1996《 wǒ cóng wài xīng lái》（ yòu míng《 wèi， yòu rén zài má？》）（ Hello?IsAnybodyThere?）
yī sōu tài kōng chuán chuān yuè guǎng mào de yín hé， xiàng zhe yī kē lán lán lǜ lǜ de xīng qiú yī dì qiú qián jìn。 lái zì 'ài 'ěr qiáo xīng de nán hái mǐ jiā dǎ kāi cāng mén， duì zhe yè kōng dà hǎn： “ wèi， yòu rén zài má？ ”《 wèi， yòu rén zài má？》 shì qiáo sī tǎn . jiǎ dé jì《 sū fěi de shì jiè》、 〈 zhǐ pái de mì mì 〉 zhī hòu tuī chū de zuì xīn lì zuò。 gù shì chǎng jǐng cóng xī fāng zhé xué de yuán xiāng 'ōu zhōu dà lù yán zhǎn zhì wú yín de wài dá kōng， xù shù xiǎo nán hái qiáo jīn hé wài xīng rén mǐ jiā de dì sān lèi jiē chù qí yù。〈 sū fěi de shì jiè〉 tí chū liǎo“ nǐ shì shuí？”、“ shì jiè cóng nǎ lǐ lái？” děng wèn tí：〈 wèi， yòu rén zài má？〉 wèn de shì“ wǒ men shì shuí？”、“ wǒ men cóng nǎ lǐ lái”？ kě yǐ shuō shì yī běn“ xiǎo sū fěi”。 zuò zhě tòu guò shēn rù qiǎn chū de tóng huà xíng shì， ràng qí yù zhī mí hé zhé xué zhù tí bù duàn dì pèng zhuàng， chuān tòu mèng jìng hé xiàn shí， jí jù mèng huàn xiě shí qù wèi， yě zhǎn xiàn chū yī gè zhì wéi huī hóng de dì qiú guān hé yǔ zhòu guān。
yī sōu tài kōng chuán chuān yuè guǎng mào de yín hé， xiàng zhe yī kē lán lán lǜ lǜ de xīng qiú yī dì qiú qián jìn。 lái zì 'ài 'ěr qiáo xīng de nán hái mǐ jiā dǎ kāi cāng mén， duì zhe yè kōng dà hǎn： “ wèi， yòu rén zài má？ ”《 wèi， yòu rén zài má？》 shì qiáo sī tǎn . jiǎ dé jì《 sū fěi de shì jiè》、 〈 zhǐ pái de mì mì 〉 zhī hòu tuī chū de zuì xīn lì zuò。 gù shì chǎng jǐng cóng xī fāng zhé xué de yuán xiāng 'ōu zhōu dà lù yán zhǎn zhì wú yín de wài dá kōng， xù shù xiǎo nán hái qiáo jīn hé wài xīng rén mǐ jiā de dì sān lèi jiē chù qí yù。〈 sū fěi de shì jiè〉 tí chū liǎo“ nǐ shì shuí？”、“ shì jiè cóng nǎ lǐ lái？” děng wèn tí：〈 wèi， yòu rén zài má？〉 wèn de shì“ wǒ men shì shuí？”、“ wǒ men cóng nǎ lǐ lái”？ kě yǐ shuō shì yī běn“ xiǎo sū fěi”。 zuò zhě tòu guò shēn rù qiǎn chū de tóng huà xíng shì， ràng qí yù zhī mí hé zhé xué zhù tí bù duàn dì pèng zhuàng， chuān tòu mèng jìng hé xiàn shí， jí jù mèng huàn xiě shí qù wèi， yě zhǎn xiàn chū yī gè zhì wéi huī hóng de dì qiú guān hé yǔ zhòu guān。
rú guǒ zhè gè shì jiè shì yīcháng mó shù biǎo yǎn， tā bèi hòu yī dìng yòu gè wěi dà de mó shù shī， wǒ xī wàng， yòu yī tiān， wǒ néng bǎ tā jiū chū lái， dàn shì， rú guǒ mó shù shī cóng bù chū xiàn， nǐ yòu zěn néng chāi tā de bǎ xì ní？ 』 zhǐ pái de mì mì
hàn sī yǔ fù qīn cóng nuó wēi dào xī là， xún zhǎo lí jiā duō nián de mǔ qīn， zài tú liǎo hàn sī yù shàng qí yù， dé dào yī běn zhǐ yòu fàng dà jìng cái kě kàn dào de xiǎo yuán miàn bāo shū， nèi róng shì yī míng shuǐ shǒu zāo yù chuán nán， liú luò dào yī gè qí yì de xiǎo dǎo， dǎo shàng yòu ５ ２ gè gǔ guài de rén wù， yuán lái shì yī rén huàn xiǎng zhōng de yī fú zhǐ pái biàn chéng huó shēng shēng de rén wù， gù shì xū huàn mí lí， gù shì zhōng yòu hán yòu lìng yī gè gù shì。 rán 'ér hàn sī què yào bǎo shǒu mì mì， zài tú zhōng tōu kàn xiǎo yuán miàn bāo shū， bù néng gào xīn fù qīn， zuì hòu fā xiàn zhè gè 'èr bǎi nián qián de gù shì què yǔ hàn sī yòu guān ．．．
zuò zhě qiáo sī tǎn． jiǎ dé bǎo chí yī xiàng de zuò fēng， chú liǎo yī kē chì zǐ zhī xīn， zài gù shì zhōng zhù rù zhé xué de sī xiǎng ràng rén duò rù pū shuò mí lí de gù shì zhī yú， yě bù duàn fǎn sī rén shēng de wèn tí， fā rén shēnxǐng， zhí dé tí de shì yì zhě lǐ yǒng píng de gōng lì shēn hòu， bǎ zuò zhě de bǐ chù chōng fēn zhǎn xiàn yú dú zhě de yǎn qián。
běn shū yǐ bèi yì wéi 23 zhǒng bù tóng de yǔ yán， zài shì jiè gè dì fā shòu， bìng róng huò 『 nuó wēi wén xué píng lùn xié huì jiǎng』 jí『 wén huà bù jiǎng』。 rú guǒ yǐ shí lì xīng wéi mǎn fēn， zhè běn shū jué duì zhí shí yī fēn！
zhǐ pái de mì mì - zhì zhōng wén bǎn dú zhě
měi gè rén xīn lǐ dū huó zhe yī gè xiǎo chǒu héng héng zhì zhōng wén bǎn dú zhě
zuì jìn zhè jǐ nián lái， měi huí qù guàng shū diàn， wǒ men zhè qún duì zhé xué yòu xīng qù de rén zǒng huì gǎn shòu dào yī zhǒng nuǎn mèi de lè qù。 kàn dào nà héng héng duī duī chén liè zài liàng lì“ xīn shí dài ’， (Ncw Age)、“ lìng lèi zhé xué” (A1ternatiVePhilosophy) xià de xīn shū， wǒ men dū huì rěn bù zhù mǎi shàng dīng L běn。 lìng lèi zhé xué yī běn běn zhǎn shì zài wǒ men yǎn qián， rèn yóu wǒ men tiǎo xuǎn， què shí lìng rén xīng fèn， dàn wǒ men tóng shí yě qī pàn zhè jiā shū diàn néng gōng yìng gèng duō“ zhēn zhèng de” zhé xué shū。 wǒ men zài shū jià jiān dōu lái dōu qù， zhǎo liǎo lǎo bàn tiān， zhōng yú bù dé bù miàn duì yī gè shì shí： zài ruò dà de yī jiā shū diàn， yào mǎi yī běn zhēn zhèng de zhé xué shū hái zhēn bù róng yì ní。
zhè gè xiàn xiàng mǎ shàng jiù yào xiě gǎi biàn liǎo。 wǒ men zhèng miàn lín －－ yī gè qiángjìng de zhé xué fù xīng yùn dòng。 yě xǔ， wǒ men duì nà xiē“ lìng lèi wán yì” yǐ jīng gǎn dào yàn zú。 zhè yī lèi shū， yòu xiē díquè hěn yòu qù， dàn yě chān zá zhe tài duō zāo pò。
shuō chuān liǎo， lìng lèi zhé xué bù chì shì yī zhǒng zhé xué shì de chūn gōng yī héng huò xǔ wǒ men kě yǐ guǎn tā jiào“ sù chéng zhé xué”。 dǎ kāi shū běn， yīhuǎng yǎn nǐ jiù bèi yǐn jìn yī gè zhé xué qí jìng， rú tóng chūn gōng diàn yǐng huò sè qíng xiǎo shuō“ shùn jiān” bǎ nǐ xī rù qíng yù shì jiè。 kě shì， dà bù fēn“ lìng lèi zhé xué” gēn zhēn zhèng de zhé xué yā gēn 'ér chě bù shàng bàn diǎn guān xì； tóng yàng de， chūn gōng diàn yǐng chéng xiàn de bìng bù shì zhēn chéng de 'ài qíng。 zhé xué hé 'ài qíng dū xū yào shí jiān lái péi yǎng、 shēn huà。 zhuī qiú zhì huì hé 'ài qíng， shì bù néng chāo jìn lù zǒu jié jìng de。
zhé xué xīng qǐ yú gǔ xī là chéng bāng de shì jí。 jīn tiān， zhé xué tóng yàng kě yǐ xīng qǐ yú xiǎo hái zǐ jiù dú de yòu zhì yuán。 zhè jǐ nián lái， wǒ yī zhí gǔ chuī jiāng zhé xué dài huí dào zuì zǎo de liǎng gè gēn yuán héng héng shì chǎng hé xué xiào。 wǒ yuàn jiè cǐ jī huì， xiàng zhōng wén bǎn dú zhě shuō míng， zài《 zhǐ pái de mì mì》 yī shū zhōng， wǒ shì rú hé jiāng zhé xué dài huí dào rén lèi de tóng nián。 wǒ de lìng yī běn shū《 sū fěi de shì jiè》， qiáng diào de zé shì zhé xué hé shì jí zhī jiān de mìqiè guān xì。 zhè liǎng běn shū qí shí shì zǐ mèi piān， xiāng fǔ xiāng chéng。
《 zhǐ pái de mì mì》 zhè bù xiǎo shuō de zhùjué， shì yī gè jiào hàn sī tānɡ mǎ shì de xiǎo nán hái。 tā gēn suí fù qīn， zhǎn kāi yī tàng màn cháng de chuān yuè zhěng gè 'ōu zhōu de lǚ chéng， jìn rù“ zhé xué de gù xiāng”。 wǒ xiǎng tòu guò zhè yàng yī gè gù shì， biǎo dá wǒ duì 'ōu zhōu wén huà chuán tǒng hé lì shǐ de yī xiē kàn fǎ。 wǒ de zuì dà qǐ tú． shì yǐ nián qīng rén jué dé yòu qù de fāng shì， xiàng dú zhě men tí chū héng héng lián chuàn yòu guān shēng cún de gēn běn wèn tí。
qián wǎng yǎ diǎn de lǚ tú zhōng， zài qiǎo miào de jī yuán 'ān pái xià， hàn sī tānɡ mǎ cùn： huò zèng yī běn qí yì de xiǎo shū。 nà běn shū bǎ tā dài dào gōng yuán 1790 nián fā shēng de héng héng chǎng hǎi nán。 gù shì de zhù rén wēng shì gè míng jiào fó luò dé de shuǐ shǒu。 chuán chén méi hòu， tā piào liú dào jiā lè bǐ hǎi de héng zuò huāng dǎo shàng， dú jū wǔ shí 'èr nián； péi bàn tā dù guò màn cháng suì yuè、 bāng zhù tā pái qiǎn jì mò de， jiù shì suí shēn xié dài de héng fù pū kè pái。 shuō yě qí guài， hòu lái zhè wǔ shí sān zhāng zhǐ pái jìng rán biàn chéng liǎo wǔ shí sān gè yòu xuè yòu ròu、 huó bèng luàn tiào de zhū rú。 zhè qún xiǎo 'ǎi rén zài dǎo shàng jiàn lì yī zuò cūn zhuāng， huán rào zhe fó luò dé。 chú liǎo héng gè zhū rú wài， tā mendōu wú fǎ jiě shì zì jǐ jiū jìng shì shuí、 lái zì hé fāng。 wéi héng zhī dào 'ào mì de zhū rú， jiù shì pū kè pái zhōng de nà zhāng“ chǒujué pái”。
zài《 zhǐ pái de mì mì》 zhè běn shū zhōng， xiǎo chǒu xiàng zhēng“ juàn wài rén” héng héng yī tā néng gòu kàn dào bié rén kàn bù dào de rén shēng zhēn xiāng。 zuì zhòng yào de shì， tā néng gòu tǐ rèn rén shēng shì chǎng yòu qù de mào xiǎn。 suǒ yǐ， zài dǎo - shàng nà xiē rì zǐ。 tā bù duàn xiàng tóng bāo men tí chū yòu guān rén shēng de xīn wèn tí。
zài rén shēng de zhǐ pái yóu xì zhōng， wǒ men měi gè rén yī shēng xià lái jiù shì xiǎo chǒu。 kě shì， suí zhe nián líng zēngzhǎng， wǒ men jiàn jiàn biàn chéng hóng xīn、 fāng kuài、 méi huā、 hēi táo。 dàn zhè bìng bù yì wèi wǒ men xīn zhōng de xiǎo chǒu cóng cǐ xiāo shī wú zōng。 wǒ men bù fáng tān kāi yī fù pū kè pái， kàn kàn nà xiē hóng xīn tú 'àn huò fāng kuài tú 'àn dǐ xià， shì bù shì yǐn cáng zhe yī gè chǒujué ní ?
zhè ràng wǒ xiǎng qǐ gǔ lǎo de yáng pí zhǐ wén jiàn。 ōu zhōu rén shǐ yòng zhè zhǒng yáng pí zhǐ。 wǎng wǎng huì guā diào shàng miàn yuán yòu de wén zì， chóngxīn xiě shàng qí tā dōng xī。 yú shì， dāng wǒ men fān yuè zhōng gǔ shì jì de yī běn zhàng bù， liú lǎn dāng shí wǔ gǔ hé yú huò de jià mù shí， róu róu yǎn jīng， zǎi xì yī qiáo， huì hè rán fā xiàn． nà xiē yáng pí zhǐ yuán xiān jìzǎi de， jìng shì gǔ luó mǎ de héng chū xǐ jù。 tóng yàng de， wǒ men duì shì jiè de hàoqí， yě shēn shēn yǐn cáng zài měi gè rén xīn zhōng。 zài nà 'ér， wǒ men zhǎo dào yī qún qún shuǎ bǎ xì、 biàn mó shù、 dǎ hǔn chā kē dòu guān zhòng fā xiào de jiā huǒ， yě kàn dào xǔ duō xiǎo jīng líng、 zhū rú、 xiān nǚ hé yāo mó guǐ guài， shèn zhì hái gēn suí 'ài lì sī màn yóu qí jìng， péi bàn wáng hòu yī kuài hē xià wǔ chá。
gè wèi dú zhě xiǎng bì huì zhù yì dào，《 zhǐ pái de mì mì》 shū zhōng de xiǎo chǒu shì yī gè zhū rú。 tā shì yǒng héng de xiǎo hái， yǒng yuǎn dōubù huì wán quán zhǎngdà， yǒng yuǎn dōubù huì duì rén shēng shī qù hàoqí。 jiù zhè yī diǎn lái shuō， tā chēng dé． shàng gǔ wǎng jīn lái suǒ yòu wěi dà zhé xué jiā de qīn shǔ。 zài gǔ xī là， sū gé lā dǐ jiù shì tā nà gè shí dài de yī fù pū kè pái zhōng de chǒujué pái ( shàonián shí qī， tā méi shì jiù páo dào yǎ diǎn de shì jí， suí biàn zhuā gè rén wèn wèn tí！ ) sū gé lā dǐ céng shuō：“ yǎ diǎn jiù xiàng yī pǐ méi jīng dǎ cǎi de mǎ 'ér。 wǒ jiāng bàn yǎn ‘ niú méng’ de juésè， hěn hěn yǎo tā yī kǒu， ràng tā fēi téng tiào yuè qǐ lái”。 ( ér wǒ men de“ niú méng” què zài gànshénme ní ?)
wǒ men měi gè rén xīn zhōng dū huó zhe yī gè xiǎo chǒu。 zhè yě shì sū gé lā dǐ de kàn fǎ。 shēn wéi zhé xué jiā， sū gé lā dǐ qí shí bìng bù jù bèi tè shū de“ zī lì”； tā zhǐ shì héng héng gè zhù chǎn shì 'ér yǐ。 jiē shēng pó bāng zhù chǎn fù shēng xià hái zǐ， sū gé lā dǐ bāng zhù rén men“ shēng xià” rén shēng de zhì huì。 zhè zhǒng bǐ yù dāng rán shì lǎo diào， dàn zhè gè gǔ lǎo de jiē shēng pó xiàng zhēng què jù yòu lìng yī céng hán yì， zhí dé wǒ men shēn sī： xū yào bèi jiē shēng chū lái de， shí jì shàng shì wǒ men měi gè rén xīn zhōng de nà gè hái zǐ。
jǐ qiān nián lái， rén lèi zǒng shì zāo shòu yī lián chuàn zhòng dà wèn tí kùn rǎo， ér sì chù què zhǎo bù dào xiàn chéng de dá 'àn。 jiēguǒ， wǒ men bèi pò miàn duì liǎng zhǒng xuǎn zé： wǒ men kě yǐ qī piàn zì jǐ， jiǎ zhuāng wǒ men zhī dào yī qiē zhí dé zhī dào de shì qíng， huò zhě， wǒ men suǒ xìng bì shàng yǎn jīng， jù jué miàn duì rén shēng gēn běn wèn tí， lè dé xiāo yáo dù rì， bǎi tuō fán nǎo。 jīn tiān de rén lèi jī běn shàng fēn chéng zhè liǎng dà zú qún。 wǒ men ruò bù shì zhǐ gāo qì yáng， zì yǐ wéi tōng xiǎo rén jiànshì lǐ， jiù shì gān cuì chéng rèn zì jǐ wú zhī， bù qù guò wèn zì rèn wéi bù dǒng de shì qíng。 zhè zhǒng xiàn xiàng jiù rú tóng bǎ yī fù pū kè pái fēn chéng liǎng duī， hóng de fàng zài héng héng biān， hēi de bǎi zài lìng yī biān。 kě shì， měi gé yī zhèn zǐ， nà zhāng chǒujué pái jiù huì cóng pái duī zhōng tàn chū liǎn lái。 tā jì bù shì hóng xīn hé fāng kuài， yě bù shì méi huā hé hēi táo。
zài yǎ diǎn chéng， sū gé lā dǐ jiù shì zhè me yī gè chǒujué héng héng jì bù jié wù， yě bù lěng mò。 tā zhǐ zhī dào yī jiàn shì： rén shì jiān yòu hěn duō shì qíng tā bìng bù dǒng。 zhè gè； niàn tóu shí shí zhé mó tā， yú shì tā jiù qù dāng gè zhé xué jiā， chéng wéi yī gè yǒng bù fàng qì tàn xún rén shēng zhēn xiāng、 duì rén shēng bù duàn tí chū xīn wèn tí de rén。
zài wǒ kàn lái， zhé xué de zuì dà gōng néng， shì bāng zhù wǒ men zhǎo chū xīn zhōng yǐn cáng de nà gè“ chǒujué”， ràng wǒ men gēn tā jiàn lì gèng qīn mì de qíng yì。 zhé xué jiā bì xū sǎo chú fù gài zài shì jiè shàng de nà céng chén 'āi， ràng wǒ men yǐ 'ér tóng de qīng chè yǎn guāng， chóngxīn guān kàn hé gǎn shòu zhè gè shì jiè。 rén shēng yuán běn shì yī zé měi miào de tóng huà gù shì， ér zhǎngdà hòu biàn dé“ shì gù” de wǒ men， jìng rán bō qù tā nà xí shén mì de wài yī， bǎ tā kàn chéng héng héng gè kū zào wú wèi de“ xiàn shí”。 dàn wǒ men měi gè réndōu hái yòu fù huó de xī wàng， yīn wéi wǒ men quándōu shì chǒujué de hòu yì。 wǒ men nèi xīn shēn chù， dōuyòu yī gè huó bèng luàn tiào、 zhēng zhe yī zhǐ dà yǎn jīng、 duì rén shēng chōng mǎn hàoqí de hái zǐ zài huó zhe。 jìn guǎn yòu shí hòu wǒ men huì jué dé zì jǐ miǎo xiǎo suǒ suì， dàn shì， qièmò wàng liǎo， wǒ men měi gè rén de jī fū xià miàn dū yǐn cáng zhe yī xiǎo kuài huáng jīn： céng jīng， zài zhè gè shì jiè shàng， wǒ men shì yī gè jié jìng wú chén、 xīn rú míng jìng de chì zǐ ……
dāng nián， wǒ men bèi dài jìn yī zé tóng huà gù shì zhōng héng héng zhè gè tóng huà bǐ wǒ men zài hái tí shí dài tīng guò de tóng huà dōuyào měi miào dòng tīng héng héng kě shì， méi duō jiǔ， wǒ men jiù bǎ zhōu wéi de yī qiē shì wéi dāng rán， bù zài hàoqí。 rú jīn wǒ men shèn zhì bù huì zhù yì dào， wǒ men jiā zhōng nà zhāng xīn mǎi de yīng 'ér chuáng shàng， yòu yī jiàn shén qí de shì zhèng zài fā shēng。 jiù zài nà 'ér héng héng yīng 'ér chuáng de lán gān hòu miàn héng héng shì jiè zhèng bèi chuàng zào。
ér shì jiè yǒng yuǎn bù huì shuāi lǎo； shuāi lǎo de shì wǒ men。 zhǐ yào yīng 'ér bù duàn chū shēng， zhǐ yào xīn rén bù duàn lái dào shì shàng， wǒ men de shì jiè jiù huì yǒng bǎo qīng xīn， xīn dé jiù gēn shàng dì chuàng shì dì qī tiān shí yī mó yī yàng。 hái zǐ xiàn zài gāng gāng jìn rù zhè zé wěi dà de tóng huà gù shì； tā zhēng zhe qīng chè chéng jìng de yǎn jīng， zé bèi wǒ men bǎ zhè gè shì jiè kàn chéng“ xiàn shí”， lí tā yù lái yù yuǎn。
“ mā‘ tiān shǐ wèishénme huì yòu chì bǎng ní ?…… xīng xīng wèishénme huì zhǎ yǎn jīng ní ?…… niǎo 'ér wèishénme huì fēi ní ?…… dà xiàng de bí zǐ wèishénme nà yàng cháng ní ?”
“ āi yā， wǒ zěn me xiǎo dé yā ! guāi， xiàn zài gāi bì shàng yǎn jīng shuì jué huì， fǒu zé de huà， mā kě jiù yào shēng qì luo！”
jī lái guǐ jué， hái zǐ sàng shī duì shì jiè de zhè zhǒng jī jí de、 chōng mǎn huó lì de gǎn shòu shí， zhèng qiǎo shì tā kāi shǐ xué shuō huà de shí hòu。 suǒ yǐ， hái zǐ men xū yào shén huà hé tóng huà。 dà rén men yě xū yào shén huà hé tóng huà， yīn wéi tā néng bāng zhù wǒ men jǐn jǐn zhuā zhù 'ér shí de jīng yàn， bù ràng tā liú shī。
wǒ jué dé， shí jiǔ huò 'èr shí suì cái kāi shǐ jiē chù zhé xué shū jí， shí zài yǐ jīng tài chí liǎo。 zuì jìn 'ōu zhōu liú xíng yīng 'ér yóu yǒng， yīn wéi fù mǔ men jué dé， jì rán yóu yǒng shì rén lèi yǔ shēng jù lái de běn néng， dàn zhè zhǒng běn néng bì xū jiā yǐ hē hù。 duì rén shēng hàoqí bìng bù shì xué lái de， ér shì wǒ men zì jǐ yí wàng diào de běn néng。
wǒ men zǒng 'ài kuā kuā qí tán， dà tán“ rén shēng de 'ào mì”。 yào qīn shēn tǐ yàn zhè gè 'ào mì， wǒ men jiù dé bǎi tuō shì gù de jiáo qíng， ràng zì jǐ zài dāng yī cì hái zǐ。 xiǎng dāng hái zǐ， jiù dé wǎng hòu tuì yī bù－－ yě xǔ， tuì liǎo yī bù hòu， wǒ men huì fā xiàn yǎn qián huò rán chū xiàn yī gè měi miào de shì jiè。 jiù zài nà yī kè， wǒ men mù jī shì jiè de chuàng zào guò chéng。 lǎng lǎng qíng kōng xià， yī gè zhǎn xīn de shì jiè bèng dì mào liǎo chū lái……
ér jū rán yòu rén shuō tā men jué dé rén shēng tǐng wú liáo！
lǐ yǒng píng yì
Like Sophie's World, The Solitaire Mystery has a philosophical content, but unlike Sophie's World, it does not explicitly mention philosophers and theories, thus, the reader of the book may be unaware that he or she is actually engaging in philosophy.
Plot
The book follows two seemingly separate stories:
Hans Thomas
A twelve year old boy, Hans Thomas, and his father are driving through Europe on a journey to locate and bring home the boy's estranged mother. Whilst on their journey, a strange little bearded man gives Hans Thomas a magnifying glass, saying mystically: "You'll need it!"
Not long afterwards, Hans Thomas and his father stop in a roadside cafe where Hans Thomas gets a giant sticky bun from a kind baker to eat on his journey. To Hans Thomas's great surprise, hidden inside the sticky bun is a tiny book, with writing so small it cannot be read with the naked eye.
Hans Thomas begins to read the tiny book using his new magnifying glass, and the story then alternates between Hans Thomas's journey, and the story in the sticky bun book.
The Sticky Bun Book
The sticky bun book tells the story of an old baker whose grandfather gave him a drink of a wonderful liquid he called Rainbow Fizz (Rainbow Soda in the American edition). It came from an island which the grandfather had been shipwrecked on as a young man. On the island lived an old sailor called Frode, and fifty-three other people; the fifty three other people did not have names though, they referred to themselves as the numbers on playing cards (52 cards plus a Joker)
The red suits were all women, except for the Kings and Jacks, whilst the black suits were all men, except for the Queens and Aces. The Ace of Hearts was particularly enchanting, and Frode had quite a crush on her, even though she was forever 'losing herself'. The cards (as he called them) were scatterbrained and childish, and talked in card-related riddles about "when the game ends" and "turning a person face up" etc.
Frode told the young sailor the miraculous story about how the other people had come to be on the island with him:
Frode himself was shipwrecked on the island many years earlier, and had lost virtually all of his possessions, except for a pack of playing cards. As he had no way off the island, he played solitaire a lot to pass the time. After a few months, he started talking to the cards, and even creating personalities for each of them in his head.
Time passed, and through overuse, the pictures on the cards faded and disappeared, but Frode continued to talk to them in his mind. Then suddenly one day, the Three of Diamonds walked by -- a flesh and blood person -- and said hello to Frode as if they were old friends! Frode thought he must be going mad, and as the remaining fifty-two cards surfaced, he became convinced he had gone senile. But since there was no way off the island, he decided he may as well sink himself into his delusion and enjoy the company.
When the new sailor was shipwrecked on the island, it came as a huge shock to Frode that he could see and interact with the card people as well! It wasn't a delusion! But then it seemed that Frode had simply 'dreamt' them into existence - how could this be so?
The crossing over of worlds
As the plot progresses, the reader sees that the 'two' separate stories of Hans Thomas's journey, and the events in the sticky bun book are beginning to overlap:
The cards in the sticky bun book take part in a game, where each says a sentence, and Frode tries to interpret its bizarre meaning. But sentences such as "the inner box unpacks the outer at the same time as the outer box unpacks the inner" and "destiny is a snake so hungry it devours itself" seem devoid of meaning for Frode.
However, the cards' predictions as told in the tiny book begin to reveal details about Hans Thomas's own plight to find his mother. It occurs to Hans Thomas that his mother bears a striking resemblance in her personality to the Ace of Hearts in that she 'loses herself' (disappears) for long periods.
Also, throughout Hans Thomas's journey, he has seen the same odd little bearded man following him about (the man who gave him the magnifying glass which proved so useful to read the sticky bun book). But whenever Hans Thomas approaches the little man, he seems to dash away and vanish.
The baffling thing for Hans Thomas is that he stopped for the cake merely by chance, and chose to eat a sticky bun by chance - how is it possible that a tiny book from a random bun is telling him things about his own life?
In the end, it turns out that the man who gave Hans Thomas the sticky bun book was his estranged grandfather, the baker and writer of the sticky bun book, and grandson to the shipwrecked sailor who had met Frode and his cards on the magic island. The grandfather works this out at the same time Hans Thomas deduces it too (the inner box unpacks the outer at the same time as the outer box unpacks the inner), yet this understanding is never realised, as the grandfather passes away before Hans Thomas returns to the small alpine village, having reunited with his mother in Athens.
Back in the sticky bun book, we discover that just as the cards had played their prophetic game where they predicted exactly what would happen between Hans Thomas and his family, the magic island begins to close in on itself, fifty-two years to the day after it had sprung into existence. It seems as if it were meant to happen that way (destiny is a snake so hungry it devours itself).
The poor card-people get eaten up inside the island, and as the island folds in on itself and disappears into nothingness, the young sailor (Baker Hans) escapes on a rowing boat which he had brought. Only one of the 'cards' managed to escape the island: the Joker.
Hans Thomas realises that it is the Joker who gave him the magnifying glass, and who has been following him about all this time. Just as Hans Thomas reads the last sentence of the sticky bun book, closes it and looks up, he sees the Joker slip away into the crowd, and vanish...
Philosophical themes
The book encompasses several philosophical themes; the obvious ones which are covered in the overall plot, but also little snippets here and there. Hans Thomas's father is a smoker but doesn't like to smoke inside his car, and so on their long journey across Europe, they are forever stopping for cigarette breaks, and the father is talking philosophically with his son. These bite-size chunks of philosophy are far easier to swallow than the weighty lectures in Sophie's World, but are nonetheless potent.
The nature of existence
The nature of existence is a theme which runs throughout, especially the miraculous nature of life itself. The book explores the question of whether it is possible to imagine something into existence. This theme is also found in Australian aboriginal myth, where elders claim that the world was dreamt into existence.
It seems unimaginable that we can make something happen just by wanting it to happen, yet the placebo effect has been well-documented in psychology, and many psychic healers and suchlike will claim that you need to have faith in order for something to work.
Religious Themes
The Christian concept of the creator living within his creation is explored. The seemingly perfect creation is soon destroyed by the Joker, during the "Joker Game" sequence, which is arguably an intended parallel with the Garden of Eden.
Destiny
The fact that the cards in the sticky bun book predicted the goings on between Hans Thomas's family decades later gives the book a strong theme of destiny: the idea that some things are going to happen no matter what - it is fate.
Fate as a concept also has many supporters; those who believe that some things (or the more stronger claim, that all things) have been pre-planned from long ago -- perhaps from the dawn of time. This is a main theme running through theology as well as more pseudo-scientific disciplines such as tarot reading and palm reading.
It certainly seems possible (though highly improbable) that the cards could have predicted the goings-on in Hans Thomas's young life, but the unlikelihood of it all only adds to the mystery and wonder of the story.
hàn sī yǔ fù qīn cóng nuó wēi dào xī là， xún zhǎo lí jiā duō nián de mǔ qīn， zài tú liǎo hàn sī yù shàng qí yù， dé dào yī běn zhǐ yòu fàng dà jìng cái kě kàn dào de xiǎo yuán miàn bāo shū， nèi róng shì yī míng shuǐ shǒu zāo yù chuán nán， liú luò dào yī gè qí yì de xiǎo dǎo， dǎo shàng yòu ５ ２ gè gǔ guài de rén wù， yuán lái shì yī rén huàn xiǎng zhōng de yī fú zhǐ pái biàn chéng huó shēng shēng de rén wù， gù shì xū huàn mí lí， gù shì zhōng yòu hán yòu lìng yī gè gù shì。 rán 'ér hàn sī què yào bǎo shǒu mì mì， zài tú zhōng tōu kàn xiǎo yuán miàn bāo shū， bù néng gào xīn fù qīn， zuì hòu fā xiàn zhè gè 'èr bǎi nián qián de gù shì què yǔ hàn sī yòu guān ．．．
zuò zhě qiáo sī tǎn． jiǎ dé bǎo chí yī xiàng de zuò fēng， chú liǎo yī kē chì zǐ zhī xīn， zài gù shì zhōng zhù rù zhé xué de sī xiǎng ràng rén duò rù pū shuò mí lí de gù shì zhī yú， yě bù duàn fǎn sī rén shēng de wèn tí， fā rén shēnxǐng， zhí dé tí de shì yì zhě lǐ yǒng píng de gōng lì shēn hòu， bǎ zuò zhě de bǐ chù chōng fēn zhǎn xiàn yú dú zhě de yǎn qián。
běn shū yǐ bèi yì wéi 23 zhǒng bù tóng de yǔ yán， zài shì jiè gè dì fā shòu， bìng róng huò 『 nuó wēi wén xué píng lùn xié huì jiǎng』 jí『 wén huà bù jiǎng』。 rú guǒ yǐ shí lì xīng wéi mǎn fēn， zhè běn shū jué duì zhí shí yī fēn！
zhǐ pái de mì mì - zhì zhōng wén bǎn dú zhě
měi gè rén xīn lǐ dū huó zhe yī gè xiǎo chǒu héng héng zhì zhōng wén bǎn dú zhě
zuì jìn zhè jǐ nián lái， měi huí qù guàng shū diàn， wǒ men zhè qún duì zhé xué yòu xīng qù de rén zǒng huì gǎn shòu dào yī zhǒng nuǎn mèi de lè qù。 kàn dào nà héng héng duī duī chén liè zài liàng lì“ xīn shí dài ’， (Ncw Age)、“ lìng lèi zhé xué” (A1ternatiVePhilosophy) xià de xīn shū， wǒ men dū huì rěn bù zhù mǎi shàng dīng L běn。 lìng lèi zhé xué yī běn běn zhǎn shì zài wǒ men yǎn qián， rèn yóu wǒ men tiǎo xuǎn， què shí lìng rén xīng fèn， dàn wǒ men tóng shí yě qī pàn zhè jiā shū diàn néng gōng yìng gèng duō“ zhēn zhèng de” zhé xué shū。 wǒ men zài shū jià jiān dōu lái dōu qù， zhǎo liǎo lǎo bàn tiān， zhōng yú bù dé bù miàn duì yī gè shì shí： zài ruò dà de yī jiā shū diàn， yào mǎi yī běn zhēn zhèng de zhé xué shū hái zhēn bù róng yì ní。
zhè gè xiàn xiàng mǎ shàng jiù yào xiě gǎi biàn liǎo。 wǒ men zhèng miàn lín －－ yī gè qiángjìng de zhé xué fù xīng yùn dòng。 yě xǔ， wǒ men duì nà xiē“ lìng lèi wán yì” yǐ jīng gǎn dào yàn zú。 zhè yī lèi shū， yòu xiē díquè hěn yòu qù， dàn yě chān zá zhe tài duō zāo pò。
shuō chuān liǎo， lìng lèi zhé xué bù chì shì yī zhǒng zhé xué shì de chūn gōng yī héng huò xǔ wǒ men kě yǐ guǎn tā jiào“ sù chéng zhé xué”。 dǎ kāi shū běn， yīhuǎng yǎn nǐ jiù bèi yǐn jìn yī gè zhé xué qí jìng， rú tóng chūn gōng diàn yǐng huò sè qíng xiǎo shuō“ shùn jiān” bǎ nǐ xī rù qíng yù shì jiè。 kě shì， dà bù fēn“ lìng lèi zhé xué” gēn zhēn zhèng de zhé xué yā gēn 'ér chě bù shàng bàn diǎn guān xì； tóng yàng de， chūn gōng diàn yǐng chéng xiàn de bìng bù shì zhēn chéng de 'ài qíng。 zhé xué hé 'ài qíng dū xū yào shí jiān lái péi yǎng、 shēn huà。 zhuī qiú zhì huì hé 'ài qíng， shì bù néng chāo jìn lù zǒu jié jìng de。
zhé xué xīng qǐ yú gǔ xī là chéng bāng de shì jí。 jīn tiān， zhé xué tóng yàng kě yǐ xīng qǐ yú xiǎo hái zǐ jiù dú de yòu zhì yuán。 zhè jǐ nián lái， wǒ yī zhí gǔ chuī jiāng zhé xué dài huí dào zuì zǎo de liǎng gè gēn yuán héng héng shì chǎng hé xué xiào。 wǒ yuàn jiè cǐ jī huì， xiàng zhōng wén bǎn dú zhě shuō míng， zài《 zhǐ pái de mì mì》 yī shū zhōng， wǒ shì rú hé jiāng zhé xué dài huí dào rén lèi de tóng nián。 wǒ de lìng yī běn shū《 sū fěi de shì jiè》， qiáng diào de zé shì zhé xué hé shì jí zhī jiān de mìqiè guān xì。 zhè liǎng běn shū qí shí shì zǐ mèi piān， xiāng fǔ xiāng chéng。
《 zhǐ pái de mì mì》 zhè bù xiǎo shuō de zhùjué， shì yī gè jiào hàn sī tānɡ mǎ shì de xiǎo nán hái。 tā gēn suí fù qīn， zhǎn kāi yī tàng màn cháng de chuān yuè zhěng gè 'ōu zhōu de lǚ chéng， jìn rù“ zhé xué de gù xiāng”。 wǒ xiǎng tòu guò zhè yàng yī gè gù shì， biǎo dá wǒ duì 'ōu zhōu wén huà chuán tǒng hé lì shǐ de yī xiē kàn fǎ。 wǒ de zuì dà qǐ tú． shì yǐ nián qīng rén jué dé yòu qù de fāng shì， xiàng dú zhě men tí chū héng héng lián chuàn yòu guān shēng cún de gēn běn wèn tí。
qián wǎng yǎ diǎn de lǚ tú zhōng， zài qiǎo miào de jī yuán 'ān pái xià， hàn sī tānɡ mǎ cùn： huò zèng yī běn qí yì de xiǎo shū。 nà běn shū bǎ tā dài dào gōng yuán 1790 nián fā shēng de héng héng chǎng hǎi nán。 gù shì de zhù rén wēng shì gè míng jiào fó luò dé de shuǐ shǒu。 chuán chén méi hòu， tā piào liú dào jiā lè bǐ hǎi de héng zuò huāng dǎo shàng， dú jū wǔ shí 'èr nián； péi bàn tā dù guò màn cháng suì yuè、 bāng zhù tā pái qiǎn jì mò de， jiù shì suí shēn xié dài de héng fù pū kè pái。 shuō yě qí guài， hòu lái zhè wǔ shí sān zhāng zhǐ pái jìng rán biàn chéng liǎo wǔ shí sān gè yòu xuè yòu ròu、 huó bèng luàn tiào de zhū rú。 zhè qún xiǎo 'ǎi rén zài dǎo shàng jiàn lì yī zuò cūn zhuāng， huán rào zhe fó luò dé。 chú liǎo héng gè zhū rú wài， tā mendōu wú fǎ jiě shì zì jǐ jiū jìng shì shuí、 lái zì hé fāng。 wéi héng zhī dào 'ào mì de zhū rú， jiù shì pū kè pái zhōng de nà zhāng“ chǒujué pái”。
zài《 zhǐ pái de mì mì》 zhè běn shū zhōng， xiǎo chǒu xiàng zhēng“ juàn wài rén” héng héng yī tā néng gòu kàn dào bié rén kàn bù dào de rén shēng zhēn xiāng。 zuì zhòng yào de shì， tā néng gòu tǐ rèn rén shēng shì chǎng yòu qù de mào xiǎn。 suǒ yǐ， zài dǎo - shàng nà xiē rì zǐ。 tā bù duàn xiàng tóng bāo men tí chū yòu guān rén shēng de xīn wèn tí。
zài rén shēng de zhǐ pái yóu xì zhōng， wǒ men měi gè rén yī shēng xià lái jiù shì xiǎo chǒu。 kě shì， suí zhe nián líng zēngzhǎng， wǒ men jiàn jiàn biàn chéng hóng xīn、 fāng kuài、 méi huā、 hēi táo。 dàn zhè bìng bù yì wèi wǒ men xīn zhōng de xiǎo chǒu cóng cǐ xiāo shī wú zōng。 wǒ men bù fáng tān kāi yī fù pū kè pái， kàn kàn nà xiē hóng xīn tú 'àn huò fāng kuài tú 'àn dǐ xià， shì bù shì yǐn cáng zhe yī gè chǒujué ní ?
zhè ràng wǒ xiǎng qǐ gǔ lǎo de yáng pí zhǐ wén jiàn。 ōu zhōu rén shǐ yòng zhè zhǒng yáng pí zhǐ。 wǎng wǎng huì guā diào shàng miàn yuán yòu de wén zì， chóngxīn xiě shàng qí tā dōng xī。 yú shì， dāng wǒ men fān yuè zhōng gǔ shì jì de yī běn zhàng bù， liú lǎn dāng shí wǔ gǔ hé yú huò de jià mù shí， róu róu yǎn jīng， zǎi xì yī qiáo， huì hè rán fā xiàn． nà xiē yáng pí zhǐ yuán xiān jìzǎi de， jìng shì gǔ luó mǎ de héng chū xǐ jù。 tóng yàng de， wǒ men duì shì jiè de hàoqí， yě shēn shēn yǐn cáng zài měi gè rén xīn zhōng。 zài nà 'ér， wǒ men zhǎo dào yī qún qún shuǎ bǎ xì、 biàn mó shù、 dǎ hǔn chā kē dòu guān zhòng fā xiào de jiā huǒ， yě kàn dào xǔ duō xiǎo jīng líng、 zhū rú、 xiān nǚ hé yāo mó guǐ guài， shèn zhì hái gēn suí 'ài lì sī màn yóu qí jìng， péi bàn wáng hòu yī kuài hē xià wǔ chá。
gè wèi dú zhě xiǎng bì huì zhù yì dào，《 zhǐ pái de mì mì》 shū zhōng de xiǎo chǒu shì yī gè zhū rú。 tā shì yǒng héng de xiǎo hái， yǒng yuǎn dōubù huì wán quán zhǎngdà， yǒng yuǎn dōubù huì duì rén shēng shī qù hàoqí。 jiù zhè yī diǎn lái shuō， tā chēng dé． shàng gǔ wǎng jīn lái suǒ yòu wěi dà zhé xué jiā de qīn shǔ。 zài gǔ xī là， sū gé lā dǐ jiù shì tā nà gè shí dài de yī fù pū kè pái zhōng de chǒujué pái ( shàonián shí qī， tā méi shì jiù páo dào yǎ diǎn de shì jí， suí biàn zhuā gè rén wèn wèn tí！ ) sū gé lā dǐ céng shuō：“ yǎ diǎn jiù xiàng yī pǐ méi jīng dǎ cǎi de mǎ 'ér。 wǒ jiāng bàn yǎn ‘ niú méng’ de juésè， hěn hěn yǎo tā yī kǒu， ràng tā fēi téng tiào yuè qǐ lái”。 ( ér wǒ men de“ niú méng” què zài gànshénme ní ?)
wǒ men měi gè rén xīn zhōng dū huó zhe yī gè xiǎo chǒu。 zhè yě shì sū gé lā dǐ de kàn fǎ。 shēn wéi zhé xué jiā， sū gé lā dǐ qí shí bìng bù jù bèi tè shū de“ zī lì”； tā zhǐ shì héng héng gè zhù chǎn shì 'ér yǐ。 jiē shēng pó bāng zhù chǎn fù shēng xià hái zǐ， sū gé lā dǐ bāng zhù rén men“ shēng xià” rén shēng de zhì huì。 zhè zhǒng bǐ yù dāng rán shì lǎo diào， dàn zhè gè gǔ lǎo de jiē shēng pó xiàng zhēng què jù yòu lìng yī céng hán yì， zhí dé wǒ men shēn sī： xū yào bèi jiē shēng chū lái de， shí jì shàng shì wǒ men měi gè rén xīn zhōng de nà gè hái zǐ。
jǐ qiān nián lái， rén lèi zǒng shì zāo shòu yī lián chuàn zhòng dà wèn tí kùn rǎo， ér sì chù què zhǎo bù dào xiàn chéng de dá 'àn。 jiēguǒ， wǒ men bèi pò miàn duì liǎng zhǒng xuǎn zé： wǒ men kě yǐ qī piàn zì jǐ， jiǎ zhuāng wǒ men zhī dào yī qiē zhí dé zhī dào de shì qíng， huò zhě， wǒ men suǒ xìng bì shàng yǎn jīng， jù jué miàn duì rén shēng gēn běn wèn tí， lè dé xiāo yáo dù rì， bǎi tuō fán nǎo。 jīn tiān de rén lèi jī běn shàng fēn chéng zhè liǎng dà zú qún。 wǒ men ruò bù shì zhǐ gāo qì yáng， zì yǐ wéi tōng xiǎo rén jiànshì lǐ， jiù shì gān cuì chéng rèn zì jǐ wú zhī， bù qù guò wèn zì rèn wéi bù dǒng de shì qíng。 zhè zhǒng xiàn xiàng jiù rú tóng bǎ yī fù pū kè pái fēn chéng liǎng duī， hóng de fàng zài héng héng biān， hēi de bǎi zài lìng yī biān。 kě shì， měi gé yī zhèn zǐ， nà zhāng chǒujué pái jiù huì cóng pái duī zhōng tàn chū liǎn lái。 tā jì bù shì hóng xīn hé fāng kuài， yě bù shì méi huā hé hēi táo。
zài yǎ diǎn chéng， sū gé lā dǐ jiù shì zhè me yī gè chǒujué héng héng jì bù jié wù， yě bù lěng mò。 tā zhǐ zhī dào yī jiàn shì： rén shì jiān yòu hěn duō shì qíng tā bìng bù dǒng。 zhè gè； niàn tóu shí shí zhé mó tā， yú shì tā jiù qù dāng gè zhé xué jiā， chéng wéi yī gè yǒng bù fàng qì tàn xún rén shēng zhēn xiāng、 duì rén shēng bù duàn tí chū xīn wèn tí de rén。
zài wǒ kàn lái， zhé xué de zuì dà gōng néng， shì bāng zhù wǒ men zhǎo chū xīn zhōng yǐn cáng de nà gè“ chǒujué”， ràng wǒ men gēn tā jiàn lì gèng qīn mì de qíng yì。 zhé xué jiā bì xū sǎo chú fù gài zài shì jiè shàng de nà céng chén 'āi， ràng wǒ men yǐ 'ér tóng de qīng chè yǎn guāng， chóngxīn guān kàn hé gǎn shòu zhè gè shì jiè。 rén shēng yuán běn shì yī zé měi miào de tóng huà gù shì， ér zhǎngdà hòu biàn dé“ shì gù” de wǒ men， jìng rán bō qù tā nà xí shén mì de wài yī， bǎ tā kàn chéng héng héng gè kū zào wú wèi de“ xiàn shí”。 dàn wǒ men měi gè réndōu hái yòu fù huó de xī wàng， yīn wéi wǒ men quándōu shì chǒujué de hòu yì。 wǒ men nèi xīn shēn chù， dōuyòu yī gè huó bèng luàn tiào、 zhēng zhe yī zhǐ dà yǎn jīng、 duì rén shēng chōng mǎn hàoqí de hái zǐ zài huó zhe。 jìn guǎn yòu shí hòu wǒ men huì jué dé zì jǐ miǎo xiǎo suǒ suì， dàn shì， qièmò wàng liǎo， wǒ men měi gè rén de jī fū xià miàn dū yǐn cáng zhe yī xiǎo kuài huáng jīn： céng jīng， zài zhè gè shì jiè shàng， wǒ men shì yī gè jié jìng wú chén、 xīn rú míng jìng de chì zǐ ……
dāng nián， wǒ men bèi dài jìn yī zé tóng huà gù shì zhōng héng héng zhè gè tóng huà bǐ wǒ men zài hái tí shí dài tīng guò de tóng huà dōuyào měi miào dòng tīng héng héng kě shì， méi duō jiǔ， wǒ men jiù bǎ zhōu wéi de yī qiē shì wéi dāng rán， bù zài hàoqí。 rú jīn wǒ men shèn zhì bù huì zhù yì dào， wǒ men jiā zhōng nà zhāng xīn mǎi de yīng 'ér chuáng shàng， yòu yī jiàn shén qí de shì zhèng zài fā shēng。 jiù zài nà 'ér héng héng yīng 'ér chuáng de lán gān hòu miàn héng héng shì jiè zhèng bèi chuàng zào。
ér shì jiè yǒng yuǎn bù huì shuāi lǎo； shuāi lǎo de shì wǒ men。 zhǐ yào yīng 'ér bù duàn chū shēng， zhǐ yào xīn rén bù duàn lái dào shì shàng， wǒ men de shì jiè jiù huì yǒng bǎo qīng xīn， xīn dé jiù gēn shàng dì chuàng shì dì qī tiān shí yī mó yī yàng。 hái zǐ xiàn zài gāng gāng jìn rù zhè zé wěi dà de tóng huà gù shì； tā zhēng zhe qīng chè chéng jìng de yǎn jīng， zé bèi wǒ men bǎ zhè gè shì jiè kàn chéng“ xiàn shí”， lí tā yù lái yù yuǎn。
“ mā‘ tiān shǐ wèishénme huì yòu chì bǎng ní ?…… xīng xīng wèishénme huì zhǎ yǎn jīng ní ?…… niǎo 'ér wèishénme huì fēi ní ?…… dà xiàng de bí zǐ wèishénme nà yàng cháng ní ?”
“ āi yā， wǒ zěn me xiǎo dé yā ! guāi， xiàn zài gāi bì shàng yǎn jīng shuì jué huì， fǒu zé de huà， mā kě jiù yào shēng qì luo！”
jī lái guǐ jué， hái zǐ sàng shī duì shì jiè de zhè zhǒng jī jí de、 chōng mǎn huó lì de gǎn shòu shí， zhèng qiǎo shì tā kāi shǐ xué shuō huà de shí hòu。 suǒ yǐ， hái zǐ men xū yào shén huà hé tóng huà。 dà rén men yě xū yào shén huà hé tóng huà， yīn wéi tā néng bāng zhù wǒ men jǐn jǐn zhuā zhù 'ér shí de jīng yàn， bù ràng tā liú shī。
wǒ jué dé， shí jiǔ huò 'èr shí suì cái kāi shǐ jiē chù zhé xué shū jí， shí zài yǐ jīng tài chí liǎo。 zuì jìn 'ōu zhōu liú xíng yīng 'ér yóu yǒng， yīn wéi fù mǔ men jué dé， jì rán yóu yǒng shì rén lèi yǔ shēng jù lái de běn néng， dàn zhè zhǒng běn néng bì xū jiā yǐ hē hù。 duì rén shēng hàoqí bìng bù shì xué lái de， ér shì wǒ men zì jǐ yí wàng diào de běn néng。
wǒ men zǒng 'ài kuā kuā qí tán， dà tán“ rén shēng de 'ào mì”。 yào qīn shēn tǐ yàn zhè gè 'ào mì， wǒ men jiù dé bǎi tuō shì gù de jiáo qíng， ràng zì jǐ zài dāng yī cì hái zǐ。 xiǎng dāng hái zǐ， jiù dé wǎng hòu tuì yī bù－－ yě xǔ， tuì liǎo yī bù hòu， wǒ men huì fā xiàn yǎn qián huò rán chū xiàn yī gè měi miào de shì jiè。 jiù zài nà yī kè， wǒ men mù jī shì jiè de chuàng zào guò chéng。 lǎng lǎng qíng kōng xià， yī gè zhǎn xīn de shì jiè bèng dì mào liǎo chū lái……
ér jū rán yòu rén shuō tā men jué dé rén shēng tǐng wú liáo！
lǐ yǒng píng yì
Like Sophie's World, The Solitaire Mystery has a philosophical content, but unlike Sophie's World, it does not explicitly mention philosophers and theories, thus, the reader of the book may be unaware that he or she is actually engaging in philosophy.
Plot
The book follows two seemingly separate stories:
Hans Thomas
A twelve year old boy, Hans Thomas, and his father are driving through Europe on a journey to locate and bring home the boy's estranged mother. Whilst on their journey, a strange little bearded man gives Hans Thomas a magnifying glass, saying mystically: "You'll need it!"
Not long afterwards, Hans Thomas and his father stop in a roadside cafe where Hans Thomas gets a giant sticky bun from a kind baker to eat on his journey. To Hans Thomas's great surprise, hidden inside the sticky bun is a tiny book, with writing so small it cannot be read with the naked eye.
Hans Thomas begins to read the tiny book using his new magnifying glass, and the story then alternates between Hans Thomas's journey, and the story in the sticky bun book.
The Sticky Bun Book
The sticky bun book tells the story of an old baker whose grandfather gave him a drink of a wonderful liquid he called Rainbow Fizz (Rainbow Soda in the American edition). It came from an island which the grandfather had been shipwrecked on as a young man. On the island lived an old sailor called Frode, and fifty-three other people; the fifty three other people did not have names though, they referred to themselves as the numbers on playing cards (52 cards plus a Joker)
The red suits were all women, except for the Kings and Jacks, whilst the black suits were all men, except for the Queens and Aces. The Ace of Hearts was particularly enchanting, and Frode had quite a crush on her, even though she was forever 'losing herself'. The cards (as he called them) were scatterbrained and childish, and talked in card-related riddles about "when the game ends" and "turning a person face up" etc.
Frode told the young sailor the miraculous story about how the other people had come to be on the island with him:
Frode himself was shipwrecked on the island many years earlier, and had lost virtually all of his possessions, except for a pack of playing cards. As he had no way off the island, he played solitaire a lot to pass the time. After a few months, he started talking to the cards, and even creating personalities for each of them in his head.
Time passed, and through overuse, the pictures on the cards faded and disappeared, but Frode continued to talk to them in his mind. Then suddenly one day, the Three of Diamonds walked by -- a flesh and blood person -- and said hello to Frode as if they were old friends! Frode thought he must be going mad, and as the remaining fifty-two cards surfaced, he became convinced he had gone senile. But since there was no way off the island, he decided he may as well sink himself into his delusion and enjoy the company.
When the new sailor was shipwrecked on the island, it came as a huge shock to Frode that he could see and interact with the card people as well! It wasn't a delusion! But then it seemed that Frode had simply 'dreamt' them into existence - how could this be so?
The crossing over of worlds
As the plot progresses, the reader sees that the 'two' separate stories of Hans Thomas's journey, and the events in the sticky bun book are beginning to overlap:
The cards in the sticky bun book take part in a game, where each says a sentence, and Frode tries to interpret its bizarre meaning. But sentences such as "the inner box unpacks the outer at the same time as the outer box unpacks the inner" and "destiny is a snake so hungry it devours itself" seem devoid of meaning for Frode.
However, the cards' predictions as told in the tiny book begin to reveal details about Hans Thomas's own plight to find his mother. It occurs to Hans Thomas that his mother bears a striking resemblance in her personality to the Ace of Hearts in that she 'loses herself' (disappears) for long periods.
Also, throughout Hans Thomas's journey, he has seen the same odd little bearded man following him about (the man who gave him the magnifying glass which proved so useful to read the sticky bun book). But whenever Hans Thomas approaches the little man, he seems to dash away and vanish.
The baffling thing for Hans Thomas is that he stopped for the cake merely by chance, and chose to eat a sticky bun by chance - how is it possible that a tiny book from a random bun is telling him things about his own life?
In the end, it turns out that the man who gave Hans Thomas the sticky bun book was his estranged grandfather, the baker and writer of the sticky bun book, and grandson to the shipwrecked sailor who had met Frode and his cards on the magic island. The grandfather works this out at the same time Hans Thomas deduces it too (the inner box unpacks the outer at the same time as the outer box unpacks the inner), yet this understanding is never realised, as the grandfather passes away before Hans Thomas returns to the small alpine village, having reunited with his mother in Athens.
Back in the sticky bun book, we discover that just as the cards had played their prophetic game where they predicted exactly what would happen between Hans Thomas and his family, the magic island begins to close in on itself, fifty-two years to the day after it had sprung into existence. It seems as if it were meant to happen that way (destiny is a snake so hungry it devours itself).
The poor card-people get eaten up inside the island, and as the island folds in on itself and disappears into nothingness, the young sailor (Baker Hans) escapes on a rowing boat which he had brought. Only one of the 'cards' managed to escape the island: the Joker.
Hans Thomas realises that it is the Joker who gave him the magnifying glass, and who has been following him about all this time. Just as Hans Thomas reads the last sentence of the sticky bun book, closes it and looks up, he sees the Joker slip away into the crowd, and vanish...
Philosophical themes
The book encompasses several philosophical themes; the obvious ones which are covered in the overall plot, but also little snippets here and there. Hans Thomas's father is a smoker but doesn't like to smoke inside his car, and so on their long journey across Europe, they are forever stopping for cigarette breaks, and the father is talking philosophically with his son. These bite-size chunks of philosophy are far easier to swallow than the weighty lectures in Sophie's World, but are nonetheless potent.
The nature of existence
The nature of existence is a theme which runs throughout, especially the miraculous nature of life itself. The book explores the question of whether it is possible to imagine something into existence. This theme is also found in Australian aboriginal myth, where elders claim that the world was dreamt into existence.
It seems unimaginable that we can make something happen just by wanting it to happen, yet the placebo effect has been well-documented in psychology, and many psychic healers and suchlike will claim that you need to have faith in order for something to work.
Religious Themes
The Christian concept of the creator living within his creation is explored. The seemingly perfect creation is soon destroyed by the Joker, during the "Joker Game" sequence, which is arguably an intended parallel with the Garden of Eden.
Destiny
The fact that the cards in the sticky bun book predicted the goings on between Hans Thomas's family decades later gives the book a strong theme of destiny: the idea that some things are going to happen no matter what - it is fate.
Fate as a concept also has many supporters; those who believe that some things (or the more stronger claim, that all things) have been pre-planned from long ago -- perhaps from the dawn of time. This is a main theme running through theology as well as more pseudo-scientific disciplines such as tarot reading and palm reading.
It certainly seems possible (though highly improbable) that the cards could have predicted the goings-on in Hans Thomas's young life, but the unlikelihood of it all only adds to the mystery and wonder of the story.
zhè shì yī běn guān yú zhé xué shǐ de xiǎo shuō，２ ０ shì jì bǎi bù jīng diǎn zhù zuò zhī yī， １ ９９ ４ nián huò " dé guó qīng shàonián wén xué jiǎng " yǔ " zuì yōu xiù zuò pǐn jiǎng "。
gāi shū zì１９９１ nián chū bǎn fā xíng zhī hòu， cháng qī xióng jù gè guó chàng xiāo shū páiháng bǎng dì yī míng， shì jiè shàng yǐ yòu ３５ gè guó jiā gòu mǎi liǎo gāi shū de bǎn quán。 jié zhǐ dào１９９５ nián５ yuè， gāi shū dé wén bǎn de xiāo shòu yǐ dá１２０ wàn cè de tiān wén shù zì。 yī bù《 sū fěi de shì jiè》 jiù shì yī bù shēn rù qiǎn chū de rén lèi zhé xué shǐ。 tā bù jǐn néng huàn xǐng rén men nèi xīn shēn chù duì shēng mìng de jìng yǎng yǔ zàn tàn、 duì rén shēng yì yì de guān xīn yǔ hàoqí， ér qiě yě wéi měi yī gè rén de chéngzhǎng héng héng shǐ shēng mìng cóng hùn dùn zǒu xiàng zhì huì、 yóu kùn huò 'ér jìn rù jué wù zhī jìng， guà qǐ liǎo yī zhǎn zhǎn míng liàng de wéi dēng……
《 sū fěi de shì jiè》 yǐ xiǎo shuō sū fěi de shì jiè ( diàn yǐng ) de xíng shì， tōng guò yī míng zhé xué dǎo shī xiàng yī gè jiào sū fěi de nǚ hái chuán shòu zhé xué zhī shí de jīng guò， jiē shì liǎo xī fāng zhé xué shǐ fā zhǎn de lì chéng。 yóu qián sū gé lā dǐ shí dài dào sà tè， yǐ jí yà lǐ shì duō dé、 dí kǎ 'ér、 hēi gé 'ěr děng rén de sī xiǎng dū tōng guò zuò zhě shēng dòng de bǐ chù yuè rán zhǐ shàng， bìng pèi yǐ dāng shí de lì shǐ bèi jǐng jiā yǐ jiě shì， yǐn rén rù shèng。 píng lùn jiā rèn wéi， duì yú nà xiē cóng wèi dú guò zhé xué kè chéng de rén 'ér yán， cǐ shū shì zuì wéi hé shì de rù mén shū， ér duì yú nà xiē yǐ wǎng dú guò yī xiē zhé xué 'ér yǐ wàng dé yī gān 'èr jìng de rén shì， yě kě qǐ dào wēn gù zhī xīn de zuò yòng。
《 sū fěi de shì jiè》 [ shū jí ]- gài shù
gāi shū zì 1991 nián chū bǎn fā xíng zhī hòu， cháng qī xióng jù gè guó chàng xiāo shū páiháng bǎng dì yī míng， shì jiè shàng yǐ yòu 35 gè guó jiā gòu mǎi liǎo gāi shū de bǎn quán。 jié zhǐ dào 1995 nián 5 yuè， gāi shū dé wén bǎn de xiāo shòu yǐ dá 120 wàn cè de tiān wén shù zì。 yī bù《 sū fěi de shì jiè》 jiù shì yī bù shēn rù qiǎn chū de rén lèi zhé xué shǐ。 tā bù jǐn néng huàn xǐng rén men nèi xīn shēn chù duì shēng mìng de jìng yǎng yǔ zàn tàn、 duì rén shēng yì yì de guān xīn yǔ hàoqí， ér qiě yě wéi měi yī gè rén de chéngzhǎng -- shǐ shēng mìng cóng hùn dùn zǒu xiàng zhì huì、 yóu kùn huò 'ér jìn rù jué wù zhī jìng， guà qǐ liǎo yī zhǎn zhǎn míng liàng de wéi dēng……
《 sū fěi de shì jiè》 [ shū jí ]- gù shì gěng gài
14 suì de shàonǚ sū fěi mǒu tiān fàng xué huí jiā， shōu dào liǎo shén mì de yī fēng xìn héng héng“ nǐ shì shuí？ shì jiè cóng nǎ lǐ lái？” cóng zhè yī tiān kāi shǐ， sū fěi bù duàn jiē dào yī xiē jí bù xún cháng de lái xìn， shì jiè xiàng mí tuán yī bān zài tā yǎn dǐ zhǎn kāi。 zài yī wèi shén mì dǎo shī de zhǐ dǎo yǐn xià， sū fěi kāi shǐ sī suǒ cóng gǔ xī là dào kāng dé， cóng qí kè guǒ dào fó luò yī dé děng gè wèi dà shī suǒ sī kǎo de gēn běn wèn tí。 tā yùn yòng shàonǚ tiān shēng de wù xìng yǔ hòu tiān zhī shí， qǐ tú jiě kāi zhè xiē mí tuán。 rán 'ér， shì shí zhēn xiāng yuǎn bǐ tā suǒ xiǎng de gèng guài yì、 gèng lí qí……
《 sū fěi de shì jiè》， jí shì zhì huì de shì jiè， mèng de shì jiè。 tā jiāng huì huàn xǐng měi gè rén nèi xīn shēn chù duì shēng mìng de zàn tàn yǔ duì rén shēng zhōng jí yì yì de guān huái hé hàoqí。
《 sū fěi de shì jiè》 [ shū jí ]- zhāi yào
nǐ shì shuí？
tā zěn me huì zhī dào？ bù yòng shuō， tā de míng zì jiào sū fěi， dàn nà gè jiào zuò sū fěi de rén yòu shì shuí ní？ tā hái méi xiǎng chū lái。
rú guǒ tā qǔ liǎo lìng wài yī gè míng zì ní？ bǐ rú shuō， rú guǒ tā jiào zuò 'ān nī de huà， tā huì bù huì biàn chéng bié rén？
zhè shǐ tā xiǎng qǐ bà bà yuán běn yào jiāng tā qǔ míng wéi lì lì。 tā shì zhe xiǎng xiàng zì jǐ yǔ bié rén wò shǒu， bìng qiě jiè shào zì jǐ míng jiào lì lì de qíng jǐng， dàn jué dé hǎo xiàng hěn bù duì jìn， xiàng shì bié rén zài zì wǒ jiè shào yī bān。
tā tiào qǐ lái， zǒu jìn yù shì， shǒu lǐ ná zhe nà fēng qí guài de xìn。 tā zhàn zài jìng zǐ qián miàn， níng shì zhe zì jǐ de yǎn jīng。“ wǒ de míng zì jiào lì lì。” tā shuō。
jìng zhōng de nǚ hái què lián yǎn jīng yě bù zhǎ yī xià。 wú lùn sū fěi zuò shí me， tā dū yǐ yàng huà hú lú。 sū fěi fēi kuài dì zuò liǎo yī gè dòng zuò， xiǎng shǐ jìng zhōng de yǐng xiàng zhuī gǎn bù jí， dàn nà gè nǚ hái què hé tā yī bān de mǐn jié。
“ nǐ shì shuí？” sū fěi wèn。
jìng zhōng de rén yě bù huí dá。 yòu yī chà nà， tā jué dé mí huò， nòng bù qīng chǔ gāng cái wèn wèn tí de dào dǐ shì tā， hái shì jìng zhōng de yǐng xiàng。
sū fěi yòng shí zhǐ diǎn zhe jìng zhōng de bí zǐ， shuō：“ nǐ shì wǒ。”
duì fāng yǐ jiù méi yòu fǎn yìng。 yú shì tā jiāng jù zǐ diān dǎo guò lái， shuō：“ wǒ shì nǐ。”
《 sū fěi de shì jiè》 [ shū jí ]- shū píng
jiǎ dé zhè běn guān yú zhé xué shǐ de xiǎo shuō kě wèi shì kōng qián de， tā zài cì yòng shì shí zhèng míng liǎo zhé xué bìng bù shì tuō lí xiàn shí de xué yuàn rén shì zài xiàng yá tǎ lǐ suǒ xiě de dōng xī。 --《 dé yì zhì xīng qī rì huì bào》
gāi shū shì yī gè jiāng xué shù zuò pǐn tōng sú huà de jié chū fàn lì， wèi céng xiū xí zhé xué gài lùn de rén， kě yǐ bǎ tā zuò wéi yī běn zuì jiā de rù mén dú wù， ér xué xí guò cǐ mén kè chéng dàn yǐ wàng què dà bàn de rén， běn shū zé shì wēn gù 'ér zhī xīn de dé lì zhī zuò。 -- měi guó《 xīn wén zhōu kān》
nuó wēi zuò jiā qiáo sī tǎn · jiǎ dé bù jǐn wén bǐ zhuó 'ěr bù qún， tóng shí yòu duō nián dān rèn zhé xué jiào shī de jīng lì，《 sū fěi de shì jiè》 yī shū yòu zhù yú shǐ dú zhě yǐ yuè dú zhēn tàn xiǎo shuō bān de xīn qíng yóu lǎn cóng bólātú yǐ qián yī zhí dào２０ shì jì de shì jiè zhé xué shǐ， ér sī háo bù chǎn shēng rèn hé kū zào yàn fán de gǎn jué。 -- zhù míng zuò jiā yǔ píng lùn jiā mǎ dé lán · lán gé 'ěr
zhé xué bù shì wàn líng dān， dàn shì cóng lái bù qù liú yì“ àihào zhì huì” de zhòng yào yǔ qián rén de xīn dé， nà me zhù dìng huì xiàn yú xīn líng fēng bì yǔ zhōng jié。 zhè huò xǔ shì běn shū guǎng shòu huān yíng de yuán yīn bā wèile shǐ rén cóng kùn huò dào jué wù， běn shū tí gōng liǎo yī zhǎn míng dēng。 -- zhé xué jiào shòu fù pèi zhū
《 sū fěi de shì jiè》 kě yǐ dàngzuò zhé xué qǐ méng shū lái yuè dú。 tā de xiǎo shuō bù fēn， sū fěi de zhù tǐ zì jué guò chéng zé pō xiàng zhēn tàn gù shì jiā shàng xiàn dài bǎn de héng héng héng héng《 ài lì sī mèng yóu xiān jìng》， zhé xué jiā zhēn tàn， jiā huàn xiǎng， zài jiā shàng yǔ zhòu guān， tā ràng rén gèng jiā xīn xiōng kāi kuò， zhè bù zhèng shì zhé xué“ ài zhì” zuì gǔ diǎn de yào yì má zhī míng zuò jiā nán fāng shuò
zhè běn shū de liú xíng yòu qí zhòng yào xìng， wǒ men kě yǐ cóng hǎo jǐ fāng miàn lái kàn。 quán shū suī fēi xué shù xìng zhù zuò， dàn tā shì yī běn hàn wèi zhé xué de shū， zhèng yīn wéi qí dà zhòng huà， tā yě jiù dài biǎo liǎo“ dà duō shù rén de kàn fǎ”。 zhè běn shū bù shì zài tàn tǎo zhé xué shàng de mǒu yī tè bié sī cháo huò lì shǐ， ér shì cháng shì duì měi yī pài bié zuò gài lùn shì de jiè shào， bìng shuō míng tā zài jīn rì de dì wèi。 kě yǐ shuō shì yī běn jí“ xué shù jiè yī bān kàn fǎ de zhāi yào lù”。 yīn cǐ， zhè běn shū biǎo dá liǎo dāng jīn zhī shí fènzǐ de lì chǎng。
jiǎ rú《 sū fěi de shì jiè》 dài biǎo zhe zhù liú zhī shí fènzǐ de zhé xué guān diǎn， tā suǒ biǎo dá de yě jí yǐn rén zhù mù。 zhè běn shū duì zhēn shí de zhé xué jǐyǔ jí chóng gāo de píng jià： pī pàn de、 lǐ xìng de hé gōng zhèng de píng lùn； qù chú piān jiàn、 mí xìn hé guàn lì； bù zuò cāng cù hé qīng shuài de pàn duàn， yī yì zhuī qiú zhēn lǐ、 zhī shí、 měi shàn hé dào dé。
Mostly consisting of dialogues between Sophie Amundsen and a mysterious man named Alberto Knox, interwoven with an increasingly bizarre and mysterious plot, Sophie's World acts as both a novel and a basic guide to philosophy.
Plot summary
Sophie Amundsen is fourteen years old when the book begins. She begins a strange correspondence course in philosophy. Every day, a letter comes to her mailbox that contains a few questions and then later in the day a package comes with some typed pages describing the ideas of a philosopher who dealt with the issues raised by the questions. Although at first she does not know, later on Sophie learns that Alberto Knox is the name of the philosopher who is teaching her. He sends her packages via his dog Hermes. Alberto first tells Sophie that philosophy is extremely relevant to life and that if we do not question and ponder our very existence we are not really living. Then he proceeds to go through the history of western philosophy. Alberto teaches Sophie about the ancient myths that people had in the days before they tried to come up with natural explanations for the processes in the world. Then she learns about the natural philosophers who were concerned with change. Next Alberto describes Democritus and the theory of indivisible atoms underlying all of nature as well as the concept of fate.
At the same time as she takes the philosophy course, Sophie receives a strange postcard sent to Hilde Møller Knag, care of Sophie. The postcard is from Hilde's father and wishes Hilde happy birthday. Sophie is confused, and more so when she finds a scarf with Hilde's name on it. She does not know what is happening but she is sure that Hilde and the philosophy course must somehow be connected. She learns about Socrates, who was wise enough to know that he knew nothing. Then Alberto sends her a video that shows him in present day Athens and somehow he seems to go back in time to ancient Athens. She learns about Plato and his world of ideas and then about Aristotle, who critiqued Plato, classified much of the natural world, and founded logic and our theory of concepts.
Then, as Sophie's education continues, the Hilde situation begins to get more complicated. She finds many more postcards to Hilde, and some of them are even dated on June 15, the day Sophie will turn 15. The problem is that June 15 is still over a month away. She discovers some of this with her best friend Joanna, and one of the postcards tells Hilde that one day she will meet Sophie and also mentions Joanna. Strange things are happening that the girls cannot figure out. Sophie's relationship with her mother becomes somewhat strained as she tries both to cover up the correspondence with Alberto and to practice her philosophical thinking on her mom. Meanwhile, Alberto teaches Sophie about Jesus and the meeting of Indo-European and Semitic culture. She learns about St. Augustine, St. Aquinas, and the christianization of Greek philosophy that occurred in the Middle Ages. By this time, Sophie has met Alberto and he begins hinting that the philosophy is about to get extremely relevant to the strange things that are happening to her.
Sophie learns about the focus on humanity in the Renaissance and the extremes of the Baroque and then Alberto focuses on some key philosophers. Urgently, he teaches her about Descartes, who doubted, and by doing so knew at least that he could doubt. They move on to Spinoza as it becomes clear that Hilde's father has some awesome power over them. Then Sophie learns about the empiricists. Locke believed in natural rights and that everything we know is gained from experience. Hume, an important influence on Kant, showed that our actions are guided by feelings and warned against making laws based upon our experiences. But Berkeley is most important to Sophie because he suggested that perhaps our entire lives were inside the mind of God. And Alberto says that their lives are inside the mind of Albert Knag, Hilde's father.
At this point the story switches to Hilde's point of view. On June 15, the day she turns fifteen, Hilde receives a birthday gift from her father entitled Sophie's World. She begins to read and is enthralled. We follow the rest of Sophie's story from Hilde's perspective. Hilde becomes certain that Sophie exists, that she is not just a character in a book. Alberto has a plan to escape Albert Knag's mind, and they must finish the philosophy course before that can happen. He teaches Sophie about the Enlightenment and its humane values and about Kant and his unification of empiricist and rationalist thought. Things in Sophie's life have become completely insane but she and Alberto know they must figure out a way to do something. It will have to occur on the night of June 15, when Hilde's father returns home. They learn about the world spirit of Romanticism, Hegel's dialectical view of history, and Kierkegaard's belief that the individual's existence is primary. Meanwhile, Hilde plans a surprise for her father on his return home. They rush through Marx, Darwin, Freud, and Sartre, desperate to come up with a plan to escape even though everything they do is known by Hilde's father. Then at the end of Sophie's World, the book that Hilde is reading, while at a party for Sophie on June 15, Alberto and Sophie disappear. Hilde's father comes home and they talk about the book, and Hilde is sure that Sophie exists somewhere. Meanwhile, Sophie and Alberto have a new existence as spirit. They have escaped from Albert Knag's mind but they are invisible to other people and can walk right through them. Sophie wants to try to interfere in the world of Hilde and her father, and at the end of the book she is learning how to do so.
gāi shū zì１９９１ nián chū bǎn fā xíng zhī hòu， cháng qī xióng jù gè guó chàng xiāo shū páiháng bǎng dì yī míng， shì jiè shàng yǐ yòu ３５ gè guó jiā gòu mǎi liǎo gāi shū de bǎn quán。 jié zhǐ dào１９９５ nián５ yuè， gāi shū dé wén bǎn de xiāo shòu yǐ dá１２０ wàn cè de tiān wén shù zì。 yī bù《 sū fěi de shì jiè》 jiù shì yī bù shēn rù qiǎn chū de rén lèi zhé xué shǐ。 tā bù jǐn néng huàn xǐng rén men nèi xīn shēn chù duì shēng mìng de jìng yǎng yǔ zàn tàn、 duì rén shēng yì yì de guān xīn yǔ hàoqí， ér qiě yě wéi měi yī gè rén de chéngzhǎng héng héng shǐ shēng mìng cóng hùn dùn zǒu xiàng zhì huì、 yóu kùn huò 'ér jìn rù jué wù zhī jìng， guà qǐ liǎo yī zhǎn zhǎn míng liàng de wéi dēng……
《 sū fěi de shì jiè》 yǐ xiǎo shuō sū fěi de shì jiè ( diàn yǐng ) de xíng shì， tōng guò yī míng zhé xué dǎo shī xiàng yī gè jiào sū fěi de nǚ hái chuán shòu zhé xué zhī shí de jīng guò， jiē shì liǎo xī fāng zhé xué shǐ fā zhǎn de lì chéng。 yóu qián sū gé lā dǐ shí dài dào sà tè， yǐ jí yà lǐ shì duō dé、 dí kǎ 'ér、 hēi gé 'ěr děng rén de sī xiǎng dū tōng guò zuò zhě shēng dòng de bǐ chù yuè rán zhǐ shàng， bìng pèi yǐ dāng shí de lì shǐ bèi jǐng jiā yǐ jiě shì， yǐn rén rù shèng。 píng lùn jiā rèn wéi， duì yú nà xiē cóng wèi dú guò zhé xué kè chéng de rén 'ér yán， cǐ shū shì zuì wéi hé shì de rù mén shū， ér duì yú nà xiē yǐ wǎng dú guò yī xiē zhé xué 'ér yǐ wàng dé yī gān 'èr jìng de rén shì， yě kě qǐ dào wēn gù zhī xīn de zuò yòng。
《 sū fěi de shì jiè》 [ shū jí ]- gài shù
gāi shū zì 1991 nián chū bǎn fā xíng zhī hòu， cháng qī xióng jù gè guó chàng xiāo shū páiháng bǎng dì yī míng， shì jiè shàng yǐ yòu 35 gè guó jiā gòu mǎi liǎo gāi shū de bǎn quán。 jié zhǐ dào 1995 nián 5 yuè， gāi shū dé wén bǎn de xiāo shòu yǐ dá 120 wàn cè de tiān wén shù zì。 yī bù《 sū fěi de shì jiè》 jiù shì yī bù shēn rù qiǎn chū de rén lèi zhé xué shǐ。 tā bù jǐn néng huàn xǐng rén men nèi xīn shēn chù duì shēng mìng de jìng yǎng yǔ zàn tàn、 duì rén shēng yì yì de guān xīn yǔ hàoqí， ér qiě yě wéi měi yī gè rén de chéngzhǎng -- shǐ shēng mìng cóng hùn dùn zǒu xiàng zhì huì、 yóu kùn huò 'ér jìn rù jué wù zhī jìng， guà qǐ liǎo yī zhǎn zhǎn míng liàng de wéi dēng……
《 sū fěi de shì jiè》 [ shū jí ]- gù shì gěng gài
14 suì de shàonǚ sū fěi mǒu tiān fàng xué huí jiā， shōu dào liǎo shén mì de yī fēng xìn héng héng“ nǐ shì shuí？ shì jiè cóng nǎ lǐ lái？” cóng zhè yī tiān kāi shǐ， sū fěi bù duàn jiē dào yī xiē jí bù xún cháng de lái xìn， shì jiè xiàng mí tuán yī bān zài tā yǎn dǐ zhǎn kāi。 zài yī wèi shén mì dǎo shī de zhǐ dǎo yǐn xià， sū fěi kāi shǐ sī suǒ cóng gǔ xī là dào kāng dé， cóng qí kè guǒ dào fó luò yī dé děng gè wèi dà shī suǒ sī kǎo de gēn běn wèn tí。 tā yùn yòng shàonǚ tiān shēng de wù xìng yǔ hòu tiān zhī shí， qǐ tú jiě kāi zhè xiē mí tuán。 rán 'ér， shì shí zhēn xiāng yuǎn bǐ tā suǒ xiǎng de gèng guài yì、 gèng lí qí……
《 sū fěi de shì jiè》， jí shì zhì huì de shì jiè， mèng de shì jiè。 tā jiāng huì huàn xǐng měi gè rén nèi xīn shēn chù duì shēng mìng de zàn tàn yǔ duì rén shēng zhōng jí yì yì de guān huái hé hàoqí。
《 sū fěi de shì jiè》 [ shū jí ]- zhāi yào
nǐ shì shuí？
tā zěn me huì zhī dào？ bù yòng shuō， tā de míng zì jiào sū fěi， dàn nà gè jiào zuò sū fěi de rén yòu shì shuí ní？ tā hái méi xiǎng chū lái。
rú guǒ tā qǔ liǎo lìng wài yī gè míng zì ní？ bǐ rú shuō， rú guǒ tā jiào zuò 'ān nī de huà， tā huì bù huì biàn chéng bié rén？
zhè shǐ tā xiǎng qǐ bà bà yuán běn yào jiāng tā qǔ míng wéi lì lì。 tā shì zhe xiǎng xiàng zì jǐ yǔ bié rén wò shǒu， bìng qiě jiè shào zì jǐ míng jiào lì lì de qíng jǐng， dàn jué dé hǎo xiàng hěn bù duì jìn， xiàng shì bié rén zài zì wǒ jiè shào yī bān。
tā tiào qǐ lái， zǒu jìn yù shì， shǒu lǐ ná zhe nà fēng qí guài de xìn。 tā zhàn zài jìng zǐ qián miàn， níng shì zhe zì jǐ de yǎn jīng。“ wǒ de míng zì jiào lì lì。” tā shuō。
jìng zhōng de nǚ hái què lián yǎn jīng yě bù zhǎ yī xià。 wú lùn sū fěi zuò shí me， tā dū yǐ yàng huà hú lú。 sū fěi fēi kuài dì zuò liǎo yī gè dòng zuò， xiǎng shǐ jìng zhōng de yǐng xiàng zhuī gǎn bù jí， dàn nà gè nǚ hái què hé tā yī bān de mǐn jié。
“ nǐ shì shuí？” sū fěi wèn。
jìng zhōng de rén yě bù huí dá。 yòu yī chà nà， tā jué dé mí huò， nòng bù qīng chǔ gāng cái wèn wèn tí de dào dǐ shì tā， hái shì jìng zhōng de yǐng xiàng。
sū fěi yòng shí zhǐ diǎn zhe jìng zhōng de bí zǐ， shuō：“ nǐ shì wǒ。”
duì fāng yǐ jiù méi yòu fǎn yìng。 yú shì tā jiāng jù zǐ diān dǎo guò lái， shuō：“ wǒ shì nǐ。”
《 sū fěi de shì jiè》 [ shū jí ]- shū píng
jiǎ dé zhè běn guān yú zhé xué shǐ de xiǎo shuō kě wèi shì kōng qián de， tā zài cì yòng shì shí zhèng míng liǎo zhé xué bìng bù shì tuō lí xiàn shí de xué yuàn rén shì zài xiàng yá tǎ lǐ suǒ xiě de dōng xī。 --《 dé yì zhì xīng qī rì huì bào》
gāi shū shì yī gè jiāng xué shù zuò pǐn tōng sú huà de jié chū fàn lì， wèi céng xiū xí zhé xué gài lùn de rén， kě yǐ bǎ tā zuò wéi yī běn zuì jiā de rù mén dú wù， ér xué xí guò cǐ mén kè chéng dàn yǐ wàng què dà bàn de rén， běn shū zé shì wēn gù 'ér zhī xīn de dé lì zhī zuò。 -- měi guó《 xīn wén zhōu kān》
nuó wēi zuò jiā qiáo sī tǎn · jiǎ dé bù jǐn wén bǐ zhuó 'ěr bù qún， tóng shí yòu duō nián dān rèn zhé xué jiào shī de jīng lì，《 sū fěi de shì jiè》 yī shū yòu zhù yú shǐ dú zhě yǐ yuè dú zhēn tàn xiǎo shuō bān de xīn qíng yóu lǎn cóng bólātú yǐ qián yī zhí dào２０ shì jì de shì jiè zhé xué shǐ， ér sī háo bù chǎn shēng rèn hé kū zào yàn fán de gǎn jué。 -- zhù míng zuò jiā yǔ píng lùn jiā mǎ dé lán · lán gé 'ěr
zhé xué bù shì wàn líng dān， dàn shì cóng lái bù qù liú yì“ àihào zhì huì” de zhòng yào yǔ qián rén de xīn dé， nà me zhù dìng huì xiàn yú xīn líng fēng bì yǔ zhōng jié。 zhè huò xǔ shì běn shū guǎng shòu huān yíng de yuán yīn bā wèile shǐ rén cóng kùn huò dào jué wù， běn shū tí gōng liǎo yī zhǎn míng dēng。 -- zhé xué jiào shòu fù pèi zhū
《 sū fěi de shì jiè》 kě yǐ dàngzuò zhé xué qǐ méng shū lái yuè dú。 tā de xiǎo shuō bù fēn， sū fěi de zhù tǐ zì jué guò chéng zé pō xiàng zhēn tàn gù shì jiā shàng xiàn dài bǎn de héng héng héng héng《 ài lì sī mèng yóu xiān jìng》， zhé xué jiā zhēn tàn， jiā huàn xiǎng， zài jiā shàng yǔ zhòu guān， tā ràng rén gèng jiā xīn xiōng kāi kuò， zhè bù zhèng shì zhé xué“ ài zhì” zuì gǔ diǎn de yào yì má zhī míng zuò jiā nán fāng shuò
zhè běn shū de liú xíng yòu qí zhòng yào xìng， wǒ men kě yǐ cóng hǎo jǐ fāng miàn lái kàn。 quán shū suī fēi xué shù xìng zhù zuò， dàn tā shì yī běn hàn wèi zhé xué de shū， zhèng yīn wéi qí dà zhòng huà， tā yě jiù dài biǎo liǎo“ dà duō shù rén de kàn fǎ”。 zhè běn shū bù shì zài tàn tǎo zhé xué shàng de mǒu yī tè bié sī cháo huò lì shǐ， ér shì cháng shì duì měi yī pài bié zuò gài lùn shì de jiè shào， bìng shuō míng tā zài jīn rì de dì wèi。 kě yǐ shuō shì yī běn jí“ xué shù jiè yī bān kàn fǎ de zhāi yào lù”。 yīn cǐ， zhè běn shū biǎo dá liǎo dāng jīn zhī shí fènzǐ de lì chǎng。
jiǎ rú《 sū fěi de shì jiè》 dài biǎo zhe zhù liú zhī shí fènzǐ de zhé xué guān diǎn， tā suǒ biǎo dá de yě jí yǐn rén zhù mù。 zhè běn shū duì zhēn shí de zhé xué jǐyǔ jí chóng gāo de píng jià： pī pàn de、 lǐ xìng de hé gōng zhèng de píng lùn； qù chú piān jiàn、 mí xìn hé guàn lì； bù zuò cāng cù hé qīng shuài de pàn duàn， yī yì zhuī qiú zhēn lǐ、 zhī shí、 měi shàn hé dào dé。
Mostly consisting of dialogues between Sophie Amundsen and a mysterious man named Alberto Knox, interwoven with an increasingly bizarre and mysterious plot, Sophie's World acts as both a novel and a basic guide to philosophy.
Plot summary
Sophie Amundsen is fourteen years old when the book begins. She begins a strange correspondence course in philosophy. Every day, a letter comes to her mailbox that contains a few questions and then later in the day a package comes with some typed pages describing the ideas of a philosopher who dealt with the issues raised by the questions. Although at first she does not know, later on Sophie learns that Alberto Knox is the name of the philosopher who is teaching her. He sends her packages via his dog Hermes. Alberto first tells Sophie that philosophy is extremely relevant to life and that if we do not question and ponder our very existence we are not really living. Then he proceeds to go through the history of western philosophy. Alberto teaches Sophie about the ancient myths that people had in the days before they tried to come up with natural explanations for the processes in the world. Then she learns about the natural philosophers who were concerned with change. Next Alberto describes Democritus and the theory of indivisible atoms underlying all of nature as well as the concept of fate.
At the same time as she takes the philosophy course, Sophie receives a strange postcard sent to Hilde Møller Knag, care of Sophie. The postcard is from Hilde's father and wishes Hilde happy birthday. Sophie is confused, and more so when she finds a scarf with Hilde's name on it. She does not know what is happening but she is sure that Hilde and the philosophy course must somehow be connected. She learns about Socrates, who was wise enough to know that he knew nothing. Then Alberto sends her a video that shows him in present day Athens and somehow he seems to go back in time to ancient Athens. She learns about Plato and his world of ideas and then about Aristotle, who critiqued Plato, classified much of the natural world, and founded logic and our theory of concepts.
Then, as Sophie's education continues, the Hilde situation begins to get more complicated. She finds many more postcards to Hilde, and some of them are even dated on June 15, the day Sophie will turn 15. The problem is that June 15 is still over a month away. She discovers some of this with her best friend Joanna, and one of the postcards tells Hilde that one day she will meet Sophie and also mentions Joanna. Strange things are happening that the girls cannot figure out. Sophie's relationship with her mother becomes somewhat strained as she tries both to cover up the correspondence with Alberto and to practice her philosophical thinking on her mom. Meanwhile, Alberto teaches Sophie about Jesus and the meeting of Indo-European and Semitic culture. She learns about St. Augustine, St. Aquinas, and the christianization of Greek philosophy that occurred in the Middle Ages. By this time, Sophie has met Alberto and he begins hinting that the philosophy is about to get extremely relevant to the strange things that are happening to her.
Sophie learns about the focus on humanity in the Renaissance and the extremes of the Baroque and then Alberto focuses on some key philosophers. Urgently, he teaches her about Descartes, who doubted, and by doing so knew at least that he could doubt. They move on to Spinoza as it becomes clear that Hilde's father has some awesome power over them. Then Sophie learns about the empiricists. Locke believed in natural rights and that everything we know is gained from experience. Hume, an important influence on Kant, showed that our actions are guided by feelings and warned against making laws based upon our experiences. But Berkeley is most important to Sophie because he suggested that perhaps our entire lives were inside the mind of God. And Alberto says that their lives are inside the mind of Albert Knag, Hilde's father.
At this point the story switches to Hilde's point of view. On June 15, the day she turns fifteen, Hilde receives a birthday gift from her father entitled Sophie's World. She begins to read and is enthralled. We follow the rest of Sophie's story from Hilde's perspective. Hilde becomes certain that Sophie exists, that she is not just a character in a book. Alberto has a plan to escape Albert Knag's mind, and they must finish the philosophy course before that can happen. He teaches Sophie about the Enlightenment and its humane values and about Kant and his unification of empiricist and rationalist thought. Things in Sophie's life have become completely insane but she and Alberto know they must figure out a way to do something. It will have to occur on the night of June 15, when Hilde's father returns home. They learn about the world spirit of Romanticism, Hegel's dialectical view of history, and Kierkegaard's belief that the individual's existence is primary. Meanwhile, Hilde plans a surprise for her father on his return home. They rush through Marx, Darwin, Freud, and Sartre, desperate to come up with a plan to escape even though everything they do is known by Hilde's father. Then at the end of Sophie's World, the book that Hilde is reading, while at a party for Sophie on June 15, Alberto and Sophie disappear. Hilde's father comes home and they talk about the book, and Hilde is sure that Sophie exists somewhere. Meanwhile, Sophie and Alberto have a new existence as spirit. They have escaped from Albert Knag's mind but they are invisible to other people and can walk right through them. Sophie wants to try to interfere in the world of Hilde and her father, and at the end of the book she is learning how to do so.
zuò zhě :[ nuó wēi ] qiáo sī tǎn · jiǎ dé mò guāng huá yì
yī gè lái zì yáo yuǎn bīng xuě shì jiè de chán mián fěi cè、 ...
chéng sè nǚ hái
zhù rén gōng qiáo zhì zài 14 suì de mǒu yī tiān， yì wài dì dé dào liǎo yǐ qù shì duō nián de fù qīn xiě gěi tā de yī fēng xìn。 xìn zhōng， fù qīn xiàng qiáo zhì tù lù liǎo yī gè mì mì， yī gè lìng rén gǎn dòng de 'ài qíng gù shì héng héng 70 nián dài mò yī gè shēn qiū de xià wǔ， zài diàn chē zhàn， fù qīn zhuàng fān liǎo yī gè shēn zhe chéng sè yī fú de nǚ hái huái bào de mǎn kuāng chéng zǐ。 zhī hòu tā men zài yī jiān kā fēi guǎn lǐ zài cì xiè hòu， nǚ hái réng rán chuānzhuó nà jiàn chéng sè yī fú， huái lǐ yǐ jiù bào zhe yī dà dài chéng zǐ。 zhèng dāng fù qīn wèitā liǎ zài cì de 'ǒu yù gǎn dào chà yì shí， nǚ hái yǎn lǐ jìng mǎn hán lèi shuǐ dì zhuǎn shēn 'ér qù。 fù qīn mù rán dì zhù lì zài jiē tóu， rèn yóu tā xiāo shī zài máng máng de rén hǎi zhōng ......
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