《傲慢與偏見》是簡· 奧斯丁的代表作，是一部經典的小說。這部作品以日常生活為素材，一反當時社會上流行的感傷小說的內容和矯揉造作的寫作方法，生動地反映了18世紀末到19世紀初處於保守和閉塞狀態下的英國鄉鎮生活和世態人情。這部社會風情畫式的小說不僅在當時吸引着廣大的讀者，時至今日，仍給讀者以獨特的藝術享受。 《傲慢與偏見》以婚姻嫁娶和家庭風波為題材，描寫自己熟稔的鄉間所謂體面人傢的生活與交往，像在“二寸象牙”上“細細地描畫”，看似平凡而瑣碎，小天地卻可映出大世界，因此始終能引起長盛不衰、雅俗共賞的興趣，英國詩人和歷史小說傢司各特曾說，“在描寫人們日常生活中各種錯綜復雜的瑣事，內心情感和人物性格方面，這位姑娘很有才能。這種才能是我所遇到的最令人賞心悅目的。”正是簡.奧斯丁爐火純青的語言描寫功力，使筆下的人物栩栩如生，耐人尋味。
傲慢與偏見[小說]-作者簡介
簡·奧斯汀簡· 奧斯汀
簡· 奧斯汀出生於1775年12月16日，是喬治·奧斯汀傢的第七個孩子。簡·奧斯汀一直過着安靜平和的隱居生活，她一生未婚。英國文學史上出現過幾次趣味革命，文學口味的翻新幾乎影響了所有作傢的聲譽，唯獨莎士比亞和奧斯汀經久不衰。而這位偉大的女性一生衹走過了42個春夏秋鼕。1817年7月8日，她死於溫徹斯特，葬於當地大教堂。
她的父親是斯蒂文頓的教區長，也是一位藏書頗豐的博學之土。她的母親名叫卡桑德拉·李·奧斯汀，出身於貴族家庭。簡衹有一個姐姐，叫卡桑德拉，並一生都與她保持着密切的聯繫。簡的同胞兄弟從事着不同的職業：有幾個擔任聖職，一個是銀行傢，其他的則在軍隊服役。儘管她的家庭不是名門望族，也沒有富甲一方，但喬治·奧斯汀很重視教育，甚至對女兒也不例外。簡和卡桑德拉上了幾年學，之後就在傢裏學習，主要是廣泛閱讀各種書籍和資料，並從父兄們與輔導的學生之間有趣的討論中獲益。通過自己的努力，簡熟知18世紀的英國文學。
簡· 奧斯汀生前匿名出版了四部小說：《理智與情感》(1811)、《傲慢與偏見}》(1813)、《曼斯菲爾德莊園》(1814) 和《艾瑪》(1815)。另外兩部，《諾桑格修道院》和《勸導》是她去世後於 1817年出版的。她的這些小說以其對英國社會和風俗的諷刺性描述而聞名於世。
奧斯汀所處的英國社會是一個階級等級分明的社會。而階級的區分主要源於傢族與財富。奧斯汀在她的作品中經常批評英國上層階級的自負和偏見。簡註意區分人的內在價值 (個人品德)和外在價值(地位和財産)。簡雖然經常諷刺勢利小人，但也嘲笑出身低微的人缺乏教養和舉止不當。總的來說，奧斯汀是一個現實主義作傢，她所描繪的英國是一個缺少變化但階級意識強烈的社會。
從18世紀末到19世紀初，“感傷小說”和“哥特小說”充斥英國文壇，而奧斯汀的小說破舊立新，一反常規地展現了當時尚未受到資本主義工業革命衝擊的英國鄉村中産階級的日常生活和田園風光。她的作品往往通過喜劇性的場面嘲諷人們的愚蠢、自私、勢利和盲目自信等可鄙可笑的弱點。奧斯丁的小說出現在19世紀初葉，一掃風行一時的假浪漫主義潮流，繼承和發展了英國18世紀優秀的現實主義傳統，為19世紀現實主義小說的高潮做了準備。雖然其作品反映的廣度和深度有限，但她的作品如“兩寸牙雕”，從一個小窗口中窺視到整個社會形態和人情世故，對改變當時小說創作中的風氣起了好的作用，在英國小說的發展史上有承上啓下的意義，被譽為地位“可與莎士比亞平起平坐”的作傢。 她最喜愛的作傢是18世紀古典主義和理智的典範塞繆爾·約翰遜。奧斯汀的小說表現出一種情感上的模棱兩可，以及對聰明才智與自然美的贊賞，這些特點使其作品和浪漫主義走到一起。遺憾的是，簡·奧斯汀的小說在她生前並未受到好評。但是後來，尤其是在20世紀，她的小說越來越受歡迎。如今，簡·奧斯汀已經躋身於英國真正偉大的作傢之列。簡·奧斯汀是世界上為數極少的著名女性作傢之一，介於新古典主義和浪漫運動的抒情主義之間的“小幅畫傢”和“家庭小說”傢，文學評論傢眼裏堪與莎士比亞在不朽性方面相提並論的英國作傢。
傲慢與偏見[小說]-創作背景
《傲慢與偏見》是簡·奧斯汀最早完成的作品，她在1796年開始動筆，取名為《最初的印象》，1797年8月完成。她父親看後很感動，特意拿給湯瑪·卡士德爾，請他出版，但對方一口回絶，使得他們十分失望。後來，她重寫了《最初的印象》，並改名為“傲慢與偏見”於1813年1月出版。
傲慢與偏見[小說]-內容簡介
女主角：：伊麗莎白
男主角：達西
重要配角：簡（伊麗莎白的姐姐）、賓利（達西的好朋友）
內容提要
《傲慢與偏見》是描寫伊麗莎白•貝內特和威廉•達西這對青年男女之間的愛情故事，起初他們倆人總是話不投機。故事發生在18世紀後期，距離英國倫敦，效外約50英裏的赫特福德郡（位於英國英格蘭東南部），書中生動地描繪了當時婦女生活的艱難，她們幾乎都不能把握自己的命運。由於18世紀的英國社會十分看重社會地位和個人舉止風度與纔藝，女人們都竭盡所能去尋覓富有的丈夫。
詳細內容
小鄉紳班納特有五個待字閨中的千金，班納特太太整天操心着為女兒物色稱心如意的丈夫。 新來的鄰居彬格萊(Charles)是個有錢的單身漢，他立即成了班納特太太追獵的目標。在一次舞會上，彬格萊對班納特傢的大女兒簡(Jane)一見鐘情，班納特太太為此欣喜若狂。參加舞會的還有彬格萊的好友達西(Darcy)。他儀表堂堂，非常富有，許多姑娘紛紛嚮他投去羨慕的目光；但他非常驕傲，認為她們都不配做他的舞伴，其中包括簡的妹妹伊麗莎白(Elizabeth)。伊麗莎白自尊心很強，决定不去理睬這個傲慢的傢夥。可是不久，達西對她活潑可愛的舉止産生了好感，在另一次舞會上主動請她同舞，卻遭到伊麗莎白的拒絶，達西狼狽不堪。
彬格萊的妹妹卡羅琳(Caroline)一心追求達西，她發現達西有意於伊麗莎白，妒火中燒，决意從中阻撓。而遭到伊麗莎白冷遇的達西也鄙視班納特太太及其小女兒麗迪亞(Lydia)的粗俗。在妹妹和好友達西的勸說下，彬格萊不辭而別，去了倫敦，但簡對他還是一片深情。
班納特沒有兒子，他的傢産將由遠親柯林斯(Collins)繼承。柯林斯粗鄙無知，卻善於趨炎附勢，居然當上牧師。他嚮伊麗莎白求婚，遭拒絶後，馬上與她的女友夏洛特(Charlotte)結婚。
附近小鎮的民團聯隊裏有個英俊瀟灑的青年軍官威肯(Wickham)，人人都誇他，伊麗莎白也對他産生了好感。一天，他對伊麗莎白說，他父親是達西傢的總管，達西的父親曾給他一大筆遺贈，卻被達西吞沒了。伊麗莎白聽後，對達西更加反感。
柯林斯夫婦請伊麗莎白去他們傢作客，伊麗莎白在那裏遇到達西的姨媽凱瑟琳(Catherine)，不久，又見到了達西。同時也認識了威廉少校，從他口中得知達西藏起她姐姐的信，使伊麗莎白對達西的討厭達到頂峰。所以在達西無法抑製自己對伊麗莎白的愛慕之情，嚮她求婚的時候，但態度還是那麽傲慢。伊麗莎白堅决地謝絶了。這一打擊使達西第一次認識到驕傲自負所帶來的惡果，他痛苦地離開了她，臨走前留下一封長信作了幾點解釋：他承認彬格萊不辭而別是他促使的，原因是他不滿班納特太太的輕浮和鄙俗，並且認為簡並沒有鐘情於彬格萊；威肯說的卻全是謊言，事實是威肯自己把那筆遺産揮霍殆盡，還企圖勾引達西的妹妹私奔。伊麗莎白讀信後十分後悔，既對錯怪達西感到內疚，又為母親的行為羞愧，還對自己的偏見深深懊悔。她逐漸改變了對達西的看法。
第二年夏天，伊麗莎白隨舅父母來到達西的莊園，與他再次相遇。她發現達西變了，不僅對人彬彬有禮，在當地很受人們尊敬，而且對他妹妹非常愛護。她對他的偏見消除了。正當其時，伊麗莎白接到傢信，說小妹麗迪亞隨身負纍纍賭債的威肯私奔了。這種傢醜使伊麗莎白非常難堪，以為達西會更瞧不起自己。但事實出乎她的意料，達西得知上述消息以後，在舅父母的幫主下，不僅替威肯還清賭債，還給了他一筆巨款，讓他與麗迪亞完婚。自此以後，伊麗莎白往日對達西的種種偏見統統化為真誠之愛。
彬格萊和簡經過一番周折，言歸於好，一對情人沉浸在歡樂之中。而一心想讓自己的女兒安妮(Anne)嫁給達西的凱瑟琳夫人匆匆趕來，蠻橫地要伊麗莎白保證不與達西結婚。伊麗莎白對這一無理要求斷然拒絶。此事傳到達西耳中。他知道伊麗莎白已經改變了對自己的看法，誠懇地再次嚮她求婚。到此，一對曾因傲慢和偏見而延擱婚事的有情人終成眷屬。
傲慢與偏見[小說]-語言特色
《傲慢與偏見》是簡·奧斯丁(Jane Austen)的代表作品，寫於十八世紀九十年代，其影響經歷兩世紀而不衰，並對後代作傢産生影響，其重要的原因之一就是小說的語言魅力。在語言中對話是文學作品塑造人物形象最基本的手段之一，簡.奧斯丁筆下的人物對話鮮明生動，頗具個性，含義豐富，耐人尋味。本文用會話合作原則分析《傲慢與偏見》書中的人物對話風格，解開簡·奧斯丁作品中人物對話語言風格機智幽默妙趣橫生之謎。奧斯丁的語言是經過錘煉的，她在對話藝術上講究幽默、詼諧風趣、諷刺，這種藝術創新使她的作品具有自己的特色，而這種富有特色的語言在《傲慢與偏見》中發揮得尤為淋漓盡致。
比如在寫班納特太太時，作者就這樣寫到：“衹要碰到不稱心的事，她就自以為神經衰弱。”又在班納特太太與其丈夫的對話中寫到：“我的好老爺，你怎麽捨得這樣糟蹋自己的親生女兒？你是在故意叫我氣惱，好讓你自己得意吧。你半點也不體諒我的神經衰弱。”“你真錯怪了我，我的好太太。我非常尊重你的神經。它們是我的老朋友。至少在最近二十年以來，我一直聽到你鄭重其事地提到它們。”活靈活現的語言，絶妙的嘲諷與詼諧，立刻使兩個不同的人物形象在讀者腦海中變得立體而清晰。
再如另一個片段的描寫：咖苔琳夫人的馬車路過門口，柯林斯牧師全家手忙腳亂出去迎接，伊麗莎白卻說：“就是這麽回事嗎？我還以為是豬玀闖進了花園呢。”直率的挖苦，戳穿了咖苔琳夫人自己吹起來的唬人架勢，也使伊麗莎白這個蔑視權貴的形象在人們腦海中留下了更深的印象，越發覺得她的可愛。奧斯汀還善於通過最普通的語言讓人物自己暴露自己。例如小說開頭時，班納特太太曾說郎格太太“是個自私自利、假仁假義的女人，我瞧不起她。”而到故事的結尾，當其大女兒與彬格萊的婚事已成定局時，她又說“我覺得郎格太太這個人真是太好了。” 這兩段截然相反的話，讓讀者不禁啞然失笑的同時，又多麽生動地表現出班納特太太的反復無常、自我中心。這樣的例子在書中還有很多。一個曾充滿偏見的伊麗莎白、一個曾渾身傲慢的達西、一對有趣的班納特夫婦、一個可笑的柯林斯、衆多出場人物、再加上喜劇效果和特殊寫作技巧，這就是《傲慢與偏見》，卻不是它的全部。奧斯汀的幽默是需要反復咀嚼的。
傲慢與偏見[小說]-評價
1、奧斯丁在這部小說中通過班納特五個女兒對待終身大事的不同處理，表現出鄉鎮中産階級家庭出身的少女對婚姻愛情問題的不同態度，從而反映了作者本人的婚姻觀：為了財産、金錢和地位而結婚是錯誤的；而結婚不考慮上述因素也是愚蠢的。因此，她既反對為金錢而結婚，也反對把婚姻當兒戲。她強調理想婚姻的重要性，並把男女雙方感情作為締結理想婚姻的基石。書中的女主人公伊麗莎白出身於小地主家庭，為富豪子弟達西所熱愛。達西不顧門第和財富的差距，嚮她求婚，卻遭到拒絶。伊麗莎白對他的誤會和偏見是一個原因，但主要的是她討厭他的傲慢。因為達西的這種傲慢實際上是地位差異的反映，衹要存在這種傲慢，他與伊麗莎白之間就不可能有共同的思想感情，也不可能有理想的婚姻。以後伊麗莎白親眼觀察了達西的為人處世和一係列所作所為，特別是看到他改變了過去那種驕傲自負的神態，消除了對他的誤會和偏見，從而與他締結了美滿姻緣。伊麗莎白對達西先後幾次求婚的不同態度，實際上反映了女性對人格獨立和平等權利的追求。這是伊麗莎白這一人物形象的進步意義。在《傲慢與偏見》中，奧斯丁還寫了伊麗莎白的幾個姐妹和女友的婚事，這些都是陪襯，用來與女主人公理想的婚姻相對照。如夏洛特和柯林斯儘管婚後過着舒適的物質生活，但他們之間沒有愛情，這種婚姻實際上是掩蓋在華麗外衣下的社會悲劇。還有她的姐姐也是完美結局的。不過他們所經歷的遠遠沒有伊麗莎白和達西這樣從討厭誤會到相愛的，一開始就相愛，有點像一見鐘情的味道。從而看出，經歷波折的愛情纔是完美深刻的。
奧斯丁的小說儘管題材比較狹窄，故事相當平淡，但是她善於在日常平凡事物中塑造鮮明的人物形象，不論是伊麗莎白、達西那種作者認為值得肯定的人物，還是威肯、柯林斯這類遭到諷刺挖苦的對象，都寫得真實動人。同時，奧斯丁的語言是經過錘煉的，她在對話藝術上講究幽默、諷刺，常以風趣詼諧的語言來烘托人物的性格特徵。這種藝術創新使她的作品具有自己的特色。
2、愛情是小說永恆的主題，《傲慢與偏見》以愛情和婚姻為主要內容，自然是吸引讀者的。但描寫愛情的小說不計其數（言情小說似乎就很多産），要像《傲慢與偏見》這樣在世界文學中占有一席之地，也並不是一件容易的事。《傲慢與偏見》之所以稱得上世界文學名著而不流俗於一般愛情小說，自有它的魅力所在。那麽到底是什麽使它脫穎而出呢？一部好的小說，內容、情節是非常重要的。《傲慢與偏見》的內容並不復雜，情節卻引人入勝。讀過本書的讀者應該對小說開篇的一句話記憶猶新：“凡是有財産的單身漢，必定需要娶位太太，這已經成了一條舉世公認的真理。(It is a true universally acknowledged, that a single man in possession of a good fortune must be in want of a wife.) ” 在英文中in want of 是指客觀需要，而不是主觀想要；這簡簡單單的一句話卻深深反映出資産階級婚姻的實質無非是金錢交易與利益的結合，可見作者的目光之透徹犀利，也正應證了前面所說的細微之處卻能反映大問題。小說開篇就這樣牢牢抓住了讀者，接着通過班納特夫婦風趣的對話，把讀者帶進一個女兒多得發愁的中産階級家庭中。這個家庭傢道已經中落，卻還有5個待嫁的女兒，而且不幸班納特先生又沒有兒子，其財産將由表親柯林斯繼承。在資産階級社會，如果女孩沒有豐厚的嫁妝，就是再有才貌，也難找到體面的丈夫，就像書中達西所說：“她們倘使想嫁給有地位的男人，機會可就大大減少了。”所以處在婚姻要權衡雙方階級地位和金錢利害的情況下，這五位姑娘的出嫁前景確實不太美妙。小說采用古典的現實主義筆法，描寫了四對青年男女的結合，通過班納特五個女兒對待終身大事的不同處理，表現出鄉鎮中産階級家庭出身的少女對婚姻愛情問題的不同態度，也藉此表達了作者本人的婚姻觀，即為財産打算的婚姻是沒有幸福的，結婚不考慮財産是愚蠢的，講究門第的包辦婚姻不堪忍受，把婚姻當兒戲毫不足取，理想的婚姻要以感情為基礎。書中的女主人公伊麗莎白與達西不顧門第和財富的差距，真心相愛，美滿結合，是作者所頌揚的幸福婚姻。從伊麗莎白的身上，我們可以看到女性對人格獨立和平等權利的追求；作者雖然沒有反映出她那個時代的階級矛盾和階級鬥爭，然而她的強烈的階級意識卻表現了出來，對經濟、財産决定婚姻關係乃至生活命運的揭露也可謂入木三分。西方有位馬剋思主義批評傢大衛•戴剋斯曾半開玩笑的說，在“揭露人類行為的經濟原因”方面，奧斯汀“從某種意義上可以說在馬剋思以前就是馬剋思主義者了。”
The story follows the main character Elizabeth Bennet as she deals with issues of manners, upbringing, moral rightness, education and marriage in her aristocratic society of early 19th century England. Elizabeth is the second eldest of five daughters of a country gentleman landed in the fictional town of Meryton in Hertfordshire, not far from London.
Though the story's setting is uniquely turn of the 19th century, it retains a fascination for modern readers, continuing near the top of lists of 'most loved books' such as the Big Read. It still receives considerable attention from literary critics. This modern interest has resulted in a number of dramatic adaptations and an abundance of novels and stories imitating Austen's memorable characters or themes.
To date, the book has sold some 20 million copies worldwide.
Plot summary
The novel revolves around the Bennet family. The five marriageable daughters and mother will be without a home and income once Mr. Bennet dies: The terms on which Mr. Bennet inherited Longbourn ("fee tail male," now abolished by statute in England) prohibit women from inheriting it, with the effect that instead one of Mr. Bennet's collateral relatives will inherit the estate. The mother worries about this predicament, and wishes to find husbands for them quickly. The father doesn't seem to be worried at all, and Elizabeth, the heroine, has decided to only marry for love, even though she has no real ideas about how she will survive financially. She is of the opinion that her sister Jane, being kind and beautiful, will find a wealthy husband, and that she can then live with her. As the novel opens, Mr Bingley, a wealthy young gentleman, rents a country estate near the Bennets called Netherfield. He arrives in town accompanied by his fashionable sisters and his good friend, Mr Darcy. While Bingley is well-received in the community, Darcy begins his acquaintance with smug condescension and proud distaste for all the 'country' people. Bingley and Elizabeth Bennet's older sister Jane begin to grow close. Elizabeth's best friend Charlotte advises that Jane should be more affectionate to Bingley, as they are both shy, and he may not know that she is indeed interested in him. Elizabeth disregards her friend's opinion, saying that Jane is shy and modest, and that if Bingley can't see how she feels, he is a fool. With that, she never even tells Jane what Charlotte advised. Elizabeth is stung by Darcy's haughty rejection of her at a local dance and decides to match his coldness with her own wit.
At the same time Elizabeth begins a friendship with Mr Wickham, a militia officer who relates a prior acquaintance with Darcy. Wickham tells her that he has been seriously mistreated by Darcy. Elizabeth immediately seizes upon this information as another reason to hate Darcy. Ironically, but unbeknownst to her, Darcy finds himself gradually drawn to Elizabeth.
Just as Bingley appears to be on the point of proposing marriage to Jane Bennet, he quits Netherfield, leaving Jane confused and upset. Elizabeth is convinced that Bingley's sister has conspired with Darcy to separate Jane and Bingley.
Before Bingley leaves, Mr Collins, the male relative who is to inherit Longbourn, makes a sudden appearance and stays with the Bennets. He is a recently ordained clergyman employed by the wealthy and patronizing Lady Catherine de Bourgh. Though he was partially entreated to visit by his patroness, Collins has another reason for visiting: he wishes to find a wife from among the Bennet sisters. Mr Bennet and Elizabeth are amused by his self-important and pedantic behaviour. He immediately enters pursuit of Jane; however, when Mrs Bennet mentions her preoccupation with Mr Bingley, he turns to Elizabeth. He soon proposes marriage to Elizabeth, who refuses him, much to her mother's distress. Collins quickly recovers and proposes to Elizabeth's close friend, Charlotte Lucas, who immediately accepts him. Once the marriage is arranged, Charlotte asks Elizabeth to come for an extended visit.
In the spring, Elizabeth joins Charlotte and her cousin at his parish in Kent. The parish is adjacent to Rosings Park, the grand manor of Mr Darcy's aunt, Lady Catherine de Bourgh, where Elizabeth is frequently invited. While calling on Lady Catherine, Mr Darcy encounters Elizabeth. She discovers from a cousin of Darcy that it was he who separated Bingley and Jane. Soon after, Darcy admits his love of Elizabeth and proposes to her. Insulted by his high-handed and insulting manner of proposing, Elizabeth refuses him. When he asks why she should refuse him, she confronts him with his sabotage of Bingley's relationship with Jane and Wickham's account of their dealings.
Deeply shaken by Elizabeth's vehemence and accusations, Darcy writes her a letter justifying his actions. The letter reveals that Wickham soon dissipated his legacy-settlement (from Darcy's father's estate), then came back to Darcy requesting permanent patronage; and that he became angry when rejected, accusing Darcy of cheating him. To exact revenge and to make off with part of the Darcy family fortune, he attempted to seduce Darcy's young sister Georgiana—to gain her hand and fortune, almost persuading her to elope with him—before he was found out and stopped. Towards Bingley and Jane, Darcy justifies his actions from having observed that Jane did not show any reciprocal interest in his friend; thus his aim in separating them was mainly to protect Bingley from heartache.
Darcy admits he was concerned about the disadvantageous connection with Elizabeth's family, especially her embarrassing mother and wild younger sisters. After reading the letter, Elizabeth begins to question both her family's behaviour and Wickham's credibility. She concludes that Wickham is not as trustworthy as his easy manners would indicate, that he had lied to her previously, and that her early impressions of Darcy might have been inaccurate. Soon after receiving the letter, Elizabeth returns home.
Elizabeth tells her father that Darcy was responsible for uniting Lydia and Wickham. This is one of the two earliest illustrations of Pride and Prejudice. The clothing styles reflect the time the illustration was engraved (the 1830s), not the time the novel was written or set.
Some months later, during a tour of Derbyshire with her aunt and uncle, Elizabeth visits Pemberley, Darcy's estate. Darcy's housekeeper, an older woman who has known Darcy since childhood, presents Elizabeth and her relatives with a flattering and benevolent impression of his character. Unexpectedly, Darcy arrives at Pemberley as they tour its grounds. He makes an effort to be gracious and welcoming to them, thus strengthening Elizabeth's newly favourable impression of him. Darcy then introduces Elizabeth to his sister Georgiana. He treats her uncle and aunt very well, and finds them of a more sound character than her other relatives, whom he previously dismissed as socially inferior.
Elizabeth and Darcy's renewed acquaintance is cut short when news arrives that Elizabeth's younger sister Lydia has run away with Wickham. Initially, the Bennets believe that Wickham and Lydia have eloped, but soon it is surmised that Wickham has no plans to marry Lydia. Lydia's antics threaten the family's reputation and the Bennet sisters with social ruin. Elizabeth and her aunt and uncle hurriedly leave Derbyshire, and Elizabeth is convinced that Darcy will avoid her from now on.
Soon, thanks to the intervention of Elizabeth's uncle, Lydia and Wickham are found and married. After the marriage, Wickham and Lydia make a visit to Longbourn. While bragging to Elizabeth, Lydia comments that Darcy was present at the wedding. Surprised, Elizabeth sends an inquiry to her aunt, from whom she discovers that Darcy was responsible for both finding the couple and arranging their marriage at great expense to himself.
Soon after, Bingley and Darcy return to the area. Bingley proposes marriage to Jane, and this news starts rumors that Darcy will propose to Elizabeth. Lady Catherine travels to Longbourn with the sole aim of confronting Elizabeth and demanding that she never accept such a proposal. Elizabeth refuses to bow to Lady Catherine's demands. When news of this obstinance reaches Darcy, it convinces him that her opinion of him has changed. When he visits, he once again proposes marriage. Elizabeth accepts, and the two become engaged.
The final chapters of the book establish the future of the characters. Elizabeth and Darcy settle at Pemberley where Mr Bennet visits often. Mrs Bennet remains frivolous and silly; she often visits the new Mrs Bingley and talks of the new Mrs Darcy. Later, Jane and Bingley move from Netherfield to avoid Jane's mother and Meryton relations and to locate near the Darcys in Derbyshire. Elizabeth and Jane manage to teach Kitty greater social grace, and Mary learns to accept the difference between herself and her sisters' beauty and mixes more with the outside world. Lydia and Wickham continue to move often, leaving their debts for Jane and Elizabeth to pay off. At Pemberley, Elizabeth and Georgiana grow close, though Georgiana is surprised by Elizabeth's playful treatment of Darcy. Lady Catherine stays very angry with her nephew's marriage but over time the relationship between the two is repaired and she eventually decides to visit them. Elizabeth and Darcy also remain close with her uncle and aunt.
Main characters
[show]Character genealogy
Mr Hurst
Mrs Hurst
Mr Philips
Caroline Bingley
Mrs Philips
Mr Charles Bingley
Mrs Gardiner
Jane Bennet
Mr Gardiner
Elizabeth Bennet
Mrs Bennet
Mary Bennet
Mr Bennet
Catherine "Kitty" Bennet
Mr William Collins
Lydia Bennet
Charlotte Lucas
Mr George Wickham
(Old) Mr Darcy
Mr Fitzwilliam Darcy
Lady Anne Darcy
Georgiana Darcy
Lady Catherine De Bourgh
Anne De Bourgh
Lord ——
Colonel Fitzwilliam
* Elizabeth Bennet is the main character and protagonist. The reader sees the unfolding plot and the other characters mostly from her viewpoint. The second of the Bennet daughters at twenty years old, she is intelligent, lively, attractive, and witty, but with a tendency to judge on first impressions and perhaps to be a little selective of the evidence upon which she bases her judgments. As the plot begins, her closest relationships are with her father, her sister Jane, her aunt Mrs Gardiner, and her best friend Charlotte Lucas.
* Mr Fitzwilliam Darcy is the main male character. Twenty-eight years old and unmarried, Darcy is the wealthy owner of the famous family estate of Pemberley in Derbyshire. Handsome, tall, and intelligent, but not convivial, his aloof decorum and moral rectitude are seen by many as an excessive pride and concern for social status. He makes a poor impression on strangers, such as the gentry of Meryton, but is valued by those who know him well.
* Mr Bennet has a wife and five daughters, and seems to have inurred himself to his fate. A bookish and intelligent gentleman somewhat withdrawn from society, he dislikes the indecorous behaviours of his wife and three younger daughters; but he offers little beyond mockery by way of correcting them. Rather than guiding these daughters to more sensible understanding, he is instead content to laugh at them. He relates very well with his two elder daughters, Jane and Elizabeth, showing them much more love and respect than his wife and younger daughters.
* Mrs Bennet is the wife of her social superior Mr Bennet, and mother of Elizabeth and her sisters. She is frivolous, excitable, and narrow-minded. She is susceptible to attacks of tremors and palpitations; her public manners and social climbing are embarrassing to Jane and Elizabeth. Her favourite daughter is the youngest, Lydia.
Lady Catherine confronts Elizabeth about Darcy, on the title page of the first illustrated edition. This is the other of the first two illustrations of the novel.
* Jane Bennet is the eldest Bennet sister. Twenty-two years old when the novel begins, she is considered the most beautiful young lady in the neighbourhood. Her character is contrasted with Elizabeth's as sweeter, shyer, and equally sensible, but not as clever; her most notable trait is a desire to see only the good in others. Jane is closest to Elizabeth, and her character is often contrasted with that of Elizabeth.
* Mary Bennet is the only plain Bennet sister, and rather than join in some of the family activities, she reads, although is often impatient for display. She works hard for knowledge and accomplishment, but has neither genius nor taste. At the ball at Netherfield, she embarrasses her family by singing badly.
* Catherine "Kitty" Bennet is the fourth Bennet sister, aged seventeen. She is portrayed as a less headstrong but equally silly shadow of Lydia.
* Lydia Bennet is the youngest Bennet sister, aged fifteen. She is repeatedly described as frivolous and headstrong. Her main activity in life is socialising, especially flirting with the military officers stationed in the nearby town of Meryton. She dominates her older sister Kitty and is supported in the family by her mother. After she elopes with Wickham and he is paid to marry her, she shows no remorse for the embarrassment that her actions caused for her family, but acts as if she has made a wonderful match of which her sisters should be jealous.
* Charles Bingley is a young gentleman without an estate. His wealth was recent, and he is seeking a permanent home. He rents the Netherfield estate near Longbourn when the novel opens. Twenty-two years old at the start of the novel, handsome, good-natured, and wealthy, he is contrasted with his friend Darcy as being less intelligent but kinder and more charming, and hence more popular in Meryton. He lacks resolve and is easily influenced by others.
* Caroline Bingley is the snobbish sister of Charles Bingley. Clearly harbouring romantic intentions on Darcy herself, she views his growing attachment to Elizabeth Bennet with some jealousy, resulting in disdain and frequent verbal attempts to undermine Elizabeth and her society.
* George Wickham is an old acquaintance of Darcy from childhood, and an officer in the militia unit stationed near Meryton. Superficially charming, he rapidly forms a friendship with Elizabeth Bennet, prompting remarks upon his suitability as a potential husband. He spreads numerous tales about the wrongs Darcy has done to him, colouring the popular perception of the other man in local society. It is eventually revealed that these tales are distortions, and that Darcy was the wronged man in their acquaintance.
* William Collins, aged twenty-five, is Mr Bennet's clergyman cousin and, as Mr Bennet has no son, heir to his estate. Austen described him as "not a sensible man, and the deficiency of nature had been but little assisted by education or society." Collins boasts of his acquaintance with — and advantageous patronage from — Lady Catherine de Bourgh. Mr Bennet, Jane, and Elizabeth consider him pompous and lacking in common sense. Elizabeth's rejection of Collins' marriage proposal is welcomed by her father, regardless of the financial benefit to the family of such a match. Elizabeth is later somewhat distressed — although understanding — when her closest friend, Charlotte Lucas, consents to marry Collins out of her need for a settled position and to avoid the low status and lack of autonomy of an old maid.
* Lady Catherine de Bourgh, who has wealth and social standing, is haughty, domineering and condescending. Mr Collins, among others, enables these characteristics by deferring to her opinions and desires. Elizabeth, however, is duly respectful but not intimidated. Darcy, whilst respectful of their shared family connection, is offended by her lack of manners, especially towards Elizabeth, and later — when pressed by her demand that he not marry Elizabeth — is quick to assert his intentions to marry whom he wishes.
* Mr Gardiner is Mrs Bennet's brother, and a businessman. He is quite sensible and gentleman-like. He tries to help Lydia when she elopes with Wickham. His wife has close relationships with Elizabeth and Jane. Jane stays with the Gardiners in London for a while, and Elizabeth travels with them to Derbyshire, where she again meets Darcy.
* Georgiana Darcy is Mr Darcy's quiet and amiable younger sister, aged sixteen when the story begins. In a letter from Mr Darcy to Elizabeth, he describes that Wickham tried to persuade her to elope with him and inherit her 30,000 pounds. Later on, Elizabeth meets her at their home at Pemberly, where she is amiable and sweet. She is very happy with her brother's choosing of Elizabeth and maintains an extremely close relationship to both of them.
Interrelationships
A comprehensive web showing the relationships between the main characters in Pride and Prejudice
Major themes
Many critics take the novel's title as a starting point when analysing the major themes of Pride and Prejudice; however, Robert Fox cautions against reading too much into the title since commercial factors may have played a role in its selection. "After the success of Sense and Sensibility, nothing would have seemed more natural than to bring out another novel of the same author using again the formula of antithesis and alliteration for the title. It should be pointed out that the qualities of the title are not exclusively assigned to one or the other of the protagonists; both Elizabeth and Darcy display pride and prejudice."
A major theme in much of Austen's work is the importance of environment and upbringing on the development of young people's character and morality. Social standing and wealth are not necessarily advantages in her world, and a further theme common to Jane Austen's work is ineffectual parents. In Pride and Prejudice, the failure of Mr and Mrs Bennet (particularly the latter) as parents is blamed for Lydia's lack of moral judgment; Darcy, on the other hand, has been taught to be principled and scrupulously honourable, but is also proud and overbearing. Kitty, rescued from Lydia's bad influence and spending more time with her older sisters after they marry, is said to improve greatly in their superior society.
Style
Pride and Prejudice, like most of Jane Austen's works, employs the narrative technique of free indirect speech. This has been defined as "the free representation of a character's speech, by which one means, not words actually spoken by a character, but the words that typify the character's thoughts, or the way the character would think or speak, if she thought or spoke". By using narrative which adopts the tone and vocabulary of a particular character (in this case, that of Elizabeth), Austen invites the reader to follow events from Elizabeth's viewpoint, sharing her prejudices and misapprehensions. "The learning curve, while undergone by both protagonists, is disclosed to us solely through Elizabeth's point of view and her free indirect speech is essential ... for it is through it that we remain caught, if not stuck, within Elizabeth's misprisions."
Publication history
Modern paperback editions of Pride and Prejudice
The novel was originally titled First Impressions by Jane Austen, and was written between October 1796 and August 1797. On 1 November 1797 Austen's father gave the draft to London bookseller Thomas Cadell in hopes of it being published, but it was rejected. The unpublished manuscript was returned to Austen and it stayed with her.
Austen made significant revisions to the manuscript for First Impressions between 1811 and 1812. She later renamed the story Pride and Prejudice. In renaming the novel, Austen probably had in mind the "sufferings and oppositions" summarized in the final chapter of Fanny Burney's Cecilia, called "Pride and Prejudice", where the phrase appears three times in block capitals. It is possible that the novel's original title was altered to avoid confusion with other works. In the years between the completion of First Impressions and its revision into Pride and Prejudice, two other works had been published under that name: a novel by Margaret Holford and a comedy by Horace Smith.
Austen sold the copyright for the novel to Thomas Egerton of Whitehall in exchange for £110 (Austen had asked for £150). This proved a costly decision. Austen had published Sense and Sensibility on a commission basis, whereby she indemnified the publisher against any losses and received any profits, less costs and the publisher's commission. Unaware that Sense and Sensibility would sell out its edition, making her £140, she passed the copyright to Egerton for a one-off payment, meaning that all the risk (and all the profits) would be his. Jan Fergus has calculated that Egerton subsequently made around £450 from just the first two editions of the book.
Egerton published the first edition of Pride and Prejudice in three hardcover volumes in January 1813, priced at 18s. Favourable reviews saw this edition sold out, with a second edition published in November that year. A third edition was published in 1817.
Foreign language translations first appeared in 1813 in French; subsequent translations were published in German, Danish and Swedish. Pride and Prejudice was first published in the United States in August 1832 as Elizabeth Bennet or, Pride and Prejudice. The novel was also included in Richard Bentley's Standard Novel series in 1833. R. W. Chapman's scholarly edition of Pride and Prejudice, first published in 1923, has become the standard edition from which many modern publications of the novel are based.
Reception
The novel was well received, with three favourable reviews in the first months following publication. Jan Fergus calls it "her most popular novel, both with the public and with her family and friends", and quotes David Gilson's A Bibliography of Jane Austen (Clarendon, 1982), where it is stated that Pride and Prejudice was referred to as "the fashionable novel" by Anne Isabella Milbanke, later to be the wife of Lord Byron. However, others did not agree. Charlotte Brontë wrote to noted critic and reviewer George Henry Lewes after reading a review of his published in Fraser's Magazine in 1847. He had praised Jane Austen's work and declared that he, "... would rather have written Pride and Prejudice, or Tom Jones, than any of the Waverley Novels". Miss Brontë, though, found Pride and Prejudice a disappointment, "... a carefully fenced, highly cultivated garden, with neat borders and delicate flowers; but ... no open country, no fresh air, no blue hill, no bonny beck."
Modern popularity
* In 2003 the BBC conducted the largest ever poll for the "UK's Best-Loved Book" in which Pride and Prejudice came second, behind The Lord of the Rings.
* In a 2008 survey of more than 15,000 Australian readers, Pride and Prejudice came first in a list of the 101 best books ever written.
Adaptations
Film, television, and theatre
Pride and Prejudice has engendered numerous adaptations. Some of the notable film versions include that of 1940 starring Greer Garson and Laurence Olivier, that of 2003 starring Kam Heskin and Orlando Seale (which placed the characters of Pride and Prejudice in a Mormon university, and was directed by Andrew Black and that of 2005 starring Keira Knightley (in an Oscar-nominated performance) and Matthew Macfadyen. Notable television versions include two by the BBC: the 1995 version starring Jennifer Ehle and Colin Firth, and a 1980 version starring Elizabeth Garvie and David Rintoul. A 1936 stage version was created by Helen Jerome played at the St. James's Theatre in London, starring Celia Johnson and Hugh Williams. First Impressions was a 1959 Broadway musical version starring Polly Bergen, Farley Granger, and Hermione Gingold. In 1995, a musical concept album was written by Bernard J. Taylor, with Peter Karrie in the role of Mr Darcy and Claire Moore in the role of Elizabeth Bennet. A new stage production, Jane Austen's Pride and Prejudice, The New Musical, was presented in concert on 21 October 2008 in Rochester, New York with Colin Donnell as Darcy. The popular film Bridget Jones's Diary is a contemporary retelling, starring Renee Zellweger as a modern day Elizabeth, and Colin Firth, once again, as Mr Darcy.
Bride and Prejudice, starring Aishwarya Rai, is a Bollywood adaptation of the novel, while Pride & Prejudice: A Latter-Day Comedy (2003) places the novel in contemporary times. The off-Broadway musical I Love You Because reverses the gender of the main roles, set in modern day New York City. The Japanese comic Hana Yori Dango by Yoko Kamio, in which the wealthy, arrogant and proud protagonist, Doumyouji Tsukasa, falls in love with a poor, lower-class girl named Makino Tsukushi, is loosely based on Pride and Prejudice. A 2008 Israeli television six-part miniseries set the story in the Galilee with Mr Darcy a well-paid worker in the high-tech industry.
Pride and Prejudice has also crossed into the science fiction and horror genres. In the 1997 episode of science fiction comedy Red Dwarf entitled "Beyond a Joke", the crew of the space ship relax in a virtual reality rendition of "Pride and Prejudice Land" in "Jane Austen World". The central premise of the television miniseries Lost in Austen is a modern woman suddenly swapping lives with that of Elizabeth Bennet. In February 2009, it was announced that Elton John's Rocket Pictures production company was making a film, Pride and Predator, based on the story, but with the added twist of an alien landing in Longbourne.
Literature
The novel has inspired a number of other works that are not direct adaptations. Books inspired by Pride and Prejudice include: Mr. Darcy's Daughters and The Exploits and Adventures of Miss Alethea Darcy by Elizabeth Aston; Pemberley: Or Pride and Prejudice Continued and An Unequal Marriage: Or Pride and Prejudice Twenty Years Later by Emma Tennant; The Book of Ruth (ASIN B00262ZRBM) by Helen Baker; Jane Austen Ruined My Life and Mr. Darcy Broke My Heart by Beth Pattillo; Precipitation - A Continuation of Miss Jane Austen's Pride and Prejudice by Helen Baker; Searching for Pemberley by Mary Simonsen and Mr. Darcy Takes a Wife and its sequel Darcy & Elizabeth: Nights and Days at Pemberly by Linda Berdoll. In Gwyn Cready's comedic romance novel, Seducing Mr. Darcy, the heroine lands in Pride and Prejudice by way of magic massage, has a fling with Darcy and unknowingly changes the rest of the story. Bridget Jones's Diary by Helen Fielding, which started as a newspaper column before becoming a novel and a film, was inspired by the then-current BBC adaptation; both works share a Mr. Darcy of serious disposition (both played by Colin Firth), a foolish match-making mother, and a detached affectionate father, as well as the protagonist overhearing Mr. Darcy speaking about her disparagingly, followed by the caddish character gaining the protagonist's affections by telling lies about Mr. Darcy. The self-referential in-jokes continue with the sequel, Bridget Jones: The Edge of Reason.
In March 2009, Quirk Books released Pride and Prejudice and Zombies, which takes Austen's actual, original work, and laces it with zombie hordes, cannibalism, ninjas, and ultra-violent mayhem. Scheduled for publication in March 2010, Quirk Books has announced that it will produce a prequel which deals with Elizabeth Bennett's early days as a zombie hunter, entitled Pride and Prejudice and Zombies: Dawn of the Dreadfuls.
Yet another angle was introduced by Monica Fairview, who wrote about Miss Caroline Bingley in The Other Mr Darcy, published in October 2009. Pride and Prejudice has also inspired many scholarly articles and books including: So Odd a Mixture: Along the Autism Spectrum in 'Pride and Prejudice' by Phyllis Ferguson Bottomer, Forewords by Eileen Sutherland and Tony Attwood.
Marvel has also published their take on this classic, releasing a short comic series of five issues that stays true to the original storyline. The first issue was published on 1 April 2009 and was written by Nancy Hajeski.
Author Amanda Grange wrote Mr. Darcy's Diary in 2007 that tells the original story of Pride and Prejudice from the view of Mr Darcy. In 2009, she wrote Mr. Darcy, Vampyre which reimagines Darcy as a vampire after he has married Elizabeth. Following the same premise is Regina Jeffers' "Vampire Darcy's Desire", which retells Pride and Prejudice on the basis that Darcy is a dhampir (part-human, part-vampire) joined by his lover Elizabeth to fight the evil vampire George Wickham.
傲慢與偏見[小說]-作者簡介
簡·奧斯汀簡· 奧斯汀
簡· 奧斯汀出生於1775年12月16日，是喬治·奧斯汀傢的第七個孩子。簡·奧斯汀一直過着安靜平和的隱居生活，她一生未婚。英國文學史上出現過幾次趣味革命，文學口味的翻新幾乎影響了所有作傢的聲譽，唯獨莎士比亞和奧斯汀經久不衰。而這位偉大的女性一生衹走過了42個春夏秋鼕。1817年7月8日，她死於溫徹斯特，葬於當地大教堂。
她的父親是斯蒂文頓的教區長，也是一位藏書頗豐的博學之土。她的母親名叫卡桑德拉·李·奧斯汀，出身於貴族家庭。簡衹有一個姐姐，叫卡桑德拉，並一生都與她保持着密切的聯繫。簡的同胞兄弟從事着不同的職業：有幾個擔任聖職，一個是銀行傢，其他的則在軍隊服役。儘管她的家庭不是名門望族，也沒有富甲一方，但喬治·奧斯汀很重視教育，甚至對女兒也不例外。簡和卡桑德拉上了幾年學，之後就在傢裏學習，主要是廣泛閱讀各種書籍和資料，並從父兄們與輔導的學生之間有趣的討論中獲益。通過自己的努力，簡熟知18世紀的英國文學。
簡· 奧斯汀生前匿名出版了四部小說：《理智與情感》(1811)、《傲慢與偏見}》(1813)、《曼斯菲爾德莊園》(1814) 和《艾瑪》(1815)。另外兩部，《諾桑格修道院》和《勸導》是她去世後於 1817年出版的。她的這些小說以其對英國社會和風俗的諷刺性描述而聞名於世。
奧斯汀所處的英國社會是一個階級等級分明的社會。而階級的區分主要源於傢族與財富。奧斯汀在她的作品中經常批評英國上層階級的自負和偏見。簡註意區分人的內在價值 (個人品德)和外在價值(地位和財産)。簡雖然經常諷刺勢利小人，但也嘲笑出身低微的人缺乏教養和舉止不當。總的來說，奧斯汀是一個現實主義作傢，她所描繪的英國是一個缺少變化但階級意識強烈的社會。
從18世紀末到19世紀初，“感傷小說”和“哥特小說”充斥英國文壇，而奧斯汀的小說破舊立新，一反常規地展現了當時尚未受到資本主義工業革命衝擊的英國鄉村中産階級的日常生活和田園風光。她的作品往往通過喜劇性的場面嘲諷人們的愚蠢、自私、勢利和盲目自信等可鄙可笑的弱點。奧斯丁的小說出現在19世紀初葉，一掃風行一時的假浪漫主義潮流，繼承和發展了英國18世紀優秀的現實主義傳統，為19世紀現實主義小說的高潮做了準備。雖然其作品反映的廣度和深度有限，但她的作品如“兩寸牙雕”，從一個小窗口中窺視到整個社會形態和人情世故，對改變當時小說創作中的風氣起了好的作用，在英國小說的發展史上有承上啓下的意義，被譽為地位“可與莎士比亞平起平坐”的作傢。 她最喜愛的作傢是18世紀古典主義和理智的典範塞繆爾·約翰遜。奧斯汀的小說表現出一種情感上的模棱兩可，以及對聰明才智與自然美的贊賞，這些特點使其作品和浪漫主義走到一起。遺憾的是，簡·奧斯汀的小說在她生前並未受到好評。但是後來，尤其是在20世紀，她的小說越來越受歡迎。如今，簡·奧斯汀已經躋身於英國真正偉大的作傢之列。簡·奧斯汀是世界上為數極少的著名女性作傢之一，介於新古典主義和浪漫運動的抒情主義之間的“小幅畫傢”和“家庭小說”傢，文學評論傢眼裏堪與莎士比亞在不朽性方面相提並論的英國作傢。
傲慢與偏見[小說]-創作背景
《傲慢與偏見》是簡·奧斯汀最早完成的作品，她在1796年開始動筆，取名為《最初的印象》，1797年8月完成。她父親看後很感動，特意拿給湯瑪·卡士德爾，請他出版，但對方一口回絶，使得他們十分失望。後來，她重寫了《最初的印象》，並改名為“傲慢與偏見”於1813年1月出版。
傲慢與偏見[小說]-內容簡介
女主角：：伊麗莎白
男主角：達西
重要配角：簡（伊麗莎白的姐姐）、賓利（達西的好朋友）
內容提要
《傲慢與偏見》是描寫伊麗莎白•貝內特和威廉•達西這對青年男女之間的愛情故事，起初他們倆人總是話不投機。故事發生在18世紀後期，距離英國倫敦，效外約50英裏的赫特福德郡（位於英國英格蘭東南部），書中生動地描繪了當時婦女生活的艱難，她們幾乎都不能把握自己的命運。由於18世紀的英國社會十分看重社會地位和個人舉止風度與纔藝，女人們都竭盡所能去尋覓富有的丈夫。
詳細內容
小鄉紳班納特有五個待字閨中的千金，班納特太太整天操心着為女兒物色稱心如意的丈夫。 新來的鄰居彬格萊(Charles)是個有錢的單身漢，他立即成了班納特太太追獵的目標。在一次舞會上，彬格萊對班納特傢的大女兒簡(Jane)一見鐘情，班納特太太為此欣喜若狂。參加舞會的還有彬格萊的好友達西(Darcy)。他儀表堂堂，非常富有，許多姑娘紛紛嚮他投去羨慕的目光；但他非常驕傲，認為她們都不配做他的舞伴，其中包括簡的妹妹伊麗莎白(Elizabeth)。伊麗莎白自尊心很強，决定不去理睬這個傲慢的傢夥。可是不久，達西對她活潑可愛的舉止産生了好感，在另一次舞會上主動請她同舞，卻遭到伊麗莎白的拒絶，達西狼狽不堪。
彬格萊的妹妹卡羅琳(Caroline)一心追求達西，她發現達西有意於伊麗莎白，妒火中燒，决意從中阻撓。而遭到伊麗莎白冷遇的達西也鄙視班納特太太及其小女兒麗迪亞(Lydia)的粗俗。在妹妹和好友達西的勸說下，彬格萊不辭而別，去了倫敦，但簡對他還是一片深情。
班納特沒有兒子，他的傢産將由遠親柯林斯(Collins)繼承。柯林斯粗鄙無知，卻善於趨炎附勢，居然當上牧師。他嚮伊麗莎白求婚，遭拒絶後，馬上與她的女友夏洛特(Charlotte)結婚。
附近小鎮的民團聯隊裏有個英俊瀟灑的青年軍官威肯(Wickham)，人人都誇他，伊麗莎白也對他産生了好感。一天，他對伊麗莎白說，他父親是達西傢的總管，達西的父親曾給他一大筆遺贈，卻被達西吞沒了。伊麗莎白聽後，對達西更加反感。
柯林斯夫婦請伊麗莎白去他們傢作客，伊麗莎白在那裏遇到達西的姨媽凱瑟琳(Catherine)，不久，又見到了達西。同時也認識了威廉少校，從他口中得知達西藏起她姐姐的信，使伊麗莎白對達西的討厭達到頂峰。所以在達西無法抑製自己對伊麗莎白的愛慕之情，嚮她求婚的時候，但態度還是那麽傲慢。伊麗莎白堅决地謝絶了。這一打擊使達西第一次認識到驕傲自負所帶來的惡果，他痛苦地離開了她，臨走前留下一封長信作了幾點解釋：他承認彬格萊不辭而別是他促使的，原因是他不滿班納特太太的輕浮和鄙俗，並且認為簡並沒有鐘情於彬格萊；威肯說的卻全是謊言，事實是威肯自己把那筆遺産揮霍殆盡，還企圖勾引達西的妹妹私奔。伊麗莎白讀信後十分後悔，既對錯怪達西感到內疚，又為母親的行為羞愧，還對自己的偏見深深懊悔。她逐漸改變了對達西的看法。
第二年夏天，伊麗莎白隨舅父母來到達西的莊園，與他再次相遇。她發現達西變了，不僅對人彬彬有禮，在當地很受人們尊敬，而且對他妹妹非常愛護。她對他的偏見消除了。正當其時，伊麗莎白接到傢信，說小妹麗迪亞隨身負纍纍賭債的威肯私奔了。這種傢醜使伊麗莎白非常難堪，以為達西會更瞧不起自己。但事實出乎她的意料，達西得知上述消息以後，在舅父母的幫主下，不僅替威肯還清賭債，還給了他一筆巨款，讓他與麗迪亞完婚。自此以後，伊麗莎白往日對達西的種種偏見統統化為真誠之愛。
彬格萊和簡經過一番周折，言歸於好，一對情人沉浸在歡樂之中。而一心想讓自己的女兒安妮(Anne)嫁給達西的凱瑟琳夫人匆匆趕來，蠻橫地要伊麗莎白保證不與達西結婚。伊麗莎白對這一無理要求斷然拒絶。此事傳到達西耳中。他知道伊麗莎白已經改變了對自己的看法，誠懇地再次嚮她求婚。到此，一對曾因傲慢和偏見而延擱婚事的有情人終成眷屬。
傲慢與偏見[小說]-語言特色
《傲慢與偏見》是簡·奧斯丁(Jane Austen)的代表作品，寫於十八世紀九十年代，其影響經歷兩世紀而不衰，並對後代作傢産生影響，其重要的原因之一就是小說的語言魅力。在語言中對話是文學作品塑造人物形象最基本的手段之一，簡.奧斯丁筆下的人物對話鮮明生動，頗具個性，含義豐富，耐人尋味。本文用會話合作原則分析《傲慢與偏見》書中的人物對話風格，解開簡·奧斯丁作品中人物對話語言風格機智幽默妙趣橫生之謎。奧斯丁的語言是經過錘煉的，她在對話藝術上講究幽默、詼諧風趣、諷刺，這種藝術創新使她的作品具有自己的特色，而這種富有特色的語言在《傲慢與偏見》中發揮得尤為淋漓盡致。
比如在寫班納特太太時，作者就這樣寫到：“衹要碰到不稱心的事，她就自以為神經衰弱。”又在班納特太太與其丈夫的對話中寫到：“我的好老爺，你怎麽捨得這樣糟蹋自己的親生女兒？你是在故意叫我氣惱，好讓你自己得意吧。你半點也不體諒我的神經衰弱。”“你真錯怪了我，我的好太太。我非常尊重你的神經。它們是我的老朋友。至少在最近二十年以來，我一直聽到你鄭重其事地提到它們。”活靈活現的語言，絶妙的嘲諷與詼諧，立刻使兩個不同的人物形象在讀者腦海中變得立體而清晰。
再如另一個片段的描寫：咖苔琳夫人的馬車路過門口，柯林斯牧師全家手忙腳亂出去迎接，伊麗莎白卻說：“就是這麽回事嗎？我還以為是豬玀闖進了花園呢。”直率的挖苦，戳穿了咖苔琳夫人自己吹起來的唬人架勢，也使伊麗莎白這個蔑視權貴的形象在人們腦海中留下了更深的印象，越發覺得她的可愛。奧斯汀還善於通過最普通的語言讓人物自己暴露自己。例如小說開頭時，班納特太太曾說郎格太太“是個自私自利、假仁假義的女人，我瞧不起她。”而到故事的結尾，當其大女兒與彬格萊的婚事已成定局時，她又說“我覺得郎格太太這個人真是太好了。” 這兩段截然相反的話，讓讀者不禁啞然失笑的同時，又多麽生動地表現出班納特太太的反復無常、自我中心。這樣的例子在書中還有很多。一個曾充滿偏見的伊麗莎白、一個曾渾身傲慢的達西、一對有趣的班納特夫婦、一個可笑的柯林斯、衆多出場人物、再加上喜劇效果和特殊寫作技巧，這就是《傲慢與偏見》，卻不是它的全部。奧斯汀的幽默是需要反復咀嚼的。
傲慢與偏見[小說]-評價
1、奧斯丁在這部小說中通過班納特五個女兒對待終身大事的不同處理，表現出鄉鎮中産階級家庭出身的少女對婚姻愛情問題的不同態度，從而反映了作者本人的婚姻觀：為了財産、金錢和地位而結婚是錯誤的；而結婚不考慮上述因素也是愚蠢的。因此，她既反對為金錢而結婚，也反對把婚姻當兒戲。她強調理想婚姻的重要性，並把男女雙方感情作為締結理想婚姻的基石。書中的女主人公伊麗莎白出身於小地主家庭，為富豪子弟達西所熱愛。達西不顧門第和財富的差距，嚮她求婚，卻遭到拒絶。伊麗莎白對他的誤會和偏見是一個原因，但主要的是她討厭他的傲慢。因為達西的這種傲慢實際上是地位差異的反映，衹要存在這種傲慢，他與伊麗莎白之間就不可能有共同的思想感情，也不可能有理想的婚姻。以後伊麗莎白親眼觀察了達西的為人處世和一係列所作所為，特別是看到他改變了過去那種驕傲自負的神態，消除了對他的誤會和偏見，從而與他締結了美滿姻緣。伊麗莎白對達西先後幾次求婚的不同態度，實際上反映了女性對人格獨立和平等權利的追求。這是伊麗莎白這一人物形象的進步意義。在《傲慢與偏見》中，奧斯丁還寫了伊麗莎白的幾個姐妹和女友的婚事，這些都是陪襯，用來與女主人公理想的婚姻相對照。如夏洛特和柯林斯儘管婚後過着舒適的物質生活，但他們之間沒有愛情，這種婚姻實際上是掩蓋在華麗外衣下的社會悲劇。還有她的姐姐也是完美結局的。不過他們所經歷的遠遠沒有伊麗莎白和達西這樣從討厭誤會到相愛的，一開始就相愛，有點像一見鐘情的味道。從而看出，經歷波折的愛情纔是完美深刻的。
奧斯丁的小說儘管題材比較狹窄，故事相當平淡，但是她善於在日常平凡事物中塑造鮮明的人物形象，不論是伊麗莎白、達西那種作者認為值得肯定的人物，還是威肯、柯林斯這類遭到諷刺挖苦的對象，都寫得真實動人。同時，奧斯丁的語言是經過錘煉的，她在對話藝術上講究幽默、諷刺，常以風趣詼諧的語言來烘托人物的性格特徵。這種藝術創新使她的作品具有自己的特色。
2、愛情是小說永恆的主題，《傲慢與偏見》以愛情和婚姻為主要內容，自然是吸引讀者的。但描寫愛情的小說不計其數（言情小說似乎就很多産），要像《傲慢與偏見》這樣在世界文學中占有一席之地，也並不是一件容易的事。《傲慢與偏見》之所以稱得上世界文學名著而不流俗於一般愛情小說，自有它的魅力所在。那麽到底是什麽使它脫穎而出呢？一部好的小說，內容、情節是非常重要的。《傲慢與偏見》的內容並不復雜，情節卻引人入勝。讀過本書的讀者應該對小說開篇的一句話記憶猶新：“凡是有財産的單身漢，必定需要娶位太太，這已經成了一條舉世公認的真理。(It is a true universally acknowledged, that a single man in possession of a good fortune must be in want of a wife.) ” 在英文中in want of 是指客觀需要，而不是主觀想要；這簡簡單單的一句話卻深深反映出資産階級婚姻的實質無非是金錢交易與利益的結合，可見作者的目光之透徹犀利，也正應證了前面所說的細微之處卻能反映大問題。小說開篇就這樣牢牢抓住了讀者，接着通過班納特夫婦風趣的對話，把讀者帶進一個女兒多得發愁的中産階級家庭中。這個家庭傢道已經中落，卻還有5個待嫁的女兒，而且不幸班納特先生又沒有兒子，其財産將由表親柯林斯繼承。在資産階級社會，如果女孩沒有豐厚的嫁妝，就是再有才貌，也難找到體面的丈夫，就像書中達西所說：“她們倘使想嫁給有地位的男人，機會可就大大減少了。”所以處在婚姻要權衡雙方階級地位和金錢利害的情況下，這五位姑娘的出嫁前景確實不太美妙。小說采用古典的現實主義筆法，描寫了四對青年男女的結合，通過班納特五個女兒對待終身大事的不同處理，表現出鄉鎮中産階級家庭出身的少女對婚姻愛情問題的不同態度，也藉此表達了作者本人的婚姻觀，即為財産打算的婚姻是沒有幸福的，結婚不考慮財産是愚蠢的，講究門第的包辦婚姻不堪忍受，把婚姻當兒戲毫不足取，理想的婚姻要以感情為基礎。書中的女主人公伊麗莎白與達西不顧門第和財富的差距，真心相愛，美滿結合，是作者所頌揚的幸福婚姻。從伊麗莎白的身上，我們可以看到女性對人格獨立和平等權利的追求；作者雖然沒有反映出她那個時代的階級矛盾和階級鬥爭，然而她的強烈的階級意識卻表現了出來，對經濟、財産决定婚姻關係乃至生活命運的揭露也可謂入木三分。西方有位馬剋思主義批評傢大衛•戴剋斯曾半開玩笑的說，在“揭露人類行為的經濟原因”方面，奧斯汀“從某種意義上可以說在馬剋思以前就是馬剋思主義者了。”
The story follows the main character Elizabeth Bennet as she deals with issues of manners, upbringing, moral rightness, education and marriage in her aristocratic society of early 19th century England. Elizabeth is the second eldest of five daughters of a country gentleman landed in the fictional town of Meryton in Hertfordshire, not far from London.
Though the story's setting is uniquely turn of the 19th century, it retains a fascination for modern readers, continuing near the top of lists of 'most loved books' such as the Big Read. It still receives considerable attention from literary critics. This modern interest has resulted in a number of dramatic adaptations and an abundance of novels and stories imitating Austen's memorable characters or themes.
To date, the book has sold some 20 million copies worldwide.
Plot summary
The novel revolves around the Bennet family. The five marriageable daughters and mother will be without a home and income once Mr. Bennet dies: The terms on which Mr. Bennet inherited Longbourn ("fee tail male," now abolished by statute in England) prohibit women from inheriting it, with the effect that instead one of Mr. Bennet's collateral relatives will inherit the estate. The mother worries about this predicament, and wishes to find husbands for them quickly. The father doesn't seem to be worried at all, and Elizabeth, the heroine, has decided to only marry for love, even though she has no real ideas about how she will survive financially. She is of the opinion that her sister Jane, being kind and beautiful, will find a wealthy husband, and that she can then live with her. As the novel opens, Mr Bingley, a wealthy young gentleman, rents a country estate near the Bennets called Netherfield. He arrives in town accompanied by his fashionable sisters and his good friend, Mr Darcy. While Bingley is well-received in the community, Darcy begins his acquaintance with smug condescension and proud distaste for all the 'country' people. Bingley and Elizabeth Bennet's older sister Jane begin to grow close. Elizabeth's best friend Charlotte advises that Jane should be more affectionate to Bingley, as they are both shy, and he may not know that she is indeed interested in him. Elizabeth disregards her friend's opinion, saying that Jane is shy and modest, and that if Bingley can't see how she feels, he is a fool. With that, she never even tells Jane what Charlotte advised. Elizabeth is stung by Darcy's haughty rejection of her at a local dance and decides to match his coldness with her own wit.
At the same time Elizabeth begins a friendship with Mr Wickham, a militia officer who relates a prior acquaintance with Darcy. Wickham tells her that he has been seriously mistreated by Darcy. Elizabeth immediately seizes upon this information as another reason to hate Darcy. Ironically, but unbeknownst to her, Darcy finds himself gradually drawn to Elizabeth.
Just as Bingley appears to be on the point of proposing marriage to Jane Bennet, he quits Netherfield, leaving Jane confused and upset. Elizabeth is convinced that Bingley's sister has conspired with Darcy to separate Jane and Bingley.
Before Bingley leaves, Mr Collins, the male relative who is to inherit Longbourn, makes a sudden appearance and stays with the Bennets. He is a recently ordained clergyman employed by the wealthy and patronizing Lady Catherine de Bourgh. Though he was partially entreated to visit by his patroness, Collins has another reason for visiting: he wishes to find a wife from among the Bennet sisters. Mr Bennet and Elizabeth are amused by his self-important and pedantic behaviour. He immediately enters pursuit of Jane; however, when Mrs Bennet mentions her preoccupation with Mr Bingley, he turns to Elizabeth. He soon proposes marriage to Elizabeth, who refuses him, much to her mother's distress. Collins quickly recovers and proposes to Elizabeth's close friend, Charlotte Lucas, who immediately accepts him. Once the marriage is arranged, Charlotte asks Elizabeth to come for an extended visit.
In the spring, Elizabeth joins Charlotte and her cousin at his parish in Kent. The parish is adjacent to Rosings Park, the grand manor of Mr Darcy's aunt, Lady Catherine de Bourgh, where Elizabeth is frequently invited. While calling on Lady Catherine, Mr Darcy encounters Elizabeth. She discovers from a cousin of Darcy that it was he who separated Bingley and Jane. Soon after, Darcy admits his love of Elizabeth and proposes to her. Insulted by his high-handed and insulting manner of proposing, Elizabeth refuses him. When he asks why she should refuse him, she confronts him with his sabotage of Bingley's relationship with Jane and Wickham's account of their dealings.
Deeply shaken by Elizabeth's vehemence and accusations, Darcy writes her a letter justifying his actions. The letter reveals that Wickham soon dissipated his legacy-settlement (from Darcy's father's estate), then came back to Darcy requesting permanent patronage; and that he became angry when rejected, accusing Darcy of cheating him. To exact revenge and to make off with part of the Darcy family fortune, he attempted to seduce Darcy's young sister Georgiana—to gain her hand and fortune, almost persuading her to elope with him—before he was found out and stopped. Towards Bingley and Jane, Darcy justifies his actions from having observed that Jane did not show any reciprocal interest in his friend; thus his aim in separating them was mainly to protect Bingley from heartache.
Darcy admits he was concerned about the disadvantageous connection with Elizabeth's family, especially her embarrassing mother and wild younger sisters. After reading the letter, Elizabeth begins to question both her family's behaviour and Wickham's credibility. She concludes that Wickham is not as trustworthy as his easy manners would indicate, that he had lied to her previously, and that her early impressions of Darcy might have been inaccurate. Soon after receiving the letter, Elizabeth returns home.
Elizabeth tells her father that Darcy was responsible for uniting Lydia and Wickham. This is one of the two earliest illustrations of Pride and Prejudice. The clothing styles reflect the time the illustration was engraved (the 1830s), not the time the novel was written or set.
Some months later, during a tour of Derbyshire with her aunt and uncle, Elizabeth visits Pemberley, Darcy's estate. Darcy's housekeeper, an older woman who has known Darcy since childhood, presents Elizabeth and her relatives with a flattering and benevolent impression of his character. Unexpectedly, Darcy arrives at Pemberley as they tour its grounds. He makes an effort to be gracious and welcoming to them, thus strengthening Elizabeth's newly favourable impression of him. Darcy then introduces Elizabeth to his sister Georgiana. He treats her uncle and aunt very well, and finds them of a more sound character than her other relatives, whom he previously dismissed as socially inferior.
Elizabeth and Darcy's renewed acquaintance is cut short when news arrives that Elizabeth's younger sister Lydia has run away with Wickham. Initially, the Bennets believe that Wickham and Lydia have eloped, but soon it is surmised that Wickham has no plans to marry Lydia. Lydia's antics threaten the family's reputation and the Bennet sisters with social ruin. Elizabeth and her aunt and uncle hurriedly leave Derbyshire, and Elizabeth is convinced that Darcy will avoid her from now on.
Soon, thanks to the intervention of Elizabeth's uncle, Lydia and Wickham are found and married. After the marriage, Wickham and Lydia make a visit to Longbourn. While bragging to Elizabeth, Lydia comments that Darcy was present at the wedding. Surprised, Elizabeth sends an inquiry to her aunt, from whom she discovers that Darcy was responsible for both finding the couple and arranging their marriage at great expense to himself.
Soon after, Bingley and Darcy return to the area. Bingley proposes marriage to Jane, and this news starts rumors that Darcy will propose to Elizabeth. Lady Catherine travels to Longbourn with the sole aim of confronting Elizabeth and demanding that she never accept such a proposal. Elizabeth refuses to bow to Lady Catherine's demands. When news of this obstinance reaches Darcy, it convinces him that her opinion of him has changed. When he visits, he once again proposes marriage. Elizabeth accepts, and the two become engaged.
The final chapters of the book establish the future of the characters. Elizabeth and Darcy settle at Pemberley where Mr Bennet visits often. Mrs Bennet remains frivolous and silly; she often visits the new Mrs Bingley and talks of the new Mrs Darcy. Later, Jane and Bingley move from Netherfield to avoid Jane's mother and Meryton relations and to locate near the Darcys in Derbyshire. Elizabeth and Jane manage to teach Kitty greater social grace, and Mary learns to accept the difference between herself and her sisters' beauty and mixes more with the outside world. Lydia and Wickham continue to move often, leaving their debts for Jane and Elizabeth to pay off. At Pemberley, Elizabeth and Georgiana grow close, though Georgiana is surprised by Elizabeth's playful treatment of Darcy. Lady Catherine stays very angry with her nephew's marriage but over time the relationship between the two is repaired and she eventually decides to visit them. Elizabeth and Darcy also remain close with her uncle and aunt.
Main characters
[show]Character genealogy
Mr Hurst
Mrs Hurst
Mr Philips
Caroline Bingley
Mrs Philips
Mr Charles Bingley
Mrs Gardiner
Jane Bennet
Mr Gardiner
Elizabeth Bennet
Mrs Bennet
Mary Bennet
Mr Bennet
Catherine "Kitty" Bennet
Mr William Collins
Lydia Bennet
Charlotte Lucas
Mr George Wickham
(Old) Mr Darcy
Mr Fitzwilliam Darcy
Lady Anne Darcy
Georgiana Darcy
Lady Catherine De Bourgh
Anne De Bourgh
Lord ——
Colonel Fitzwilliam
* Elizabeth Bennet is the main character and protagonist. The reader sees the unfolding plot and the other characters mostly from her viewpoint. The second of the Bennet daughters at twenty years old, she is intelligent, lively, attractive, and witty, but with a tendency to judge on first impressions and perhaps to be a little selective of the evidence upon which she bases her judgments. As the plot begins, her closest relationships are with her father, her sister Jane, her aunt Mrs Gardiner, and her best friend Charlotte Lucas.
* Mr Fitzwilliam Darcy is the main male character. Twenty-eight years old and unmarried, Darcy is the wealthy owner of the famous family estate of Pemberley in Derbyshire. Handsome, tall, and intelligent, but not convivial, his aloof decorum and moral rectitude are seen by many as an excessive pride and concern for social status. He makes a poor impression on strangers, such as the gentry of Meryton, but is valued by those who know him well.
* Mr Bennet has a wife and five daughters, and seems to have inurred himself to his fate. A bookish and intelligent gentleman somewhat withdrawn from society, he dislikes the indecorous behaviours of his wife and three younger daughters; but he offers little beyond mockery by way of correcting them. Rather than guiding these daughters to more sensible understanding, he is instead content to laugh at them. He relates very well with his two elder daughters, Jane and Elizabeth, showing them much more love and respect than his wife and younger daughters.
* Mrs Bennet is the wife of her social superior Mr Bennet, and mother of Elizabeth and her sisters. She is frivolous, excitable, and narrow-minded. She is susceptible to attacks of tremors and palpitations; her public manners and social climbing are embarrassing to Jane and Elizabeth. Her favourite daughter is the youngest, Lydia.
Lady Catherine confronts Elizabeth about Darcy, on the title page of the first illustrated edition. This is the other of the first two illustrations of the novel.
* Jane Bennet is the eldest Bennet sister. Twenty-two years old when the novel begins, she is considered the most beautiful young lady in the neighbourhood. Her character is contrasted with Elizabeth's as sweeter, shyer, and equally sensible, but not as clever; her most notable trait is a desire to see only the good in others. Jane is closest to Elizabeth, and her character is often contrasted with that of Elizabeth.
* Mary Bennet is the only plain Bennet sister, and rather than join in some of the family activities, she reads, although is often impatient for display. She works hard for knowledge and accomplishment, but has neither genius nor taste. At the ball at Netherfield, she embarrasses her family by singing badly.
* Catherine "Kitty" Bennet is the fourth Bennet sister, aged seventeen. She is portrayed as a less headstrong but equally silly shadow of Lydia.
* Lydia Bennet is the youngest Bennet sister, aged fifteen. She is repeatedly described as frivolous and headstrong. Her main activity in life is socialising, especially flirting with the military officers stationed in the nearby town of Meryton. She dominates her older sister Kitty and is supported in the family by her mother. After she elopes with Wickham and he is paid to marry her, she shows no remorse for the embarrassment that her actions caused for her family, but acts as if she has made a wonderful match of which her sisters should be jealous.
* Charles Bingley is a young gentleman without an estate. His wealth was recent, and he is seeking a permanent home. He rents the Netherfield estate near Longbourn when the novel opens. Twenty-two years old at the start of the novel, handsome, good-natured, and wealthy, he is contrasted with his friend Darcy as being less intelligent but kinder and more charming, and hence more popular in Meryton. He lacks resolve and is easily influenced by others.
* Caroline Bingley is the snobbish sister of Charles Bingley. Clearly harbouring romantic intentions on Darcy herself, she views his growing attachment to Elizabeth Bennet with some jealousy, resulting in disdain and frequent verbal attempts to undermine Elizabeth and her society.
* George Wickham is an old acquaintance of Darcy from childhood, and an officer in the militia unit stationed near Meryton. Superficially charming, he rapidly forms a friendship with Elizabeth Bennet, prompting remarks upon his suitability as a potential husband. He spreads numerous tales about the wrongs Darcy has done to him, colouring the popular perception of the other man in local society. It is eventually revealed that these tales are distortions, and that Darcy was the wronged man in their acquaintance.
* William Collins, aged twenty-five, is Mr Bennet's clergyman cousin and, as Mr Bennet has no son, heir to his estate. Austen described him as "not a sensible man, and the deficiency of nature had been but little assisted by education or society." Collins boasts of his acquaintance with — and advantageous patronage from — Lady Catherine de Bourgh. Mr Bennet, Jane, and Elizabeth consider him pompous and lacking in common sense. Elizabeth's rejection of Collins' marriage proposal is welcomed by her father, regardless of the financial benefit to the family of such a match. Elizabeth is later somewhat distressed — although understanding — when her closest friend, Charlotte Lucas, consents to marry Collins out of her need for a settled position and to avoid the low status and lack of autonomy of an old maid.
* Lady Catherine de Bourgh, who has wealth and social standing, is haughty, domineering and condescending. Mr Collins, among others, enables these characteristics by deferring to her opinions and desires. Elizabeth, however, is duly respectful but not intimidated. Darcy, whilst respectful of their shared family connection, is offended by her lack of manners, especially towards Elizabeth, and later — when pressed by her demand that he not marry Elizabeth — is quick to assert his intentions to marry whom he wishes.
* Mr Gardiner is Mrs Bennet's brother, and a businessman. He is quite sensible and gentleman-like. He tries to help Lydia when she elopes with Wickham. His wife has close relationships with Elizabeth and Jane. Jane stays with the Gardiners in London for a while, and Elizabeth travels with them to Derbyshire, where she again meets Darcy.
* Georgiana Darcy is Mr Darcy's quiet and amiable younger sister, aged sixteen when the story begins. In a letter from Mr Darcy to Elizabeth, he describes that Wickham tried to persuade her to elope with him and inherit her 30,000 pounds. Later on, Elizabeth meets her at their home at Pemberly, where she is amiable and sweet. She is very happy with her brother's choosing of Elizabeth and maintains an extremely close relationship to both of them.
Interrelationships
A comprehensive web showing the relationships between the main characters in Pride and Prejudice
Major themes
Many critics take the novel's title as a starting point when analysing the major themes of Pride and Prejudice; however, Robert Fox cautions against reading too much into the title since commercial factors may have played a role in its selection. "After the success of Sense and Sensibility, nothing would have seemed more natural than to bring out another novel of the same author using again the formula of antithesis and alliteration for the title. It should be pointed out that the qualities of the title are not exclusively assigned to one or the other of the protagonists; both Elizabeth and Darcy display pride and prejudice."
A major theme in much of Austen's work is the importance of environment and upbringing on the development of young people's character and morality. Social standing and wealth are not necessarily advantages in her world, and a further theme common to Jane Austen's work is ineffectual parents. In Pride and Prejudice, the failure of Mr and Mrs Bennet (particularly the latter) as parents is blamed for Lydia's lack of moral judgment; Darcy, on the other hand, has been taught to be principled and scrupulously honourable, but is also proud and overbearing. Kitty, rescued from Lydia's bad influence and spending more time with her older sisters after they marry, is said to improve greatly in their superior society.
Style
Pride and Prejudice, like most of Jane Austen's works, employs the narrative technique of free indirect speech. This has been defined as "the free representation of a character's speech, by which one means, not words actually spoken by a character, but the words that typify the character's thoughts, or the way the character would think or speak, if she thought or spoke". By using narrative which adopts the tone and vocabulary of a particular character (in this case, that of Elizabeth), Austen invites the reader to follow events from Elizabeth's viewpoint, sharing her prejudices and misapprehensions. "The learning curve, while undergone by both protagonists, is disclosed to us solely through Elizabeth's point of view and her free indirect speech is essential ... for it is through it that we remain caught, if not stuck, within Elizabeth's misprisions."
Publication history
Modern paperback editions of Pride and Prejudice
The novel was originally titled First Impressions by Jane Austen, and was written between October 1796 and August 1797. On 1 November 1797 Austen's father gave the draft to London bookseller Thomas Cadell in hopes of it being published, but it was rejected. The unpublished manuscript was returned to Austen and it stayed with her.
Austen made significant revisions to the manuscript for First Impressions between 1811 and 1812. She later renamed the story Pride and Prejudice. In renaming the novel, Austen probably had in mind the "sufferings and oppositions" summarized in the final chapter of Fanny Burney's Cecilia, called "Pride and Prejudice", where the phrase appears three times in block capitals. It is possible that the novel's original title was altered to avoid confusion with other works. In the years between the completion of First Impressions and its revision into Pride and Prejudice, two other works had been published under that name: a novel by Margaret Holford and a comedy by Horace Smith.
Austen sold the copyright for the novel to Thomas Egerton of Whitehall in exchange for £110 (Austen had asked for £150). This proved a costly decision. Austen had published Sense and Sensibility on a commission basis, whereby she indemnified the publisher against any losses and received any profits, less costs and the publisher's commission. Unaware that Sense and Sensibility would sell out its edition, making her £140, she passed the copyright to Egerton for a one-off payment, meaning that all the risk (and all the profits) would be his. Jan Fergus has calculated that Egerton subsequently made around £450 from just the first two editions of the book.
Egerton published the first edition of Pride and Prejudice in three hardcover volumes in January 1813, priced at 18s. Favourable reviews saw this edition sold out, with a second edition published in November that year. A third edition was published in 1817.
Foreign language translations first appeared in 1813 in French; subsequent translations were published in German, Danish and Swedish. Pride and Prejudice was first published in the United States in August 1832 as Elizabeth Bennet or, Pride and Prejudice. The novel was also included in Richard Bentley's Standard Novel series in 1833. R. W. Chapman's scholarly edition of Pride and Prejudice, first published in 1923, has become the standard edition from which many modern publications of the novel are based.
Reception
The novel was well received, with three favourable reviews in the first months following publication. Jan Fergus calls it "her most popular novel, both with the public and with her family and friends", and quotes David Gilson's A Bibliography of Jane Austen (Clarendon, 1982), where it is stated that Pride and Prejudice was referred to as "the fashionable novel" by Anne Isabella Milbanke, later to be the wife of Lord Byron. However, others did not agree. Charlotte Brontë wrote to noted critic and reviewer George Henry Lewes after reading a review of his published in Fraser's Magazine in 1847. He had praised Jane Austen's work and declared that he, "... would rather have written Pride and Prejudice, or Tom Jones, than any of the Waverley Novels". Miss Brontë, though, found Pride and Prejudice a disappointment, "... a carefully fenced, highly cultivated garden, with neat borders and delicate flowers; but ... no open country, no fresh air, no blue hill, no bonny beck."
Modern popularity
* In 2003 the BBC conducted the largest ever poll for the "UK's Best-Loved Book" in which Pride and Prejudice came second, behind The Lord of the Rings.
* In a 2008 survey of more than 15,000 Australian readers, Pride and Prejudice came first in a list of the 101 best books ever written.
Adaptations
Film, television, and theatre
Pride and Prejudice has engendered numerous adaptations. Some of the notable film versions include that of 1940 starring Greer Garson and Laurence Olivier, that of 2003 starring Kam Heskin and Orlando Seale (which placed the characters of Pride and Prejudice in a Mormon university, and was directed by Andrew Black and that of 2005 starring Keira Knightley (in an Oscar-nominated performance) and Matthew Macfadyen. Notable television versions include two by the BBC: the 1995 version starring Jennifer Ehle and Colin Firth, and a 1980 version starring Elizabeth Garvie and David Rintoul. A 1936 stage version was created by Helen Jerome played at the St. James's Theatre in London, starring Celia Johnson and Hugh Williams. First Impressions was a 1959 Broadway musical version starring Polly Bergen, Farley Granger, and Hermione Gingold. In 1995, a musical concept album was written by Bernard J. Taylor, with Peter Karrie in the role of Mr Darcy and Claire Moore in the role of Elizabeth Bennet. A new stage production, Jane Austen's Pride and Prejudice, The New Musical, was presented in concert on 21 October 2008 in Rochester, New York with Colin Donnell as Darcy. The popular film Bridget Jones's Diary is a contemporary retelling, starring Renee Zellweger as a modern day Elizabeth, and Colin Firth, once again, as Mr Darcy.
Bride and Prejudice, starring Aishwarya Rai, is a Bollywood adaptation of the novel, while Pride & Prejudice: A Latter-Day Comedy (2003) places the novel in contemporary times. The off-Broadway musical I Love You Because reverses the gender of the main roles, set in modern day New York City. The Japanese comic Hana Yori Dango by Yoko Kamio, in which the wealthy, arrogant and proud protagonist, Doumyouji Tsukasa, falls in love with a poor, lower-class girl named Makino Tsukushi, is loosely based on Pride and Prejudice. A 2008 Israeli television six-part miniseries set the story in the Galilee with Mr Darcy a well-paid worker in the high-tech industry.
Pride and Prejudice has also crossed into the science fiction and horror genres. In the 1997 episode of science fiction comedy Red Dwarf entitled "Beyond a Joke", the crew of the space ship relax in a virtual reality rendition of "Pride and Prejudice Land" in "Jane Austen World". The central premise of the television miniseries Lost in Austen is a modern woman suddenly swapping lives with that of Elizabeth Bennet. In February 2009, it was announced that Elton John's Rocket Pictures production company was making a film, Pride and Predator, based on the story, but with the added twist of an alien landing in Longbourne.
Literature
The novel has inspired a number of other works that are not direct adaptations. Books inspired by Pride and Prejudice include: Mr. Darcy's Daughters and The Exploits and Adventures of Miss Alethea Darcy by Elizabeth Aston; Pemberley: Or Pride and Prejudice Continued and An Unequal Marriage: Or Pride and Prejudice Twenty Years Later by Emma Tennant; The Book of Ruth (ASIN B00262ZRBM) by Helen Baker; Jane Austen Ruined My Life and Mr. Darcy Broke My Heart by Beth Pattillo; Precipitation - A Continuation of Miss Jane Austen's Pride and Prejudice by Helen Baker; Searching for Pemberley by Mary Simonsen and Mr. Darcy Takes a Wife and its sequel Darcy & Elizabeth: Nights and Days at Pemberly by Linda Berdoll. In Gwyn Cready's comedic romance novel, Seducing Mr. Darcy, the heroine lands in Pride and Prejudice by way of magic massage, has a fling with Darcy and unknowingly changes the rest of the story. Bridget Jones's Diary by Helen Fielding, which started as a newspaper column before becoming a novel and a film, was inspired by the then-current BBC adaptation; both works share a Mr. Darcy of serious disposition (both played by Colin Firth), a foolish match-making mother, and a detached affectionate father, as well as the protagonist overhearing Mr. Darcy speaking about her disparagingly, followed by the caddish character gaining the protagonist's affections by telling lies about Mr. Darcy. The self-referential in-jokes continue with the sequel, Bridget Jones: The Edge of Reason.
In March 2009, Quirk Books released Pride and Prejudice and Zombies, which takes Austen's actual, original work, and laces it with zombie hordes, cannibalism, ninjas, and ultra-violent mayhem. Scheduled for publication in March 2010, Quirk Books has announced that it will produce a prequel which deals with Elizabeth Bennett's early days as a zombie hunter, entitled Pride and Prejudice and Zombies: Dawn of the Dreadfuls.
Yet another angle was introduced by Monica Fairview, who wrote about Miss Caroline Bingley in The Other Mr Darcy, published in October 2009. Pride and Prejudice has also inspired many scholarly articles and books including: So Odd a Mixture: Along the Autism Spectrum in 'Pride and Prejudice' by Phyllis Ferguson Bottomer, Forewords by Eileen Sutherland and Tony Attwood.
Marvel has also published their take on this classic, releasing a short comic series of five issues that stays true to the original storyline. The first issue was published on 1 April 2009 and was written by Nancy Hajeski.
Author Amanda Grange wrote Mr. Darcy's Diary in 2007 that tells the original story of Pride and Prejudice from the view of Mr Darcy. In 2009, she wrote Mr. Darcy, Vampyre which reimagines Darcy as a vampire after he has married Elizabeth. Following the same premise is Regina Jeffers' "Vampire Darcy's Desire", which retells Pride and Prejudice on the basis that Darcy is a dhampir (part-human, part-vampire) joined by his lover Elizabeth to fight the evil vampire George Wickham.
簡·奧斯汀（Jane Austen）於1818年(作者去世後第二年）出版的小說，並署上了真名。
《勸導》是作者最後一部完整的小說，比以前的作品寫得更有思想和感情深度，被許多評論傢視為奧斯丁最好的作品。書中作者以幽默和諷刺的筆調對中産階級的虛偽和勢利進行了鞭撻。如果說奧斯汀在《理智與情感》中強調理智應該戰勝情感，認為衹有在這種情況下人們才能獲得幸福，那麽，在她這最後一部小說中，奧斯丁卻用較長的篇幅描述了“謹慎”給女主人公帶來的多年的痛苦。《勸導》肯定人物性格從謹慎到浪漫的演變，無疑反映了作者本人創作思想的變化。這也是對當時傳統觀念的一種挑戰。 本書結構嚴謹、筆法細膩，小說中有許多細節描寫，乍看平淡無奇，可是細細體會，卻感到餘味無窮。人們常把奧斯丁的小說比作“二寸牙雕”，經過此般精雕細琢的《勸導》，完全當得起這一美稱。
勸導-《勸導》
描寫了一個麯折多磨的愛情故事。貴族小姐安妮·埃利奧特同青年軍官溫特沃思傾心相愛,訂下了婚約。可是,她的父親沃爾特爵士和教母拉塞爾夫人嫌溫特沃思出身卑賤,沒有財産,極力反對這門婚事。安妮出於“謹慎”,接受了教母的勸導,忍痛同心上人解除了婚約。八年後,在戰爭中升了官、發了財的溫特沃思上校休役回鄉,隨姐姐、姐夫當上了沃爾特爵士的房客。他雖說對安妮怨忿未消,但兩人不忘舊情,終於歷盡麯折,排除幹擾,結成良緣。
Persuasion is connected with Northanger Abbey not only by the fact that the two books were originally bound up in one volume and published together two years later, but also because both stories are set partly in Bath, a fashionable health resort with which Jane Austen was well acquainted, having lived there from 1801 to 1805.
Plot introduction
More than seven years prior to the events in the novel, Anne Elliot falls in love with a handsome young naval officer named Frederick Wentworth, who is intelligent and ambitious, but poor. Sir Walter, Anne's father and lord of the family estate of Kellynch, and her older sister Elizabeth are dissatisfied with her choice, maintaining that he is not distinguished enough for their family. Her older friend and mentor, Lady Russell, acting in place of Anne's deceased mother, persuades her to break off the match.
Now, aged 27 and still unmarried, Anne re-encounters her former fiancé when his sister and brother-in-law, the Crofts, take out a lease on Kellynch. Wentworth, now a captain, is wealthy from wartime victories in the Royal Navy and from prize-money for capturing enemy ships. However, he has not forgiven Anne for her rejection of him.
The self-interested machinations of Anne's father, her older sister Elizabeth, Elizabeth's friend Mrs. Clay, and William Elliot (Anne's cousin and her father's heir) constitute important subplots.
Title as variation on a theme
Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (February 2010)
Readers of "Persuasion" might well infer Jane Austen intended 'persuasion' as the working theme of the story, and that she applied the novel's title to reflect this conceit. Certainly that theme is repeated several times, with vignettes within the story as variations on that theme. But there is no known source for Austen pronouncing her own title for this work. (Some critics believe Austen intended to name the novel "The Elliots", but that, in fact, she died without titling it.)
On the other hand, the literary scholar Gillian Beer documents that Jane Austen had profound concerns about the levels and applications of 'persuasion' employed among individuals of her society, especially as it influenced the choices and moral suasion made upon the young women of her day. Beer reports that, for Austen and her readers, persuasion was indeed "fraught with moral dangers"; she notes particularly that Austen personally was appalled by the misdirection of her own intentions in advising a beloved niece (Fanny Knight) on the very question of accepting a particular suitor entailing with a long engagement. Beer writes:
Jane Austen's anxieties about persuasion and responsibility are here passionately expressed. She refuses to become part of the machinery with which Fanny is manoeuvering herself into forming the engagement. To be the stand-in motive for another's actions frightens her. Yet Jane Austen cannot avoid the part of persuader, even as dissuader.
Thus, Beer explains, Austen was keenly aware that, still, the human quality of persuasion—to persuade or to be persuaded, rightly or wrongly—is fundamental to the process of human communication; and that, in her novel "...Jane Austen gradually draws out the implications of discriminating 'just' and 'unjust' persuasion". Indeed, the narrative plays through a number of variations of people swaying, or attempting to sway, other people—or themselves. Finally, Beer describes Austen's work as: "...the novel's entire brooding on the power pressures, the seductions, and also the new pathways opened by persuasion".
Plot summary
Anne Elliot is the overlooked middle daughter of the vain Sir Walter Elliot, a baronet who is all too conscious of his good looks and rank and spends excessive amounts of money. Anne's mother, a fine, sensible woman, is long dead, and her elder sister, Elizabeth, resembles her father in temperament and delights in the fact that as the eldest daughter she can assume her mother's former position in their rural neighborhood. Anne's younger sister, Mary, is a nervous, clinging woman who has made an unspectacular marriage to Charles Musgrove of Uppercross Hall, the heir to a bucolic but respected local squire. None of her surviving family can provide much companionship for the elegant-minded Anne, who, still unmarried at 27, seems destined for spinsterhood.
After she met and fell in love with Wentworth, at age nineteen, Anne had been persuaded by her mother's great friend —and her own trusted confidante, the widow Lady Russell— to break the engagement. Lady Russell had questioned the wisdom of Anne marrying a penniless young naval officer without family or connections and whose prospects were so uncertain. Wentworth is left bitter at Lady Russell's interference and Anne's own want of fortitude.
Wentworth re-enters Anne's life when Sir Walter is forced by his own profligacy to let the family estate to none other than Wentworth's brother-in-law, Admiral Croft. Wentworth's successes in the Napoleonic Wars resulted in his promotion and enabled him to amass the then considerable fortune of £25,000 (around £2.5 million in today's money) from prize money awarded for capturing enemy vessels. The Musgroves, including Mary, Charles and Charles's younger sisters, Henrietta and Louisa, are delighted to welcome the Crofts and Wentworth to the neighborhood. Both Musgrove girls are attracted to Wentworth, though Henrietta is informally engaged to clergyman cousin Charles Hayter. Hayter is viewed as a merely respectable match, being a bit beneath the Musgroves, socially and financially. Charles, Mary, and the Crofts continually speculate as to which one Wentworth might marry. All this is hard on Anne, due to her regret at breaking off the engagement and Wentworth's constant attention to the Musgrove girls. She tries to escape their company as often as she can, preferring to spend time with her nephews.
Captain Wentworth's visit to a close friend, Captain Harville, in nearby Lyme Regis results in a day-long outing being organized by those eager to see the resort. While there, Louisa Musgrove sustains a concussion in a fall brought about by her own impetuous behaviour. This highlights the difference between the headstrong Louisa and the more sensible Anne. While onlookers exclaim that Louisa is dead and her companions stand around dumbfounded, Anne administers first aid and summons assistance. Wentworth's admiration for Anne reawakens as a result.
Louisa's recovery is slow and her self-confidence is severely shaken. Her newfound timidity elicits the kind attention and reassurance of Wentworth's friend Captain Benwick, who had been mourning the recent death of his fiancée. The couple find their personalities to be now more in sympathy and they become engaged.
Meanwhile, Sir Walter, Elizabeth, and Elizabeth's scheming friend Mrs. Clay, the widowed daughter of Sir Walter's agent, have relocated to Bath. There they hope to live in a manner befitting a baronet and his family with the least possible expense until their finances are restored to a firmer footing. Sir Walter's cousin and heir, William Elliot, who long ago slighted the baronet, now seeks a reconciliation. Elizabeth assumes that he wishes to court her, while Lady Russell more correctly suspects that he admires Anne.
Although William Elliot seems a perfect gentleman, Anne distrusts him; she finds his character disturbingly opaque. She is enlightened by an unexpected source when she discovers an old school friend, Mrs. Smith, living in Bath in straitened circumstances. Mrs. Smith and her now-deceased husband had once been Mr. Elliot's closest friends. Having encouraged them into financial extravagance, he had quickly dropped them when they became impoverished. Anne learns, to her great distress, of his layers of deceit and calculated self-interest. In addition, her friend speculates that Mr. Elliot wants to reestablish his relationship with her family primarily to safeguard his inheritance of the title, fearing a marriage between Sir Walter and Mrs. Clay. This helps Anne to understand more fully the dangers of persuasion—in that Lady Russell pressed her to accept Mr. Elliot's likely offer of marriage—and helps her to develop more confidence in her own judgment.
Ultimately, the Musgroves visit Bath to purchase wedding clothes for their daughters Louisa and Henrietta (who has become engaged to Hayter). Captain Wentworth and his friend Captain Harville accompany them. Anne and Harville discuss the relative faithfulness of men and women in love, while Wentworth writes a note within earshot of the discussion. This causes him to write a note to Anne detailing his feelings for her. In a tender scene, Anne and Wentworth reconcile and renew their engagement. The match is now more palatable to Anne's family — their waning fortunes and Wentworth's waxing ones have made a considerable difference. Also, ever overvaluing good looks, Sir Walter is favorably impressed with his future son-in-law's appearance. Lady Russell admits she has been completely wrong about Captain Wentworth, and she and Anne remain friends.
Main characters
Sir Walter Elliot, Bt. — A vain, sycophantic self-satisfied baronet, Sir Walter's extravagance since the death of his prudent wife 13 years before has put his family in financial straits. These are severe enough to force him to lease his estate, Kellynch Hall, to Admiral Croft and take a more economical residence in Bath.
Elizabeth Elliot — The eldest and most beautiful daughter of Sir Walter, who encourages her father's imprudent spending and extravagance. She and her father routinely put their interests ahead of Anne's, regarding her as inconsequential.
Anne Elliot —
The second daughter of Sir Walter is 27 years old and unmarried. She is very intelligent and was very pretty but lost her bloom after breaking off her engagement with Wentworth. Now nearly eight years ago, she fell in love with Captain Wentworth but was persuaded by her mentor Lady Russell to reject his proposal because of his poverty and uncertain future.
Mary Musgrove — The youngest daughter of Sir Walter, married to Charles Musgrove. She is attention-seeking, always looking for ways she might have been slighted or not given her full due, and often claims illness when she is upset. She greatly opposes sister-in-law Henrietta's interest in marrying Charles Hayter, who Mary feels is beneath them.
Charles Musgrove — Husband of Mary and heir to the Musgrove estate. He had wanted to marry Anne and settled for Mary (much to the disappointment of the Musgrove family, and to his misfortune) when Anne refused him due to her continued love for Wentworth.
Lady Russell — A friend of the Elliots, particularly Anne, of whom she is the godmother. She is instrumental in Sir Walter's decision to leave Kellynch hall and avoid financial crisis. Years ago, she persuaded Anne to turn down Captain Wentworth's proposal of marriage. While far more sensible than Sir Walter Elliot, she shares his concern for rank and connections, and did not think Wentworth good enough for Anne because of his inferior birth and financial status.
Mrs. Clay — A poor widow, daughter of Sir Walter's lawyer, and intimate 'friend' of Elizabeth Elliot. She aims to flatter Sir Walter into marriage, while her oblivious friend looks on.
Captain Frederick Wentworth — A naval officer who was briefly engaged to Anne some years ago. At the time, he had no fortune and uncertain prospects, but owing to much success in the Napoleonic Wars, his situation has greatly improved. One of two brothers of Sophia Croft.
Admiral Croft — Good-natured, plainspoken tenant at Kellynch Hall and brother-in-law of Captain Wentworth.
Sophia Croft — Sister of Captain Wentworth and wife of Admiral Croft. She offers Anne an example of a strong-minded woman who has married for love instead of money.
Louisa Musgrove — Second sister of Charles Musgrove, aged about 19. Louisa is a high-spirited young lady who has recently returned with her sister from school. Captain Wentworth admires her for her resolve and determination, especially in contrast to Anne's prudence and what he sees as Anne's lack of conviction. She is ultimately engaged to Captain Benwick.
Henrietta Musgrove — Eldest sister of Charles Musgrove, aged about 20. Henrietta is informally engaged to her cousin Charles Hayter, but is nevertheless tempted by the more dashing Captain Wentworth.
Captain Harville — A friend of Captain Wentworth. Severely wounded two years ago and discharged at half-pay, he and his family have settled in nearby Lyme.
Captain James Benwick — A friend of Captain Harville. Benwick had been engaged to marry Captain Harville's sister Fanny, but she died while Benwick was at sea. Benwick's loss has left him melancholic and a lover of poetry. His enjoyment of reading makes him one of the few characters in the story to find an intellectual connection with Anne, and it is implied that he might have an interest in Anne. But Benwick ultimately becomes engaged to Louisa Musgrove.
Mr. William Elliot — A relation and the heir presumptive of Sir Walter, who became estranged from the family when he wed a woman of much lower social rank, for her fortune. Sir Walter and Elizabeth had hoped William would marry Elizabeth Elliot. He is now a widower. Now wanting very much to inherit the title, he mends the rupture in order to keep an eye on the ambitious Mrs. Clay. If Sir Walter married her, William's inheritance would be endangered. When he meets Anne by accident, his interest is piqued; if he could marry Anne his title and inheritance is likely secured. Rumors circulate that Anne and he are engaged.
Mrs. Smith — a friend of Anne Elliot who lives in Bath. She is a widow and has suffered ill health and financial difficulties. She keeps abreast of the doings of Bath society through news she gets from her nurse, Nurse Rooke, who also works for a friend of William Elliot's. Her financial problems could have been straightened out with some assistance from William Elliot, her husband's former friend, but Elliot would not exert himself, leaving her much impoverished. Later Wentworth acts on her behalf.
Lady Dalrymple — a viscountess, cousin to Sir Walter. She occupies an exalted position in society by virtue of wealth and rank. Sir Walter and Elizabeth are eager to be seen at Bath in the company of this great relation.
Literary significance & criticism
Persuasion is widely appreciated as a moving love story despite what has been labelled as a simple plot, and exemplifies Austen's acclaimed wit and ironic narrative style.[citation needed] Austen wrote Persuasion in a hurry, during the onset of the illness from which she eventually died; as a result, the novel is both shorter and arguably less polished than Mansfield Park and Emma, and was not subject to the usual pattern of careful retrospective revision.
Although the impact of Austen's failing health at the time of writing this novel cannot be overlooked, the novel is strikingly original in several ways. Persuasion is the first of Austen's novels to feature as the central character a woman who, by the standards of the time, is well past the first bloom of youth; biographer Claire Tomalin characterizes the book as Austen's "present to herself, to Miss Sharp, to Cassandra, to Martha Lloyd . . . to all women who had lost their chance in life and would never enjoy a second spring."
The novel has been described as a great "Cinderella" story (intoduction to the Penguin Classics edition). All the similarities between the fairy story and Austen's novel are there; a heroine who is generally unappreciated by those around her; a handsome prince who arrives but seems more interested in the "more obvious" charms of the Musgrove girls than the more steady charms offered by Anne; a moment of realisation and the final happy ending when those who did not appreaciate have time to realise what they have lost. It has been said that it is not that Anne is unloved, more that those around her no longer see her, she is such a fixed part of life that her likes and dislikes, wishes and dreams are no longer considered, even by those who claim to appreciate her, like Lady Russell.
At the same time, the novel is a paean to the self-made man. Captain Wentworth is just one of several naval officers in the story who have risen from humble beginnings to affluence and status on the strength of merit and luck, not by inheritance. It marks a time where the very roots of society were changing, as 'old money' (exemplified by Sir Walter) had to accommodate the rising strength of the nouveau riche (such as Wentworth). The success of Austen's own two brothers in the Royal Navy is probably significant. There are also clear parallels with the earlier novel Mansfield Park as there are inherent and sustained messages of the importance of constancy in the face of adversity and of the need to endure.
Austen makes some biting comments about 'family' and those we choose to associate with. Mary wants to nurse Louisa but doesn't want to nurse her son. Elizabeth prefers Mrs Clay to her sister who is 'amongst the nobility of England and Ireland', yet courts the attentions of Lady Dalrymple.
Through her heroine's words, Austen makes pointed remarks about the condition of women as 'rational creatures' at the mercy of males (only) recording history, writing books, etc., while castigating women's "inconstancy" and "fickleness". "Men have had every advantage of us in telling their own story. ...the pen has been in their hands. I will not allow books to prove anything" (Persuasion Volume 2 Chapter 11).
She ends the novel with the similar theme to Pride and Prejudice, where the heroine leaves the others behind with marriage.
《勸導》是作者最後一部完整的小說，比以前的作品寫得更有思想和感情深度，被許多評論傢視為奧斯丁最好的作品。書中作者以幽默和諷刺的筆調對中産階級的虛偽和勢利進行了鞭撻。如果說奧斯汀在《理智與情感》中強調理智應該戰勝情感，認為衹有在這種情況下人們才能獲得幸福，那麽，在她這最後一部小說中，奧斯丁卻用較長的篇幅描述了“謹慎”給女主人公帶來的多年的痛苦。《勸導》肯定人物性格從謹慎到浪漫的演變，無疑反映了作者本人創作思想的變化。這也是對當時傳統觀念的一種挑戰。 本書結構嚴謹、筆法細膩，小說中有許多細節描寫，乍看平淡無奇，可是細細體會，卻感到餘味無窮。人們常把奧斯丁的小說比作“二寸牙雕”，經過此般精雕細琢的《勸導》，完全當得起這一美稱。
勸導-《勸導》
描寫了一個麯折多磨的愛情故事。貴族小姐安妮·埃利奧特同青年軍官溫特沃思傾心相愛,訂下了婚約。可是,她的父親沃爾特爵士和教母拉塞爾夫人嫌溫特沃思出身卑賤,沒有財産,極力反對這門婚事。安妮出於“謹慎”,接受了教母的勸導,忍痛同心上人解除了婚約。八年後,在戰爭中升了官、發了財的溫特沃思上校休役回鄉,隨姐姐、姐夫當上了沃爾特爵士的房客。他雖說對安妮怨忿未消,但兩人不忘舊情,終於歷盡麯折,排除幹擾,結成良緣。
Persuasion is connected with Northanger Abbey not only by the fact that the two books were originally bound up in one volume and published together two years later, but also because both stories are set partly in Bath, a fashionable health resort with which Jane Austen was well acquainted, having lived there from 1801 to 1805.
Plot introduction
More than seven years prior to the events in the novel, Anne Elliot falls in love with a handsome young naval officer named Frederick Wentworth, who is intelligent and ambitious, but poor. Sir Walter, Anne's father and lord of the family estate of Kellynch, and her older sister Elizabeth are dissatisfied with her choice, maintaining that he is not distinguished enough for their family. Her older friend and mentor, Lady Russell, acting in place of Anne's deceased mother, persuades her to break off the match.
Now, aged 27 and still unmarried, Anne re-encounters her former fiancé when his sister and brother-in-law, the Crofts, take out a lease on Kellynch. Wentworth, now a captain, is wealthy from wartime victories in the Royal Navy and from prize-money for capturing enemy ships. However, he has not forgiven Anne for her rejection of him.
The self-interested machinations of Anne's father, her older sister Elizabeth, Elizabeth's friend Mrs. Clay, and William Elliot (Anne's cousin and her father's heir) constitute important subplots.
Title as variation on a theme
Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. (February 2010)
Readers of "Persuasion" might well infer Jane Austen intended 'persuasion' as the working theme of the story, and that she applied the novel's title to reflect this conceit. Certainly that theme is repeated several times, with vignettes within the story as variations on that theme. But there is no known source for Austen pronouncing her own title for this work. (Some critics believe Austen intended to name the novel "The Elliots", but that, in fact, she died without titling it.)
On the other hand, the literary scholar Gillian Beer documents that Jane Austen had profound concerns about the levels and applications of 'persuasion' employed among individuals of her society, especially as it influenced the choices and moral suasion made upon the young women of her day. Beer reports that, for Austen and her readers, persuasion was indeed "fraught with moral dangers"; she notes particularly that Austen personally was appalled by the misdirection of her own intentions in advising a beloved niece (Fanny Knight) on the very question of accepting a particular suitor entailing with a long engagement. Beer writes:
Jane Austen's anxieties about persuasion and responsibility are here passionately expressed. She refuses to become part of the machinery with which Fanny is manoeuvering herself into forming the engagement. To be the stand-in motive for another's actions frightens her. Yet Jane Austen cannot avoid the part of persuader, even as dissuader.
Thus, Beer explains, Austen was keenly aware that, still, the human quality of persuasion—to persuade or to be persuaded, rightly or wrongly—is fundamental to the process of human communication; and that, in her novel "...Jane Austen gradually draws out the implications of discriminating 'just' and 'unjust' persuasion". Indeed, the narrative plays through a number of variations of people swaying, or attempting to sway, other people—or themselves. Finally, Beer describes Austen's work as: "...the novel's entire brooding on the power pressures, the seductions, and also the new pathways opened by persuasion".
Plot summary
Anne Elliot is the overlooked middle daughter of the vain Sir Walter Elliot, a baronet who is all too conscious of his good looks and rank and spends excessive amounts of money. Anne's mother, a fine, sensible woman, is long dead, and her elder sister, Elizabeth, resembles her father in temperament and delights in the fact that as the eldest daughter she can assume her mother's former position in their rural neighborhood. Anne's younger sister, Mary, is a nervous, clinging woman who has made an unspectacular marriage to Charles Musgrove of Uppercross Hall, the heir to a bucolic but respected local squire. None of her surviving family can provide much companionship for the elegant-minded Anne, who, still unmarried at 27, seems destined for spinsterhood.
After she met and fell in love with Wentworth, at age nineteen, Anne had been persuaded by her mother's great friend —and her own trusted confidante, the widow Lady Russell— to break the engagement. Lady Russell had questioned the wisdom of Anne marrying a penniless young naval officer without family or connections and whose prospects were so uncertain. Wentworth is left bitter at Lady Russell's interference and Anne's own want of fortitude.
Wentworth re-enters Anne's life when Sir Walter is forced by his own profligacy to let the family estate to none other than Wentworth's brother-in-law, Admiral Croft. Wentworth's successes in the Napoleonic Wars resulted in his promotion and enabled him to amass the then considerable fortune of £25,000 (around £2.5 million in today's money) from prize money awarded for capturing enemy vessels. The Musgroves, including Mary, Charles and Charles's younger sisters, Henrietta and Louisa, are delighted to welcome the Crofts and Wentworth to the neighborhood. Both Musgrove girls are attracted to Wentworth, though Henrietta is informally engaged to clergyman cousin Charles Hayter. Hayter is viewed as a merely respectable match, being a bit beneath the Musgroves, socially and financially. Charles, Mary, and the Crofts continually speculate as to which one Wentworth might marry. All this is hard on Anne, due to her regret at breaking off the engagement and Wentworth's constant attention to the Musgrove girls. She tries to escape their company as often as she can, preferring to spend time with her nephews.
Captain Wentworth's visit to a close friend, Captain Harville, in nearby Lyme Regis results in a day-long outing being organized by those eager to see the resort. While there, Louisa Musgrove sustains a concussion in a fall brought about by her own impetuous behaviour. This highlights the difference between the headstrong Louisa and the more sensible Anne. While onlookers exclaim that Louisa is dead and her companions stand around dumbfounded, Anne administers first aid and summons assistance. Wentworth's admiration for Anne reawakens as a result.
Louisa's recovery is slow and her self-confidence is severely shaken. Her newfound timidity elicits the kind attention and reassurance of Wentworth's friend Captain Benwick, who had been mourning the recent death of his fiancée. The couple find their personalities to be now more in sympathy and they become engaged.
Meanwhile, Sir Walter, Elizabeth, and Elizabeth's scheming friend Mrs. Clay, the widowed daughter of Sir Walter's agent, have relocated to Bath. There they hope to live in a manner befitting a baronet and his family with the least possible expense until their finances are restored to a firmer footing. Sir Walter's cousin and heir, William Elliot, who long ago slighted the baronet, now seeks a reconciliation. Elizabeth assumes that he wishes to court her, while Lady Russell more correctly suspects that he admires Anne.
Although William Elliot seems a perfect gentleman, Anne distrusts him; she finds his character disturbingly opaque. She is enlightened by an unexpected source when she discovers an old school friend, Mrs. Smith, living in Bath in straitened circumstances. Mrs. Smith and her now-deceased husband had once been Mr. Elliot's closest friends. Having encouraged them into financial extravagance, he had quickly dropped them when they became impoverished. Anne learns, to her great distress, of his layers of deceit and calculated self-interest. In addition, her friend speculates that Mr. Elliot wants to reestablish his relationship with her family primarily to safeguard his inheritance of the title, fearing a marriage between Sir Walter and Mrs. Clay. This helps Anne to understand more fully the dangers of persuasion—in that Lady Russell pressed her to accept Mr. Elliot's likely offer of marriage—and helps her to develop more confidence in her own judgment.
Ultimately, the Musgroves visit Bath to purchase wedding clothes for their daughters Louisa and Henrietta (who has become engaged to Hayter). Captain Wentworth and his friend Captain Harville accompany them. Anne and Harville discuss the relative faithfulness of men and women in love, while Wentworth writes a note within earshot of the discussion. This causes him to write a note to Anne detailing his feelings for her. In a tender scene, Anne and Wentworth reconcile and renew their engagement. The match is now more palatable to Anne's family — their waning fortunes and Wentworth's waxing ones have made a considerable difference. Also, ever overvaluing good looks, Sir Walter is favorably impressed with his future son-in-law's appearance. Lady Russell admits she has been completely wrong about Captain Wentworth, and she and Anne remain friends.
Main characters
Sir Walter Elliot, Bt. — A vain, sycophantic self-satisfied baronet, Sir Walter's extravagance since the death of his prudent wife 13 years before has put his family in financial straits. These are severe enough to force him to lease his estate, Kellynch Hall, to Admiral Croft and take a more economical residence in Bath.
Elizabeth Elliot — The eldest and most beautiful daughter of Sir Walter, who encourages her father's imprudent spending and extravagance. She and her father routinely put their interests ahead of Anne's, regarding her as inconsequential.
Anne Elliot —
The second daughter of Sir Walter is 27 years old and unmarried. She is very intelligent and was very pretty but lost her bloom after breaking off her engagement with Wentworth. Now nearly eight years ago, she fell in love with Captain Wentworth but was persuaded by her mentor Lady Russell to reject his proposal because of his poverty and uncertain future.
Mary Musgrove — The youngest daughter of Sir Walter, married to Charles Musgrove. She is attention-seeking, always looking for ways she might have been slighted or not given her full due, and often claims illness when she is upset. She greatly opposes sister-in-law Henrietta's interest in marrying Charles Hayter, who Mary feels is beneath them.
Charles Musgrove — Husband of Mary and heir to the Musgrove estate. He had wanted to marry Anne and settled for Mary (much to the disappointment of the Musgrove family, and to his misfortune) when Anne refused him due to her continued love for Wentworth.
Lady Russell — A friend of the Elliots, particularly Anne, of whom she is the godmother. She is instrumental in Sir Walter's decision to leave Kellynch hall and avoid financial crisis. Years ago, she persuaded Anne to turn down Captain Wentworth's proposal of marriage. While far more sensible than Sir Walter Elliot, she shares his concern for rank and connections, and did not think Wentworth good enough for Anne because of his inferior birth and financial status.
Mrs. Clay — A poor widow, daughter of Sir Walter's lawyer, and intimate 'friend' of Elizabeth Elliot. She aims to flatter Sir Walter into marriage, while her oblivious friend looks on.
Captain Frederick Wentworth — A naval officer who was briefly engaged to Anne some years ago. At the time, he had no fortune and uncertain prospects, but owing to much success in the Napoleonic Wars, his situation has greatly improved. One of two brothers of Sophia Croft.
Admiral Croft — Good-natured, plainspoken tenant at Kellynch Hall and brother-in-law of Captain Wentworth.
Sophia Croft — Sister of Captain Wentworth and wife of Admiral Croft. She offers Anne an example of a strong-minded woman who has married for love instead of money.
Louisa Musgrove — Second sister of Charles Musgrove, aged about 19. Louisa is a high-spirited young lady who has recently returned with her sister from school. Captain Wentworth admires her for her resolve and determination, especially in contrast to Anne's prudence and what he sees as Anne's lack of conviction. She is ultimately engaged to Captain Benwick.
Henrietta Musgrove — Eldest sister of Charles Musgrove, aged about 20. Henrietta is informally engaged to her cousin Charles Hayter, but is nevertheless tempted by the more dashing Captain Wentworth.
Captain Harville — A friend of Captain Wentworth. Severely wounded two years ago and discharged at half-pay, he and his family have settled in nearby Lyme.
Captain James Benwick — A friend of Captain Harville. Benwick had been engaged to marry Captain Harville's sister Fanny, but she died while Benwick was at sea. Benwick's loss has left him melancholic and a lover of poetry. His enjoyment of reading makes him one of the few characters in the story to find an intellectual connection with Anne, and it is implied that he might have an interest in Anne. But Benwick ultimately becomes engaged to Louisa Musgrove.
Mr. William Elliot — A relation and the heir presumptive of Sir Walter, who became estranged from the family when he wed a woman of much lower social rank, for her fortune. Sir Walter and Elizabeth had hoped William would marry Elizabeth Elliot. He is now a widower. Now wanting very much to inherit the title, he mends the rupture in order to keep an eye on the ambitious Mrs. Clay. If Sir Walter married her, William's inheritance would be endangered. When he meets Anne by accident, his interest is piqued; if he could marry Anne his title and inheritance is likely secured. Rumors circulate that Anne and he are engaged.
Mrs. Smith — a friend of Anne Elliot who lives in Bath. She is a widow and has suffered ill health and financial difficulties. She keeps abreast of the doings of Bath society through news she gets from her nurse, Nurse Rooke, who also works for a friend of William Elliot's. Her financial problems could have been straightened out with some assistance from William Elliot, her husband's former friend, but Elliot would not exert himself, leaving her much impoverished. Later Wentworth acts on her behalf.
Lady Dalrymple — a viscountess, cousin to Sir Walter. She occupies an exalted position in society by virtue of wealth and rank. Sir Walter and Elizabeth are eager to be seen at Bath in the company of this great relation.
Literary significance & criticism
Persuasion is widely appreciated as a moving love story despite what has been labelled as a simple plot, and exemplifies Austen's acclaimed wit and ironic narrative style.[citation needed] Austen wrote Persuasion in a hurry, during the onset of the illness from which she eventually died; as a result, the novel is both shorter and arguably less polished than Mansfield Park and Emma, and was not subject to the usual pattern of careful retrospective revision.
Although the impact of Austen's failing health at the time of writing this novel cannot be overlooked, the novel is strikingly original in several ways. Persuasion is the first of Austen's novels to feature as the central character a woman who, by the standards of the time, is well past the first bloom of youth; biographer Claire Tomalin characterizes the book as Austen's "present to herself, to Miss Sharp, to Cassandra, to Martha Lloyd . . . to all women who had lost their chance in life and would never enjoy a second spring."
The novel has been described as a great "Cinderella" story (intoduction to the Penguin Classics edition). All the similarities between the fairy story and Austen's novel are there; a heroine who is generally unappreciated by those around her; a handsome prince who arrives but seems more interested in the "more obvious" charms of the Musgrove girls than the more steady charms offered by Anne; a moment of realisation and the final happy ending when those who did not appreaciate have time to realise what they have lost. It has been said that it is not that Anne is unloved, more that those around her no longer see her, she is such a fixed part of life that her likes and dislikes, wishes and dreams are no longer considered, even by those who claim to appreciate her, like Lady Russell.
At the same time, the novel is a paean to the self-made man. Captain Wentworth is just one of several naval officers in the story who have risen from humble beginnings to affluence and status on the strength of merit and luck, not by inheritance. It marks a time where the very roots of society were changing, as 'old money' (exemplified by Sir Walter) had to accommodate the rising strength of the nouveau riche (such as Wentworth). The success of Austen's own two brothers in the Royal Navy is probably significant. There are also clear parallels with the earlier novel Mansfield Park as there are inherent and sustained messages of the importance of constancy in the face of adversity and of the need to endure.
Austen makes some biting comments about 'family' and those we choose to associate with. Mary wants to nurse Louisa but doesn't want to nurse her son. Elizabeth prefers Mrs Clay to her sister who is 'amongst the nobility of England and Ireland', yet courts the attentions of Lady Dalrymple.
Through her heroine's words, Austen makes pointed remarks about the condition of women as 'rational creatures' at the mercy of males (only) recording history, writing books, etc., while castigating women's "inconstancy" and "fickleness". "Men have had every advantage of us in telling their own story. ...the pen has been in their hands. I will not allow books to prove anything" (Persuasion Volume 2 Chapter 11).
She ends the novel with the similar theme to Pride and Prejudice, where the heroine leaves the others behind with marriage.
《曼斯菲德莊園》的主人，就是離婚女啦。維係了20年的美好婚姻，兒女都長大成人了，纔因為老公的厭倦，花心而一筆勾銷了。分手的狀況，她都遇到了，心痛欲絶，積悲成憤，釋然放開，開始新我。但是這時候，老公又回來找她了，說他錯了，還是懷念以往的日子，對於這個相處20年，但是一朝就將你和20年家庭拋棄的人，你會原諒嗎？？
Plot summary
The main character, Fanny Price, is a young girl from a relatively poor family, raised by her rich uncle and aunt, Sir Thomas and Lady Bertram, at Mansfield Park. She grows up with her four cousins, Tom Bertram, Edmund Bertram, Maria Bertram and Julia, but is always treated as inferior to them; only Edmund shows his real kindness. He is also the most virtuous of the siblings: Maria and Julia are vain and spoiled, while Tom is an irresponsible gambler. Over time, Fanny's gratitude for Edmund's kindness secretly grows into romantic love.
When the children have grown up, the stern patriarch Sir Thomas leaves for a year so he can deal with problems on his plantation in Antigua. The fashionable and worldly Henry Crawford and his sister Mary Crawford arrive in the village, and stay with their sister, the Parson's wife. The arrival of the Crawfords disrupts the staid world of Mansfield and sparks a series of romantic entanglements. Mary and Edmund begin to form an attachment, though Edmund often worries that her manners are fashionable and her conversation often cynical, masking a lack of firm principle. However, she is engaging, beautiful and charming, and goes out of her way to befriend Fanny. Fanny fears that Mary has enchanted Edmund, and love has blinded him to her flaws. Henry plays with the affections of both Maria and Julia, despite Maria being already engaged to the dull, but very rich, Mr. Rushworth. Maria believes that Henry is really in love with her, and treats Mr Rushworth coldly, invoking his jealousy. Fanny is so little observed in the family circle and her presence is often overlooked and she frequently witnesses Maria and Henry in compromising situations.
Encouraged by Tom and his friend Mr. Yates, the young people decide to put on Elizabeth Inchbald's play Lovers' Vows; Edmund and Fanny both initially oppose the plan, believing Sir Thomas would disapprove and feeling that the subject matter of the play is not appropriate. Edmund is eventually swayed, offering to play the part of Anhalt, the lover of the character played by Mary Crawford. As well as giving Mary and Edmund a vehicle to talk about love and marriage, the play provides a pretext for Henry and Maria to flirt in public. Sir Thomas arrives unexpectedly in the middle of a rehearsal, which ends the plan. Henry leaves, and Maria is crushed; realising that Henry does not love her, she marries Mr. Rushworth and they leave for Brighton, taking Julia with them. Meanwhile, Fanny's improved looks and pleasant temper endear her to Sir Thomas, who pays more attention to her care.
Henry returns to Mansfield Park and decides to amuse himself by making Fanny fall in love with him. However, her genuine gentleness and kindness cause him to fall in love with her instead. When he proposes marriage, Fanny's disgust at his improper flirtations with her cousins, as well as her love for Edmund, cause her to reject him. The Bertrams are dismayed, since it is an extremely advantageous match for a poor girl like Fanny. Sir Thomas rebukes her for ingratitude. Henry decides he will continue to pursue Fanny, hoping that in time she will change her mind by coming to believe he is constant. Sir Thomas supports a plan for Fanny to pay a visit to her relatively poor family in Portsmouth, hoping that as Fanny suffers from the lack of comforts there, she will realize the usefulness of a good income. Henry pays Fanny a visit in Portsmouth, to convince her that he has changed and is worthy of her affection. Fanny's attitude begins to soften but she still maintains that she will not marry him.
Henry leaves for London, and shortly afterward, Fanny learns of a scandal involving Henry and Maria. The two had met again and rekindled their flirtation, which quickly had developed into an affair. The affair is discovered and hinted at in a national newspaper; Maria leaves her husband's house and elopes with Henry. The scandal is terrible and the affair results in Maria's divorce; however Henry refuses to marry her. To make matters worse, the dissolute Tom has taken ill, and Julia has eloped with Mr. Yates. Fanny returns to Mansfield Park to comfort her aunt and uncle and to help take care of Tom.
Although Edmund knows that marriage to Mary is now impossible because of the scandal between their relations, he goes to see her one last time. During the interview, it becomes clear that Mary does not condemn Henry and Maria's adultery, only that they got caught. Her main concern is covering it up and she implies that if Fanny had accepted Henry, he would have been too busy and happy to have an affair, and would have been content with merely a flirtation. This reveals Mary's true nature to Edmund, who realises he had idealised her as someone she is not. He tells her so and returns to Mansfield and his living as a Parson at Thornton Lacey. "At exactly the time it should be so, and not a week sooner." Edmund realises how important Fanny is to him, declares his love for her and they are married. Tom recovers from his illness, a steadier and better man for it, and Julia's elopement turns out to be not such a desperate business after all. Austen points out that if only Crawford had persisted in being steadfast to Fanny, and not succumbed to the affair with Maria, Fanny eventually would have accepted his marriage proposal—especially after Edmund had married Mary.
Characters in "Mansfield Park"
Fanny Price
The second eldest of nine children who is sent to live with her mother's sisters at Mansfield Park. Her mother married a poor lieutenant of marines for love. Mrs Price's alcoholic husband was disabled and released from the service on half pay, and she had to settle for a life far less comfortable than those of her sisters. Fanny is sensitive, shy, intelligent, seemingly virtuous, with a good sense of morals; and her status at Mansfield Park as a dependent poor relation only intensifies these traits. The bulk of the novel takes place when she is eighteen and nineteen. She has been in love with her cousin Edmund since she was young and when both realise their feelings, they get married. Fanny is pursued by Mr. Henry Crawford.
Lady Bertram
Sister of Fanny Price's mother who is married to the wealthy Sir Thomas Bertram. She is perpetually vague and distracted. Born "Miss Maria Ward, of Huntingdon, with only seven thousand pounds [...]." .
Mrs Norris
The officious, skinflint sister of Lady Bertram who lives near Mansfield Park. Her husband, Mr. Norris, was the parson at Mansfield Park until his death. She dislikes Fanny and takes every opportunity to put her down and make a distinction between Fanny's treatment and that of her wealthier cousins. Mrs. Norris also takes every opportunity to save money, such as taking candles from the main house for her maid's rooms.
Sir Thomas Bertram
The husband of Fanny's aunt, Lady Bertram. He owns the Mansfield Park estate and an estate in Antigua. He is initially stern and correct. He later realises his behaviour may have caused the ruin of his eldest daughter. He wishes his own children were more like his niece and nephew, Fanny and William Price.
Tom Bertram
The older son of Sir Thomas and Lady Bertram; he is seven years older than Fanny. Tom is principally interested in carousing in London society and enjoying the pleasures of the theatre with his friend, Mr. Yates. Tom incurs large debts, forcing Sir Thomas to sell the church position that would have gone to Tom's younger brother, Edmund. One celebratory journey leaves Tom with a fever and he later learns the error of his ways.
Edmund Bertram
The younger son of Sir Thomas and Lady Bertram; he is six years older than Fanny. He plans to be a clergyman. He alone among his family has any consideration for Fanny's feelings. As her protector and friend, he has a great deal of influence over her and helps form her character. Edmund becomes attracted to Miss Crawford, but her opinions on the scandal involving Mrs. Rushworth and Mr. Crawford mortify him. He later realizes he is in love with Fanny and they are married.
Maria Bertram
The very beautiful elder daughter of Sir Thomas and Lady Bertram; she is three years older than Fanny. She becomes engaged to Mr. Rushworth but she becomes attached to Henry Crawford. She expects Mr. Crawford to propose and when he doesn't, she marries Mr. Rushworth for his £12,000 a year, despite knowing him to be a boorish young man with little but his money to recommend him. Mr. Crawford returns to her life soon after marrying and she runs away with him. Rushworth divorces her and she is left to the mercy of her family because Mr. Crawford refuses to marry her. She ends up living with her aunt Norris.
Julia Bertram
The younger daughter of Sir Thomas and Lady Bertram; she is two years older than Fanny. She has strong feelings toward Mr. Crawford, but soon learns that he prefers Maria, despite, or because of, her sister's engagement. Mr. Yates pursues her, which is swiftly ended when Sir Thomas returns to the house. Julia later goes with Mr. and Mrs. Rushworth on their honeymoon and to their house in town. About the same time Maria runs away with Mr Crawford, Julia elopes with Mr. Yates, ostensibly to avoid being blamed by her father for Maria's elopement with Mr. Crawford .
Dr. Grant
The current parson at the Mansfield Park parsonage, he is a large man who greatly enjoys food and drink.
Mrs. Grant
The wife of Mr. Grant, and half-sister of Henry and Mary Crawford.
Mr. Henry Crawford
Brother of Mrs. Grant and Miss Crawford. A charming, extremely intelligent and eligible bachelor who plays with the emotions of Maria and Julia. This is observed by Fanny. After Maria's marriage, he decides to make Fanny fall in love with him but instead falls in love with her. He loses any chance with her after he and Maria run away together.
Miss Mary Crawford
The pretty and charming sister of Mr. Crawford and Mrs Grant, who takes a keen interest in Edmund Bertram in spite of his being a second son. However, though she seems charming, she has certain views and opinions which mean, in the end, she loses Edmund.
Mr. Rushworth
A wealthy but boring man who becomes engaged to Maria Bertram. He divorces her after she runs away with Henry Crawford.
The Hon. John Yates
A good friend of Tom Bertram. Tom and Yates carouse in London society and bring their love of the theatre to Mansfield Park. Yates expresses interest in Julia Bertram. He elopes with Julia around the time Mr. Crawford and Maria run away together.
William Price
Fanny's brother, a naval midshipman, with whom she is very close. Mr. Crawford seeks to ingratiate himself with Fanny by helping William in his profession. He is polite and kind and Fanny's only correspondent in her family until she visits them.
Mr. Price
Fanny's father, an officer in the Marines who lives in Portsmouth. Mr. Price drinks too much and is foul-mouthed, and seems to have little to no affection for his daughters.
Mrs. Price
Fanny's mother, sister of Mrs. Norris and Lady Bertram. She resembles Lady Bertram in her weak character and laziness, but under the pressure of a large family and a low income she has become slatternly and thoughtless. Like her husband, she seems to care little for Fanny.
Susan Price
Fanny's younger sister with whom Fanny first becomes close on a visit home. She returns with Fanny to Mansfield Park and takes Fanny's place helping her aunt when Fanny marries Edmund. Her character is better than many of her siblings.
Lady Stornoway
a society woman, who is complicit in Mr Crawford and Maria's flirtation. They meet at her parties and eventually run away together from her home.
Mrs. Rushworth
Mr. Rushworth's mother and Maria's mother-in-law. Mr. Rushworth is on his way to fetch her at Easter when Mr. Crawford and Maria increase their flirtation and eventually run away together. Mrs. Rushworth is noted to not be particularly fond of her daughter-in-law.
Literary significance & criticism
Mansfield Park is the most controversial and perhaps the least popular of Austen's major novels. Regency critics praised the novel's wholesome morality, but many modern readers find Fanny's timidity and disapproval of the theatricals difficult to sympathise with and reject the idea (made explicit in the final chapter) that she is a better person for the relative privations of her childhood. Jane Austen's own mother thought Fanny "insipid", and many other readers have found her priggish and unlikeable. Other critics point out that she is a complex personality, perceptive yet given to wishful thinking, and that she shows courage and grows in self-esteem during the latter part of the story. Austen biographer Claire Tomalin, who is generally rather critical of Fanny, argues that "it is in rejecting obedience in favour of the higher dictate of remaining true to her own conscience that Fanny rises to her moment of heroism." But Tomalin reflects the ambivalence that many readers feel towards Fanny when she also writes: "More is made of Fanny Price's faith, which gives her the courage to resist what she thinks is wrong; it also makes her intolerant of sinners, whom she is ready to cast aside."
The story contains much social satire, targeted particularly at the two aunts. It is perhaps the most socially realistic Austen novel, with Fanny's family of origin, the Prices, coming from a much lower echelon of society than most Austen characters.
Controversy over slavery
At one point, Edward Said implicated the novel in western culture's casual acceptance of the material benefits of slavery and imperialism, citing Austen's omission to mention that the estate of Mansfield Park was made possible only through slave labour. At another point, however, he seems to have acknowledged that Jane Austen disapproved of slavery:
* "All the evidence says that even the most routine aspects of holding slaves on a West Indian sugar plantation were cruel stuff. And everything we know about Jane Austen and her values is at odds with the cruelty of slavery. Fanny Price reminds her cousin that after asking Sir Thomas about the slave trade, “there was such a dead silence” as to suggest that one world could not be connected with the other since there simply is no common language for both. That is true."
Critics such as Gabrielle White, have criticised Said's condemnation of Jane Austen and western culture, maintaining that Austen and other writers, including Samuel Johnson and Edmund Burke, opposed slavery and helped make its eventual abolition possible. Claire Tomalin, following literary critic Brian Southam, claims that Fanny, usually so timid, questions her uncle about the slave trade and receives no answer, suggesting that her vision of the trade's immorality is clearer than his. However, Ellen Moody has challenged Southam's interpretation, arguing that Fanny's uncle would not have been "pleased" (as the text suggests) to be questioned on the subject if Southam's reading of the scene were correct.
Film, TV or theatrical adaptations
Mansfield Park has been the subject of a number of adaptations:
* 1983: Mansfield Park, BBC series directed by David Giles, starring Sylvestra Le Touzel as Fanny Price, Nicholas Farrell as Edmund Bertram and Anna Massey as Mrs Norris.
* 1999: Mansfield Park, film directed by Patricia Rozema, starring Frances O'Connor as Fanny Price and Jonny Lee Miller as Edmund Bertram (interestingly, he also featured in the 1983 version, playing one of Fanny's brothers). This film alters several major elements of the story and depicts Fanny as author of some of Austen's actual letters as well as her children's history of England. It emphasizes Austen's disapproval of slavery.
* 2007: Mansfield Park, a television adaptation produced by Company Pictures and starring Billie Piper, was screened on ITV1 in the UK on 18 March 2007.
Plot summary
The main character, Fanny Price, is a young girl from a relatively poor family, raised by her rich uncle and aunt, Sir Thomas and Lady Bertram, at Mansfield Park. She grows up with her four cousins, Tom Bertram, Edmund Bertram, Maria Bertram and Julia, but is always treated as inferior to them; only Edmund shows his real kindness. He is also the most virtuous of the siblings: Maria and Julia are vain and spoiled, while Tom is an irresponsible gambler. Over time, Fanny's gratitude for Edmund's kindness secretly grows into romantic love.
When the children have grown up, the stern patriarch Sir Thomas leaves for a year so he can deal with problems on his plantation in Antigua. The fashionable and worldly Henry Crawford and his sister Mary Crawford arrive in the village, and stay with their sister, the Parson's wife. The arrival of the Crawfords disrupts the staid world of Mansfield and sparks a series of romantic entanglements. Mary and Edmund begin to form an attachment, though Edmund often worries that her manners are fashionable and her conversation often cynical, masking a lack of firm principle. However, she is engaging, beautiful and charming, and goes out of her way to befriend Fanny. Fanny fears that Mary has enchanted Edmund, and love has blinded him to her flaws. Henry plays with the affections of both Maria and Julia, despite Maria being already engaged to the dull, but very rich, Mr. Rushworth. Maria believes that Henry is really in love with her, and treats Mr Rushworth coldly, invoking his jealousy. Fanny is so little observed in the family circle and her presence is often overlooked and she frequently witnesses Maria and Henry in compromising situations.
Encouraged by Tom and his friend Mr. Yates, the young people decide to put on Elizabeth Inchbald's play Lovers' Vows; Edmund and Fanny both initially oppose the plan, believing Sir Thomas would disapprove and feeling that the subject matter of the play is not appropriate. Edmund is eventually swayed, offering to play the part of Anhalt, the lover of the character played by Mary Crawford. As well as giving Mary and Edmund a vehicle to talk about love and marriage, the play provides a pretext for Henry and Maria to flirt in public. Sir Thomas arrives unexpectedly in the middle of a rehearsal, which ends the plan. Henry leaves, and Maria is crushed; realising that Henry does not love her, she marries Mr. Rushworth and they leave for Brighton, taking Julia with them. Meanwhile, Fanny's improved looks and pleasant temper endear her to Sir Thomas, who pays more attention to her care.
Henry returns to Mansfield Park and decides to amuse himself by making Fanny fall in love with him. However, her genuine gentleness and kindness cause him to fall in love with her instead. When he proposes marriage, Fanny's disgust at his improper flirtations with her cousins, as well as her love for Edmund, cause her to reject him. The Bertrams are dismayed, since it is an extremely advantageous match for a poor girl like Fanny. Sir Thomas rebukes her for ingratitude. Henry decides he will continue to pursue Fanny, hoping that in time she will change her mind by coming to believe he is constant. Sir Thomas supports a plan for Fanny to pay a visit to her relatively poor family in Portsmouth, hoping that as Fanny suffers from the lack of comforts there, she will realize the usefulness of a good income. Henry pays Fanny a visit in Portsmouth, to convince her that he has changed and is worthy of her affection. Fanny's attitude begins to soften but she still maintains that she will not marry him.
Henry leaves for London, and shortly afterward, Fanny learns of a scandal involving Henry and Maria. The two had met again and rekindled their flirtation, which quickly had developed into an affair. The affair is discovered and hinted at in a national newspaper; Maria leaves her husband's house and elopes with Henry. The scandal is terrible and the affair results in Maria's divorce; however Henry refuses to marry her. To make matters worse, the dissolute Tom has taken ill, and Julia has eloped with Mr. Yates. Fanny returns to Mansfield Park to comfort her aunt and uncle and to help take care of Tom.
Although Edmund knows that marriage to Mary is now impossible because of the scandal between their relations, he goes to see her one last time. During the interview, it becomes clear that Mary does not condemn Henry and Maria's adultery, only that they got caught. Her main concern is covering it up and she implies that if Fanny had accepted Henry, he would have been too busy and happy to have an affair, and would have been content with merely a flirtation. This reveals Mary's true nature to Edmund, who realises he had idealised her as someone she is not. He tells her so and returns to Mansfield and his living as a Parson at Thornton Lacey. "At exactly the time it should be so, and not a week sooner." Edmund realises how important Fanny is to him, declares his love for her and they are married. Tom recovers from his illness, a steadier and better man for it, and Julia's elopement turns out to be not such a desperate business after all. Austen points out that if only Crawford had persisted in being steadfast to Fanny, and not succumbed to the affair with Maria, Fanny eventually would have accepted his marriage proposal—especially after Edmund had married Mary.
Characters in "Mansfield Park"
Fanny Price
The second eldest of nine children who is sent to live with her mother's sisters at Mansfield Park. Her mother married a poor lieutenant of marines for love. Mrs Price's alcoholic husband was disabled and released from the service on half pay, and she had to settle for a life far less comfortable than those of her sisters. Fanny is sensitive, shy, intelligent, seemingly virtuous, with a good sense of morals; and her status at Mansfield Park as a dependent poor relation only intensifies these traits. The bulk of the novel takes place when she is eighteen and nineteen. She has been in love with her cousin Edmund since she was young and when both realise their feelings, they get married. Fanny is pursued by Mr. Henry Crawford.
Lady Bertram
Sister of Fanny Price's mother who is married to the wealthy Sir Thomas Bertram. She is perpetually vague and distracted. Born "Miss Maria Ward, of Huntingdon, with only seven thousand pounds [...]." .
Mrs Norris
The officious, skinflint sister of Lady Bertram who lives near Mansfield Park. Her husband, Mr. Norris, was the parson at Mansfield Park until his death. She dislikes Fanny and takes every opportunity to put her down and make a distinction between Fanny's treatment and that of her wealthier cousins. Mrs. Norris also takes every opportunity to save money, such as taking candles from the main house for her maid's rooms.
Sir Thomas Bertram
The husband of Fanny's aunt, Lady Bertram. He owns the Mansfield Park estate and an estate in Antigua. He is initially stern and correct. He later realises his behaviour may have caused the ruin of his eldest daughter. He wishes his own children were more like his niece and nephew, Fanny and William Price.
Tom Bertram
The older son of Sir Thomas and Lady Bertram; he is seven years older than Fanny. Tom is principally interested in carousing in London society and enjoying the pleasures of the theatre with his friend, Mr. Yates. Tom incurs large debts, forcing Sir Thomas to sell the church position that would have gone to Tom's younger brother, Edmund. One celebratory journey leaves Tom with a fever and he later learns the error of his ways.
Edmund Bertram
The younger son of Sir Thomas and Lady Bertram; he is six years older than Fanny. He plans to be a clergyman. He alone among his family has any consideration for Fanny's feelings. As her protector and friend, he has a great deal of influence over her and helps form her character. Edmund becomes attracted to Miss Crawford, but her opinions on the scandal involving Mrs. Rushworth and Mr. Crawford mortify him. He later realizes he is in love with Fanny and they are married.
Maria Bertram
The very beautiful elder daughter of Sir Thomas and Lady Bertram; she is three years older than Fanny. She becomes engaged to Mr. Rushworth but she becomes attached to Henry Crawford. She expects Mr. Crawford to propose and when he doesn't, she marries Mr. Rushworth for his £12,000 a year, despite knowing him to be a boorish young man with little but his money to recommend him. Mr. Crawford returns to her life soon after marrying and she runs away with him. Rushworth divorces her and she is left to the mercy of her family because Mr. Crawford refuses to marry her. She ends up living with her aunt Norris.
Julia Bertram
The younger daughter of Sir Thomas and Lady Bertram; she is two years older than Fanny. She has strong feelings toward Mr. Crawford, but soon learns that he prefers Maria, despite, or because of, her sister's engagement. Mr. Yates pursues her, which is swiftly ended when Sir Thomas returns to the house. Julia later goes with Mr. and Mrs. Rushworth on their honeymoon and to their house in town. About the same time Maria runs away with Mr Crawford, Julia elopes with Mr. Yates, ostensibly to avoid being blamed by her father for Maria's elopement with Mr. Crawford .
Dr. Grant
The current parson at the Mansfield Park parsonage, he is a large man who greatly enjoys food and drink.
Mrs. Grant
The wife of Mr. Grant, and half-sister of Henry and Mary Crawford.
Mr. Henry Crawford
Brother of Mrs. Grant and Miss Crawford. A charming, extremely intelligent and eligible bachelor who plays with the emotions of Maria and Julia. This is observed by Fanny. After Maria's marriage, he decides to make Fanny fall in love with him but instead falls in love with her. He loses any chance with her after he and Maria run away together.
Miss Mary Crawford
The pretty and charming sister of Mr. Crawford and Mrs Grant, who takes a keen interest in Edmund Bertram in spite of his being a second son. However, though she seems charming, she has certain views and opinions which mean, in the end, she loses Edmund.
Mr. Rushworth
A wealthy but boring man who becomes engaged to Maria Bertram. He divorces her after she runs away with Henry Crawford.
The Hon. John Yates
A good friend of Tom Bertram. Tom and Yates carouse in London society and bring their love of the theatre to Mansfield Park. Yates expresses interest in Julia Bertram. He elopes with Julia around the time Mr. Crawford and Maria run away together.
William Price
Fanny's brother, a naval midshipman, with whom she is very close. Mr. Crawford seeks to ingratiate himself with Fanny by helping William in his profession. He is polite and kind and Fanny's only correspondent in her family until she visits them.
Mr. Price
Fanny's father, an officer in the Marines who lives in Portsmouth. Mr. Price drinks too much and is foul-mouthed, and seems to have little to no affection for his daughters.
Mrs. Price
Fanny's mother, sister of Mrs. Norris and Lady Bertram. She resembles Lady Bertram in her weak character and laziness, but under the pressure of a large family and a low income she has become slatternly and thoughtless. Like her husband, she seems to care little for Fanny.
Susan Price
Fanny's younger sister with whom Fanny first becomes close on a visit home. She returns with Fanny to Mansfield Park and takes Fanny's place helping her aunt when Fanny marries Edmund. Her character is better than many of her siblings.
Lady Stornoway
a society woman, who is complicit in Mr Crawford and Maria's flirtation. They meet at her parties and eventually run away together from her home.
Mrs. Rushworth
Mr. Rushworth's mother and Maria's mother-in-law. Mr. Rushworth is on his way to fetch her at Easter when Mr. Crawford and Maria increase their flirtation and eventually run away together. Mrs. Rushworth is noted to not be particularly fond of her daughter-in-law.
Literary significance & criticism
Mansfield Park is the most controversial and perhaps the least popular of Austen's major novels. Regency critics praised the novel's wholesome morality, but many modern readers find Fanny's timidity and disapproval of the theatricals difficult to sympathise with and reject the idea (made explicit in the final chapter) that she is a better person for the relative privations of her childhood. Jane Austen's own mother thought Fanny "insipid", and many other readers have found her priggish and unlikeable. Other critics point out that she is a complex personality, perceptive yet given to wishful thinking, and that she shows courage and grows in self-esteem during the latter part of the story. Austen biographer Claire Tomalin, who is generally rather critical of Fanny, argues that "it is in rejecting obedience in favour of the higher dictate of remaining true to her own conscience that Fanny rises to her moment of heroism." But Tomalin reflects the ambivalence that many readers feel towards Fanny when she also writes: "More is made of Fanny Price's faith, which gives her the courage to resist what she thinks is wrong; it also makes her intolerant of sinners, whom she is ready to cast aside."
The story contains much social satire, targeted particularly at the two aunts. It is perhaps the most socially realistic Austen novel, with Fanny's family of origin, the Prices, coming from a much lower echelon of society than most Austen characters.
Controversy over slavery
At one point, Edward Said implicated the novel in western culture's casual acceptance of the material benefits of slavery and imperialism, citing Austen's omission to mention that the estate of Mansfield Park was made possible only through slave labour. At another point, however, he seems to have acknowledged that Jane Austen disapproved of slavery:
* "All the evidence says that even the most routine aspects of holding slaves on a West Indian sugar plantation were cruel stuff. And everything we know about Jane Austen and her values is at odds with the cruelty of slavery. Fanny Price reminds her cousin that after asking Sir Thomas about the slave trade, “there was such a dead silence” as to suggest that one world could not be connected with the other since there simply is no common language for both. That is true."
Critics such as Gabrielle White, have criticised Said's condemnation of Jane Austen and western culture, maintaining that Austen and other writers, including Samuel Johnson and Edmund Burke, opposed slavery and helped make its eventual abolition possible. Claire Tomalin, following literary critic Brian Southam, claims that Fanny, usually so timid, questions her uncle about the slave trade and receives no answer, suggesting that her vision of the trade's immorality is clearer than his. However, Ellen Moody has challenged Southam's interpretation, arguing that Fanny's uncle would not have been "pleased" (as the text suggests) to be questioned on the subject if Southam's reading of the scene were correct.
Film, TV or theatrical adaptations
Mansfield Park has been the subject of a number of adaptations:
* 1983: Mansfield Park, BBC series directed by David Giles, starring Sylvestra Le Touzel as Fanny Price, Nicholas Farrell as Edmund Bertram and Anna Massey as Mrs Norris.
* 1999: Mansfield Park, film directed by Patricia Rozema, starring Frances O'Connor as Fanny Price and Jonny Lee Miller as Edmund Bertram (interestingly, he also featured in the 1983 version, playing one of Fanny's brothers). This film alters several major elements of the story and depicts Fanny as author of some of Austen's actual letters as well as her children's history of England. It emphasizes Austen's disapproval of slavery.
* 2007: Mansfield Park, a television adaptation produced by Company Pictures and starring Billie Piper, was screened on ITV1 in the UK on 18 March 2007.
《愛瑪》是英國女作傢奧斯汀作品中藝術思想最成熟的一部。書中描繪了十幾個女姓人物，最主要的是三個少女：愛瑪、簡•菲爾費剋斯與哈麗埃特。這三個少女都有奧斯丁理想中的溫柔三美：外表儀態的端莊優雅、言談神情的和藹可親、性格品質的寬容正直以及必不可少的熱情。愛瑪以滿腔柔情關心愛護着她的傢人與朋友，菲爾費剋斯深情到幾乎可以為戀人容忍一切折磨，哈麗埃特則更是一個多情的姑娘，一年之中全心全意地愛上了三個男子。
愛瑪-作品內容
愛瑪•伍德豪斯傢境富有，人又聰穎、美麗，處於這種環境裏的人有些嬌生慣養，自以為是，也在情理之中。她剛剛參加了她的朋友、伴侶、前家庭教師泰勒小姐嫁給鄰近的鰥夫韋斯頓先生的婚禮。雖說這樁婚事樣樣都好，愛瑪還是為失去好友而暗自嘆息。如今哈特菲爾德衹剩下她和父親了。伍德豪斯先生年事已高，又愛為瑣事發愁，自然無法給女兒作伴兒。
伍德豪斯傢是海伯利村的大戶。在他們一傢小小的朋友圈子裏，陪伍德豪斯先生湊桌打牌的中老年太太倒是不少，可是沒有年輕小姐能做愛瑪的朋友和心腹。可愛的泰勒小姐如今已成了韋斯頓太太，愛瑪為此深感寂寞，於是就把哈裏特•史密斯置於自己的保護之下。哈裏特是附近寄宿學校學生，住在校長傢裏。她年方十七，相貌出衆，雖然資質低下，但舉止行為卻討人喜歡，毫不做作，又習慣於把愛瑪奉為楷模，所以挺稱人心意。
哈裏特是私生女，其父何人仍是個謎。愛瑪認為這女孩可能出身名門，便極力使她相信她以前交往的人都配不上她。愛瑪勸她與馬丁一傢人斷絶來往。馬丁傢是正派的農夫，雖有一定財産，但不屬上流社會。愛瑪認為羅伯特•馬丁不配取哈裏特為妻，便鼓勵這位姑娘追求年輕的牧師埃爾頓先生。
愛瑪從埃爾頓先生的神態上判定他已開始愛上哈裏特，便自以為撮合婚姻的計劃必然成功。奈特利先生是愛瑪在倫敦當律師的姐夫的弟弟。能看到愛瑪缺點的人為數不多，他就是其中之一。愛瑪和哈裏特的親密關係使他感到不安。他告誡愛瑪這種關係無論是對哈裏特還是對她自己都沒有好處。奈特利先生得知哈裏特在愛瑪慫恿之下拒絶了羅伯特•馬丁的求婚時，就更加感到憂慮。愛瑪自己倒是心安理得，因為她確信埃爾頓先生對哈裏特十分鐘情，而哈裏特——在她的鼓動之下——對他也有同樣的愛慕之心。
埃爾頓先生私下嚮愛瑪求婚，這使愛瑪猛然醒悟。她突然意識到，埃爾頓先生嚮哈裏特獻殷勤實則是衝她而來，而她有意鼓勵埃爾頓追求自己女友的舉動，卻被他看成是鼓勵他嚮自己求婚的表示。埃爾頓的自以為是已經夠討厭的了，可如何把這個消息透露給哈裏特，就更叫人心煩。
愛瑪的生活圈子裏又出現了一件令人失望的事。弗蘭剋•邱吉爾幾個月來一直答應要來看望他的父親和新過門的繼母，但卻再次推遲了他的來訪日期。邱吉爾是韋斯頓先生第一個妻子所生的兒子，用了母親傢的姓氏。奈特利先生認為這個年輕人如今覺得自己比父親的地位優越。愛瑪和他爭執了起來，但心裏卻同意他的看法。
儘管哈特菲爾德的社交圈子沒能受到邱吉爾的光顧，卻也增加了一個叫簡•費爾法剋斯的姑娘。簡是總愛嘮嘮叨叨的貝茨小姐的外甥女，貌美纔淑，與愛瑪不相上下。奈特利先生暗示，這就是愛瑪從來不能與簡友好相處的原因之一。愛瑪自己則把兩人的冷漠關係歸咎於簡的冷漠。
簡到達後不久，韋斯頓夫婦便接到邱吉爾的信，信中又另定他的來訪日期。這一次他真的來了。愛瑪發現這是一位既英俊又有教養的年輕人。他成為伍德豪斯傢的常客，同時，由於他以前認識簡•費爾法剋斯，也就不斷到貝茨傢來拜訪。但他對之大獻殷勤的姑娘卻不是簡而是愛瑪。愛瑪明白韋斯頓夫婦希望這顆情種能夠開花結果。
大約就在這個時候，簡收到了一份厚禮，這是一架鋼琴，送禮者不知何人。據猜測，禮物來自簡的富裕朋友們。簡是個孤兒，一直和他們住在一起。但面對禮物，簡神態尷尬，緘默不語。在韋斯頓夫人告訴愛瑪奈特利先生似乎喜歡並關心簡之後，愛瑪懷疑送禮的人就是奈特利。愛瑪一想到奈特利先生和簡婚配成雙就無法忍受。但她觀察兩人在一起的情景之後，得出了使自己滿意的結論：奈特利先生的舉動是出自友誼，而不是愛情。
費蘭剋•邱吉爾該走了。他看上去有些戀戀不捨。在最後一次到哈特菲爾德作客時，他似乎很想告訴愛瑪一件嚴肅認真的事情；但是愛瑪雖然認為邱吉爾想要開口嚮她表白愛情，卻沒有鼓勵他把心事說出來。因為在愛瑪的想象中，自己總是拒絶邱吉爾的求婚，總是把兩人的愛情歸結為平靜的友誼。
埃爾頓先生重返海伯利村，帶回一個倉促求愛成婚的新娘。這位婦人小有資産，極其粗俗，卻偏偏矯揉造作，自命高雅。哈裏特曾在愛瑪的勸說下墮入愛河，再想勸她解脫情網實非易事。但愛瑪無力辦到的事情，埃爾頓先生的婚煙卻替她完成了。哈裏特終於開始醒悟。埃爾頓先生在一次舞會上對她的粗魯無禮更促成了她的醒悟。埃爾頓先生竟拒絶與哈裏特跳舞，這時，輕易不跳舞的奈特利先生去主動邀請她作舞伴。於是，在哈裏特心中，埃爾頓先生的位置開始由奈特利先生所代替。這件事連愛瑪都不知道。
愛瑪自己則開始考慮選邱吉爾做哈裏特的丈夫。不過她决定自己不再去出力撮合這樁婚事。出於一係列的誤解，愛瑪以為哈裏特在贊揚邱吉爾，其實哈裏特贊揚的是奈特利先生。
韋斯頓太太仍然認為奈特利先生愛慕簡•費爾法剋斯，這就使紛繁不清的鴛鴦譜更加錯綜復雜。而奈特利先生則覺察到簡和邱吉爾之間已有某種秘約。奈特利先生的猜疑後來得到了證實：邱吉爾嚮韋斯頓夫婦承認他和簡在10月份就已秘密訂婚。韋斯頓夫婦首先想到的是愛瑪。他們擔心邱吉爾對愛瑪的殷勤舉動可能已使愛瑪陷入情網。但愛瑪嚮韋斯頓太太表示她曾一度對邱吉爾有點好感，但這段機緣早已過去。愛瑪現在主要擔心兩件事。一是她曾對邱吉爾說過一些關於簡的話，如果她早知道兩人已經訂婚，决不會那樣做。二是她認為自已又一次鼓動哈裏特墮入一段不能成功的戀情之中。
可是，當愛瑪委婉地把這個消息透露給哈裏特時，卻發現哈裏特並沒有因此感到不安。兩人的談話總是說不到一塊，後來愛瑪終於得知哈裏特現在傾心的不是邱吉爾，而是奈特利先生。當哈裏特告訴愛瑪她有理由相信奈特利先生對她也是以愛報愛時，愛瑪纔突然意識到自己內心的秘密：她本人愛的也是奈特利先生。現在她真希望自己從來不認識哈裏特•史密斯。除了自己想嫁給奈特利先生之外，她還明白，奈特利如和哈裏特結合，不但是不相稱的婚配，而且也很難帶來幸福。
愛瑪對這一事態的憂慮不久便告結束：奈特利先生嚮她求婚了。但她的圓滿幸福也有美中不足。她知道自己的婚事會使父親很不高興，因為老人不願生活有絲毫的改變。而且她在不知不覺中又一次使哈裏特面臨失望的打擊。愛瑪和奈特利先生决定住在哈特菲爾德，一直陪伴父親度過晚年。這就解决了第一個難題。至於哈裏特，奈特利先生之所以對她關註，是因為他確實想調查清楚姑娘對他的年輕佃戶羅伯特•馬丁是否仍有愛心。結果，奈特利先生終於在一天早上宣佈，羅伯特•馬丁再次嚮哈裏特求婚，並且被她接受。哈裏特的前途已定，愛瑪自然十分高興。愛瑪總可以這樣回首往事，她周圍的人全都門當戶對地婚配成親，這纔是他們真正幸福的必要條件。
愛瑪-作者簡介
奧斯汀(1775-1817)，19世紀英國最早發表現實主義小說的女作傢。生於英國小鄉鎮史蒂文頓的一個牧師家庭，幾乎從未接受過正規教育，但由於家庭文學空氣熏陶而成為著名作傢。其作品主要描繪她在狹小生活圈子裏所熟悉的中産階級的家庭生活，青年男女的戀愛婚姻及其心態，具有觀察細緻，人物刻畫惟妙惟肖，評論尖刻等藝術特色。20歲左右開始創作，共發表6部小說：《理智與感情》、《傲慢與偏見》、《曼斯菲爾德花園》、《愛瑪》、《諾桑覺寺》、《勸導》。奧斯汀最初創作是為了反對流行小說。後來又反映了18世紀末19世紀初當時未受資本主義工業革命浪潮衝擊的英國鄉村中産階級的日常生活場景，掃除了當時小說創作的庸俗風氣，在英國小說發展史上起到了承上啓下的作用，同時奧斯汀又是公認的描寫婦女意識的卓越作傢。
愛瑪-作品評價
評論傢說：“《愛瑪》可能是奧斯丁最成熟的作品。”這部作者生前最後出版的小說，能被冠以如此高的評價，很大程度上緣於比起其他作品來，它更為深入全面地表現了作者的審美情趣與創作態度，二字概括之，那就是“溫柔”。奧斯丁的審美情趣着重反映在女性形象的塑造上。
但是，奧斯丁強調一點———熱情不等於激情。一個熱情的女性可以使生活充滿趣味，給人們以快樂，但一旦熱情超過了限度，即理智控製的範圍後，它就會蛻變成有害的激情。泛濫的激情使哈麗埃特嘗盡失戀的痛苦；菲爾費剋斯由於一時激情犯下錯誤，作為懲罰，在相當長的時間內“一刻也沒有安寧過”；愛瑪“對自己的每一種激情都覺得羞愧”，它是女主人公幸福生活中僅有的那一點苦惱的源頭。在奧斯丁眼裏，激情是妨礙完美最重要的因素之一。推崇溫柔的審美情趣直接影響了奧斯丁的創作態度。作者藉愛瑪之口這樣說：“我雖然沒有這個優點———但是我懂得如何珍視和尊重它”，《愛瑪》的每一字裏行間無不透露出奧斯丁的真誠與寬厚：不苛求自己、不苛求筆下人物、不苛求讀者 ———僅僅憑着“興趣和愛好”來描述生活，創作對於她來說是一種熱情洋溢、輕鬆自然的感受歷程；她對她塑造的每一個女性都抱着熱忱的希望，但又無比寬容，所以從審美意義上看，個個都如她描繪愛瑪一般 “最好的，儘管有那些缺點還是完美無缺”；她賦予“茶杯裏的小風波”巨大的魅力，但又不要求讀者沉溺其中，故常常打破“第四堵墻”，跳出書外，讓讀者意識到這衹是個想像世界。所以至少可以說，奧斯丁會成為讀者最親愛的朋友。
愛瑪-寫作背景
愛瑪《愛瑪》
從18世紀末到19世紀初，庸俗無聊的“感傷小說”和“哥特小說”充斥英國文壇，而奧斯汀的小說破舊立新，一反常規地展現了當時尚未受到資本主義工業革命衝擊的英國鄉村中産階級的日常生活和田園風光。她的作品往往通過喜劇性的場面嘲諷人們的愚蠢、自私、勢利和盲目自信等可鄙可笑的弱點。奧斯汀的小說出現在19世紀初葉，一掃風行一時的假浪漫主義潮流，繼承和發展了英國18世紀優秀的現實主義傳統，為19世紀現實主義小說的高潮做了準備。雖然其作品反映的廣度和深度有限，但她的作品如“兩寸牙雕”，從一個小窗口中窺視到整個社會形態和人情世故，對改變當時小說創作中的庸俗風氣起了好的作用，在英國小說的發展史上有承上啓下的意義，被譽為地位“可與莎士比亞平起平坐”的作傢。
Before she began the novel, Austen wrote, "I am going to take a heroine whom no-one but myself will much like." In the very first sentence she introduces the title character as "Emma Woodhouse, handsome, clever, and rich." Emma, however, is also rather spoiled; she greatly overestimates her own matchmaking abilities; and she is blind to the dangers of meddling in other people's lives and is often mistaken about the meanings of others' actions.
Plot summary
Although convinced that she herself will never marry, Emma Woodhouse, a precocious twenty-year-old resident of the village of Highbury, imagines herself to be naturally gifted in conjuring love matches. After self-declared success at matchmaking between her governess and Mr. Weston, a village widower, Emma takes it upon herself to find an eligible match for her new friend, Harriet Smith. Though Harriet’s parentage is unknown, Emma is convinced that Harriet deserves to be a gentleman’s wife and sets her friend’s sights on Mr. Elton, the village vicar. Meanwhile, Emma persuades Harriet to reject the proposal of Robert Martin, a well-to-do farmer for whom Harriet clearly has feelings.
Harriet becomes infatuated with Mr. Elton under Emma’s encouragement, but Emma’s plans go awry when Elton makes it clear that his affection is for Emma, not Harriet. Emma realizes that her obsession with making a match for Harriet has blinded her to the true nature of the situation. Mr. Knightley, Emma’s brother-in-law and treasured friend, watches Emma’s matchmaking efforts with a critical eye. He believes that Mr. Martin is a worthy young man whom Harriet would be lucky to marry. He and Emma quarrel over Emma’s meddling, and, as usual, Mr. Knightley proves to be the wiser of the pair. Elton, spurned by Emma and offended by her insinuation that Harriet is his equal, leaves for the town of Bath and marries a young woman there almost immediately.
Emma is left to comfort Harriet and to wonder about the character of a new visitor expected in Highbury—Mr. Weston’s son, Frank Churchill. Frank is set to visit his father in Highbury after having been raised by his aunt and uncle in London, who have also adopted him as their heir. Emma knows nothing about Frank, who has long been deterred from visiting his father by his aunt’s illnesses and complaints. Mr. Knightley is immediately suspicious of the young man, especially after Frank rushes back to London merely to have his hair cut. Emma, however, finds Frank delightful and notices that his charms are directed mainly toward her. Though she plans to discourage these charms, she finds herself flattered and engages in a flirtation with the young man. Emma greets Jane Fairfax, another addition to the Highbury set, with less enthusiasm. Jane is beautiful and accomplished, but Emma dislikes her because of her reserve and, the narrator insinuates, because she is jealous of Jane.
Suspicion, intrigue, and misunderstandings ensue. Mr. Knightley defends Jane, saying that she deserves compassion because, unlike Emma, she has no independent fortune and must soon leave home to work as a governess. Mrs. Weston suspects that the warmth of Mr. Knightley’s defense comes from romantic feelings, an implication Emma resists. Everyone assumes that Frank and Emma are forming an attachment, though Emma soon dismisses Frank as a potential suitor and imagines him as a match for Harriet. At a village ball, Knightley earns Emma’s approval by offering to dance with Harriet, who has just been humiliated by Mr. Elton and his new wife. The next day, Frank saves Harriet from Gypsy beggars. When Harriet tells Emma that she has fallen in love with a man above her social station, Emma believes that she means Frank. Knightley begins to suspect that Frank and Jane have a secret understanding, and he attempts to warn Emma. Emma laughs at Knightley’s suggestion and loses Knightley’s approval when she flirts with Frank and insults Miss Bates, a kindhearted spinster and Jane’s aunt, at a picnic. When Knightley reprimands Emma, she weeps.
News comes that Frank’s aunt has died, and this event paves the way for an unexpected revelation that slowly solves the mysteries. Frank and Jane have been secretly engaged; his attentions to Emma have been a screen to hide his true preference. With his aunt’s death and his uncle’s approval, Frank can now marry Jane, the woman he loves. Emma worries that Harriet will be crushed, but she soon discovers that it is Knightley, not Frank, who is the object of Harriet’s affection. Harriet believes that Knightley shares her feelings. Emma finds herself upset by Harriet’s revelation, and her distress forces her to realize that she is in love with Knightley. Emma expects Knightley to tell her he loves Harriet, but, to her delight, Knightley declares his love for Emma. Harriet is soon comforted by a second proposal from Robert Martin, which she accepts. The novel ends with the marriage of Harriet and Mr. Martin and that of Emma and Mr. Knightley, resolving the question of who loves whom after all.
Principal characters
Emma Woodhouse, the protagonist of the story, is a beautiful, high-spirited, intelligent, and 'slightly' spoiled young woman of 21. Her mother died when she was very young, and she has been mistress of the house ever since, certainly since her older sister got married. While she is in many ways mature for her age, Emma makes some serious mistakes, mainly due to her conviction that she is always right and her lack of real world experience. Although she has vowed she will never ever marry, she delights in making matches for others. She seems unable to fall in love, until jealousy makes her realize that she has loved Mr Knightley all along.
Mr George Knightley, about 37 or 38. He is a close friend of Emma, and her only critic, though he cares deeply for her. Mr Knightley is the owner of the neighbouring estate of Donwell, which includes extensive grounds and a farm. He is the elder brother of Mr John Knightley—the husband of Emma's elder sister Isabella. Mr Knightley is very annoyed with Emma for persuading Harriet to turn down Mr Martin, thinking that the advantage is all on Harriet's side; he also warns Emma against matchmaking Harriet with Mr Elton, correctly guessing that Mr Elton has a much higher opinion of himself. He is suspicious of Frank Churchill and his motives; although his suspicion turns out to be based mainly on jealousy of the younger man, his instincts are proven correct by the revelation that Frank Churchill is not all that he seems.
Mr Frank Churchill, Mr Weston's son by his previous marriage, an amiable young man who manages to be liked by everyone except Mr Knightley, who considers him quite immature, although this partially results from his jealously of Frank's supposed 'pursuit' of Emma. After his mother's death he was raised by his wealthy aunt and uncle, whose last name he took. Frank enjoys dancing and music and living life to the fullest. Frank may be viewed as a careless but less villainous version of characters from other Austen novels, such as Mr Wickham from Pride and Prejudice or Willoughby from Sense and Sensibility.
Jane Fairfax, an orphan whose only family consists of an aunt, Miss Bates, and a grandmother, Mrs Bates. She is regarded as a very beautiful, clever, and elegant woman, with the best of manners, and is also very well-educated and exceptionally talented at singing and playing the piano; in fact, she is the sole person that Emma envies. She has little fortune, however, and seems destined to become a governess – a prospect she dislikes.
Harriet Smith, a young friend of Emma's, is a very pretty but unsophisticated girl who is too easily led by others, especially Emma; she has been educated at a nearby school. The illegitimate daughter of initially unknown parents, she is revealed in the last chapter to be the daughter of a fairly rich and decent tradesman, although not a "gentleman". Emma takes Harriet under her wing early in the novel, and she becomes the subject of some of Emma's misguided matchmaking attempts. Harriet initially rebuffs a marriage proposal from farmer Robert Martin because of Emma's belief that he is beneath her, despite Harriet's own doubtful origins. She then develops a passion for Mr Knightley, which is the catalyst for Emma realising her own feelings. Ultimately, Harriet and Mr Martin are wed, despite Emma's meddling.
Philip Elton is a good-looking, well mannered and ambitious young vicar. Emma wants him to marry Harriet; he wants to marry Emma. Mr Elton displays his mercenary nature by quickly marrying another woman of means after Emma's rejection.
Augusta Elton, formerly Miss Hawkins, is Mr Elton's moneyed but obnoxious wife. She is a boasting, domineering, pretentious woman who likes to be the centre of attention and is generally disliked by Emma and her circle. She patronizes Jane, which earns Jane the sympathy of others.
Mrs Anne Weston, formerly Miss Taylor, was Emma's governess for sixteen years and remains her closest friend and confidante after she marries Mr Weston in the opening chapter. She is a sensible woman who adores Emma. Mrs Weston acts as a surrogate mother to her former charge and, occasionally, as a voice of moderation and reason.
Mr Weston, a recently wealthy man living in the vicinity of Hartfield. He marries Emma's former governess, Miss Taylor, and by his first marriage is father to Frank Churchill, who was adopted and raised by his late wife's brother and sister-in-law. Mr Weston is a sanguine, optimistic man, who enjoys socializing.
Miss Bates, a friendly, garrulous spinster whose mother, Mrs Bates, is a friend of Mr Woodhouse. Her accomplished niece, Jane Fairfax, is the light of her life. One day, Emma humiliates her on a day out in the country, when she pointedly alludes to her tiresome prolixity. Afterward, Mr Knightley sternly rebukes Emma. Shamed, she tries to make amends.
Mr Henry Woodhouse, Emma's father, is always concerned for his own health and that of his friends, to the point of trying to deny his visitors foods he thinks too rich. He laments that "poor Isabella" and "poor Miss Taylor" have married and been taken away from him.
Isabella Woodhouse is the elder sister of Emma and daughter of Henry. She is married to John Knightley.
John Knightley is Isabella's husband and George's younger brother. He is an old acquaintance of Jane Fairfax.
Criticism and themes
Emma Woodhouse is the first Austen heroine with no financial concerns, which, she declares to the naïve Miss Smith, is the reason that she has no inducement to marry. This is a great departure from Austen's other novels, in which the quest for marriage and financial security are two of several themes in the stories. Emma's ample financial resources are one of the factors that make this novel much lighter than Austen's earlier works, such as Sense and Sensibility and Pride and Prejudice. Jane Fairfax's prospects, in contrast, are bleak.
In contrast to other Austen heroines Emma seems immune to romantic attraction . Unlike Marianne Dashwood, who is attracted to the wrong man before she settles on the right one, Emma shows no romantic interest in the men she meets. She is genuinely surprised (and somewhat disgusted) when Mr Elton declares his love for her—much in the way Elizabeth Bennet singularly reacts to the obsequious Mr Collins. Her fancy for Frank Churchill represents more of a longing for a little drama in her life than a longing for romantic love. Notably too, Emma utterly fails to understand the budding affection between Harriet Smith and Robert Martin; she interprets the prospective match solely in terms of financial settlements and social ambition. It is only after Harriet Smith reveals her interest in Mr Knightley that Emma realizes her own feelings for him.
While Emma differs strikingly from Austen's other heroines in these two respects, she resembles Elizabeth Bennet and Anne Elliot, among others, in another way: she is an intelligent young woman with too little to do and no ability to change her location or everyday routine. Though her family is loving and her economic status secure, Emma's everyday life is dull indeed; she has few companions her own age when the novel begins. Her determined though inept matchmaking may represent a muted protest against the narrow scope of a wealthy woman's life, especially that of a woman who is single and childless.
Film and television adaptations
Emma has been the subject of many adaptations:
* 1948: Emma
* 1972: Emma (BBC 1972 television), starring Doran Godwin as Emma.
* 1995: Clueless (a loose modern adaptation), starring Alicia Silverstone as Cher Horowitz (Emma).
* 1996: Emma, starring Gwyneth Paltrow as Emma.
* 1996: Emma, starring Kate Beckinsale as Emma.
* 2009: Emma, starring Romola Garai as Emma.
* 2010: Aisha, starring Sonam Kapoor as Aisha (Emma - Hindi language Version), produced by Rhea Kapoor
愛瑪-作品內容
愛瑪•伍德豪斯傢境富有，人又聰穎、美麗，處於這種環境裏的人有些嬌生慣養，自以為是，也在情理之中。她剛剛參加了她的朋友、伴侶、前家庭教師泰勒小姐嫁給鄰近的鰥夫韋斯頓先生的婚禮。雖說這樁婚事樣樣都好，愛瑪還是為失去好友而暗自嘆息。如今哈特菲爾德衹剩下她和父親了。伍德豪斯先生年事已高，又愛為瑣事發愁，自然無法給女兒作伴兒。
伍德豪斯傢是海伯利村的大戶。在他們一傢小小的朋友圈子裏，陪伍德豪斯先生湊桌打牌的中老年太太倒是不少，可是沒有年輕小姐能做愛瑪的朋友和心腹。可愛的泰勒小姐如今已成了韋斯頓太太，愛瑪為此深感寂寞，於是就把哈裏特•史密斯置於自己的保護之下。哈裏特是附近寄宿學校學生，住在校長傢裏。她年方十七，相貌出衆，雖然資質低下，但舉止行為卻討人喜歡，毫不做作，又習慣於把愛瑪奉為楷模，所以挺稱人心意。
哈裏特是私生女，其父何人仍是個謎。愛瑪認為這女孩可能出身名門，便極力使她相信她以前交往的人都配不上她。愛瑪勸她與馬丁一傢人斷絶來往。馬丁傢是正派的農夫，雖有一定財産，但不屬上流社會。愛瑪認為羅伯特•馬丁不配取哈裏特為妻，便鼓勵這位姑娘追求年輕的牧師埃爾頓先生。
愛瑪從埃爾頓先生的神態上判定他已開始愛上哈裏特，便自以為撮合婚姻的計劃必然成功。奈特利先生是愛瑪在倫敦當律師的姐夫的弟弟。能看到愛瑪缺點的人為數不多，他就是其中之一。愛瑪和哈裏特的親密關係使他感到不安。他告誡愛瑪這種關係無論是對哈裏特還是對她自己都沒有好處。奈特利先生得知哈裏特在愛瑪慫恿之下拒絶了羅伯特•馬丁的求婚時，就更加感到憂慮。愛瑪自己倒是心安理得，因為她確信埃爾頓先生對哈裏特十分鐘情，而哈裏特——在她的鼓動之下——對他也有同樣的愛慕之心。
埃爾頓先生私下嚮愛瑪求婚，這使愛瑪猛然醒悟。她突然意識到，埃爾頓先生嚮哈裏特獻殷勤實則是衝她而來，而她有意鼓勵埃爾頓追求自己女友的舉動，卻被他看成是鼓勵他嚮自己求婚的表示。埃爾頓的自以為是已經夠討厭的了，可如何把這個消息透露給哈裏特，就更叫人心煩。
愛瑪的生活圈子裏又出現了一件令人失望的事。弗蘭剋•邱吉爾幾個月來一直答應要來看望他的父親和新過門的繼母，但卻再次推遲了他的來訪日期。邱吉爾是韋斯頓先生第一個妻子所生的兒子，用了母親傢的姓氏。奈特利先生認為這個年輕人如今覺得自己比父親的地位優越。愛瑪和他爭執了起來，但心裏卻同意他的看法。
儘管哈特菲爾德的社交圈子沒能受到邱吉爾的光顧，卻也增加了一個叫簡•費爾法剋斯的姑娘。簡是總愛嘮嘮叨叨的貝茨小姐的外甥女，貌美纔淑，與愛瑪不相上下。奈特利先生暗示，這就是愛瑪從來不能與簡友好相處的原因之一。愛瑪自己則把兩人的冷漠關係歸咎於簡的冷漠。
簡到達後不久，韋斯頓夫婦便接到邱吉爾的信，信中又另定他的來訪日期。這一次他真的來了。愛瑪發現這是一位既英俊又有教養的年輕人。他成為伍德豪斯傢的常客，同時，由於他以前認識簡•費爾法剋斯，也就不斷到貝茨傢來拜訪。但他對之大獻殷勤的姑娘卻不是簡而是愛瑪。愛瑪明白韋斯頓夫婦希望這顆情種能夠開花結果。
大約就在這個時候，簡收到了一份厚禮，這是一架鋼琴，送禮者不知何人。據猜測，禮物來自簡的富裕朋友們。簡是個孤兒，一直和他們住在一起。但面對禮物，簡神態尷尬，緘默不語。在韋斯頓夫人告訴愛瑪奈特利先生似乎喜歡並關心簡之後，愛瑪懷疑送禮的人就是奈特利。愛瑪一想到奈特利先生和簡婚配成雙就無法忍受。但她觀察兩人在一起的情景之後，得出了使自己滿意的結論：奈特利先生的舉動是出自友誼，而不是愛情。
費蘭剋•邱吉爾該走了。他看上去有些戀戀不捨。在最後一次到哈特菲爾德作客時，他似乎很想告訴愛瑪一件嚴肅認真的事情；但是愛瑪雖然認為邱吉爾想要開口嚮她表白愛情，卻沒有鼓勵他把心事說出來。因為在愛瑪的想象中，自己總是拒絶邱吉爾的求婚，總是把兩人的愛情歸結為平靜的友誼。
埃爾頓先生重返海伯利村，帶回一個倉促求愛成婚的新娘。這位婦人小有資産，極其粗俗，卻偏偏矯揉造作，自命高雅。哈裏特曾在愛瑪的勸說下墮入愛河，再想勸她解脫情網實非易事。但愛瑪無力辦到的事情，埃爾頓先生的婚煙卻替她完成了。哈裏特終於開始醒悟。埃爾頓先生在一次舞會上對她的粗魯無禮更促成了她的醒悟。埃爾頓先生竟拒絶與哈裏特跳舞，這時，輕易不跳舞的奈特利先生去主動邀請她作舞伴。於是，在哈裏特心中，埃爾頓先生的位置開始由奈特利先生所代替。這件事連愛瑪都不知道。
愛瑪自己則開始考慮選邱吉爾做哈裏特的丈夫。不過她决定自己不再去出力撮合這樁婚事。出於一係列的誤解，愛瑪以為哈裏特在贊揚邱吉爾，其實哈裏特贊揚的是奈特利先生。
韋斯頓太太仍然認為奈特利先生愛慕簡•費爾法剋斯，這就使紛繁不清的鴛鴦譜更加錯綜復雜。而奈特利先生則覺察到簡和邱吉爾之間已有某種秘約。奈特利先生的猜疑後來得到了證實：邱吉爾嚮韋斯頓夫婦承認他和簡在10月份就已秘密訂婚。韋斯頓夫婦首先想到的是愛瑪。他們擔心邱吉爾對愛瑪的殷勤舉動可能已使愛瑪陷入情網。但愛瑪嚮韋斯頓太太表示她曾一度對邱吉爾有點好感，但這段機緣早已過去。愛瑪現在主要擔心兩件事。一是她曾對邱吉爾說過一些關於簡的話，如果她早知道兩人已經訂婚，决不會那樣做。二是她認為自已又一次鼓動哈裏特墮入一段不能成功的戀情之中。
可是，當愛瑪委婉地把這個消息透露給哈裏特時，卻發現哈裏特並沒有因此感到不安。兩人的談話總是說不到一塊，後來愛瑪終於得知哈裏特現在傾心的不是邱吉爾，而是奈特利先生。當哈裏特告訴愛瑪她有理由相信奈特利先生對她也是以愛報愛時，愛瑪纔突然意識到自己內心的秘密：她本人愛的也是奈特利先生。現在她真希望自己從來不認識哈裏特•史密斯。除了自己想嫁給奈特利先生之外，她還明白，奈特利如和哈裏特結合，不但是不相稱的婚配，而且也很難帶來幸福。
愛瑪對這一事態的憂慮不久便告結束：奈特利先生嚮她求婚了。但她的圓滿幸福也有美中不足。她知道自己的婚事會使父親很不高興，因為老人不願生活有絲毫的改變。而且她在不知不覺中又一次使哈裏特面臨失望的打擊。愛瑪和奈特利先生决定住在哈特菲爾德，一直陪伴父親度過晚年。這就解决了第一個難題。至於哈裏特，奈特利先生之所以對她關註，是因為他確實想調查清楚姑娘對他的年輕佃戶羅伯特•馬丁是否仍有愛心。結果，奈特利先生終於在一天早上宣佈，羅伯特•馬丁再次嚮哈裏特求婚，並且被她接受。哈裏特的前途已定，愛瑪自然十分高興。愛瑪總可以這樣回首往事，她周圍的人全都門當戶對地婚配成親，這纔是他們真正幸福的必要條件。
愛瑪-作者簡介
奧斯汀(1775-1817)，19世紀英國最早發表現實主義小說的女作傢。生於英國小鄉鎮史蒂文頓的一個牧師家庭，幾乎從未接受過正規教育，但由於家庭文學空氣熏陶而成為著名作傢。其作品主要描繪她在狹小生活圈子裏所熟悉的中産階級的家庭生活，青年男女的戀愛婚姻及其心態，具有觀察細緻，人物刻畫惟妙惟肖，評論尖刻等藝術特色。20歲左右開始創作，共發表6部小說：《理智與感情》、《傲慢與偏見》、《曼斯菲爾德花園》、《愛瑪》、《諾桑覺寺》、《勸導》。奧斯汀最初創作是為了反對流行小說。後來又反映了18世紀末19世紀初當時未受資本主義工業革命浪潮衝擊的英國鄉村中産階級的日常生活場景，掃除了當時小說創作的庸俗風氣，在英國小說發展史上起到了承上啓下的作用，同時奧斯汀又是公認的描寫婦女意識的卓越作傢。
愛瑪-作品評價
評論傢說：“《愛瑪》可能是奧斯丁最成熟的作品。”這部作者生前最後出版的小說，能被冠以如此高的評價，很大程度上緣於比起其他作品來，它更為深入全面地表現了作者的審美情趣與創作態度，二字概括之，那就是“溫柔”。奧斯丁的審美情趣着重反映在女性形象的塑造上。
但是，奧斯丁強調一點———熱情不等於激情。一個熱情的女性可以使生活充滿趣味，給人們以快樂，但一旦熱情超過了限度，即理智控製的範圍後，它就會蛻變成有害的激情。泛濫的激情使哈麗埃特嘗盡失戀的痛苦；菲爾費剋斯由於一時激情犯下錯誤，作為懲罰，在相當長的時間內“一刻也沒有安寧過”；愛瑪“對自己的每一種激情都覺得羞愧”，它是女主人公幸福生活中僅有的那一點苦惱的源頭。在奧斯丁眼裏，激情是妨礙完美最重要的因素之一。推崇溫柔的審美情趣直接影響了奧斯丁的創作態度。作者藉愛瑪之口這樣說：“我雖然沒有這個優點———但是我懂得如何珍視和尊重它”，《愛瑪》的每一字裏行間無不透露出奧斯丁的真誠與寬厚：不苛求自己、不苛求筆下人物、不苛求讀者 ———僅僅憑着“興趣和愛好”來描述生活，創作對於她來說是一種熱情洋溢、輕鬆自然的感受歷程；她對她塑造的每一個女性都抱着熱忱的希望，但又無比寬容，所以從審美意義上看，個個都如她描繪愛瑪一般 “最好的，儘管有那些缺點還是完美無缺”；她賦予“茶杯裏的小風波”巨大的魅力，但又不要求讀者沉溺其中，故常常打破“第四堵墻”，跳出書外，讓讀者意識到這衹是個想像世界。所以至少可以說，奧斯丁會成為讀者最親愛的朋友。
愛瑪-寫作背景
愛瑪《愛瑪》
從18世紀末到19世紀初，庸俗無聊的“感傷小說”和“哥特小說”充斥英國文壇，而奧斯汀的小說破舊立新，一反常規地展現了當時尚未受到資本主義工業革命衝擊的英國鄉村中産階級的日常生活和田園風光。她的作品往往通過喜劇性的場面嘲諷人們的愚蠢、自私、勢利和盲目自信等可鄙可笑的弱點。奧斯汀的小說出現在19世紀初葉，一掃風行一時的假浪漫主義潮流，繼承和發展了英國18世紀優秀的現實主義傳統，為19世紀現實主義小說的高潮做了準備。雖然其作品反映的廣度和深度有限，但她的作品如“兩寸牙雕”，從一個小窗口中窺視到整個社會形態和人情世故，對改變當時小說創作中的庸俗風氣起了好的作用，在英國小說的發展史上有承上啓下的意義，被譽為地位“可與莎士比亞平起平坐”的作傢。
Before she began the novel, Austen wrote, "I am going to take a heroine whom no-one but myself will much like." In the very first sentence she introduces the title character as "Emma Woodhouse, handsome, clever, and rich." Emma, however, is also rather spoiled; she greatly overestimates her own matchmaking abilities; and she is blind to the dangers of meddling in other people's lives and is often mistaken about the meanings of others' actions.
Plot summary
Although convinced that she herself will never marry, Emma Woodhouse, a precocious twenty-year-old resident of the village of Highbury, imagines herself to be naturally gifted in conjuring love matches. After self-declared success at matchmaking between her governess and Mr. Weston, a village widower, Emma takes it upon herself to find an eligible match for her new friend, Harriet Smith. Though Harriet’s parentage is unknown, Emma is convinced that Harriet deserves to be a gentleman’s wife and sets her friend’s sights on Mr. Elton, the village vicar. Meanwhile, Emma persuades Harriet to reject the proposal of Robert Martin, a well-to-do farmer for whom Harriet clearly has feelings.
Harriet becomes infatuated with Mr. Elton under Emma’s encouragement, but Emma’s plans go awry when Elton makes it clear that his affection is for Emma, not Harriet. Emma realizes that her obsession with making a match for Harriet has blinded her to the true nature of the situation. Mr. Knightley, Emma’s brother-in-law and treasured friend, watches Emma’s matchmaking efforts with a critical eye. He believes that Mr. Martin is a worthy young man whom Harriet would be lucky to marry. He and Emma quarrel over Emma’s meddling, and, as usual, Mr. Knightley proves to be the wiser of the pair. Elton, spurned by Emma and offended by her insinuation that Harriet is his equal, leaves for the town of Bath and marries a young woman there almost immediately.
Emma is left to comfort Harriet and to wonder about the character of a new visitor expected in Highbury—Mr. Weston’s son, Frank Churchill. Frank is set to visit his father in Highbury after having been raised by his aunt and uncle in London, who have also adopted him as their heir. Emma knows nothing about Frank, who has long been deterred from visiting his father by his aunt’s illnesses and complaints. Mr. Knightley is immediately suspicious of the young man, especially after Frank rushes back to London merely to have his hair cut. Emma, however, finds Frank delightful and notices that his charms are directed mainly toward her. Though she plans to discourage these charms, she finds herself flattered and engages in a flirtation with the young man. Emma greets Jane Fairfax, another addition to the Highbury set, with less enthusiasm. Jane is beautiful and accomplished, but Emma dislikes her because of her reserve and, the narrator insinuates, because she is jealous of Jane.
Suspicion, intrigue, and misunderstandings ensue. Mr. Knightley defends Jane, saying that she deserves compassion because, unlike Emma, she has no independent fortune and must soon leave home to work as a governess. Mrs. Weston suspects that the warmth of Mr. Knightley’s defense comes from romantic feelings, an implication Emma resists. Everyone assumes that Frank and Emma are forming an attachment, though Emma soon dismisses Frank as a potential suitor and imagines him as a match for Harriet. At a village ball, Knightley earns Emma’s approval by offering to dance with Harriet, who has just been humiliated by Mr. Elton and his new wife. The next day, Frank saves Harriet from Gypsy beggars. When Harriet tells Emma that she has fallen in love with a man above her social station, Emma believes that she means Frank. Knightley begins to suspect that Frank and Jane have a secret understanding, and he attempts to warn Emma. Emma laughs at Knightley’s suggestion and loses Knightley’s approval when she flirts with Frank and insults Miss Bates, a kindhearted spinster and Jane’s aunt, at a picnic. When Knightley reprimands Emma, she weeps.
News comes that Frank’s aunt has died, and this event paves the way for an unexpected revelation that slowly solves the mysteries. Frank and Jane have been secretly engaged; his attentions to Emma have been a screen to hide his true preference. With his aunt’s death and his uncle’s approval, Frank can now marry Jane, the woman he loves. Emma worries that Harriet will be crushed, but she soon discovers that it is Knightley, not Frank, who is the object of Harriet’s affection. Harriet believes that Knightley shares her feelings. Emma finds herself upset by Harriet’s revelation, and her distress forces her to realize that she is in love with Knightley. Emma expects Knightley to tell her he loves Harriet, but, to her delight, Knightley declares his love for Emma. Harriet is soon comforted by a second proposal from Robert Martin, which she accepts. The novel ends with the marriage of Harriet and Mr. Martin and that of Emma and Mr. Knightley, resolving the question of who loves whom after all.
Principal characters
Emma Woodhouse, the protagonist of the story, is a beautiful, high-spirited, intelligent, and 'slightly' spoiled young woman of 21. Her mother died when she was very young, and she has been mistress of the house ever since, certainly since her older sister got married. While she is in many ways mature for her age, Emma makes some serious mistakes, mainly due to her conviction that she is always right and her lack of real world experience. Although she has vowed she will never ever marry, she delights in making matches for others. She seems unable to fall in love, until jealousy makes her realize that she has loved Mr Knightley all along.
Mr George Knightley, about 37 or 38. He is a close friend of Emma, and her only critic, though he cares deeply for her. Mr Knightley is the owner of the neighbouring estate of Donwell, which includes extensive grounds and a farm. He is the elder brother of Mr John Knightley—the husband of Emma's elder sister Isabella. Mr Knightley is very annoyed with Emma for persuading Harriet to turn down Mr Martin, thinking that the advantage is all on Harriet's side; he also warns Emma against matchmaking Harriet with Mr Elton, correctly guessing that Mr Elton has a much higher opinion of himself. He is suspicious of Frank Churchill and his motives; although his suspicion turns out to be based mainly on jealousy of the younger man, his instincts are proven correct by the revelation that Frank Churchill is not all that he seems.
Mr Frank Churchill, Mr Weston's son by his previous marriage, an amiable young man who manages to be liked by everyone except Mr Knightley, who considers him quite immature, although this partially results from his jealously of Frank's supposed 'pursuit' of Emma. After his mother's death he was raised by his wealthy aunt and uncle, whose last name he took. Frank enjoys dancing and music and living life to the fullest. Frank may be viewed as a careless but less villainous version of characters from other Austen novels, such as Mr Wickham from Pride and Prejudice or Willoughby from Sense and Sensibility.
Jane Fairfax, an orphan whose only family consists of an aunt, Miss Bates, and a grandmother, Mrs Bates. She is regarded as a very beautiful, clever, and elegant woman, with the best of manners, and is also very well-educated and exceptionally talented at singing and playing the piano; in fact, she is the sole person that Emma envies. She has little fortune, however, and seems destined to become a governess – a prospect she dislikes.
Harriet Smith, a young friend of Emma's, is a very pretty but unsophisticated girl who is too easily led by others, especially Emma; she has been educated at a nearby school. The illegitimate daughter of initially unknown parents, she is revealed in the last chapter to be the daughter of a fairly rich and decent tradesman, although not a "gentleman". Emma takes Harriet under her wing early in the novel, and she becomes the subject of some of Emma's misguided matchmaking attempts. Harriet initially rebuffs a marriage proposal from farmer Robert Martin because of Emma's belief that he is beneath her, despite Harriet's own doubtful origins. She then develops a passion for Mr Knightley, which is the catalyst for Emma realising her own feelings. Ultimately, Harriet and Mr Martin are wed, despite Emma's meddling.
Philip Elton is a good-looking, well mannered and ambitious young vicar. Emma wants him to marry Harriet; he wants to marry Emma. Mr Elton displays his mercenary nature by quickly marrying another woman of means after Emma's rejection.
Augusta Elton, formerly Miss Hawkins, is Mr Elton's moneyed but obnoxious wife. She is a boasting, domineering, pretentious woman who likes to be the centre of attention and is generally disliked by Emma and her circle. She patronizes Jane, which earns Jane the sympathy of others.
Mrs Anne Weston, formerly Miss Taylor, was Emma's governess for sixteen years and remains her closest friend and confidante after she marries Mr Weston in the opening chapter. She is a sensible woman who adores Emma. Mrs Weston acts as a surrogate mother to her former charge and, occasionally, as a voice of moderation and reason.
Mr Weston, a recently wealthy man living in the vicinity of Hartfield. He marries Emma's former governess, Miss Taylor, and by his first marriage is father to Frank Churchill, who was adopted and raised by his late wife's brother and sister-in-law. Mr Weston is a sanguine, optimistic man, who enjoys socializing.
Miss Bates, a friendly, garrulous spinster whose mother, Mrs Bates, is a friend of Mr Woodhouse. Her accomplished niece, Jane Fairfax, is the light of her life. One day, Emma humiliates her on a day out in the country, when she pointedly alludes to her tiresome prolixity. Afterward, Mr Knightley sternly rebukes Emma. Shamed, she tries to make amends.
Mr Henry Woodhouse, Emma's father, is always concerned for his own health and that of his friends, to the point of trying to deny his visitors foods he thinks too rich. He laments that "poor Isabella" and "poor Miss Taylor" have married and been taken away from him.
Isabella Woodhouse is the elder sister of Emma and daughter of Henry. She is married to John Knightley.
John Knightley is Isabella's husband and George's younger brother. He is an old acquaintance of Jane Fairfax.
Criticism and themes
Emma Woodhouse is the first Austen heroine with no financial concerns, which, she declares to the naïve Miss Smith, is the reason that she has no inducement to marry. This is a great departure from Austen's other novels, in which the quest for marriage and financial security are two of several themes in the stories. Emma's ample financial resources are one of the factors that make this novel much lighter than Austen's earlier works, such as Sense and Sensibility and Pride and Prejudice. Jane Fairfax's prospects, in contrast, are bleak.
In contrast to other Austen heroines Emma seems immune to romantic attraction . Unlike Marianne Dashwood, who is attracted to the wrong man before she settles on the right one, Emma shows no romantic interest in the men she meets. She is genuinely surprised (and somewhat disgusted) when Mr Elton declares his love for her—much in the way Elizabeth Bennet singularly reacts to the obsequious Mr Collins. Her fancy for Frank Churchill represents more of a longing for a little drama in her life than a longing for romantic love. Notably too, Emma utterly fails to understand the budding affection between Harriet Smith and Robert Martin; she interprets the prospective match solely in terms of financial settlements and social ambition. It is only after Harriet Smith reveals her interest in Mr Knightley that Emma realizes her own feelings for him.
While Emma differs strikingly from Austen's other heroines in these two respects, she resembles Elizabeth Bennet and Anne Elliot, among others, in another way: she is an intelligent young woman with too little to do and no ability to change her location or everyday routine. Though her family is loving and her economic status secure, Emma's everyday life is dull indeed; she has few companions her own age when the novel begins. Her determined though inept matchmaking may represent a muted protest against the narrow scope of a wealthy woman's life, especially that of a woman who is single and childless.
Film and television adaptations
Emma has been the subject of many adaptations:
* 1948: Emma
* 1972: Emma (BBC 1972 television), starring Doran Godwin as Emma.
* 1995: Clueless (a loose modern adaptation), starring Alicia Silverstone as Cher Horowitz (Emma).
* 1996: Emma, starring Gwyneth Paltrow as Emma.
* 1996: Emma, starring Kate Beckinsale as Emma.
* 2009: Emma, starring Romola Garai as Emma.
* 2010: Aisha, starring Sonam Kapoor as Aisha (Emma - Hindi language Version), produced by Rhea Kapoor
諾蘭莊園的主人去世了，按照傢族財産不能分割的傳統，把幾乎所有財産都給兒子約翰繼承，而三個女兒和妻子衹能得到很少的一點生活費用。在妻子芬妮的一力主張下，約翰逐步把四個女人趕出了莊園。芬妮的弟弟愛德華來莊園小住，愛上了三姐妹中的大姐愛琳娜，但很快被看出苗頭的芬妮拆散。
四個女人租了約翰爵士的小屋居住，爵士的嶽母夏洛特喜歡這三姐妹，並試圖把一個有錢的單身貴族布蘭登上校介紹給愛琳娜，而布蘭登卻愛上了二妹瑪麗安。
在一次風雨中，瑪麗安扭傷了腳踝，一個英俊的陌生男士主動幫忙，把瑪麗安抱回傢中，瑪麗安愛上了這個叫約翰·衛勒比的年輕人。
布蘭登還是對瑪麗安緊追不放，特意召開了一次莊園聚會。但在會上，一封來自倫敦的信讓布蘭登立即飛馬離去。第二天，衛勒比突然來嚮瑪麗安辭行，言辭閃爍，瑪麗安十分傷心。
在夏洛特處，一個叫露茜的女孩告訴愛琳娜，她和愛德華已經私訂終身有五年之久了，愛琳娜暗自傷心之際還是不忘替她保守秘密。夏洛特看瑪麗安傷心，决定帶幾個女孩子到倫敦去過社交季節。
瑪麗安見到了衛勒比，卻得知他要和蓋小姐結婚，瑪麗安悲痛欲絶。夏洛特和布蘭登告訴她們，衛勒比因為即將破産，而衹能和身價5萬英鎊的蓋小姐結合，在此之前還把布蘭登的私生女遺棄了。但布蘭登也以紳士的態度表明，衛勒比對瑪麗安還是真心喜歡的。
愛德華來找愛琳娜，卻遇到了露茜，一時很是尷尬，衹能托詞出門。芬妮對愛德華和露茜的婚事十分不滿，但愛德華信守諾言，放棄所有遺産，還是要對露茜負責。布蘭登來找愛琳娜，願意為愛德華和露茜盡力，委托愛琳娜轉告。愛琳娜明知會把愛人送入別人的懷抱，還是如實轉告了愛德華。
一對傷心姐妹回到了布蘭登的莊園，瑪麗安到山上遠望衛勒比的，在大雨中昏倒，布蘭登把他抱回傢中。染上熱病的瑪麗安終於有所好轉，布蘭登已經連夜把她的母親接來看她，瑪麗安被布蘭登深深感動了。
愛琳娜還在為愛德華傷心，而愛德華卻出現在她面前。原來，露茜和愛德華的弟弟一見鐘情，愛德華也正好得以回到愛琳娜身邊，愛琳娜被這個突然的結果弄得當場大哭。
終於有情人終成眷屬，兩姐妹同時舉行了婚禮。遠方的山坡上，衛勒比調轉馬頭疾奔而去。
“你實踐了你的承諾，這比什麽都重要。” 愛琳娜對愛德華說。
愛德華不得不對5年前的一個過時的承諾負責，愛琳娜不得不尊重這個承諾，兩個相愛的人卻不得不分離。如果換一個人來導演這部影片，對於諾言的束縛未必有李安這樣深刻的認識和體會。這是人性中最寶貴的部分，在東西方以不同的名義和形式存在。這是一種“有所不為，有所必為”的精神，它固然是東方傳統倫理道德對“君子”的約束，也是西方傳統對“紳士”的要求，李安在這裏找到了東西方傳統美德的契合點。在這一點上說，這甚至和《臥虎藏竜》的某些精神相一致。而同樣的，對這種美德的贊頌，必然會引出人在世界上所受的束縛。
最後的大團圓結尾是令人舒暢的，他們的歡樂是由衷的、沒有一點陰影的。他們每個人都盡了自己的本分：信守諾言，也尊重別人信守諾言，他們的良心是平安的。而遠處山坡上的衛勒比，心中必定受着無比痛苦的煎熬。雖然這是個過於理想的結局，有教誨世人的用意，但其中的信念卻是堅定的。
英國小說傢1795年用筆講過的故事，兩百年後的今天由一位華人導演在銀幕上重新演繹了一番。
《理智與情感》-幕後花絮
簡·奧斯丁絶不讓你大喜大悲，她偏重散文式的情趣和女性化的睿智。李安的執導和愛瑪·湯姆遜的編劇為該片插上了翅膀。影片節奏把握得當，細節疏密妥帖，每場戲的取捨和長度都非常電影化。獲柏林金熊奬。該劇在1985年曾經有過一個BBC的電視版，長174分鐘。
李安談中文片名
我覺得嚴格來講，應該翻譯成《知性與感性》，知性包括感性，它並非衹限於一個理性、一個感性的截然二面，而是知性裏面感性的討論。所以戲自然落到艾瑪·湯普森身上，理性的姐姐得到一個最浪漫的結局，妹妹則對感性有了理性的認識，它之所以動人原因在此，並非姐姐理性、妹妹感性的比較，或誰是誰非。人是一個有機的整體，十分的復雜微妙，這與中國的“陰陽”相通，每樣東西都有個雙面性，其實許多西方人還不見得容易體會到簡·奧斯汀的兩面性，反倒是中國人容易一點就通。這個觀念與中國的“陰陽”結合，對我之後拍攝《臥虎藏竜》以及構思《緑巨人》都有影響。
·片中原本有一場休·格蘭特和艾瑪·湯普森的吻戲，但後來被刪掉了，因為湯普森寫這個場面僅僅是因為她想吻休·格蘭特。
·據艾瑪·湯普森回憶，當拍攝片中布蘭登上校(艾倫·瑞剋曼，他還演過《哈利波特》裏的斯內普教授)騎馬走近埃利諾和瑪利安時，很多次的拍攝都被馬給攪壞了。因為那匹可憐的馬得了胃脹氣……後來同期聲經過處理去掉了那些放屁的聲音。
·劇組人員不得不經常跟英國那變幻莫測的天氣作鬥爭。
·電影是4 月19日開拍的，而艾倫·瑞剋曼5月1日纔加入劇組，他第一天上戲,卻出現在電影的最後一個鏡頭，完全一頭霧水。
·當哥倫比亞公司把艾瑪·湯普森的劇本拿給李安時，他還從沒讀過任何一本簡·奧斯汀的小說。
· 《理智與情感》是李安第一次拍大聯盟的片子，第一次和真正的明星合作，也是第一次和如此專業成熟的班底合作。他不僅要和演員鬥，還要跟攝影鬥，每個人都是學富五車、閱歷過人、伶牙俐齒的，用他的話講：“我一直在‘掙’我的權威”。
《理智與情感》-媒體報道
理智戰勝情感？現實高於夢幻？《理智與情感》飄雨天海 發佈於：2007-11-30 22:44
影片是由世界名著簡-奧斯丁的同名小說改編而成，它沿襲了原小說的主題。生活中，我們免不了理智與情感的角逐，不管那方勝出，不管事態的發展怎樣印證我們當時的决定，都很難說那個更正確，那個更合乎情理。這是永恆的矛盾，在愛情上的表現尤為突出，因此，雖然影片的背景是基於18世紀的歐洲，但在我們觀影時，依然不會覺得陌生和遙遠。
“性格與命運端視，汝之自覺而開啓”
妹妹張揚而又奔放，從來不掩蓋自己的感情。她最喜歡莎劇的一段臺詞，並且在吟誦的時候，也一定要充滿激情，甚至不能容忍愛德華那死氣沉沉朗讀“說變心就變心，怎能算是愛？愛是永恆的印記，縱是狂風暴雨，也永不褪色。”
姐姐穩重而又矜持，即使內心洶涌澎湃，卻依然平靜安詳。
這兩個性格迥異的姐妹，一個代表了理智，一個代表了情感，當愛情到來時，會有怎樣的命運？
從兩姐妹的感情命運來看，本片似乎告訴我們“理智戰勝情感，現實高於夢幻。”但這終究還是一場沒有定論的爭鋒。你我衹能根據自己的性格，找到屬於自己的平衡點吧？
妹妹在經歷了生於死的洗禮後，找到了理智與情感的平衡點，現實總不像夢幻中那麽美麗，莎翁的詩句或者衹能是詩句吧？
姐姐在長時間的壓抑後，是情感的迸發。我很喜歡Emma Thompson在影片末尾這段難以自製的痛哭的表演，把一直以來內心世界理智與情感的交鋒推嚮了頂點。沒有了夢幻，沒有了情感，我們要理智又有何用？
本片由華裔導演李安指導，影後Emma Thompson編劇並飾演姐姐，Hugh grant一改以往喜劇喜路，變成英俊的古典王子，飾演愛德華。Kate winslet（泰坦尼剋女主角）飾演妹妹。精湛的表演，把人物性格刻畫的相當到位。理智與情感，兼得還是取捨？
《理智與情感》-相關評論
李安的《理智與情感》一如他一貫的電影風格，突出表現的是人與人之間的真情實感。
姐姐愛琳娜是理性的代表，她對於所有的一切都處理得很識大體，而妹妹瑪麗安則是感性的代表，她堅信愛情是熱情如火的。愛德華的到來打開了愛琳娜從未開啓過的心門，可是理性的她始終都剋製着自己的感情，理性的交談，理性的微笑，於是，愛德華以為她對他衹是友情，加之已有婚約在身，兩人被迫分開，沒有任何承諾。在搬去巴頓小屋之後，布萊登上校的出現並沒有打動瑪麗安的芳心，她愛上了風流倜儻的威勒比，體驗着她所嚮往的熱情如火的愛情。然而，事情就是這樣的陰差陽錯，就在威勒比準備求婚的那天，發生了一點意外，他面對身無分文的窘境，終於嚮現實妥協，棄瑪麗安於不顧，迎娶了身價不菲的富傢女。“說變心就變心，哪能算是愛……愛是永不褪色的印記。”曾經的山盟海誓猶在眼前，而斯人不再。瑪麗安終於不支病倒。而布萊登上校卻自始至終都不曾離開，因為曾經失去，所以懂得珍惜。而瑪麗安清醒後的一句“謝謝”，所有的付出都值得了。感性的她終於明白，衹有平淡的感情才能夠細水長流。而愛琳娜呢，自從搬去巴頓小屋之後，她無時無刻不在期待着與愛德華的重逢，可換來的卻是一次次的失望，尤其是露茜的出現。如果說剛開始她還半信半疑的話，那麽當露茜拿着那塊綉着 “ELF”的手帕在那抹眼淚的時候，她完全處在崩潰的邊緣。她的心裏有着無限的痛苦，卻不能言說，還得大度地幫助愛德華和露茜開始新生活。然而，戲劇性的一幕再次出現，露茜愛上了愛德華的弟弟羅伯，於是，愛德華恢復了自由之身，當他告訴愛琳娜他沒有結婚的消息時，愛琳娜終於不再壓抑自己的感情，失態地大哭，她壓抑得太久了，都已經麻木了，卻在這突如其來的幸福面前展現了自己最真實的一面。故事的結尾是皆大歡喜的，理性的愛琳娜和感性的瑪麗安都各自找到了屬於自己的幸福，衹留下威勒比一個人在那裏權衡到底是愛情重要還是金錢重要，但無論是什麽結果，他都已經做出了選擇，既然做了選擇就必須為自己的行為負責。
理性還是感性，這是一個問題，幸福的真諦在於就做你自己。獨一無二的你一定會收穫獨一無二的幸福。
The story revolves around Elinor and Marianne, two daughters of Mr. Dashwood by his second wife. They have a younger sister, Margaret, and an older half-brother named John. When their father dies, the family estate passes to John, and the Dashwood women are left in reduced circumstances. The novel follows the Dashwood sisters to their new home, a cottage on a distant relative's property, where they experience both romance and heartbreak. The contrast between the sisters' characters is eventually resolved as they each find love and lasting happiness. Through the events in the novel, Elinor and Marianne find a balance between sense (or pure logic) and sensibility (or pure emotion) in life and love.
The book has been adapted for film and television a number of times, including a 1981 serial for TV directed by Rodney Bennett; a 1995 movie adapted by Emma Thompson and directed by Ang Lee; a version in Tamil called Kandukondain Kandukondain released in 2000; and a 2008 TV series on BBC adapted by Andrew Davies and directed by John Alexander.
Plot summary
When Mr. Dashwood dies, his estate - Norland Park - passes directly to John, his only son, and child of his first wife. Mrs. Dashwood, his second wife, and their daughters, Elinor, Marianne and Margaret, are left only a small income.
On his deathbed, Mr. Dashwood had asked John to promise to take care of his half-sisters but John's selfish and greedy wife, Fanny, soon persuades her weak-willed husband that he has no real financial obligation in the matter, and he gives the girls and their mother nothing. John and Fanny move into Norland immediately on the death of Mr Dashwood and take up their place as its new owners. The Dashwood women, now treated as rather unwelcome guests in what was their home, begin looking for another place to live - a difficult task because of their small income.
Fanny's brother, Edward Ferrars, a pleasant, unassuming, intelligent but reserved young man, comes to Norland for a visit. He and Elinor are clearly attracted to each other and Mrs. Dashwood cherishes hopes that they will marry. Fanny makes it clear that their mother, Mrs. Ferrars, a wealthy widow, wants her son to make a career for himself and to marry a woman of high rank or great estate, if not both, and offended with the ill-disguised hint, Mrs. Dashwood indignantly resolves to remove her residence as quickly as possible. Although Edward is attentive to Elinor, his reserved behaviour makes it difficult for her to guess his intentions. Elinor does not encourage her relatives to hope for the marriage, although in her heart of hearts she secretly hopes for it.
One of Mrs. Dashwood's cousins, the wealthy Sir John Middleton, offers her a cottage on his Devonshire estate, Barton Park, and Mrs. Dashwood decides to accept. She and the girls find it tiny and dark compared to Norland, but try to make the best of it. They are warmly received by Sir John, who insists that they dine with him and his wife frequently at the great house of Barton Park and join the social life of his family. Also staying with Sir John and his reserved and insipid wife is his mother-in-law Mrs. Jennings, a rich and rather vulgar widow who is full of kindness and good humour and who immediately assigns herself the project of finding husbands for the Dashwood girls.
While visiting Sir John, the Dashwoods meet his old friend, the grave, quiet, but gentlemanly Colonel Brandon. It soon becomes apparent that Brandon is attracted to Marianne, and Mrs. Jennings teases them about it. Marianne is not pleased as she considers Colonel Brandon, at age 35, to be an old bachelor incapable of falling in love or inspiring love in anyone else.
A 19th century illustration showing Willoughby cutting a lock of Marianne's hair
Marianne, out for a walk, gets caught in the rain, slips, and sprains her ankle. The dashing, handsome John Willoughby, who is visiting his wealthy aunt, Mrs. Smith, in the area, happens to be out with his gun and friends hunting nearby and sees the accident. He carries Marianne home and soon wins her admiration with his good looks, romantic personality, and outspoken views on poetry, music and art. Willoughby appears the exact opposite of the quiet and reserved Brandon. He visits Marianne every day, and Elinor and Mrs. Dashwood begin to suspect that the couple are secretly engaged. Elinor is worried about Marianne's unguarded conduct in Willoughby's presence and cautions her, but Marianne refuses to check her emotions, believing this to be a falsehood. At a picnic outing, Willoughby and Marianne go off together to see the house and estate that Willoughby is to inherit. Elinor is greatly alarmed by Marianne's going off alone to visit a house, the owner of which - Mrs Smith - is unknown to her. Marianne is angry at Elinor's interference; Elinor assumes (as does Marianne) that Willoughby is showing Marianne the house of which she will be mistress upon their marriage. The next day Mrs Dashwood and Elinor find Marianne in hysterics after a morning visit by Willoughby; he informs them that his aunt is sending him to London on business and that he will not return to their area for as long as a year; he brushes aside an invitation to stay with the Dashwoods and leaves hurriedly. Marianne is distraught and feeds her sorrow by playing the music Willoughby brought for her and reading the books they enjoyed together.
Edward Ferrars pays the Dashwoods a short visit at Barton Cottage but seems unhappy and out of sorts. Elinor fears that he no longer has feelings for her. However, unlike Marianne, she does not allow anyone to see her wallow in her sadness, feeling it her duty to be outwardly calm for the sake of her mother and sisters, who dote on Edward and have firm faith in his love for Elinor.
Anne and Lucy Steele, rather vulgar and uneducated cousins of Lady Middleton, come to stay at Barton Park. Sir John tells Lucy as a joke that Elinor is attached to Edward, prompting Lucy to inform Elinor of her secret four year long engagement to Edward. Although Elinor initially blames Edward for engaging her affections when he was not free to do so, she realizes he became engaged to Lucy while he was young and naïve and perhaps has made a mistake. She thinks or hopes that Edward does not love Lucy, but he will not hurt or dishonour her by breaking their engagement. Elinor hides her disappointment and works to convince Lucy she feels nothing for Edward. This is particularly hard as she sees Lucy may not be sincerely in love with Edward and may only make him unhappy. Lucy tells Elinor that Mrs Ferrars will almost certainly disapprove of the match and that the couple plan to wait until she has died before marrying, unless Edward can find a way of supporting himself financially without her.
Elinor and Marianne spend the winter at Mrs. Jennings' home in London. Marianne writes a series of letters to Willoughby - prompting Elinor to believe that they are indeed engaged, as only engaged couples could properly correspond in this way. However, Marianne's letters go unanswered, and he snubs her coldly when he sees her at a ball. He later writes to Marianne, enclosing their former correspondence and love tokens, including a lock of her hair and informing her of his engagement to a Miss Grey, a high-born, wealthy woman with £50,000 (equivalent to about £1.7 million today). Marianne is devastated, and admits to Elinor that she and Willoughby were never engaged, but she loved him and he led her to believe he loved her.
Meanwhile, the truth about Willoughby's real character starts to emerge; Colonel Brandon tells Elinor that Willoughby had seduced Brandon's ward, fifteen-year-old Eliza Williams, and abandoned her when she became pregnant. Brandon was once in love with Miss Williams' mother, a woman who resembled Marianne and whose life was destroyed by an unhappy arranged marriage to the Colonel's brother.
Fanny Dashwood, who is also in London for the season, declines her husband's offer to invite the Dashwood girls to stay with her. Instead, she invites the Misses Steele. Lucy Steele becomes very arrogant and brags to Elinor that Fanny's mother, Mrs. Ferrars, favours her. Indeed Fanny and Mrs. Ferrars seem genuinely fond of Lucy - so much so that Miss Anne Steele decides to tell them of Lucy's engagement to Edward. When Mrs. Ferrars discovers Edward's and Lucy's engagement, she is furious while Fanny throws the Misses Steele out onto the street. Mrs. Ferrars demands that Edward end the engagement on pain of disinheritance. Edward, who believes it would be dishonorable to break off with Lucy, refuses and is disinherited in immediate favour of his brother, Robert. Elinor and Marianne feel sorry for Edward, and think him honourable for remaining engaged to a woman with whom he isn't in love.
Edward plans to become ordained as a parish vicar to earn his living and Colonel Brandon, knowing how lives can be ruined when love is denied, expresses his commiseration for Edward's deplorable circumstance to Elinor asking her to be his intermediary in offering Edward a parsonage on Brandon's estate at Delaford, with two hundred pounds a year. Colonel Brandon does not intend the living to enable Edward to marry Lucy as it would be insufficient to pay for a wife and family but intends it to provide Edward some sustenance until he can find something better. Elinor meets Edward's foppish brother Robert and is shocked he has no qualms about claiming his brother's inheritance.
The sisters end their winter stay in London and begin their return trip to Barton via Cleveland, the country estate of Mrs.Jennings' son-in-law, Mr. Palmer. There, miserable over Willoughby, Marianne neglects her health and becomes dangerously ill. Hearing of her serious illness, Willoughby arrives suddenly and reveals to Elinor that he truly loved Marianne, but since he was disinherited when his benefactress discovered his seduction of Miss Williams, he decided to marry the wealthy Miss Grey.
Elinor tells Marianne about Willoughby's visit. Marianne admits that although she loved Willoughby, she could not have been happy with the libertine father of an illegitimate child, even if he had stood by her. Marianne also realizes her illness was brought on by her wallowing in her grief, by her excessive sensibility, and had she died, it would have been morally equivalent to suicide. She now resolves to model herself after Elinor's courage and good sense.
The family learns Lucy has married Mr. Ferrars. When Mrs. Dashwood sees how upset Elinor is, she finally realizes how strong Elinor's feelings are for Edward and is sorry she did not pay more attention to her daughter's unhappiness. However, the next day Edward arrives and reveals it was his brother, Robert Ferrars, who married Lucy. He says he was trapped in his engagement to Lucy, "a woman he had long since ceased to love", and she broke the engagement to marry the now-wealthy Robert. Edward asks Elinor to marry him, and she agrees. Edward eventually becomes reconciled with his mother, who gives him ten thousand pounds. He also reconciles with his sister Fanny. Edward and Elinor marry and move into the parsonage at Delaford.
Mr. Willoughby's patroness eventually gives him his inheritance because of his prudent marriage. Willoughby realizes marrying Marianne would have produced the same effect; had he behaved honourably, he could have had love and money.
Over the next two years, Mrs. Dashwood, Marianne, and Margaret spend most of their time at Delaford. Marianne matures and, at the age of nineteen, decides to marry the 37-year-old Colonel. Although initially she found marriage to someone twenty years her senior repulsive, the gratitude and respect she has come to feel for him develop into a very deep love. The Colonel's house is near the parsonage where Elinor and Edward live, so the sisters and their husbands can visit each other often.
Characters
* Henry Dashwood — a wealthy gentleman who dies at the beginning of the story. The terms of his estate prevent him from leaving anything to his second wife and their children. He asks John, his son by his first wife, to look after (meaning ensure the financial security of) his second wife and their three daughters.
* Mrs. Dashwood — the second wife of Henry Dashwood, who is left in difficult financial straits by the death of her husband. She is 40 years old at the beginning of the book. Much like her daughter Marianne, she is very emotive and often makes poor decisions based on emotion rather than reason.
* Elinor Dashwood — the sensible and reserved eldest daughter of Mr. and Mrs. Henry Dashwood. She is 19 years old at the beginning of the book. She becomes attached to Edward Ferrars, the brother-in-law of her elder half-brother, John. Always feeling a keen sense of responsibility to her family and friends, she places their welfare and interests above her own, and suppresses her own strong emotions in a way that leads others to think she is indifferent or cold-hearted.
* Marianne Dashwood — the romantically inclined and eagerly expressive second daughter of Mr. and Mrs. Henry Dashwood. She is 16 years old at the beginning of the book. She is the object of the attentions of Colonel Brandon and Mr. Willoughby. She is attracted to young, handsome, romantically spirited Willoughby and does not think much of the older, more reserved Colonel Brandon. Marianne does the most development within the book, learning her sensibilities have been selfish. She decides her conduct should be more like her elder sister's, Elinor.
* Margaret Dashwood — the youngest daughter of Mr. and Mrs. Henry Dashwood. She is thirteen at the beginning of the book. She is also romantic and well-tempered but not expected to be as clever as her sisters when she grows older.
* John Dashwood — the son of Henry Dashwood by his first wife. He intends to do well by his half-sisters, but he has a keen sense of avarice, and is easily swayed by his wife.
* Fanny Dashwood — the wife of John Dashwood, and sister to Edward and Robert Ferrars. She is vain, selfish, and snobbish. She spoils her son Harry. Very harsh to her husband's half-sisters and stepmother, especially since she fears her brother Edward is attached to Elinor.
* Sir John Middleton — a distant relative of Mrs. Dashwood who, after the death of Henry Dashwood, invites her and her three daughters to live in a cottage on his property. Described as a wealthy, sporting man who served in the army with Colonel Brandon, he is very affable and keen to throw frequent parties, picnics, and other social gatherings to bring together the young people of their village. He and his mother-in-law, Mrs. Jennings, make a jolly, teasing, and gossipy pair.
* Lady Middleton — the genteel, but reserved wife of Sir John Middleton, she is quieter than her husband, and is primarily concerned with mothering her four spoiled children.
* Mrs. Jennings — mother to Lady Middleton and Charlotte Palmer. A widow who has married off all her children, she spends most of her time visiting her daughters and their families, especially the Middletons. She and her son-in-law, Sir John Middleton, take an active interest in the romantic affairs of the young people around them and seek to encourage suitable matches, often to the particular chagrin of Elinor and Marianne.
* Edward Ferrars — the elder of Fanny Dashwood's two brothers. He forms an attachment to Elinor Dashwood. Years before meeting the Dashwoods, Ferrars proposed to Lucy Steele, the niece of his tutor. The engagement has been kept secret owing to the expectation that Ferrars' family would object to his marrying Miss Steele. He is disowned by his mother on discovery of the engagement after refusing to give up the engagement.
* Robert Ferrars — the younger brother of Edward Ferrars and Fanny Dashwood, he is most concerned about status, fashion, and his new barouche. He subsequently marries Miss Lucy Steele after Edward is disowned.
* Mrs. Ferrars — Fanny Dashwood and Edward and Robert Ferrars' mother. A bad-tempered, unsympathetic woman who embodies all the foibles demonstrated in Fanny and Robert's characteristics. She is determined that her sons should marry well.
* Colonel Brandon — a close friend of Sir John Middleton. In his youth, Brandon had fallen in love with his father's ward, but was prevented by his family from marrying her because his father was determined to marry her to his older brother. He was sent into the military abroad to be away from her, and while gone, the girl suffered numerous misfortunes partly as a consequence of her unhappy marriage, finally dying penniless and disgraced, and with a natural (i.e., illegitimate) daughter, who becomes the ward of the Colonel. He is 35 years old at the beginning of the book. He falls in love with Marianne at first sight as she reminds him of his father's ward. He is very honorable friend to the Dashwoods, particularly Elinor, and offers Edward Ferrars a living after being disowned by his mother.
* John Willoughby — a philandering nephew of a neighbour of the Middletons, a dashing figure who charms Marianne and shares her artistic and cultural sensibilities. It is generally understood that he is engaged to be married to Marianne by many of their mutual acquaintances.
* Charlotte Palmer — the daughter of Mrs. Jennings and the younger sister of Lady Middleton, Mrs. Palmer is jolly but empty-headed and laughs at inappropriate things, such as her husband's continual rudeness to her and to others.
* Thomas Palmer — the husband of Charlotte Palmer who is running for a seat in Parliament, but is idle and often rude.
* Lucy Steele — a young, distant relation of Mrs. Jennings, who has for some time been secretly engaged to Edward Ferrars. She assiduously cultivates the friendship with Elinor Dashwood and Mrs. John Dashwood. Limited in formal education and financial means, she is nonetheless attractive, clever, manipulative, cunning and scheming.
* Anne/Nancy Steele — Lucy Steele's elder, socially inept, and less clever sister.
* Miss Sophia Grey — a wealthy but malicious heiress whom Mr. Willoughby marries in order to retain his comfortable lifestyle after he is disinherited by his aunt.
* Lord Morton — the father of Miss Morton.
* Miss Morton — a wealthy woman whom Mrs. Ferrars wants her eldest son, Edward, and later Robert, to marry.
* Mr. Pratt — an uncle of Lucy Steele and Edward's tutor.
* Eliza Williams — the ward of Col. Brandon, she is about 15 years old and bore an illegitimate son to John Willoughby. She is the daughter of Elizabeth Williams.
* Elizabeth Williams — the former love interest of Colonel Brandon. Williams is Brandon's father's ward, and is forced to marry Brandon's older brother. The marriage is an unhappy one, and it is revealed that her daughter is left as Colonel Brandon's ward when he finds his lost love dying in a poorhouse.
* Mrs. Smith — the wealthy aunt of Mr. Willoughby who disowns him for not marrying Eliza Williams.
Critical appraisal
Austen wrote the first draft of Elinor and Marianne (later retitled Sense and Sensibility) in epistolary form sometime around 1795 when she was about 19 years old. While she had written a great deal of short fiction in her teens, Elinor and Marianne was her first full-length novel. The plot revolves around a contrast between Elinor's sense and Marianne's emotionalism; the two sisters may have been loosely based on the author and her beloved elder sister, Cassandra, with Austen casting Cassandra as the restrained and well-judging sister and herself as the emotional one.
Austen clearly intended to vindicate Elinor's sense and self-restraint, and on the simplest level, the novel may be read as a parody of the full-blown romanticism and sensibility that was fashionable around the 1790s. Yet Austen's treatment of the two sisters is complex and multi-faceted. Austen biographer Claire Tomalin argues that Sense and Sensibility has a "wobble in its approach", which developed because Austen, in the course of writing the novel, gradually became less certain about whether sense or sensibility should triumph. She endows Marianne with every attractive quality: intelligence, musical talent, frankness, and the capacity to love deeply. She also acknowledges that Willoughby, with all his faults, continues to love and, in some measure, appreciate Marianne. For these reasons, some readers find Marianne's ultimate marriage to Colonel Brandon an unsatisfactory ending. The ending does, however, neatly join the themes of sense and sensibility by having the sensible sister marry her true love after long, romantic obstacles to their union, while the emotional sister finds happiness with a man whom she did not initially love, but who was an eminently sensible and satisfying choice of a husband.
The novel displays Austen's subtle irony at its best, with many outstanding comic passages about the Middletons, the Palmers, Mrs. Jennings, and Lucy Steele.
Publication
In 1811, Thomas Egerton of the Military Library publishing house in London accepted the manuscript for publication, in three volumes. Austen paid for the book to be published and paid the publisher a commission on sales. The cost of publication was more than a third of Austen's annual household income of £460 (about £15,282 in 2008 currency). She made a profit of £140 (£4,754.40 in 2008 currency) on the first edition, which sold all 750 printed copies by July 1813. A second edition was advertised in October 1813.
四個女人租了約翰爵士的小屋居住，爵士的嶽母夏洛特喜歡這三姐妹，並試圖把一個有錢的單身貴族布蘭登上校介紹給愛琳娜，而布蘭登卻愛上了二妹瑪麗安。
在一次風雨中，瑪麗安扭傷了腳踝，一個英俊的陌生男士主動幫忙，把瑪麗安抱回傢中，瑪麗安愛上了這個叫約翰·衛勒比的年輕人。
布蘭登還是對瑪麗安緊追不放，特意召開了一次莊園聚會。但在會上，一封來自倫敦的信讓布蘭登立即飛馬離去。第二天，衛勒比突然來嚮瑪麗安辭行，言辭閃爍，瑪麗安十分傷心。
在夏洛特處，一個叫露茜的女孩告訴愛琳娜，她和愛德華已經私訂終身有五年之久了，愛琳娜暗自傷心之際還是不忘替她保守秘密。夏洛特看瑪麗安傷心，决定帶幾個女孩子到倫敦去過社交季節。
瑪麗安見到了衛勒比，卻得知他要和蓋小姐結婚，瑪麗安悲痛欲絶。夏洛特和布蘭登告訴她們，衛勒比因為即將破産，而衹能和身價5萬英鎊的蓋小姐結合，在此之前還把布蘭登的私生女遺棄了。但布蘭登也以紳士的態度表明，衛勒比對瑪麗安還是真心喜歡的。
愛德華來找愛琳娜，卻遇到了露茜，一時很是尷尬，衹能托詞出門。芬妮對愛德華和露茜的婚事十分不滿，但愛德華信守諾言，放棄所有遺産，還是要對露茜負責。布蘭登來找愛琳娜，願意為愛德華和露茜盡力，委托愛琳娜轉告。愛琳娜明知會把愛人送入別人的懷抱，還是如實轉告了愛德華。
一對傷心姐妹回到了布蘭登的莊園，瑪麗安到山上遠望衛勒比的，在大雨中昏倒，布蘭登把他抱回傢中。染上熱病的瑪麗安終於有所好轉，布蘭登已經連夜把她的母親接來看她，瑪麗安被布蘭登深深感動了。
愛琳娜還在為愛德華傷心，而愛德華卻出現在她面前。原來，露茜和愛德華的弟弟一見鐘情，愛德華也正好得以回到愛琳娜身邊，愛琳娜被這個突然的結果弄得當場大哭。
終於有情人終成眷屬，兩姐妹同時舉行了婚禮。遠方的山坡上，衛勒比調轉馬頭疾奔而去。
“你實踐了你的承諾，這比什麽都重要。” 愛琳娜對愛德華說。
愛德華不得不對5年前的一個過時的承諾負責，愛琳娜不得不尊重這個承諾，兩個相愛的人卻不得不分離。如果換一個人來導演這部影片，對於諾言的束縛未必有李安這樣深刻的認識和體會。這是人性中最寶貴的部分，在東西方以不同的名義和形式存在。這是一種“有所不為，有所必為”的精神，它固然是東方傳統倫理道德對“君子”的約束，也是西方傳統對“紳士”的要求，李安在這裏找到了東西方傳統美德的契合點。在這一點上說，這甚至和《臥虎藏竜》的某些精神相一致。而同樣的，對這種美德的贊頌，必然會引出人在世界上所受的束縛。
最後的大團圓結尾是令人舒暢的，他們的歡樂是由衷的、沒有一點陰影的。他們每個人都盡了自己的本分：信守諾言，也尊重別人信守諾言，他們的良心是平安的。而遠處山坡上的衛勒比，心中必定受着無比痛苦的煎熬。雖然這是個過於理想的結局，有教誨世人的用意，但其中的信念卻是堅定的。
英國小說傢1795年用筆講過的故事，兩百年後的今天由一位華人導演在銀幕上重新演繹了一番。
《理智與情感》-幕後花絮
簡·奧斯丁絶不讓你大喜大悲，她偏重散文式的情趣和女性化的睿智。李安的執導和愛瑪·湯姆遜的編劇為該片插上了翅膀。影片節奏把握得當，細節疏密妥帖，每場戲的取捨和長度都非常電影化。獲柏林金熊奬。該劇在1985年曾經有過一個BBC的電視版，長174分鐘。
李安談中文片名
我覺得嚴格來講，應該翻譯成《知性與感性》，知性包括感性，它並非衹限於一個理性、一個感性的截然二面，而是知性裏面感性的討論。所以戲自然落到艾瑪·湯普森身上，理性的姐姐得到一個最浪漫的結局，妹妹則對感性有了理性的認識，它之所以動人原因在此，並非姐姐理性、妹妹感性的比較，或誰是誰非。人是一個有機的整體，十分的復雜微妙，這與中國的“陰陽”相通，每樣東西都有個雙面性，其實許多西方人還不見得容易體會到簡·奧斯汀的兩面性，反倒是中國人容易一點就通。這個觀念與中國的“陰陽”結合，對我之後拍攝《臥虎藏竜》以及構思《緑巨人》都有影響。
·片中原本有一場休·格蘭特和艾瑪·湯普森的吻戲，但後來被刪掉了，因為湯普森寫這個場面僅僅是因為她想吻休·格蘭特。
·據艾瑪·湯普森回憶，當拍攝片中布蘭登上校(艾倫·瑞剋曼，他還演過《哈利波特》裏的斯內普教授)騎馬走近埃利諾和瑪利安時，很多次的拍攝都被馬給攪壞了。因為那匹可憐的馬得了胃脹氣……後來同期聲經過處理去掉了那些放屁的聲音。
·劇組人員不得不經常跟英國那變幻莫測的天氣作鬥爭。
·電影是4 月19日開拍的，而艾倫·瑞剋曼5月1日纔加入劇組，他第一天上戲,卻出現在電影的最後一個鏡頭，完全一頭霧水。
·當哥倫比亞公司把艾瑪·湯普森的劇本拿給李安時，他還從沒讀過任何一本簡·奧斯汀的小說。
· 《理智與情感》是李安第一次拍大聯盟的片子，第一次和真正的明星合作，也是第一次和如此專業成熟的班底合作。他不僅要和演員鬥，還要跟攝影鬥，每個人都是學富五車、閱歷過人、伶牙俐齒的，用他的話講：“我一直在‘掙’我的權威”。
《理智與情感》-媒體報道
理智戰勝情感？現實高於夢幻？《理智與情感》飄雨天海 發佈於：2007-11-30 22:44
影片是由世界名著簡-奧斯丁的同名小說改編而成，它沿襲了原小說的主題。生活中，我們免不了理智與情感的角逐，不管那方勝出，不管事態的發展怎樣印證我們當時的决定，都很難說那個更正確，那個更合乎情理。這是永恆的矛盾，在愛情上的表現尤為突出，因此，雖然影片的背景是基於18世紀的歐洲，但在我們觀影時，依然不會覺得陌生和遙遠。
“性格與命運端視，汝之自覺而開啓”
妹妹張揚而又奔放，從來不掩蓋自己的感情。她最喜歡莎劇的一段臺詞，並且在吟誦的時候，也一定要充滿激情，甚至不能容忍愛德華那死氣沉沉朗讀“說變心就變心，怎能算是愛？愛是永恆的印記，縱是狂風暴雨，也永不褪色。”
姐姐穩重而又矜持，即使內心洶涌澎湃，卻依然平靜安詳。
這兩個性格迥異的姐妹，一個代表了理智，一個代表了情感，當愛情到來時，會有怎樣的命運？
從兩姐妹的感情命運來看，本片似乎告訴我們“理智戰勝情感，現實高於夢幻。”但這終究還是一場沒有定論的爭鋒。你我衹能根據自己的性格，找到屬於自己的平衡點吧？
妹妹在經歷了生於死的洗禮後，找到了理智與情感的平衡點，現實總不像夢幻中那麽美麗，莎翁的詩句或者衹能是詩句吧？
姐姐在長時間的壓抑後，是情感的迸發。我很喜歡Emma Thompson在影片末尾這段難以自製的痛哭的表演，把一直以來內心世界理智與情感的交鋒推嚮了頂點。沒有了夢幻，沒有了情感，我們要理智又有何用？
本片由華裔導演李安指導，影後Emma Thompson編劇並飾演姐姐，Hugh grant一改以往喜劇喜路，變成英俊的古典王子，飾演愛德華。Kate winslet（泰坦尼剋女主角）飾演妹妹。精湛的表演，把人物性格刻畫的相當到位。理智與情感，兼得還是取捨？
《理智與情感》-相關評論
李安的《理智與情感》一如他一貫的電影風格，突出表現的是人與人之間的真情實感。
姐姐愛琳娜是理性的代表，她對於所有的一切都處理得很識大體，而妹妹瑪麗安則是感性的代表，她堅信愛情是熱情如火的。愛德華的到來打開了愛琳娜從未開啓過的心門，可是理性的她始終都剋製着自己的感情，理性的交談，理性的微笑，於是，愛德華以為她對他衹是友情，加之已有婚約在身，兩人被迫分開，沒有任何承諾。在搬去巴頓小屋之後，布萊登上校的出現並沒有打動瑪麗安的芳心，她愛上了風流倜儻的威勒比，體驗着她所嚮往的熱情如火的愛情。然而，事情就是這樣的陰差陽錯，就在威勒比準備求婚的那天，發生了一點意外，他面對身無分文的窘境，終於嚮現實妥協，棄瑪麗安於不顧，迎娶了身價不菲的富傢女。“說變心就變心，哪能算是愛……愛是永不褪色的印記。”曾經的山盟海誓猶在眼前，而斯人不再。瑪麗安終於不支病倒。而布萊登上校卻自始至終都不曾離開，因為曾經失去，所以懂得珍惜。而瑪麗安清醒後的一句“謝謝”，所有的付出都值得了。感性的她終於明白，衹有平淡的感情才能夠細水長流。而愛琳娜呢，自從搬去巴頓小屋之後，她無時無刻不在期待着與愛德華的重逢，可換來的卻是一次次的失望，尤其是露茜的出現。如果說剛開始她還半信半疑的話，那麽當露茜拿着那塊綉着 “ELF”的手帕在那抹眼淚的時候，她完全處在崩潰的邊緣。她的心裏有着無限的痛苦，卻不能言說，還得大度地幫助愛德華和露茜開始新生活。然而，戲劇性的一幕再次出現，露茜愛上了愛德華的弟弟羅伯，於是，愛德華恢復了自由之身，當他告訴愛琳娜他沒有結婚的消息時，愛琳娜終於不再壓抑自己的感情，失態地大哭，她壓抑得太久了，都已經麻木了，卻在這突如其來的幸福面前展現了自己最真實的一面。故事的結尾是皆大歡喜的，理性的愛琳娜和感性的瑪麗安都各自找到了屬於自己的幸福，衹留下威勒比一個人在那裏權衡到底是愛情重要還是金錢重要，但無論是什麽結果，他都已經做出了選擇，既然做了選擇就必須為自己的行為負責。
理性還是感性，這是一個問題，幸福的真諦在於就做你自己。獨一無二的你一定會收穫獨一無二的幸福。
The story revolves around Elinor and Marianne, two daughters of Mr. Dashwood by his second wife. They have a younger sister, Margaret, and an older half-brother named John. When their father dies, the family estate passes to John, and the Dashwood women are left in reduced circumstances. The novel follows the Dashwood sisters to their new home, a cottage on a distant relative's property, where they experience both romance and heartbreak. The contrast between the sisters' characters is eventually resolved as they each find love and lasting happiness. Through the events in the novel, Elinor and Marianne find a balance between sense (or pure logic) and sensibility (or pure emotion) in life and love.
The book has been adapted for film and television a number of times, including a 1981 serial for TV directed by Rodney Bennett; a 1995 movie adapted by Emma Thompson and directed by Ang Lee; a version in Tamil called Kandukondain Kandukondain released in 2000; and a 2008 TV series on BBC adapted by Andrew Davies and directed by John Alexander.
Plot summary
When Mr. Dashwood dies, his estate - Norland Park - passes directly to John, his only son, and child of his first wife. Mrs. Dashwood, his second wife, and their daughters, Elinor, Marianne and Margaret, are left only a small income.
On his deathbed, Mr. Dashwood had asked John to promise to take care of his half-sisters but John's selfish and greedy wife, Fanny, soon persuades her weak-willed husband that he has no real financial obligation in the matter, and he gives the girls and their mother nothing. John and Fanny move into Norland immediately on the death of Mr Dashwood and take up their place as its new owners. The Dashwood women, now treated as rather unwelcome guests in what was their home, begin looking for another place to live - a difficult task because of their small income.
Fanny's brother, Edward Ferrars, a pleasant, unassuming, intelligent but reserved young man, comes to Norland for a visit. He and Elinor are clearly attracted to each other and Mrs. Dashwood cherishes hopes that they will marry. Fanny makes it clear that their mother, Mrs. Ferrars, a wealthy widow, wants her son to make a career for himself and to marry a woman of high rank or great estate, if not both, and offended with the ill-disguised hint, Mrs. Dashwood indignantly resolves to remove her residence as quickly as possible. Although Edward is attentive to Elinor, his reserved behaviour makes it difficult for her to guess his intentions. Elinor does not encourage her relatives to hope for the marriage, although in her heart of hearts she secretly hopes for it.
One of Mrs. Dashwood's cousins, the wealthy Sir John Middleton, offers her a cottage on his Devonshire estate, Barton Park, and Mrs. Dashwood decides to accept. She and the girls find it tiny and dark compared to Norland, but try to make the best of it. They are warmly received by Sir John, who insists that they dine with him and his wife frequently at the great house of Barton Park and join the social life of his family. Also staying with Sir John and his reserved and insipid wife is his mother-in-law Mrs. Jennings, a rich and rather vulgar widow who is full of kindness and good humour and who immediately assigns herself the project of finding husbands for the Dashwood girls.
While visiting Sir John, the Dashwoods meet his old friend, the grave, quiet, but gentlemanly Colonel Brandon. It soon becomes apparent that Brandon is attracted to Marianne, and Mrs. Jennings teases them about it. Marianne is not pleased as she considers Colonel Brandon, at age 35, to be an old bachelor incapable of falling in love or inspiring love in anyone else.
A 19th century illustration showing Willoughby cutting a lock of Marianne's hair
Marianne, out for a walk, gets caught in the rain, slips, and sprains her ankle. The dashing, handsome John Willoughby, who is visiting his wealthy aunt, Mrs. Smith, in the area, happens to be out with his gun and friends hunting nearby and sees the accident. He carries Marianne home and soon wins her admiration with his good looks, romantic personality, and outspoken views on poetry, music and art. Willoughby appears the exact opposite of the quiet and reserved Brandon. He visits Marianne every day, and Elinor and Mrs. Dashwood begin to suspect that the couple are secretly engaged. Elinor is worried about Marianne's unguarded conduct in Willoughby's presence and cautions her, but Marianne refuses to check her emotions, believing this to be a falsehood. At a picnic outing, Willoughby and Marianne go off together to see the house and estate that Willoughby is to inherit. Elinor is greatly alarmed by Marianne's going off alone to visit a house, the owner of which - Mrs Smith - is unknown to her. Marianne is angry at Elinor's interference; Elinor assumes (as does Marianne) that Willoughby is showing Marianne the house of which she will be mistress upon their marriage. The next day Mrs Dashwood and Elinor find Marianne in hysterics after a morning visit by Willoughby; he informs them that his aunt is sending him to London on business and that he will not return to their area for as long as a year; he brushes aside an invitation to stay with the Dashwoods and leaves hurriedly. Marianne is distraught and feeds her sorrow by playing the music Willoughby brought for her and reading the books they enjoyed together.
Edward Ferrars pays the Dashwoods a short visit at Barton Cottage but seems unhappy and out of sorts. Elinor fears that he no longer has feelings for her. However, unlike Marianne, she does not allow anyone to see her wallow in her sadness, feeling it her duty to be outwardly calm for the sake of her mother and sisters, who dote on Edward and have firm faith in his love for Elinor.
Anne and Lucy Steele, rather vulgar and uneducated cousins of Lady Middleton, come to stay at Barton Park. Sir John tells Lucy as a joke that Elinor is attached to Edward, prompting Lucy to inform Elinor of her secret four year long engagement to Edward. Although Elinor initially blames Edward for engaging her affections when he was not free to do so, she realizes he became engaged to Lucy while he was young and naïve and perhaps has made a mistake. She thinks or hopes that Edward does not love Lucy, but he will not hurt or dishonour her by breaking their engagement. Elinor hides her disappointment and works to convince Lucy she feels nothing for Edward. This is particularly hard as she sees Lucy may not be sincerely in love with Edward and may only make him unhappy. Lucy tells Elinor that Mrs Ferrars will almost certainly disapprove of the match and that the couple plan to wait until she has died before marrying, unless Edward can find a way of supporting himself financially without her.
Elinor and Marianne spend the winter at Mrs. Jennings' home in London. Marianne writes a series of letters to Willoughby - prompting Elinor to believe that they are indeed engaged, as only engaged couples could properly correspond in this way. However, Marianne's letters go unanswered, and he snubs her coldly when he sees her at a ball. He later writes to Marianne, enclosing their former correspondence and love tokens, including a lock of her hair and informing her of his engagement to a Miss Grey, a high-born, wealthy woman with £50,000 (equivalent to about £1.7 million today). Marianne is devastated, and admits to Elinor that she and Willoughby were never engaged, but she loved him and he led her to believe he loved her.
Meanwhile, the truth about Willoughby's real character starts to emerge; Colonel Brandon tells Elinor that Willoughby had seduced Brandon's ward, fifteen-year-old Eliza Williams, and abandoned her when she became pregnant. Brandon was once in love with Miss Williams' mother, a woman who resembled Marianne and whose life was destroyed by an unhappy arranged marriage to the Colonel's brother.
Fanny Dashwood, who is also in London for the season, declines her husband's offer to invite the Dashwood girls to stay with her. Instead, she invites the Misses Steele. Lucy Steele becomes very arrogant and brags to Elinor that Fanny's mother, Mrs. Ferrars, favours her. Indeed Fanny and Mrs. Ferrars seem genuinely fond of Lucy - so much so that Miss Anne Steele decides to tell them of Lucy's engagement to Edward. When Mrs. Ferrars discovers Edward's and Lucy's engagement, she is furious while Fanny throws the Misses Steele out onto the street. Mrs. Ferrars demands that Edward end the engagement on pain of disinheritance. Edward, who believes it would be dishonorable to break off with Lucy, refuses and is disinherited in immediate favour of his brother, Robert. Elinor and Marianne feel sorry for Edward, and think him honourable for remaining engaged to a woman with whom he isn't in love.
Edward plans to become ordained as a parish vicar to earn his living and Colonel Brandon, knowing how lives can be ruined when love is denied, expresses his commiseration for Edward's deplorable circumstance to Elinor asking her to be his intermediary in offering Edward a parsonage on Brandon's estate at Delaford, with two hundred pounds a year. Colonel Brandon does not intend the living to enable Edward to marry Lucy as it would be insufficient to pay for a wife and family but intends it to provide Edward some sustenance until he can find something better. Elinor meets Edward's foppish brother Robert and is shocked he has no qualms about claiming his brother's inheritance.
The sisters end their winter stay in London and begin their return trip to Barton via Cleveland, the country estate of Mrs.Jennings' son-in-law, Mr. Palmer. There, miserable over Willoughby, Marianne neglects her health and becomes dangerously ill. Hearing of her serious illness, Willoughby arrives suddenly and reveals to Elinor that he truly loved Marianne, but since he was disinherited when his benefactress discovered his seduction of Miss Williams, he decided to marry the wealthy Miss Grey.
Elinor tells Marianne about Willoughby's visit. Marianne admits that although she loved Willoughby, she could not have been happy with the libertine father of an illegitimate child, even if he had stood by her. Marianne also realizes her illness was brought on by her wallowing in her grief, by her excessive sensibility, and had she died, it would have been morally equivalent to suicide. She now resolves to model herself after Elinor's courage and good sense.
The family learns Lucy has married Mr. Ferrars. When Mrs. Dashwood sees how upset Elinor is, she finally realizes how strong Elinor's feelings are for Edward and is sorry she did not pay more attention to her daughter's unhappiness. However, the next day Edward arrives and reveals it was his brother, Robert Ferrars, who married Lucy. He says he was trapped in his engagement to Lucy, "a woman he had long since ceased to love", and she broke the engagement to marry the now-wealthy Robert. Edward asks Elinor to marry him, and she agrees. Edward eventually becomes reconciled with his mother, who gives him ten thousand pounds. He also reconciles with his sister Fanny. Edward and Elinor marry and move into the parsonage at Delaford.
Mr. Willoughby's patroness eventually gives him his inheritance because of his prudent marriage. Willoughby realizes marrying Marianne would have produced the same effect; had he behaved honourably, he could have had love and money.
Over the next two years, Mrs. Dashwood, Marianne, and Margaret spend most of their time at Delaford. Marianne matures and, at the age of nineteen, decides to marry the 37-year-old Colonel. Although initially she found marriage to someone twenty years her senior repulsive, the gratitude and respect she has come to feel for him develop into a very deep love. The Colonel's house is near the parsonage where Elinor and Edward live, so the sisters and their husbands can visit each other often.
Characters
* Henry Dashwood — a wealthy gentleman who dies at the beginning of the story. The terms of his estate prevent him from leaving anything to his second wife and their children. He asks John, his son by his first wife, to look after (meaning ensure the financial security of) his second wife and their three daughters.
* Mrs. Dashwood — the second wife of Henry Dashwood, who is left in difficult financial straits by the death of her husband. She is 40 years old at the beginning of the book. Much like her daughter Marianne, she is very emotive and often makes poor decisions based on emotion rather than reason.
* Elinor Dashwood — the sensible and reserved eldest daughter of Mr. and Mrs. Henry Dashwood. She is 19 years old at the beginning of the book. She becomes attached to Edward Ferrars, the brother-in-law of her elder half-brother, John. Always feeling a keen sense of responsibility to her family and friends, she places their welfare and interests above her own, and suppresses her own strong emotions in a way that leads others to think she is indifferent or cold-hearted.
* Marianne Dashwood — the romantically inclined and eagerly expressive second daughter of Mr. and Mrs. Henry Dashwood. She is 16 years old at the beginning of the book. She is the object of the attentions of Colonel Brandon and Mr. Willoughby. She is attracted to young, handsome, romantically spirited Willoughby and does not think much of the older, more reserved Colonel Brandon. Marianne does the most development within the book, learning her sensibilities have been selfish. She decides her conduct should be more like her elder sister's, Elinor.
* Margaret Dashwood — the youngest daughter of Mr. and Mrs. Henry Dashwood. She is thirteen at the beginning of the book. She is also romantic and well-tempered but not expected to be as clever as her sisters when she grows older.
* John Dashwood — the son of Henry Dashwood by his first wife. He intends to do well by his half-sisters, but he has a keen sense of avarice, and is easily swayed by his wife.
* Fanny Dashwood — the wife of John Dashwood, and sister to Edward and Robert Ferrars. She is vain, selfish, and snobbish. She spoils her son Harry. Very harsh to her husband's half-sisters and stepmother, especially since she fears her brother Edward is attached to Elinor.
* Sir John Middleton — a distant relative of Mrs. Dashwood who, after the death of Henry Dashwood, invites her and her three daughters to live in a cottage on his property. Described as a wealthy, sporting man who served in the army with Colonel Brandon, he is very affable and keen to throw frequent parties, picnics, and other social gatherings to bring together the young people of their village. He and his mother-in-law, Mrs. Jennings, make a jolly, teasing, and gossipy pair.
* Lady Middleton — the genteel, but reserved wife of Sir John Middleton, she is quieter than her husband, and is primarily concerned with mothering her four spoiled children.
* Mrs. Jennings — mother to Lady Middleton and Charlotte Palmer. A widow who has married off all her children, she spends most of her time visiting her daughters and their families, especially the Middletons. She and her son-in-law, Sir John Middleton, take an active interest in the romantic affairs of the young people around them and seek to encourage suitable matches, often to the particular chagrin of Elinor and Marianne.
* Edward Ferrars — the elder of Fanny Dashwood's two brothers. He forms an attachment to Elinor Dashwood. Years before meeting the Dashwoods, Ferrars proposed to Lucy Steele, the niece of his tutor. The engagement has been kept secret owing to the expectation that Ferrars' family would object to his marrying Miss Steele. He is disowned by his mother on discovery of the engagement after refusing to give up the engagement.
* Robert Ferrars — the younger brother of Edward Ferrars and Fanny Dashwood, he is most concerned about status, fashion, and his new barouche. He subsequently marries Miss Lucy Steele after Edward is disowned.
* Mrs. Ferrars — Fanny Dashwood and Edward and Robert Ferrars' mother. A bad-tempered, unsympathetic woman who embodies all the foibles demonstrated in Fanny and Robert's characteristics. She is determined that her sons should marry well.
* Colonel Brandon — a close friend of Sir John Middleton. In his youth, Brandon had fallen in love with his father's ward, but was prevented by his family from marrying her because his father was determined to marry her to his older brother. He was sent into the military abroad to be away from her, and while gone, the girl suffered numerous misfortunes partly as a consequence of her unhappy marriage, finally dying penniless and disgraced, and with a natural (i.e., illegitimate) daughter, who becomes the ward of the Colonel. He is 35 years old at the beginning of the book. He falls in love with Marianne at first sight as she reminds him of his father's ward. He is very honorable friend to the Dashwoods, particularly Elinor, and offers Edward Ferrars a living after being disowned by his mother.
* John Willoughby — a philandering nephew of a neighbour of the Middletons, a dashing figure who charms Marianne and shares her artistic and cultural sensibilities. It is generally understood that he is engaged to be married to Marianne by many of their mutual acquaintances.
* Charlotte Palmer — the daughter of Mrs. Jennings and the younger sister of Lady Middleton, Mrs. Palmer is jolly but empty-headed and laughs at inappropriate things, such as her husband's continual rudeness to her and to others.
* Thomas Palmer — the husband of Charlotte Palmer who is running for a seat in Parliament, but is idle and often rude.
* Lucy Steele — a young, distant relation of Mrs. Jennings, who has for some time been secretly engaged to Edward Ferrars. She assiduously cultivates the friendship with Elinor Dashwood and Mrs. John Dashwood. Limited in formal education and financial means, she is nonetheless attractive, clever, manipulative, cunning and scheming.
* Anne/Nancy Steele — Lucy Steele's elder, socially inept, and less clever sister.
* Miss Sophia Grey — a wealthy but malicious heiress whom Mr. Willoughby marries in order to retain his comfortable lifestyle after he is disinherited by his aunt.
* Lord Morton — the father of Miss Morton.
* Miss Morton — a wealthy woman whom Mrs. Ferrars wants her eldest son, Edward, and later Robert, to marry.
* Mr. Pratt — an uncle of Lucy Steele and Edward's tutor.
* Eliza Williams — the ward of Col. Brandon, she is about 15 years old and bore an illegitimate son to John Willoughby. She is the daughter of Elizabeth Williams.
* Elizabeth Williams — the former love interest of Colonel Brandon. Williams is Brandon's father's ward, and is forced to marry Brandon's older brother. The marriage is an unhappy one, and it is revealed that her daughter is left as Colonel Brandon's ward when he finds his lost love dying in a poorhouse.
* Mrs. Smith — the wealthy aunt of Mr. Willoughby who disowns him for not marrying Eliza Williams.
Critical appraisal
Austen wrote the first draft of Elinor and Marianne (later retitled Sense and Sensibility) in epistolary form sometime around 1795 when she was about 19 years old. While she had written a great deal of short fiction in her teens, Elinor and Marianne was her first full-length novel. The plot revolves around a contrast between Elinor's sense and Marianne's emotionalism; the two sisters may have been loosely based on the author and her beloved elder sister, Cassandra, with Austen casting Cassandra as the restrained and well-judging sister and herself as the emotional one.
Austen clearly intended to vindicate Elinor's sense and self-restraint, and on the simplest level, the novel may be read as a parody of the full-blown romanticism and sensibility that was fashionable around the 1790s. Yet Austen's treatment of the two sisters is complex and multi-faceted. Austen biographer Claire Tomalin argues that Sense and Sensibility has a "wobble in its approach", which developed because Austen, in the course of writing the novel, gradually became less certain about whether sense or sensibility should triumph. She endows Marianne with every attractive quality: intelligence, musical talent, frankness, and the capacity to love deeply. She also acknowledges that Willoughby, with all his faults, continues to love and, in some measure, appreciate Marianne. For these reasons, some readers find Marianne's ultimate marriage to Colonel Brandon an unsatisfactory ending. The ending does, however, neatly join the themes of sense and sensibility by having the sensible sister marry her true love after long, romantic obstacles to their union, while the emotional sister finds happiness with a man whom she did not initially love, but who was an eminently sensible and satisfying choice of a husband.
The novel displays Austen's subtle irony at its best, with many outstanding comic passages about the Middletons, the Palmers, Mrs. Jennings, and Lucy Steele.
Publication
In 1811, Thomas Egerton of the Military Library publishing house in London accepted the manuscript for publication, in three volumes. Austen paid for the book to be published and paid the publisher a commission on sales. The cost of publication was more than a third of Austen's annual household income of £460 (about £15,282 in 2008 currency). She made a profit of £140 (£4,754.40 in 2008 currency) on the first edition, which sold all 750 printed copies by July 1813. A second edition was advertised in October 1813.
臨時被抓壯丁的Hugh Dancy自告奮勇負責篇幅最短的《諾桑覺寺》。對於奧斯丁女士，他原本一無所知，衹知道絶地武士的科幻世界，因為喜歡的女士邀請，他纔進入奧斯丁的世界，不為別的，衹為了自己喜歡的人。
Plot introduction
Northanger Abbey follows seventeen-year-old Gothic novel aficionado Catherine Morland and family friends Mr. and Mrs. Allen as they visit Bath, England. Catherine is in Bath for the first time. There she meets her friends such as Isabella Thorpe, and goes to balls. Catherine finds herself pursued by Isabella's brother, the rather rough-mannered dandy John Thorpe, and by her real love interest, Henry Tilney. She also becomes friends with Eleanor Tilney, Henry's younger sister. Henry captivates her with his view on novels and his knowledge of history and the world. General Tilney (Henry and Eleanor's father) invites Catherine to visit their estate, Northanger Abbey, which, from her reading of Ann Radcliffe's gothic novel The Mysteries of Udolpho, she expects to be dark, ancient and full of Gothic horrors and fantastical mystery.
Plot summary
Seventeen year old Catherine Morland is one of ten children of a country clergyman. Although a tomboy in her childhood, by the age of 17 she is "in training for a heroine," and is excessively fond of reading Gothic novels of which Ann Radcliffe's Mysteries of Udolpho is a favourite.
Catherine is invited by her wealthier neighbours in Fullerton, the Allens, to accompany them to visit the resort town of Bath and partake in the winter season of balls, theatre and other social delights. Although initially the excitement of Bath is dampened by her lack of acquaintances, she is soon introduced to a clever young gentleman named Henry Tilney, with whom she dances and converses. Much to her disappointment, Catherine does not see Mr. Tilney again soon after their first meeting, though her attention is quickly engaged when Mrs. Allen meets Mrs. Thorpe, an old school friend of hers, whose son is also acquainted with Catherine’s older brother, James. Catherine quickly becomes friends with the eldest Ms. Thorpe, Isabella, a vivacious and flirtatious young woman.
Catherine’s brother James and Isabella’s brother John soon arrive in Bath. While Isabella and James are spending time together, Catherine becomes acquainted with John, a vain and crude young gentleman who incessantly tells fantastical stories about himself.
Mr. Tilney returns to Bath, accompanied by his younger sister, Eleanor Tilney, who is a sweet, elegant and respectable young lady. Catherine also meets their father, the imposing General Tilney.
The Thorpes are not very happy about Catherine's friendship with the Tilneys, as they (correctly as it happens) perceive Henry as a rival for Catherine's affections. Catherine tries to maintain her friendships with both the Thorpes and the Tilneys, though John Thorpe continually tries to sabotage her relationship with the Tilneys. This leads to several misunderstandings, which upset Catherine and put her in the awkward position of explaining herself to the Tilneys.
Isabella and James become engaged. Mr Morland (senior) approves the match and offers James a country parson's living worth a modest sum, which he will be able to have in two years. The couple must therefore wait that long to marry. Isabella is dissatisfied, having believed the Morlands to be quite wealthy, but she pretends to Catherine that she is merely dissatisfied that they must wait so long to be married. James departs to purchase a ring, and John accompanies him after coyly suggesting marriage to the confused Catherine. Isabella immediately begins to flirt with Captain Tilney, the older brother to Henry. Innocent Catherine cannot understand her friend's behavior; but Henry understands it all too well, as he knows his brother's character and habits. The flirtation continues even when James returns, much to James' embarrassment and distress.
The Tilneys invite Catherine to stay with them for a few weeks at their home, Northanger Abbey. Catherine, in accordance with her novel reading, expects the Abbey to be exotic and frightening. Henry teases her about this, as it turns out that Northanger Abbey is pleasant and decidedly un-Gothic. However, there is a mysterious suite of rooms that no one ever goes into: Catherine learns that they were Mrs. Tilney's, who died nine years earlier. Catherine decides that, since General Tilney does not now seem to be affected by the loss of his wife, he may have murdered her or even imprisoned her in her chamber.
Catherine persuades Eleanor to show her Mrs. Tilney's rooms, but General Tilney suddenly appears. Catherine flees, sure that she will be punished. Later, Catherine sneaks back to Mrs. Tilney's rooms, to discover that her overactive imagination has once again led her astray, as nothing is strange or distressing in the rooms at all. Unfortunately, Henry passes in the corridor and questions her as to what she is doing. On hearing her (reluctantly admitted) suspicions, Henry angrily informs her that his father loved his wife in his own way and was truly upset by her death. He goes on to criticize Catherine for entertaining such wild ideas. She leaves crying, fearing that she has lost Henry’s entire regard.
Realizing how foolish she had been, Catherine comes to understand that, though novels may be delightful, their content does not relate to everyday life. Henry does not stay angry with her but lets her get over her shameful thoughts and actions in her own time and does not mention them to her again.
Soon after this adventure, James writes to inform her that he has broken off his engagement with Isabella because of her flirtations with Captain Tilney. The Tilneys are shocked; and Catherine is terribly disappointed, realizing what a dishonest person Isabella is, though she will miss her as a friend. The General goes off to London, and Eleanor becomes less inhibited and shy away from his imposing presence. In General Tilney's absence, Catherine passes several enjoyable days with Henry and Eleanor until he returns abruptly, in a temper. Eleanor tells Catherine that the family has an engagement that prevents Catherine from staying any longer and that she must go home early the next morning, in a shocking, inhospitable move that forces Catherine to undertake the seventy-mile journey alone.
At home, Catherine is listless and unhappy. Her parents, unaware of her trials of the heart, try to bring her up to her usual spirits, with little effect. Two days after she returns home, however, Henry pays a sudden unexpected visit and explains what happened. General Tilney had believed (on the misinformation of John Thorpe) her to be exceedingly rich and therefore a proper match for Henry. In London, General Tilney ran into Thorpe again, who, angry at Catherine's refusal of his half-made proposal of marriage, said instead that she was nearly destitute. Enraged, General Tilney returned home to evict Catherine. When Henry returned to Northanger from Woodston, his father informed him of what had occurred and forbade him to think of Catherine again. When Henry argued and learned how she had been treated, he breaks with his father and tells Catherine he still wants to marry her despite his father's disapproval. Catherine is delighted.
Eventually, General Tilney acquiesces, because Eleanor has become engaged to a wealthy and titled man; and he discovers that the Morlands, while not extremely rich, are far from destitute.
Characters
Catherine Morland: A 17-year-old girl who loves reading Gothic novels. Something of a tomboy in her childhood, her looks are described by the narrator as "pleasing, and, when in good looks, pretty." Catherine lacks experience and sees her life as if she were a heroine in a Gothic novel. She sees the best in people, and to begin with always seems ignorant of other people's malignant intentions. She is the devoted sister of James Morland. She is good-natured and frank and often makes insightful comments on the inconsistencies and insincerities of people around her, usually to Henry Tilney, and thus is unintentionally sarcastic and funny. She is also seen as a humble and modest character, becoming exceedingly happy when she receives the smallest compliment. Catherine's character grows throughout the novel, as she gradually becomes a real heroine, learning from her mistakes when she is exposed to the outside world in Bath. She sometimes makes the mistake of applying Gothic novels to real life situations; for example, later in the novel she begins to suspect General Tilney of having murdered his deceased wife. Catherine soon learns that Gothic novels are really just fiction and do not always correspond with reality.
Henry Tilney: A well-read clergyman in his mid-20s, the younger son of the wealthy Tilney family. He is Catherine's romantic interest throughout the novel, and during the course of the plot he comes to return her feelings. He is sarcastic, intuitive, and clever, given to witticisms and light flirtations (which Catherine is not always able to understand or reciprocate in kind), but he also has a sympathetic nature (he is a good brother to Eleanor), which leads him to take a liking to Catherine's naïve straightforward sincerity.
John Thorpe: An arrogant and extremely boastful young man who certainly appears distasteful to the likes of Catherine. He is Isabella's brother and he has a crush on Catherine Morland.
Isabella Thorpe: A manipulative and self-serving young woman on a quest to obtain a well-off husband; at the time, marriage was the accepted way for young women of a certain class to become "established" with a household of their own (as opposed to becoming a dependent spinster), and Isabella lacks most assets (such as wealth or family connections to bring to a marriage) that would make her a "catch" on the "marriage market". Upon her arrival in Bath she is without acquaintance, leading her to immediately form a quick friendship with Catherine Morland. Additionally, when she learns that Catherine is the sister to James Morland (whom Isabella suspects to be worth more than he is in reality), she goes to every length to ensure a connection between the two families.
General Tilney: A stern and rigid retired general with an obsessive nature, General Tilney is the sole surviving parent to his three children Frederick, Henry, and Eleanor.
Eleanor Tilney: Henry's sister, she plays little part in Bath, but takes on more importance in Northanger Abbey. A convenient chaperon for Catherine and Henry's times together. Obedient daughter, warm friend, sweet sister, but lonely under her father's tyranny.
Frederick Tilney: Henry's older brother (the presumed heir to the Northanger estate), an officer in the army who enjoys pursuing flirtations with pretty girls who are willing to offer him some encouragement (though without any ultimate serious intent on his part).
Mr. Allen: A kindly man, with some slight resemblance to Mr. Bennet of Pride and Prejudice.
Mrs. Allen: Somewhat vacuous, she sees everything in terms of her obsession with clothing and fashion, and has a tendency to utter repetitions of remarks made by others in place of original conversation.
Major themes
* The intricacies and tedium of high society, particularly partner selection.
* The conflicts of marriage for love and marriage for property.
* Life lived as if in a Gothic novel, filled with danger and intrigue, and the obsession with all things gothic.
* The dangers of believing life is the same as fiction.
* The maturation of the young into skeptical adulthood, the loss of imagination, innocence and good faith.
* Things are not what they seem at first.
* Social criticism (comedy of manners).
* Parody of the gothic novels' "gothic and anti-gothic" attitudes.
In addition, Catherine Morland realises she is not to rely upon others, such as Isabella, who are negatively influential on her, but to be single minded and independent. It is only through bad experiences that Catherine really begins to properly mature and grow up.
Allusions/references to other works
Several Gothic novels are mentioned in the book, including most importantly The Mysteries of Udolpho and The Italian by Ann Radcliffe. Austen also satirizes Clermont, a Gothic novel by Regina Maria Roche. This last is included in a list of seven somewhat obscure Gothic works, known as the 'Northanger horrid novels' as recommended by Isabella Thorpe to Catherine Morland:
“Dear creature! how much I am obliged to you; and when you have finished Udolpho, we will read The Italian together; and I have made out a list of ten or twelve more of the same kind for you.”
“Have you, indeed! How glad I am! — What are they all?”
“I will read you their names directly; here they are, in my pocket-book. Castle of Wolfenbach, Clermont, Mysterious Warnings, Necromancer of the Black Forest, Midnight Bell, Orphan of the Rhine, and Horrid Mysteries. Those will last us some time.”
“Yes, pretty well; but are they all horrid, are you sure they are all horrid?”
“Yes, quite sure; for a particular friend of mine, a Miss Andrews, a sweet girl, one of the sweetest creatures in the world, has read every one of them...”
Though these lurid titles were assumed by some to be Austen's own invention, later researches by Montague Summers and Michael Sadleir discovered that they did really exist. There have since been various attempts to republish them (all seven in hardback by the Folio Society; The Necromancer and The Midnight Bell from a projected but abandoned series edited by Lucien Jenkins for Skoob Books Publishing and now a new series by Valancourt Books).
Jane Austen, who referred to Frances Burney d'Arblay as "the first of English novelists," in Northanger Abbey refers to her inspiring novels: “'And what are you reading, Miss — ?' 'Oh! It is only a novel!' replies the young lady, while she lays down her book with affected indifference, or momentary shame. 'It is only Cecilia, or Camilla, or Belinda'; or, in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best–chosen language."
Later on, a character who knows little about literature and has just stated that the only recent novel he likes is The Monk (an over-the-top tale of lurid Gothic horror), the rest being "stupid," says: "...'I was thinking of that other stupid book , written by that woman they make such a fuss about, she who married the French emigrant.' 'I suppose you mean Camilla? 'Yes, that's the book; such unnatural stuff!... it is the horridest nonsense you can imagine; there's nothing in the world in it but an old man's playing at see-saw and learning Latin...' This critique, the justness of which was unfortunately lost on poor Catherine, brought them to the door of Mrs. Thorpe's lodgings."
Literary significance & criticism
Northanger Abbey is fundamentally a parody of Gothic fiction. Austen turns the conventions of eighteenth-century novels on their head, by making her heroine a plain and undistinguished girl from a middle-class family, allowing the heroine to fall in love with the hero before he has a serious thought of her, and exposing the heroine's romantic fears and curiosities as groundless. Austen biographer Claire Tomalin speculates that Austen may have begun this book, which is more explicitly comic than her other works and contains many literary allusions that her parents and siblings would have enjoyed, as a family entertainment—a piece of lighthearted parody to be read aloud by the fireside.
Northanger Abbey exposes the difference between reality and fantasy and questions who can be trusted as a true companion and who might actually be a shallow, false friend. It is considered to be the most light-hearted of her novels.
Film, TV or theatrical adaptations
* The A&E Network and the BBC released the television adaptation Northanger Abbey in 1986.
* An adaptation of Northanger Abbey with screenplay by Andrew Davies, was shown on ITV on 25 March 2007 as part of their "Jane Austen Season". This adaptation aired on PBS in the United States as part of the "Complete Jane Austen" on Masterpiece Classic in January, 2008.
* Pup Fiction – an episode of Wishbone featuring the plot and characters of Austen's Northanger Abbey.
As yet, there has not been a motion picture adaptation of the novel.
Trivia
This novel contains one of the earliest occurrences of the word "baseball" in print (probably referring to a variant of rounders, played by Catherine Morland with other children during her tomboy days).
A passage from the novel appears as the preface of Ian McEwan's Atonement, thus likening the naive mistakes of Austen's Catherine Morland to those of his own character Briony Tallis, who is in a similar position: both characters have very over-active imaginations, which lead to misconceptions that cause distress in the lives of people around them. Both treat their own lives like those of heroines in fantastical works of fiction, with Miss Morland likening herself to a character in a Gothic novel and young Briony Tallis writing her own melodramatic stories and plays with central characters such as "spontaneous Arabella" based on herself.
Plot introduction
Northanger Abbey follows seventeen-year-old Gothic novel aficionado Catherine Morland and family friends Mr. and Mrs. Allen as they visit Bath, England. Catherine is in Bath for the first time. There she meets her friends such as Isabella Thorpe, and goes to balls. Catherine finds herself pursued by Isabella's brother, the rather rough-mannered dandy John Thorpe, and by her real love interest, Henry Tilney. She also becomes friends with Eleanor Tilney, Henry's younger sister. Henry captivates her with his view on novels and his knowledge of history and the world. General Tilney (Henry and Eleanor's father) invites Catherine to visit their estate, Northanger Abbey, which, from her reading of Ann Radcliffe's gothic novel The Mysteries of Udolpho, she expects to be dark, ancient and full of Gothic horrors and fantastical mystery.
Plot summary
Seventeen year old Catherine Morland is one of ten children of a country clergyman. Although a tomboy in her childhood, by the age of 17 she is "in training for a heroine," and is excessively fond of reading Gothic novels of which Ann Radcliffe's Mysteries of Udolpho is a favourite.
Catherine is invited by her wealthier neighbours in Fullerton, the Allens, to accompany them to visit the resort town of Bath and partake in the winter season of balls, theatre and other social delights. Although initially the excitement of Bath is dampened by her lack of acquaintances, she is soon introduced to a clever young gentleman named Henry Tilney, with whom she dances and converses. Much to her disappointment, Catherine does not see Mr. Tilney again soon after their first meeting, though her attention is quickly engaged when Mrs. Allen meets Mrs. Thorpe, an old school friend of hers, whose son is also acquainted with Catherine’s older brother, James. Catherine quickly becomes friends with the eldest Ms. Thorpe, Isabella, a vivacious and flirtatious young woman.
Catherine’s brother James and Isabella’s brother John soon arrive in Bath. While Isabella and James are spending time together, Catherine becomes acquainted with John, a vain and crude young gentleman who incessantly tells fantastical stories about himself.
Mr. Tilney returns to Bath, accompanied by his younger sister, Eleanor Tilney, who is a sweet, elegant and respectable young lady. Catherine also meets their father, the imposing General Tilney.
The Thorpes are not very happy about Catherine's friendship with the Tilneys, as they (correctly as it happens) perceive Henry as a rival for Catherine's affections. Catherine tries to maintain her friendships with both the Thorpes and the Tilneys, though John Thorpe continually tries to sabotage her relationship with the Tilneys. This leads to several misunderstandings, which upset Catherine and put her in the awkward position of explaining herself to the Tilneys.
Isabella and James become engaged. Mr Morland (senior) approves the match and offers James a country parson's living worth a modest sum, which he will be able to have in two years. The couple must therefore wait that long to marry. Isabella is dissatisfied, having believed the Morlands to be quite wealthy, but she pretends to Catherine that she is merely dissatisfied that they must wait so long to be married. James departs to purchase a ring, and John accompanies him after coyly suggesting marriage to the confused Catherine. Isabella immediately begins to flirt with Captain Tilney, the older brother to Henry. Innocent Catherine cannot understand her friend's behavior; but Henry understands it all too well, as he knows his brother's character and habits. The flirtation continues even when James returns, much to James' embarrassment and distress.
The Tilneys invite Catherine to stay with them for a few weeks at their home, Northanger Abbey. Catherine, in accordance with her novel reading, expects the Abbey to be exotic and frightening. Henry teases her about this, as it turns out that Northanger Abbey is pleasant and decidedly un-Gothic. However, there is a mysterious suite of rooms that no one ever goes into: Catherine learns that they were Mrs. Tilney's, who died nine years earlier. Catherine decides that, since General Tilney does not now seem to be affected by the loss of his wife, he may have murdered her or even imprisoned her in her chamber.
Catherine persuades Eleanor to show her Mrs. Tilney's rooms, but General Tilney suddenly appears. Catherine flees, sure that she will be punished. Later, Catherine sneaks back to Mrs. Tilney's rooms, to discover that her overactive imagination has once again led her astray, as nothing is strange or distressing in the rooms at all. Unfortunately, Henry passes in the corridor and questions her as to what she is doing. On hearing her (reluctantly admitted) suspicions, Henry angrily informs her that his father loved his wife in his own way and was truly upset by her death. He goes on to criticize Catherine for entertaining such wild ideas. She leaves crying, fearing that she has lost Henry’s entire regard.
Realizing how foolish she had been, Catherine comes to understand that, though novels may be delightful, their content does not relate to everyday life. Henry does not stay angry with her but lets her get over her shameful thoughts and actions in her own time and does not mention them to her again.
Soon after this adventure, James writes to inform her that he has broken off his engagement with Isabella because of her flirtations with Captain Tilney. The Tilneys are shocked; and Catherine is terribly disappointed, realizing what a dishonest person Isabella is, though she will miss her as a friend. The General goes off to London, and Eleanor becomes less inhibited and shy away from his imposing presence. In General Tilney's absence, Catherine passes several enjoyable days with Henry and Eleanor until he returns abruptly, in a temper. Eleanor tells Catherine that the family has an engagement that prevents Catherine from staying any longer and that she must go home early the next morning, in a shocking, inhospitable move that forces Catherine to undertake the seventy-mile journey alone.
At home, Catherine is listless and unhappy. Her parents, unaware of her trials of the heart, try to bring her up to her usual spirits, with little effect. Two days after she returns home, however, Henry pays a sudden unexpected visit and explains what happened. General Tilney had believed (on the misinformation of John Thorpe) her to be exceedingly rich and therefore a proper match for Henry. In London, General Tilney ran into Thorpe again, who, angry at Catherine's refusal of his half-made proposal of marriage, said instead that she was nearly destitute. Enraged, General Tilney returned home to evict Catherine. When Henry returned to Northanger from Woodston, his father informed him of what had occurred and forbade him to think of Catherine again. When Henry argued and learned how she had been treated, he breaks with his father and tells Catherine he still wants to marry her despite his father's disapproval. Catherine is delighted.
Eventually, General Tilney acquiesces, because Eleanor has become engaged to a wealthy and titled man; and he discovers that the Morlands, while not extremely rich, are far from destitute.
Characters
Catherine Morland: A 17-year-old girl who loves reading Gothic novels. Something of a tomboy in her childhood, her looks are described by the narrator as "pleasing, and, when in good looks, pretty." Catherine lacks experience and sees her life as if she were a heroine in a Gothic novel. She sees the best in people, and to begin with always seems ignorant of other people's malignant intentions. She is the devoted sister of James Morland. She is good-natured and frank and often makes insightful comments on the inconsistencies and insincerities of people around her, usually to Henry Tilney, and thus is unintentionally sarcastic and funny. She is also seen as a humble and modest character, becoming exceedingly happy when she receives the smallest compliment. Catherine's character grows throughout the novel, as she gradually becomes a real heroine, learning from her mistakes when she is exposed to the outside world in Bath. She sometimes makes the mistake of applying Gothic novels to real life situations; for example, later in the novel she begins to suspect General Tilney of having murdered his deceased wife. Catherine soon learns that Gothic novels are really just fiction and do not always correspond with reality.
Henry Tilney: A well-read clergyman in his mid-20s, the younger son of the wealthy Tilney family. He is Catherine's romantic interest throughout the novel, and during the course of the plot he comes to return her feelings. He is sarcastic, intuitive, and clever, given to witticisms and light flirtations (which Catherine is not always able to understand or reciprocate in kind), but he also has a sympathetic nature (he is a good brother to Eleanor), which leads him to take a liking to Catherine's naïve straightforward sincerity.
John Thorpe: An arrogant and extremely boastful young man who certainly appears distasteful to the likes of Catherine. He is Isabella's brother and he has a crush on Catherine Morland.
Isabella Thorpe: A manipulative and self-serving young woman on a quest to obtain a well-off husband; at the time, marriage was the accepted way for young women of a certain class to become "established" with a household of their own (as opposed to becoming a dependent spinster), and Isabella lacks most assets (such as wealth or family connections to bring to a marriage) that would make her a "catch" on the "marriage market". Upon her arrival in Bath she is without acquaintance, leading her to immediately form a quick friendship with Catherine Morland. Additionally, when she learns that Catherine is the sister to James Morland (whom Isabella suspects to be worth more than he is in reality), she goes to every length to ensure a connection between the two families.
General Tilney: A stern and rigid retired general with an obsessive nature, General Tilney is the sole surviving parent to his three children Frederick, Henry, and Eleanor.
Eleanor Tilney: Henry's sister, she plays little part in Bath, but takes on more importance in Northanger Abbey. A convenient chaperon for Catherine and Henry's times together. Obedient daughter, warm friend, sweet sister, but lonely under her father's tyranny.
Frederick Tilney: Henry's older brother (the presumed heir to the Northanger estate), an officer in the army who enjoys pursuing flirtations with pretty girls who are willing to offer him some encouragement (though without any ultimate serious intent on his part).
Mr. Allen: A kindly man, with some slight resemblance to Mr. Bennet of Pride and Prejudice.
Mrs. Allen: Somewhat vacuous, she sees everything in terms of her obsession with clothing and fashion, and has a tendency to utter repetitions of remarks made by others in place of original conversation.
Major themes
* The intricacies and tedium of high society, particularly partner selection.
* The conflicts of marriage for love and marriage for property.
* Life lived as if in a Gothic novel, filled with danger and intrigue, and the obsession with all things gothic.
* The dangers of believing life is the same as fiction.
* The maturation of the young into skeptical adulthood, the loss of imagination, innocence and good faith.
* Things are not what they seem at first.
* Social criticism (comedy of manners).
* Parody of the gothic novels' "gothic and anti-gothic" attitudes.
In addition, Catherine Morland realises she is not to rely upon others, such as Isabella, who are negatively influential on her, but to be single minded and independent. It is only through bad experiences that Catherine really begins to properly mature and grow up.
Allusions/references to other works
Several Gothic novels are mentioned in the book, including most importantly The Mysteries of Udolpho and The Italian by Ann Radcliffe. Austen also satirizes Clermont, a Gothic novel by Regina Maria Roche. This last is included in a list of seven somewhat obscure Gothic works, known as the 'Northanger horrid novels' as recommended by Isabella Thorpe to Catherine Morland:
“Dear creature! how much I am obliged to you; and when you have finished Udolpho, we will read The Italian together; and I have made out a list of ten or twelve more of the same kind for you.”
“Have you, indeed! How glad I am! — What are they all?”
“I will read you their names directly; here they are, in my pocket-book. Castle of Wolfenbach, Clermont, Mysterious Warnings, Necromancer of the Black Forest, Midnight Bell, Orphan of the Rhine, and Horrid Mysteries. Those will last us some time.”
“Yes, pretty well; but are they all horrid, are you sure they are all horrid?”
“Yes, quite sure; for a particular friend of mine, a Miss Andrews, a sweet girl, one of the sweetest creatures in the world, has read every one of them...”
Though these lurid titles were assumed by some to be Austen's own invention, later researches by Montague Summers and Michael Sadleir discovered that they did really exist. There have since been various attempts to republish them (all seven in hardback by the Folio Society; The Necromancer and The Midnight Bell from a projected but abandoned series edited by Lucien Jenkins for Skoob Books Publishing and now a new series by Valancourt Books).
Jane Austen, who referred to Frances Burney d'Arblay as "the first of English novelists," in Northanger Abbey refers to her inspiring novels: “'And what are you reading, Miss — ?' 'Oh! It is only a novel!' replies the young lady, while she lays down her book with affected indifference, or momentary shame. 'It is only Cecilia, or Camilla, or Belinda'; or, in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best–chosen language."
Later on, a character who knows little about literature and has just stated that the only recent novel he likes is The Monk (an over-the-top tale of lurid Gothic horror), the rest being "stupid," says: "...'I was thinking of that other stupid book , written by that woman they make such a fuss about, she who married the French emigrant.' 'I suppose you mean Camilla? 'Yes, that's the book; such unnatural stuff!... it is the horridest nonsense you can imagine; there's nothing in the world in it but an old man's playing at see-saw and learning Latin...' This critique, the justness of which was unfortunately lost on poor Catherine, brought them to the door of Mrs. Thorpe's lodgings."
Literary significance & criticism
Northanger Abbey is fundamentally a parody of Gothic fiction. Austen turns the conventions of eighteenth-century novels on their head, by making her heroine a plain and undistinguished girl from a middle-class family, allowing the heroine to fall in love with the hero before he has a serious thought of her, and exposing the heroine's romantic fears and curiosities as groundless. Austen biographer Claire Tomalin speculates that Austen may have begun this book, which is more explicitly comic than her other works and contains many literary allusions that her parents and siblings would have enjoyed, as a family entertainment—a piece of lighthearted parody to be read aloud by the fireside.
Northanger Abbey exposes the difference between reality and fantasy and questions who can be trusted as a true companion and who might actually be a shallow, false friend. It is considered to be the most light-hearted of her novels.
Film, TV or theatrical adaptations
* The A&E Network and the BBC released the television adaptation Northanger Abbey in 1986.
* An adaptation of Northanger Abbey with screenplay by Andrew Davies, was shown on ITV on 25 March 2007 as part of their "Jane Austen Season". This adaptation aired on PBS in the United States as part of the "Complete Jane Austen" on Masterpiece Classic in January, 2008.
* Pup Fiction – an episode of Wishbone featuring the plot and characters of Austen's Northanger Abbey.
As yet, there has not been a motion picture adaptation of the novel.
Trivia
This novel contains one of the earliest occurrences of the word "baseball" in print (probably referring to a variant of rounders, played by Catherine Morland with other children during her tomboy days).
A passage from the novel appears as the preface of Ian McEwan's Atonement, thus likening the naive mistakes of Austen's Catherine Morland to those of his own character Briony Tallis, who is in a similar position: both characters have very over-active imaginations, which lead to misconceptions that cause distress in the lives of people around them. Both treat their own lives like those of heroines in fantastical works of fiction, with Miss Morland likening herself to a character in a Gothic novel and young Briony Tallis writing her own melodramatic stories and plays with central characters such as "spontaneous Arabella" based on herself.