 12th episode of the USSR science fiction TV series This Fantastic World, filmed in 1987 and entitled Don't Joke with Robots was based on works by Aleksandr Belyaev, Fredrik Kilander and Asimov's "Liar!" story.
In the late 1970s, Warner Brothers acquired the option to make a film based on the book, but no screenplay was ever accepted. The most notable attempt was one by Harlan Ellison, who collaborated with Asimov himself to create a version which captured the spirit of the original. Asimov is quoted as saying that this screenplay would lead to "the first really adult, complex, worthwhile science fiction movie ever made."
Ellison's script builds a framework around Asimov's short stories that involves a reporter named Robert Bratenahl tracking down information about Susan Calvin's alleged former lover Stephen Byerly. Asimov's stories are presented as flashbacks that differ from the originals in their stronger emphasis on Calvin's character. Ellison placed Calvin into stories in which she did not originally appear and fleshed out her character's role in ones where she did. In constructing the script as a series of flashbacks that focused on character development rather than action, Ellison used the film Citizen Kane as a role model.
Although acclaimed by critics, the screenplay is generally considered to have been unfilmable based upon the technology and average film budgets of the time. Asimov also believed that the film may have been scrapped because of a conflict between Ellison and the producers: when the producers suggested changes in the script, instead of being diplomatic as advised by Asimov, Ellison "reacted violently" and offended the producers. The script eventually appeared in book form under the title I, Robot: The Illustrated Screenplay, in 1994 (reprinted 2004, ISBN 1-4165-0600-4).
"I, Robot" is the title of an episode of the original The Outer Limits television show. The episode, based on the Eando Binder short story, first aired on 14 November 1964, during the second season. It was remade under the same title in 1995.
The film I, Robot, starring Will Smith, was released by Twentieth Century Fox on July 16, 2004 in the United States. Its plot is not based on any one story in the collection but does incorporate elements of "Little Lost Robot" and other stories, and uses many of Asimov's characters and ideas about robots, including the Three Laws.
Influence
In 2004 The Saturday Evening Post said that I, Robot's Three Laws "revolutionized the science fiction genre and made robots far more interesting than they ever had been before." I, Robot has influenced many aspects of modern popular culture, particularly with respect to science fiction and technology. One example of this is in the technology industry. The name of the real-life modem manufacturer named U.S. Robotics was directly inspired by I, Robot. The name is taken from the name of a robot manufacturer ("United States Robots and Mechanical Men") that appears throughout Asimov's robot short stories.
Many works in the field of science fiction have also paid homage to Asimov's collection. The animated science fiction/comedy Futurama makes several references to I, Robot. The title of the episode "I, Roommate" is a spoof on I, Robot although the plot of the episode has little to do with the original stories. Additionally, the episode "The Cyber House Rules" included an optician named "Eye Robot" and the episode "Anthology of Interest II" included a segment called "I, Meatbag."[citation needed] Also in "Bender's Game" the psychiatric doctor is shown a logical fallacy and explodes when the assistant shouts "Liar!" a la "Liar!" . And an episode of the original Star Trek series, "I, Mudd" which depicts a planet of androids in need of humans references "I, Robot." Another reference appears in the title of a Star Trek: The Next Generation episode, "I, Borg". in which Geordi La Forge befriends a lost member of the Borg collective and teaches it a sense of individuality and free will.
The Positronic brain, which Asimov named his robots' central processors, is what powers Data from Star Trek: The Next Generation, as well as other Soong type Androids. Positronic brains have been referenced in a number of other television shows including Doctor Who, Once Upon a Time... Space, Perry Rhodan, The Number of the Beast, and others.
Author Cory Doctorow has written a story called "I, Robot" as homage to Asimov, as well as "I row-boat", both released in the short-story collection Overclocked: Stories of the Future Present. He has also said, "If I return to this theme, it will be with a story about uplifted cheese sandwiches, called 'I, Rarebit.'".
Other cultural references to the book are less directly related to science fiction and technology. The 1977 album I Robot, by The Alan Parsons Project, was inspired by Asimov's I, Robot. In its original conception, the album was to follow the themes and concepts presented in the short story collection. The Alan Parsons Project were not able to obtain the rights, so the album's concept was altered slightly (although the name was kept). The 2002 electronica album by experimental artist Edman Goodrich (known, at times, to operate under the aliases of "je, le roi!" and "The Ghost Quartet") shares the title of I, Robot, and is heavily influenced by Asimovian themes. The 2009 album, I, Human, by Singaporean band Deus Ex Machina draws heavily upon Asimov's principles on robotics and applies it to the concept of cloning. The satirical newspaper The Onion published an article entitled "I, Rowboat" in which an anthropomorphized rowboat gives a speech parodying much of the angst experienced by robots in Asimov's fiction, including a statement of the "Three Laws of Rowboatics."
The name of the movie itself is taken from Robert Graves' book I, Claudius.
1996《我从外星来》（又名《喂，有人在吗？》）（Hello? Is Anybody There?）
一艘太空船穿越广袤的银河，向着一颗蓝蓝绿绿的星球一地球前进。来自艾尔乔星的男孩米加打开舱门，对着夜空大喊：“喂，有人在吗？”《喂，有人在吗？》是乔斯坦.贾德继《苏菲的世界》、〈纸牌的秘密〉之后推出的最新力作。故事场景从西方哲学的原乡欧洲大陆延展至无垠的外达空，叙述小男孩乔金和外星人米加的第三类接触奇遇。〈苏菲的世界〉提出了“你是谁？”、“世界从哪里来？”等问题：〈喂，有人在吗？〉问的是“我们是谁？”、“我们从哪里来”？ 可以说是一本“小苏菲”。作者透过深入浅出的童话形式，让奇遇之谜和哲学主题不断地碰撞，穿透梦境和现实，极具梦幻写实趣味，也展现出一个至为恢宏的地球观和宇宙观。
一艘太空船穿越广袤的银河，向着一颗蓝蓝绿绿的星球一地球前进。来自艾尔乔星的男孩米加打开舱门，对着夜空大喊：“喂，有人在吗？”《喂，有人在吗？》是乔斯坦.贾德继《苏菲的世界》、〈纸牌的秘密〉之后推出的最新力作。故事场景从西方哲学的原乡欧洲大陆延展至无垠的外达空，叙述小男孩乔金和外星人米加的第三类接触奇遇。〈苏菲的世界〉提出了“你是谁？”、“世界从哪里来？”等问题：〈喂，有人在吗？〉问的是“我们是谁？”、“我们从哪里来”？ 可以说是一本“小苏菲”。作者透过深入浅出的童话形式，让奇遇之谜和哲学主题不断地碰撞，穿透梦境和现实，极具梦幻写实趣味，也展现出一个至为恢宏的地球观和宇宙观。
儒勒·凡尔纳（Jules Verne，1828年2月8日－1905年3月24日），法国小说家、博物学家，现代科幻小说的重要开创者之一。他一生写了六十多部大大小小的科幻小说，总题为《在已知和未知的世界漫游》。他以其大量著作和突出贡献，被誉为“科幻小说之父”。由于凡尔纳知识非常丰富，他小说作品的著述、描写多有科学根据，所以当时他小说的幻想，如今成为了有趣的预言。
儒勒·凡尔纳是根据Jules Verne法语发音的中文译名，Jules Gabriel Verne的名字也曾被译为“萧鲁士”、“威男”、“焦土威奴”和“查理士·培伦”。
凡尔纳-生平
儒勒·加布里埃尔·凡尔纳（Jules Gabriel Verne）于1828年2月8日，生于法国南特。他的家族有航海传统，这一点深深地影响了他日后的写作。童年时期，他曾私自出走到一艘商船上，企图随船出海，但被发现送还父母，从此更被严看管；他为此向父母保证以后只“躺在床上在幻想中旅行”。
1847年，他被送到巴黎学习法律。但繁华的巴黎却激发了他对戏剧的狂热。1850年末，他的第一部剧作发表了。凡尔纳的父亲得知儿子无意继续攻读法律后大发雷霆，决定断绝经济援助。从此，年轻的凡尔纳不得不靠写作来赚钱，维持生计。
在巴黎图书馆花费了相当时间钻研地理、工程和航天等科学后，凡尔纳完成了他的第一部小说《气球上的五星期》（Cinq semaines en ballon，1863）。但他试图出版这本书的过程并不顺利——连续16家出版社拒绝了凡尔纳，屡战屡败的凡尔纳一气之下把书稿投入火中，但他的妻子把书稿抢救出来；幸运的是，第17家出版社终于同意出版本书。随后，他又很快开始写作后来成为早期科幻小说经典的作品：《地心游记》（Voyage au centre de la terre，1864）、《从地球到月球》（De la terre à la lune，1866）和《海底两万里》（20,000 lieues sous les mers，1873）
小说大获成功，成了畅销书，在欧洲大受欢迎。凡尔纳也成了一位富翁。1876年，他购置了一艘大游艇，开始环游欧洲。他的最后一部小说是1905年出版的《大海的入侵》（L'invasion de la mer）。
教皇利奥十三世1884年接见他时曾对他说“我并不是不知道您的作品的科学价值，但我最珍重的却是它们的纯洁、道德价值和精神力量。”
儒勒·凡尔纳于1905 年3月24日失去知觉，25日清晨8时去世。
凡尔纳-创作之路
1828 年2月8日，凡尔纳生于南特，1848年赴巴黎学习法律，写过短篇小说和剧本。
1863年起，他开始发表科学幻想冒险小说，以总名称为《在已知和未知的世界中奇异的漫游》一举成名。代表作为三部曲 《格兰特船长的儿女》《海底两万里》 《神秘岛》 。
凡尔纳总共创作了六十六部长篇小说或短篇小说集，还有几个剧本，一册《法国地理》和一部六卷本的《伟大的旅行家和伟大的旅行史》。主要作品还有《气球上的五星期》.《地心游记》.《机器岛》.《漂逝的半岛》.《八十天环游地球》等20多部长篇科幻历险小说。
凡尔纳-作品特点
主要作品出版于19世纪末，其科幻小说中的许多设想和描述在20世纪成为了现实，所以他的一些作品现在让人读起来感觉并不“天马行空”。其中最著名的莫过于在《海底两万里》中尼莫（Nemo，这个名字在拉丁文中有“无人”的意思）船长的巨型潜水艇“鹦鹉螺号”（Nautilus，过去有的中文版中曾按其发音译为“诺第留斯号”）。美国建造的世界第一艘核动力潜艇鹦鹉螺号（USS Nautilus SSN-571，1954年下水）虽然名承自一艘1803年时的美国海军多桅纵帆船（Schooner）与之后袭名的两艘传统动力潜艇，但由于核动力潜艇拥有如小说中虚构的鹦鹉螺号般超长的蓄航力，因此使用此命名多少带有影射小说中之鹦鹉螺号的双关意味。法国的无人驾驶机器人潜水艇也以此命名。此外，《从地球到月球》当中，哥伦比亚号飞船（或说是炮弹）的发射地点在美国佛罗里达州的坦帕，竟然与卡纳维拉尔角（肯尼迪航天中心所在地）几乎位于同一纬度线上，两地之间直线距离仅120英里，前者座落在佛罗里达半岛的西海岸，后者在东海岸。
凡尔纳-主要作品
凡尔纳的作品《八十日环游世界》 凡尔纳的作品《八十日环游世界》
三部曲
《格兰特船长的儿女》（1956年，中国青年出版社）。
《海底两万里》
《神秘岛》（1958年，中国青年出版社）。
探月两部曲
《从地球到月球》，又名《月界旅行》。
《环绕月球》
探险
《八十日环游世界》
《气球上的五星期》
《征服者罗比尔》
《太阳系历险记》
《地心游记》，又名《地底旅行》。
《两年假期(十五少年漂流记)》
民族独立和革命
《桑道夫伯爵》
《烽火岛》
《多瑙河领航员》
其他
《漂逝的半岛》
《十五岁的船长》
《机器岛》
《隐身新娘》
《昂梯菲尔奇遇记》
《印度贵妇的五亿法郎》
自20世纪以来，凡尔纳的多部作品曾不止一次地被搬上过大屏幕，比如《格兰特船长的儿女》（1936年，由前苏联拍摄），《海底两万里》（1954年电影，1997年电视重拍），《地心游记》（1959年），《环游世界八十天》（2004年）。改编自凡尔纳的《地心游记》已于2008年重新以立体电脑特技搬上屏幕，该片名为《地心冒险》，由《神鬼传奇》男角布兰登·费雪主演，于8月14日上映 。
凡尔纳-遗作
凡尔纳死后，其遗著经整理出版的计有：
1905年：《世界尽头的灯塔》（教育社）
1908年：《金火山》（教育社，此书前十四章系儒勒·凡尔纳所写，后四章系其子米歇尔补写。）
1907年：《汤姆生公司分行》（据P．贡多罗·德拉·李娃考证，此书大纲情节系儒勒·凡尔纳拟就，由其子写成。）
1908年：《流星追逐记》（此书前十七章为儒勒·凡尔纳所写，后四章系其子米歇尔续成。）《多瑙河的领航员》
1909年：《柔纳当的海上遇难者》
1910年：《威廉·斯托里茨的秘密》（小说结局曾加润色）《永恒的亚当》《昨天和明天》（中短篇小说集，其中包括《拉东一家人《升半咪音先生和降半音咪小姐》、《让·摩荣娜的命运》、《洪堡》、《在二十世纪》、《2889年一个美国新闻记者的一天》、《永恒的亚当》。）
1914年：《巴沙克长老会的惊人奇遇》
凡尔纳-鲁迅的中文译本
鲁迅先生曾在辛亥革命之前就根据当时在日本已被译成日语的译作（其先由法语译成英语再译日语），翻译了Jules Gabriel Verne的两部著名作品：
《月界旅行》（1903年10月，进化社）
《地底旅行》（1906年3月，启新书局）
儒勒·凡尔纳是根据Jules Verne法语发音的中文译名，Jules Gabriel Verne的名字也曾被译为“萧鲁士”、“威男”、“焦土威奴”和“查理士·培伦”。
凡尔纳-生平
儒勒·加布里埃尔·凡尔纳（Jules Gabriel Verne）于1828年2月8日，生于法国南特。他的家族有航海传统，这一点深深地影响了他日后的写作。童年时期，他曾私自出走到一艘商船上，企图随船出海，但被发现送还父母，从此更被严看管；他为此向父母保证以后只“躺在床上在幻想中旅行”。
1847年，他被送到巴黎学习法律。但繁华的巴黎却激发了他对戏剧的狂热。1850年末，他的第一部剧作发表了。凡尔纳的父亲得知儿子无意继续攻读法律后大发雷霆，决定断绝经济援助。从此，年轻的凡尔纳不得不靠写作来赚钱，维持生计。
在巴黎图书馆花费了相当时间钻研地理、工程和航天等科学后，凡尔纳完成了他的第一部小说《气球上的五星期》（Cinq semaines en ballon，1863）。但他试图出版这本书的过程并不顺利——连续16家出版社拒绝了凡尔纳，屡战屡败的凡尔纳一气之下把书稿投入火中，但他的妻子把书稿抢救出来；幸运的是，第17家出版社终于同意出版本书。随后，他又很快开始写作后来成为早期科幻小说经典的作品：《地心游记》（Voyage au centre de la terre，1864）、《从地球到月球》（De la terre à la lune，1866）和《海底两万里》（20,000 lieues sous les mers，1873）
小说大获成功，成了畅销书，在欧洲大受欢迎。凡尔纳也成了一位富翁。1876年，他购置了一艘大游艇，开始环游欧洲。他的最后一部小说是1905年出版的《大海的入侵》（L'invasion de la mer）。
教皇利奥十三世1884年接见他时曾对他说“我并不是不知道您的作品的科学价值，但我最珍重的却是它们的纯洁、道德价值和精神力量。”
儒勒·凡尔纳于1905 年3月24日失去知觉，25日清晨8时去世。
凡尔纳-创作之路
1828 年2月8日，凡尔纳生于南特，1848年赴巴黎学习法律，写过短篇小说和剧本。
1863年起，他开始发表科学幻想冒险小说，以总名称为《在已知和未知的世界中奇异的漫游》一举成名。代表作为三部曲 《格兰特船长的儿女》《海底两万里》 《神秘岛》 。
凡尔纳总共创作了六十六部长篇小说或短篇小说集，还有几个剧本，一册《法国地理》和一部六卷本的《伟大的旅行家和伟大的旅行史》。主要作品还有《气球上的五星期》.《地心游记》.《机器岛》.《漂逝的半岛》.《八十天环游地球》等20多部长篇科幻历险小说。
凡尔纳-作品特点
主要作品出版于19世纪末，其科幻小说中的许多设想和描述在20世纪成为了现实，所以他的一些作品现在让人读起来感觉并不“天马行空”。其中最著名的莫过于在《海底两万里》中尼莫（Nemo，这个名字在拉丁文中有“无人”的意思）船长的巨型潜水艇“鹦鹉螺号”（Nautilus，过去有的中文版中曾按其发音译为“诺第留斯号”）。美国建造的世界第一艘核动力潜艇鹦鹉螺号（USS Nautilus SSN-571，1954年下水）虽然名承自一艘1803年时的美国海军多桅纵帆船（Schooner）与之后袭名的两艘传统动力潜艇，但由于核动力潜艇拥有如小说中虚构的鹦鹉螺号般超长的蓄航力，因此使用此命名多少带有影射小说中之鹦鹉螺号的双关意味。法国的无人驾驶机器人潜水艇也以此命名。此外，《从地球到月球》当中，哥伦比亚号飞船（或说是炮弹）的发射地点在美国佛罗里达州的坦帕，竟然与卡纳维拉尔角（肯尼迪航天中心所在地）几乎位于同一纬度线上，两地之间直线距离仅120英里，前者座落在佛罗里达半岛的西海岸，后者在东海岸。
凡尔纳-主要作品
凡尔纳的作品《八十日环游世界》 凡尔纳的作品《八十日环游世界》
三部曲
《格兰特船长的儿女》（1956年，中国青年出版社）。
《海底两万里》
《神秘岛》（1958年，中国青年出版社）。
探月两部曲
《从地球到月球》，又名《月界旅行》。
《环绕月球》
探险
《八十日环游世界》
《气球上的五星期》
《征服者罗比尔》
《太阳系历险记》
《地心游记》，又名《地底旅行》。
《两年假期(十五少年漂流记)》
民族独立和革命
《桑道夫伯爵》
《烽火岛》
《多瑙河领航员》
其他
《漂逝的半岛》
《十五岁的船长》
《机器岛》
《隐身新娘》
《昂梯菲尔奇遇记》
《印度贵妇的五亿法郎》
自20世纪以来，凡尔纳的多部作品曾不止一次地被搬上过大屏幕，比如《格兰特船长的儿女》（1936年，由前苏联拍摄），《海底两万里》（1954年电影，1997年电视重拍），《地心游记》（1959年），《环游世界八十天》（2004年）。改编自凡尔纳的《地心游记》已于2008年重新以立体电脑特技搬上屏幕，该片名为《地心冒险》，由《神鬼传奇》男角布兰登·费雪主演，于8月14日上映 。
凡尔纳-遗作
凡尔纳死后，其遗著经整理出版的计有：
1905年：《世界尽头的灯塔》（教育社）
1908年：《金火山》（教育社，此书前十四章系儒勒·凡尔纳所写，后四章系其子米歇尔补写。）
1907年：《汤姆生公司分行》（据P．贡多罗·德拉·李娃考证，此书大纲情节系儒勒·凡尔纳拟就，由其子写成。）
1908年：《流星追逐记》（此书前十七章为儒勒·凡尔纳所写，后四章系其子米歇尔续成。）《多瑙河的领航员》
1909年：《柔纳当的海上遇难者》
1910年：《威廉·斯托里茨的秘密》（小说结局曾加润色）《永恒的亚当》《昨天和明天》（中短篇小说集，其中包括《拉东一家人《升半咪音先生和降半音咪小姐》、《让·摩荣娜的命运》、《洪堡》、《在二十世纪》、《2889年一个美国新闻记者的一天》、《永恒的亚当》。）
1914年：《巴沙克长老会的惊人奇遇》
凡尔纳-鲁迅的中文译本
鲁迅先生曾在辛亥革命之前就根据当时在日本已被译成日语的译作（其先由法语译成英语再译日语），翻译了Jules Gabriel Verne的两部著名作品：
《月界旅行》（1903年10月，进化社）
《地底旅行》（1906年3月，启新书局）
5 月 18 日清晨，古老的敦考克教堂的神甫 5 点钟就起床了，像往常一样，为几个虔诚的教徒举行小弥撒。
他身穿教袍，就要走向圣坛的时刻，一个人兴冲冲而又略带不安地来到圣器保存室。这是个 60 岁左右的老水手，但仍然身强力壮、精力充沛，脸上的表情憨厚而开朗。
他身穿教袍，就要走向圣坛的时刻，一个人兴冲冲而又略带不安地来到圣器保存室。这是个 60 岁左右的老水手，但仍然身强力壮、精力充沛，脸上的表情憨厚而开朗。
Master of the World (French: Maître du monde), published in 1904, is one of the last novels by French pioneer science fiction writer, Jules Verne.
Plot outline
A series of unexplained happenings occur across the eastern United States, caused by objects moving with such great speed that they are nearly invisible. The first-person narrator John Strock, 'Head inspector in the federal police department' in Washington, DC, travels to the Blue Ridge Mountains of North Carolina to investigate and discovers that all the phenomena are being caused by Robur, (a brilliant inventor who had previously appeared in Verne's Robur the Conqueror).
Robur had perfected a new invention, which he has dubbed the Terror. This is a ten-meter long vehicle, that is alternately speedboat, submarine, automobile, or aircraft. It can travel at the (then) unheard of speed of 150 miles per hour on land and at over 200 mph when flying.
Strock attempts to capture the Terror but instead is captured himself. The strange craft eludes its pursuers and heads to the Caribbean where Robur deliberately heads into a thunderstorm. The Terror is struck by lightning and falls into the ocean. Strock is rescued from the vehicle's wreckage but Robur's body is never found. The reader is left to judge whether he has actually died or not.
Literary significance & criticism
Master of the World contains a number of ideas current to Verne's time which are now widely known to be errors. A vehicle travelling at 200 mph is not invisible to the naked eye, nor does high speed reduce its weight.
Allusions/references
The novel's events take place in the summer of 1903, as characters refer to events of the Mount Pelée eruption on Martinique in 1902. Verne took a few liberties with American geography in the novel. The location in the book in the mountains of North Carolina is the city of Morganton, however, the specific mountain in the novel, called the Great Aerie, in name resembles Mount Airy, which is also in North Carolina, but not in the region near Morganton. Additionally, another portion of the novel takes place in a large deep natural lake in Kansas, whereas no such lake exists within that state.
Adaptations
* 1961 - Master of the World starring Vincent Price and Charles Bronson. In the script, Richard Matheson combined elements of this book (mainly the character, Strock) with more of the novel's predecessor, Robur the Conqueror (notably the Albatross rather than the Terror), and more sophisticated thematic elements of his own. An article in Filmfax magazine on American International Pictures included a photo of a model of the Terror for an unmade film called Stratofin, which was to be produced as the sequel to Master of the World.
* There is a more faithful version of this novel, with the same title as the 1961 film, that aired as a half-hour cartoon TV special in the late 1970s.
* Robur is a character in the 1995 novel The Bloody Red Baron as the chief airship engineer of the Central Powers. The chapter in which he and his airship flagship appear is titled "Master of the World".
* The Terror appears in the game Pirates of the Mysterious Islands.
Plot outline
A series of unexplained happenings occur across the eastern United States, caused by objects moving with such great speed that they are nearly invisible. The first-person narrator John Strock, 'Head inspector in the federal police department' in Washington, DC, travels to the Blue Ridge Mountains of North Carolina to investigate and discovers that all the phenomena are being caused by Robur, (a brilliant inventor who had previously appeared in Verne's Robur the Conqueror).
Robur had perfected a new invention, which he has dubbed the Terror. This is a ten-meter long vehicle, that is alternately speedboat, submarine, automobile, or aircraft. It can travel at the (then) unheard of speed of 150 miles per hour on land and at over 200 mph when flying.
Strock attempts to capture the Terror but instead is captured himself. The strange craft eludes its pursuers and heads to the Caribbean where Robur deliberately heads into a thunderstorm. The Terror is struck by lightning and falls into the ocean. Strock is rescued from the vehicle's wreckage but Robur's body is never found. The reader is left to judge whether he has actually died or not.
Literary significance & criticism
Master of the World contains a number of ideas current to Verne's time which are now widely known to be errors. A vehicle travelling at 200 mph is not invisible to the naked eye, nor does high speed reduce its weight.
Allusions/references
The novel's events take place in the summer of 1903, as characters refer to events of the Mount Pelée eruption on Martinique in 1902. Verne took a few liberties with American geography in the novel. The location in the book in the mountains of North Carolina is the city of Morganton, however, the specific mountain in the novel, called the Great Aerie, in name resembles Mount Airy, which is also in North Carolina, but not in the region near Morganton. Additionally, another portion of the novel takes place in a large deep natural lake in Kansas, whereas no such lake exists within that state.
Adaptations
* 1961 - Master of the World starring Vincent Price and Charles Bronson. In the script, Richard Matheson combined elements of this book (mainly the character, Strock) with more of the novel's predecessor, Robur the Conqueror (notably the Albatross rather than the Terror), and more sophisticated thematic elements of his own. An article in Filmfax magazine on American International Pictures included a photo of a model of the Terror for an unmade film called Stratofin, which was to be produced as the sequel to Master of the World.
* There is a more faithful version of this novel, with the same title as the 1961 film, that aired as a half-hour cartoon TV special in the late 1970s.
* Robur is a character in the 1995 novel The Bloody Red Baron as the chief airship engineer of the Central Powers. The chapter in which he and his airship flagship appear is titled "Master of the World".
* The Terror appears in the game Pirates of the Mysterious Islands.
From the Earth to the Moon (French: De la Terre à la Lune, 1865) is a humorous science fantasy novel by Jules Verne and is one of the earliest entries in that genre. It tells the story of the president of a post-American Civil War gun club in Baltimore, his rival, a Philadelphia maker of armor, and a Frenchman, who build an enormous sky-facing Columbiad space gun and launch themselves in a projectile/spaceship from it to a Moon landing.
The story is also notable in that Verne attempted to do some rough calculations as to the requirements for the cannon and, considering the total lack of any data on the subject at the time, some of his figures are surprisingly close to reality. However, his scenario turned out to be impractical for safe manned space travel since a much longer muzzle would have been required to reach escape velocity while limiting acceleration to survivable limits for the passengers.
The real-life Apollo program bears similarities to the story:
* Verne's cannon was called Columbiad; the Apollo 11 command module (Apollo CSM) was named Columbia.
* The spacecraft crew consisted of three persons in each case.
* The physical dimensions of the projectile are very close to the dimensions of the Apollo CSM.
* Verne's voyage blasted off from Florida, as did all Apollo missions. (Verne correctly states in the book that objects launch into space most easily if they are launched towards the zenith of a particular location, and that the zenith would better line up with the moon's orbit from near the Earth's equator. In the book Florida and Texas compete for the launch, with Florida winning.)
* The names of the crew, Ardan, Barbicane, and Nicholl, are vaguely similar to Bill Anders, Frank Borman, and Jim Lovell, the crew of Apollo 8, the first manned spacecraft to travel to the moon, although it didn't actually land.
* The cost of the program in the book is almost similar to the total cost of the Apollo program until Apollo 8.
The character of "Michel Ardan" in the novel was inspired by Félix Nadar.
Plot
It's been some time since the end of the American Civil War. The Gun Club, a society based in Baltimore and dedicated to the design of weapons of all kinds (especially cannons), meets when Impey Barbicane, its president, calls them to support his idea: according to his calculations, a cannon can shoot a projectile so that it reaches the moon. After receiving the whole support of his companions, a few of them meet to decide the place from where the projectile will be shot, the dimensions and makings of both the cannon and the projectile, and which kind of powder are they to use.
An old enemy of Barbicane, a Captain Nicholl of Philadelphia, designer of plate armor, declares that the enterprise is absurd and makes a series of bets with Barbicane, each of them of increasing amount over the impossibility of such feat.
The first obstacle, the money, and over which Nicholl has bet 1000 dollars, is raised from most countries in America and Europe, in which the mission reaches variable success (while the USA gives 4 million dollars, England doesn't give a farthing, being envious of the United States in matters of science), but in the end nearly five and a half million dollars are raised, which ensures the financial feasibility of the project.
After deciding the place for the launch (Stone's Hill in "Tampa Town", Florida; predating Kennedy Space Center's placement in Florida by almost 100 years; Verne gives the exact position as 27°7' northern latitude and 5°7' western longitude, of course relative to the meridian of Washington that is 27°7′0″N 82°9′0″W / 27.116667°N 82.15°W / 27.116667; -82.15 ), the Gun Club travels there and starts the construction of the Columbiad cannon, which requires the excavation of a 900-foot-deep (270 m) and 60-foot-wide (18 m) circular hole, which is made in the nick of time, but a surprise awaits Barbicane: Michel Ardan, a French adventurer, plans to travel aboard the projectile.
During a meeting between Ardan, the Gun Club and the inhabitants of Florida, Nicholl appears and challenges Barbicane to a duel, which is successfully stopped when Ardan, warned by J. T. Maston, secretary of the Gun Club, meets the rivals in the forest they have agreed to duel in. Meanwhile, Barbicane finds the solution to the problem of surviving the incredible acceleration that the explosion would cause. Ardan suggests Barbicane and Nicholl to travel with him in the projectile, and the offer is accepted.
In the end, the projectile is successfully launched, but the destinies of the three astronauts are left inconclusive. The sequel, Around the Moon, deals with what happens to the three men in their travel from the Earth to the Moon.
Technical feasibility of a space cannon
In his 1903 publication on space travel, Konstantin Tsiolkovsky refuted Verne's idea of using a cannon for space travel. He concluded that a gun would have to be impossibly long. The gun in the story would subject the payload to about 22000 g of acceleration (see formula).
Gerald Bull and the Project HARP proved after 1961 that a cannon can shoot a 180 kg (400 lb) projectile up to 180 kilometres (110 mi) of height and reach 32 percent of the needed escape velocity.[citation needed] Additionally, during the Plumbbob nuclear test series, a 900 kg (2,000 lb) capping plate made of steel was blasted away. Myths say that it entered outer space because it did reach a speed of between two and six times the escape velocity, but engineers[who?] believe it melted in the atmosphere.
Influence on popular culture
The novel was adapted as the opera Le voyage dans la lune in 1875, with music by Jacques Offenbach.
In H. G. Wells' 1901 The First Men in the Moon (also relating to the first voyagers to the Moon) the protagonist, Mr. Bedford, mentions Verne's novel to his companion, Professor Cavor, who replies (in a possible dig at Verne) that he does not know what Bedford is referring to.
The novel (along with Wells' The First Men in the Moon) inspired the first science fiction film, A Trip to the Moon, made in 1902 by Georges Méliès. In 1958, another film adaptation of this story was released, titled From the Earth to the Moon. It was one of the last films made under the RKO Pictures banner. The story also became the basis for the very loose adaptation Jules Verne's Rocket to the Moon (1967), a caper-style British comedy starring Burl Ives and Terry-Thomas.
The novel and its sequel were the inspiration for the computer game Voyage: Inspired by Jules Verne.
Among its other homages to classic science fiction, an issue of Planetary involved the Planetary group finding that the Gun Club had been successful in launching the projectile, but that a miscalculation led to a slowly decaying orbit over the decades with the astronauts long dead from lack of air and food.
Barbicane appears in Kevin J. Anderson's novel Captain Nemo: The Fantastic History of a Dark Genius as an Ottoman official whose chief rival, Robur, designs a number of innovative weapons to counteract him, including an attempt to launch a three-man mission to the Moon.
During their return journey from the moon, the crew of Apollo 11 made reference to Jules Verne's book during a TV broadcast on July 23 . The mission's commander, astronaut Neil Armstrong, said, "A hundred years ago, Jules Verne wrote a book about a voyage to the Moon. His spaceship, Columbia [sic], took off from Florida and landed in the Pacific Ocean after completing a trip to the Moon. It seems appropriate to us to share with you some of the reflections of the crew as the modern-day Columbia completes its rendezvous with the planet Earth and the same Pacific Ocean tomorrow."
Disneyland Paris
The first incarnation of the roller coaster Space Mountain in Disneyland Paris, named Space Mountain: De la Terre à la Lune, was based loosely on this novel, the ambience being that of the book being noted throughout the ride with its rivet and boiler plate effect. The ride includes the "Columbiad", which recoils with a bang and produces smoke as each car passes, giving riders the perception of being shot into space.
The attraction was built after the opening of Euro Disneyland and opened in 1995. The attraction's exterior was designed using a Verene era retro-futuristic influence, in keeping with the rest of Discoveryland.
During 2005, the ride was refurbished and renamed Space Mountain: Mission 2 as part of the Happiest Celebration on Earth. The ride no longer features any of the original storyline based on the novel, with the exception of the name of the cannon (Columbiad) and "Baltimore Gun Club" signs.
In 1995 the BBC made a documentary about the creation of Space Mountain, called "Shoot For The Moon". The 44-minute programme followed Tim Delaney and his team in bringing the book From the Earth to the Moon by Jules Verne to life. The programme shows the development of the attraction, from conception over construction up to testing and fine-tuning the final attraction, including its soundtrack. The documentary, originally broadcast on BBC2 in the UK, was also aired on other channels in many countries.
Space Mountain is also located next to the walk-through attraction "Les Mystères du Nautilus" based on Walt Disney's adaptation of Jules Verne's other famous literary work Twenty Thousand Leagues Under the Sea.
The story is also notable in that Verne attempted to do some rough calculations as to the requirements for the cannon and, considering the total lack of any data on the subject at the time, some of his figures are surprisingly close to reality. However, his scenario turned out to be impractical for safe manned space travel since a much longer muzzle would have been required to reach escape velocity while limiting acceleration to survivable limits for the passengers.
The real-life Apollo program bears similarities to the story:
* Verne's cannon was called Columbiad; the Apollo 11 command module (Apollo CSM) was named Columbia.
* The spacecraft crew consisted of three persons in each case.
* The physical dimensions of the projectile are very close to the dimensions of the Apollo CSM.
* Verne's voyage blasted off from Florida, as did all Apollo missions. (Verne correctly states in the book that objects launch into space most easily if they are launched towards the zenith of a particular location, and that the zenith would better line up with the moon's orbit from near the Earth's equator. In the book Florida and Texas compete for the launch, with Florida winning.)
* The names of the crew, Ardan, Barbicane, and Nicholl, are vaguely similar to Bill Anders, Frank Borman, and Jim Lovell, the crew of Apollo 8, the first manned spacecraft to travel to the moon, although it didn't actually land.
* The cost of the program in the book is almost similar to the total cost of the Apollo program until Apollo 8.
The character of "Michel Ardan" in the novel was inspired by Félix Nadar.
Plot
It's been some time since the end of the American Civil War. The Gun Club, a society based in Baltimore and dedicated to the design of weapons of all kinds (especially cannons), meets when Impey Barbicane, its president, calls them to support his idea: according to his calculations, a cannon can shoot a projectile so that it reaches the moon. After receiving the whole support of his companions, a few of them meet to decide the place from where the projectile will be shot, the dimensions and makings of both the cannon and the projectile, and which kind of powder are they to use.
An old enemy of Barbicane, a Captain Nicholl of Philadelphia, designer of plate armor, declares that the enterprise is absurd and makes a series of bets with Barbicane, each of them of increasing amount over the impossibility of such feat.
The first obstacle, the money, and over which Nicholl has bet 1000 dollars, is raised from most countries in America and Europe, in which the mission reaches variable success (while the USA gives 4 million dollars, England doesn't give a farthing, being envious of the United States in matters of science), but in the end nearly five and a half million dollars are raised, which ensures the financial feasibility of the project.
After deciding the place for the launch (Stone's Hill in "Tampa Town", Florida; predating Kennedy Space Center's placement in Florida by almost 100 years; Verne gives the exact position as 27°7' northern latitude and 5°7' western longitude, of course relative to the meridian of Washington that is 27°7′0″N 82°9′0″W / 27.116667°N 82.15°W / 27.116667; -82.15 ), the Gun Club travels there and starts the construction of the Columbiad cannon, which requires the excavation of a 900-foot-deep (270 m) and 60-foot-wide (18 m) circular hole, which is made in the nick of time, but a surprise awaits Barbicane: Michel Ardan, a French adventurer, plans to travel aboard the projectile.
During a meeting between Ardan, the Gun Club and the inhabitants of Florida, Nicholl appears and challenges Barbicane to a duel, which is successfully stopped when Ardan, warned by J. T. Maston, secretary of the Gun Club, meets the rivals in the forest they have agreed to duel in. Meanwhile, Barbicane finds the solution to the problem of surviving the incredible acceleration that the explosion would cause. Ardan suggests Barbicane and Nicholl to travel with him in the projectile, and the offer is accepted.
In the end, the projectile is successfully launched, but the destinies of the three astronauts are left inconclusive. The sequel, Around the Moon, deals with what happens to the three men in their travel from the Earth to the Moon.
Technical feasibility of a space cannon
In his 1903 publication on space travel, Konstantin Tsiolkovsky refuted Verne's idea of using a cannon for space travel. He concluded that a gun would have to be impossibly long. The gun in the story would subject the payload to about 22000 g of acceleration (see formula).
Gerald Bull and the Project HARP proved after 1961 that a cannon can shoot a 180 kg (400 lb) projectile up to 180 kilometres (110 mi) of height and reach 32 percent of the needed escape velocity.[citation needed] Additionally, during the Plumbbob nuclear test series, a 900 kg (2,000 lb) capping plate made of steel was blasted away. Myths say that it entered outer space because it did reach a speed of between two and six times the escape velocity, but engineers[who?] believe it melted in the atmosphere.
Influence on popular culture
The novel was adapted as the opera Le voyage dans la lune in 1875, with music by Jacques Offenbach.
In H. G. Wells' 1901 The First Men in the Moon (also relating to the first voyagers to the Moon) the protagonist, Mr. Bedford, mentions Verne's novel to his companion, Professor Cavor, who replies (in a possible dig at Verne) that he does not know what Bedford is referring to.
The novel (along with Wells' The First Men in the Moon) inspired the first science fiction film, A Trip to the Moon, made in 1902 by Georges Méliès. In 1958, another film adaptation of this story was released, titled From the Earth to the Moon. It was one of the last films made under the RKO Pictures banner. The story also became the basis for the very loose adaptation Jules Verne's Rocket to the Moon (1967), a caper-style British comedy starring Burl Ives and Terry-Thomas.
The novel and its sequel were the inspiration for the computer game Voyage: Inspired by Jules Verne.
Among its other homages to classic science fiction, an issue of Planetary involved the Planetary group finding that the Gun Club had been successful in launching the projectile, but that a miscalculation led to a slowly decaying orbit over the decades with the astronauts long dead from lack of air and food.
Barbicane appears in Kevin J. Anderson's novel Captain Nemo: The Fantastic History of a Dark Genius as an Ottoman official whose chief rival, Robur, designs a number of innovative weapons to counteract him, including an attempt to launch a three-man mission to the Moon.
During their return journey from the moon, the crew of Apollo 11 made reference to Jules Verne's book during a TV broadcast on July 23 . The mission's commander, astronaut Neil Armstrong, said, "A hundred years ago, Jules Verne wrote a book about a voyage to the Moon. His spaceship, Columbia [sic], took off from Florida and landed in the Pacific Ocean after completing a trip to the Moon. It seems appropriate to us to share with you some of the reflections of the crew as the modern-day Columbia completes its rendezvous with the planet Earth and the same Pacific Ocean tomorrow."
Disneyland Paris
The first incarnation of the roller coaster Space Mountain in Disneyland Paris, named Space Mountain: De la Terre à la Lune, was based loosely on this novel, the ambience being that of the book being noted throughout the ride with its rivet and boiler plate effect. The ride includes the "Columbiad", which recoils with a bang and produces smoke as each car passes, giving riders the perception of being shot into space.
The attraction was built after the opening of Euro Disneyland and opened in 1995. The attraction's exterior was designed using a Verene era retro-futuristic influence, in keeping with the rest of Discoveryland.
During 2005, the ride was refurbished and renamed Space Mountain: Mission 2 as part of the Happiest Celebration on Earth. The ride no longer features any of the original storyline based on the novel, with the exception of the name of the cannon (Columbiad) and "Baltimore Gun Club" signs.
In 1995 the BBC made a documentary about the creation of Space Mountain, called "Shoot For The Moon". The 44-minute programme followed Tim Delaney and his team in bringing the book From the Earth to the Moon by Jules Verne to life. The programme shows the development of the attraction, from conception over construction up to testing and fine-tuning the final attraction, including its soundtrack. The documentary, originally broadcast on BBC2 in the UK, was also aired on other channels in many countries.
Space Mountain is also located next to the walk-through attraction "Les Mystères du Nautilus" based on Walt Disney's adaptation of Jules Verne's other famous literary work Twenty Thousand Leagues Under the Sea.
日内瓦城位于同名的日内瓦湖西畔，城中有罗讷河流过，将它分隔成两部分；而该河又在中央被一座小岛一分为二。
这小岛宛若一艘荷兰大游轮停泊在河中央。在现代建筑还没出现之前，这里是一片奇形怪状的屋群，层层叠叠，你这我挡，很煞风景。小岛太小了，事实上，一些房屋被挤到水滨，任凭风吹浪打。房子的横梁，因为成年累月地遭到河水的侵蚀，已经发黑，看上去活像巨蟹的爪子。窄窄的河道，如蜘蛛网般在这片古老的土地上延伸，河水在黑暗中颤动着，仿佛原始橡树林中簌簌抖动的叶子。罗讷河则隐藏在这一片屋群组成的森林之后，吐着白沫，无限痛苦地着。
这小岛宛若一艘荷兰大游轮停泊在河中央。在现代建筑还没出现之前，这里是一片奇形怪状的屋群，层层叠叠，你这我挡，很煞风景。小岛太小了，事实上，一些房屋被挤到水滨，任凭风吹浪打。房子的横梁，因为成年累月地遭到河水的侵蚀，已经发黑，看上去活像巨蟹的爪子。窄窄的河道，如蜘蛛网般在这片古老的土地上延伸，河水在黑暗中颤动着，仿佛原始橡树林中簌簌抖动的叶子。罗讷河则隐藏在这一片屋群组成的森林之后，吐着白沫，无限痛苦地着。
这部故事题为“冰岛怪兽”，估计没有一个人会相信它。这无关紧要，我仍认为将它公诸于世确有必要。相信也好，不相信也好，悉听尊便吧！
这个饶有兴味而又惊心动魄的冒险故事，始于德索拉西翁①群岛。恐怕再也设想不出比这更合适的地点了。这个岛名是一七七九年库克②船长给它起的。我在那里小住过几个星期，根据我的所见所闻，我可以肯定地说，著名英国航海家给它起的这个凄惨的名字，是完全名副其实的，“荒凉群岛”，这个岛名就足以说明一切了。
这个饶有兴味而又惊心动魄的冒险故事，始于德索拉西翁①群岛。恐怕再也设想不出比这更合适的地点了。这个岛名是一七七九年库克②船长给它起的。我在那里小住过几个星期，根据我的所见所闻，我可以肯定地说，著名英国航海家给它起的这个凄惨的名字，是完全名副其实的，“荒凉群岛”，这个岛名就足以说明一切了。
我们是卡尔费马特镇上的小学的一群孩子，总共 30 来人，20 来个 6 岁至12 岁的男孩子，10 来个 4 岁至 9 岁的小姑娘。如果你想知道这个小镇的正确位置，根据我的地图册第 47 页，这是在瑞士信奉天主教的一个州里，离康斯坦茨湖①不远，在阿邦泽尔②的群山脚下。
The Carpathian Castle (French: Le Château des Carpathes) is a novel by Jules Verne first published in 1893.
Title
The original French title was Le Château des Carpathes and in English there are some alternate titles, such as The Castle of the Carpathians and Rodolphe de Gortz; or the Castle of the Carpathians.
Synopsis
In the village of Werst in the Carpathian mountains of Transylvania (then part of Austria-Hungary, today part of Romania), some mysterious things are occurring and the villagers believe that Chort (the devil) occupies the castle. A visitor of the region, Count Franz de Télek, is intrigued by the stories and decides to go to the castle and investigate and finds that the owner of the castle is Baron Rodolphe de Gortz, one of his acquaintances, as years ago, they were rivals for the affections of the celebrated Italian prima donna La Stilla. The Count thought that La Stilla was dead, but he sees her image and voice coming from the castle, but we later on find that it was only a holographic image.
Title
The original French title was Le Château des Carpathes and in English there are some alternate titles, such as The Castle of the Carpathians and Rodolphe de Gortz; or the Castle of the Carpathians.
Synopsis
In the village of Werst in the Carpathian mountains of Transylvania (then part of Austria-Hungary, today part of Romania), some mysterious things are occurring and the villagers believe that Chort (the devil) occupies the castle. A visitor of the region, Count Franz de Télek, is intrigued by the stories and decides to go to the castle and investigate and finds that the owner of the castle is Baron Rodolphe de Gortz, one of his acquaintances, as years ago, they were rivals for the affections of the celebrated Italian prima donna La Stilla. The Count thought that La Stilla was dead, but he sees her image and voice coming from the castle, but we later on find that it was only a holographic image.
A Journey to the Center of the Earth (French: Voyage au centre de la Terre, also translated under the titles Journey to the Centre of the Earth and A Journey to the Interior of the Earth) is a classic 1864 science fiction novel by Jules Verne. The story involves a German professor (Otto Lidenbrock in the original French, Professor Von Hardwigg in the most common English translation) who believes there are volcanic tubes going toward the center of the Earth. He, his nephew Axel, and their guide Hans encounter many adventures, including prehistoric animals and natural hazards, eventually coming to the surface again in southern Italy. The living organisms they meet reflect geological time; just as the rock layers become older and older the deeper they travel, the animals become more and more ancient the closer the characters approach the center.
From a scientific point of view, this story has not aged quite as well as other Verne stories, since most of his ideas about what the interior of the Earth contains have since been soundly refuted. However, a redeeming point to the story is Verne's own belief, told within the novel from the viewpoint of a character, that the inside of the Earth does indeed differ from that which the characters anticipate. One of Verne's main ideas with his stories was also to educate the readers, and by placing the different extinct creatures the characters meet in their correct geological era, he is able to show how the world looked a long time ago, stretching from the ice age to the dinosaurs.
The book was inspired by Charles Lyell's Geological Evidences of the Antiquity of Man of 1863 (and probably also influenced by Lyell's earlier ground-breaking work "Principles Of Geology", published 1830 - 33). By that time geologists had abandoned a literal biblical account of Earth's development and it was generally thought that the end of the last glacial period marked the first appearance of humanity, but Lyell drew on new findings to put the origin of human beings much further back in the deep geological past. Lyell's book also influenced Louis Figuier's 1867 second edition of La Terre avant le déluge which included dramatic illustrations of savage men and women wearing animal skins and wielding stone axes, in place of the Garden of Eden shown in the 1863 edition.
From a scientific point of view, this story has not aged quite as well as other Verne stories, since most of his ideas about what the interior of the Earth contains have since been soundly refuted. However, a redeeming point to the story is Verne's own belief, told within the novel from the viewpoint of a character, that the inside of the Earth does indeed differ from that which the characters anticipate. One of Verne's main ideas with his stories was also to educate the readers, and by placing the different extinct creatures the characters meet in their correct geological era, he is able to show how the world looked a long time ago, stretching from the ice age to the dinosaurs.
The book was inspired by Charles Lyell's Geological Evidences of the Antiquity of Man of 1863 (and probably also influenced by Lyell's earlier ground-breaking work "Principles Of Geology", published 1830 - 33). By that time geologists had abandoned a literal biblical account of Earth's development and it was generally thought that the end of the last glacial period marked the first appearance of humanity, but Lyell drew on new findings to put the origin of human beings much further back in the deep geological past. Lyell's book also influenced Louis Figuier's 1867 second edition of La Terre avant le déluge which included dramatic illustrations of savage men and women wearing animal skins and wielding stone axes, in place of the Garden of Eden shown in the 1863 edition.
随着大地的一声巨大震动，空中出现了比北极光还要明亮的不同寻常的光辉，刹那间使得所有星星全都黯然失色。地中海顷刻之间变得空空如也，随后海水又回到海里形成汹涌澎湃的波涛。大地上出现震耳欲聋的轰鸣，除了有一种来自地球内部的爆裂声外，还有巨大的波涛互相撞击的声响和飓风的呼啸声。在天空、海上和地面突然出现如此巨大的变化后，故事的主人公们突然发现他们在一个完全陌生的星球上，开始了他们无法拒绝的太阳系历险。
Robur-the-Conqueror (French: Robur-le-Conquérant) is a science fiction novel by Jules Verne, published in 1886. It is also known as The Clipper of the Clouds. It has a sequel, The Master of the World, which was published in 1904.
Plot summary
The story begins with strange lights and sounds, including blaring trumpet music, reported in the skies all over the world. The events are capped by the mysterious appearance of black flags with gold suns atop tall historic landmarks such as the Statue of Liberty in New York, the Great Pyramid of Giza in Egypt, and the Eiffel Tower in Paris. These events are all the work of the mysterious Robur (the specific epithet for English Oak, Quercus robur, and figuratively taken to mean "strength"), a brilliant inventor who intrudes on a meeting of a flight-enthusiast's club called the Weldon Institute in Philadelphia, Pennsylvania.
Members of the Weldon Institute are all firm believers that mankind shall master the skies using “lighter than air” craft, and that "heavier than air" craft such as airplanes and helicopters would be unfeasible. The institute has been constructing a giant dirigible called the Goahead, and are having a heated discussion of where to place its propeller (in front to pull it, or behind to push it) when Robur appears at the meeting and is admitted to speak to them. He chastises the group for being balloon-boosters when "heavier than air" flying apparatuses are the future. When asked if Robur himself has "made conquest of the air," he states that he has, leading to him accepting the title "Robur the Conqueror." During his short time at the Weldon Institute Robur so incenses the members that they chase him outside and are about to attack him. Robur then seemingly vanishes to the mob, but he has actually been borne away in a flying machine.
Later that night Robur kidnaps the Weldon Institute's secretary, president, and the president’s valet. He takes them on board his ship, a huge rotorcraft vessel called the Albatross which has many vertical propellers so as to operate similar to a helicopter, and horizontal propellers to provide lateral movement. It bears the same black flag with golden sun that has been sighted on so many landmarks, and the music in the sky is explained to be one of the crewmen playing a trumpet. To demonstrate the vessel's superiority, Robur takes his captives around the world in the course of three weeks. The president and secretary are angry at Robur for kidnapping them and unwilling to admit that the Albatross is a fantastic vessel, or that their notions of "lighter than air" superiority are wrong. They demand that Robur release them, but he is aloof and always says that they shall remain as long as he desires it. Fearing they will be held captive forever, the two formulate plans to both escape and destroy the Albatross.
After the horizontal propellers are damaged in a storm, the Albatross is anchored over the Chatham Islands for repairs. While the crew is busy at work the two Weldon Institute members light a fuse and make their escape. They try to bring the valet with them but can not find him, only later discovering that the coward had escaped already without them. The Albatross explodes and its wreckage, along with Robur and his crew, plunge into the ocean. Meanwhile the three escapees are safe on a small but inhabited island and are later rescued by a ship, then make a long journey back to Philadelphia.
The Weldon Institute members return and rather than describe their adventures or admit that Robur had created a flying machine greater than their expectations of the Goahead, they simply conclude the argument the group was having during their last meeting. Rather than have only one propeller to their dirigible, they decide to have one propeller in front and another behind similar to Robur's design. Seven months after their return the Goahead is completed and making its maiden voyage with the president, secretary, and an aeronaut. The speed and maneuverability of the dirigible marvels a huge crowd, but are trivial if compared to Robur’s Albatross. Suddenly, out of the sky there appears the Albatross. It is revealed that when the Albatross exploded, enough of it was intact so that at least some of the propellers operated and slowed its descent, saving the crew. The crew used the remains of the Albatross as a raft until they were rescued by a ship. Later, Robur and the crew made it back to his secret X Island, where the original Albatross was built. Robur has built a new Albatross and now intends to exact revenge by showing it is superior to the Weldon Institute’s Goahead.
As an earthbound crowd watches in horror, the Albatross completes several moves, nearly ramming the Goahead. Fearing it is under attack, the Goahead makes horizontal, then vertical, maneuvers to avoid being hit. The Goahead is obviously at the Albatross’s mercy, however, as the Goahead is too slow. The Goahead then ascends very high into the sky in the hope of losing the Albatross, but its balloon bursts. As it falls the Albatross matches its speed and saves the occupants.
Having shown his dominance of the skies, Robur returns the three men to the ground and says that nations are not yet fit to know his secrets. He leaves with the promise that someday he will reveal his secrets of flight.
Influences
Film
The story was made into a 1961 movie, Master of the World, with Vincent Price as Robur. The movie kept the basic concept but added elements of intrigue and a romance to the plot.
In this version, Robur is an idealist who plans to conquer the world in order to put an end to tyranny and war. Using the Albatross he plans to bomb the nations of the world until he is acknowledged its ruler.
Instead of the Weldon Institute members, he kidnaps Mr. Prudent of Philadelphia, an armaments manufacturer, along with his daughter Dorothy and her fiance Phillip Evans. Charles Bronson plays Strock, the reluctant hero who comes to admire Robur, but not enough to let him carry out his plans.
The name Albatross is retained, though the novel's description and early illustrations that suggest a flush-decked clipper ship with propellers on its masts instead of sails, is replaced by a more contemporary design resembling a classic airship, or dirigible; though still given propellers for lift. The vessel is described in the film as being a 'heavier than air machine of several tons,' a statement later explained as the vessel 'is made entirely of paper, mixed with dextrin and clay, and squeezed in a hydraulic press...'
This construction also seems to render the Albatross impervious to contemporary weapons fire.
Novels
* In Kim Newman's alternate history novel The Bloody Red Baron, Robur (along with other such characters as Rotwang, Count Orlok, and Doctor Mabuse) work for Count Dracula during World War I.
* In Kevin J. Anderson's Captain Nemo: The Fantastic History of a Dark Genius, Robur is an official of the Ottoman Empire locked in a power struggle against his rival, Barbicane.
Comics
A graphic novel trilogy by writers Jean-Marc Lofficier and Randy Lofficier and artist Gil Formosa:
* Volume 1 De la Lune à la Terre (Albin Michel, 2003) (From the Moon to the Earth, Heavy Metal, December 2003)
* Volume 2 20.000 Ans sous les Mers (Albin Michel, 2004) (20,000 Years Under the Seas, Heavy Metal, Fall 2005)
* Volume 3 Voyage au Centre de la Lune (Albin Michel, 2005) (Journey to the Center of the Moon)
In it, Robur (who is also an alias of Captain Nemo) is the leader of the resistance when H. G. Wells' Selenites invade the Earth. Other fictional characters which appear in the series include Fantômas, Josephine Balsamo, The Shadow and Professor Cavor.
Robur appears in Batman: Master of the Future, by Brian Augustyn and Eduardo Barreto, part of DC Comics' Elseworlds series. The story mixes a Victorian-era Batman, with the film Master of the World.
Robur is mentioned several times in the three current volumes of The League of Extraordinary Gentlemen, by Alan Moore and Kevin O'Neill. He is first mentioned in Volume 1 corresponding with Captain Mors, another fictional air-based character. An entry in the supplementary The New Traveller's Almanac in the back of Volume 2 indicates that Robur is conscripted to lead Les Hommes Mysterieux ("The Mysterious Men"), which is a French analogue to the British team. Their fateful encounter with the League is detailed in The League of Extraordinary Gentlemen: Black Dossier.
Plot summary
The story begins with strange lights and sounds, including blaring trumpet music, reported in the skies all over the world. The events are capped by the mysterious appearance of black flags with gold suns atop tall historic landmarks such as the Statue of Liberty in New York, the Great Pyramid of Giza in Egypt, and the Eiffel Tower in Paris. These events are all the work of the mysterious Robur (the specific epithet for English Oak, Quercus robur, and figuratively taken to mean "strength"), a brilliant inventor who intrudes on a meeting of a flight-enthusiast's club called the Weldon Institute in Philadelphia, Pennsylvania.
Members of the Weldon Institute are all firm believers that mankind shall master the skies using “lighter than air” craft, and that "heavier than air" craft such as airplanes and helicopters would be unfeasible. The institute has been constructing a giant dirigible called the Goahead, and are having a heated discussion of where to place its propeller (in front to pull it, or behind to push it) when Robur appears at the meeting and is admitted to speak to them. He chastises the group for being balloon-boosters when "heavier than air" flying apparatuses are the future. When asked if Robur himself has "made conquest of the air," he states that he has, leading to him accepting the title "Robur the Conqueror." During his short time at the Weldon Institute Robur so incenses the members that they chase him outside and are about to attack him. Robur then seemingly vanishes to the mob, but he has actually been borne away in a flying machine.
Later that night Robur kidnaps the Weldon Institute's secretary, president, and the president’s valet. He takes them on board his ship, a huge rotorcraft vessel called the Albatross which has many vertical propellers so as to operate similar to a helicopter, and horizontal propellers to provide lateral movement. It bears the same black flag with golden sun that has been sighted on so many landmarks, and the music in the sky is explained to be one of the crewmen playing a trumpet. To demonstrate the vessel's superiority, Robur takes his captives around the world in the course of three weeks. The president and secretary are angry at Robur for kidnapping them and unwilling to admit that the Albatross is a fantastic vessel, or that their notions of "lighter than air" superiority are wrong. They demand that Robur release them, but he is aloof and always says that they shall remain as long as he desires it. Fearing they will be held captive forever, the two formulate plans to both escape and destroy the Albatross.
After the horizontal propellers are damaged in a storm, the Albatross is anchored over the Chatham Islands for repairs. While the crew is busy at work the two Weldon Institute members light a fuse and make their escape. They try to bring the valet with them but can not find him, only later discovering that the coward had escaped already without them. The Albatross explodes and its wreckage, along with Robur and his crew, plunge into the ocean. Meanwhile the three escapees are safe on a small but inhabited island and are later rescued by a ship, then make a long journey back to Philadelphia.
The Weldon Institute members return and rather than describe their adventures or admit that Robur had created a flying machine greater than their expectations of the Goahead, they simply conclude the argument the group was having during their last meeting. Rather than have only one propeller to their dirigible, they decide to have one propeller in front and another behind similar to Robur's design. Seven months after their return the Goahead is completed and making its maiden voyage with the president, secretary, and an aeronaut. The speed and maneuverability of the dirigible marvels a huge crowd, but are trivial if compared to Robur’s Albatross. Suddenly, out of the sky there appears the Albatross. It is revealed that when the Albatross exploded, enough of it was intact so that at least some of the propellers operated and slowed its descent, saving the crew. The crew used the remains of the Albatross as a raft until they were rescued by a ship. Later, Robur and the crew made it back to his secret X Island, where the original Albatross was built. Robur has built a new Albatross and now intends to exact revenge by showing it is superior to the Weldon Institute’s Goahead.
As an earthbound crowd watches in horror, the Albatross completes several moves, nearly ramming the Goahead. Fearing it is under attack, the Goahead makes horizontal, then vertical, maneuvers to avoid being hit. The Goahead is obviously at the Albatross’s mercy, however, as the Goahead is too slow. The Goahead then ascends very high into the sky in the hope of losing the Albatross, but its balloon bursts. As it falls the Albatross matches its speed and saves the occupants.
Having shown his dominance of the skies, Robur returns the three men to the ground and says that nations are not yet fit to know his secrets. He leaves with the promise that someday he will reveal his secrets of flight.
Influences
Film
The story was made into a 1961 movie, Master of the World, with Vincent Price as Robur. The movie kept the basic concept but added elements of intrigue and a romance to the plot.
In this version, Robur is an idealist who plans to conquer the world in order to put an end to tyranny and war. Using the Albatross he plans to bomb the nations of the world until he is acknowledged its ruler.
Instead of the Weldon Institute members, he kidnaps Mr. Prudent of Philadelphia, an armaments manufacturer, along with his daughter Dorothy and her fiance Phillip Evans. Charles Bronson plays Strock, the reluctant hero who comes to admire Robur, but not enough to let him carry out his plans.
The name Albatross is retained, though the novel's description and early illustrations that suggest a flush-decked clipper ship with propellers on its masts instead of sails, is replaced by a more contemporary design resembling a classic airship, or dirigible; though still given propellers for lift. The vessel is described in the film as being a 'heavier than air machine of several tons,' a statement later explained as the vessel 'is made entirely of paper, mixed with dextrin and clay, and squeezed in a hydraulic press...'
This construction also seems to render the Albatross impervious to contemporary weapons fire.
Novels
* In Kim Newman's alternate history novel The Bloody Red Baron, Robur (along with other such characters as Rotwang, Count Orlok, and Doctor Mabuse) work for Count Dracula during World War I.
* In Kevin J. Anderson's Captain Nemo: The Fantastic History of a Dark Genius, Robur is an official of the Ottoman Empire locked in a power struggle against his rival, Barbicane.
Comics
A graphic novel trilogy by writers Jean-Marc Lofficier and Randy Lofficier and artist Gil Formosa:
* Volume 1 De la Lune à la Terre (Albin Michel, 2003) (From the Moon to the Earth, Heavy Metal, December 2003)
* Volume 2 20.000 Ans sous les Mers (Albin Michel, 2004) (20,000 Years Under the Seas, Heavy Metal, Fall 2005)
* Volume 3 Voyage au Centre de la Lune (Albin Michel, 2005) (Journey to the Center of the Moon)
In it, Robur (who is also an alias of Captain Nemo) is the leader of the resistance when H. G. Wells' Selenites invade the Earth. Other fictional characters which appear in the series include Fantômas, Josephine Balsamo, The Shadow and Professor Cavor.
Robur appears in Batman: Master of the Future, by Brian Augustyn and Eduardo Barreto, part of DC Comics' Elseworlds series. The story mixes a Victorian-era Batman, with the film Master of the World.
Robur is mentioned several times in the three current volumes of The League of Extraordinary Gentlemen, by Alan Moore and Kevin O'Neill. He is first mentioned in Volume 1 corresponding with Captain Mors, another fictional air-based character. An entry in the supplementary The New Traveller's Almanac in the back of Volume 2 indicates that Robur is conscripted to lead Les Hommes Mysterieux ("The Mysterious Men"), which is a French analogue to the British team. Their fateful encounter with the League is detailed in The League of Extraordinary Gentlemen: Black Dossier.
“马思通先生，您竟敢说妇女们不可能对数理科学和实验科学作出自己的贡献？”
“十分遗憾，思柯碧夫人，我并不想这样说。”马思通答道，“女数学家嘛，有名的从古到今也有过那么几位，尤其是的，这我当然承认。不过，根据女子大脑的结构来看，她们决不可能成为阿基米德或牛顿式的人物。”
“噢！马思通先生，我要代表女性向您提出……”
“思柯碧夫人，女性生来妩媚漂亮，所以不善于进行超验的推理。”
“照您这么说，一个女人就是看到苹果从树上落下，也不能像十七世纪末那位著名的英国学者一样，从中发现万有引力定律啦？”
“十分遗憾，思柯碧夫人，我并不想这样说。”马思通答道，“女数学家嘛，有名的从古到今也有过那么几位，尤其是的，这我当然承认。不过，根据女子大脑的结构来看，她们决不可能成为阿基米德或牛顿式的人物。”
“噢！马思通先生，我要代表女性向您提出……”
“思柯碧夫人，女性生来妩媚漂亮，所以不善于进行超验的推理。”
“照您这么说，一个女人就是看到苹果从树上落下，也不能像十七世纪末那位著名的英国学者一样，从中发现万有引力定律啦？”
Twenty Thousand Leagues Under the Sea (French: Vingt mille lieues sous les mers) is a classic science fiction novel by French writer Jules Verne published in 1869. It tells the story of Captain Nemo and his submarine Nautilus as seen from the perspective of Professor Pierre Aronnax. The original edition had no illustrations; the first illustrated edition was published by Hetzel with illustrations by Alphonse de Neuville and Édouard Riou.
Title
The title refers to the distance traveled under the sea and not to a depth, as 20,000 leagues is over 2.5 times the circumference of the earth. The greatest depth mentioned in the book is four leagues. A literal translation of the French title would end in the plural "seas", thus implying the "seven seas" through which the characters of the novel travel. However, the early English translations of the title used "sea", meaning the ocean in general, as in "going to sea".
Plot summary
The story opens in the year 1866. Everyone in Europe and America is talking about a mysterious creature that has been sinking ships. Finally, the United States government decides to intervene and commissions the Abraham Lincoln to capture and identify the creature. On board the ship are Pierre Aronnax, a renowned scientist along with his manservant, Conseil, and Ned Land the king of harpooners. The Abraham Lincoln is attacked by the creature. Aronnax, Conseil and Land go overboard. The three men find themselves on top of the mysterious creature, which is actually a submarine vessel. They are taken on board and placed in a cell. The men meet Captain Nemo, the commander of the vessel, known as the Nautilus. He tells them they can stay on board the ship and enjoy freedom as long as they return to the cell if asked. They are never to leave the vessel again. Ned Land says he will not promise that he will not try to escape. Captain Nemo treats the men, especially Aronnax, very well. They are clothed and fed and may wander around the vessel at their leisure. Aronnax is thrilled by Nemo’s vast library. The men spend their time observing sea life through observation windows. Aronnax studies and writes about everything he sees.
During their time on the Nautilus, the men experience exciting adventures. They hunt in underwater forests, visit an island with angry natives, visit the lost city of Atlantis, and fish for giant pearls. However, there are also many distressing events coupled with the erratic behavior of Captain Nemo. One night the men are asked to return to their cell. They are given sleeping pills and awake the next morning very confused. Nemo asks Aronnax to look at a crewman who has been severely injured. The man later dies and they bury him in an underground cemetery, where many other crewmen have been laid to rest. On a voyage to the South Pole, the Nautilus becomes stuck in the ice. Everyone must take turns trying to break a hole in the ice so the vessel can get through. The ship almost runs out of its oxygen supply and the men grow tired and light headed. However, they escape just in time. Another time, the vessel sails through an area heavily populated by giant squid, when a giant squid gets stuck in the propeller of the submarine. The men and the crew must fight off the squid with axes because they cannot be killed with bullets. While fighting, a crewmember is killed by a squid. Nemo is moved to tears. The rising action of the story begins with Nemo’s attack on a warship. Aronnax does not know to which nation the warship belongs, but he is horrified when Captain Nemo sinks it. The men decide they must escape at all costs. One night, while off the coast of Norway, Aronnax, Conseil and Land plan a rash escape. To their dismay they realize they are heading toward a giant whirlpool—one that no ship has ever survived. Amazingly, in only a small dinghy they emerge safely. They awake in the hut of a fisherman. At the conclusion of the story, Aronnax is awaiting his return to France and rewriting his memoirs of his journey under the sea.
Title page (1871)
Themes and subtext
Captain Nemo's name is a subtle allusion to Homer's Odyssey, a Greek epic poem. In The Odyssey, Odysseus meets the monstrous cyclops Polyphemus during the course of his wanderings. Polyphemus asks Odysseus his name, and Odysseus replies that his name is "Utis" (ουτις), which translates as "No-man" or "No-body". In the Latin translation of the Odyssey, this pseudonym is rendered as "Nemo", which in Latin also translates as "No-man" or "No-body". Similarly to Nemo, Odysseus is forced to wander the seas in exile (though only for 10 years) and is tormented by the deaths of his ship's crew.
The preface of a new English edition[citation needed] of the book has a theory that Nemo's name was in part inspired by Jules Verne visiting Scotland and there coming across Scotland's national motto Nemo me impune lacessit, correctly meaning "No one attacks me with impunity", but reinterpreted by Verne as "Nemo attacks me with impunity".
Commander Matthew Fontaine Maury, "Captain Maury" in Verne's book, a real-life oceanographer who explored the winds, seas, currents, and collected samples of the bottom of the seas and charted all of these things, is mentioned a few times in this work by Jules Verne. Jules Verne certainly would have known of Matthew Maury's international fame and perhaps Maury's French ancestry.
References are made to three other Frenchmen. Those are Jean-François de Galaup, comte de La Pérouse, a famous explorer who was lost while circumnavigating the globe; Dumont D'Urville, the explorer who found the remains of the ill-fated ship of the Count; and Ferdinand Lesseps, builder of the Suez Canal and the nephew of the man who was the sole survivor of De Galaup's expedition. Verne was an investor in Lesseps to build the French sea level crossing in Panama. The Nautilus seems to follow the footsteps of these men: She visits the waters where De Galaup was lost; she sails to Antarctic waters and becomes stranded there, just like D'Urville's ship, the Astrolabe; and she passes through an underwater tunnel from the Red Sea into the Mediterranean.
The crew of the Nautilus observes an underwater funeral.
The most famous part of the novel, the battle against the school of giant squid, begins when a crewman opens the hatch of the boat and gets caught by one of the monsters. As he is being pulled away by the tentacle that has grabbed him, he yells "Help!" in French. At the beginning of the next chapter, concerning the battle, Aronnax states that: "To convey such sights, one would take the pen of our most famous poet, Victor Hugo, author of The Toilers of the Sea". The Toilers of the Sea also contains an episode where a worker fights a giant octopus, wherein the octopus symbolizes the Industrial Revolution. It is probable that Verne borrowed the symbol, but used it to allude to the Revolutions of 1848 as well, in that the first man to stand against the "monster" and the first to be defeated by it is a Frenchman.
In several parts of the book, Captain Nemo is depicted as a champion of the world's underdogs and downtrodden. In one passage Captain Nemo is mentioned as providing some help to Greeks rebelling against Ottoman rule during the Cretan Revolt of 1866–1869, proving to Arronax that after all he had not completely severed all relations with mankind outside the Nautilus. In another passage, Nemo takes pity on a poor Indian pearl diver who must do his diving without the sophisticated diving suit available to the submarine's crew, and who is doomed to die young due to the cumulative effect of diving on his lungs; Nemo approaches him underwater and gives him a whole pouch full of pearls, more than he could have gotten in years of his dangerous work.
Some of Verne's ideas about the not-yet-existing submarines which were laid out in this book turned out to be prophetic, such as the high speed and secret conduct of today's nuclear attack submarines, and (with diesel submarines) the need to surface frequently for fresh air. However, Verne evidently had no idea of the problems of water pressure, depicting his submarine as capable of diving freely even into the deepest of ocean deeps, where in reality it would have been instantly crushed by the weight of water above it, and with humans in diving suits able to emerge and walk along the deep ocean floor where they would have died quickly because of physiological effects of depth pressure and their breathing sets not working because of the pressure (see Diving hazards and precautions).
Model of the 1863 French Navy submarine Plongeur at the Musée de la Marine, Paris.
The Nautilus as imagined by Jules Verne.
Verne took the name "Nautilus" from one of the earliest successful submarines, built in 1800 by Robert Fulton, who later invented the first commercially successful steamboat. Fulton's submarine was named after the paper nautilus because it had a sail. Three years before writing his novel, Jules Verne also studied a model of the newly developed French Navy submarine Plongeur at the 1867 Exposition Universelle, which inspired him for his definition of the Nautilus. The world's first operational nuclear-powered submarine, the United States Navy's USS Nautilus (SSN-571) was named for Verne's fictional vessel.
Verne can also be credited with glimpsing the military possibilities of submarines, and specifically the danger which they possessed for the naval superiority of the British Navy, composed of surface warships. The fictional sinking of a ship by Nemo's Nautilus was to be enacted again and again in reality, in the same waters where Verne predicted it, by German U-boats in both World Wars.
The breathing apparatus used by Nautilus divers is depicted as an untethered version of underwater breathing apparatus designed by Benoit Rouquayrol and Auguste Denayrouze in 1865. They designed a diving set with a backpack spherical air tank that supplied air through the first known demand regulator. The diver still walked on the seabed and did not swim. This set was called an aérophore (Greek for "air-carrier"). Air pressure tanks made with the technology of the time could only hold 30 atmospheres, and the diver had to be surface supplied; the tank was for bailout. The durations of 6 to 8 hours on a tankful without external supply recorded for the Rouquayrol set in the book are greatly exaggerated.
No less significant, though more rarely commented on, is the very bold political vision (indeed, revolutionary for its time) represented by the character of Captain Nemo. As revealed in the later Verne book The Mysterious Island, Captain Nemo is a descendant of Tipu Sultan (a Muslim ruler of Mysore who resisted the British Raj), who took to the underwater life after the suppression of the 1857 Indian Mutiny, in which his close family members were killed by the British.
This change was made on request of Verne's publisher, Pierre-Jules Hetzel (who is known to be responsible for many serious changes in Verne's books), since in the original text the mysterious captain was a Polish nobleman, avenging his family who were killed by Russians. They had been murdered in retaliation for the captain's taking part in the Polish January Uprising (1863). As France was allied with Tsarist Russia, to avoid trouble the target for Nemo's wrath was changed to France's old enemy, the British Empire. It is no wonder that Professor Pierre Aronnax does not suspect Nemo's origins, as these were explained only later, in Verne's next book. What remained in the book from the initial concept is a portrait of Tadeusz Kościuszko (a Polish national hero, leader of the uprising against Russia in 1794) with inscription in Latin: "Finis Poloniae!".
The national origin of Captain Nemo was changed during most movie realizations; in nearly all picture-based works following the book he was made into a European. Nemo was represented as an Indian by Omar Sharif in the 1973 European miniseries The Mysterious Island. Nemo is also depicted as Indian in a silent film version of the story released in 1916 and later in both the graphic novel and the movie The League of Extraordinary Gentlemen.
Recurring themes in later books
Jules Verne wrote a sequel to this book: L'Île mystérieuse (The Mysterious Island, 1874), which concludes the stories begun by Twenty Thousand Leagues Under The Sea and In Search of the Castaways. It should be noted that, while The Mysterious Island seems to give more information about Nemo (or Prince Dakkar), it is muddied by the presence of several irreconcilable chronological contradictions between the two books and even within The Mysterious Island.
Verne returned to the theme of an outlaw submarine captain in his much later Facing the Flag. That book's main villain, Ker Karraje, is a completely unscrupulous pirate, acting purely and simply for gain, completely devoid of all the saving graces which gave Nemo — for all that he, too, was capable of ruthless killings — some nobility of character.
Like Nemo, Ker Karraje plays "host" to unwilling French guests — but unlike Nemo, who manages to elude all pursuers, Karraje's career of outlawry is decisively ended by the combination of an international task force and the rebellion of his French captives. Though also widely published and translated, it never attained the lasting popularity of Twenty Thousand Leagues.
More similar to the original Nemo, though with a less finely worked-out character, is Robur in Robur the Conqueror - a dark and flamboyant outlaw rebel using an aircraft instead of a submarine — later used as a basis for the movie Master of the World.
Translations
The novel was first translated into English in 1873 by Reverend Lewis Page Mercier (aka "Mercier Lewis"). Mercier, under orders from British censors and performed or dictated by his editors at Sampson Low, cut nearly a quarter of Verne's original text and made hundreds of translation errors, sometimes dramatically changing the meaning of Verne's original intent. Some of these bowdlerizations may have been done for political reasons, such as Nemo's identity and the nationality of the two warships he sinks, or the portraits of freedom fighters on the wall of his cabin which originally included Daniel O'Connell. Nonetheless it became the "standard" English translation for more than a hundred years, while other translations continued to draw from it — and its mistakes, especially the mistranslation of the title; the French title actually means Twenty Thousand Leagues under the Seas.
A modern translation was produced in 1966 by Walter James Miller and published by Washington Square Press. Many of Mercier's changes were addressed in the translator's preface, and most of Verne's text was restored.
Many of the "sins" of Mercier were again corrected in a from-the-ground-up re-examination of the sources and an entirely new translation by Walter James Miller and Frederick Paul Walter between 1989 and 1991, published in 1993 by Naval Institute Press in a "completely restored and annotated edition." But, it has a new error: in it the French word scaphandrier, which in this book means one of Captain Nemo's divers in kit similar to an old-type heavy standard diving suit but with an independent air supply, is everywhere wrongly translated "frogman". F. P. Walter's own translation was published in 2009 with the title Twenty Thousand Leagues under the Seas (ISBN 978-1-904808-28-2)
Title
The title refers to the distance traveled under the sea and not to a depth, as 20,000 leagues is over 2.5 times the circumference of the earth. The greatest depth mentioned in the book is four leagues. A literal translation of the French title would end in the plural "seas", thus implying the "seven seas" through which the characters of the novel travel. However, the early English translations of the title used "sea", meaning the ocean in general, as in "going to sea".
Plot summary
The story opens in the year 1866. Everyone in Europe and America is talking about a mysterious creature that has been sinking ships. Finally, the United States government decides to intervene and commissions the Abraham Lincoln to capture and identify the creature. On board the ship are Pierre Aronnax, a renowned scientist along with his manservant, Conseil, and Ned Land the king of harpooners. The Abraham Lincoln is attacked by the creature. Aronnax, Conseil and Land go overboard. The three men find themselves on top of the mysterious creature, which is actually a submarine vessel. They are taken on board and placed in a cell. The men meet Captain Nemo, the commander of the vessel, known as the Nautilus. He tells them they can stay on board the ship and enjoy freedom as long as they return to the cell if asked. They are never to leave the vessel again. Ned Land says he will not promise that he will not try to escape. Captain Nemo treats the men, especially Aronnax, very well. They are clothed and fed and may wander around the vessel at their leisure. Aronnax is thrilled by Nemo’s vast library. The men spend their time observing sea life through observation windows. Aronnax studies and writes about everything he sees.
During their time on the Nautilus, the men experience exciting adventures. They hunt in underwater forests, visit an island with angry natives, visit the lost city of Atlantis, and fish for giant pearls. However, there are also many distressing events coupled with the erratic behavior of Captain Nemo. One night the men are asked to return to their cell. They are given sleeping pills and awake the next morning very confused. Nemo asks Aronnax to look at a crewman who has been severely injured. The man later dies and they bury him in an underground cemetery, where many other crewmen have been laid to rest. On a voyage to the South Pole, the Nautilus becomes stuck in the ice. Everyone must take turns trying to break a hole in the ice so the vessel can get through. The ship almost runs out of its oxygen supply and the men grow tired and light headed. However, they escape just in time. Another time, the vessel sails through an area heavily populated by giant squid, when a giant squid gets stuck in the propeller of the submarine. The men and the crew must fight off the squid with axes because they cannot be killed with bullets. While fighting, a crewmember is killed by a squid. Nemo is moved to tears. The rising action of the story begins with Nemo’s attack on a warship. Aronnax does not know to which nation the warship belongs, but he is horrified when Captain Nemo sinks it. The men decide they must escape at all costs. One night, while off the coast of Norway, Aronnax, Conseil and Land plan a rash escape. To their dismay they realize they are heading toward a giant whirlpool—one that no ship has ever survived. Amazingly, in only a small dinghy they emerge safely. They awake in the hut of a fisherman. At the conclusion of the story, Aronnax is awaiting his return to France and rewriting his memoirs of his journey under the sea.
Title page (1871)
Themes and subtext
Captain Nemo's name is a subtle allusion to Homer's Odyssey, a Greek epic poem. In The Odyssey, Odysseus meets the monstrous cyclops Polyphemus during the course of his wanderings. Polyphemus asks Odysseus his name, and Odysseus replies that his name is "Utis" (ουτις), which translates as "No-man" or "No-body". In the Latin translation of the Odyssey, this pseudonym is rendered as "Nemo", which in Latin also translates as "No-man" or "No-body". Similarly to Nemo, Odysseus is forced to wander the seas in exile (though only for 10 years) and is tormented by the deaths of his ship's crew.
The preface of a new English edition[citation needed] of the book has a theory that Nemo's name was in part inspired by Jules Verne visiting Scotland and there coming across Scotland's national motto Nemo me impune lacessit, correctly meaning "No one attacks me with impunity", but reinterpreted by Verne as "Nemo attacks me with impunity".
Commander Matthew Fontaine Maury, "Captain Maury" in Verne's book, a real-life oceanographer who explored the winds, seas, currents, and collected samples of the bottom of the seas and charted all of these things, is mentioned a few times in this work by Jules Verne. Jules Verne certainly would have known of Matthew Maury's international fame and perhaps Maury's French ancestry.
References are made to three other Frenchmen. Those are Jean-François de Galaup, comte de La Pérouse, a famous explorer who was lost while circumnavigating the globe; Dumont D'Urville, the explorer who found the remains of the ill-fated ship of the Count; and Ferdinand Lesseps, builder of the Suez Canal and the nephew of the man who was the sole survivor of De Galaup's expedition. Verne was an investor in Lesseps to build the French sea level crossing in Panama. The Nautilus seems to follow the footsteps of these men: She visits the waters where De Galaup was lost; she sails to Antarctic waters and becomes stranded there, just like D'Urville's ship, the Astrolabe; and she passes through an underwater tunnel from the Red Sea into the Mediterranean.
The crew of the Nautilus observes an underwater funeral.
The most famous part of the novel, the battle against the school of giant squid, begins when a crewman opens the hatch of the boat and gets caught by one of the monsters. As he is being pulled away by the tentacle that has grabbed him, he yells "Help!" in French. At the beginning of the next chapter, concerning the battle, Aronnax states that: "To convey such sights, one would take the pen of our most famous poet, Victor Hugo, author of The Toilers of the Sea". The Toilers of the Sea also contains an episode where a worker fights a giant octopus, wherein the octopus symbolizes the Industrial Revolution. It is probable that Verne borrowed the symbol, but used it to allude to the Revolutions of 1848 as well, in that the first man to stand against the "monster" and the first to be defeated by it is a Frenchman.
In several parts of the book, Captain Nemo is depicted as a champion of the world's underdogs and downtrodden. In one passage Captain Nemo is mentioned as providing some help to Greeks rebelling against Ottoman rule during the Cretan Revolt of 1866–1869, proving to Arronax that after all he had not completely severed all relations with mankind outside the Nautilus. In another passage, Nemo takes pity on a poor Indian pearl diver who must do his diving without the sophisticated diving suit available to the submarine's crew, and who is doomed to die young due to the cumulative effect of diving on his lungs; Nemo approaches him underwater and gives him a whole pouch full of pearls, more than he could have gotten in years of his dangerous work.
Some of Verne's ideas about the not-yet-existing submarines which were laid out in this book turned out to be prophetic, such as the high speed and secret conduct of today's nuclear attack submarines, and (with diesel submarines) the need to surface frequently for fresh air. However, Verne evidently had no idea of the problems of water pressure, depicting his submarine as capable of diving freely even into the deepest of ocean deeps, where in reality it would have been instantly crushed by the weight of water above it, and with humans in diving suits able to emerge and walk along the deep ocean floor where they would have died quickly because of physiological effects of depth pressure and their breathing sets not working because of the pressure (see Diving hazards and precautions).
Model of the 1863 French Navy submarine Plongeur at the Musée de la Marine, Paris.
The Nautilus as imagined by Jules Verne.
Verne took the name "Nautilus" from one of the earliest successful submarines, built in 1800 by Robert Fulton, who later invented the first commercially successful steamboat. Fulton's submarine was named after the paper nautilus because it had a sail. Three years before writing his novel, Jules Verne also studied a model of the newly developed French Navy submarine Plongeur at the 1867 Exposition Universelle, which inspired him for his definition of the Nautilus. The world's first operational nuclear-powered submarine, the United States Navy's USS Nautilus (SSN-571) was named for Verne's fictional vessel.
Verne can also be credited with glimpsing the military possibilities of submarines, and specifically the danger which they possessed for the naval superiority of the British Navy, composed of surface warships. The fictional sinking of a ship by Nemo's Nautilus was to be enacted again and again in reality, in the same waters where Verne predicted it, by German U-boats in both World Wars.
The breathing apparatus used by Nautilus divers is depicted as an untethered version of underwater breathing apparatus designed by Benoit Rouquayrol and Auguste Denayrouze in 1865. They designed a diving set with a backpack spherical air tank that supplied air through the first known demand regulator. The diver still walked on the seabed and did not swim. This set was called an aérophore (Greek for "air-carrier"). Air pressure tanks made with the technology of the time could only hold 30 atmospheres, and the diver had to be surface supplied; the tank was for bailout. The durations of 6 to 8 hours on a tankful without external supply recorded for the Rouquayrol set in the book are greatly exaggerated.
No less significant, though more rarely commented on, is the very bold political vision (indeed, revolutionary for its time) represented by the character of Captain Nemo. As revealed in the later Verne book The Mysterious Island, Captain Nemo is a descendant of Tipu Sultan (a Muslim ruler of Mysore who resisted the British Raj), who took to the underwater life after the suppression of the 1857 Indian Mutiny, in which his close family members were killed by the British.
This change was made on request of Verne's publisher, Pierre-Jules Hetzel (who is known to be responsible for many serious changes in Verne's books), since in the original text the mysterious captain was a Polish nobleman, avenging his family who were killed by Russians. They had been murdered in retaliation for the captain's taking part in the Polish January Uprising (1863). As France was allied with Tsarist Russia, to avoid trouble the target for Nemo's wrath was changed to France's old enemy, the British Empire. It is no wonder that Professor Pierre Aronnax does not suspect Nemo's origins, as these were explained only later, in Verne's next book. What remained in the book from the initial concept is a portrait of Tadeusz Kościuszko (a Polish national hero, leader of the uprising against Russia in 1794) with inscription in Latin: "Finis Poloniae!".
The national origin of Captain Nemo was changed during most movie realizations; in nearly all picture-based works following the book he was made into a European. Nemo was represented as an Indian by Omar Sharif in the 1973 European miniseries The Mysterious Island. Nemo is also depicted as Indian in a silent film version of the story released in 1916 and later in both the graphic novel and the movie The League of Extraordinary Gentlemen.
Recurring themes in later books
Jules Verne wrote a sequel to this book: L'Île mystérieuse (The Mysterious Island, 1874), which concludes the stories begun by Twenty Thousand Leagues Under The Sea and In Search of the Castaways. It should be noted that, while The Mysterious Island seems to give more information about Nemo (or Prince Dakkar), it is muddied by the presence of several irreconcilable chronological contradictions between the two books and even within The Mysterious Island.
Verne returned to the theme of an outlaw submarine captain in his much later Facing the Flag. That book's main villain, Ker Karraje, is a completely unscrupulous pirate, acting purely and simply for gain, completely devoid of all the saving graces which gave Nemo — for all that he, too, was capable of ruthless killings — some nobility of character.
Like Nemo, Ker Karraje plays "host" to unwilling French guests — but unlike Nemo, who manages to elude all pursuers, Karraje's career of outlawry is decisively ended by the combination of an international task force and the rebellion of his French captives. Though also widely published and translated, it never attained the lasting popularity of Twenty Thousand Leagues.
More similar to the original Nemo, though with a less finely worked-out character, is Robur in Robur the Conqueror - a dark and flamboyant outlaw rebel using an aircraft instead of a submarine — later used as a basis for the movie Master of the World.
Translations
The novel was first translated into English in 1873 by Reverend Lewis Page Mercier (aka "Mercier Lewis"). Mercier, under orders from British censors and performed or dictated by his editors at Sampson Low, cut nearly a quarter of Verne's original text and made hundreds of translation errors, sometimes dramatically changing the meaning of Verne's original intent. Some of these bowdlerizations may have been done for political reasons, such as Nemo's identity and the nationality of the two warships he sinks, or the portraits of freedom fighters on the wall of his cabin which originally included Daniel O'Connell. Nonetheless it became the "standard" English translation for more than a hundred years, while other translations continued to draw from it — and its mistakes, especially the mistranslation of the title; the French title actually means Twenty Thousand Leagues under the Seas.
A modern translation was produced in 1966 by Walter James Miller and published by Washington Square Press. Many of Mercier's changes were addressed in the translator's preface, and most of Verne's text was restored.
Many of the "sins" of Mercier were again corrected in a from-the-ground-up re-examination of the sources and an entirely new translation by Walter James Miller and Frederick Paul Walter between 1989 and 1991, published in 1993 by Naval Institute Press in a "completely restored and annotated edition." But, it has a new error: in it the French word scaphandrier, which in this book means one of Captain Nemo's divers in kit similar to an old-type heavy standard diving suit but with an independent air supply, is everywhere wrongly translated "frogman". F. P. Walter's own translation was published in 2009 with the title Twenty Thousand Leagues under the Seas (ISBN 978-1-904808-28-2)
上个世纪倒数第三年的3月19日，邮差为蒙特利尔市雅克—卡蒂埃大街送信，给29号送去一封致萨米·斯金先生的信。
这封信中说：
斯纳宾先生向萨米·斯金先生致意，请他立刻到他的办公室来商量一件与他有关的事情。
这位公证人因为什么事情要见萨米·斯金先生呢？斯金先生和蒙特利尔的所有的人一样也认识斯纳宾，后者是一位很好的人，一位可靠的、谨慎的顾问。他出生在加拿大，领导着城市最好的事务所。这个事务所60年前归知各的公证人尼克所有，此人的真实姓名是尼古拉·萨加莫尔。这位祖先为休伦人①的公证人十分爱国，从而卷入了可怕的莫加兹事件②，这一事件在1837年引起极大的反响。
这封信中说：
斯纳宾先生向萨米·斯金先生致意，请他立刻到他的办公室来商量一件与他有关的事情。
这位公证人因为什么事情要见萨米·斯金先生呢？斯金先生和蒙特利尔的所有的人一样也认识斯纳宾，后者是一位很好的人，一位可靠的、谨慎的顾问。他出生在加拿大，领导着城市最好的事务所。这个事务所60年前归知各的公证人尼克所有，此人的真实姓名是尼古拉·萨加莫尔。这位祖先为休伦人①的公证人十分爱国，从而卷入了可怕的莫加兹事件②，这一事件在1837年引起极大的反响。
“请尽快来，亲爱的亨利。我急切地盼望你的到来。匈牙利南部地区景色美丽迷人，一定会使一位工程师流连忘返。你会不虚此行的。
衷心祝福你！
玛克·维达尔”
是的，我对此次旅行丝毫不感到后悔。但我是否有必要讲出来让大家分享？还是只字不提的好？其实，说出来又会有谁相信呢？
衷心祝福你！
玛克·维达尔”
是的，我对此次旅行丝毫不感到后悔。但我是否有必要讲出来让大家分享？还是只字不提的好？其实，说出来又会有谁相信呢？
倪匡科幻小说选(人头恋＋10)
张序 自序 标本 刺杀
动脑 审问 吊客 强奸
竞争 远航 噪音 化身
逃命 人头恋
武侠小说人物关系
他和他的影子 本夫，淫妇和奸夫 挑战者和被挑战者 捕头和大贼
杀手和联络人 庄家，输家和赢家 帮主和副帮主 大侠和送礼人
艄公和过渡的 摆擂台和打擂台 仇人和报仇者 用毒的和中毒者
保镖和劫镖者 蝉，螳螂和黄雀
监狱故事
真实供词 千万赃款 奔向自由 公平交易
探访时间 人性弱点 报应不爽 继续努力
一双眼睛
阴谋杀人故事
真和假 异和同 生和死 新与旧
常见的男人与女人故事
聪明·笨 是·不是 卖·不卖 能·不能
烂醉·醒 诚实·骗
《聊斋志异》全盘现代化
快刀 美人首 孙必振 红毛毡
鬼妻
旧货巷故事
黄铜制申缩型单筒望远镜 缺嘴断柄无底款宜兴紫砂旧茶壶
沈绍安款脱胎金漆韦驮像 云林子折带皱太湖石墨竹图
哥窑粉青冲耳壁裂纹六足炉 宋克柔手制獦丝花鸟册页
元不忽木草书《点绛唇》全套
想当年故事
人犯 肉搏 钉梢 豪举
私奔 刑罚 拼酒
其他作品
心变 通神 异军 骗徒
秘密征空 金三角 男人女人故事 活埋
石缝中 神仙手高飞传奇 游侠列传传奇：太虚幻境
呼伦池的微波
张序 自序 标本 刺杀
动脑 审问 吊客 强奸
竞争 远航 噪音 化身
逃命 人头恋
武侠小说人物关系
他和他的影子 本夫，淫妇和奸夫 挑战者和被挑战者 捕头和大贼
杀手和联络人 庄家，输家和赢家 帮主和副帮主 大侠和送礼人
艄公和过渡的 摆擂台和打擂台 仇人和报仇者 用毒的和中毒者
保镖和劫镖者 蝉，螳螂和黄雀
监狱故事
真实供词 千万赃款 奔向自由 公平交易
探访时间 人性弱点 报应不爽 继续努力
一双眼睛
阴谋杀人故事
真和假 异和同 生和死 新与旧
常见的男人与女人故事
聪明·笨 是·不是 卖·不卖 能·不能
烂醉·醒 诚实·骗
《聊斋志异》全盘现代化
快刀 美人首 孙必振 红毛毡
鬼妻
旧货巷故事
黄铜制申缩型单筒望远镜 缺嘴断柄无底款宜兴紫砂旧茶壶
沈绍安款脱胎金漆韦驮像 云林子折带皱太湖石墨竹图
哥窑粉青冲耳壁裂纹六足炉 宋克柔手制獦丝花鸟册页
元不忽木草书《点绛唇》全套
想当年故事
人犯 肉搏 钉梢 豪举
私奔 刑罚 拼酒
其他作品
心变 通神 异军 骗徒
秘密征空 金三角 男人女人故事 活埋
石缝中 神仙手高飞传奇 游侠列传传奇：太虚幻境
呼伦池的微波